Pro-ject Authorized & Certified VPI Dealer

VINYL. OUR WAY OF LIFE SINCE 2004

(877) 929-8729
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
20% Off Vinyl - LP20
Home > Products for: '

Beatles Turntable

'
  • 1
Results per page:
  • Get To The River Before It Runs Too Low (Awaiting Repress) Get To The River Before It Runs Too Low (Awaiting Repress) Quick View

    $15.99
    Buy Now
    x

    Get To The River Before It Runs Too Low (Awaiting Repress)

    Sea Wolf is the vehicle for Alex Churchs songs, who is not only the singer and songwriter, but also the bands only invariable member. Born in the small gold rush town of Columbia, California, Churchs musical memories were shaped by ad hoc bluegrass outfits playing for tourists on sidewalks of his hometown coupled with the Beatles and Willie Nelson records on his moms turntable. His 2007 five song EP Get To The River Before It Runs Too Low is now on vinyl for the first time courtesy of Dangerbird Records.

    1. You're A Wolf

    2. The Garden That You Planted
    3. I Made A Resolution
    4. Ses Monument
    5. I Don't Know If I'll Be Back This Time

    Sea Wolf
    $15.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • In The Beginning In The Beginning Quick View

    $21.99
    Buy Now
    x

    In The Beginning

    Seminal Early Beatles Recordings as Backing Band for Singer Tony Sheridan


    Includes Rare Lennon/Harrison Instrumental "Cry for a Shadow" and Lennon-Led "Ain't She Sweet"


    Gatefold LP with Rare Photos and Essay By Tony Sheridan


    This is where the legend starts. Serving as the backing musicians for British rock singer Tony Sheridan, the Beatles turned out the most productive studio session of their formative years in June 1961 in Hamburg, a historical occasion documented on the seminal In the Beginning. Billed as the Beat Brothers, the group that evolved into the Fab Four counted original member Pete Best on drums and largely supplied Sheridan with rhythmic foundations for traditional cuts such as Ray Charles' "What'd I Say" and Lieber-Stoller's "Ruby Baby," as well as a batch of originals.


    Most importantly, the date also produced the rare jazzy instrumental "Cry for a Shadow," the only Beatles track ever credited to Lennon-Harrison. Another essential gem is "Ain't She Sweet," an early 20th century hit covered here with lead vocals by John Lennon. Most importantly, this treasured LP affords music fans from around the world an early glimpse into the instrumental abilities and harmonic sound of a band that would, within two years, become the most important and popular ensemble in history.


    Historians and collectors, take note: These performances occurred long before the quartet's similarly prized artifact Live at the Hamburg Club 1962, making this album the earliest official recording of the Beatles available.


    Featuring dead-quiet surfaces, this Wax Cathedral LP is pressed at RTI, America's best record plant.


    Music sounds better on vinyl. Especially when it's experienced on new pressings from RTI, America's finest record plant. Introducing Wax Cathedral, an imprint focused on reissuing great albums on LP, complete with dead-quiet surfaces and authentically replicated artwork. Wax Cathedral goes where few other labels dare, restoring titles from diverse genres, myriad eras, and recognizable artists beloved by generations of listeners. Wax Cathedral is all about bringing back quality vinyl titles that have been out-of-print on LP for decades, and having fun in the process. Get your turntables ready.

    1. Ain't She Sweet
    2. Cry for a Shadow
    3. Let's Dance
    4. My Bonnie
    5. Take Out Some Insurance on Me, Baby
    6. What'd I Say
    7. Sweet Georgia Brown
    8. When the Saints Go Marching In
    9. Ruby Baby
    10. Why
    11. Nobody's Child
    12. Ya Ya, Pts. 1-2
    The Beatles
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Go Bo Diddley Go Bo Diddley Quick View

    $26.99
    Buy Now
    x

    Go Bo Diddley


    The Bo Diddley/Friday Music 180 Gram Audiophile Series Begins!


    Bo Diddley's Masterwork Album!


    First Time Official Audiophile Vinyl - Stunning First Time Gatefold Cover


    Mastered From The Authorized Chess Records Mono Tapes By Joe Reagoso


    Bo Diddley (Elias McDaniel) was truly an American original. There will never be another Bo Diddley nor anyone in the music
    industry who could influence generations upon generations of aspiring rock 'n rollers like Bo Diddley has and continues to this
    day, even years after his short time on earth.


    Celebrating six decades in the music business, this Mississippian native initially captivated millions of kids in the fifties
    with his first recordings like Bo Diddley and Say Man. He drove the rockers mad with his famous guitar riffs and boogie beat,
    filled with poetic lyrics and a thrilling presence on the stage.


    Bringing his original "Bo Diddley Beat" to Chess Records in early 1955, the Chicago based label and the pioneer rocker hit
    a goldmine immediately with his arsenal of tunes that he presented to Phil and Leonard Chess. A lot of these great songs became
    top charting singles which culminated in his masterwork album Go! Bo Diddley.


    Kicking things off with one of his finest smash hits Cracking Up, Bo roars through a treasure trove of 11 more champions
    which made this one of the most important and emulated albums of all time. The album features classic gems like his classics
    Dearest Darling, Say Man, Don't Let It Go and The Clock Struck Twelve. Noted for his stellar guitar work, pretty much introducing his Bo Diddley Beat riff to a whole new generation of guitar players, Go! Bo Diddley was truly a primer for a ton of rock and
    blues artists for years like Eric Burdon and The Animals, George Thorogood, Buddy Holly, The Rolling Stones, The Beatles and
    The Yardbirds.


    Bo Diddley opened the doors for millions of music fans around the world to enjoy rock and blues, making him along with
    Chuck Berry, Elvis Presley and Little Richard as one of the first pioneers of the popular recording business that we all enjoy to
    this day.


    Friday Music is no stranger to the music of the legendary Chess Records arsenal of fine recordings. That is why we are so
    very proud to announce our first installment in The Bo Diddley/Friday Music 180 Gram Audiophile Vinyl Series with his legendary
    masterpiece Go! Bo Diddley.


    Mastered impeccably by Joe Reagoso (Muddy Waters, John Lee Hooker, Chuck Berry) for the first time on audiophile vinyl
    from the Chess monophonic tapes, Bo Diddley's Go! Bo Diddley will truly become one of the most important and historical 180
    Gram Audiophile Vinyl titles in quite some time.


    To further celebrate this first time audiophile vinyl LP, we enhance this limited edition masterwork with a stunning gatefold
    cover featuring the original artwork elements as well as two classic rare inside gatefold photos of the man who helped start
    rock and roll.


    Bo Diddley Go! Bo Diddley Impeccable mono from the AUTHORIZED Chess Records tapes! Go Bo Diddley!

    1. Crackin' Up
    2. I'm Sorry
    3. Bo's Guitar
    4. Willie and Lillie
    5. You Don't Love Me (You Don't Care)
    6. Say Man
    7. The Great Grandfather
    8. Oh Yea
    9. Don't Let It Go
    10. Little Girl
    11. Dearest Darling
    12. The Clock Strikes Twelve
    Bo Diddley
    $26.99
    180 Gram Audiophile Virgin Vinyl LP Mono Buy Now
  • The Fantastic Expedition of Dillard and Clark The Fantastic Expedition of Dillard and Clark Quick View

    $24.99
    Buy Now
    x

    The Fantastic Expedition of Dillard and Clark

    In 1965 Missouri-born Gene Clark was riding the crest of unprecedented success and adulation as a member of the Byrds. Anointed as America's answer to the Beatles, the Byrds topped the charts with folk-rock anthems like Mr. Tambourine Man, Turn! Turn! Turn! and Eight Miles High. Gene was front and center as tambourine player, singer and principal songwriter for the group. But in early 1966 he flew the Byrds' coop. A gifted songwriter, expectations ran high for a stellar solo career, but those hopes were dashed when his debut solo album and single both failed to chart. Dropped by Columbia Records the following year, Gene's career remained in limbo until teaming up with banjo player extraordinaire Doug Dillard.


    What emerged from a series of informal jam sessions in and around Laurel Canyon was a loose-knit group of pickers seeking to break bluegrass music out of its traditional confines and redefine it in a contemporary country-rock context. The Fantastic Expedition of Dillard & Clark is a groundbreaking album that helped define country-rock and set the template not only for that genre but the entire alt-country, Americana and Roots Rock movements of the '90s. Together with future Eagle Bernie Leadon, who co-wrote Train Leaves Here This Morning, with Gene (featured both on the Fantastic Expedition album and later on the Eagels' debut release), the Dillard & Clark merger represents a high-water mark in Gene Clark's impressive anon of recordings and one of the most satisfying periods in his often troubled career.


    The Fantastic Expedition of Dillard & Clark ranks among a handful of seminal 1960s country-rock experiments. I think we made our mark in country rock, muses Doug Dillard. We didn't make the charts but we sure influenced a lot of people. To insure that their influence carries on, Sundazed proudly presents this newly mastered edition, sourced from the original A&M analog tapes, available on resonant high-definition vinyl packaged in a vibrant recreation of the original cover artwork.

    1. Out On the Side
    2. She Darked the Sun
    3. Don't Come Rollin'
    4. Train Leaves Here This Mornin'
    5. With Care From Someone
    6. The Radio Song
    7. Git It On Brother (Git In Line Brother)
    8. In the Plan
    9. Something's Wrong
    Gene Clark
    $24.99
    Vinyl LP - Sealed Buy Now
  • My Midnight Things My Midnight Things Quick View

    $25.99
    Buy Now
    x

    My Midnight Things

    Since 1983, the name Lizzy Borden has been synonymous with heavy metal music of the highest caliber. With My Midnight Things he has reaffirmed this standing, delivering the biggest, most dramatic, moving and cinematic record of his career, and one of the most essential additions to the genre in 2018. While showcasing a diverse range of sounds, tones and moods, it is unmistakably the work of the man who released a string of classic albums in the 1980s and two more in the 00s, but with a new fire burning at the heart of the record, it is one that he has lovingly crafted for those who scream along with every word at his shows. "On our last tour across Europe, Asia and South America, I noticed that the audience had changed," he states. "It got a lot younger. I looked out to see all these kids in every country singing at the top of their lungs to songs that were written before they were born, and that made me want to start writing some full-blown albums just for them. I wanted to make songs that would be theirs, albums that they could be a part of."


    Having not dropped a record since 2007's mighty Appointment With Death, fans have understandably champed at the bit waiting for new material. Though penning numerous songs throughout that period, when it became time to seriously focus upon writing an album, the multi-instrumentalist did what needed to be done to be sure of creating the best possible music. "I knew the only way I could find what I was looking for was to lock myself away and experiment, so that's what I did. I wrote and recorded in my studio in North Hollywood in a very industrial area all night every night, with only sirens from fire trucks and these songs to keep me company. It was a lonely time, but very fruitful. You might even hear some of those sirens in some of the songs if you listen closely." Starting with between forty and fifty songs, he steadily whittled these down to fifteen, and finally to the ten that made the record, only wanting the very best to make the cut. As with all of his albums, once Borden hones in on a core subject matter he builds the album around it, and in the case of My Midnight Things, the theme is that of love. However, adopting a different approach to writing than usual, rather than starting with music, he instead focused on the lyrics, and penned the music later to best serve the stories being told, wanting every song to stand up on its own while keeping the storyline of the record moving forward. "I just let the lyrics drive the mood and the way I would sing each song, but overall I kept it varied and engaging enough so that listeners will want to devour the whole album in one sitting, without you hearing me repeat myself."


    The diversity of the record makes it abundantly clear that he succeeded, and it makes for a thrilling ride from start to finish. Opening with the titanic stomp of the title track, the cinematic feel kicks off from the start, a serpentine seductiveness coiling through it, and the likes of "A Stranger To Love" and the bruising "Our Love Is God" inhabit similarly dark territory. The more stripped down, haunting strains of the reprise of the title track - which was in fact the first version penned - is achingly frail, and then counterpointing all of the record's darker and more brooding moments are the upbeat "Long May They Haunt Us", the hugely anthemic and uplifting closer "We Belong In The Shadows", and the frankly glorious "Run Away With Me". While the title of the album "means many different things" to Borden, he chooses not to disclose these, allowing listeners to find their own meaning in it, which is something important to him. In terms of the record's central theme, he acknowledges that while "love" seems somewhat obvious, he tried to find a way to see it through a different lens. "Sometimes being in love is the worst thing that can happen to you if you're with the wrong person and you can't stop it, and sometimes it's the best thing in the world. I knew I could find things in between every other song that's been written about it. So that was the challenge. But, even though I write with a theme in mind and with different personalities singing each song, I never write in storyboard form. I always try to write in poetry form. I think you can search for more meaning that way, from one line to the next there can be multiple meanings, as opposed to being trapped telling a story."


    Having signed a new contract with Metal Blade on the strength of three demo tracks, Borden opted to produce My Midnight Things himself, with Joey Scott as co-producer, who also handled all the drumming duties. Having an old school approach to his drumming, feeding off the vocals, lyrics and melody rather than just acting as a time keeper, he was perfectly suited to Borden's approach to the record, which also applied to his role as co-producer. "I knew what I was going for and had doubts that I could find a producer who would understand that. My approach is very different than what is happening in today's music, but Joey got that and wanted the same thing." With Marliese Quance Mildenberger handling the majority of the keyboards, her unique melancholy playing style added even more "emotion and dimension" to each song, while Borden himself handled all of the bass, guitars, some keys and all of the vocal parts. Anyone exposed to My Midnight Things will find it hard to deny that like all of his records, it is a true vocal tour de force, each track endowed with a phenomenal amount of layering to create something that is uniquely Lizzy Borden. "The style that I record vocals harkens back to The Beatles and Queen. It's time consuming and tedious, but the result gives you a more multi-dimensional feel than you would get with a single vocal. When I recorded 'Master Of Disguise' (1989), I was clocked in at a seven-octave vocal range between all the backing and lead vocals. It gave the feel of multiple personalities within my voice, and I've used that technique on the last four albums."


    That every song on the record could be released as a single is testament to just how strong this collection is. While truly a record for his fans, its appeal will easily reach much further, and Borden is as eager to get back on stage as his devout followers who cannot wait to see him back up there. "I've already started working on the 'My Midnight Things' Show, and I really can't wait to play these songs live. There are so many talented players out there in the world, I know I will find the right guys or girls to be on stage with me in my touring band, and just based on what is being talked about, so far it will be the best show I've ever done. I really do feel a new excitement that I have not felt in years. The best is yet to come."

    Tracklist coming soon!
    Lizzy Borden
    $25.99
    Vinyl LP - Sealed Buy Now
  • Dead Fingers Dead Fingers Quick View

    $16.99
    Buy Now
    x

    Dead Fingers

    Taylor Hollingsworth and Kate Taylor singing together is a match made in heaven. You might know Taylor from previous solo albums or bands but most likely from Conor Oberst and the Mystic Valley Band. He was the guitar player who also wrote and sang Snake Hill and Air Mattress on the album Outer South. If youve seen Maria Taylor play then you have most likely seen Kate in her band either playing keys, drums, or bass, and most importantly, harmonizing the soft beautiful background melodies. Nowadays, Kate and Taylor have joined forces in the band Dead Fingers.


    In a time when guy-girl duos are becoming quite popular, this one is not just some gimmick, however perfect the timing and package may be. In fact, this Alabama duo are recently married and the two just recorded their first self titled full-length with Bruce Watson (RL Burnside, Junior Kimbrough , AA Bondy), and it is being released on Big Legal Mess/Fat Possum Records.


    While showing a wide range of styles, ranging from duet styled songs like those of John Prine and Iris DeMent, X, or Lee Hazelwood and Ann Margaret, to straight up great classic rock bands like the Stones, Beatles, or even Traveling Wilburys, this band should find a nice home with fans of more current duos like She and Him, Jenny and Johnny and Civil Wars.

    1. Closet Full of Bones
    2. Another Planet
    3. 4 Stone Coaches
    4. Hold On To
    5. Ring Around Saturn
    6. Please Don't Let Me Go
    7. Against The River
    8. On My Way
    9. Lost In Mississippi
    10. Never Be My Man
    11. Wheels and Gasoline
    Dead Fingers
    $16.99
    Vinyl LP - Sealed Buy Now
  • Mad Dogs & Englishmen Mad Dogs & Englishmen Quick View

    $42.99
    Buy Now
    x

    Mad Dogs & Englishmen

    Import


    Mad Dogs and Englishmen is Joe Cocker's legendary live album, recorded in 1970 at the Fillmore East.


    For this record Joe Cocker created a unique sound: a veritable definition of big-band rock with three dozen players working behind the singer.
    Mad Dogs and Englishmen consists mostly of covers, drawing equally from rock (The Rolling Stones, Traffic, Bob Dylan, The Beatles) and soul (Ray Charles, Sam and Dave, Otis Redding), and is as much a showcase for arranger & bandleader Leon Russell as it is for Joe Cocker.


    As we now know the tour from which this album was drawn took a heavy toll on Joe Cocker and especially his vocal chords because the music was presented on such a grand scale.


    Nevertheless, the music still stands to this date and beyond.

    LP 1
    1. Introduction
    2. Honky Tonk Women
    3. Introduction
    4. Sticks And Stones
    5. Cry Me A River
    6. Bird On The Wire 6:15
    7. Feelin' Alright
    8. Superstar
    9. Introduction
    10. Let's Go Get Stoned


    LP 2
    Blue Medley:
    1a I'll Drown In My Own Tears
    1b When Something Is Wrong With My Baby
    1c I've Been Loving You Too Long
    2. Introduction
    3. Girl From The North Country
    4. Give Peace A Chance
    5. Introduction
    6. She Came In Thru The Bathroom Window
    7. Space Captain
    8. The Letter
    9. Delta Lady

    Joe Cocker
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Wired Wired Quick View

    $31.99
    Buy Now
    x

    Wired

    As another installment in Jeff Beck's 180 Gram Audiophile Master series, Friday Music announces the exclusive release of the guitar great's Wired. Recorded in 1976 with the legendary George Martin as producer (The Beatles), both reprise their magic from BeckÆs Blow By Blow on a stunning set of jazz-rock-funk fusion that is often sited as one of the finest of the genre. Beck once again brings back the great Max Middleton on keys and Richard Bailey on drums, as well as new additions and future mainstay keyboardist Jan Hammer and the power drums of Michael Narada Walden, plus bassist Wilbur Bascomb on a collection of eight incredible tracks. With legendary cuts like Charles MingusÆs Goodbye Pork Pie Hat and Jan HammerÆs Blue Wind, Wired soon became a radio and retail staple which has truly endured and stood the test of time. Rightfully so, this album continues to inspire and influence a whole new generation of guitar players and music lovers worldwide. Mastered from the original Epic Records tapes by Joe Reagoso at Friday Music Studios and with Kevin Gray at AcousTech, and pressed at RTI with Sony Music.

    1. Led Boots
    2. Come Dancing
    3. Goodbye Pork Pie Hat
    4. Head For Backstage Pass
    5. Blue Wind
    6. Sophie
    7. Play With Me
    8. Love Is Green
    Jeff Beck
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Chris Thile & Brad Mehldau Chris Thile & Brad Mehldau Quick View

    $27.99
    Buy Now
    x

    Chris Thile & Brad Mehldau

    Nonesuch Records labelmates mandolinist/singer Chris Thile and pianist Brad Mehldau, longtime admirers of each other's work, first toured as a duo in 2013. At the end of 2015, they played a two-night stand at New York City's Bowery Ballroom before going into the studio to record Chris Thile & Brad Mehldau, a mix of covers and original songs.


    Chris Thile and Brad Mehldau come from different worlds but the same species, says the New York Times. Mr. Thile is a progressive-bluegrass pacesetter; Mr. Mehldau is the most influential jazz pianist of the last 20 years. Both are team players ... Both love Bach and the Beatles, and both have developed fan bases bigger and broader (and younger) than their genre silos can accommodate.


    The two musicians first performed together in September 2011 as part of Mehldau's residency at London's Wigmore Hall. The Guardian said of that performance, Mehldau struck up his signature rocking chord vamp over which lightly struck motifs swell to sensuous extended melodies. Thile kept cajoling him with percussive snaps, flying runs, and chords strummed fast enough to sound as seamless as a purring strings section, inducing Mehldau to bat back the playful provocation with stinging rejoinders.


    MacArthur Fellow and A Prairie Home Companion host Chris Thile is the founding member of Punch Brothers, which a Boston Globe reviewer called the tightest, most impressive live band I have ever seen. The band has released four albums on Nonesuch beginning in 2008: Punch, Antifogmatic, Who's Feeling Young Now?, and The Phosphorescent Blues. Thile's other releases on the label include Sleep with One Eye Open with Michael Daves; Edgar Meyer & Chris Thile and Bass & Mandolin-the latter of which won a Grammy Award; a solo record of Bach violin sonatas and partitas; and A Dotted Line with his longtime band Nickel Creek. He also recently collaborated with Yo-Yo Ma, Stuart Duncan, and Edgar Meyer on the double Grammy Award-winning album The Goat Rodeo Sessions.


    Brad Mehldau's Nonesuch debut was the 2004 solo disc Live in Tokyo and includes six records with his trio: House on Hill, Day Is Done, Brad Mehldau Trio Live, Ode, Where Do You Start, and Blues and Ballads. His collaborative records on the label include Love Sublime, Highway Rider, Metheny Mehldau, Metheny Mehldau Quartet, Modern Music, and Mehliana: Taming the Dragon. Mehldau's additional solo albums on Nonesuch include Live in Marciac and last year's 8-LP/4-CD 10 Years Solo Live, which the New York Times says contains some of the most impressive pianism he has captured on record. Earlier this year, he released a duo album with Joshua Redman, Nearness, of which the Wall Street Journal said: Few records released this year better define what jazz sounds like today, even if there isn't a hip noun to describe it.

    1. The Old Shade Tree (Brad Mehldau & Chris Thile)
    2.Tallahassee Junction (Brad Mehldau)
    3. Scarlet Town (David Rawlings & Gillian Welch)
    4. I Cover the Waterfront (Johnny Green & Edward Heyman)
    5. Independence Day (Elliott Smith)
    6. Noise Machine (Chris Thile)
    7. The Watcher (Brad Mehldau)
    8. Daughter of Eve (Chris Thile)
    9. Fast As You Can (Fiona Apple)*
    10. Marcie (Joni Mitchell)
    11. Don't Think Twice It's Alright (Bob Dylan)
    12. Tabhair dom do Lámh (Ruaidri Dáll Ó Catháin)


    *Vinyl-only bonus track

    Chris Thile & Brad Mehldau
    $27.99
    Vinyl LP - Sealed Buy Now
  • Klipsch The Capitol Three Special Edition Speaker 2 COLORS AVAILABLE Klipsch The Capitol Three Special Edition Speaker Quick View

    $599.00
    Buy Now
    x

    Klipsch The Capitol Three Special Edition Speaker




    Klipsch and Capitol Records®, two iconic voices both celebrating over seven decades of bringing sound to life, partner to honor and pay tribute to the integral role music plays in shaping our lives. Incorporating luxury materials such as real wood veneer and tactile spun copper switches and knobs, The Capitol Three Special Edition tabletop stereo system blends the acoustics and classic design legacy of Paul W. Klipsch with the latest technologies available today




    RECORDING LEGEND

    The Capitol Records label was founded as the first West Coast-based record label in the United States in 1942. Throughout the years, Capitol has captured some of the most influential, iconic singers and songwriters ever. Artists currently signed to Capitol Records include the Beatles, Paul McCartney, Mary J. Blige, the Beach Boys, Beastie Boys, Neil Diamond, Eagles, Katy Perry and many more.




    SPECIAL EDITION BADGE

    Every speaker in this epic series will feature an exclusive Klipsch and Capitol Records insignia to commemorate this monumental partnership.




    FREE VINYL ALBUM

    Each Klipsch Capitol Records special edition speaker includes a free redemption code for an album of your choice from The Sound of Vinyl.




    PROFESSIONALLY TUNED STEREO SOUND

    The Capitol Three is a stereo tabletop system featuring two 2 1/4" full range drivers and a 5.25" long-throw woofer, bi-amplified for audio resolution and professionally tuned by Klipsch acousticians to deliver a premium audio experience.




    SUPERIOR BASS REFLEX

    In addition to the active 5.25" long-throw woofer, The Three also features dual opposed 5.25" passive radiators to deliver enhanced bass reflex.




    WIRELESS MULTI-ROOM READY

    The Capitol Three tabletop stereo system is part of the Klipsch Stream Wireless Multi-Room System, which is an all-encompassing solution for distributing your music throughout your home. Listen to your favorite internet radio stations, streaming services, personal digital music library, and CDs, DVDs, etc.




    CONNECTS TO ANY SOURCE

    The Three includes audio input connections for Wi-Fi (for Klipsch Stream Wireless Multi-Room Audio System), Bluetooth®, Analog, 3.5mm miniplug, Phono Pre-Amp, and USB Type B audio. So go ahead, connect your turntable, computer, CD player, smartphone, or tablet and enjoy superior stereo sound from a beautifully crafted tabletop stereo system.




    WATCH CONTROL

    Leave your phone in another room? No problem. Control your Klipsch Stream Wireless Multi-Room devices from your Apple or Android watch.




    rockrollkeepers


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Klipsch Speakers
    $599.00
    Capitol Three Special Edition Speaker - 2 Colors Available
    Buy Now
  • Before The Dead (Box Set) (Out Of Stock) Before The Dead (Box Set) (Out Of Stock) Quick View

    $124.99
    x

    Before The Dead (Box Set) (Out Of Stock)

    Limited Edition Of 2500 Sets


    Five 180-Gram LPs Containing Over 3.5 Hours Of Studio & Live Performances Culled From Previously Uncirculated Masters And Newly Discovered Recordings


    Audio Restoration And Mastering By Fred Kevorkian


    Lacquers Cut By Ron Mcmaster At Capitol Studios And Pressed To Vinyl By Quality Record Pressings.


    Produced By Grateful Dead Publicist And Biographer Dennis Mcnally And Brian Miksis.


    Includes A 32-Page Book With Rare Photos, Memorabilia And In-depth Liner Note Essays By Mcnally, Miksis, Acclaimed Bluegrass Scholar Neil V. Rosenberg, Sara Ruppenthal Katz, And Stu Goldstein.


    Round Records will release its most ambitious project to date with the long-awaited Jerry Garcia boxed set Before The Dead. The project features a meticulously researched and curated compilation of recordings the iconic Grateful Dead founder made prior to forming the legendary band. Before The Dead includes never before heard performances, recordings that have never been commercially released and a small selection that have. From intimate live recordings to live studio recordings to field recordings, Before The Dead serves as a historical document in the spirit of renowned releases by Smithsonian Folkways and influential field recordings by Alan Lomax. The music on Before The Dead was selected and co-produced by longtime Grateful Dead publicist/author Dennis McNally and documentarian Brian Miksis. The audio was restored and mastered by Fred Kevorkian.


    The first release from Before The Dead features the Black Mountain Boys (Garcia, Robert Hunter, David Nelson and Eric Thompson) in a rare 1964 live recording of "Rosa Lee McFall". Written by Charlie Monroe, the song would remain with Garcia throughout his career, reinterpreted later on with The Grateful Dead, Jerry Garcia Acoustic Band and Garcia/Grisman. This is the first time this track has ever been released.


    The 5-LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 pieces and includes a special in-depth 32-page book featuring essays by McNally and Miksis, rare photos and memorabilia along with detailed listening notes and commentary on each track by Dr. Neil V. Rosenberg. Aside from being a renowned musicologist, Rosenberg was part of the Redwood Canyon Ramblers, an influential Bay Area bluegrass ensemble that would inspire a younger generation of players, including Garcia. Each section features a "Tales of the Tape" essay that includes details on how, when and where the music was recorded, how it was found and, in most instances, anecdotes about the particular date, including early interactions with many area musicians before they went on to greater things. Sara Ruppenthal Katz (formerly Sara Garcia, Jerry's first wife) contributes an enlightening essay around the 1963 recording of her duo performance with Garcia at the intimate Pala Alto, CA club Top Of The Tangent (aka The Tangent). Tangent co-founder Stu Goldstein also adds a piece discussing the club's origins and how it became a hot spot for the new folk scene that was developing in the Bay Area.


    Before The Dead sheds light on the earliest period in Jerry Garcia's odyssey going from the young, charismatic, developing multi-instrumentalist coming of age during the early 1960's folk-revival (often sarcastically referred to as The Great Folk Scare) to one of the most influential and groundbreaking artists of the rock 'n roll era. Like many during that time, Garcia's influences were coming from the deep-rooted folk tradition of artists such as Doc Watson, Earl Scruggs, The Carter Family, The New Lost City Ramblers, The Stanley Brothers, The Weavers, a young Joan Baez and the Harry Smith Folkways collections to name a few. These influences would resurface prominently in some of Garcia's most important work with the Dead on the 1970 albums Workingman's Dead and American Beauty - regularly cited as foundational in the creation of what is now referred to as Americana.


    From beginning to end, the listener will journey through the musical evolution of Jerry Garcia and how the impact of the folk forbearers gradually permeates his playing and technique. You can hear the earliest origins of Garcia's signature style budding as he had become a student of the music constantly absorbing and endlessly challenging himself. His instrument rarely left his side from dawn to dust. What shines brightly throughout the set is Garcia's outgoing personality and sense of humor, often described as "magnetic", a clear early indicator.


    Throughout this period from 1961 to 1964 were pivotal first-time meetings, (documented in the book) between Garcia and people who would become life-long collaborators and friends. From his revered writing partner and early bandmate Robert Hunter, to mandolin master David Grisman, to each member of the Grateful Dead, to the many artists who would go on to take their own place in music history, including acclaimed instrumentalist Sandy Rothman, David Nelson (co-founder of New Riders of the Purple Sage) and Clarence White, guitarist of the Byrds.


    Before The Dead showcases Garcia in various ensembles and configurations starting with the rarest piece in the entire collection, the earliest known recording of Garcia captured at his girlfriend's 16th birthday party in 1961 alongside future Grateful Dead lyricist Robert Hunter. Outside of a short clip used in the Grateful Dead documentary Long Strange Trip, this recording has never been released, circulated or heard. Other highlights include the Sleepy Hollow Hog Stompers' 1962 gig in San Carlos, CA, and the Hart Valley Drifters' 1962 recording at Stanford's KZSU Radio Studio A (Garcia's first-known studio recording, released in 2017 for the first time). Arguably Garcia's best and most beloved bluegrass band of that early period, The Black Mountain Boys are prominently featured via three separate occasions in 1963 and 1964, while a 1964 performance by Garcia's Asphalt Jungle Mountain Boys rounds out Before The Dead. See a full list of dates, performances and players below.


    Despite Jerry Garcia's deep love for folk and bluegrass traditions, his time fully immersed in it was coming to a close. Encounters with one of his heroes, Bill Monroe, whose band he almost auditioned for (and Rothman went on to join), might have sent him deeper in that direction, but it was not to be. (Note: Garcia even used to tape Monroe's shows, a possible foreshadowing of allowing fans to tape Grateful Dead shows later). By the end of 1964, The Beatles had become a household name, The Rolling Stones hit hard with their version of the blues and civil rights had become an important part of the social and political landscape. New influences and inspirations would impact Garcia's direction as he went on to form The Warlocks, who would go on to become The Grateful Dead. However, the foundation in tradition was solidified during those early years and would resurface regularly throughout the remainder of his life in a multitude of ways, including the Dead, The Jerry Garcia Acoustic Band, Old and In The Way, Garcia/Grisman and so much more.

    LP 1
    Bob and Jerry
    May 26, 1961
    Brigid Meier's Sixteenth Birthday Party
    Menlo Park, California

    1. Santy Anno
    2. I Got A Home In That Rock
    3. Oh, Mary Don't You Weep
    4. All My Trials
    5. I Was Born Ten Thousand Years Ago
    6. Blow The Candles Out
    7. Rake And A Rambling Boy
    8. Trouble In Mind
    Jerry Garcia, Marshall Leicester, and Robert Hunter
    July 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    1. Brown's Ferry Blues
    2. Jesse James
    Jerry Garcia and Unknown Musician
    Summer or Fall 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    3. Down In The Willow Garden
    4. Long Lonesome Road
    5. Railroad Bill
    6. The Wagoner's Lad
    7. Katie Cruel


    LP 2
    Sleepy Hollow Hog Stompers
    June 11, 1962
    Boar's Head Coffeehouse, Peninsula Jewish Community Center
    San Carlos, California

    1. Cannonball Blues
    2. Little Birdie
    3. Sally Goodin
    4. Hold That Woodpile Down
    5. Legend Of The Johnson Boys
    6. Shady Grove
    7. Sweet Sunny South
    8. Man Of Constant Sorrow
    Hart Valley Drifters
    Fall 1962
    KZSU Radio Studio A, Stanford University
    Stanford, California

    1. Band Introductions
    2. Roving Gambler
    3. Ground Speed
    4. Pig In A Pen
    5. Standing In The Need Of Prayer
    6. Flint Hill Special
    7. Nine Pound Hammer
    8. Handsome Molly
    9. Clinch Mountain Backstep


    LP 3
    1. Think Of What You've Done
    2. Cripple Creek
    3. All The Good Times Have Past And Gone
    4. Billy Grimes, The Rover
    5. Paddy On The Turnpike (Boys, My Money's All Gone)
    6. Run Mountain
    7. Sugar Baby
    8. Sitting On Top Of The World
    The Wildwood Boys
    February 23, 1963
    Top of the Tangent
    Palo Alto, California

    1. Roll In My Sweet Baby's Arms
    2. Jerry's Breakdown
    3. Standing In The Need Of Prayer
    4. Mule Skinner Blues
    5. Saturday Night Shuffle
    6. Pike County Breakdown
    7. The Little Sparrow
    8. We Shall Not Be Moved


    LP 4
    Jerry and Sara
    May 4, 1963
    Top of the Tangent
    Palo Alto, California

    1. Deep Elem Blues
    2. Will The Weaver
    3. I Truly Understand
    4. Long Black Veil
    5. The Man Who Wrote Home Sweet Home Never Was A Married Man
    6. Foggy Mountain Top
    Black Mountain Boys
    Fall 1963
    Top of the Tangent
    Palo Alto, California

    1. Barefoot Nellie
    2. She's More To Be Pitied
    3. Noah's Breakdown
    4. Who Will Sing For Me?
    Black Mountain Boys
    January 10, 1964
    Top of the Tangent
    Palo Alto, California

    5. Salt Creek
    6. Monroe's Hornpipe (Jody's Hornpipe)
    7. Rosa Lee Mcfall
    8. John Hardy/closing Theme
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California
    9. Katie Kline
    10. Walkin' The Dog


    LP 5
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. Paddy On The Turnpike (Boys, My Money's All Gone)
    2. Love And Wealth
    3. Sourwood Mountain
    4. If I Lose
    5. Homestead On The Farm (I Wonder How The Old Folks Are At Home)
    6. Stoney Creek
    7. Salty Dog Blues
    8. Love Please Come Home
    9. Make Me A Pallet On The Floor
    10. Darlin' Allalee
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. In The Pines
    2. Raw Hide
    3. Black Mountain Rag
    4. True Life Blues
    5. Medley: Devil's Dream-Sailor's Hornpipe
    Black Mountain Boys
    Spring 1964
    Top of the Tangent
    Palo Alto, California

    6. Drink Up And Go Home
    Asphalt Jungle Mountain Boys
    Summer 1964
    Top of the Tangent
    Palo Alto, California

    7. These Men Of God
    8. Roll On Buddy
    9. Goodbye Old Pal
    10. Back Up And Push

    Jerry Garcia
    $124.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed Temporarily out of stock
  • Realism (Out Of Stock) Realism (Out Of Stock) Quick View

    $19.99
    x

    Realism (Out Of Stock)

    The Magnetic Fields' third Nonesuch disc, Realism, is the flipside to the industrial pop of Distortion, the quartet's brilliant 2008 homage to, of all things, the clangorous sound of the Jesus and Mary Chain. While Distortion was recorded quickly and noisily in the stairwells and rooms of the New York City apartment building to which singer-songwriter-bandleader Stephen Merritt was about to bid adieu for California, Realism was cut in the distortion-free environs of a Los Angeles studio, and its sound is as pristine as a plein-air painting. There are no drum kits to be heard, and the fascinatingly varied instrumentation - guitars, accordions, violins, cellos, tablas, banjos, tuba, even a smattering of mellifluous falling leaves - did not need to be plugged in. And, as with Distortion, the album credits emphasize: No Synths.


    With tongue only slightly in cheek, Merritt has taken to declaring Realism his folk album. To get the point across, there is an upbeat, sing-along number early in the set called We Are Having a Hootenany. Merritt's inspirations, however, were the orchestrated, mostly British folk of the late '60s/early '70s, which owe as much to '60s psychedelia as to traditional music, and the work of Judy Collins, who stretched the boundaries of folk with the chamber pop arrangements of such albums as In My Life and Wildflowers.


    Like Collins, Merritt favors variety and theatricality. She skipped from Jacques Brel to the Beatles; he goes from the trippy, toy-box melodies of The Dolls' Tea Party and Painted Flower to the foot-stomping rhythms of The Dada Polka. There's even a deceptively festive holiday number, Everything Is One Big Christmas Tree, featuring a lusty chorus sung in German. In content, Merritt's songs veer between longing and loneliness, desire and dismissal, romance and revenge. Reality is as distorted as ever, and the characters who populate his songs are never just plain folk.


    Along with his long-time band-mates Sam Davol, Claudia Gonson and John Woo, Merritt is joined again by vocalist Shirley Simms and accordionist Daniel Handler. Also on board: horn player Johnny Blood and violinist Ida Pearle, familiar to fans of Magnetic Fields' earlier, independently released work.

    1. You Must Be Out of Your Mind
    2. Interlude
    3. We Are Having a Hootenanny
    4. I Don't Know What to Say
    5. The Dolls' Tea Party
    6. Everything Is One Big Christmas Tree
    7. Walk a Lonely Road
    8. Always Already Gone
    9. Seduced and Abandoned
    10. Better Things
    11. Painted Flower
    12. The Dada Polka
    13. From a Sinking Boat
    Magnetic Fields
    $19.99
    Vinyl LP & CD - Sealed Temporarily out of stock
  • 1
Go to top