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  • The Paris Concert: Edition Two (Pre-Order) The Paris Concert: Edition Two (Pre-Order) Quick View

    $54.99
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    The Paris Concert: Edition Two (Pre-Order)


    Numbered, Limited Edition! Pressed at RTI!


    Mastered by Bernie Grundman from the Original Masters!


    Edition Two of The Paris Concert by Bill Evans was recorded live in November 1979 at L'espace Cardin in Paris, France. Evans is assisted by bassist Marc Johnson and drummer Joe LaBarbera. This second edition of the two includes Miles Davis' Nardis as well as 34 Skidoo.


    Bill Evans was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, singing melodic lines continue to influence jazz pianists today.


    Marc Johnson is an American jazz bass player, composer, and band leader. In 1978, Johnson joined legendary pianist Bill Evans in what would be Evans' last trio. Johnson toured and recorded with Evans until the death of the pianist in 1980. His many recording credits since then include discs with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie, Bill Frisell, Pat Metheny, Eliane Elias, Enrico Pieranunzi, Joey Baron, Philly Joe Jones, and many others.


    Joe LaBarbera is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans' career. Prior to joining Evans he worked in the quartet of Chuck Mangione and Joe Farrell. After Evans' death in 1980, Joe joined singer Tony Bennett.


    The music is sensitive and subtly exciting. Until the release of some later live sessions from 1980, this could be considered Bill Evans' final recording and serves as evidence that, rather than declining, he was showing a renewed vitality and enthusiasm in his last year. -Scott Yanow, allmusic.com


    Features:

    • Numbered, Limited Edition

    • Audiophile 180g, 45rpm Vinyl

    • Double LP, Gatefold Packaging

    • Pressed at RTI!

    • Mastered by Bernie Grundman from Original Masters


    Musicians:

    Bill Evans, piano

    Marc Johnson, bass

    Joe LaBarbera, drums


    Recorded by Radio France at L'espace Cardin in Paris, France on November 26, 1979.


    This title is not eligible for discount.

    1. Re: Person I Knew
    2. Gary's Theme
    3. Letter to Evan
    4. 34 Skidoo
    5. Laurie
    6. Nardis
    7. Interview (Excerpts of a conversation between Bill and Harry Evans)
    Bill Evans
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Trio '65 Trio '65 Quick View

    $54.99
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    Trio '65


    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!


    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Bill Evans was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, singing melodic lines continues to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.


    The iconic jazz pianist Bill Evans is joined here by none other than bassist Chuck Israels and drummer Larry Bunker for this 1965 recording. The album includes the heart-wrenching Who Can I Turn To? alongside If You Could See Me Now and Johnny Carisi's Israel.


    Although all eight of the selections heard on this Verve release have been recorded on other occasions by pianist Bill Evans, these renditions hold their own. Teamed up with bassist Chuck Israels and drummer Larry Bunker (his regular trio of 1963-1965), Evans plays definitive versions of such songs as Johnny Carisi's Israel, How My Heart Sings, Who Can I Turn To, and If You Could See Me Now. - Scott Yanow, allmusic.com


    Bill Evans, one of the most influential and tragic figures of the post-bop jazz piano, was known for his highly nuanced touch, the clarity of the feeling content of his music and his reform of the chord voicing system pianists used. He recorded over fifty albums as leader and received five Grammy awards... His inescapable influence on the very sound of jazz piano has touched virtually everybody of prominence in the field after him (as well as most of his contemporaries), and he remains a monumental model for jazz piano students everywhere, even inspiring a newsletter devoted solely to his music and influence. - All About Jazz


    Musicians:

    Bill Evans, piano

    Chuck Israels, bass

    Larry Bunker, drums


    This title is not eligible for discount.

    1. Israel
    2. Elsa
    3. 'Round Midnight
    4. Our Love Is Here To Stay
    5. How My Heart Sings
    6. Who Can I Turn To?
    7. Come Rain or Come Shine
    8. If You Could See Me Now
    Bill Evans Trio
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Sunday at The Village Vanguard (Out Of Stock) Sunday at The Village Vanguard (Out Of Stock) Quick View

    $99.99
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    Sunday at The Village Vanguard (Out Of Stock)


    Mastered from the Original Master Tapes With Mobile Fidelity's One-Step Process: Sunday at the Village Vanguard UD1S 45RPM Box Set the Ultimate Analog Version of Bill Evans' 1961 Jazz Staple


    Deluxe Packaging Includes Opulent Box, Special Jackets and Unique Bonus Artwork: No Expense Spared, Strictly Limited to 3000 Numbered Copies


    Gorgeous Romanticism, Seamless Chemistry, Group Interplay, and Symbiotic Trio Performances Forever Changed Jazz: Evans' Live Masterwork Boasts Brilliant Sound, Lyrical Pianism, Magical Feel


    The gorgeous romanticism of Bill Evans' Sunday at the Village Vanguard cannot be overstated. Neither can the iconic record's place in history - nor what it signifies to generations upon generations of listeners hypnotized by the consummate playing, resplendent compositions, and seamless chemistry. Originally released in1961, the live set remains the gold standard for symbiotic trio performance, empathy, and communication. Because of Orrin Keepnews' brilliant recording, it also survives as one of the best-sounding jazz albums extant - a fact confirmed by its appearance on multiple reissues over the past few decades. But it's never sounded better than this.


    Evans' masterwork reaches three-dimensional sonic and emotional heights never before attained by analog recordings on this opulent Mobile Fidelity UD1S box set complete with special jackets and a unique insert. Strictly numbered to 3000 copies, this ultra-hi-fi audiophile edition literally and figuratively brings you closer to the music of this Riverside staple that, along with the complementary Waltz for Debby, transformed Evans into a legend and became a blueprint for how jazz trios should work together. You'll enjoy deep-black backgrounds, pointillistic details, and staggering dynamics. Experienced via UD1S, Sunday at the Village Vanguard places Evans and his esteemed colleagues in your listening room. Every note, breath, and movement captured by the microphones are reproduced with exquisite accuracy and wowing clarity.


    The deluxe packaging and gorgeous presentation of this Sunday at the Village Vanguard pressing befit its extremely select status. Housed in an opulent box, this UD1S edition contains special jackets and unique bonus artwork that further illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this Sunday at the Village Vanguard is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound and creativity, and who desire to fully immerse themselves in the music - and everything involved with the album, from the graphics to the textures.


    Recorded just ten days before bassist Scott LaFaro perished in a car accident, Sunday at the Village Vanguard changed the way jazz trios were perceived by audiences and musicians alike. Up until Evans, LaFaro, and drummer Paul Motian proved otherwise, a trio configuration meant two sidemen served as rhythmic support to spotlight the virtuosity of a headline performer or primary soloist. Here, the three instrumentalists operate in complete unison and achieve supreme democratic balance. Expressing their intent via shared conversations, they alight on sublime pieces flush with thematic discovery, improvisational dialog, and raw feeling.


    A quest for discovery informs the music as well as the playing. Evans' lyrical pianism met at every turn by LaFaro's chorded responses and harmonic counterpoints. Indeed, Sunday at the Village Vanguard remains LaFaro's standout moment, his soloing helping shape the melodies and striking a keen equilibrium between modality and traditionalism. Joining poignant renditions of Miles Davis, Cole Porter, and Gershwin numbers, two LaFaro originals - Jade Visions and the opening Gloria's Step - further demonstrate his genius. They furnish the album a supernatural aura that matches the jovial mood of the musicians. It's impossible to think this album could be improved in any way. Particularly now that this UD1S pressing brings the Village Vanguard into your room. Prepare to witness history. Again and again.


    More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior:

    Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.


    This title is not eligible for discount.

    1. Gloria's Step
    2. My Man's Gone Now
    3. Solar
    4. Alice in Wonderland
    5. All of You
    6. Jade Visions
    Bill Evans Trio
    $99.99
    Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock
  • Kind Of Blue (Box Set) (Out Of Stock) Kind Of Blue (Box Set) (Out Of Stock) Quick View

    $59.99
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    Kind Of Blue (Box Set) (Out Of Stock)

    Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time


    Best-Selling Album in Jazz History Receives the Prestigious Mobile Fidelity Treatment: Mastered from the Original Master Tapes


    Mobile Fidelity 180 gram 45RPM 2LP Box Set is Definitive Analog Version and Intended to Be Passed on to Generations


    If There's a Stairway to Heaven, This is the Soundtrack: Epochal 1959 Record the Mt. Rushmore of Jazz Sessions


    Dream Team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb Make History


    How does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. Theres also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.


    Part of Mobile Fidelity's Miles Davis catalog restoration series, the landmark has been given the ultimate white-gloves treatment. Half-speed mastered from the original master tapes, and pressed on 45RPM LPs at RTI, this sumptuous box set of the often-reissued album is a must for even fans that already possess multiple versions. Such is the illuminating transparency, reference dynamics, organic warmth, and instrumental detail exposed by the thoroughly scrupulous mastering process. If there's a stairway to heaven, this is the soundtrack.


    In its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis key recordings. Its why the labels engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organization and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest caliber.


    While no one has ever completely identified the magic behind the records allure the otherworldly nature is part of its inherent charm much of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.


    An audiophile favorite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions via Mobile Fidelitys reissue. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, you'll feel as if you've been whisked away to a jazz holy land. Quintessential.



    This title is not eligible for discount.

    1. So What
    2. Freddie Freeloader
    3. Blue in Green
    4. All Blues
    5. Flamenco Sketches
    Miles Davis
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock
  • Bill Evans Riverside Recordings (Box Set) (Out Of Stock) Bill Evans Riverside Recordings (Box Set) (Out Of Stock) Quick View

    $599.99
    x

    Bill Evans Riverside Recordings (Box Set) (Out Of Stock)

    Numbered Edition Pressed On 200-Gram Vinyl By Quality Record Pressings For The First Time!


    Here it is: THE Audiophile Jazz Fan's Box Set To End All Box Sets - All Of Bill Evans Riverside Releases Cut at 45 RPM PLUS The Cannonball Adderley Know What I Mean? Release For Which Evans Was Such An Important Contributor.


    Of everything Analogue Productions has reissued, nothing has come close in sales or accolades to the 45-RPM versions of Bill Evans titles from his Riverside catalog. And now we've compiled all of them into one irresistible box set package. Includes facsimiles of each original jacket along with an 18-page booklet detailing Evans' career and Riverside era.


    Titles Included: New Jazz Conceptions, Everybody Digs Bill Evans, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Moonbeams, Know What I Mean?, Interplay, How My Heart Sings! and At Shelly's Manne-Hole.


    Now pressed on 200-gram vinyl at Quality Record Pressings!


    This title is not eligible for discount.

    1. MINORITY (5:20) (Gigi Gryce)
    2. YOUNG AND FOOLISH (5:48)(Horwit-Hague)


    Side 2


    1. LUCKY TO BE ME (3:35)(Comden, Green-Bernstein)
    2. NIGHT AND DAY (7:12)(Cole Porter)
    3. EPILOGUE (:38)(Bill Evans)


    Side 3


    1. TENDERLY (3:29) (Walter Gross)
    2. PEACE PIECE (6:37)(Bill Evans)


    Side 4


    1. WHAT IS THERE TO SAY? (4:49)(Harburg-Duke)
    2. OLEO (4:04)(Sonny Rollins)
    3. EPILOGUE (:38)(Bill Evans)


    Explorations


    Side 1


    1. ISRAEL (6:08)(John Carisi)
    2. HAUNTED HEART (3:25)(Deitz-Schwartz)


    Side 2


    1. BEAUTIFUL LOVE (5:03)(Gillespie-King-Van Alstyne-Young)
    2. ELSA (5:05)(Earl Zindars)


    Side 3


    1. NARDIS (5:48)(Miles Davis)
    2. HOW DEEP IS THE OCEAN? (3:30)(Irving Berlin)


    Side 4


    1. I WISH I KNEW (4:39)(Gordon-Warren)
    2. SWEET AND LOVELY (5:50)(Arnheim-Tobias-Lemare)


    Portrait In Jazz


    Side 1


    1. COME RAIN OR COME SHINE (3:17)(Mercer-Arlen)
    2. AUTUMN LEAVES (5:22)(Mercer-Kosmo-Prevert)


    Side 2


    1. WITCHCRAFT (4:30)(Leigh-Coleman)
    2. WHEN I FALL IN LOVE (4:50)(Heyman-Young)
    3. PERI�S SCOPE (3:11)(Bill Evans)


    Side 3


    1. WHAT IS THIS THING CALLED LOVE? (4:33)(Cole Porter)
    2. SPRING IS HERE (5:01)(Rodgers & Hart)


    Side 4


    1. SOME DAY MY PRINCE WILL COME (4:48)(Morey-Churchill)
    2. BLUE IN GREEN (5:18)(Davis-Evans)


    At Shelly�s Manne-Hole, Hollywood


    Side 1


    1. ISN�T IT ROMANTIC (4:34)(Rodgers, Hart)
    2. THE BOY NEXT DOOR (5:14)(Youmans, Harbach, Greene)


    Side 2


    1. WONDER WHY (5:05)(Brodszky, Cahn)
    2. SWEDISH PASTRY (5:35)(Barney Kessel)


    Side 3


    1. OUR LOVE IS HERE TO STAY (4:41)(G & I Gershwin)
    2. �ROUND MIDNIGHT (8:50)(Monk, Williams)


    Side 4


    1. STELLA BY STARLIGHT (4:50)(Young, Washington)
    2. BLUES IN �F� (5:05)(Chuck Israels)


    How My Heart Sings!


    Side 1


    1. HOW MY HEART SINGS (4:56)(Earl Zindars) Zindars Publ. Co.-BMI
    2. I SHOULD CARE (4:53)(Cahn-Stordahl-Weston) Cahn Music/Hanover Music/Stordahl Music-ASCAP


    Side 2


    1. IN YOUR OWN SWEET WAY (6:57)
    (Dave Brubeck) Derry Music Co.-BMI
    2. WALKING UP (4:54)
    (Bill Evans) TRO-Acorn-BMI


    Side 3


    1. SUMMERTIME (5:56)(Gershwin-Heyward-Gershwin) Chappell& Co., Inc./Gershwin Publ.-ASCAP
    2. 34 SKIDOO (6:19)(Bill Evans) TRO-Acorn-BMI


    Side 4


    1. EV�RYTHING I LOVE (4:11)(Cole Porter) Chappell Music-ASCAP
    2. SHOW-TYPE TUNE (4:23)(Bill Evans) TRO-Acorn-BMI


    Interplay


    Side 1


    1. YOU AND THE NIGHT AND THE MUSIC (7:03)(Dietz-Schwartz) (ASCAP)


    Side 2


    1. WHEN YOU WISH UPON A STAR (5:42)(Washington-Harline) (ASCAP)
    2. I�LL NEVER SMILE AGAIN (6:30)(Ruth Lowe) (ASCAP)


    Side 3


    1. INTERPLAY (8:11)(Bill Evans) (BMI)


    Side 4


    1. YOU GO TO MY HEAD (5:02)(Gillespie-Coots) (ASCAP)
    2. WRAP YOUR TROUBLES IN DREAMS (6:24)(Moll-Koehler-Barris) (ASCAP)


    Moonbeams


    Side 1


    1. RE: PERSON I KNEW (5:42)(Bill Evans) TRO-Acorn-BMI
    2. POLKA DOTS AND MOONBEAMS (4:57)(Burke-Van Heusen) Bourne Co./Music Sales Corp.-ASCAP


    Side 2


    1. I FALL IN LOVE TOO EASILY (2:39)(Styne-Cahn) SBK Feist Catalog-ASCAP
    2. STAIRWAY TO THE STARS (4:48)(Parish-Malneck-Signorelli) SBK Robbins Catalog-ASCAP


    Side 3


    1. IF YOU COULD SEE ME NOW (4:24)(Dameron-Sigman) SBK Robbins Catalog-ASCAP
    2. IT MIGHT AS WELL BE SPRING (6:03)(Rodgers-Hammerstein) Williamson Music ASCAP


    Side 4


    1. IN LOVE IN VAIN (4:56)(Kern-Robin) T.B. Harms, Inc.-ASCAP
    2. VERY EARLY (5:04)(Bill Evans) TRO-Acorn-BMI


    Waltz for Debby


    Side 1


    1. MY FOOLISH HEART (4:56)
    2. WALTZ FOR DEBBY (6:54)


    Side 2


    1. DETOUR AHEAD (7:35)


    Side 3


    1. MY ROMANCE (7:11)


    Side 4


    1. SOME OTHER TIME (5:02)
    2. MILESTONES (6:37)


    Sunday at the Village Vanguard


    Side 1


    1. GLORIA�S STEP (6:05)(Scott LaFaro) Orpheum Music-BMI
    2. MY MAN�S GONE NOW (6:21)(G. & I. Gershwin) Chappell Music-ASCAP


    Side 2


    1. SOLAR (8:51)(Miles Davis) Prestige Music-BMI


    Side 3


    1. ALICE IN WONDERLAND (8:32)(Fain-Hilliard) Walt Disney Music-ASCAP


    Side 4


    1. ALL OF YOU (8:20)(Cole Porter) Chappell Music-ASCAP
    2. JADE VISIONS (3:46)(Scott LaFaro) Orpheum Music-BMI


    Know What I Mean?


    Side 1


    1. WALTZ FOR DEBBY (5:14)
    2. GOODBYE (6:12)


    Side 2


    1. WHO CARES? (take 5) (5:53)
    2. VENICE (2:51)


    Side 3


    1. TOY (5:05)
    2. ELSA (5:48)


    Side 4


    1. NANCY (WITH THE LAUGHING FACE) (4:07)
    KNOW WHAT I MEAN? (re-take 7) (4:55)


    New Jazz Conceptions


    Side 1


    1. I Love You
    2. Five
    3. I Got It Bad and That Ain't Good
    4. Conception
    5. Easy Living
    6.Displacement


    Side 2


    1.Speak Low
    2.Waltz for Debby
    3.Our Delight
    4.My Romance
    5.No Cover, No Minimum

    Bill Evans
    $599.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 22 LPs Sealed Temporarily out of stock
  • The Paris Concert: Edition One (Out Of Stock) The Paris Concert: Edition One (Out Of Stock) Quick View

    $59.99
    x

    The Paris Concert: Edition One (Out Of Stock)


    Numbered, Limited Edition! Pressed at RTI!


    Mastered by Bernie Grundman from the Original Masters!


    Edition One of The Paris Concert by Bill Evans was recorded live in November 1979 at L'espace Cardin in Paris, France. Evans is assisted by bassist Marc Johnson and drummer Joe LaBarbera. This first edition of the two includes Gershwin's I Loves You Porgy, Rodgers & Hart's My Romance and Paul Simon's I Do It For Your Love.


    Bill Evans was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, singing melodic lines continue to influence jazz pianists today.


    Marc Johnson is an American jazz bass player, composer, and band leader. In 1978, Johnson joined legendary pianist Bill Evans in what would be Evans' last trio. Johnson toured and recorded with Evans until the death of the pianist in 1980. His many recording credits since then include discs with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie, Bill Frisell, Pat Metheny, Eliane Elias, Enrico Pieranunzi, Joey Baron, Philly Joe Jones, and many others.


    Joe LaBarbera is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans' career. Prior to joining Evans he worked in the quartet of Chuck Mangione and Joe Farrell. After Evans' death in 1980, Joe joined singer Tony Bennett.


    With bassist Marc Johnson and drummer Joe La Barbera, Evans had one of the strongest trios of his career... -Scott Yanow, allmusic.com


    Features:

    • Numbered, Limited Edition

    • Audiophile 180g, 45rpm Vinyl

    • Double LP, Gatefold Packaging

    • Pressed at RTI!

    • Mastered by Bernie Grundman from Original Masters


    Musicians:

    Bill Evans, piano

    Marc Johnson, bass

    Joe LaBarbera, drums


    Recorded by Radio France at L'espace Cardin in Paris, France on November 26, 1979.


    This title is not eligible for discount.

    1. I Do It For Your Love
    2. Quiet Now
    3. Noelle's Theme
    4. My Romance
    5. I Loves You Porgy
    6. Up With the Lark
    7. All Mine (Minha)
    8. Beautiful Love
    9. Excerpts of a Conversation Between Bill and Harry Evans
    Bill Evans
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Temporarily out of stock
  • Blues And The Abstract Truth (Out Of Stock) Blues And The Abstract Truth (Out Of Stock) Quick View

    $49.99
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    Blues And The Abstract Truth (Out Of Stock)

    As Oliver Nelson is known primarily as a big band leader and arranger, he is lesser known as a saxophonist and organizer of small ensembles. Blues And The Abstract Truth is his triumph as a musician for the aspects of not only defining the sound of an era with his all-time classic "Stolen Moments," but on this recording, assembling one of the most potent modern jazz sextets ever. Lead trumpeter Freddie Hubbard is at his peak of performance, while alto saxophonists Nelson and Eric Dolphy (Nelson doubling on tenor) team to for an unlikely union that was simmered to perfection. Bill Evans (piano), Paul Chambers (bass) and Roy Haynes (drums) can do no wrong as a rhythm section. 


    "With Analogue Productions' new 45 rpm vinyl pressing of Oliver Nelson's The Blues and the Abstract Truth, we finally have a reissue of this great album that's worth buying...A few 'audiophile' reissues have come out over the years, in vinyl and aluminum, but this is the first that comes close to the wondrous sonics of the original black-and-orange pressing." - Fred Kaplan, Stereophile



    The Blues and the Abstract Truth is one of my favorite jazz recordings. What a group of heavy-weight performers! Besides Oliver Nelson on tenor sax, you've got the incomparable Bill Evans on piano, Freddie Hubbard on trumpet, Paul Chambers on bass, Roy Haynes on drums, and Eric Dolphy on flute and alto sax. This is the jazz equivalent of a super-group." - Jim Hannon, AVguide.com


    "...Let me cut to the chase here and recommend that you buy two copies - one to enjoy and the other to hold for resale, because some day Acoustic Sounds' license will run out and lots of jazz fans will be kicking themselves for not buying a copy. Kevin Gray has turned out a perfect remastering job and this is my choice for reissue of the year." Recording = 10/10; Music = 10/10 - Dennis Davis, Hi-Fi+, Issue 68



    Originally released in 1961.

     

    Musicians:


    • Oliver Nelson, alto saxophone, tenor saxophone

    • George Barrow, baritone saxophone

    • Paul Chambers, bass

    • Eric Dolphy, flute, alto saxophone

    • Bill Evans, piano

    • Roy Haynes, drums

    • Freddie Hubbard, trumpet



    This title is not eligible for discount.

    Stolen Moments
    Hoe-Down
    Cascades
    Yearnin'
    Butch And Butch
    Teenie's Blues
    Oliver Nelson
    $49.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Temporarily out of stock
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