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  • The Midnight Special (Speakers Corner) The Midnight Special (Speakers Corner) Quick View

    $34.99
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    The Midnight Special (Speakers Corner)

    No attempt has ever been made to compare Harry Belafonte with other singers of his own generation or generations following. Perhaps this is because there simply is no other singer in the American folk scene who possesses anything remotely comparable to his uniquely silky yet dusky voice, or his genial mix of calypso, blues, gospel and traditional songs. The present album provides a wonderful testimony to the Jamaican singer's flexibility and multifariousness, which he learned to perfection of New York's jazz clubs. It includes songs such as "Midnight Special", a prisoner's nocturnal prayer for freedom, and "On Top Of Old Smokey", which Belafonte instils with intricate rhythm and Caribbean flair. And the tailor-made arrangements are no less thrilling: whether possessing all the drive of a stomping big band, filled with the intimacy of a smoochy small ensemble (with Bob Dylan on the mouth organ!) or with an earthy, folksy, blue grass sound - there's all that and plenty more! To put it in a nutshell: a veritable feast of traditional music which doesn't sound the least 'traditional'.



    Musicians:



    • Harry Belafonte (vocal)

    • Jimmy Jones (conductor, arranger)

    • Bob Dylan (harmonica)

    • Joe Wilder (trumpet)

    • Jerome Richardson (saxophone)

    • Millard Thomas, Ernie Calabria (guitar)

    • Norman Keenan (bass)

    • Don Lamond, Percy Brice (drums)




    Recording: 1962 by Bob Simpson

    Production: Hugo Montenegro





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. The Midnight Special
    2. Crawdad Song
    3. Memphis Tennessee
    4. Gotta Travel On
    5. Did You Hear About Jerry?
    6. On Top Of Old Smokey
    7. Muleskinner
    8. Makes A Long Time Man Feel Bad
    9. Michael Row The Boat Ashore
    Harry Belafonte
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Calypso Calypso Quick View

    $29.99
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    Calypso

    The biggest album from beloved entertainer Harry Belafonte. Pressed on 180 gram vinyl with striking cover art.


    This is the album that made Harry Belafonte's career, and it remained at #1 a staggering 31 weeks! Calypso is also the first LP record album to sell over one million copies. This release is pressed on audiophile-grade 180 gram vinyl, with fully-restored, striking cover art. Contains his biggest hit Day O (Banana Boat Song) along with other calypso gems that made this album an immediate smash.

    1. Day O
    2. I Do Adore Her
    3. Jamaica Farewell
    4. Will His Love Be Like His Rum'
    5. Dolly Dawn
    6. Star O
    7. The Jack-Ass Song
    8. Hosanna
    9. Come Back Liza
    10. Brown Skin Girl (Calypso)
    11. Man Smart (Woman Smarter)
    Harry Belafonte
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Belafonte At Carnegie Hall (Speakers Corner) Belafonte At Carnegie Hall (Speakers Corner) Quick View

    $49.99
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    Belafonte At Carnegie Hall (Speakers Corner)

    To perform in Carnegie Hall must surely be the greatest ambition of every artist, regardless of his or her style of music. But it also presents an enormous challenge, because on such an evening 'good' isn't good enough. The artist is not merely expected to perform to his or her usual high standard - the evening must be exceptional. Harry Belafonte, the charismatic and highly experienced performer, certainly managed to fulfil such expectations, as is testified to by the present double album, which has retained its place as a best-seller at the top of the charts over many years.
    This performance contains three acts, as it were: Afro-American moods, Caribbean songs and excursions into music of the world. Belafonte is in top form and celebrates an exciting, sparkling festival of song, including spontaneous comic interludes, which arise from direct interaction with his enthralled and enthusiastic audience. He is brilliantly supported by Bob Corman and his 47-man orchestra, an ensemble which is reduced to a small combo when the maestro raises his husky voice. It goes without saying that all the favourites are there such as Jamaica Farewell, Day-O and Mama Look A Boo Boo, making this Carnegie Hall event one of the most mesmerizing live performances of all time, which captures the essence of the performer in his prime (All Music Guide). With this double album you too can sit in the audience and enjoy this great event.



    Musicians:



    • Harry Belafonte (vocal)

    • Millard Thomas, Raphael Boguslav (guitar)

    • Norman Keenan (bass)

    • Danny Barrajanos (percussion)

    • & orchestra conducted by Robert Corman




    Recording: April 1959 live at Carnegie Hall, New York, by Bob Simpson

    Production: Bob Bollard





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Introduction/Darlin'
    2. Sylvie
    3. Cotton Fields
    4. John Henry
    5. The Marching Saints
    6. The Banana Boat Song (Day-O)
    7. Jamaica Farewell
    8. Mama Look a Boo Boo
    9. Come Back Liza
    10. Man Smart (Woman Smarter)
    11. Hava Nagila (Traditional)
    12. Danny Boy
    13. Cucurrucucu Paloma
    14. Shenandoah
    15. Matilda
    Harry Belafonte
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Belafonte Sings The Blues Belafonte Sings The Blues Quick View

    $34.99
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    Belafonte Sings The Blues

    200 Gram LP Plated And Pressed At Quality Record Pressings


    Mastered By Kevin Gray At Cohearent Audio


    Old-Style Tip-On Heavyweight Jacket By Stoughton Printing


    A favorite off the recommended list by The Absolute Sound magazine, and, as expressed in the liner notes, Harry Belafonte's favorite recording. Belafonte has never before sung on records as he does in this album. He is freer, more earthy, more exultantly identified with his material than ever before. He has always communicated an often ferocious power as well as lyrical sensitivity, but in this collection he achieves a unity of emotional strength in and understanding of his material that marks an important stage in his evolution as an artist.


    Includes classic songs Cotton Fields, God Bless' The Child, Hallelujah I Love Her So. Recorded in New York City in January and March 1958, and in Hollywood, California, in June 1958.


    As the liner notes by Nat Hentoff state, there is not much to say about the individual performances that is not entirely clear on hearing them. Truly a classic for discerning audiophiles, Belafonte Sings The Blues was the first Belafonte album recorded in stereo. The sound is incredible, and the dead-silent backgrounds of QRP 200-gram vinyl preserve every exquisite detail! This is one of Belafonte's most satisfying set of performances.


    This title is not eligible for discount.

    1. A Fool For You
    2. Losing Hand
    3. One For My Baby
    4. In The Evenin' Mama
    5. Hallelujah I Love Her So
    6. The Way That I Feel
    7. Cotton Fields
    8. God Bless' The Child
    9. Mary Ann
    10. Sinner's Prayer
    11. Fare Thee Well
    Harry Belafonte
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • An Evening With Makeba/Belafonte (Speakers Corner) An Evening With Makeba/Belafonte (Speakers Corner) Quick View

    $34.99
    Buy Now
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    An Evening With Makeba/Belafonte (Speakers Corner)

    Songs from Africa: Just by reading this subtitle, one might well ask oneself whether an album with such an unpretentious title would ever manage to find its way to the charts. But as soon as the disc is placed on the turntable, all doubts are dispelled that this collection of songs was actually one of the top sellers of its genre in the Sixties. The melodies, all of which stem from South African tribal songs, are treated lovingly to sensitive new arrangements. It goes without saying that the producers only wanted a minimum of background instrumentalists for these two star singers in order to preserve the original character of the songs. A little bit of guitar here, a touch of mouth organ there, and the soft rhythm of drums are all that are needed for the soft springy sound. Central to the authentic sound is a mixed chorus that mostly uses the traditional art of antiphonal singing with the soloists.



    Such delightful sounds and harmony will make you want to put the stylus back on the groove again and again. This is addictive music of the world, which one can listen to for hours on end.



    Musicians:



    • Harry Belafonte, Miriam Makeba (vocal)

    • Jonas Gwangwa (arranger, conductor)

    • Sam Brown, Eddie Diehl, Jay Berliner (guitar)

    • William Salter (bass violin)

    • Auchee Lee, Solomon Ilori, Chief Bey, (percussion)




    Recording: 1965 in RCA Victor's Studios, New York

    Production: Andy Wiswell and Harry Belafonte




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Harry Belafonte
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beetlejuice Soundtrack Beetlejuice Soundtrack Quick View

    $24.99
    Buy Now
    x

    Beetlejuice Soundtrack

    Reissue


    Danny Elfman provides one of his most quintessentially Elfman-esque scores for one of Tim Burton's most quintessentially Burton-esque movies, Beetlejuice. The film's dark yet sardonically funny Main Titles is among Elfman's all-time best moments, bustling along with a dark joie de vivre (or is it joie de morte?) that defines the spooky fun of both this movie, and his collaboration with Burton. The score's stylized world also includes the ironically perky Travel Music; Incantation, a tensely percussive cue that unfolds into exaggerated brass and ghostly vocals and organs; and the eerily pretty but still whimsical Lydia Discovers. The tip-toeing pizzicato strings and pianos, and the theatrical brass, organs, harps, and percussion that appear on every track -- most definitively on tracks like Enter...The Family / Sand Worm Planet -- underline the film's live-action cartoonishness, with the music's hyperactive shifts, and the addition of Harry Belafonte's Jump In Line and Banana Boat Song (Day-O) just adding another layer of quirkiness to the whole thing. A perfect mix of silliness and spookiness, Beetlejuice remains one of Elfman's most consistent scores.


    - Heather Phares (All Music Guide)

    1. Main Titles
    2. Travel Music

    3. The Book! / Obituaries
    4. Enter...The Family / Sand Worm Planet
    5. The Fly
    6. Lydia Discovers
    7. In The Model
    8. Juno's Theme
    9. Beetle-Snake
    10. Sold
    11. The Flier / Lydia's Pep Talk

    12. Day-O - Harry Belafonte
    13. The Incantation
    14. Lydia Strikes A Bargin...
    15. Showtime!
    16. Laughs
    17. The Wedding
    18. The Aftermath
    19. End Credits
    20. Jump In Line (Shake, Shake, SeƱora) - Harry Belafonte
    Danny Elfman
    $24.99
    Vinyl LP -Sealed Buy Now
  • I Remember (Pure Pleasure) I Remember (Pure Pleasure) Quick View

    $34.99
    Buy Now
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    I Remember (Pure Pleasure)

    Jazz singer Dianne Reeves was born into a family rich in musical background. Her uncle, Charles Burrell, a bass player with the Denver Symphony Orchestra, introduced her to the music of jazz singers such as Ella Fitzgerald, Billie Holiday, and, especially impressive to Reeves, Sarah Vaughan.



    Her musical career includes a tour with Eduardo del Barrio's group Caldera; singing with Billy Childs' jazz band Night Flight; touring with Sergio Mendes; from 1983-86 touring with Harry Belafonte as a lead singer. She also sang at the closing ceremony of the 2002 Winter Olympic Games in Salt Lake City.



    Reeves has been awarded four Grammys for Best Jazz Vocal Performances for the albums In the Moment - Live In Concert (2001), The Calling: Celebrating Sarah Vaughan (2002), A Little Moonlight (2003), and Good Night and Good Luck (soundtrack) (2006).


    Recorded at Madhatter Studios, Los Angeles, California on September 10-11, 1990 and The Van Gelder Studio, Englewood Cliffs, New Jersey on April 27-28 and May 9, 1988.


    Features:



    • 180g Vinyl

    • Re-mastered by Ron McMaster at Capitol Studios


    Musicians:



    • Dianne Reeves, vocals

    • Kevin Eubanks, acoustic guitar

    • Bobby Hutcherson, vibraphone

    • Greg Osby, alto saxophone

    • Justo Almario, saxophone

    • Charles Mims, piano

    • Billy Childs, piano

    • Donald Brown, piano

    • Mulgrew Miller, piano

    • Chris Severin, bass

    • Charnett Moffett, bass

    • Billy Kilson, drums

    • Marvin Smitty Smith, drums

    • Terri Lyne Carrington, drums

    • Ron Powell, percussion, wind chimes

    • Bill Summers, percussion

    • Luis Conte, percussion


    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Afro Blue
    2. The Nearness Of You / Misty
    3. I Remember Sky
    4. Love For Sale
    5. Softly As In The Morning Sunrise
    6. Like A Lover
    7. How High The Moon
    8. You Taught My Heart To Sing
    9. For All We Know
    Dianne Reeves
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Snow Snow Quick View

    $24.99
    Buy Now
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    Snow

    Pressed On 2x 180 Gram 45 RPM White Vinyl

    The Sydney-born siblings produced and largely engineered Snow themselves, in Angus's cottage studio, Belafonte, in the Byron Bay hinterland. It was quite magical because Angus and I have never spent that much time together, just the two of us, says Julia. The last phase of writing and recording was just eight weeks of him and me and the quiet of the land. It was a beautiful time. Since they began in 2006, Angus & Julia Stone have amassed multi-platinum sales and numerous ARIA awards at home, and won a fanbase of millions over tours of the UK, Europe & North America.

    LP 1
    1. Snow
    2. Oakwood
    3. Chateau
    4. Cellar Door
    5. Sleep Alone
    6. Make It Out Alive


    LP 2
    1. Who Do You Think You Are
    2. Nothing Else
    3. My House Your House
    4. Bloodhound
    5. Baudelaire
    6. Sylvester Stallone

    Angus & Julia Stone
    $24.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • 29 Demos 29 Demos Quick View

    $36.99
    Buy Now
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    29 Demos

    Double LP Pressed On Red & Blue Vinyl!


    Margo Guryan's honeyed voice and gorgeously sweet songwriting has become a favorite of the soft-pop set. As a successful songwriter, her compositions have been recorded by the likes of Jackie DeShannon, Spanky & Our Gang, Astrud Gilberto, Claudine Longet, Oliver, Cass Elliot, Glen Campbell, Saint Etienne and Harry Belafonte. Her only solo album, the magnificent Take A Picture (featuring the hit "Sunday Morning), has become a cult classic since its release in 1968, and no wonder: its combination of marvelously funky sunshine arrangements and Margo's delicious melodies are a heady combo. She's influenced everyone from the Wondermints to Belle and Sebastian to Oscar-winning screenwriter Diablo Cody (who listened to Take A Picture while writing Juno).


    In 2001, Margo released 25 Demos, a collection of fully-fleshed out demos from her personal collection. Most people's demos are mere sketches -- Margo's are little baroque masterpieces, featuring string arrangements, circus organ, chamber-pop rhythm sections and tons of glorious echo. Now, Modern Harmonic presents the biggest collection yet, 29 Demos, all lovingly wrapped in a gorgeous gatefold jacket loaded with liner notes. Finally, an album worthy to follow Take A Picture - two LP's worth of magnificent soft-pop.

    LP 1
    1. What Can I Give You
    2. Something's Wrong With The Morning
    3. I Love
    4. Sunday Morning
    5. Can You Tell
    6. Think Of Rain
    7. Sun
    8. Most Of My Life
    9. The 8:17 Northbound Success Merry-Go-Round
    10. Love Songs
    11. Thoughts
    12. I Don't Intend To Spend Christmas Without You
    13. Come To Me Slowly
    14. Timothy Gone
    15. It's Alright Now


    LP 2
    1. Why Do I Cry
    2. Under My Umbrella
    3. Values
    4. I Think A Lot About You
    5. The Hum
    6. Please Believe Me
    7. I'd Like To See The Bad Guys Win
    8. Yes I Am
    9. California Shake
    10. Shine
    11. Hold Me Dancin'
    12. Good-Bye, July
    13. Someone I Know (Chip Taylor demo)
    14. Think Of Rain (Malcolm McNeill demo)

    Margo Guryan
    $36.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Everybody's In Show-Biz Everybody's In Show-Biz Quick View

    $29.99
    Buy Now
    x

    Everybody's In Show-Biz


    4-Panel Gatefold


    150 Gram Vinyl


    Two Inserts: Original Lyric Sheet Plus Second Insert With Bonus Track Info


    Contains The Original 2-LP Plus A Third LP With 9 Previously Unreleased Live And Studio Tracks


    First released in August 1972, Everybody's In Show-Biz was The Kinks' tenth studio album, arriving within a year of the acclaimed Muswell Hillbillies (the group's debut album for RCA Records). The original double-LP Everybody's In Show-Biz contained a complete studio album (which premiered the all-time Kinks classic Celluloid Heroes among other tracks) and a live disc chronicling The Kinks' Carnegie Hall appearance in March 1972.


    The 2016 Legacy Edition of Everybody's In Show-Biz includes the original album, produced by Raymond Douglas Davies, in its entirety alongside a full disc's worth of previously unissued studio sessions outtakes (recorded for the album in 1972 at Morgan Studios, Willesden, London) and live material (recorded March 2-3, 1972 during The Kinks' triumphant Carnegie Hall concert run).


    The new edition of Everybody's In Show-Biz includes in-depth liner notes penned especially for this release by noted rock scholar David Fricke.


    A concept album of sorts, Everybody's In Show-Biz drew its themes and inspirations from the trials, tribulations and triumphs of life as a touring musician. (The raucous Carnegie Hall recordings on the album come from one of the first North American concerts performed by The Kinks after the lift of a four-year ban imposed on the group by the American Federation of Musicians in 1965.) The songs on Everybody's In Show-Biz were initially intended to serve as the soundtrack to The Colossal Shirt, a never-realized feature film about The Kinks on the road.


    Life keeps using me, keeps on abusing me, mentally and physically, Davies sings on the album's Maximum Consumption. I gotta stay fit, stay alive, need fuel inside, eat food to survive . Stylistically, Everybody's in Show-Biz finds Davies further exploring his interest in Americana-inspired musical arrangements as heard on Muswell Hillbillies.


    Everybody's In Show-Biz showcases the second great classic Kinks line-up: frontman Ray Davies, guitarist Dave Davies, bassist John Dalton, keyboardist John Gosling and drummer Mick Avory, joined by brass and woodwind players Mike Cotton, John Beecham and Alan Holmes (all of whom played on Muswell Hillbillies).


    The Carnegie Hall recordings include a variety of Kinks originals in addition to unconventional covers including Mr. Wonderful (from the Sammy Davis Jr.-led musical of the same name), the 1920s popular standard Baby Face (made famous by Al Jolson) and The Banana Boat Song (a calypso-folk perennial popularized by Harry Belafonte).


    The new Legacy Edition of Everybody's In Show-Biz includes never-before-heard live versions of Sunny Afternoon, Get Back in Line, Complicated Life and the rarely-played Long Tall Shorty as well as alternate versions of Supersonic Rocket Ship, Unreal Reality and the debut release of History, which foreshadowed The Kinks' next concept album, 1973's Preservation Act 1.

    LP 1
    1. Here Comes yet Another Day
    2. Maximum Consumption
    3. Unreal Reality
    4. Hot Potatoes
    5. Sitting In My Hotel
    6. Motorway
    7. You Don't Know My Name
    8. Supersonic Rocket Ship
    9. Look A Little On the Sunny Side
    10. Celluloid Heroes


    LP 2
    1. Top of the Pops (Live)
    2. Brainwashed(Live)
    3. Mr. Wonderful(Live)
    4. Acute Schizophrenia Paranoia Blues(Live)
    5. Holiday(Live)
    6. Muswell Hillbilly(Live)
    7. Alcohol(Live)
    8. Banana Boat Song(Live)
    9. Skin and Bone(Live)
    10. Baby Face(Live)
    11. Lola(Live)


    LP 3
    1. 'Til the End of the Day (Live)
    2. You're Looking Fine (Live)
    3. Get Back In Line (Live)
    4. Have A Cuppa Tea (Live)
    5. Sunny Afternoon (Live)
    6. Complicated Life (Live)
    7. Long Tall Shorty (Live)
    8. History
    9. Supersonic Rocket Ship (Alternate mix)

    The Kinks
    $29.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Belafonte At Carnegie Hall (Box Set) (Out Of Stock) Belafonte At Carnegie Hall (Box Set) (Out Of Stock) Quick View

    $149.99
    x

    Belafonte At Carnegie Hall (Box Set) (Out Of Stock)

    Belafonte At Carnegie Hall - The Complete Concert


    5-LP Set Includes Bonus Tracks Previously Unavailable On Vinyl


    Mastered By Ryan K. Smith At Sterling Sound From The Original 3-Track Analog Tapes


    200-Gram LPs Cut At 45 RPM, Plating By Gary Salstrom, Pressing At Quality Record Pressings


    45 RPM Custom Designed Slipcase Box


    Described by reviewers as "the quintessential Belafonte package,"
    Belafonte at Carnegie Hall captures the excitement of
    a Harry Belafonte concert at the height of his popularity. What
    Analogue Productions has done with this 5LP box set release
    exceeds other vinyl versions.


    We've included the entire concert. The fifth disc in this premium
    set includes tracks heretofore missing from prior editions due to
    space limitations. They include Belafonte's spoken introduction
    before launching into the touching and tender "Scarlet Ribbons,"
    followed by the orchestral overture.


    What AllMusic.com describes as "The grandaddy of all live albums,"
    was an anomaly at a time when only comedy albums were
    recorded outside of the studio environment. A major financial and
    artistic success, the live performance stayed on the best-selling
    album charts for over three years and remained in print until RCA
    discontinued pressing LPs.


    The concert is divided into three sections: "Moods of the American
    Negro," "In The Caribbean," and "Round The World." All the hits
    are here: "Day O," "Jamaica Farewell," "Mama Look a Boo Boo,"
    and others, plus calypso, folk songs, chain gang songs, spirituals,
    and songs from other lands, representing a veritable best-of
    package of Belafonte's first decade with RCA Victor.


    Wait no more if you haven't heard this marvelous record. We've
    gone all out for this deluxe reissue. Starting with premier mastering
    by Ryan K. Smith at Sterling Sound from the original analog
    tapes. Then plating and pressing by Gary Salstrom and the crew
    at Quality Record Pressings, where the finest quality LPs in the
    world are pressed. But it doesn't stop there: We've enhanced
    the original studio photography and housed the collection in a
    custom-designed slipcase box.


    Belafonte's mastery in front of an audience was never better displayed
    then here, a mastery that resulted in him becoming one
    of the most popular concert draws in history. From the opening
    trumpet fanfare to the epic 12-minute version of "Matilda" (which
    set a standard for audience participation), the album never lets
    up!


    This title is not eligible for discount.

    LP 1
    1. Introduction/Darlin' Cora
    2. Sylvie
    3. Cotton Fields
    4. John Henry
    5. Take My Mother Home


    LP 2
    1. The Marching Saints
    2. Day O
    3. Jamaica Farewell
    4. Man Piaba
    5. All My Trials


    LP 3
    1. Mama Look A Boo Boo
    2. Come Back Liza
    3. Man Smart (Woman Smarter)
    4. Hava Nageela
    5. Danny Boy
    6. Merci Bon Dieu


    LP 4
    1. Cu Cu Ru Cu Cu Paloma
    2. Shenandoah
    3. Matilda


    LP 5
    1. Harry Belafonte (Spoken Intro)
    2. Scarlet Ribbons
    3. Overture Medley (Instrumental)

    Harry Belafonte
    $149.99
    200 Gram Audiophile Virgin Vinyl LP Box Set 45RPM - 5 LPs Sealed Temporarily out of stock
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