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  • Surfs Up Surfs Up Quick View

    $24.99
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    Surfs Up

    The Beach Boys' 1971 album Surf's Up was the second release on their own Brother Records and it is often considered a lost minor classic in the band's catalog. Its socially conscious lyrics and haunting harmonies stand among the group's best. Highlights include Long Promised Road, Feel Flows, Til I Die and Surf's Up.
    1. Don't Go Near the Water
    2. Long Promised Road
    3. Take a Load off Your Feet
    4. Disney Girls (1957)
    5. Student Demonstration Time
    6. Feel Flows
    7. Lookin' at Tomorrow (A Welfare Song)
    8. A Day in the Life of a Tree
    9. 'Till I Die
    10. Surf's Up
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beach Boys Party! (Mono) Beach Boys Party! (Mono) Quick View

    $39.99
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    Beach Boys Party! (Mono)

    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory! But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themseleves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.
    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Capitol Records, which had already released ten Beach Boys albums in three years, was bugging the group for product that it could release in time for the 1965 Christmas season. To buy time while Brian Wilson began conceiving the Pet Sounds masterpiece, the group issued a set of covers, mostly of the '50s rock and R&B they had listened to as schoolboys. Packaged as if it had been recorded at an actual party, it was in fact recorded in the studio, with friends and romantic partners adding sounds and vocals to create an informal atmosphere. With the exception of a bass guitar, all the instruments were acoustic; the acoustic guitar-and-bongo arrangements, in fact, give this a hootenanny campfire feel. In recent years, this album has gone up a few notches in critical esteem, praised for its loose, casual feel and insight into the group's influences. ... It does have the massive hit 'Barbara Ann,' which actually features Dean Torrence (of Jan & Dean) on much of the lead vocals; other highlights include 'Mountain of Love,' an unexpected version of 'The Times They Are a-Changin',' and three Beatles covers. - AllMusic.com


    This title is not eligible for discount.

    1. Hully Gully
    2. I Should Have Known Better
    3. Tell Me Why
    4. Papa-Oom-Mow-Mow
    5. Mountain Of Love
    6. You've Got To Hide Your Love Away
    7. Devoted To You
    8. Alley Oop
    9. There's No Other (Like My Baby)
    10. Medley: I Get Around/ Little Deuce Coup
    11. The Times They Are A-Changin'
    12. Barbara Ann
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Shut Down Vol 2 (Mono) Shut Down Vol 2 (Mono) Quick View

    $39.99
    Buy Now
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    Shut Down Vol 2 (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    The first Shut Down was a hugely successful Capitol Records Various Artists compilation LP that had included a pair of Beach Boys tracks. Whereas their previous album Little Deuce Coupe had been a full-on car themed concept album, the Beach Boys' Shut Down Volume 2 was pretty much evenly split between songs with car themes and various high school and summertime-themed tunes. The album sought to further the Beach Boys beyond its ironic sea-and-sun fetish (none but Dennis Wilson ever surfed) into the burgeoning hot-rod subculture. ... the high points remain nothing short of spectacular, including the Mike Love-propelled 'Fun, Fun, Fun,' Wilson's knowing nod to Phil Spector, 'Don't Worry Baby,' and the (hit) 'The Warmth of the Sun.' - Amazon.com


    This title is not eligible for discount.

    1. Fun, Fun, Fun
    2. Don't Worry Baby
    3. In The Parkin' Lot
    4. "Cassius" Love Vs "Sonny" Wilson
    5. The Warmth Of The Sun
    6. This Car Is Mine
    7. Why Do Fools Fall In Love
    8. Pom, Pom Play Girl
    9. Keep An Eye On Summer
    10. Shut Down, Part II
    11. Louie, Louie
    12. Denny's Drums
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Surf's Up Surf's Up Quick View

    $39.99
    Buy Now
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    Surf's Up

    33 1/3 RPM Stereo Only


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Worth noting on Surf's Up is Stephen Desper's engineering work - the entire album was mixed to a center channel quad matrix that he was developing at the time.


    Surf's Up hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts - the highest chart placement the group had had since 1967. At the time of its release, Surf's Up was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York's legendary Carnegie Hall.


    Carl Wilson makes solid contributions on Surf's Up with Long Promised Road and Feel Flows, and the album also features stellar tracks by Al Jardine and Mike Love, as well as Bruce Johnston's most enduring composition, the gently nostalgic Disney Girls (1957), but the album's twin jewels are both from Brian Wilson - Til I Die and the title track - one of the centerpieces of the then-unreleased Smile (cowritten by lyricist Van Dyke Parks and here given that album's Child Is Father to the Man as a glorious coda.)


    Surf's Up track A Day in the Life of a Tree is the first in a series of Brian's songs that close the album. It's simultaneously one of Brian Wilson's most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. Til I Die, isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life.


    This title is not eligible for discount.

    1. Don't Go Near The Water
    2. Long Promised Road
    3. Take A Load Off Your Feet
    4. Disney Girls
    5. Student Demonstration Time
    6. Feel Flows
    7. Lookin' At Tomorrow (A Welfare Song)
    8. A Day In The Life Of A Tree
    9. 'Til I Die
    10. Surf's Up
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Smile Sessions The Smile Sessions Quick View

    $34.99
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    The Smile Sessions

    With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has, for the first time, collected and compiled the bands legendary 1966-67 sessions for the never-completed SMiLE album.


    In numerous sessions between the spring of 1966 and the summer of 1967, The Beach Boys recorded a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band's 1966 masterpiece, Pet Sounds. The master tapes were ultimately shelved, and The Beach Boys' SMiLE has never been released. Drawn from the original masters, The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world.


    The SMiLE Sessions double vinyl LP features an approximation of what was intended to be the completed SMiLE album, compiled from The Beach Boys original session masters. Additional session highlights and bonus tracks are also included, including demos and stereo mixes.


    Produced by Brian Wilson, Mark Linett, Alan Boyd and Dennis Wolfe in Los Angeles The SMiLE Sessions 2LP Set includes an assembled collection of core session tracks. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.


    Artwork for The SMiLE Sessions has been created with and inspired by Beat-Pop artist Frank Holmes original 1967 LP sleeve art and booklet designs intended for the SMiLE album.


    When Capitol/EMI and The Beach Boys first announced plans for The SMiLE Sessions 2011 release, the news spread rapidly. Pitchfork reported, The Beach Boys SMiLE is quite possibly the most storied album in rock history, Billboard proclaimed the upcoming release an event that pop music fans have been waiting for since the Summer of Love, and The Washington Post called SMiLE the most legendary unreleased album of all time.


    The best efforts have been taken by The Beach Boys, the producers, and Capitol/EMI to present the SMiLE album sessions most vital and fascinating elements. However, there will no doubt be some debate amongst Beach Boys fans around the world who, during the past four decades, have become familiar with a variety of widely-traded bootlegged bits and pieces from the sessions. As recently explained by the Detroit Metro Times, No album, released or not, has generated a more personal relationship with its audience, since no two people can ever agree on its content and purpose.


    Beginning with Good Vibrations, The Beach Boys best-selling record in a long string of hits, Brian Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this before in pop music, and his next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.


    In 1965, Brian Wilson met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including Heroes And Villains, the bands follow-up single to Good Vibrations. Wilson and Parks would also co-write Surf's Up, Vega-Tables, Cabin Essence, Do You Like Worms, Wonderful, Wind Chimes, and other pieces of the SMiLE tapestry. Parks also introduced Frank Holmes to create album sleeve art and a booklet interpreting the albums James Joyce-mode lyrics.


    The reason SMiLE did not see a release in 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld Heroes And Villains and announced they would instead release Vega-Tables recorded with the bands own money in April of '67 on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the bands Brother Records, and it was agreed that SMiLE was no longer to be the bands next album.

    LP 1
    Side 1
    1. Our Prayer
    2. Gee
    3. Heroes and Villains
    4. Do You Like Worms (Roll Plymouth Rock)
    5. I'm In Great Shape
    6. Barnyard
    7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
    8. Cabin Essence


    Side 2
    1. Wonderful
    2. Look (Song for Children)
    3. Child Is Father Of the Man
    4. Surf's Up


    LP 2
    Side 3
    1. I Wanna Be Around / Workshop
    2. Vega-Tables
    3. Holidays
    4. Wind Chimes
    5. The Elements: Fire (Mrs. O'Leary's Cow)
    6. Love to Say Dada
    7. Good Vibrations


    Side 4
    1. You're Welcome (stereo mix)
    2. Vega-Tables (stereo mix)
    3. Wind Chimes (stereo mix)
    4. Cabin Essence (Session highlights and stereo backing track)
    5. Surf's Up (Session Excerpt and Stereo mix)

    The Beach Boys
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Late Night Tales: Django Django Late Night Tales: Django Django Quick View

    $35.99
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    Late Night Tales: Django Django

    Django Django is the latest band invited to curate a prestigious Late Night Tales collection, set for release on 5th May. Like many of the best British groups, the Djangos met at art school, specifically Edinburgh College Of Art, before reconnecting in London. Django Django released their self-titled debut album on quirky French indie Because in early 2012 to some acclaim, winding up in many critics' end of year lists (Top Ten in the NME and Top 30 in Rolling Stone, among them).


    Their oddball approach to music, which sounds like the rich harmonies of the Mamas & Papas beamed through a refracting prism pointing towards Bo Diddley, Chicago house and outer-space (it's no surprise to learn that Django producer/drummer Dave Maclean's brother John was in the Beta Band, who also shared the same cinemascopic view of the pop landscape).


    "Rollicking sing-alongs, galloping into disco sunsets like whisky-addled and leather-saddled bandits on the stolen backs of prairie wild mustangs," is how Django Django describe themselves. Which is another way of saying they're pop adventurists, as at home with Mad Mike's Underground Resistance as they are the blues rumble of Canned Heat. A bit like this delightful mix, then, which darts about like a gurgle of guppies after two too many espressos.


    Check out mixes that rock between two-step delights like Roy Davis Jr's 'Gabrielle' to Nilsson's lyrically winsome 'Coconut'. At one end of the Django spectrum there's James Last, the terminally unhip Teuton, whose 'Inner City Blues' shows you can never underestimate the Germans, while at the far reaches of the mix, they manage to sneak in Ramadanman ('Bass Drums') and Hudson Mohawke and Lunice collaboration TNGHT's 'Bugg'n'. You can hear the echoes of influences in some of the selections, like The Beach Boys whose peerless 'Surf's Up' makes a welcome appearance halfway through, while Seals & Crofts' "Sweet Green Fields" show what sun-drenched pop can sound like when it's done well. And because it's Late Night Tales there's a sparkling cover version of 'Porpoise Song', the theme from The Monkees daffily brilliant 'Head', an admirably lysergic termination to this waltz through pop's nooks and cranberries. "You should never be afraid to make a fool of yourself for art," Dave Maclean once said. Let's raise a dram to Scotland's favourite fools on the hill.


    "We wanted to produce a mix that represented the band. It's what we're all into, so everyone put forward suggestions. It's what we are as a band; and we're kids that have grown up with an obsession about our mum and dad's record collections, like '50s and 60s stuff and then got into hip hop and dance music as we grew up. At the heart of it all is our parents' collections, with our tastes mixed in. Our Late Night Tales pays homage to that."

    Dave Maclean (Django Django)

    LP1
    1. Leo Kottke - The Tennessee Toad
    2. Gulp - Game Love
    3. Bob James - Nautilus
    4. James Last - Inner City Blues
    5. Philip Glass - Floe
    6. Map Of Africa - Bone
    7. Seals & Crofts - Sweet Green Fields
    8. The Millennium - To Claudia On Thursday
    9. The Beach Boys - Surf's Up
    10. Primal Scream - Carry Me Home


    LP2
    1. Massive Attack - Man Next Door
    2. TNGHT - Bugg'n
    3. Outkast - Slum Beautiful
    4. Timmy Thomas - Why Can't We Live Together
    5. Harry Nilsson - Coconut
    6. Canned Heat - Poor Moon
    7. Rick Miller - Future Directions
    8. Django Django - Porpoise Song
    9. Benedict Cumberbatch - Flat Of Angles pt.4

    Django Django
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Dancing at the Blue Lagoon Dancing at the Blue Lagoon Quick View

    $18.99
    Buy Now
    x

    Dancing at the Blue Lagoon

    On their last album, Bigfoot, Cayucas debuted in a way that defied their namesake, the sleepy seaside town
    of Cayucos, CA. They grew from bedroom strumming to a band that toured the world and whose songs
    raced across the radio. But as Zach Yudin and his twin brother and bandmate, Ben, went in to create what
    would become their new album, what it all came back to was something more personal. While they now call
    Los Angeles home, they drew from the nostalgia of their childhood growing up in Davis, CA; the nostalgia
    in their music that is as much about a place they've never been (that maybe no one's been to) as any actual
    experience. It was a freedom to imagine, to explore ideas. And it was that wandering imagination and
    a punchy California dream that eventually grew to become Dancing at the Blue Lagoon.


    While their sun-drenched, jangly, sometimes melancholic sound is quintessentially Californian, the album
    very much their California. It's the sound of kids from the suburbs who fantasize in Technicolor, whose view
    of the Golden State is its own form of idealism. You can hear it loud and clear in the easygoing confidence
    throughout on the crisp, backbeat-driven "Hella" or as "Moony Eyed Walrus" takes surf guitar into
    fragmented, unpredictable places. The impossibly catchy and heartbreaking "Backstroke" is a Murakamiinspired detective story, neo-noir that is equal parts stylization and gut-level emotion.


    That said, Dancing at the Blue Lagoon is all about a band testing its comfort zone and asking us to do the
    same. "Big Winter Jacket" is a world away from sun-kissed pop, with acoustic guitars that build
    into something grand and expansive. The after-hours piano ballad "Ditches," like much of Dancing at the
    Blue Lagoon, takes pop conventions and digs into them. Like the Beach Boys of Sunflower or Surf's Up,
    it reminds us that sadness and uncertainty are never far from the surface, even in Cayucas's most carefree
    moments. It casts some like the title track "Dancing at the Blue Lagoon"-a lilting tropical fantasia-in
    an entirely different light.


    As the primary songwriter, Zach depends on this kind of versatility. "I write on a song-by-song basis," he
    says. It's been that way ever since he started taking music more seriously in college. Zach and Ben would
    "create bands that were more like a musical idea," record a few songs, and then move on. Cayucas grew out
    of this period of experimentation.


    The real core of the record is the almost harrowing "Blue Lagoon (Theme Song)." Accompanied by a lone
    guitar, Zach's performance is emotionally raw and technically precise, the kind of statement that
    gives Dancing at the Blue Lagoon real substance. Like a great actor whose art rings true because of an honest, human streak, Cayucas has taken sound we thought we knew and turned in into something personal and complex.

    1. Big Winter Jacket
    2. Moony Eyed Walrus
    3. Hella
    4. Champion
    5. Ditches
    6. Dancing at the Blue Lagoon
    7. Backstroke
    8. A Shadow in the Dark
    9. Blue Lagoon (Theme Song)
    Cayucas
    $18.99
    Vinyl LP - Sealed Buy Now
  • All Summer Long (Mono) All Summer Long (Mono) Quick View

    $39.99
    Buy Now
    x

    All Summer Long (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena - Beatlemania - and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak. - Amazon.com


    This title is not eligible for discount.

    1. I Get Around
    2. All Summer Long
    3. Hushabye
    4. Little Honda
    5. We'll Run Away
    6. Carl's Big Chance
    7. Wendy
    8. Do You Remember?
    9. Girls On The Beach
    10. Drive-In
    11. Our Favorite Recording Sessions
    12. Don't Back Down
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Surfin' USA Surfin' USA Quick View

    $39.99
    Buy Now
    x

    Surfin' USA

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfin' USA was the Beach Boys' real breakthough album, showing Brian Wilson asserting himself in the studio as both a premier songwriter and arranger on a set of material that was stronger than their Surfin' Safari debut.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Besides the hit title track on Surfin' USA and its popular drag-racing flip side (Shut Down), AllMusic.com notes that Surfin' USA has a lovely, heartbreaking ballad (Lonely Sea) and a couple of strong Brian Wilson originals (The Noble Surfer and Farmer's Daughter).


    There are also a surprisingly high quotient of instrumentals (five) that demonstrate that ... the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion. - AllMusic.com


    This title is not eligible for discount.

    1. Surfin' U.S.A.
    2. Farmer's Daughter
    3. Misirlou
    4. Stoked
    5. Lonely Sea
    6. Shut Down
    7. Noble Surfer
    8. Honky Tonk
    9. Lana
    10. Surf Jam
    11. Let's Go Trippin'
    12. Finders Keepers
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfin' USA (Mono) Surfin' USA (Mono) Quick View

    $39.99
    Buy Now
    x

    Surfin' USA (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.
    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.
    Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputiing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themseleves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfin' USA was the Beach Boys' real breakthough album, showing Brian Wilson asserting himself in the studio as both a premier songwriter and arranger.


    Besides the hit title track and its popular drag-racing flip side (Shut Down), AllMusic.com notes that Surfin' USA has a lovely, heartbreaking ballad (Lonely Sea) and a couple of strong Brian Wilson originals (The Noble Surfer and Farmer's Daughter).


    There are also a surprisingly high quotient of instrumentals (five) that demonstrate that ... the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion. - AllMusic.com


    This title is not eligible for discount.

    1. Surfin' U.S.A.
    2. Farmer's Daughter
    3. Misirlou
    4. Stoked
    5. Lonely Sea
    6. Shut Down
    7. Noble Surfer
    8. Honky Tonk
    9. Lana
    10. Surf Jam
    11. Let's Go Trippin'
    12. Finders Keepers
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Surfer Girl (Mono) Surfer Girl (Mono) Quick View

    $39.99
    Buy Now
    x

    Surfer Girl (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    This title is not eligible for discount.

    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe
    7. In My Room
    8. Hawaii
    9. Surfer's Rule
    10. Our Car Club
    11. Your Summer Dream
    12. Boogie Woodie
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • All Summer Long All Summer Long Quick View

    $39.99
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    x

    All Summer Long

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena - Beatlemania - and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak. - Amazon.com


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. I Get Around
    2. All Summer Long
    3. Hushabye
    4. Little Honda
    5. We'll Run Away
    6. Carl's Big Chance
    7. Wendy
    8. Do You Remember?
    9. Girls On The Beach
    10. Drive-In
    11. Our Favorite Recording Sessions
    12. Don't Back Down
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Shut Down Vol 2 Shut Down Vol 2 Quick View

    $39.99
    Buy Now
    x

    Shut Down Vol 2

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    The first Shut Down was a hugely successful Capitol Records Various Artists compilation LP that had included a pair of Beach Boys tracks. Whereas their previous album Little Deuce Coupe had been a full-on car themed concept album, the Beach Boys' Shut Down Volume 2 was pretty much evenly split between songs with car themes and various high school and summertime-themed tunes. The album sought to further the Beach Boys beyond its ironic sea-and-sun fetish (none but Dennis Wilson ever surfed) into the burgeoning hot-rod subculture. ... the high points remain nothing short of spectacular, including the Mike Love-propelled 'Fun, Fun, Fun,' Wilson's knowing nod to Phil Spector, 'Don't Worry Baby,' and the (hit) 'The Warmth of the Sun.' - Amazon.com


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Fun, Fun, Fun
    2. Don't Worry Baby
    3. In The Parkin' Lot
    4. "Cassius" Love Vs "Sonny" Wilson
    5. The Warmth Of The Sun
    6. This Car Is Mine
    7. Why Do Fools Fall In Love
    8. Pom, Pom Play Girl
    9. Keep An Eye On Summer
    10. Shut Down, Part II
    11. Louie, Louie
    12. Denny's Drums
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Summer Days (And Summer Nights!!) (Mono) Summer Days (And Summer Nights!!) (Mono) Quick View

    $39.99
    Buy Now
    x

    Summer Days (And Summer Nights!!) (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    One Of 10 Titles Featuring 33 1/3 Mono And Stereo Remastered Editions: Surfin' Usa, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (and Summer Nights!!), Beach Boys Party!, Pet Sounds And Smiley Smile


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Summer Days features another Wilson world-beater production, California Girls, and the band's second No. 1 single, Help Me, Rhonda. Ever pressured by commercial concerns, Wilson and the band created what was in essence the true follow-up to the All Summer Long album. Still, there's a level of musical sophistication to tracks such as Salt Lake City, the Phil Spector tribute Then I Kissed Her, Summer Means New Love and Let Him Run Wild.


    This title is not eligible for discount.

    1. The Girl From New York City
    2. Amusement Parks U.S.A.
    3. Then I Kissed Her
    4. Salt Lake City
    5. Girl Don't Tell Me
    6. Help Me, Rhonda
    7. California Girls
    8. Let Him Run Wild
    9. You're So Good To Me
    10. Summer Means New Love
    11. I'm Bugged At My Ol' Man
    12. And Your Dream Comes True
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Surfin' Safari (Mono) Surfin' Safari (Mono) Quick View

    $39.99
    Buy Now
    x

    Surfin' Safari (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. in those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today was the first LP for which they only delivered a mono master.


    Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    With this quiet QRP pressing of Surfin' Safari you'll enjoy the smash hit title cut as well as 409,Summertime Blues and more as the fledgling Beach Boys proudly display their garage band roots in this, their debut album for Capitol Records.


    Their classic songs epitomize the spirit of the California lifestyle and The Beach Boys have become an American icon to a worldwide audience. The Beach Boys' first hit Surfin' (1961) launched a string of chart-topping songs that spans nearly forty years and includes eternal anthems of American youth: Surfin' USA, Surfer Girl, Fun, Fun, Fun, I Get Around, California Girls, Help Me Rhonda, Barbara Ann, Good Vibrations, Wouldn't It Be Nice, Rock and Roll Music, Kokomo and more.


    Their chart success alone would have earned The Beach Boys their spot in The Rock and Roll Hall of Fame (they were inducted in 1988), not to mention 32 RIAA Platinum and Gold record awards and worldwide sales estimated at more than 100 million. But The Beach Boys' story is one of not only commercial but also artistic success. Their unique blend of harmonies, musical arrangements and timeless lyrics still place the music of The Beach Boys among the All-Time Favorites of today's music critics. As an example, VH-1 named Pet Sounds as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. The Beach Boys were honored at the 2001 Grammy Awards, receiving The Lifetime Achievement Award from the Recording Academy.


    This title is not eligible for discount.

    1. Surfin' Safari
    2. County Fair
    3. Ten Little Indians
    4. Chug-A-Lug
    5. Little Miss America
    6. 409
    7. Surfin'
    8. Heads You Win - Tails I Lose
    9. Summertime Blues
    10. Cuckoo Clock
    11. Moon Dawg
    12. The Shift
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Holland Holland Quick View

    $39.99
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    Holland

    Holland In 33 1/3 RPM Stereo Only; Bonus Track Together With 12-inch EP Included!


    Bonus Track We Got Love Restored; Left Off Of Original U.S. Pressings!


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    The Beach Boy's Holland, the group's 19th studio album, was recorded in Baambrugge, Netherlands in the summer of 1972 and released in January 1973. Our Analogue Productions reissue also includes a bonus 12-inch EP: Mount Vernon and Fairway (A Fairy Tale). Plus the restoration of We Got Love, eliminated from original U.S. copies of the album!


    By mid-1972, with Wilson's focus waning from the Beach Boys to other creative outlets, and his personal and health-related issues mounting, Wilson was producing less music for the band than ever before. They decamped for the Netherlands hoping to jump-start Brian's creative energies.


    Wilson contributed little to the album, concentrating his musical efforts on Mount Vernon and Fairway, a 10-minute long musical fairy tale eventually included with the album as a bonus EP.


    The title of the bonus EP was named after the intersection where the Love family lived in Los Angeles, and where the Wilsons and Loves would gather for family celebrations back in the 1940s and '50s when Brian, Mike, Carl and Dennis were all growing up. As a concept for a Beach Boys track, Mount Vernon and Fairway initially received a less than enthusiastic response from the other band members when Brian first presented the idea to the group, and this only fueled Brian's steadily worsening depression. Eventually, Carl stepped in to produce the recording for Brian, and the decision was made to include the fairy tale in the album package as a separate EP. Brian himself designed the EP's picture sleeve.


    Although Mount Vernon and Fairway (A Fairy Tale) was narrated by Jack Rieley, the voice of the Pied Piper was supplied by Brian in a slightly grainier-sounding cartoon voice.


    The instrumental tracks for Mount Vernon and Fairway (A Fairy Tale) were later released on Good Vibrations: Thirty years of The Beach Boys as Fairy Tale Music.


    Upon the band's return from the Netherlands in the fall, Holland was rejected by Reprise Records for not having a potential hit single. Added to the track list was an unfinished Brian Wilson song Sail On, Sailor, that he'd originally co-written with Ray Kennedy, and finally completed with the help of Van Dyke Parks, Jack Reiley and Tandyn Almer. It would ultimately become Holland's most famous track. A casualty of the album's tracklist reshuffling was another Fataar/Chaplin tune, written with Mike Love, called We Got Love. A live version was included on the group's 1973 release The Beach Boys In Concert.


    Early test pressings of Holland, made in the U.S. and U.K. featured We Got Love, as did a few hundred copies pressed and sold in Germany. Early French and Canadian pressings of Holland mention We Got Love on the jacket, but the song is not on those albums. For this Holland reissue Acoustic Sounds/Analogue Productions has brought back We Got Love as a bonus track!


    The highlights (of Holland are) Carl's 'The Trader,' Brian's 'Sail on, Sailor' and 'Funky Pretty' ... Al Jardine and Mike Love's three-part 'California Saga' shows the effects of their environmentalist spirituality ...(the conclusion, 'California,' is a solid return to the harmony-laden sun-and-surf '60s). 'Only with You' is yet another tender Dennis Wilson ballad, (a rare songwriting collaboration with Mike Love), given an excellent reading by Carl. - AllMusic.com


    This title is not eligible for discount.

    1. Sail On Sailor
    2. Steamboat
    3. California Saga
    4. Part One: Big Sur
    5. Part Two: The Beaks Of Eagles
    6. Part Three: California
    7. The Trader
    8. Leaving This Town
    9. Only With You
    10. Funky Pretty


    12" Mount Vernon EP
    1. Mt. Vernon And Fairway - Theme
    2. I'm The Pied Piper
    3. Better Get Back In Bed
    4. Magic Transistor Radio
    5. I'm The Pied Piper
    6. Radio King Dom
    7. We've Got Love
    8. Sail On Sailor (45 RPM)

    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP + 12 - Sealed Buy Now
  • Today! (Mono) Today! (Mono) Quick View

    $39.99
    Buy Now
    x

    Today! (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themseleves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Put simply, this is the Beach Boys at their mid-'60s prime. Ironically, the band's greatest evolutionary leap was spurred by its leader, Brian Wilson, who decided to drop out of the band's live performances after a December 1964 nervous breakdown to concentrate on honing the Beach Boys' studio sound. With Wilson's productions gaining a significant new depth and confidence (note the innovative modulations on 'Dance, Dance, Dance'), the first half of Today seems a logical, upbeat step forward from its predecessors. But it's the album's second act that steals the show, setting the stage for the triumph of Pet Sounds. Indeed, it's easy to imagine gorgeous, introspective tracks such as 'Please Let Me Wonder,' 'She Knows Me Too Well,' and 'In the Back of My Mind' intertwined with the best of Sounds. - Amazon.com


    This title is not eligible for discount.

    1. Do You Wanna Dance?
    2. Good To My Baby
    3. Don't Hurt My Little Sister
    4. When I Grow Up
    5. Help Me, Ronda
    6. Dance, Dance, Dance
    7. Please Let Me Wonder
    8. I'm So Young
    9. Kiss Me, Baby
    10. She Knows Me Too Well
    11. In The Back Of My Mind
    12. Bull Sessions With The "Big Daddy"
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Little Deuce Coupe (Mono) Little Deuce Coupe (Mono) Quick View

    $39.99
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    Little Deuce Coupe (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    Bottom line, the mono mixes were where Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputiing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themseleves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Released just one month after the Surfer Girl album, Little Deuce Coupe was, incredibly, the Beach Boys' fourth album in less than a year. Brian Wilson and the band responded by turning in arguably their most consistent effort to date - and a concept album, to boot. Deuce Coupe expanded the band's subject matter to encompass 1963 America's burgeoning love affair with hot rods, surrounding previously released cuts such as the title track, 409, and others with strong new material (much of it cowritten by Wilson and a DJ, Roger Christian). A highpoint: the a cappella James Dean tribute A Young Man Is Gone (a reworking of Bobby Troup's beautiful Their Hearts Were Full of Spring), a prime example of Wilson's arranging genius and the band's vocal prowess. Their Hearts Were Full Of Spring had been a standard for the vocal group The Four Freshmen, whose lush and distinctive jazz-based vocal arrangements had a huge influence on Brian's musical development.


    This title is not eligible for discount.

    1. Little Deuce Coupe
    2. Ballad Of Ole' Betsy
    3. Be True To Your School
    4. Car Crazy Cutie
    5. Cherry, Cherry Coupe
    6. 409
    7. Shut Down
    8. Spirit Of America
    9. Our Car Club
    10. No-Go Showboat
    11. A Young Man Is Gone
    12. Custom Machine
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Smiley Smile (Mono) Smiley Smile (Mono) Quick View

    $39.99
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    Smiley Smile (Mono)

    33 1/3 Rpm Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson - famed co-founder, songwriter and arranger - who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    After the much-discussed, uncompleted Smile project - which was supposed to take the innovations of Pet Sounds to even grander heights - collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes AllMusic.com


    For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. 'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time. - AllMusic.com


    This title is not eligible for discount.

    1. Heroes And Villains
    2. Vegetables
    3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
    4. She's Goin' Bald
    5. Little Pad
    6. Good Vibrations
    7. With Me Tonight
    8. Wind Chimes
    9. Getting' Hungry
    10. Wonderful
    11. Whistle In
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Unleash The Love (Pre-Order) Unleash The Love (Pre-Order) Quick View

    $29.99
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    Unleash The Love (Pre-Order)

    Solo Album Of Mike Love Co-Founder Of The Beach Boys


    2x Vinyl - One With Originals And One With Beach Boys Re-Records


    Featuring Mark Mcgrath And John Stamos


    Grammy® Winner and Rock and Roll Hall of Fame Member,
    Michael Edward Love, grew up under the Southern California sun where
    he soaked up a life of music, surf, sand and sport. Beginning his singing
    career as a teenager, Mike along with his cousin, Brian Wilson, frequently
    sang at family get-togethers and holiday gatherings. These early influences
    served as the inspiration to form the legendary group, THE BEACH BOYS,
    which originally consisted of Mike and his cousins, Brian, Dennis, and
    Carl Wilson along with neighbor David Marks and High School friend
    Alan Jardine.


    Throughout his career, Mike has co-authored more than a dozen Top 10
    Singles, cementing The Beach Boys legacy, alongside The Beatles and
    Michael Jackson, as the only artists to have produced twelve Top 10
    Singles, within 5 years.

    LP 1
    1. All The Love In Paris (feat. David Koz)
    2. Getcha Back (feat. John Stamos)
    3. Daybreak Over The Ocean
    4. I Don't Wanna Know
    5. Too Cruel
    6. Crescent Moon
    7. Cool Head, Warm Heart
    8. Pisces Brothers
    9. Unleash The Love
    10. Ram Raj
    11. 10,000 Years Ago (feat. John Stamos)
    12. Only One Earth
    13. Make Love Not War


    LP 2
    1. California Girls
    2. Do It Again (feat. Mark McGrath and John Stamos)
    3. Help Me Rhonda
    4. I Get Around
    5. Warmth Of The Sun (feat. Ambha Love)
    6. Brian's Back
    7. Kiss Me Baby
    8. Darlin'
    9. Wild Honey (feat. John Cowsill)
    10. Wouldn't It Be Nice
    11. Good Vibrations
    12. Fun Fun Fun

    Mike Love
    $29.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Hot Rod Dance Party Hot Rod Dance Party Quick View

    $24.99
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    Hot Rod Dance Party

    Limited Edition


    As one of the busiest and most versatile session guitarists of the 60s, Jerry Cole recorded with a litany of legends, including Phil Spector, the Beach Boys and the Byrds. But to those in the know, hes renowned for his own incredible surf and hot rod instrumentals, which he delivered on a series of vintage albums with his band the Spacemen. Coles modernistic recordings, however, sound completely different from other surf-and-drag releases of the period, with expansive arrangements that often featured elements of jazz and exotica, the better to showcase the guitarists inventive, assertive playing.


    One of Coles best-loved LPs is this amazing 1964 release, which includes contributions from many of the same L.A.-based musicians who played alongside Cole in the now-legendary session ensemble known as the Wrecking Crew. Coles powerful guitar work powers such turbo-charged numbers as Night Rumble, Border Run, Stinger and Hot Rod Queen, which live up to the albums title and then some!


    Sundazed has lovingly remastered this masterful guitar extravaganza from the original analog tapes, carefully reproduced its complete original cover art and pressed it on high-quality 180 gram vinylall the better to keep this party humming!

    1. Night Rumble
    2. Border Run
    3. Mr. Wobble Wheels
    4. Hot Rod Queen
    5. Stinger
    6. Roadster Run
    7. Boss Dance
    8. T. Roadster Rock
    9. Dancing Mags
    10. Driving Little?Deuce
    11. Night Drag
    Jerry Cole & His Spacemen
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Fun Fun Fun Fun Fun Fun Quick View

    $24.99
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    Fun Fun Fun

    Colored Vinyl


    The first wave of the surf music explosion spawned countless short-lived bands and one-shot studio projects. Many of those projects were quickly forgotten, but a handful have continued to inspire hushed reverence among surf aficionados. The latter category includes the Catalinas lone album, originally released in 1964 and out of print for more than four decades.


    An all-star studio supergroup featuring legendary producer Terry Melcher, future Beach Boy Bruce Johnston and fabled Wrecking Crew members Hal Blaine, Jerry Cole, Steve Douglas, Leon Russell, Billy Strange and Tommy Tedesco, the Catalinas lived up to their impressive pedigree. In addition to rarely-heard tunes penned by Bobby Darin and a pre-Byrds Roger McGuinn, the album features potent versions of such surf and hot rod classics as Surfin U.S.A., Wipe Out, Banzai Washout, I Get Around and Summer Means Fun.


    Long a rare collectors item, Fun Fun Fun is now back in its original vinyl format, remastered from the original analog tapes and pressed on high-definition vinyl, with complete original cover art.



    1. Surfin' U.S.A.
    2. Beach Ball
    3. Surfer Boy
    4. Wipe Out
    5. Beach Walkin'
    6. Banzai Washout
    7. Hot Rod U.S.A.
    8. Queen of the Hot Rods
    9. I Get Around
    10. Boss Barracuda
    11. Run Little
    12. Rabbit
    13. Summer Means Fun
    The Catalinas
    $24.99
    Colored Vinyl LP - Sealed Buy Now
  • Singles Collection Singles Collection Quick View

    $36.99
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    Singles Collection

    As the creator of both surf and hot rod music and one of the most influential guitarists ever to plug in, turn up and utterly destroy a fretboard, Dick Dale has long been revered by countless music lovers and musicians around the world; Jimi Hendrix and the Beach Boys, to name a few. Rightfully called the 'King of the Surf Guitar,' Dale pioneered the use of speed and volume and boldly forged the way for garage rock, punk and heavy metal. From the stuttering thump of Let's Go Trippin' to the wildly whipping, Middle Eastern flurry of Miserlou and beyond, Sundazed's sizzling round-up of Dick Dale & His Del-Tones' landmark 1960s singles, each sourced from the original mono singles masters, captures Dale in all of his string-shredding, reverb-soaked glory.
    1. Let's Go Trippin'
    2. Del-Tone Rock *
    3. Shake-n-Stomp *
    4. Jungle Fever
    5. Miserlou
    6. Eight Till Midnight *
    7. Peppermint Man
    8. Surf Beat
    9. A Run for Life
    10. Lovin' on My Brain *
    11. King of the Surf Guitar
    12. Hava Nagila *
    13. Surfin' and A-Swingin'
    14. Secret Surfin' Spot
    15. Wild Ideas
    16. The Scavenger *
    17. The Wedge
    18. Night Rider
    19. Mr. Eliminator
    20. The Victor
    21. Wild, Wild Mustang
    22. Grudge Run *
    23. Glory Wave
    24. Never on Sunday *
    25. Who Can He Be *
    26. Oh Marie
    27. Let's Go Trippin' '65 *
    28. Watusi Jo


    * Bonus Tracks

    Dick Dale And His Del-Tones
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Guitar Freakout Guitar Freakout Quick View

    $36.99
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    Guitar Freakout

    The late L.A. session guitar genius Jerry Cole has long been worshipped for his work with everyone from the Beach Boys and the Byrds to Frank Sinatra and Elvis Presley and by surf fans as the leader of the Spacemen. But unbeknownst to many, Cole was also the driving force behind the Animated Egg, a fictitious band whose lone, self-titled 1967 LP is one of the greatest psychedelic exploitation records ever to hit the budget bins of U.S. chain storesand eventually the want lists of big-spending DJs and collectors.


    Comprised of splashy, fuzz-drenched Now Sound instrumental groovers, The Animated Egg easily lives up to both the eBay hype and the promise of its evocative track titles: Sure Listic, Sock It My Way, Sippin and Trippin, andyes indeedI Said, She Said, Ah Cid. In addition to the rare self-titled LP by the Animated Egg, this collection also includes cuts by other related Cole projects: the Projection Company, the Generation Gap, T. Swift & the Electric Bag, and the Stone Canyon Rock Group. Sourced from the original analog masters, Sundazeds glorious CD and high-definition double-LP vinyl editions of this hallowed prize are a must for turntablists and brain-trippers alike.

    1. A Love Built on Sand
    2. Inside Looking Out
    3. I Said, She Said, Ah Cid
    4. Tomorrow
    5. Sure Listic
    6. Sippin' and Trippin'
    7. Dark
    8. Down, Down and Gone
    9. Sock It My Way
    10. That's How It Is
    11. Fool's Luck
    12. What's Your Bag
    13. Boil the Kettle
    14. Light Show
    15. Expo in Sound
    16. Free Form in 6
    17. Our Man Hendrix
    18. Red Eyes
    19. Hard Times
    20. Tune Out of Place
    21. Kimeaa
    The Animated Egg
    $36.99
    Vinyl LP - 2 LPs Sealed Buy Now
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