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  • The Best Of Muddy Waters (Awaiting Repress) The Best Of Muddy Waters (Awaiting Repress) Quick View

    $19.99
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    The Best Of Muddy Waters (Awaiting Repress)

    On vinyl for the first time in decades, this was Muddy' Waters's first, and Chess Records' third, LP release, collecting his hit singles for the label to that point. It features indelible, deeply influential tracks, including "Rollin' Stone," which inspired a certain British band. Eight of the album's 12 tracks, including "I'm Your Hoochie Coochie Man," were top 10 hits.
    1. I Just Want To Make Love To You
    2. Long Distance Call
    3. Louisiana Blues
    4. Honey Bee
    5. Rollin' Stone
    6. I'm Ready
    7. Hoochie Coochie
    8. She Moves Me
    9. I Want You To Love Me
    10. Standing Around Crying
    11. Still A Fool
    12. I Can't Be Satisfied
    Muddy Waters
    $19.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Broken People Broken People Quick View

    $18.99
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    Broken People

    American music is a mile-wide river that beckons black and white, urban and rural, dreamer and doer alike to launch their vessels. All the streams of style and genre flow into it; its tributaries are blues and jazz, mountain and folk, rock, soul and R&B.


    The release of the debut album by Muddy Magnolias, Broken People, marks the launch of a great new vessel onto that waterway. The album showcases a confluence of style and sound as colorful as it is unlikely, steeped in that river of influence, yet bracingly fresh.


    With Broken People, Jessy Wilson and Kallie North take us on an 11-song journey with its origins in two widely divergent backgrounds that came together in a friendship and creative partnership with world-changing resonance.


    North was raised in southeast Texas and began singing with her family and studying piano at an early age. She grew to love rich vocal harmonies singing in church choirs and listening to artists like the Carpenters, Alison Krauss, James Taylor and the Eagles. By her early teens, she was singing lead parts in church and in musical theater productions at her high school. Her palette grew when a friend turned her on to the Grateful Dead, and after high school she spent every spare moment in the clubs of Austin, absorbing everything from alt-country and jam bands to New Orleans funk. She met her husband at a concert and moved with him to his native Mississippi. There, on their isolated farm, she had her awakening, starting a career as a photographer, capturing the spirited, deep history of the Mississippi Delta.


    "To me, the Delta is the most overlooked and mysterious place," she says. "It was the birthplace of America's music, and all the legends were influenced by everything that came out of it. I went on this personal exploration to learn about the Delta blues and the region's history. I picked up a camera and started taking pictures, blogging about what I was experiencing, and I tapped into all the creative energy lying dormant inside me." When her husband gave her a guitar, she began spending her days on the porch of their farm learning how to connect her first chords. From there, the songs began pouring out and she knew she had to find a way to get to Nashville and write songs professionally.


    Wilson, raised in Brooklyn, was in love with music from her earliest days. She was singing before she could talk, and was 5 when her mother recognized her passion for music. "I would cry because I couldn't hit the high notes in Whitney Houston and Mariah Carey songs," she says. Influenced by greats from Aretha and Smokey Robinson to Lauryn Hill, Mary J. Blige and The Notorious B.I.G., she began auditioning in the highly competitive New York entertainment scene and was working professionally in musical theater by the age of 10. Her mother took her to nightclubs where she experienced a variety of live performances. She attended New York's top performing arts schools, including La Guardia High School, the "Fame" school, where she discovered her love for gospel music and took part in the gospel chorus for four years. She worked at Cafe Wha? in Greenwich Village, making $500 a weekend while still in high school.


    She sang backup for Alicia Keys in her teens, then worked four years with John Legend, and through him with legends like will.i.am, Kanye West, Raphael Saadiq and Babyface. Legend mentored her in songwriting and recording before she began writing songs on her own for American Idol winner Fantasia Barrino and others. Inspired by her evolving love of songwriting, she too moved to Nashville, looking for a wider creative palette. There, while meeting with then-BMI executive Clay Bradley, her eye settled on a photograph of "a rundown juke joint piano" in his office.


    "I want to meet whoever took that photo," she said. The photographer was North-it had been taken during her creative awakening in Mississippi-and the subsequent meeting led quickly to collaboration and an epic friendship.


    "The first day we wrote together," says North, "there wasn't much thought that we were blending genres and worlds. That never came up. It was just natural. She had never written a country song and I was writing them every day. We sat down to write one but when we listened back it was a country R&B song. And we decided to become songwriting partners." Before long, they had their first cut as collaborators, and they were off and running.


    "The spirit of the Muddy Magnolias existed from the moment we met," says Wilson, "but we didn't know we were the Muddy Magnolias yet." North was toying with the idea of a solo career; Wilson had aspirations of making history as an African-American female songwriter in Nashville. Their new friendship was a game-changer.


    "We spent a whole year writing, trying to understand what our message was when we combined our stories," says Wilson. Then one day over afternoon wine at Burger Up, their favorite hangout in the 12 South section of Nashville, both admitted to be being at a crossroads. "The next thing you know," says North, "Jessy said, 'What if we made a record together?' It was like all of our dreams in one."


    "We went back to that same office on Music Row where I saw the photograph," says Wilson, "and sat down side by side in Clay's office and said, 'We've got something to tell you. We're going to make an album together.'" Bradley believed enough to sign on as their manager. They held three days of band auditions and found four best friends who had been playing together since college, primarily doing jazz. The fit was perfect, providing just the right sonic backdrop for their soulful approach and high-energy delivery.


    As they continued to write and perform, opening for the likes of The Zac Brown Band and Gary Clark, Jr., they put together a project that crosses genres effortlessly, showcasing two voices that soar together in a blending of cultures as electrifying as if Janis Joplin and Tina Turner, or Whitney Houston and Lee Ann Womack had joined forces.


    Broken People combines poetic imagery and vocal passion, with the musicianship and production of Motown or Muscle Shoals by way of the raw honesty of Sun Records. Of course it deals with love, longed for and unleashed, in songs like "I Need A Man," "Why Don't You Stay" and "Devil's Teeth," but the album soars as it reaches for bigger themes, dealing with the need for hope in "Take Me Home," for love on a societal scale in "Shine On" and "Brother What Happened," and hope for the future in "Got It Goin' On." With "Leave It To The Sky," the two, joined by John Legend on vocals and piano, make a powerful case for spiritual solutions, and few songs in the modern lexicon are as steeped in present-day reality as the gospel- and R&B-tinged title track.


    "Ultimately," says North, "this album is a result of an unlikely friendship and is a testament to what can happen when you diversify your relationships."


    "It's about getting out of your comfort zone and being rewarded with a great friendship," adds Wilson. "We've both felt the power of that."


    "Our path is so much better and our lives are so much richer because of it," says North, "and we want to bring people along on this journey."


    "We want to see what society would be like if we all reached out in ways we normally wouldn't," adds Wilson.


    And that is the magic and the message. The music of Muddy Magnolias, live and on record, comes from a place where the Mississippi meets the A-Train by way of Nashville. Whether yours is the back porch or the front stoop, Spanish moss or window box garden, dusty country lane or crowded subway car, rural honky-tonk or uptown club, this is music that beckons. Muddy Magnolias are collaboration without boundaries, musical healing in a landscape of the heart, and all of us who treasure creative energy, honest art and the possibilities of love and unity, are better for their arrival.

    1. Broken People
    2. Brother, What Happened?
    3. Got It Goin' On
    4. Why Don't You Stay
    5. Take Me Home
    6. Shine On!
    7. It Ain't Easy
    8. I Need A Man
    9. Devil's Teeth
    10. Train
    11. Leave It To The Sky (feat. John Legend)
    Muddy Magnolias
    $18.99
    Vinyl LP - Sealed Buy Now
  • Carey Bell's Blues Harp Carey Bell's Blues Harp Quick View

    $30.99
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    Carey Bell's Blues Harp

    Import


    Carey Bell's 1969 debut for Delmark Records finds the virtuoso harmonica player working in a quartet with guitarists Eddie Taylor and Jimmy Dawkins as well as pianist Pinetop Perkins on a 12-song set that includes rollicking covers of material by Little Walter and Muddy Waters along with colorful Bell originals. Hardcore Chicago blues at its best re-released on vinyl by 6 Spices Records.

    1. I'm Ready
    2. I Got To Find Somebody
    3. I Wanna Will My Love To You
    4. Blue Monday At Kansas City Red's
    5. I'm Gonna Buy Me A Train Ticket
    6. Come On Over Here
    7. I Cry So Much
    8. Sad Dreams
    9. Everything's Up Tight
    10. You Know It Ain't Right
    11. Last Night
    12. Rocking With A Chromatic
    Carey Bell
    $30.99
    Vinyl LP - Sealed Buy Now
  • Mellow Down Easy Mellow Down Easy Quick View

    $21.99
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    Mellow Down Easy

    Carey Bell was one of the best harmonica players the vibrant 50's and 60's Chicago blues scene ever produced. Blind Pig is proud to add his finest recording, Mellow Down Easy, to its Vinyl Masters Series. Carey first arrived in Chicago in 1956 as a member of his stepfather Lovey Lee's band, and his collaborators are a veritable who's who of the blues, featuring Muddy Waters, Willie Dixon, John Lee Hooker, Earl Hooker, Robert Nighthawk, Eddie Taylor, and Lowell Fulsom For this special, limited edition LP release, Mellow Down Easy was remastered and pressed on HQ-180 gram vinyl.
    1. Short Dress Woman

    2. Delta Time
    3. Five Long Years
    4. Mellow Down Easy
    5. Just Like You
    6. Walkin' Thru the Park
    7. That Spot Right There
    8. Big Walter Strut
    9. One Day
    10. So Easy To Love You
    11. Walkin' By Myself
    Carey Bell & Tough Luck
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Am The Blues I Am The Blues Quick View

    $36.99
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    I Am The Blues

    Import

    Chicago Bluesman Willie Dixon was perhaps best known for his songwriting. He wrote or co-wrote over 500 songs and his songs have been recorded by some of the best-known blues musicians of his era, including Muddy Waters, Howlin' Wolf, Little Walter, and Buddy Guy.


    Later, his songs were popularized by groups, such as The Rolling Stones, The Doors, Cream, and Led Zeppelin, whose Whole Lotta Love was loosely based don Dixon´s You Need Love. On this 1970 LP, the quintessential blues songwriter performs his own tunes - every one a classic: I'm Your Hoochie Coochie Man, The Little Red Rooster, Spoonful and of course Back Door Man to name a few!


    Long overdue, the album was inducted into the Blues Hall of Fame in 1986, whereas Willie Dixon was posthumously inducted into the Rock and Roll Hall of Fame in 1994.

    1. Back Door Man
    2. I Can't Quit You, Baby
    3. The Seventh Son
    4. Spoonful
    5. I Ain't Superstitious
    6. You Shook Me
    7. I'm Your Hoochie Coochie Man
    8. The Little Red Rooster
    9. The Same Thing
    Willie Dixon
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 2120 South Michigan Ave 2120 South Michigan Ave Quick View

    $34.99
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    2120 South Michigan Ave

    On their 17th studio album, George Thorogood and The Destroyers pay tribute to their Chess Records label heroes, including many of Thorogood's legendary mentors who helped to launch his career in rock & roll. Titled 2120 South Michigan Avenue named for the the address of Chess Records' Chicago headquarters the 13-track album features Thorogood's raw, rocking turn on classics by a who's-who of the blues, including Willie Dixon, Muddy Waters, Bo Diddley, Chuck Berry, Howlin' Wolf, Buddy Guy, Sonny Boy Williamson, Little Walter and other Chess greats, as well as new original songs written by Thorogood, the album's producer, Tom Hambridge, and Richard Fleming.The album is produced by musician, songwriter and producer Tom Hambridge, a four-time Grammy Award nominee and 2010 Grammy winner for Best Contemporary Blues Album (Hambridge produced Buddy Guy's Living Proof) and ASCAP Songwriter of the Year Award winner. The album's featured guests include 2010 Grammy Award winners Buddy Guy and Charlie Musselwhite.
    1. Going Back

    2. Hi-Heel Sneakers - Featuring Buddy Guy

    3. Seventh Son
    4. Spoonful
    5. Let It Rock
    6. Two Trains Running (Still A Fool)

    7. Bo Diddley
    8. Mama Talk To Your Daughter
    9. Help Me
    10. My Babe - Featuring Charlie Musselwhite

    11. Sweet Little Rock and Roller
    12. Willie Dixon's Gone
    13. Chicago Bound
    14. 2120 South Michigan Ave. - Featuring Charlie Musselwhite

    George Thorogood
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Hoodoo Man Blues Hoodoo Man Blues Quick View

    $54.99
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    Hoodoo Man Blues

    One of the all-time great urban blues records and the best-seller in the famed Delmark catalog. Hoodoo Man Blues is so full of bravado and snap it'll make you feel tough just listening to it. Not all of the Delmark titles were recorded very well, but this one certainly was. And at 45 RPM, this now stands as the undisputed definitive version. Hoodoo Man Blues, which features Buddy Guy on guitar, is not only Junior Wells' first LP appearance, it's damn near the first LP by a Chicago blues band. Chess and a few other labels had reissued 45s by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound free of the limitations of juke box/airplay promotion. Hoodoo Man Blues went a long way in the popularization of real Chicago blues and of Junior Wells.


    This title is not eligible for discount.

    1. Snatch It Back and Hold It
    2. Ships On the Ocean
    3. Good Morning Little School Girl
    4. Hound Dog
    5. In The Wee Hours of the Morning
    6. Hay Lawdy Mama
    7. Hooddoo Man Blues
    8. Early in the Morning
    9. We're Ready
    10. Do You Love Me, Baby
    11. Chiltin Con Carne
    12. Yonders Wall
    Junior Wells
    $54.99
    200 Gram Audiophile Virgin Vinyl 45RPM - 2 LPs Sealed Buy Now
  • Joe Beard Direct-To-Disc Joe Beard Direct-To-Disc Quick View

    $19.99
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    Joe Beard Direct-To-Disc

    Born and raised in Ashland, Mississippi, guitarist Joe Beard was surrounded by aspiring and veteran blues musicians. Matt Guitar Murphy and his brother Floyd were Beards childhood buddies and the ones who initially got him started on guitar.


    Beard moved to Rochester, New York in the mid-1950s and from time to time would visit one of his brothers in Chicago. He became enamored with the blues being played there and eventually sat in, both with John Lee Hooker and Muddy Waters.


    In Rochester, he formed the Soul Brothers Six, playing bass and singing. He wouldnt perform in public on guitar until 1965. For most of the 1960s on through the 80s, Beard worked as an electrician by day and would occasionally play out at night and on weekends. He long ago gained a reputation as one of the best local players around Rochester and has sporadically been counted as one of the best nationally.


    In the 90s, Beard began recording with the Audioquest label, and those two releases have won major acclaim within the blues and audiophile communities.


    This title is not eligible for discount.

    1. New York Woman
    2. Going Back To Mississippi
    3. I Want To Get Close To You
    4. No More Cherry Rose
    5. Every 60 Seconds
    6. Tired of the Way We Are Living
    Joe Beard
    $19.99
    Vinyl LP D2D - Sealed Direct to Disc (D2D) Buy Now
  • Bound By The Blues (Awaiting Repress) Bound By The Blues (Awaiting Repress) Quick View

    $19.99
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    Bound By The Blues (Awaiting Repress)

    Sonny Landreth's new album Bound By The Blues marks a return to the slide
    guitarist's musical roots. It presents a bold, big-sounding collection of
    recordings that climb to stratospheric heights of jazz informed improvisation,
    the best of classic rock, and inevitably remain deeply attached to the elemental
    emotional and compositional structures that are at the blues' historic core.
    Bound By The Blues is a powerful tribute to the durability and flexibility of the
    genre, and to his own creative vision. Sonny name-checks Jimi Hendrix, Muddy
    Waters and some of Landreth's other musical heroes along the way. He also
    pays homage to fellow slide guitarist Johnny Winter, with the instrumental
    "Firebird Blues." He recreates some amazing covers "Walkin' Blues" by Robert
    Johnson, and "Dust My Broom" by Elmore James.


    Landreth continues to develop his vision and his musical voice, growing
    increasingly original and distinctively diverse sounds expanding from blues,
    zydeco, folk, country and jazz, making bound by the blues one of his most
    ambitious albums to date

    1. Walkin' Blues
    2. Bound By The Blues
    3. The High Side
    4. It Hurts Me Too
    5. Where They Will
    6. Cherry Ball Blues
    7. Firebird Blues (In Memory Of Johnny Winter)
    8. Dust My Broom
    9. Key To The Highway
    10. Simcoe Street
    Sonny Landreth
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Find A Way To Care Find A Way To Care Quick View

    $18.99
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    Find A Way To Care

    For over 50 years, John Mayall has served as a pioneer of blues music, rightly earning him the title, "The Godfather of British Blues." In 2013, John signed with producer Eric Corne's label, Forty Below Records, and has since been experiencing a true artistic and career renaissance.


    This revival continues with the release of a brilliant new studio album titled "Find a Way to Care," produced by John and Eric at famed House of Blues Studios in Encino, California. About the new album, Corne says, I really wanted to feature John's keyboard playing on this record. He's truly one of the most lyrical, economical and underrated keyboardists around. We also wanted to change things up a bit after the success of A
    Special Life and the addition of a horn section on several tracks was a really fun way to do that. As good as the last album was, I think this one is even better.


    On the new album, John adds harmonica on two songs, as well as a classic guitar track reminiscent of Hubert Sumlin or Muddy Waters on the latter's legendary Long Distance Call. He is joined by his killer touring band: Rocky Athas (guitar), Greg Rzab (bass) and Jay Davenport (drums).


    The release of "Find a Way to Care" comes on the heels of Mayall's internationally acclaimed, A Special Life" in 2014. I'd easily put this one among Mayall's best efforts - and that includes 'Bluesbreakers with Eric Clapton,' 'A Hard Road' and 'Blues from Laurel Canyon!'"

    Mother in Law Blues
    The River's Invitation
    Ain't No Guarantees
    I Feel So Bad
    Find a Way to Care
    Long Distance Call
    I Want All My Money Back
    Ropes and Chains
    Long Summer Days
    Drifting Blues
    John Mayall
    $18.99
    Vinyl LP - Sealed Buy Now
  • The BBC Sessions The BBC Sessions Quick View

    $39.99
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    The BBC Sessions

    Experience Hendrix LLC & Legacy Recordings Launch Second Wave of the Monumental 2010 Jimi Hendrix Catalog Project



    The Legacy edition of Jimi Hendrix Experience: BBC Sessions brings together recordings from Hendrix's appearances on a variety of BBC radio and television broadcasts from 1967 through 1969. The acclaimed 3 x Audiophile LP set includes Hendrixs unique interpretations of such classics as Bob Dylans Can You Please Crawl Out Your Window?, Muddy Waters Hoochie Coochie Man, the Beatles Day Tripper as well as two songs featuring collaborations with Stevie Wonder. The set also features a previously unreleased version of Burning Of The Midnight Lamp from Hendrix's August 24, 1967 appearance on 'Top Of The Pops.'



    Jimi's music is as alive today as it was 40 years ago, and the success of our most recent releases with Sony Legacy provides thrilling confirmation. We have long maintained that the power of Jimi's music and the power of his message would stand the test of time and provide its own bridge to the future, said Janie Hendrix, CEO of Experience Hendrix LLC. Being partnered with Legacy enables us to reach a more global audience with that message. And the best is yet to come. What we have in store will propel Jimi into a new decade, with unseen footage and unheard versions of his songs that will absolutely amaze today's music lovers. And we're confident that the distribution is in good hands, opening the door to new and fresh markets. The focus of our endeavors is, and always will be, all about Jimi's music.

    1. Foxey Lady (alternate take, BBC Sessions)
    2. Alexis Komer Introduction (BBC Sessions)
    3. Can You Please Crawl Out Your Window? (BBC Sessions)
    4. Rhythm And Blues World Service (BBC Sessions)
    5. (I'm Your) Hoochie Coochie Man (BBC Sessions)
    6. Traveling With The Experience (BBC Sessions)
    7. Driving South (BBC Sessions)
    8. Fire (BBC Sessions)
    9. Little Miss Lover (BBC Sessions)
    10. Catfish Blues (BBC Sessions)
    11. Stone Free (BBC Sessions)
    12. Love Or Confusion (BBC Sessions)
    13. Hound Dog (BBC Sessions)
    14. Hey Joe (BBC Sessions)
    15. Killing Floor (BBC Sessions)
    16. Manic Depression (BBC Sessions)
    17. Driving South (BBC Sessions)
    18. Hear My Train A Comin' (BBC Sessions)
    19. Purple Haze (BBC Sessions)
    20. Radio One (BBC Sessions)
    21. Wait Until Tomorrow (BBC Sessions)
    22. Day Tripper (BBC Sessions)
    23. Introducing The Experience (BBC Sessions)
    24. The Burning Of The Midnight Lamp (BBC Sessions)
    25. Spanish Castle Magic (BBC Sessions)
    26. A Brand New Sound (BBC Sessions)
    27. Hey Joe (alternate take, BBC Sessions)
    28. Jammin' (BBC Sessions)
    29. I Was Made To Love Her (BBC Sessions)
    30. Hear My Train A Comin' (alternate take, BBC Sessions)
    31. Foxey Lady (BBC Sessions)
    32. Driving South (alternate take, BBC Sessions)
    33. A Happening For Lulu (BBC Sessions)
    34. Voodoo Child (Slight Return) (BBC Sessions)
    35. Lulu Intro (BBC Sessions)
    36. Hey Joe (BBC Sessions)
    37. Sunshine Of Your Love (BBC Sessions)
    38. Burning Of The Midnight Lamp (BBC Sessions)
    Jimi Hendrix
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Performance: Rockin' The Fillmore Performance: Rockin' The Fillmore Quick View

    $33.99
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    Performance: Rockin' The Fillmore

    Featuring Dead-Quiet Surfaces, This Wax Cathedral LP is Pressed at RTI, America's best record plant!


    At the turn of the 1970s, Humble Pie rivaled Led Zeppelin as the biggest blues-rock band in the world. Performance: Rockin' the Fillmore demonstrates why. Capturing the group at the height of its powers, the live set smokes with outlandish energy, virtuosic interplay, rhythmic might, and blistering grooves. Guitarist Peter Frampton and vocalist Steve Marriott use their individual star power to complement rather than compete with one another, while the remainder of the band follows suit with similar intensity.


    Soaring on the strength of Frampton's struck-by-lightning melodies and Marriott's soulful high-pitched deliveries, Humble Pie personifies classic 1970s hard rock throughout this set, defined by zealous reinventions of songs by Willie Dixon, Ray
    Charles, and Dr. John. The group appropriates the classics as its own, with twin guitars harmonizing and harmonicas blowing, the original arrangements extended and reshaped, the band members pushing each other at every turn. That Frampton departed shortly after this San Francisco concert makes this album all the more memorable.


    Remarkable, too, are the two epic workouts, one a 23-minute-plus jam on Dr. John's "I Walk on Gilded Splinters"-listen for the sound of the bottle dropping at the beginning-and the other an inventive perusal of Muddy Waters' "Rollin' Stone" that
    closes with a boogie-based rendition of "My Babe." Frampton, Marriott, and Co. were never as good as they are here.


    Music sounds better on vinyl. Especially when it's experienced on new pressings from RTI, America's finest record plant. Introducing Wax Cathedral, an imprint focused on reissuing great albums on LP, complete with dead-quiet surfaces and authentically replicated artwork. Wax Cathedral goes where few other labels dare, restoring titles from diverse genres, myriad eras, and recognizable artists beloved by generations of listeners. Wax Cathedral is all about bringing back quality vinyl titles that have been out-of-print on LP for decades, and having fun in the process. Get your turntables ready.

    1. Four Day Creep
    2. I'm Ready
    3. Stone Cold Fever
    4. I Walk on Gilded Splinters
    5. Rollin' Stone
    6. Hallelujah I Love Her So
    7. I Don't Need No Doctor
    Humble Pie
    $33.99
    Vinyl LP - Sealed Buy Now
  • The Legendary Father of Folk Blues The Legendary Father of Folk Blues Quick View

    $34.99
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    The Legendary Father of Folk Blues


    Legendary Delta Bluesman's Columbia LP Now On 200-Gram Vinyl!


    One Of The Truly Great Audiophile Blues Recordings Of All Time!


    Lacquers Cut By Ryan Smith At Sterling Sound From The Original Master Tape


    Plated And Pressed At Quality Record Pressings!


    Heavyweight Glossy Tip-On Jacket By Stoughton Printing


    Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.


    The Father of the Delta Blues recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine - Essential recordings by one of the greatest bluesmen ever. And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers were then plated and pressed on 200-gram vinyl by our own Quality Record Pressings.


    Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it. But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.


    Now, sit back and enjoy one of the genre's greatest, on a reissue that's the best that's been made to date. So authentic, so real - that's the Analogue Productions difference.


    This title is not eligible for discount.

    1. Death Letter
    2. Pearline
    3. Louise McGhee
    4. John The Revelator
    5. Empire State Express
    6. Preachin' Blues
    7. Grinning In Your Face
    8. Sundown
    9. Levee Camp Moan
    Son House
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Legendary Father of Folk Blues (45 RPM) The Legendary Father of Folk Blues (45 RPM) Quick View

    $54.99
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    The Legendary Father of Folk Blues (45 RPM)


    Legendary Delta Bluesman's Columbia Lp Now A 200-gram 45 Rpm 2lp Set!


    45 RPM 2LP Set Includes Bonus Track: Motherless Children


    Lacquers Cut By Ryan K. Smith At Sterling Sound From The Original Master Tape


    Plated And Pressed At Quality Record Pressings!


    Heavyweight Glossy Tip-on Jacket By Stoughton Printing


    Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.


    The Father of the Delta Blues recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine - Essential recordings by one of the greatest bluesmen ever. And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers - for this version we've cut the album at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove - were then plated and pressed on 200-gram vinyl by our own Quality Record Pressings.


    Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it. But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.


    Now, sit back and enjoy one of the genere's greatest, on a reissue that's the best that's been made to date. So authentic, so real - that's the Analogue Productions difference.


    This title is not eligible for discount.

    1. Death Letter Blues
    2. Pearline
    3. Louise McGhee
    4. John The Revelator
    5. Empire State Express
    6. Preachin' Blues
    7. Grinning In Your Face
    8. Sundown
    9. Levee Camp Moan
    10. Motherless Children (bonus track)
    Son House
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Low Country Blues Low Country Blues Quick View

    $29.99
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    Low Country Blues

    Produced by T-Bone Burnett



    Band Features Dr. John, Jay Bellerose, Doyle Bramhall II



    Legendary Singer Interprets Classic Blues Songs by Likes of Muddy Waters and Magic Sam



    As a founding member of the one and only Allman Brothers Band and in his own storied solo career, Gregg Allman has long been a gifted natural interpreter of the blues, his soulful and distinctive voice one of the defining sounds in the history of American music. Low Country Blues marks the legendary Rock & Roll Hall of Famer's seventh solo recording and first in more than 13 years. Produced by T Bone Burnett, the album finds Allman putting his own stamp on songs by some of the blues giants whose work has long informed his own, from Muddy Waters and BB King to Buddy Guy and Magic Sam. Named for the coastal Georgia region Allman calls home, Low Country Blues stands as a high water mark in an already remarkable body of work, rich with passion, verve, and the unerring confidence of a true survivor.



    Though Allman has been a constant presence on the road over the past decade, with the Allman Brothers Band as well as with his own crack combo, he has spent precious little time in the studio since the 2002 death of producer Tom Dowd - the man behind the glass for much of his recorded career. So when his manager suggested he veer off from a 2009 tour for a Memphis meeting with the multiple Grammy Award-winning Burnett, Allman admits to being not entirely enthused.



    I said, 'Oh man, I don't wanna start meeting a string of dudes, all of 'em trying to outdo the other one, he recalls. But we stopped in Memphis and here comes T Bone. The first sentence out of his mouth was something like, 'Tommy Dowd was The Man, wasn't he? I've patterned a lot of my stuff after that gentleman.' I thought, 'Right, what've we got here?'



    The two musicians quickly bonded, chatting about favorite records, mutual friends, and reminiscences of Nashville's renowned clear channel station, WLAC, which introduced rhythm & blues music to a generation of late night listeners from New York to Miami. He told me some guy gave him a hard drive, it has 10,000 obscure blues songs, Allman says. He says, 'I'm gonna pick out twenty of 'em and send 'em to ya and you tell me what you think.' He said, 'They're old, like Billie Holliday old, and when you listen to 'em, I want you to think about us gettin' in there and about bringin' 'em up to today.'



    Allman found the idea irresistible and in January 2010, a stunning combo was assembled at Los Angeles' The Village Recorder, comprising Burnett and Doyle Bramhall II on guitars, backed by the brilliant rhythm section of upright bassist Dennis Crouch and drummer Jay Bellerose. What's more, the lineup included a brass section arranged and conducted by trumpeter Darrell Leonard, whose illustrious resume extends back to his work with Delaney Bonnie & Friends (featuring Gregg's late, great brother Duane). As if that weren't enough, sitting in on piano was a dear old friend, the Night Tripper himself, Mac Dr. John Rebennack, with whom Allman co-wrote Let This Be A Lesson To Ya' on the Gregg Allman Band's 1977 classic, Playin' Up A Storm.



    This powerhouse band - which of course also features Gregg's own acoustic guitar expertise and trademark Hammond B-3 organ - cooks up an earthy and atmospheric musical stew infused with gritty R&B muscle, spooky Southern psychedelia, and greasy deep soul grooves.



    Like any genuine bluesman, Allman's own life has been colored by myriad triumphs and too many tragedies. Low Country Blues was initially slated for a mid-2010 release, but that plan changed when Gregg, who had long battled chronic Hepatitis C, was notified that he was a candidate for a liver transplant. In June 2010, he entered the Mayo Clinic in Jacksonville, Florida where he successfully underwent the difficult surgery. Knowing that he had only just made one of the defining albums of his recorded career proved to be the best medicine, giving Allman the inner strength he needed to fully heal.

    1. Floating Bridge
    2. Little By Little
    3. Devil Got My Woman
    4. I Can't Be Satisfied
    5. Blind Man
    6. Just Another Rider
    7. Please Accept My Love
    8. I Believe I'll Go Back Home
    9. Tears Tears Tears
    10. My Love is Your Love
    11. Checking On My Baby
    12. Rolling Stone
    Gregg Allman
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Pleading The Blues (Pure Pleasure) Pleading The Blues (Pure Pleasure) Quick View

    $34.99
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    Pleading The Blues (Pure Pleasure)

    The year was 1959. The occasion was a 'Battle of the Blues' at the Blue Flame Club in Chicago. A young harmonica player Junior Wells - who got his start as Little Walter Jacobs' replacement in Muddy Waters' band back in '52 - probably didn't imagine he would come in second. After all, he had already put down both Otis Rush and Magic Sam. Still to come, though, was this fleet-fingered, skinny young Louisiana cat - Buddy Guy, who came first. As the climax to his blistering solo, Guy tossed his guitar in the air, then caught it by the neck one handed. As it slid through his fingers, Buddy created this high levee moan. Crowd gone wild. It was the beginning of a beautiful friendship.



    That chance meeting set in motion more than a relationship. This early, and profound, respect translated into a partnership that somehow superceded Wells' early work with one of the most important people in the blues. Wells and Guy would produce some of the most unabashed and deeply cool West Side blues recordings.
    This album recorded for the French Isabel label, in 1979 is a companion piece to Guy's "Blues Giant" recording of the same year. There's the gentle blues shuffle of "It Hurts Me Too", made famous by Elmore James. There's the electric-blues muscle of the title tune. Finally, as a bonus track, there's the funky, clearly James Brown-influenced "I Smell Something". This is a fine recording - and certainly one of Junior's best little-known releases.



    Musicians:



    • Buddy Guy (guitar, vocals)

    • Phil Guy (guitar)

    • J. Williams (bass)

    • Ray Allison (drums)




    Recording: October 1979 at Condorcet Studio, Toulouse (France), by Francois Porterie

    Production: Didier Tricard




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Pleading The Blues
    2. It Hurts Me Too
    3. Cut Out The Lights
    4. Just For My Baby
    5. Quit Teasing My Baby
    6. I'll Take Care Of You
    7. Take Your Time Baby
    Junior Wells
    $34.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Power Of Peace Power Of Peace Quick View

    $27.99
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    Power Of Peace

    Legacy Recordings, a division of Sony Music Entertainment, is pleased to announce the release of Power of Peace, a new studio album from Santana (Carlos Santana and Cindy Blackman Santana) and The Isley Brothers (Ronald and Ernie).

    Recorded last year, Power of Peace is the fulfillment of a dream, a new musical studio collaboration connecting Santana and The Isleys on a mind-bending journey through some of the immortal soul, funk, blues, rock, jazz and pop songs that continue to inspire them.

    About the Power of Peace, Carlos Santana observes, I feel a deep sense of gratitude, appreciation, and thankfulness. There is a spirit of creativity that came knocking and presented itself as a golden opportunity to do something with and for a supreme musician, who I consider to be the best in the world. Brother Ronnie Isley has been in the center of collective unity and harmony on the radio around the world since 1962 with 'Twist and Shout,' the song that the Beatles chose to invade America with. Like Michael Jackson, John Lennon, and Bob Marley, he's an iconic supreme of the highest order. Cindy and I feel very blessed to offer him this gift. From God, through us to you, for the world Mr. Ronnie Isley.

    It was an absolute joy working on this album with Carlos!, exclaims Ronald Isley. I hope this record carries the spirit of hope, love, and peace to the world that it brought to me, my brother and Carlos!

    Ernie Isley shares his brother's enthusiasm, saying, Doing this project with Carlos Santana was fun and illuminating. I hope all music lovers enjoy what we have done.

    Led by the legendary Ronald Isley on lead vocals and the album's main producer/arranger Carlos Santana on lead guitar, rhythm guitar, percussion and background vocals, Power of Peace covers songs first made familiar by the Chambers Brothers (Are You Ready, Love, Peace, Happiness), Swamp Dogg (Total Destruction to Your Mind), Stevie Wonder (Higher Ground), Billie Holiday (God Bless the Child), Eddie Kendricks (Body Talk), Curtis Mayfield (Gypsy Woman), Muddy Waters/Willie Dixon (I Just Want to Make Love to You), Dionne Warwick/Jackie DeShannon (What the World Needs Now is Love Sweet Love), Marvin Gaye (Mercy Mercy Me - The Ecology), Leon Thomas (Let the Rain Fall on Me) and Sy Miller and Jill Jackson (Let There Be Peace on Earth).

    Power of Peace premieres a new song, I Remember, written and sung by Cindy Blackman Santana. Cindy, who plays drums on the album, produced and arranged Higher Ground (along with her husband, Carlos). A family affair, Power of Peace features two Santanas--Carlos (guitar) and Cindy (drums)--and four Isleys: Ronald (vocals) and Ernie (rhythm guitar) and their respective spouses, Kandy Johnson Isley (Ron's wife, she sings background on God Bless the Child, Body Talk and Gypsy Woman) and Tracy Isley (Ernie's wife, she also sings background vocals on God Bless the Child).

    1. Are You Ready
    2. Total Destruction To Your Mind
    3. Higher Ground
    4. God Bless The Child
    5. I Remember
    6. Body Talk
    7. Gypsy Woman
    8. I Just Want To Make Love To You
    9. Love, Peace, Happiness
    10. What The World Needs Now Is Love Sweet Love
    11. Mercy Mercy Me (The Ecology)
    12. Let The Rain Fall On Me
    13. Let There Be Peace On Earth
    The Isley Brothers & Santana
    $27.99
    150 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Both Sides of the Sky Both Sides of the Sky Quick View

    $24.99
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    Both Sides of the Sky

    Both Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile period between January 1968 and 1970. Jimi's mastery and use of the studio as a proving ground for new songs resulted in a growing collection of extraordinary material. This album completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] presenting the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of Stepping Stone, Lover Man and Hear My Train A Comin' as well as recordings where Jimi is joined by special guests Johnny Winter and Stephen Stills. Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix's albums throughout the guitarist's lifetime, and produced by Janie Hendrix, Kramer and John McDermott.


    Mannish Boy - The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & Miles shared a love for the blues as this driving, uptempo reworking of Mannish Boy by Muddy Waters makes clear.


    Lover Man - Just two weeks before their triumphant New Year's concerts at the Fillmore East in NYC [yielding both 1970's Band Of Gypsys and 2016's sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple.


    Stepping Stone - A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat.


    $20 Fine -Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original.


    Power Of Soul - This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970.


    Jungle - The influence of Curtis Mayfield can be heard here as Jimi expands on the Villanova Junction Blues theme he made famous by its inclusion in the 1970 Woodstock documentary.


    Things I Used To Do - Jimi is joined for this rendition of Guitar Slim's blues classic by Johnny Winter. Jimi's trademark guitar work and Winter's deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & Young drummer Dallas Taylor.


    Georgia Blues - Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R&B groups like Curtis Knight & The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix's sublime rhythm and lead guitar work.


    Sweet Angel - With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of Angel,, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell.


    Woodstock - Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY's version, Stephen, Jimi and Buddy Miles recorded this amazing rendition.


    Send My Love To Linda - A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East.


    Cherokee Mist - Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar.

    1. Mannish Boy
    2. Lover Man
    3. Hear My Train a Comin'
    4. Stepping Stone
    5. $20 Fine
    6. Power of Soul
    7. Jungle
    8. Things I Used to Do
    9. Georgia Blues
    10. Sweet Angel
    11. Woodstock
    12. Send My Love to Linda
    13. Cherokee Mist
    Jimi Hendrix
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Porcupine Meat Porcupine Meat Quick View

    $25.99
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    Porcupine Meat

    Naming one's album after a song titled "Porcupine Meat" may seem a little unusual - unless, of course, you're Bobby Rush, who earned his first gold record in 1971 with a hit entitled "Chicken Heads." He elaborates on his recent composition: "If a lady won't treat me right, but she doesn't want anyone else to have me, that is hard to digest." Hence the lyric, "too fat to eat, too lean to throw away."


    Porcupine Meat is Rush's debut release for Rounder Records, and one of the best recordings of his astonishing 60-plus year career. The album is due out September 16, 2016.
    Rush estimates that he has cut over 300 songs since he first began making music. He has been honored with three Grammy nominations, as well as ten Blues Music Awards and 41 nominations. He was inducted into the Blues Hall of Fame in 2006.


    Make no mistake: Rush is not your typical octogenarian. At age 82, he exudes the energy of a 20-year-old, on the road for more than 200 dates a year. His hectic tour schedule has earned him the affectionate title King of the Chitlin' Circuit. Rush has traveled the globe including Japan and Beirut. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and the ribald humor that he has cultivated during the course of his storied career.


    Born Emmet Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. According to Rush, his parents never talked about the blues being the devil's music. "My daddy never told me to sing the blues, but he also didn't tell me to not sing the blues. I took that as a green light."


    Rush built his first guitar when he was a youngster. "I didn't know where to buy one, even if I had the money. I was a country boy," he says. After seeing a picture of a guitar in a magazine, he decided to make one by attaching the top wire of a broom to a wall and fretting it with a bottle. He also got some harmonica lessons from his father He eventually acquired a real guitar, and started playing in juke joints as a teenager, when his family briefly relocated to Little Rock, Arkansas. The fake moustache Rush wore made club owners believe he was old enough to gain entry into their establishments. While he was living in Little Rock, Rush's band, which featured Elmore James, had a residency at a nightspot called Jackrabbit.


    During the mid-1950s, Rush relocated to Chicago to pursue his musical career and make a better life for himself. It was there that he started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed, Willie Dixon, and Little Walter. Rush eventually began leading his own band in the 1960s. He also started to craft his own distinct style of funky blues, and recorded a succession of singles for a various small labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album for Kenny Gamble and Leon Huff's Philadelphia International Label.
    Rush relocated one final time, to Jackson, Miss. in the early 1980s. He was tired of the cold up north, and he realized that setting up his base of operations directly in the center of the South would make it easier to perform in nearby cities on weekends. More indie label recordings followed. Songs like "Sue, A Man Can Give (But He Sure Can't Take It)," "What's Good For The Goose Is Good For The Gander Too," and" I Ain't Studdin' You" became regional jukebox favorites in juke joints throughout the region, and many of those songs are still fan favorites that are an integral part of his live repertoire.


    Since 2003, Rush has self-released the majority of his work (including the critically acclaimed Folk Funk album) on his Deep Rush label, but recently, he came to the realization that having a bigger record company behind him would be beneficial. "I outgrew myself," he says. "I need someone to help in doing the things I can't do. When you are wearing all the hats, you can't be everywhere at once."


    Enter esteemed producer and two-time Grammy winner Scott Billington, Rounder Records' longtime VP of A&R. Billington first met Rush at a Recording Academy meeting 25 years ago, and they became fast friends. He has wanted to work with Rush ever since. "He is the most vital bluesman of his generation," says Billington. He continues, "There are many people who still don't know Bobby Rush, even though he is a hero in the parallel universe of the Chitlin' Circuit - fans stop him on the street in Memphis and Helena and Little Rock."


    Porcupine Meat will not only please Rush's older fans, but is likely to win over many new ones. Billington reflects, "We wanted to come up with something fresh, while staying 100% true to Bobby."


    The album was recorded in New Orleans, and Rush was pleased and proud to be given the opportunity to make an album in his home state for the very first time. His impassioned vocals and in-the-pocket harmonica playing are among the best performances of his career. Unlike most of his recent releases, these sessions only feature real instruments and no synthesizers. All of the rhythm tracks were cut live in the studio, often edited down from jams that on several occasions ran close to ten minutes.


    For the project, Billington assembled some of the best Louisiana musicians, including Shane Theriot, David Torkanowsky, Jeffrey "Jellybean" Alexander, Kirk Joseph, Cornell Williams, and others. Rush brought along his old friend and longtime collaborator, guitarist Vasti Jackson, who worked with Bobby and Scott on getting the songs ready for the studio. Guitar greats Dave Alvin, Keb' Mo', and Joe Bonamassa all make guest appearances on the album.


    Rush has always been a prolific and clever songwriter. The songs he penned for Porcupine Meat such as "Dress Too Short," "I Don't Want Nobody Hanging Around," "Me, Myself And I," "Nighttime Gardener," "It's Your Move," and the title selection, all equal or rival his best material. "Funk O' De Funk" delivers exactly what the title suggests and what Rush has always done the best, which is putting the funk into the blues. While "Got Me Accused" is inspired by events from Rush's own life, the lyrics tell an all-too-familiar tale about the rampant racial injustice that afflicts our society. Producer Billington and his wife Johnette Downing (the well known New Orleans songwriter and children's musician) co-wrote a couple of fine selections, "Catfish Stew" and "Snake In The Grass."


    Bobby Rush is the greatest bluesman currently performing. Porcupine Meat is a testament to his brilliance, which presents him at his very best, and doesn't try to be anything that he is not. "I just try to record good music and stories," he humbly states. With this recording, he has more than accomplished his goal, and has produced one of the finest contemporary blues albums in recent times.

    1. I Don't Want Nobody Hanging Around
    2. Porcupine Meat
    3. Got Me Accused
    4. Snake in the Grass
    5. Funk O' De Funk
    6. Me, Myself and I (feat. Joe Bonamassa)
    7. Catfish Stew
    8. It's Your Move (feat. Dave Alvin)
    9. Nighttime Gardener (feat. Keb Mo)
    10. I Think Your Dress Is Too Short
    11. Standing on Shaky Ground
    12. I'm Tired (Tangle Eye Mix)
    Bobby Rush
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Folk Singer (Out Of Stock) Folk Singer (Out Of Stock) Quick View

    $34.99
    x

    Folk Singer (Out Of Stock)

    Now at 33 1/3 RPM


    From the original 1964 Chess analog masters! Pressed at Quality Record Pressings!


    Mastered by Bernie Grundman


    New Gatefold jacket, with extra photos!


    Folk Singer has been an audiophile staple for years. It always gets a bunch of play at hi-fi shows. It's a no-doubter demonstration disc. But never before has it sounded like this!


    There are a handful of landmark albums in any genre. In the blues, one of them is Muddy Waters' Folk Singer. Originally released in 1964, Folk Singer was the only acoustic album Waters ever recorded, thus becoming the first and perhaps best blues concept album ever. Muddy of course started out playing acoustic blues in the Delta, and he's clearly very comfortable in this return to his roots, which was designed to appeal to the mid-1960s surge of interest in folk music.


    Muddy's supporting cast includes a very young Buddy Guy on guitar, Willie Dixon at the upright bass and Clifton James on drums.


    This recording has enormous presence with ample room for Muddy's booming voice to resonate.


    This title is not eligible for discount.

    1. My Home Is in the Delta
    2. Long Distance Call

    3. My Captain
    4. Good Morning Little Schoolgirl

    5. You're Gonna Need My Help
    6. Cold Weather Blues

    7. Big Leg Woman
    8. Country Boy
    9. Feel Like Going Home
    Muddy Waters
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Folk Singer (Out Of Stock) Folk Singer (Out Of Stock) Quick View

    $54.99
    x

    Folk Singer (Out Of Stock)

    Ranked 280/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Cut at 45 RPM For The First Time Ever!

    From the original 1964 Chess analog masters! Pressed at Quality Record Pressings!

    Mastered by Bernie Grundman.

    New Gatefold jacket, with extra photos!


    Folk Singer has been an audiophile staple for years. It always gets a bunch of play at hi-fi shows. It's a no-doubter demonstration disc. But never before has it sounded like this! Never has it been cut at 45 RPM!


    There are a handful of landmark albums in any genre. In the blues, one of them is Muddy Waters' Folk Singer. Originally released in 1964, Folk Singer was the only acoustic album Waters ever recorded, thus becoming the first and perhaps best blues concept album ever. Muddy of course started out playing acoustic blues in the Delta, and he's clearly very comfortable in this return to his roots, which was designed to appeal to the mid-1960s surge of interest in folk music.


    Muddy's supporting cast includes a very young Buddy Guy on guitar, Willie Dixon at the upright bass and Clifton James on drums.


    This recording has enormous presence with ample room for Muddy's booming voice to resonate.


    This title is not eligible for discount.

    1. My Home Is in the Delta
    2. Long Distance Call

    3. My Captain
    4. Good Morning Little Schoolgirl

    5. You're Gonna Need My Help
    6. Cold Weather Blues

    7. Big Leg Woman
    8. Country Boy
    9. Feel Like Going Home
    Muddy Waters
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Temporarily out of stock
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