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Because The Internet'
Because The Internet2013 sophomore full-length album from writer, actor, standup comedian and rapper Donald Glover AKA Childish Gambino. The recording process for the album began in 2012 and continued until October 2013. Because the Internet features guest appearances from Chance The Rapper, Jhene Aiko and Azealia Banks, with production handled by Gambino himself, Christian Rich, Thundercat and Ludwig Goransson among others.1. The Library (Intro)
2. I. Crawl
3. II. Worldstar
4. Dial Up
5. I. The Worst Guys (Feat. Chance the Rapper)
6. II. Shadows
7. III. Telegraph Ave. ('Oakland' By Lloyd)
8. IV. Sweatpants
9. V. 3005
10. Playing Around Before the Party Starts
11. I. The Party
12. II. No Exit
13. Death By Numbers
14. I. Flight of the Navigator
15. II. Zealots of Stockholm (Free Information)
16. III. Urn
17. I. Pink Toes (Feat. Jhene Aiko)
18. II. Earth: The Oldest Computer (The Last Night) [Feat. Azealia Banks]
19. III. Life: The Biggest Troll (Andrew Auernheimer)$45.99Vinyl LP - 2 LPs Sealed Buy Now
The Derek Trucks Band have been issuing records (live and studio) that are long on fire, improvisation, and inspiration. Trucks' own skillful leadership has seamlessly melded Rock, Blues, Jazz, and Eastern Indian modal music in a brew that is uniquely his own.
Already Free (2009), the ninth studio album by The Derek Trucks Band, is an exception to the rule. Trucks himself stated that the album has a different feeling compared to their other works because in the past, he always felt pressure to make a guitar album. The difference, he maintains, is that the band has had more time to mature, and the album's sound is more balanced between the different contributions of its members, who developed its overall effect as they arranged the songs that were recorded for this album.
The album has received very positive reviews, and debuted at #19 on the Billboard Top 200 reached #1 on the Blues chart, #1 on the Internet chart, and #4 on the Rock chart. This marks the band's highest debut on the Billboard Top 200 chart to date. The album won the 2010 Grammy Award for Best Contemporary Blues Album, marking the band's first Grammy award.
The first single Down in the Flood features guest musicians include Doyle Bramhall II, Susan Tedeschi and Eric Krasno (of Soulive). The song Back Where I Started was co-written by Trucks with fellow Allman Brothers Band guitarist Warren Haynes.LP1
1. Down In The Flood
2. Something To Make You Happy
3. Maybe This Time
4. Sweet Inspiration
5. Don't Miss Me
6. Get What You Deserve
1. Our Love
2. Down Don't Bother Me
3. Days Is Almost Gone
4. Back Where I Started
5. I Know
6. Already Free$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Cryptocracy (Awaiting Repress)From the metal-hewn flatlands of Finland comes a dark new force in electronic music. Forged in the electrical fire of industrial; nurtured through the apocalyptic feedback of art-rock, experimental and all things disruptive; and championed by the most influential names in EDM and beyond, Huoratron is deeper, stranger and harder-core than whatever came before it.
Huoratron came to life in 2003, the brainchild of DJ/producer/mad 8-bit scientist Aku Raski. His sinister vision has taken form in just a few releases: some material for Finnish label New Judas, including the proactively aggressive Prevenge EP, containing angry blip-fest $$ Troopers and Corporate Occult, a slice of electro-house gone horribly awry. A set of remixes that changed H.I.M.'s In Venere Veritas from a jangly bit of radio rock to a doomed ride aboard a haunted 747 and M.I.A.'s Internet Connection from her usual minimal-funky hoedown to a sizzling nuclear rain storm.
After resigning to Last Gang in 2010, Raski hit the studio, emerging a year later with Cryptocracy, his first full-length album. To be blatantly honest I do not personally feel a close resemblance to many, if any artist within my scene, Raski explains. This is mostly because I'm driven by my own vigorous motivation and do what I do despite associations made by others. I mean no disrespect by this. It is simply a fact that I, as an artist am in the center of the storm and feel content there.
Cryptocracy is a journey of destruction, driven by chip synths, distortion and gut-punching bass. Recognizable sounds peak their heads out occasionally: a house riff on Transcendence, a dubstep pass on Sea of Meat, stripped-down techno on A699F. But they're swallowed up by an apocalyptic wave; the noises, textures and sonic sneak attacks that are Huoratron's signature, born more from a feeling than a particular genre focus.1. Cryptocracy
2. New Wave of Mutilation
5. Dungeons & Dragons
6. Sea of Meat
7. Top 1%
8. Force Majeure
10. Unblinking Eye$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Guilt TripsCanada's own Ryan Hemsworth has become one of the fastest rising producers and remix artist in the past couple of years. Since his first official release in 2012 Last Words on West Coast label Wedidit Collective, he's gained notoriety for his original production and collaborations, and has since then amassed fans and charmed critics all over the world- meanwhile touring Europe, Australia, and North America with the likes of Bauuer, Daedelus, and others.
Now, the man some call "The Internet Zack Morris" and "The Remix Ryan Gosling" is proud to announce his debut album Guilt Trips on famed label Last Gang Records due out in 2013.
On this newest full length, Hemsworth digs deeper beyond the hip hop, r&b and dance music world to inspirations that sprout from a time before he made the type of music that people have come to expect.
"For this project, I wanted to just expand on everything, lay as much as I could out on the table," he explains. "There's a lot more of me on this than my last projects. With a lot of the songs, I had high school in mind and during that time I was making music with my voice, guitar, and samples, so I've gone back to the first two a bit more, and also getting help from vocalists. Some of the club music that I've been surrounded by in the past year can be really cold, so I think once you throw in more melody and emotion that can only come from the human voice and guitar, it becomes a lot warmer."
"I reached out to friends and people I admire really. I wanted kind of unexpected collaborations and people with a uniqueness to them, instead of just reaching out to random top-liners. Someone like Lofty305, who has a weird, certainly not trained voice, made sense for "Against A Wall" because I wanted it to match the mood of the track. That's so much more important to me than making a perfect song. I just wanted to flesh out that charming imperfection on a lot of the tracks. When I asked the people on it to do their parts, I didn't direct them too much but just asked them to think of a breakup or a time when they felt weird or shitty from love. All of my music is sparked from love in some form or another I think, so this album is kind of just a capsule of different moods caused by love."1. Small + Lost (featuring Sinead Harnett)
2. Against A Wall (featuring Lofty 305)
3. Weird Life
4. Still Cold (featuring Baths)
5. Avec Vous
6. Happiness & Dreams Forever
7. Yaeko Mitamura Is Lonely
8. Ryan Must Be Destroyed
9. One For Me (featuring Tinashe)
10. Day/Night/Sleep System (featuring Haleek Maul and Kitty)$19.99Vinyl LP - Sealed Buy Now
The Heist (Deluxe Box Set)
Gold Embossed Gator Skin Deluxe Box Set
180-Gram Double Vinyl
Custom Gator Skin Textured LP Dust Sleeves
Nineteen 12" x 12" Song Artwork Inserts
Art By 13 Unique Collaborators / Visual Artists
When Macklemore declares his music is David Bowie meets Kanye sh*t, it's a bit of an oversell on the Bowie side, but then again, Jean-Michel Basquiat and Keith Haring are also honored as influences during Ten Thousand Hours, the biographical highlight that opens the Seattle rapper's vibrant sophomore release.
These arty name-drops threaten to paint the album as more obscure than it is, but even as glitch electronica and Mad Rad member Buffalo Madonna strange up the breakup number Thin Line, The Heist comes off as instant, alive, and oh so welcoming. Chalk it up to Macklemore's playful and open lyrics (When I was in the third grade/I thought I was gay/Because I could draw, my uncle was, and I kept my room straight) or the album's not so secret weapon, Ryan Lewis, the producer who earns his co-billing with a George Martin or Dave Fridmann-sized sense of purpose and an Internet kid's sense of utilizing anything and/or everything. For the music industry takeover Jimmy Iovine with Ab-Soul as guest, Lewis' production is a mix of G-Unit gangster music and a Houston hip-hop trunk rumbler, while the pro-gay marriage highlight Same Love with Mary Lambert is supported by full-bodied piano and the sound of a bittersweet marching band, all of it familiar yet twisted through a laptop with hypnotic loops and catchy hooks coming out. Gold (feeling like 500,000 sold) is joyous and bright mini-electro that feeds the positive side of the soul, while Can't Hold Us comes with an irresistible bounce, both tracks being light, lovely, and in contrast to the numbers that deal with Macklemore's addiction issues and other obstacles.
These two talented young bucks can't be contained, and hearing them offer one memorable, meaty number after another makes for an exciting listen, but this is unfiltered freshness released on Macklemore's own label, so the concepts of restraint and focus take a slight hit, leaving the is-he-Eminem, is-he-Childish Gambino, or is-he-Grieves question with no clear winner. Here, he's a mix of all of the above with some distinctive qualities, and with Lewis putting that kaleidoscope style underneath, The Heist winds up a rich combination of fresh and familiar.
- David Jeffries (All Music Guide)1. Ten Thousand Hours
2. Can't Hold Us
3. Thrift Shop
4. Thin Line
5. Same Love
6. Make the Money
7. Neon Cathedral
9. White Walls
10. Jimmy Iovine
12. A Wake
14. Starting Over
15. Cowboy Boots
17. My Oh My
18. Victory Lap$42.99180 Gram Audiophile Virgin Vinyl LP Box Set - 2 LPs Sealed Buy Now
Legion: XXPressed On Green Smoke-Colored Vinyl
RIAA-certified, Billboard chart-topping, Richmond, VA band LAMB OF GOD may be one of the biggest bands in modern metal, but they will never forget where they came from. Mark Morton (guitar), John Campbell (bass), and Chris Adler (drums) formed the first incarnation of the band, BURN THE PRIEST, in the winter of 1994 after meeting four years earlier as students at Virginia Commonwealth University. Less than a year later, in the summer of 1995, they met vocalist Randy Blythe before adding Chris Adler's brother, Willie Adler (guitar), prior to transitioning to LAMB OF GOD - and the rest is global metal history.
Guitarist Mark Morton says, "To truly understand the essence of the band BURN THE PRIEST, one must first consider the landscape in which it began: the mid-90s. Grunge and alternative music ruled the airwaves. Social media and the internet had yet to assume their role as our collective sources for entertainment and cultural exchange. It was a time when DIY 'zines turned us onto new bands and regional scenes, and 'copy and paste' still implied a print shop and a glue stick."
BURN THE PRIEST's self-titled debut album, released via Philadelphia-based Legion Records, documented what was, in essence, a primal punk band performing metal. Ultimately, as they grew in local popularity, the five-piece chose to stray away from their name to avoid being associated with satanic metal, choosing the name LAMB OF GOD.
Morton continues, "As our sound and songs developed, so did our goals we began playing basement parties and warehouse shows and in doing so, we realized that the energy we were creating was transferable. The shows we played in those squats and warehouses [in Philadelphia] and the people we met there are forever embedded in our collective consciousness and the DNA of our band."
As they enter their 20th year since releasing their first self-titled album as BURN THE PRIEST, the band will release a full-length covers album that reflects on the greatness of classic punk, hardcore, crossover and noise - rock subgenres that contributed to what LAMB OF GOD - and indeed, the world - now view as modern heavy metal.
As BURN THE PRIEST, the band presents Legion: XX - featuring tracks originally performed by CRO-MAGS, AGNOSTIC FRONT, QUICKSAND, MINISTRY, BAD BRAINS, MELVINS, S.O.D., THE ACCUSED, BIG BLACK and Richmond punk band SLIANG LAOS. The tracks are performed with the unmistakable precision that has kept the band vital for two decades, but ultimately harks back to the raw, punk-driven sound first explored by four unsuspecting college students and a line cook-turned-vocalist in their formative years. Produced with Josh Wilbur at the helm, Legion: XX exhibits BURN THE PRIEST in their true element.
"Our inauspicious beginnings somehow grew into something none of us had ever even imagined possible, let alone aspired to, however, this is the story of BURN THE PRIEST," adds Morton. "The songs we chose to cover on this album reflect that story. They are touchstones from that point in time. The inspiration we gleaned from these bands and these songs carries through our work and our creative pursuits, even to this day. Many thanks to these bands for lighting our fire and endless gratitude to our fans around the world for keeping it lit."
"I've been an ACCUSED fan since I was 14 when they were on the »Thrasher Skate Rock Volume 3« compilation with C.O.C. and all these amazing crossover bands," says frontman Randy Blythe. "Their singer Blaine Cook was a huge influence on me, vocally."
Drummer Chris Adler recalls, "'Inherit The Earth' hit me in the face soon after I managed to get my grubby mitts on the album sometime around '88. I got the ACCUSED record at a "Yellow Banana" record store on Route 1 south of DC while in route back from my "counselor" to my home in Woodbridge, Virginia. I got home and grabbed my board and I rocked it on my Discman. At about 2:12 into the tune the clouds parted above me and on a loudspeaker, God bellowed down to me, 'RECEIVE YOUR PURPOSE.' That was the moment I knew that if I tried hard enough, I could convey myself and how I felt - with music. It will never be "ours," and we know that about all the tunes we've covered, but hopefully one of them hit you in the face as I had been, and God will part the clouds for you, too."
Blythe adds, "I have a radio show on Gimmie Radio, and [the station] is all metal shows except for mine. I do the punk rock show because I want to show the direct correlation between my band, and the punk scene going back to THE MC5 and THE STOOGES. There is a direct link - look at old pictures of METALLICA, SLAYER and ANTHRAX, and they're wearing MISFITS, D.R.I., and C.O.C. t-shirts. They fused the technicality of metal with the intensity of punk rock. Before them, metal was like in slow motion. Speed metal bands were listening to DISCHARGE. I beat that drum all the time when I talk to kids."
Legion: XX is a sonic tribute to metal's dark, dirty secret - the punk inspiration of all future heavy music to come.1. Inherit The Earth (originally performed by THE ACCUSED)
2. Honey Bucket (originally performed by MELVINS)
3. Kerosene (originally performed by BIG BLACK)
4. Kill Yourself (originally performed by S.O.D.)
5. I Against I (originally performed by BAD BRAINS)
6. Axis Rot (originally performed by SLIANG LAOS)
7. Jesus Built My Hotrod (originally performed by MINISTRY)
8. One Voice (originally performed by AGNOSTIC FRONT)
9. Dine Alone (originally performed by QUICKSAND)
10. We Gotta Know (originally performed by CRO-MAGS)$19.99Colored Vinyl LP - Sealed Buy Now
Rega Isis CD Player
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Introducing the Rega ISIS flagship CD player
We are very proud to introduce the 7th generation of Rega CD player.
A product manufactured to the highest achievable quality inside and out, Rega's own unique CD technology, genuine black chrome lid and front facia, a custom solid anodised aluminium case weighing in at a notable 19kg! We hope you enjoy this very special CD player; we have spent a very long time creating it, drawing on our many years of experience in specialist Hi-Fi manufacturing.
Technology behind the design of the Isis
One important design goal was to take the current output, with no internal amplification within the D to A converter, and convert this to an analogue voltage, using discrete class A operational amplifiers and filters. This circuit can then be optimised for sonic performance. (With most CD players the use of standard operational integrated circuits locks you into the sound of those particular integrated circuits, thus narrowing the scope for improvement).
The class A current to voltage conversion amplifier evolved out of the development of the first stage of the Rega IOS MC amplifier.
It shares identical demands of low noise, high drive capability and gain bandwidth required of the voltage to current amplifier.
Careful choice has been made for every component in the digital and the analogue signal path to ensure the integrity of the signal.
The analogue and digital sections are bonded together using a substantial ground plane. It was found during the development of the player that
adoption of RF ground plane techniques aided the sonic quality and therefore were included in the final design.
Careful design of the PCB's ensures isolation of not just the digital and analogue sections, but also the motor, display and user interface processor.
All sonically critical electrolytic capacitors have been by-passed with polypropylene or polyester film capacitors. In addition to this, large value electrolytic capacitors have also been by-passed with audio grade electrolytic capacitors.
Power supply impedances in the digital to analogue converter are kept very low by the use of solid polymer capacitors.
All power supplies utilise custom Rega K-Power smoothing capacitors, along with fast diodes which have been used throughout in power supply rectification.
The Isis uses enhanced and optimised control code for the control of the CD processor and user display.This speeds up the initialisation process by means of a tighter control interface between the user micro and CD processor.
The analogue section employs two Burr Brown PCM1794 digital to analogue converters, running in a parallel dual mono mode, driving a high performance discrete class A current to voltage amplifier.
This combination generates an exceptionally wide dynamic range, low distortion, and linear signal. This drives an enhanced discrete class A output amplifier. The circuit is fully balanced from the digital to analogue converters to the balanced analogue XLR outputs. The analogue stage has its own dedicated 50VA mains transformer which ensures galvanic isolation between the digital and analogue sections of the player. You will find 10 separate power supply regulators are used in the analogue circuit and each individual amplifier stage has its own dedicated low noise voltage reference.
The digital section is blue printed and selected, with major improvements to the mechanism, optical amplifier, DSP core, PLL, master clock & motor power supplies. Another 10 separate power supply regulators are used in the digital circuit. The motor, user interface processor & display also have their own power supply. The digital stage also has its own 50VA transformer again ensuring galvanic isolation. The mechanism is graded and matched to the servo circuits, to ensure the servo and optical amplifiers are working at their optimum point, improving error correction and playability. The headroom of the optical amplifier has been improved by 10% by increasing the voltage in the power supply.
This revolutionary player has been five years in design. Rega, together with its design partners have pioneered a highly advanced servo controller that uses the latest signal processing techniques to ensure that the raw data that is recovered from the disc is of the very highest quality. Because our fully digital servo can use highly advanced algorithms the laser spot is kept in the optimum position for data recovery in terms of focus, size and tracking.
Extra Error Correction
Previous chip-sets always made compromises on error correction. Formerly it was possible to have good jog resistance or better musical performance.
The Rega chip-set allows optimum musical performance and optimised jog /vibration resistance.
Super-stable phase lock loop
The entire IC is clocked via a very special PLL of our own design. This allows better CD data recovery as well as a big improvement in the quality of the data delivered to the DAC.
Low noise digital design
In the design of our CPU IC we went to great lengths to ensure that the data and address bus noise was kept to an absolute minimum. This ensures the ground and signal connections to the DAC are as 'clean' as is possible.
Allowing direct connection to a laptop or PC via a USB A-B lead to stream internet radio Mp3 or WMA files directly from your computer via the high quality ISIS internal DAC.
The USB input uses an isolated double-clocked USB interface, which permits the digital to analogue stage to be used with a computer USB interface and it's own regulated power supply.
The USB benefits once again from galvanic isolation from the main circuitry of the ISIS player which eliminates the flow of earth currents between the CD and host computer, and eliminate computer power supply noise.
The ISIS will analyse each disc on an individual basis. During the initialising period (rather like the engine management system on a modern car which optimises the engine settings to temperature, fuel quality etc.) the ISIS will adjust itself to each disc in order to give optimal trouble free reading. For this reason the ISIS will often play discs with marks or scratches that other players cannot read.
All these features amalgamate to create the supreme level of performance found in the Isis and provide a perfect partner for the Rega Osiris amplifier.$9,995.00Rega Isis CD Player Buy Now
Light InformationNobody cared about their old heads, because the new ones work just fine now, don't they?.... they have the same size mouth and eyes.
The song Old Heads is a sci-fi space anthem to technology that constantly replaces itself, proving both necessary and unnecessary at the same time. It's also a jangly pop gem, a trip through the fantastical that is ultimately warm and relatable. This remarkable coexistence is one of many achievements of Chad VanGaalen's Light Information, his sixth record on Sub Pop.
For an album that's about not feeling comfortable with really anything, as VanGaalen says, Light Information is nonetheless a vivid, welcoming journey through future worlds and relentless memories. The rich soundscapes and sometimes jarring imagery could only come from the mind of a creative polymath--an accomplished visual artist, animator, director, and producer,VanGaalen has scored television shows, designed puppet characters for Adult Swim, directed videos for Shabazz Palaces, Strand of Oaks,METZ, Dan Deacon, and The Head and the Heart, and produced records for Women, Alvvays, and others.
While alienation has always been a theme of VanGaalen's music,Light Information draws on a new kind of wisdom--and anxiety--gained as he watches his kids growing up. Being a parent has given me a sort of alternate perspective, worrying about exposure to a new type of consciousness that's happening through the internet, he says. Throughout the dark-wave reverb of Light Information are stories of paranoia, disembodiment, and isolation--but there's also playfulness, empathy, and intimacy.
The product of six years' work, going back even before 2014's Shrink Dust, Light Information emerged from the experimental instruments that fill VanGaalen's Calgary garage studio. As always, VanGaalen wrote, played, and produced all of the music on Light Information(save Ryan Bourne's bass part on Mystery Elementals and vocals onStatic Shape from his young daughters Ezzy and Pip), and designed the cover art.1. Mind Hijacker's Curse
2. Locked in the Phase
3. Prep Piano and 770
4. Host Body
5. Mystery Elements
6. Old Heads
7. Golden Oceans
8. Faces Lit
9. Pine and Clover
10. You Fool
11. Broken Bell
12. Static Shape$18.99Vinyl LP - Sealed Buy Now
Pattern of ExcelWhat moves faster than the internet? OK, maybe light. But besides that, it's hard to find something more fleeting, rapidly changing and dynamic as the voice of the online community, which ultimately shapes the contemporary creative landscape both on and off the screen. As it happens, sometimes the artists who are most celebrated by the collective interweb are the same ones who later are in the throes of its fickleness. In the case of Lee Bannon, he's managed to slip into the elite of so many disparate (yet all discerning) scenes that even the speediest of hype surfers can't seem to keep up with his sonic shapeshifting. After an initial rise in the world of hip-hop (self-releasing beat tapes, collaborating with rap royalty like Souls of Mischief and Hieroglyphics and producing and DJing for Joey Bada$$ and the Pro Era crew), Lee Bannon turned his attention to a more ambitious, unconventional and decidedly anti-fad cause: taking influence from Goldie, Aphex Twin and the legacy of drum & bass and jungle to craft his debut LP Alternate/Endings. The album, released in January 2014 on Ninja Tune, was percussively dense, somehow both raw and razor-sharp, and featured enough peaks and plummets to blow the snapback right off the expectant hip-hop head's skull. Despite (or perhaps because of) the bold shift from previous work, the album was released to critical acclaim with words of praise coming from Rolling Stone, Resident Advisor, FACT, Pitchfork, The Guardian and more. Never one to stagnate, Lee Bannon has spent the subsequent months further honing his skills as a hotly-tipped collaborator (working more with Joey Bada$$, Wiki and producing Mick Jenkins' newest single, as well as more credits to come later this year), touring extensively (including a run with Trash Talk and Ratking in North America) and turning his attention once more to the studio for solo work. His sophomore LP on Ninja Tune, Pattern of Excel, again signals a movement away from the ground he's already covered and toward his own vision of the leftfield future. Gone are the rapidfire breaks and growling b-lines of his debut, replaced instead by a considered exploration of ambient soundscapes and drone influences. Though less immediately demanding of the listener's attention, Pattern of Excel shines in its quietude: the bokeh which filters through Artificial Stasis, the distant but steady build of Memory 6, the strings sadly quavering into a melody on Disneµ Girls. Rather than a departure, Pattern of Excel can only be considered a continuation of Lee Bannon's proven flexibility and commitment to innovation and progression.1. Good / Swimmer
2. Artificial Stasis
4. Suffer Gene
6. Shallowness is the root of all evil
11. AW in the Sky for Pigs
12. Disneµ Girls
14. Memory 6
15. Towels$24.99Vinyl LP - Sealed Buy Now