- Lowest Price
- Highest Price
Between The Buried'
Coma EclipticGrandiose, dynamic, heavy, melodic, technically challenging: these are all words that fall equally short when trying to describe Between the Buried and Me's sonic offerings. When tasked with explaining the band's previous effort, The Parallax II: Future Sequence, Decibel Magazine claimed that the album offers more substance than most bands put forth in entire careers and Metal Hammer simply stated that it was utterly captivating. Where does a burgeoning progressive act go from there? The answer is found in their seventh full-length album, Coma Ecliptic. Spanning just over an hour, the album stands as a significant step in the evolution for the group as a whole, as well as the individual musicians: vocalist / keyboardist Tommy Rogers, guitarists Paul Waggoner and Dustie Waring, bassist Dan Briggs, and drummer Blake Richardson.
Tommy Rogers posits: Coma Ecliptic is a new life for BTBAM. Throughout the process we worked harder than we ever have and really pushed the BTBAM sound to a new identity. In a world of repetition, I'm very proud to be a part of something that is extremely rewarding, as well as frightening. When you don't push yourself you will never know what the outcome is. The outcome is Coma Ecliptic.
What is Coma Ecliptic? It can be interpreted as a modern rock opera, and another ambitious concept album from a band that has completely mastered that format. Dan Briggs comments: Spending the last year immersed in a world of Quadrophenia, Operation Mindcrime, The Wall- as well as Sondheim and Lloyd Webber musicals, Stravinsky and Mussorgsky symphonic suites; writing an over the top, dramatic and forward thinking rock opera was the most natural thing to do. The story follows the wanderings of an unidentified man, stuck in a coma, as he journeys through his past lives. Each song is its own episode in a modern day, sort of The Twilight Zone-esque fashion. The unidentified man enters each world and is offered a choice: stay, or move on to the next in search of something better, something more perfect. The man does find his ideal life, but then is offered the ultimate choice of life or death. He chooses life and wakes up to his own actual reality. It's at that moment he realizes that he had been in a coma - everything that happened had been dreams and false memories. After awakening, we find the man outside finally experiencing reality, and he sees what he has been missing: the world is beautiful, the air is fresh, and the people appear to be happy, and then he falls over dead. The take away from this is to make the best of your life. People are constantly searching for something better without taking the time to appreciate the things they have. What we need may already be here, and is hopefully real. We may all be in a coma in another life.
Musically, Coma Ecliptic boasts a series of emotive peaks and valleys that drive the narrative along with the lyrics. Tracks such as Memory Palace, while sounding wholly unique, clearly have a distinct BTBAM flavor to which fans have grown so attached. The Coma Machine brings to mind prog in the most classic sense; think YES and King Crimson passages with the added layer of modern metal heaviness. Dim Ignition highlights Rogers' continuing development as a keyboardist, but don't fret, there's still plenty of speed, technically challenging guitar, bass, and drum runs, and quirkiness throughout. What makes these parts work is the interplay of the heavy and technical with the simpler, almost cinematic, soft passages; that is the power of Coma Ecliptic. The listening experience is a journey, and when Life in Velvet brings the album to a sudden, triumphant end, fans will surely be reaching for the replay button. But what does the band think? Rogers adds: If you asked me what this record sounds like, I would tell you BTBAM. With every listen I still find new exciting moments that each member has put into these songs. After all these years we still push each other to try new things and push our individual skills to the next level. It is an absolute thrill to write with such an inspiring group of people. Briggs continues: Writing with a focus on storytelling and just crushing melodic themes set the tone early on before we were even in the rehearsal room together. Put your velvet capes on and get ready for a journey!1. Node
2. The Coma Machine
3. Dim Ignition
4. Famine Wolf
5. King Redeem / Queen Serene
6. Turn on the Darkness
7. The Ectopic Stroll
8. Rapid Calm
9. Memory Palace
10. Option Oblivion
11. Life in Velvet$33.99Vinyl LP - 2 LPs Sealed Buy Now
Bury The HatchetAt long last, the wait is over: OCTOBER 31 deliver their long-awaited fourth album, Bury the Hatchet. The band's first album in nine years, Bury the Hatchet sees OCTOBER 31 returning with a vengeance, firing off one mean, lean headbanger after another. Led by erstwhile DECEASED frontman/founder King Fowley, here OCTOBER 31 range their entire repertoire, which goes all the way back to the mid '90s: from thrashing-like-a-maniac attacks to heart-pumping speed metal missiles and plenty of traditional metal in between, Bury the Hatchet is varied, dynamic, and immediately memorable HEAVY METAL to the bloody, glorious end. However, OCTOBER 31 are far, far beyond retro retread; the band entirely comprises 100% dyed-in-the-wool metal maniacs, including ex-Overlord shredder Brian Hellstorm Williams and bassist Jim Hunter of epic metal legends While Heaven Wept and Twisted Tower Dire. Ten tracks and nearly 42 minutes, Bury the Hatchet doesn't overstay its welcome, and buries itself deep into your metal heart.1. Tear Ya Down
2. Bury the Hatchet
3. Down at Lover's Lane
4. Under My Gun
5. The House Where Evil Dwells
6. Growing Old
7. Gone to the Devil
8. Arsenic on the Rocks
9. Voodoo Island
10. Angel Dusted$23.99Vinyl LP - Sealed Buy Now
UNIM-BIG-5220xThe Cadillac Three
Bury Me In My BootsHaving grown a rabid fanbase across the globe, TC3 was named 2014's UK Classic Rock Roll of Honour Best New
Band and became 2015's most played new band on Planet Rock. With a sound all of their own that hovers between
radio-ready Country anthems, hard-and-heavy Rock ballads and traditional Southern folk, this highly anticipated
release brings fans raw music like no other.1. Bury Me In My Boots
3. Drunk Like You
6. Party Like You
7. Ship Faced
8. Soundtrack to a Six Pack
9. White Lightning
10. The South (feat. Florida Georgia Line, Dierks Bentley & Mike Eli)
11. This Accent
12. Peace Love & Dixie
13. Hot Damn
14. Runnin' Red Lights$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Bury Me In My RingsAs of the Spring of 2010, Blake Sennett, had quit music. Abandoned it completely. No more Rilo Kiley, no more The Elected. The former guitarist and songwriter focused his efforts elsewhere, writing and directing a short film, moving out of his house of 12 years and taking in a rescue dog. Music was a thing of the past, an afterthought.
So why is there a new record by The Elected, titled Bury Me in My Rings. Did Blake struggle in his new endeavors, find failure in the harsh realm of the film industry? Is he making his return to the world of music defeated, tail between his legs, scratching at the back door of his past successes? The answer, one simply finds, is no. It was simply the interest of friend and colleague Jason Cupp that culled Blake from the depths and had him writing again. Jason, the man that mixed The Elected's previous effort, Sun, Sun, Sun, suggested an impromptu recording session. Blake had no material, no songs to explore, but Cupp insisted. Pressure free, no expectations.
The results stand as a singular vision, in what is The Elected's strongest work to date. For longtime listeners, there are new sounds to enjoy, such as the mid '70s Bowie bounce of Go For The Throat, or the calculated Miss You era Stones cum Early Talking Heads groove of Babyface. Signature tones remain, and can be found on the island sunset serenade Trip Round the World, with the melodic slide of the lap steel, the comforting pluck of a ukulele, offering new ears a sense of what's come before.
More than a mere dalliance, this former side project now begs the attention reserved for one's main focus. As the ghosts of Rilo Kiley fade into the ether, Bury Me in My Rings presents the man responsible an opportunity to further himself from the past, and to continue to develop his artistic identity.1. Born To Love You
3. Look At Me Now
5. Go For The Throat
6. This Will Be Worth It
7. Trip Round The World
8. When Im Gone
9. Who Are You
10. Have You Been Cheated
11. See The Light
12. Time Is Coming$19.99Vinyl LP - Sealed Buy Now
ADAD-SUM-8357xBetween The Buried And Me
Automata IThis is the first of Between The Buried and Me's two-part eighth album and introductory offering
for Sumerian Records, Automata. The North Carolina quintet-Tommy Giles Rogers, Jr. [lead
vocals, keyboards], Paul Waggoner [lead and rhythm guitar, backing and lead vocals], Dustie
Waring [rhythm and lead guitar], Blake Richardson [drums], and Dan Briggs [bass,
keyboards]-explore these themes by personally smashing boundaries once again. Automata
marks the band's first proper double LP-spanning concept. They continue to expand their
ever-evolving style, upholding a tradition of progression in the process.1. Condemned to the Gallows
2. House Organ
3. Yellow Eyes
5. Gold Distance
6. Blot$24.99Vinyl LP - Sealed Buy Now
UNIM-CRA-4198xBetween The Buried And Me
Colors (Awaiting Repress)BETWEEN THE BURIED AND ME have built their reputation as one of hard rock's most inventive and ambitious bands. Sharing a lineage with such luminaries as Pink Floyd, King Crimson and Tool, they continue to explore new territory with a genuine passion to push themselves and their audience.
Colors, the band's fourth album, is a sonic labyrinth of grand proportion. It's an organism completely in its own class and at the nerve center is a band that encourages the listener to take the bold ride from beginning to end. The record is a continuous movement of savage metal, lush prog-rock and stimulating mood that morphs into some of the most forward thinking music today. Yet for a record that is so fierce and complex, it is also engaging and comfortable. It challenges the myths of what we expect from modern rock, demonstrating just how much potential there is in a band and the people who experience their craft.1. Foam Born (A) the Backtrack
2. (B) the Decade of Statues
3. Informal Gluttony
4. Sun of Nothing
5. Ants of the Sky
6. Prequel to the Sequel
8. White Walls$34.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Beyond The GateColored Vinyl
Taking a page from each of the anthologies that Metallica, Megadeth, At The Gates, and Behemoth have written, Wretched has bound together their own unique volume of stylishly structured death/thrash metal masterpieces. The band recorded "Beyond The Gate" with producers Jamie King (Between The Buried And Me) and Eric Rachel (Hatebreed, The Black Dahlia Murder, Dillinger Escape Plan) at The Basement Recording Studios in their home state of North Carolina.1. Birthing Sloth
2. The Deed of Elturiel
3. In The Marrow
4. A Still Mantra
5. Cimmerian Shamballa
6. On the Horizon
7. Part I: Aberration
8. Part II: Beyond the Gate
9. My Carrion Video
10. The Guardians of Uraitahn
11. The Talisman
12. Eternal Translucence$15.99Colored Vinyl LP - Sealed Buy Now
ClairvoyantThe Contortionist represents fearlessness in musical expression, designed to please artist as much as audience. This band makes progressive metal music, anchored in the heavy sounds that first drew the individual players to the stage, yet unmoored by convention or expectation.
Clairvoyant, which reunited the band with producer Jamie King (Between The Buried And Me, Through The Eyes Of The Dead), takes the best elements of The Contortionist's past and reshapes them as the band follows their individual creative muses toward the future.On Clairvoyant, the band's distinctive fingerprints remain, even as their atmospheric flourishes broaden to encompass ever-richer textures and mine the beauty of simplicity.1. Monochrome (Passive)
5. The Center
8. Return To Earth
9. Monochrome (Pensive)$26.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
REDD-FAC-1416xWar of Ages
Return To LifeWar Of Ages have re-signed with Facedown Records for the release of their fifth album Return To Life. With impressive sales of their back catalog and touring history alongside As I Lay Dying, Underoath, Demon Hunter, Between The Buried And Me, Soilwork and Norma Jean; War Of Ages have proven to be one of the hardest working bands in the metal scene. Return To Life was recorded with and engineered by Zeuss at Planet Z Studios who has worked with some of metal's top acts including Shadows Fall, Hatebreed, All That Remains and Chimaira.1. Immortal
3. Fallen Idol
4. Silent Night
6. Song of Solomon
7. With Honor
9. Final Act
10. Unite$15.99Vinyl LP - Sealed Buy Now
Velcro KidPressed On Transparent Green Colored Vinyl
Tommy Rogers, the visionary vocalist and keyboardist of critically acclaimed progressive metal act, Between the Buried and Me, has dabbled in solo releases since 2004. Testing the limits of what he can do naturally with his voice, Rogers' strikingly beautiful falsetto and dynamic range conjures tales of anxiety, collapse, and strength. Exploring combinations of the outrÉ genres of both post-rock and electronic, the music's emotionally resonant yet textural sounds draw reference to artists such as Radiohead, Smashing Pumpkins, the Verve, Beck, Oasis and Spiritualized, balancing both rock and electronic impulses.LP 1
1. Immersion Highway
3. Devotion (feat. Jake Troth)
4. Future Of The Year
5. Gazer (feat. Devin Townsend)
6. Strangers In A Paranoid Mind
7. Acid Test
8. Slow Gold Becoming
9. Velcro Kid
1. Immersion Highway (Instrumental)
2. Eris (Instrumental)
3. Devotion (Instrumental)
4. Future Of The Year (Instrumental)
5. Gazer (Instrumental)
6. Strangers In A Paranoid Mind (Instrumental)
7. Acid Test (Instrumental)
8. Slow Gold Becoming (Instrumental)
9. Velcro Kid (Instrumental)$24.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Goodbye To The Gallows (Awaiting Repress)EMMURE entered 2007 with an ambitious attitude and one of the most ferocious VICTORY RECORDS debuts in years, Goodbye To The Gallows.
The record is flat-out brutal and meaningful. Few bands can pour their hearts into a record and come back with a monstrous and genuine collection of songs that will pummel you in one instance and humble you the next. Goodbye To The Gallows takes the classic, chugging breakdowns and two-step parts of fellow New Englanders HATEBREED and UNEARTH and adds depth and emotion in the vein of BETWEEN THE
BURIED AND ME. It combines the highs and lows of a battlefield into one lethal force.
Goodbye To The Gallows was produced by Zeuss (HATEBREED, SHADOWS FALL, REMEMBERING NEVER).1. A Ticket for the Paralyzer
2. 10 Signs You Should Leave
3. When Keeping It Real Goes Wrong
4. Rusted Over Wet Dreams
5. You Got a Henna Tattoo That Said Forever
6. Travis Bickle
7. Sleeping Princess in Devil's Castle (featuring Karl Schubach of Misery Signals and Tyler Guida of My Bitter End)
8. The Key to Keeping the Show Fresh Is... I'm Dead
9. It's Not Just a Party, It's a Funeral
10. When Everything Goes Wrong, Take the Easy Way Out$15.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Parallax II: The Further Sequence (Awaiting Repress)Double gatefold marbled 2LP pressing with 2 x 4-color inserts from Metal Blade Records.
Between the Buried and Me have not made a name for themselves through playing it safe. Pushing the envelope of heavy music with each successive release, they have continually evolved in thrilling new directions while maintaining the honesty and integrity that has connected with so many listeners. With The Parallax II: Future Sequence, the first concept album of their career, the North Carolina based unit have delivered their most complex, ambitious, and accomplished work to date. "We're certainly not the average metal band, we write what we want to write, and we've never really tried to fit in anywhere," states guitarist Paul Waggoner. "With this record we held nothing back. We were excited to experiment and see where it took us, and working with a concept was a really interesting new challenge."
The concept was first introduced to the band's fans with 2011's The Parallax: Hypersleep Dialogues EP, which established the narrative's two characters, Prospect I and Prospect II, the story commencing with the events of Parallax II. Separated by millions of light years, the two men exist in ignorance of the other yet are intrinsically connected by a shared soul, which ultimately brings them together. "Both men exist in isolation, one because he runs away from the life that is his and the other when he leaves his dying planet in the hope of creating new life elsewhere, through the planting of souls," explains vocalist Tommy Rogers.
"As the story progresses you realize they are actually the same person, and at the end of the journey they're responsible for destroying all life as they know it, reinforcing the idea that humanity is a destructive species, and that there's some kind of innate flaw about us that causes us to destroy everything we touch." While the story is very much based in fiction and grounded in the imagination of Rogers, it was important that the vocalist was able to emotionally connect with it, and relate it to his own life, thereby making it relatable for listeners. "That was probably the hardest thing for me, making sure I could find that connection. The main thing that these characters go through is confusion and isolation, and I think that's something every person deals with in their lives at some point. As a musician you spend a lot of time with your own thoughts, so despite the science fiction of it all it is still a very personal record."
Produced by the band, which is rounded out by guitarist Dustie Waring, bassist Dan Briggs, and drummer Blake Richardson, alongside longtime collaborator Jamie King, the recording process was smooth, though labor intensive, if for no other reason than the sheer amount of material that had to be tracked. Stepping back from it, the band are proud of everything they have achieved. "This whole process was a lot of work, and it's definitely the most rewarding piece of music we've ever written," states Rogers. "It's a very coherent record, and I think nowadays records are getting thrown out there without much thought put into them. I like that what we've done is kind of bring back the whole album feel, which was really important once but doesn't seem to be any more." With plans to play Parallax II in its entirety on forthcoming tours, the band hope this album introduces new fans to their music, yet they maintain the humble aspirations that have always driven them.
"I'm a firm believer that if you create something that's unique and different there's always going to be a niche market for that. Our mentality is to keep doing what we're doing, writing music that challenges both us and the listener, and to keep playing to everyone who wants to see us," Waggoner states. Rogers concurs with this, adding "I think what we do speaks loudly to people. We're a very genuine band, we do what we want because we love doing it, and I think that's what people want. They want honesty in their music, and they want music that comes from the heart rather than comes from a computer, or that is made by people motivated by making money. We're just going to keep writing the best songs we can and with that continue to grow, and hopefully through doing that more and more people will find us.1. Goodbye to Everything
2. Astral Body
3. Lay Your Ghosts to Rest
5. Extremophile Elite
7. The Black Box
10. Melting City
11. Silent Flight Parliament
12. Goodbye to Everything Reprise$29.99Colored Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
REDD-VIC-3413xBury Your Dead
Cover Your Tracks (Awaiting Repress)BURY YOUR DEAD have been making a name for themselves in the New England hardcore music
scene since their 2001 birth. Having spawned from such ground-breaking acts as BLOOD HAS BEEN
SHED, AS THE SUN SETS, PIECEMEAL and GROUNDZERO, the members come from an extensive background of all genres of music.
BURY YOUR DEAD originally set out to do the band for fun, but fans quickly took notice after they solidified their line-up which includes former BETWEEN THE BURIED AND ME drummer, Mark Castillo. BURY YOUR DEAD decided to keep their material simple, energetic, sweet and remarkably heavy.
After playing many shows and building a solid fan base on the East Coast, Eulogy/Alveran Recordings made BURY YOUR DEAD an offer they couldn't pass up.
In Summer 2002, they went out on their first tour and shared the stage with GLASSJAW, POISON THE WELL, ANDREW W.K. and BANE. After constant touring, BURY YOUR DEAD hit the studio to record their Eulogy Records debut, a 5-song CD EP, You Had Me At Hello.
VICTORY RECORDS quickly took notice and announced their signing in April 2004.
Their VICTORY RECORDS debut, Cover Your Tracks, is set to take the metal and hardcore worlds by storm while the band invades the streets all year long.1. Maverick
2. Rain Man
3. Toesday Night
4. Take Me
6. Great Balls
7. So Fucking Blues
8. Show Me The Money
9. The Need For Speed
10. You Can't Handle The...
11. Last Samurai
12. Bury Your Dead$15.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Exploding HeadExploding Head is A Place To Bury Strangers' sophomore album and first for Mute. The band had one simple goal during the recording process: The original idea, says vocalist/guitarist Oliver Ackermann, was to create the craziest, most f'ed-up recording ever.
In late 2008, shortly following a support slot on MGMT's U.K. tour, APTBS began tracking new songs at Death By Audio, the rehearsal/recording/living space that Ackermann helped build in 2005. The DIY-or-die building is also an independent venue and the headquarters of Ackermann's Death By Audio company, a customized guitar pedal manufacturer that counts U2, TV on the Radio and My Bloody Valentine among its many happy customers.
During the Exploding Head recording process engineer Andy Smith (Paul Simon, David Bowie) took the band to a whole other level says Ackermann. I love the interplay and contrasts between something that's pretty and something that's scary, he explains. Taking listeners to different places, even in one song, is so important, whether it makes them cry or pissed off. If you listen closely, some of the riffs on this record are actually like Ramones songs or '60s bubblegum pop.1. It Is Nothing
2. In Your Heart
3. Lost Feeling
5. Keep Slipping Away
6. Ego Death
7. Smile When You Smile
8. Everything Always Goes Wrong
9. Exploding Head
10. I Live My Life to Stand in the Shadow of Your Heart$20.99Vinyl LP - Sealed Buy Now
Sea When AbsentAppropriately for new beginnings, Sea When Absent marks a number of firsts for ASDIG-it's the first album recorded in a real studio by someone who isn't Ben or Josh, the first album not written mostly by Ben, the first album with next-to-no reverb, and the first time in ASDIG's history that it has existed as anactual band (not just Ben or Josh playing everything). There was also a conscious effort to get away from aspects of recording that have defined this band in the past-namely heavily reverbed and buried vocals [ed.- they never sound buried to Ben]. Vocalists Jen Goma and Anne Fredrickson have beautiful voices and it was time to explore the possibilities of their abilities/talents. Jen took on a central role in the making of this album, stepping up to write most of the lyrics and melodies. Anne also contributed melodies throughout the album and put her classical cello training to use adding string arrangements. Since 2009 Ben has called Sydney, Australia home and while he was down under, multi-instrumentalist/backup vocalist/engineer/jack-of-all-trades Josh Meakim was Our Man in Philly, overseeing the recording sessions and adding all of the musical and production ideas he usually does. The distance between Ben and the rest of the band also forced novel ways of building songs from across the world. Bassist Ryan Newmyer, in Brooklyn, was tasked with deconstructing and rebuilding several songs in his own way-Oh, I'm a Wrecker (What to Say to Crazy People) bears the fruit of this tact. Holding it all together is drummer Adam Herndon. Adam is Sea When Absent's alchemist-weaving between, and often reconciling, the colossal boom of electronic beats (see Golden Waves or Double Dutch) and the subtle elegance of a drum kit in a room (see The Body, It Bends or The Things They Do to Me).
Between releasing Ashes Grammar in late 2009 and Autumn, Again in late 2010, ASDIG spent the better part of that year on tour. The six members in this band returned to six different Ithacas and the various dramas and adventures they've endured since then inform a lot of Sea When Absent. But 2014 is also just an insanetime to be alive. Dominant narratives have broken down and the stories we tell ourselves have never been more up-for-grabs.It's all happening and A Sunny Day in Glasgow want to be as simultaneously everywhere and nowhere as the rest of us. Sea When Absent is ASDIG's story for the milieu-a fever-dream about the now (or maybe a lucid dream about the fever-now) and a future possible set in pop-major.1. Bye Bye, Big Ocean (The End)
2. In Love With Useless (The Timeless Geometry in the Tradition of Passing)
4. MTLOV (Minor Keys)
5. The Things They Do to Me
6. Boys Turn Into Girls (Initiation Rites)
7. Never Nothing (It's Alright [It's Ok])
8. Double Dutch
9. The Body, It Bends
10. Oh, I'm a Wrecker (What to Say to Crazy People)
11. Golden Waves$16.99Vinyl LP - Sealed Buy Now
Time's ArrowFor many artists who have careers that span more than an album or two, there are often various lines visible in their work - a line from origin to current form, lines between different paradigms of sound, lines across which fans of different manifestations of the artist will not cross. Prurient in 2011 is drawing just such lines, and Time's Arrow proves this point explicitly. Here we bear witness to Dominick Fernow's long running project once again evolving, unfolding, and changing. Taking a bold step away from the sounds which drew attention his way in the formative years, he is clearly moving towards something new, something still taking form in the present moment. It's unsettling, perhaps for followers of Prurient's former incarnations, but extremely important for the longevity and vitality of a determinedly restless and inventive musician as Fernow has consistently proved to be.
If noise music, the genre to which Prurient has most often been assigned, is about confrontation, exploration, and defying expectations, this release measures up on all counts. Yet, much of what made past work identifiable as noise music harsh textures, screams washed in seas of static, clanging unidentified percussion is now gone. Those elements which formerly provided a valuable counterpoint to the harsh din of Prurient's core sound buried melodies, passages of relative serenity, and occasional spoken word bits have come to the fore. A sense of naked clarity and uncomfortable intimacy now brings the listener closer to the world as described the music, rather than pushing away the would-be voyeuristic observer. This is best illustrated on the title track of the EP, Times Arrow, where a glistening synth melody lays atop an undeniably dancey beat, over which a fragmented, but clearly discernable narrative is intoned - sinister in character to be sure, but also clearly without any element that could be described as overtly aggressive.1. Time's Arrow
2. Time's Arrow (Unsolved)
3. Let's Make a Slave (De-Shelled)
4. Maskless Face
5. Slavery In the Bahamas [Instrumental]$19.99Vinyl LP - Sealed Buy Now
Voices In A Rented Room (Discontinued)Sometimes it's best to see the world in black and white. Shades of grey are for p**s, right-and NEW BUMS have ridden the hard road all the way to this, their album debut. They've played around and they've hit the singles scene (haven't you turned up "Slim Volume"? 7EP of the year, man!), but Voices in a Rented Room tells their whole life story and probably more of yours than you'd care to admit. The voices are two, spinning harmonies both heavenly and salt-pickled. Picking their direction and floating along on a pair of acoustics, New Bums are the sound of old drunk America, dancing out of the shadows, coming forth again to stand in the light, in the hopes of repopulating those sad old single-occupancy hotels before they're all torn down. New Bums is the grudging match-up of DONVAN QUINN (SKYGREEN LEOPARDS) and BEN CHASNY (SIX ORGANS OF ADMITTANCE, COMETS ON FIRE, 200 YEARS, RANGDA). They didn't like each other at first, but now make sweet and sour music together over the light of the magical Sterno (if there's anything left in the can, that is!). The ideas go back and forth between Ben and Donovan in what seems to be a true partnership. Their songs are all that: songs, with lyrics set in a space to speak to the human buried in you. People's music, with all the stark confessions, tall tales, bleak humors and punch lines that the people can bear. Behind the acoustics and voices is lots of space, but there are a few extra instruments that come and go and tinge the scrim as the boys move from stately processional to streetcorner sing-around to bluesy weeper to low-rolling rock n roll and back again, with slide-guitar lines erupting in the dark night air and classical-tinged filigrees curling around the tarnished and rusting edges throughout.1. Black Bough
2. Pigeon Town
3. Your Girlfriend Might Be a Cop
4. Sometimes You Crash
5. The Killers and Me
6. Your Bullshit
7. It's The Way
8. Welcome to the Navy
10. Town on the Water
11. Mother's Favorite Hated Son
12. Cool Daughter$19.99Vinyl LP - Sealed Buy Now
From Her To EternityNick Cave launched his solo career in style with From Her to Eternity, an accomplished album mixing the frenzy and power of his Birthday Party days with a dank, moody atmosphere that showed he was not interested in simply continuing what the older group had done. To be sure, Mick Harvey joined him from the Party days, as ever playing a variety of instruments, while one-time Party guest Blixa Bargeld now became a permanent Cave partner, splitting his time between the Bad Seeds and Einsturzende Neubaten ever since. The group took wing with a harrowing version of Leonard Cohen's Avalanche, Cave's wracked, buried tones suiting the Canadian legend's words perfectly, and never looked back. From Her to Eternity is crammed with any number of doom-laden songs, with Cave the understandable center of attention, his commanding vocals turning the blues and rural music into theatrical exhibitionism unmatched since Jim Morrison stalked stages. Songs like Cabin Fever, with its steadily paced drumming and relentless piano line, and the more restrained and moody The Moon Is in the Gutter sound like cabarets in hell. In the Ghetto, already perfectly suited to such a treatment, shows the underlying sense of beauty that defines the Seeds as much as drama. Even though it's a Presley cover, the sense of Scott Walker's influence isn't far away at all. The title track is and remains a Bad Seeds classic, played at shows up through the present, a tense piano/organ beginning then accompanied by the edgy build of the band, pounding drums, stabbing feedback and keyboard parts and more.
- Ned Raggett (All Music)1. Avalanche
2. Cabin Fever!
3. Well Of Misery
4. From Her To Eternity
5. Saint Huck
6. Wings Off Flies
7. A Box For Black Paul$22.99Vinyl LP - Sealed Buy Now
This Year's ModelRanked 98/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The first record he made with his legendary backing band the Attractions, This Years Model is Elvis Costellos most explosive and urgent album. Picking up where his fine My Aim Is True left off, the British singer/guitarist blasts through 13 excellent tracks with the fervent purpose and headlong pace of someone who has a cab waiting for him outside.
Stylistically versatile, deeply varied, and melodically catchy, this where Costello came into his ownand where the chemistry between virtuosic keyboardist Steve Nieve, bassist Bruce Thomas, and drummer Pete Thomas produced one of rocks best groups. A dynamic maelstrom of emotional spite, bitter frustration, sexual angst, and caustic political commentary, the 1978 set boosted Costellos star and yielded innumerable standards: the undying MOR protest Radio Radio, fervent Pump It Up, smart (I Dont Want to Go to) Chelsea, and spunky No Action are all here.
While often cited as Costellos angry record, This Years Model has more to do with disappointments and denials. The album bursts forth with a savage energy not possible without the Attractions, which are responsible for the songs being built from the ground up. Where Costellos voice and twangy guitar dominate My Aim Is True, here, sizzling rhythms and Nieves colorful organ runs anchor the foundations. This is a group effort, with Costellos biting lyrics taking chances and forcing the listener to mull double meanings all the while the music zooms by at a fast clip.
More than 30 years after its original release, This Years Model will still leave you breathless. Railing against unachievable desires, Costello and company delight in the anguish, and spit such torment back out in the form of hook-ridden music that functions as a brilliant form of situational confirmation and emotional catharsis.
Half-speed mastered from the original tapes, Mobile Fidelitys numbered limited-edition 180-gram LP brings This Years Models vicious songs to the forefront like never before. Punchier, gutsier, and livelier than any of the myriad CD remasters, this analog edition offers a transparent window onto the Attractions' loose interplay, Nieve's carnivalesque organ work, and rabid pounce of the Thomas-Thomas rhythm section. Here, for the first time, are previously buried tones, textures, and details. It took years to happen, but this is how This Years Model was always supposed to sound.
This title is not eligible for discount.1. No Action
2 .This Year's Girl
3. The Beat
4. Pump It Up
5. Little Triggers
6. You Belong To Me
7. Hand In Hand
8. Lip Service
9. Living In Paradise
10. Lipstick Vogue
11. Radio, Radio
$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Chart-Topping 1974 Record Reunites Dylan With the Band: Interplay Alone Worth Experiencing Set in Highest-Possible Fidelity
Mastered from the Original Master Tapes: Mobile Fidelity Version Brings Underrated Gem to Fullest Light With Warm, Revealing Sound
Edgy Personal Album Captures Legendary Artist Straddling Line Between Romance and Suspicion: Includes Beloved Favorites "Forever Young" and "You Angel You"
Bob Dylan's Planet Waves became an event even before the album was released and revealed itself as an understated masterwork. His first studio recording in nearly four years, the homespun 1974 effort finds him reuniting with the Band, by then firmly established as virtuosos. The chemistry is obvious on every song. And the modest and spare production only magnifies the honesty and purity of the collaboration. Mobile Fidelity's 180g LP deepens the music's emotional connection and rustic warmth to the fullest possible extent.
Mastered from the original master tapes, this collectable audiophile edition brings to the surface the communal interplay and warm, relaxed vibe established by Dylan and the Band. Listeners will finally sense the sensitive tones made possible by the ensemble's laidback nature and watertight playing. The deep body of Richard Manuel's piano, pinpoint decay of Garth Hudson's organ, and clarity of Dylan's vocals emerge with new perspective. As a result, Planet Waves leaps from the background of Dylan's catalog into the fore, the revelatory sonics helping earn the record serious consideration as one of the Bard's finest.
Recorded in just three days time, Planet Waves is at its core an exhibition of the inimitable folk-rock honed by Dylan and the Band. Recalling the Americana spirit of The Basement Tapes while adding a domesticated edginess and subtracting a degree of wildness, the set personifies simple charm and scraggly sweetness. Couched in the context of Dylan grappling with the chasm between family life and the road, Planet Waves fittingly encompasses myriad moods and contradictions, with tunes ranging from unquestionably devotional to overtly dark. In between, the singer attempts to navigate peace, catharsis, and resolve.
Per Dylan's hallmark, many tunes on Planet Waves involve twists and subterfuge. Not, however, the best-known offerings-the often-covered wish "Forever Young," celebratory roll-and-tumble "On a Night Like This," devotional "You Angel You," which spark with love, romance, and prayer-like tenderness. Yet the seeds that blossomed into 1975's traumatic break-up album Blood on the Tracks are also planted here. Complex feelings and deep-seated personal confusion surface on "Wedding Song," the hardscrabble "Tough Mama," piano-centered "Dirge," and knocking-on-heaven's-door darkness of "Going, Going, Gone."
Throughout, Dylan's voice supplies subtle hints about his mindset and intent as the Band shadows him step for step, adding to the thematic ambivalence and contributing to a debate over meaning that continues today. Indeed, such relevance confirms the significance of Planet Waves 40 years after its original release. Mobile Fidelity's analog version digs beneath the surface and helps expose the record's buried strains.
This title is not eligible for discount.1. On a Night Like This
2. Going, Going, Gone
3. Tough Mama
5. Something There Is About You
6. Forever Young
7. Forever Young (Continued)
9. You Angel You
10. Never Say Goodbye
11. Wedding Song$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Centipede HzCentipede Hz was co-produced by Animal Collective and Ben H. Allen III and recorded at Sonic Ranch studios in Tornillo TX (outside of El Paso) by Ben H. Allen III and mixed at Maze Studios in Atlanta, GA by Ben H. Allen III.
Centipede Hz is the tenth full length Animal Collective album following the widely celebrated Merriweather Post Pavilion (2009) and also the first since Strawberry Jam (2007) to feature all four original band members: Avey Tare, Panda Bear, Geologist and Deakin. As the album's opening bars of drum crashes and radio interference on "Moonjock" immediately make clear, having returned as a four piece, Animal Collective have made their most widescreen and fully realized music to date.
Once touring for Merriweather Post Pavilion was concluded at the end of 2009, Animal Collective released their visual album Oddsac on DVD. The film was also screened internationally at theaters and film festivals. The band created Transverse Temporal Gyrus, an installation for the Guggenheim Museum in New York City and subsequently released a 12" single of the performance and launched a website to distribute music from the event. The period between Merriweather Post Pavilion and Centipede Hz also saw the release of two solo albums: Avey Tare's Down There (2010) and Panda Bear's Tomboy (2011).
Regrouping as a four piece with original member Deakin once more in the band, Animal Collective reconvened in their native Baltimore in January-March of 2011 to write material for Centipede Hz with a further session later in the year. Rather than swapping ideas over the internet and file-sharing Animal Collective were, for the first time in many years, exchanging ideas in the same room by playing live instruments.
As a result Panda Bear returned to playing a sit-down drum kit for the first time since Here Comes The Indian (2003) and Geologist began playing live keyboards again. Along with using some of the samplers and sequencers with which they had previously been writing, the sound of Centipede Hz draws on the dynamics and energy of Animal Collective playing together as a band. The return of Deakin is at its most marked in "Wide Eyed," a song that he wrote, featuring his first ever lead-vocal performance and whose title captures the mood of Centipede Hz perfectly.
Part of the inspiration for Centipede Hz included the band's memories of growing up listening to station announcements and commercials on the radio and imagining the after life of radio signals from the past, forgotten transmissions that are now lost in space and broadcasting music from other planets for other life forms. This is reflected in the sound of Centipede Hz, which features the white noise of radio interference and buried frequencies overlaid with the band's peerless melodic sensibilities and compositional methods. The result is a panoramic set of songs that shimmer with the confidence and wonder of Animal Collective's unique inner logic and the luminous warmth of their sound world.
Animal Collective: Avey Tare (vocals, synthesizers, piano, guitar, sampler, sequencer, percussion); Panda Bear (vocals, drums, sampler, percussion); Deakin (vocals, baritone guitar, sampler, percussion); Geologist (sampler, synthesizers, piano, percussion) with: Dave Scher (Beachwood Sparks, All Night Radio) lap steel guitar on "Today's Supernatural," "New Town Burnout," "Pulleys," and "Gotham," and melodica on "Rosie Oh" and Riverside Middle School Choir, which sings on "Father Time" and "New Town Burnout."1. Moonjock
2. Today's Supernatural
3. Rosie Oh
5. Wide Eyed
6. Father Time
7. New Town Burnout
8. Monkey Riches
9. Mercury Man
11. Amanita$21.99Vinyl LP - 2 LPs Sealed Buy Now
To The Happy FewEighteen years after they called it quits as a working band, 2013 finds the original members of Medicine reunited and proudly offering a newly recorded LP on Captured Tracks. "To The Happy Few" is the sound of a highly inspired group reclaiming its creative legacy, thoroughly immersed in the practice of mixing harsh noise with obsessive melodic detail and heavily groovy rocking.
Returning is the core trio of lead singer/ chanteuse Beth Thompson, guitarist / vocalist Brad Laner, and drummer Jim Goodall, the same team which created the still vital, influential and controversial LPs "Shot Forth Self Living" (1992) , "The Buried Life" (1993) and "Her Highness" (1995) as well as a stand-out appearance in the 1994 film "The Crow".
As it happens, it's really all the fault of Captured Tracks. In 2012 C/T pulled off the seemingly
impossible and secured the rights to reissue the aforementioned two original Medicine LPs in loving and expanded fashion. This was a rather emotional moment for the original band members. So much so that upon meeting up at Brad's home studio in May 2012 for the first time since 1995 in order to divide up the vinyl goodies and ultra-limited box sets, the trio laid down the basic track for what became the final song on the new LP. Emboldened by the natural ease with which they slipped back into Medicine mode, the trio spent the remainder of the year leisurely recording the new LP and enjoying each other's company far removed from the stress and turmoil of their original early 90's run. The resulting LP is not your parent's Shoegaze record. The sonic palette and the hands, feet and mouths that utilize it may be the same, but the end result more subtly reflects the amassed life experiences and refined aesthetics of three mature artists only just now approaching the peak of their powers.
The members of Medicine stayed quite busy with music in the interim between 1995 and 2012: Jim Goodall recorded and toured with his legendary evil country western band Jon Wayne which had its first LP reissued by Jack White's Third Man label. He also toured as a member of UK noise gods Whitehouse and recorded with Current 93. Beth Thompson made a collaborative album as The Shway and performed with The Furry Things. Brad Laner has released a bunch of solo and collaborative LPs under various names and recorded with the likes of Brian Eno, M83, Caribou and Blinker The Star.
"Long As The Sun," the first single from Medicine, simultaneously references the origins of the band and explodes into brand new territory. An exuberant, belligerently pounding carnival of sound and harmony. A joyful acceptance of something that just simply works. Noise for beauty's sake. You know, Medicine1. Long As The Sun
2. It's Not Enough
3. Burn It
4. Holy Crimes
5. The End Of The Line
6. Butterfly's Out Tonight
7. All You Ne ed To Know
8. Find Me Always
9. Pull The Trigger
10. Daylight$19.99Vinyl LP - Sealed Buy Now
Falling Faster Than You Can RunWell, it doesn't take long for Falling Faster Than You Can Run to reveal that Nathaniel Rateliff isn't in a very good place. His deep funk is revealed very quickly on the opening track 'Still Trying': "If you roll in it long enough/your shit won't even smell" sings Rateliff, in between crying out, unaccompanied, "I don't know/I don't know/a god damned thing".
And that's the feeling that sticks throughout this, often very fine, new record from Denver, Colorado's Missouri-born Rateliff. On his second full-length album (dropping the & the Wheel from his name) loneliness is writ large: not the kind of loneliness from actually being along, but the kind that comes from being constantly surrounded by people yet unable to shake the feeling of complete isolation. Rateliff has toured with many, many acts over the past few years and most recently has spent time with Dr Dog and fellow Denver act (and friends) The Lumineers. Thankfully, Rateliff rarely sounds like his friends (you might say I'm not a fan) and instead writes and plays music with a lot of heart and soul. It's often his voice that's the star of the show thanks to the subtly-arranged instrumentation: part matured Kurt Wagner burr and part throat-ravaged bluesman ( a bit The Tallest Man on Earth) it's a voice you could listen to all day. But good voice is nothing without good songs, and Rateliff comes with plenty of ammunition on Falling Faster Than You Can Run.
"Still Trying" is an arresting opener; while Rateliff's heart-wrenching roars are the highlight, the backing isn't too shabby either - acoustic guitar and bass drum battle for the spotlight on a ragged country song, and it sounds authentic, like Rateliff has lived what he's singing. And things get better quickly: "I Am" is mostly just Rateliff and his guitar, as broaches his isolation singing: "you'll never know what's buried there / less you dig around". The music swells as he sings the title over and over, following a similar pattern to the album opener. But before things get too familiar, Rateliff picks up the pace with a couple of full band numbers that could almost be considered jaunty, if we were to ignore the lyrics. "Don't Get Too Close" is fine enough and ticks over nicely like a quickstep, but "Laborman" is even better. Like Wilco at their poppiest, it flies off on crunchy and bright electric guitars which belies the lyrical content: "I got a feelin' / a sleepin' depression / that somebody's gonna get hurt", sings Rateliff, followed by "you got the harness/so where you gonna drag me now?" You can see a pattern developing here; Rateliff's stuck somewhere he doesn't want to be, lonely, but how does he get out of it? Take another look at that album cover too - a couple share a bed, an arm reaches out yet it doesn't touch the other person. It's basically a visual encapsulation of what's being sung about.
The epic electric storm of "Forgetting Is Believing" leads a trio of great closing tracks, ending with the Lambchop-murmur of the title track. Rateliff's baritone is exposed and dusty as he sings "leave me alone/you can see me fall/faster than you can run", ending as he started the record - alone and isolated.
Falling Faster Than You Can Run feels, through the dirt, the shit and the whisky, and despite the loneliness, like a hard-earned triumph for Nathaniel Rateliff.
- Andrew Hannah (The Line Of Best Fit)1. Still Trying
2. I Am
3. Don't Get Too Close
5. How To Win
6. Nothing To Show For
7. Right On
8. Three Fingers
9. Forgetting Is Believing
10. When Do You See
11. Falling Faster Than You Can Run$18.99Vinyl LP - Sealed Buy Now
BreakersSomerville, Massachusetts' soft-focus pop group Gem Club features Christopher Barnes and his collaborators, cellist Kristen Drymala and vocalist Ieva Berberian. Together, they create cavernous-sounding piano-based ballads that, despite their earthly trappings, feel truly ethereal, as if they're being piped in from another planet bereft of gravity. Gem Club buries vague but revealing lyrics in delicate, sometimes somber, sometimes lighthearted melodies. There is a balance between pain and hope, a sense of growth and catharsis spawned from harder days, all complemented by the breathy vocals and symphonic instrumentation. Following their self-released six-song EP, Acid and Everything, Gem Club have made Breakers, their debut full-length album to be released via Hardly Art. Mastered by Jeff Lipton (Magnetic Fields, Destroyer)1. Twins
4. Red Arrow (John)
5. I Heard the Party
6. Black Ships
9. In Wavelengths$13.99Vinyl LP - Sealed Buy Now