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Tales from the Crypt Presents: Demon Knight SoundtrackOpaque Green Vinyl - Limited To 750 Copiesl
Wanna hear the soundtrack to Armageddon? This 1995 film starred William Sadler as the Demon Knight, who, along with his new recruit, Jada Pinkett Smith, is charged with fending off The Collector (Billy Zane) and his army of demons from acquiring an ancient relic that is the only thing preventing the complete destruction of the human race. While the flick did meh box office and was panned critically, the soundtrack was easily one of the best of its era and of its kind, an all-star line-up of thrash and heavy metal acts mostly doing otherwise unavailable material (only the track by Pantera appears to have been released prior to the movie). The Pantera, Megadeth, Melvins, and Biohazard entries are particulary good, and the one hip hop tune on the collection, Gravediggaz' "1-800-Murder," is an archetypal "horrorcore" rap song. But perhaps the best tune is "Hey Man Nice Shot" by Filter, an outfit that hadn't released anything prior to this soundtrack. Since this movie came out in 1995, it only came out on LP in Europe; our Real Gone reissue brings it back on opaque green vinyl limited to 750 copies!1. Cemetery Gates
2. Hey Man Nice Shot
3. My Misery (Demon Knight)
5. Instant Larry
6. Fall Guy
9. Tonight We Murder
10. 1-800-Suicide$25.99Colored Vinyl LP - Sealed Buy Now
Lights Camera RevolutionImport
Music On Vinyl are thrilled to unleash the fourth studio album from Venice Beach, L.A. heavyweights Suicidal Tendencies, Lights Camera Revolution (1990).
Album opener and unmistakable anthem You Can't Bring Me Down - S.T.'s rally against vicious rumours and their notorious ban from playing public places in L.A. - sets the tone for the record, with 'Cyco' Mike Muir's lyrics of social commentary handled with intelligence, humour and a punk rock middle-finger. Lights Camera Revolution boasts the line-up now deemed classic. Suicidal's flirtation with the mainstream (complete with obligatory criticism of 'selling-out') went Gold in the US with over half a million copies sold, and to this day remains an essential record in any Metal or Punk collection.
For fans of: Anthrax, Metallica, Biohazard and Black Flag.1. You Can't Bring Me Down
2. Lost Again 488
5. Give It Revolution
6. Get Whacked
7. Send Me Your Money
8. Emotion No. 13
9. Disco's Out, Murder's In
10. Go'n Breakdown$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The 1993 film Judgment Night was basically suburbia's paranoid view of inner-city life, where the slightest misstep (such as trying to take a shortcut to a boxing match) has fateful, if not fatal, consequences. And what better music to accompany this middle-class nightmare than a hybrid of the music suburbanites seemed most afraid of; Rap and Rock. It turned out to be quite a fruitful collaboration; while the film bombed, the soundtrack went gold.
Judgment Night spawned four singles: Biohazard & Onyx's 'Judgment Night', Helmet & House Of Pain's 'Just Another Victim', Teenage Fanclub & De La Soul's 'Fallin'' and Faith No More & Boo-Yaa T.R.I.B.E.'s 'Another Body Murdered', and it also features highly sought after collaboration between Pearl Jam & Cypress Hill. Ice-T and Slayer manage to thrash it out on an unsurpassed level, while Sonic Youth & Cypress Hill have that slightly paranoid sound you get from loving Mary Jane a little too much.
Available on vinyl for the first time since its original release!Side 1
1.Sonic Youth & Cypress Hill - I Love You Mary Jane
2.Biohazard & Onyx - Judgement Night
3.Helmet & House Of Pain - Just Another Victim
4.Living Colour & Run DMC - Me, Myself & My Microphone
5.Slayer & Ice-T - Disorder
6.Dinosaur Jr. & Del Tha Funky Homosapiens - Missing Link
1.Teenage Fanclub & De La Soul - Fallin'
2.Mudhoney & Sir Mix-A-Lot - Freak Momma
3.Faith No More & Boo-Yaa TRIBE - Another Body Murdered
4.Therapy & Fatal - Come And Die
5. Cypress Hill & Pearl Jam - Real Thing$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
180 Gram Audiophile Vinyl
Available On Vinyl For The First Time!
Korn is the eponymous debut studio album by the American Nu-Metal band Korn. It was released in 1994, right after the band toured with Biohazard and House of Pain. The album's themes mainly consisted of both drug and child abuse. Korn was well received by music critics. The band stormed the alternative scene virtually overnight, and is said to have established Nu-Metal.
Bands like Coal Chamber and Limp Bizkit were inspired by the album's rage, emphasising similar grooves and song structures, including some Hip Hop elements. Slipknot, Machine Head, and Sepultura were also inspired by the album. The album launched the career of record producer Ross Robinson, who later produced albums such as Three Dollar Bill, Yall by Limp Bizkit and Slipknot's rst two albums.
A little more than a year after release, the album went Gold in the United States. The album spawned 4 singles; "Blind", followed by "Need To", "Shoots and Ladders" and "Clown". The album has now sold over 10 million copies worldwide and was never before issued on vinyl.LP 1
2. Ball Tongue
3. Need To
7. Shoots & Ladders
4. Helmet in the Bush
5. Daddy$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
WoodstockWell, we're two full months into 2017 and the world continues to burn like an avalanche of flaming biohazard material sliding down a mountain of used needles into a canyon full of rat feces. But hey, it's not all bad: Portugal. The Man has a new album coming out called Woodstock.
PTM's last album came out over three years ago-a long gap for a band who've dropped roughly an album a year since 2006. And in true, prolific band fashion, they've spent almost every minute since 2013 working on an album called Gloomin + Doomin. They created a shit-ton of individual songs, but as a whole, none of them hung together in a way that felt right. Then John Gourley, PTM's lead singer, made a trip home to Wasilla, Alaska, (Home of Portugal. The Man's biggest fan, Sarah Palin) and two things happened that completely changed the album's trajectory.
First, John got some parental tough love from his old man, who called John on the proverbial carpet or dogsled or whatever you put people on when you want to yell at them in Alaska. What's taking so long to finish the album? John's dad said. Isn't that what bands do? Write songs and then put them out? Like fathers and unlicensed therapists tend to do, John's dad cut him deep. The whole thing started John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and, more importantly, about how to get off of it.
Second, fate stuck its wiener in John's ear again when he found his dad's ticket stub from the original 1969 Woodstock music festival. It seems like a small thing, but talking to his dad about Woodstock '69 knocked something loose in John's head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them. With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and they threw it out.
It wasn't easy and there was the constant threat that the band's record label might have them killed, but the totally insane decision paid off. With new, full-on, musical boners, the band went back to the studio-working with John Hill (In The Mountain In The Cloud), Danger Mouse (Evil Friends), Mike D (Everything Cool), and longtime collaborator Casey Bates (The one consistent producer since the first record). In this new-found creative territory, the album that became Woodstock rolled out naturally from there
Remember that mountain of burning needles we were talking about? Good. Because Woodstock is an album (Including the new single Feel It Still) that-with optimism and heart-points at the giant pile and says, Hey, this pile is fucked up! And if you think that pile is fucked up too, you owe it to yourself-hell, to all of us-to get out there and do something about it.1. Number One
2. Easy Tiger
3. Live In The Moment
4. Feel It Still
5. Rich Friends
6. Keep On
7. So Young (feat. Fat Lip)
8. Mr. Lonely
9. Tidal Wave
10. Noise Pollution (feat. Mary Elizabeth Winstead & Zoe Mannville)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Contagion SoundtrackPressed On Limited Gold And Red "Biohazard" Starburst Vinyl
Limited To 1200 Copies
Former Red Hot Chili Peppers drummer Cliff Martinez's long-standing collaboration with director Steven Soderbergh ranks right up there with some of the other great composer-director teams in film history, like Bernard Herrmann-Alfred Hitchcock and Ennio Morricone-Sergio Leone, and his 2011 score for the disaster blockbuster Contagion is among his best work. Oddly, it owes some of its uniqueness to the fact that Soderbergh radically recut the film three different times, causing Martinez to adjust the score on the fly, first starting with a more conventional score indebted to thrillers like Marathon Man and The French Connection, then moving in a more dream-like, Tangerine Dream direction, before settling on a sound that incorporated orchestral and electronic timbres into highly propulsive and rhythmic framework. It's like the most chilling "chill-out" electronica you've ever heard, simultaneously hypnotic and horrifying and for its first-ever vinyl release, we at Real Gone Music have fashioned a gatefold album cover featuring film production stills housing a limited gold and red "biohazard" starburst vinyl edition limited to 1200 copies. Between the look of the package and the disquieting music, this one's guaranteed to get you to sign up for a flu shot.1. They're Calling My Flight
2. Chrysanthemum Complex
4. Move Away from the Table
5. The Birds Are Doing That
6. Get Off the Bus
7. 100 Doses
8. Affected Cities
9. Bad Day to Be a Rhesus Monkey
10. I'm Sick
11. Get Us to the Front of the Line
12. Don't Tell Anyone
14. It's Mutated
15. Merry Christmas
16. They Didn't Touch Me
17. There's Nothing in There
19. Bat & Pig
20. Contagion$28.99Colored Vinyl LP - Sealed Buy Now
And Hell Will Follow MeIncludes CD
A Pale Horse Named Death is the brainchild of Brooklyn, NY native Sal Abruscato, and sounds like Alice in Chains mysteriously sneaking up behind Type O Negative with a butcher knife while being filmed for a future episode of Law & Order. Sals partner in crime on And Hell Will Follow Me is Matt Brown, sound engineer extraordinaire and guitarist of fellow NY band Seventh Void.
The chemistry between me and Matt is unique and flawless, very rare in todays music. We are the murdering evil version of Lennon and McCartney. says Abruscato. Brown adds, Sal asked me if I would help to take these songs to the next level. I took on this project for my friend, to find some closure in rough times. The music is just an extension of our friendship and our passion for creativity.
The album artwork was done by Sam Shearon aka Mr. Sam, who has previously done work for Rob Zombie, Fear Factory and Cradle of Filth to name a few, and features a 20 page booklet with artwork for each individual song. Additionally, the Double LP version will feature a never before heard bonus track called Pick Up Truck.
To top that all off, Life of Agonys Keith Caputo lent background vocals to four tracks and Lou Reeds saxophonist Ulrich Krieger guests on Die Alone. Bobby Hambel from Biohazard, who also plays with the band live, played the guitar leads on three tunes.1. And Hell Will Follow Me
2. As Black As My Heart
3. To Die In Your Arms
4. Heroin Train
5. Devil in The Closet
6. Cracks in the Walls
7. Bad Dream
8. Bath In My Blood (Schizophrenia In Me)
9. Pill Head
10. Meet The Wolf
11. Serial Killer
12. Pickup Truck (Bonus Track)
13. When Crows Descend Upon You
14. Die Alone$22.99Vinyl LP - 2LPs Sealed Buy Now