Authorized & Certified VPI Dealer

A World of Vinyl

Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
20% Off Vinyl - LP20
Home > Products for: '

Beatles Magical Mystery Tour

'
  • 1
Results per page:
  • Magical Mystery Tour Magical Mystery Tour Quick View

    $25.99
    Buy Now
    x

    Magical Mystery Tour

    Sourced From the Original Master Tapes


    Cut at Abbey Road Studios


    Pressed on 180 gram vinyl


    Containing some fantastic material from The Beatles' hippy heyday, including the lovely Fool on the Hill (with an endearingly amateurish tin-whistle solo), the delicately woven tapestry of Strawberry Fields Forever, the glorious anthem All You Need is Love and mad, surrealist epic I Am the Walrus, in which Lennon takes the concept of lyrical and musical nonsense and just explodes it all over the speakers. For an album of bits and bobs, there is genius in these grooves.


    A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. Treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs themselves, just polishing them up a bit.


    1. Magical Mystery Tour
    2. Fool on the Hill
    3. Flying
    4. Blue Jay Way
    5. Your Mother Should Know
    6. I Am the Walrus
    7. Hello Goodbye
    8. Strawberry Fields Forever
    9. Penny Lane
    10. Baby You're a Rich Man

    11. All You Need Is Love
    The Beatles
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Beatles 1967-1970 The Beatles 1967-1970 Quick View

    $35.99
    Buy Now
    x

    The Beatles 1967-1970


    All Analogue Master From The Original Master Tapes


    Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973. And like its companion volume, this set contains a mixture of hits, including singles like Lady Madonna, Hey Jude, and Revolution -- which had originally appeared only as 45s -- plus important album tracks like Lucy in the Sky with Diamonds, A Day in the Life, While My Guitar Gently Weeps, and Come Together, as well as orphaned tracks such as the single versions of Let It Be and Get Back, which had never been on any LP before. The first two sides of the original double-LP edition carry listeners through the highlights of the psychedelic era, starting with Strawberry Fields Forever and Penny Lane and up through Magical Mystery Tour, before returning to rock & roll territory on Lady Madonna, Hey Jude, and Revolution. The second LP skims three of the more popular tracks off of the sprawling White Album (aka The Beatles) and moves into the late singles (The Ballad of John and Yoko, Old Brown Shoe, Let It Be), plus single and album highlights from Abbey Road and Let It Be. As a prÉcis of the group's final 36 months, it's all mightily impressive, even if 1967-1970 misses several great songs. But like its predecessor, this set does capture the essence (if not the full range) of the Beatles' later recordings.


    - Bruce Eder (All Music Guide)

    LP 1
    1. Strawberry Fields Forever
    2. Penny Lane
    3. Sgt. Pepper's Lonely Hearts Club Band

    4. With A Little Help From My Friends
    5. Lucy In The Sky With Diamonds
    6. A Day In The Life
    7. All You Need Is Love
    8. I Am The Walrus
    9. Hello Goodbye
    10. The Fool On The Hill

    11. Magical Mystery Tour
    12. Lady Madonna
    13. Hey Jude
    14. Revolution


    LP 2
    1. Back In The U.S.S.R.
    2. While My Guitar Gently Weeps
    3. Ob-La-Di, Ob-La-Da
    4. Get Back
    5. Don't Let Me Down

    6. The Ballad Of John & Yoko

    7. Old Brown Shoe
    8. Here Comes The Sun

    9. Come Together
    10. Something
    11. Octopus's Garden
    12. Let It Be
    13. Across The Universe
    14. The Long And Winding Road

    The Beatles
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Rubber Soul (Mono) Rubber Soul (Mono) Quick View

    $22.99
    Buy Now
    x

    Rubber Soul (Mono)

    Ranked 5/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The Beatles' Original Mono Studio Album Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz


    Lacquers Cut Using Neumann VMS-80 Lathe


    Manufactured For The World At Optimal Media In Germany, The Beatles' Albums Are Presented In Their Original Glory, Both Sonically And In Their Packaging.


    The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. The Beatles' nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork. Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.


    In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers. Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.


    Via Michael Fremer (Analog Planet) on the mastering process:


    The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.


    It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.


    Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.


    1. Drive My Car
    2. Norwegian Wood (This Bird Has Flown)
    3. You Won' See Me
    4. Nowhere Man
    5. Think For Yourself
    6. The Word
    7. Michelle
    8. What Goes On
    9. Girl
    10. I'm Looking Through You
    11. In My Life
    12. Wait
    13. If I Needed Someone
    14. Run For Your Life
    The Beatles
    $22.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Revolver (Mono) Revolver (Mono) Quick View

    $22.99
    Buy Now
    x

    Revolver (Mono)

    Ranked 3/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time!


    The Beatles' Original Mono Studio Album Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz


    Lacquers Cut Using Neumann VMS-80 Lathe


    Manufactured For The World At Optimal Media In Germany, The Beatles' Albums Are Presented In Their Original Glory, Both Sonically And In Their Packaging.


    The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. The Beatles' nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork. Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.


    In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers. Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.


    Via Michael Fremer (Analog Planet) on the mastering process:


    The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.


    It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.


    Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.


    1. Taxman
    2. Eleanor Rigby

    3. I'm Only Sleeping
    4. Love You To
    5. Here, There And Everywhere
    6. Yellow Submarine
    7. She Said She Said
    8. Good Day Sunshine
    9. And Your Bird Can Sing
    10. For No One
    11. Doctor Robert
    12. I Want To Tell You
    13. Got To Get You Into My Life
    14. Tomorrow Never Knows
    The Beatles
    $22.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • What A Way To Die What A Way To Die Quick View

    $24.99
    Buy Now
    x

    What A Way To Die

    The archetype for the '60s-era girl group was etched indelibly into stone, like a commandment: three pretty girls with matching outfits and bouffant hairdos would sing, with musical backing supplied by a bunch of guys standing in the shadows. The Quatro sisters shattered that archetype forever with the Pleasure Seekers, an all-girl teenage rock & roll group who played all the instruments themselves and were fully capable of wiping the stage with any male band that crossed their path.


    The Quatro girls had been brought up in a musically-minded family, nurtured with classical piano and vocal lessons. As Patti recalls, "By 1964, I had been taking guitar lessons, hanging with musicians in the local music scene. We had seen a Beatles concert, and I was quite dazed and focused at the event, watching the audience cry and scream out of control. It was my epiphany moment, and I was determined to start an all-girl band."
    Shortly thereafter, the first lineup of the Pleasure Seekers fell into place with Patti Quatro (lead guitar), Marylou Ball (rhythm guitar), Suzi Quatro (bass), Diane Baker (keyboards), Nan Ball (drums) and vocal duties shared by all. Around the fall of 1965 the girls dared local teen club manager Dave Leone to give them a slot at his popular Hideout Club, claiming they were better than most of the other live bands there. "You're on," responded Leone, "in two weeks. Three songs!"


    The Pleasure Seekers were soon a popular feature at the club, honing their skills alongside the likes of the Rationals, the Amboy Dukes and Bob Seger & the Last Heard. "In the beginning, there was a lot of skepticism," remembers Patti, "especially the first night. The boys crowded the stage, the girlfriends pulled them away with laughter, as if 'Girls playing?! Yeah, right!' It was always satisfying to see them be silenced quickly when we began playing. We grew used to seeing slack jaws open in surprise." Next they were asked by Leone to record and release a single on his Hideout label.


    That March 1966 release is now regarded as the greatest "girl garage" single of the era: "Never Thought You'd Leave Me" b/w "What a Way to Die." "Dave brought lyrics, and we put the songs together quickly," remembers Patti. "We felt very legit in making this record at a small local studio. Nan was the sexy voice on 'Never Thought You'd Leave Me,' and there was lots of laughter as Marylou added the screams on 'What a Way to Die.'" Suzi Quatro remembers the recording as "very important and memorable."


    The Pleasure Seekers were soon in demand in the region, playing teen clubs, parties, colleges and local TV shows. After a series of lineup changes, the band brought in older Quatro sister Arlene (keyboards) and Darline Arnone (drums), the first female drummer sponsored by Slingerland Drums. A short time later, Pami Benford joined-up on guitar and bass (that lineup lasting through most of 1968). "It was a very versatile group," remembers Patti, "with Pami and Suzi sharing bass, and Pami and I sharing lead and rhythm guitars."


    "The gender bias was my hot button," recalls Arlene, "along with confidence in our musical abilities. With women musicians dismissed as a novelty, I delighted in watching the audience go from skepticism/ridicule, to shock/cheers." For Suzi, though, this period was where she learned her craft: "I considered myself a musician, and didn't really think about gender too much." Two tracks recorded in 1967, but unissued at the time, "Elevator Express" and "Gotta Get Away," highlight the band's growing musical maturity since their Hideout debut. "Detroit was the best learning ground in the world for musicians," recalls Suzi, "with an amazing energy and creativity that is in every successful artist that has come out of the city." "We were actually one of the earliest Detroit bands traveling the country," adds Patti. "Everyone wanted this unusual all girl band who rocked an entire Motown revue (changing instruments and singers throughout) and an entire Sgt. Pepper/Magical Mystery Tour revue, as well as covering English bands, acid rock and everything in between."


    Signing up with Associated Booking Corporation, the group began making the transition from local to national act. Producer Dick Corby caught the Pleasure Seekers at Trude Heller's in New York's Greenwich Village and signed them to a Mercury Records deal in early 1968. To keep rein on their finances in NYC, Patti recalls, "We booked Arthur's nightclub for a month, staying at the infamous rock Gorham Hotel, recording by day-playing by night." Also in residence were the Who, the Blues Magoos and an assortment of other bands. "Hitting NYC as young teens, it was exciting, scary, fun-all emotions churning," she continues. "We felt we had hit the big time, going from the tiny local Hideout session to the huge Mercury professional studio facility, complete with session people adding strings and other elements."


    A single pairing "Good Kind of Hurt" and "Light of Love" was released in April 1968, while a third song, "Locked in Your Love," remained in the can. The group then headed out to the Northwest for a lengthy tour. "The Northwest tour was awesome," remembers Patti. "We were billed with Canned Heat, Boyce & Hart and Merilee Rush, and were held over six weeks to tour with Eric Burdon and the Animals. The Mercury single was out, momentum was surging." Both sides of the single were getting airplay, but ultimately it failed to gain any traction. "Really neither song reflected our own sound," admits Patti. "We rearranged 'Light of Love' for live performance, feeling disconnected to the record, yet realizing we had to play ball with the executives to keep us rolling."


    Ultimately Mercury's vision for the Pleasure Seekers clashed rather sharply with the band's vision. "The suits wanted tits and ass," recalls Darline, "wowing Vegas crowds, playing tinkly tunes in lavish costumes." "In that male-dominated music era, we were strictly a novelty, and a high-risk endeavor," adds Patti. "The record executives felt women musicians would fall in love or get pregnant so were not worth investing the time and money. We had to kick down many doors. We were serious musicians, and in it for the right reasons. In the end, we were not happy with a forced direction that Mercury Records had in mind, and ended up leaving the label to rock our music in our own fashion."


    After a memorable 1968 Far East tour, playing for wounded returning American soldiers from Vietnam, the Pleasure Seekers (with new drummer Nancy Rogers) returned to a Detroit that was now, in Patti's words, "exploding with heavier sounds. That sparked us to change direction with new ideas we had been exploring. Arlene left the band and we brought in our youngest sister Nancy (vocals). With Suzi's Joplinesque vocals combined with Nancy's wailing 'female Robert Plant' style, we enjoyed a harder edged, 'double-punch' effect."


    The last four songs on the album, "White Pig Blues," "Brain Confusion," "Where Have You Gone?" and the atmospheric psychedelic mover "Mr. Power," all date from this 1968-69 period when the Pleasure Seekers were playing the Grande Ballroom alongside the MC5, Alice Cooper, the Stooges, the Amboy Dukes and SRC. With this change in musical direction and the departure of Arlene and Pami, the band forged on as Cradle. Suzi Quatro departed for England in 1971, launching a successful solo career. Patti and Nancy continued with Cradle until 1973 when Patti joined another pioneering female rock group, Fanny.


    The Pleasure Seekers reunited recently in April 2012 (minus Suzi) for a well-received show in their hometown, where they were inducted into Detroit's Hall of Fame. "I think all of us Quatro girls are extremely proud of our pioneering days" reflects Patti. "In a renaissance-era of music, we kicked down doors for women to rock heavy. There were key times in our lives of making decisions that may have turned us towards larger fame, but less happiness-depending on your philosophy of such things. The Pleasure Seekers could have been a Las Vegas show act bringing in buckets of money or on Motown, turned very formulaic girlie-soul. But we stayed true to our goals, and I don't think any of us have any regrets of staying our course and playing the music that moved us. It's all been a thrilling ride with great memories."


    - Mike & Anja Stax (Ugly Things magazine)

    1. Intro By DJ The Lord
    2. Gotta Get Away
    3. Never Thought You'd Leave Me
    4. Light Of Love
    5. Good Kind Of Hurt
    6. What A Way To Die
    7. Elevator Express
    8. Locked In Your Love
    9. White Pig Blues
    10. Brain Confusion
    11. Where Have You Gone
    12. Mr. Power
    The Pleasure Seekers
    $24.99
    Vinyl LP - Sealed Buy Now
  • Magical Mystery Tour (Collector's Box) (Out Of Stock) Magical Mystery Tour (Collector's Box) (Out Of Stock) Quick View

    $89.99
    x

    Magical Mystery Tour (Collector's Box) (Out Of Stock)

    Deluxe Box Set With, DVD, Blu-Ray, Book and Double 7" 45RPM Vinyl.


    The Beatles Classic 1967 feature film has been restored for worldwide release.


    This limited edition deluxe version comes in a 10" x 10" box, which contains the DVD & Blu-Ray, as well as a 60 page book with background information, photographs and documentation from the production and also a faithful reproduction of the mono double 7" vinyl EP of the films six new Beatles songs, originally issued in the UK to complement the films 1967 release.


    MAGICAL MYSTERY TOUR SPECIAL FEATURES:



    • Director's Commentary by Paul McCartney

    • The Making of Magical Mystery Tour (19m 05s) - Features interviews with Paul and Ringo, along with other cast members and crew. Includes unseen footage.

    • Ringo the actor (2m 30s) - Ringo reflecting on his role in the film.

    • Meet The Supporting Cast (11m 27s) - A feature on the background and careers of Nat Jackley, Jessie Robins, Ivor Cutler, The Bonzo Dog Doo-Dah Band, Victor Spinetti, George Claydon, and Derek Royle.

    • Your Mother Should Know(2m 35s) Blue Jay Way(3m 53s) The Fool On The Hill (3m 05s) - Three new edits of these performances all featuring footage not seen in the original film.



    Blu-Ray features the original film restored.


    DVD features the original film restored.

    Side 1

    1. Magical Mystery Tour

    2. Your Mother Should Know


    Side 2

    1. I Am The Walrus


    Side 1

    1. The Fool On The Hill

    2. Flying


    Side 2

    1. Blue Jay Way

    The Beatles
    $89.99
    Deluxe Box Set With, DVD, Blu-Ray, Book and Double 7 45RPM Vinyl - Sealed Temporarily out of stock
  • 1
Go to top