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Bill Evans Vanguard'
Sunday At The Village VanguardFew albums in the history of contemporary American music can be more deserving than this one of the designation Original Jazz Classic. It is the first of two Riverside albums derived from the legendary final appearance of the first Bill Evans trio - taped during the last day of a Village Vanguard engagement, barely ten days before the tragic death of bassist Scott LaFaro. The recordings have long been recognized as capturing the essence of the unique three-way interaction that characterized the trio. This album is further distinguished by its emphasis on the solo work and compositions of the innovative LaFaro.1. Gloria's Step
2. My Man's Gone Now
4. Alice in Wonderland
5. All Of You
6. Jade Visions$21.99Vinyl LP Reissue - Sealed Buy Now
UndercurrentUndercurrent on Numbered Limited Edition LP from Mobile Fidelity Silver Label
Introspective, Almost-Hallucinogenic 1962 Album a Pinnacle for Both Jazz Icons
Guitarist Hall Aids Pianist Evans in Rebounding from Tragedy
Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop
Divine Sonics: LP Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI
Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Label LP edition bursts forth with brilliant textures, you-are-there realism, and extraordinary tonalities. No other version outside of this analog copy brings you face-to-face with these two jazz giants' sonic communion, a kind of spiritual musical summit on which Evans' deft keyboard touches and Hall's reliably subtle phrasings seamlessly mesh and wonderfully dance, the compositions streaked with natural instrumental decay, full-frequency extensions, and poignant emotionalism that, on this LP, you can feel.
While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation-such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.
In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream," as well as the Hall original "Romain," the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.
Indeed, even the album's cover-an iconic photograph by Toni Frissell-exhibits the surreal, almost-hallucinogenic properties of the fare contained within.
This title is not eligible for discount.1. My Funny Valentine
2. I Hear a Rhapsody
3. Dream Gypsy
5. Skating in Central Park
6. Darn That Dream$24.99Vinyl LP - Sealed Buy Now
The Complete Village Vanguard Recordings, 1961 (Awaiting Repress)
4 LP Box Set Pressed On 180 Gram Vinyl
Includes 12 Page Booklet
Ranked time after time as one of the best live jazz recording sessions in history, and yielding two of Evans' most classic albums (Waltz for Debby, Sunday
at the Village Vanguard), The Complete Village Vanguard Recordings, 1961 represents the pinnacle of spontaneous musical communication: three men
breathing as one on a tiny bandstand.
This box set is the ultimate collectible item for any jazz fan. Pressed on 180-gram vinyl, this four-LP set comes with a 12-page booklet, complete with
new liner notes by reissue producer Bill Belmont, as well as the original liner notes by the producer of the original recordings,Orrin Keepnews.
Reproductions of session notes and photographer Steve Schapiro's proof sheets from the performances add vintage context to the packaging. Also
included in the box is a stunning metallic and black poster of the famous cover - Evans, in profile, deep in concentration at his piano.
Everything Bill Evans, Scott LaFaro, and Paul Motian had been working on for the previous 18 months led to this moment on June 25, 1961. The little-known pianist and his trio performed afternoon and evening sets that Sunday to a small audience that unknowingly sat through what would become a very
famous - and final - set by the trio as a whole. The 25-year old LeFaro died tragically in a car accident just ten days later. The performances on these
LPs demonstrate a new and more interactive approach to playing as a trio, one in which all instruments carry melodic responsibilities and function as
equal voices. Contrapuntal dialogues take place between Evans's poetic piano and LaFaro's bass, with Motian's sustained riveted ride cymbal providing a
carpet of stars. These recordings provide something of a sonic time capsule: sequenced in the original order of the five sets; the audience's murmurings
and applause peppered throughout; even an interrupted take is left intact.
This box set is the definitive keepsake for audiophiles, Bill Evans fans and jazz collectors, alike, and, in its limited run, will go quickly.LP 1
1. Spoken Introduction
2. Gloria's Step (Take 1, Interrupted)
3. Alice In Wonderland (Take 1)
4. My Foolish Heart
5. All Of You (Take 1)
6. Announcement And Intermission
1. My Romance (Take 1)
2. Some Other Time
4. Gloria's Step (Take 2)
5. My Man's Gone Now
6. All Of You (Take 2)
1. Detour Ahead (Take 1)
2. Discussing Repertoire
3. Waltz For Debby (Take 1)
4. Alice In Wonderland (Take 2)
5. Porgy (I Loves You, Porgy)
6. My Romance (Take 2)
1. Detour Ahead (take 2)
2. Gloria's Step (Take 3)
3. Waltz For Debby (Take 2)
4. All Of You (Take 3)
5. Jade Visions (Take 1)
6. Jade Visions (Take 2)
7. ...A Few Final Bars$99.99180 Gram Audiophile Virgin Vinyl LP Box Set - 4 LPs Sealed AWAITING REPRESS Buy Now
EmpathyMastered by George Marino at Sterling Sound
...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011
This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's The Washington Twist from the unsuccessful Mr. President with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, Let's Go Back to the Waltz, gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of With a Song in My Heart with light chordal phrasing that pretty much characterized much of the tone coming from this session.
Recorded in 1962.
Bill Evans, piano
Shelly Manne, drums
Monty Budwig, bass
This title is not eligible for discount.1. The Washington Twist
2. Danny Boy
3. Let's Go Back To Te Waltz
4. With A Song In My Heart
6. I Believe In You$54.99200 Gram Audiophile Virgin Vinyl LP 45RPM - Sealed Buy Now
Making The Saint
Other-worldly sounds of singular vision and exceptional
beauty." - All About Jazz
"Immersive meticulous and controlled." - New York
Making The Saint is my third full-length record.
I love small records. When I say "small record, I think of
Sandy Bull's Fantasias for Guitar and Banjo, Bill Evans trio recordings at the Village Vanguard, Fripp &
Eno's No Pussyfooting, or Thelonius Monk's Solo
Monk. Each of these albums is simple. They're direct.
Making The Saint is a small record too. I didn't belabor it.
The recording and mixing came quickly. I followed my
This album is also a spiritual retreat for me; a healthy and
necessary separation after so many strong collaborations. If you're Sufist, you'd call this khalwa. In Japanese
Zen Buddhism, it's called sesshin. The Santerian process of Asiento requires the initiate to dress in white
garments and avoid physical contact for one year. Like
so many have done before me, I forced myself into a
state of inner solitude to find something new.
I hope you enjoy it, and you experience something similar while listening.
- Chris Schlarb1. Making The Saint
2. Great Receiver
3. The Fear of Death is the Birth of God
4. My Foolish Heart$16.99Vinyl LP - Sealed Buy Now
Limited 180gm vinyl LP pressing of this 1961 release including one bonus track. Explorations, recorded on February 2, 1961, was Bill Evans fourth LP as a leader and the second studio album by the legendary Evans trio with Scott LaFaro and Paul Motian. The Evans-LaFaro-Motian Trio would reach a climax with their June 25, 1961 club recordings at the Village Vanguard in New York. LaFaro would die in a car accident just ten days later, at the age of 25. Evans was so shocked by his bassist's death that he waited a long time before forming a new trio.1. Israel
2. Haunted Heart
3. Beautiful Love
6. How Deep is The Ocean?
7. I Wish I Knew
8. Sweet And Lovely
9. The Boy Next Door*
*Bonus Track$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Waltz For DebbyRecorded live at The Village Vanguard in New York on June 25, 1961, this was the fourth album by the Bill Evans Trio, composed of pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian. Scott LaFaro was one of the supreme jazz bassists, a virtuoso player whose playing changed the very conception of his instrument. This album unfortunately also represents one of LaFaro's last performances, recorded just days before his tragic death at the age of 25 by automobile accident. Interestingly the album also contains tracks that Evans had recorded prior to working with LaFaro, so that this recording provides a very accurate index of the bassist's great contribution to the trio.My Foolish Heart
Waltz For Debby
Some Other Time
Milestones$21.99Vinyl LP Reissue - Sealed Buy Now
Waltz For DebbyImport
Recorded live at The Village Vanguard in New York on June 25, 1961, this was the fourth album by the Bill Evans Trio, composed of pianist Bill Evans, bassist Scott LaFaro, and drummer Paul Motian. Scott LaFaro was one of the supreme jazz bassists, a virtuoso player whose playing changed the very conception of his instrument. This album unfortunately also represents one of LaFaro's last performances, recorded just days before his tragic death at the age of 25 by automobile accident. Interestingly the album also contains tracks that Evans had recorded prior to working with LaFaro, so that this recording provides a very accurate index of the bassist's great contribution to the trio.1. My Foolish Heart
2. Waltz For Debby
3. Detour Ahead
4. My Romance
5. Some Other Time
7. I Loves You Porgy*
*Bonus Track$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Conversations With MyselfThat Bill Evans ventured into overdubbed pianos for this session was in 1963 a historic occasion. Overdubs were seldom in the age of Rudy Van Gelder- and Orrin Keepnews-produced sessions, which were sacrosanct in their on-the-spot nature. But by 1963 it was clear that very, very few people could play the way Evans did. Once he had himself to play along with, it was abundantly clear why he was so singular a musical mind. The melodies here fit together like two sets of fingers making a cradle, and Evans dances the lines, flows them irregularly, and entangles them so as to paint himself into constant binds. Then he escapes the binds, as artfully as he had done on Sunday at the Village Vanguard and Waltz for Debby with the legendary trio of himself, bassist Scott LaFaro, and drummer Paul Motian. This is rightly one of jazz piano's most enchanted recordings. - Andrew Bartlett1. 'Round Midnight
2. How About You?
3. Spartacus Love Theme
4. Blue Monk
5. Stella By Starlight
6. Hey, There
7. N.Y.C.'s No Lark
8. Just You, Just Me
9. Bemsha Swing
10. A Sleepin' Bee$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sunday at The Village Vanguard (Out Of Stock)
Mastered from the Original Master Tapes With Mobile Fidelity's One-Step Process: Sunday at the Village Vanguard UD1S 45RPM Box Set the Ultimate Analog Version of Bill Evans' 1961 Jazz Staple
Deluxe Packaging Includes Opulent Box, Special Jackets and Unique Bonus Artwork: No Expense Spared, Strictly Limited to 3000 Numbered Copies
Gorgeous Romanticism, Seamless Chemistry, Group Interplay, and Symbiotic Trio Performances Forever Changed Jazz: Evans' Live Masterwork Boasts Brilliant Sound, Lyrical Pianism, Magical Feel
The gorgeous romanticism of Bill Evans' Sunday at the Village Vanguard cannot be overstated. Neither can the iconic record's place in history - nor what it signifies to generations upon generations of listeners hypnotized by the consummate playing, resplendent compositions, and seamless chemistry. Originally released in1961, the live set remains the gold standard for symbiotic trio performance, empathy, and communication. Because of Orrin Keepnews' brilliant recording, it also survives as one of the best-sounding jazz albums extant - a fact confirmed by its appearance on multiple reissues over the past few decades. But it's never sounded better than this.
Evans' masterwork reaches three-dimensional sonic and emotional heights never before attained by analog recordings on this opulent Mobile Fidelity UD1S box set complete with special jackets and a unique insert. Strictly numbered to 3000 copies, this ultra-hi-fi audiophile edition literally and figuratively brings you closer to the music of this Riverside staple that, along with the complementary Waltz for Debby, transformed Evans into a legend and became a blueprint for how jazz trios should work together. You'll enjoy deep-black backgrounds, pointillistic details, and staggering dynamics. Experienced via UD1S, Sunday at the Village Vanguard places Evans and his esteemed colleagues in your listening room. Every note, breath, and movement captured by the microphones are reproduced with exquisite accuracy and wowing clarity.
The deluxe packaging and gorgeous presentation of this Sunday at the Village Vanguard pressing befit its extremely select status. Housed in an opulent box, this UD1S edition contains special jackets and unique bonus artwork that further illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this Sunday at the Village Vanguard is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound and creativity, and who desire to fully immerse themselves in the music - and everything involved with the album, from the graphics to the textures.
Recorded just ten days before bassist Scott LaFaro perished in a car accident, Sunday at the Village Vanguard changed the way jazz trios were perceived by audiences and musicians alike. Up until Evans, LaFaro, and drummer Paul Motian proved otherwise, a trio configuration meant two sidemen served as rhythmic support to spotlight the virtuosity of a headline performer or primary soloist. Here, the three instrumentalists operate in complete unison and achieve supreme democratic balance. Expressing their intent via shared conversations, they alight on sublime pieces flush with thematic discovery, improvisational dialog, and raw feeling.
A quest for discovery informs the music as well as the playing. Evans' lyrical pianism met at every turn by LaFaro's chorded responses and harmonic counterpoints. Indeed, Sunday at the Village Vanguard remains LaFaro's standout moment, his soloing helping shape the melodies and striking a keen equilibrium between modality and traditionalism. Joining poignant renditions of Miles Davis, Cole Porter, and Gershwin numbers, two LaFaro originals - Jade Visions and the opening Gloria's Step - further demonstrate his genius. They furnish the album a supernatural aura that matches the jovial mood of the musicians. It's impossible to think this album could be improved in any way. Particularly now that this UD1S pressing brings the Village Vanguard into your room. Prepare to witness history. Again and again.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior:
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
This title is not eligible for discount.1. Gloria's Step
2. My Man's Gone Now
4. Alice in Wonderland
5. All of You
6. Jade Visions$99.99Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock
Bill Evans Riverside Recordings (Box Set) (Out Of Stock)Numbered Edition Pressed On 200-Gram Vinyl By Quality Record Pressings For The First Time!
Here it is: THE Audiophile Jazz Fan's Box Set To End All Box Sets - All Of Bill Evans Riverside Releases Cut at 45 RPM PLUS The Cannonball Adderley Know What I Mean? Release For Which Evans Was Such An Important Contributor.
Of everything Analogue Productions has reissued, nothing has come close in sales or accolades to the 45-RPM versions of Bill Evans titles from his Riverside catalog. And now we've compiled all of them into one irresistible box set package. Includes facsimiles of each original jacket along with an 18-page booklet detailing Evans' career and Riverside era.
Titles Included: New Jazz Conceptions, Everybody Digs Bill Evans, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Moonbeams, Know What I Mean?, Interplay, How My Heart Sings! and At Shelly's Manne-Hole.
Now pressed on 200-gram vinyl at Quality Record Pressings!
This title is not eligible for discount.1. MINORITY (5:20) (Gigi Gryce)
2. YOUNG AND FOOLISH (5:48)(Horwit-Hague)
1. LUCKY TO BE ME (3:35)(Comden, Green-Bernstein)
2. NIGHT AND DAY (7:12)(Cole Porter)
3. EPILOGUE (:38)(Bill Evans)
1. TENDERLY (3:29) (Walter Gross)
2. PEACE PIECE (6:37)(Bill Evans)
1. WHAT IS THERE TO SAY? (4:49)(Harburg-Duke)
2. OLEO (4:04)(Sonny Rollins)
3. EPILOGUE (:38)(Bill Evans)
1. ISRAEL (6:08)(John Carisi)
2. HAUNTED HEART (3:25)(Deitz-Schwartz)
1. BEAUTIFUL LOVE (5:03)(Gillespie-King-Van Alstyne-Young)
2. ELSA (5:05)(Earl Zindars)
1. NARDIS (5:48)(Miles Davis)
2. HOW DEEP IS THE OCEAN? (3:30)(Irving Berlin)
1. I WISH I KNEW (4:39)(Gordon-Warren)
2. SWEET AND LOVELY (5:50)(Arnheim-Tobias-Lemare)
Portrait In Jazz
1. COME RAIN OR COME SHINE (3:17)(Mercer-Arlen)
2. AUTUMN LEAVES (5:22)(Mercer-Kosmo-Prevert)
1. WITCHCRAFT (4:30)(Leigh-Coleman)
2. WHEN I FALL IN LOVE (4:50)(Heyman-Young)
3. PERIï¿½S SCOPE (3:11)(Bill Evans)
1. WHAT IS THIS THING CALLED LOVE? (4:33)(Cole Porter)
2. SPRING IS HERE (5:01)(Rodgers & Hart)
1. SOME DAY MY PRINCE WILL COME (4:48)(Morey-Churchill)
2. BLUE IN GREEN (5:18)(Davis-Evans)
At Shellyï¿½s Manne-Hole, Hollywood
1. ISNï¿½T IT ROMANTIC (4:34)(Rodgers, Hart)
2. THE BOY NEXT DOOR (5:14)(Youmans, Harbach, Greene)
1. WONDER WHY (5:05)(Brodszky, Cahn)
2. SWEDISH PASTRY (5:35)(Barney Kessel)
1. OUR LOVE IS HERE TO STAY (4:41)(G & I Gershwin)
2. ï¿½ROUND MIDNIGHT (8:50)(Monk, Williams)
1. STELLA BY STARLIGHT (4:50)(Young, Washington)
2. BLUES IN ï¿½Fï¿½ (5:05)(Chuck Israels)
How My Heart Sings!
1. HOW MY HEART SINGS (4:56)(Earl Zindars) Zindars Publ. Co.-BMI
2. I SHOULD CARE (4:53)(Cahn-Stordahl-Weston) Cahn Music/Hanover Music/Stordahl Music-ASCAP
1. IN YOUR OWN SWEET WAY (6:57)
(Dave Brubeck) Derry Music Co.-BMI
2. WALKING UP (4:54)
(Bill Evans) TRO-Acorn-BMI
1. SUMMERTIME (5:56)(Gershwin-Heyward-Gershwin) Chappell& Co., Inc./Gershwin Publ.-ASCAP
2. 34 SKIDOO (6:19)(Bill Evans) TRO-Acorn-BMI
1. EVï¿½RYTHING I LOVE (4:11)(Cole Porter) Chappell Music-ASCAP
2. SHOW-TYPE TUNE (4:23)(Bill Evans) TRO-Acorn-BMI
1. YOU AND THE NIGHT AND THE MUSIC (7:03)(Dietz-Schwartz) (ASCAP)
1. WHEN YOU WISH UPON A STAR (5:42)(Washington-Harline) (ASCAP)
2. Iï¿½LL NEVER SMILE AGAIN (6:30)(Ruth Lowe) (ASCAP)
1. INTERPLAY (8:11)(Bill Evans) (BMI)
1. YOU GO TO MY HEAD (5:02)(Gillespie-Coots) (ASCAP)
2. WRAP YOUR TROUBLES IN DREAMS (6:24)(Moll-Koehler-Barris) (ASCAP)
1. RE: PERSON I KNEW (5:42)(Bill Evans) TRO-Acorn-BMI
2. POLKA DOTS AND MOONBEAMS (4:57)(Burke-Van Heusen) Bourne Co./Music Sales Corp.-ASCAP
1. I FALL IN LOVE TOO EASILY (2:39)(Styne-Cahn) SBK Feist Catalog-ASCAP
2. STAIRWAY TO THE STARS (4:48)(Parish-Malneck-Signorelli) SBK Robbins Catalog-ASCAP
1. IF YOU COULD SEE ME NOW (4:24)(Dameron-Sigman) SBK Robbins Catalog-ASCAP
2. IT MIGHT AS WELL BE SPRING (6:03)(Rodgers-Hammerstein) Williamson Music ASCAP
1. IN LOVE IN VAIN (4:56)(Kern-Robin) T.B. Harms, Inc.-ASCAP
2. VERY EARLY (5:04)(Bill Evans) TRO-Acorn-BMI
Waltz for Debby
1. MY FOOLISH HEART (4:56)
2. WALTZ FOR DEBBY (6:54)
1. DETOUR AHEAD (7:35)
1. MY ROMANCE (7:11)
1. SOME OTHER TIME (5:02)
2. MILESTONES (6:37)
Sunday at the Village Vanguard
1. GLORIAï¿½S STEP (6:05)(Scott LaFaro) Orpheum Music-BMI
2. MY MANï¿½S GONE NOW (6:21)(G. & I. Gershwin) Chappell Music-ASCAP
1. SOLAR (8:51)(Miles Davis) Prestige Music-BMI
1. ALICE IN WONDERLAND (8:32)(Fain-Hilliard) Walt Disney Music-ASCAP
1. ALL OF YOU (8:20)(Cole Porter) Chappell Music-ASCAP
2. JADE VISIONS (3:46)(Scott LaFaro) Orpheum Music-BMI
Know What I Mean?
1. WALTZ FOR DEBBY (5:14)
2. GOODBYE (6:12)
1. WHO CARES? (take 5) (5:53)
2. VENICE (2:51)
1. TOY (5:05)
2. ELSA (5:48)
1. NANCY (WITH THE LAUGHING FACE) (4:07)
KNOW WHAT I MEAN? (re-take 7) (4:55)
New Jazz Conceptions
1. I Love You
3. I Got It Bad and That Ain't Good
5. Easy Living
2.Waltz for Debby
5.No Cover, No Minimum$599.99200 Gram Audiophile Virgin Vinyl LP 45 RPM - 22 LPs Sealed Temporarily out of stock
Sunday At The Village Vanguard (Out Of Stock)Import1. Gloria's Step
2. My Man's Gone Now
4. Alice in Wonderland
5. All Of You
6. Jade Visions
7. Jade Visions (alt take) *
*Bonus Track$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock