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  • The First Born Is Dead The First Born Is Dead Quick View

    $22.99
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    The First Born Is Dead

    The blues had long been a potent undercurrent in the Birthday Party's music, so it wasn't all that surprising that Nick Cave embraced the sound and feeling of rural blues on his second album with the Bad Seeds, The Firstborn Is Dead. What was startling was how well Cave and his bandmates -- Barry Adamson, Mick Harvey, and Blixa Bargeld -- were able to absorb and honor the influences of artists like Skip James and Charley Patton while creating a sound that was unmistakably their own. The moody obsessions of rural blues -- trains, floods, imprisonment, sin, fear, and death -- seemed made to order for Cave, and he was able to tap into the doomy iconography of this music with potent emotional force; on Tupelo, he makes a sweeping and disturbing epic of the rain-swept night when Elvis Presley was born, and Knocking on Joe is a tale of life on the work gang that communicates the pain of the spirit as clearly as the ache of the body. Also, the blues helped transform Cave's music as well as his lyrics; the brutal sonic pummel of the Birthday Party here gave way to a more subtle and dynamic approach that still made effective use of dissonance and bare-wired electric guitar noise while proving the balance of loud and soft only made each side deeper and more resonant. (The stark, barely there guitar and drums of Blind Lemon Jefferson are as startling and malignantly fascinating as anything in the Birthday Party's catalog.) The Firstborn Is Dead proved Nick Cave's musical palate was significantly broader than his debut album suggested and pointed to a path (channeling the sounds and emotions of American roots music) he would return to on many of his albums that followed.

    - Mark Deming (All Music)
    1. Tupelo
    2. Say Goodbye To The Little Girl Tree
    3. Train Long Suffering
    4. Black Crow King
    5. Knockin' On Joe
    6. Wanted Man
    7. Blind Lemon Jefferson
    Nick Cave And The Bad Seeds
    $22.99
    Vinyl LP - Sealed Buy Now
  • From Her To Eternity From Her To Eternity Quick View

    $22.99
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    From Her To Eternity

    Nick Cave launched his solo career in style with From Her to Eternity, an accomplished album mixing the frenzy and power of his Birthday Party days with a dank, moody atmosphere that showed he was not interested in simply continuing what the older group had done. To be sure, Mick Harvey joined him from the Party days, as ever playing a variety of instruments, while one-time Party guest Blixa Bargeld now became a permanent Cave partner, splitting his time between the Bad Seeds and Einsturzende Neubaten ever since. The group took wing with a harrowing version of Leonard Cohen's Avalanche, Cave's wracked, buried tones suiting the Canadian legend's words perfectly, and never looked back. From Her to Eternity is crammed with any number of doom-laden songs, with Cave the understandable center of attention, his commanding vocals turning the blues and rural music into theatrical exhibitionism unmatched since Jim Morrison stalked stages. Songs like Cabin Fever, with its steadily paced drumming and relentless piano line, and the more restrained and moody The Moon Is in the Gutter sound like cabarets in hell. In the Ghetto, already perfectly suited to such a treatment, shows the underlying sense of beauty that defines the Seeds as much as drama. Even though it's a Presley cover, the sense of Scott Walker's influence isn't far away at all. The title track is and remains a Bad Seeds classic, played at shows up through the present, a tense piano/organ beginning then accompanied by the edgy build of the band, pounding drums, stabbing feedback and keyboard parts and more.

    - Ned Raggett (All Music)
    1. Avalanche
    2. Cabin Fever!
    3. Well Of Misery
    4. From Her To Eternity
    5. Saint Huck
    6. Wings Off Flies
    7. A Box For Black Paul
    Nick Cave And The Bad Seeds
    $22.99
    Vinyl LP - Sealed Buy Now
  • Live 81-82 Live 81-82 Quick View

    $24.99
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    Live 81-82

    Few bands were as cataclysmic, chaotic, and iconoclastic as Australia's Birthday Party. And while they spawned a few imitators (most notably Bogshead, Scratch Acid, and the short-lived batcave movement), their fractured sound and aura of wickedness were so far removed from the norm of early-'80s rock music that no group even came close to duplicating their murderous persona and manic, driving racket.


    Live 1981-82 collects 17 tracks from concerts in London, Germany, and Greece, and for a band whose music seemed to cling to sanity by the most delicate of threads, these recordings are surprisingly coherent and faithful to the album versions.


    Taking into account the barrage of feedback, the pile-driving bass, and singer Nick Cave's howling, the sound is also quite good (the only exception being the single cut from Greece, a cover of the Stooges Funhouse).


    As for the performances, the band is in excellent form. Cave delivers the songs with conviction and energy, punctuating them with his startling vocabulary of shiver-inducing screams, grunts, snorts, groans, and growls. Considering the schizophrenia that was so much a part of the band's music, Cave's ability to convincingly deliver his gut-wrenching angst is nothing short of remarkable.


    While Cave's Manson-meets-Morrison persona drew most of the attention, it was the Birthday Party's ability to swing--hard--that put them over the top. Drummer Phil Calvert is a beacon in the sea of chaos as guitarists Mick Harvey and Roland S. Howard disembowel their guitars, blasting shards of jazz and blues across the horizon. The late bassist Tracy Pew is the real revelation. Rock solid and never missing a beat, Pew emerges as the constant amidst the wreckage, providing the rich base from which these bad seeds sprung.


    Live 1981-81 is a near-perfect document of one of rock's most extreme, creative, and dangerous forces.


    -S. Duda

    1. Junkyard

    2. A Dead Song

    3. The Dim Locator

    4. Zoo - Music - Girl

    5. Nick The Stripper

    6. Blast Off!

    7. Release The Bats

    8. Bully Bones

    9. King Ink

    10. (Sometimes) Pleasure Heads Must Burn

    11. Big - Jesus - Trash - Can

    12. Dead Joe

    13. The Friend Catcher

    14. 6 Gold Blade

    15. Hamlet (Pow, Pow, Pow)

    16. She's Hit

    17. Funhouse
    The Birthday Party
    $24.99
    Vinyl LP - Sealed Buy Now
  • Junkyard (200 Gram Vinyl) (Discontinued) Junkyard (200 Gram Vinyl) (Discontinued) Quick View

    $33.99
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    Junkyard (200 Gram Vinyl) (Discontinued)


    Limited Foil-Numbered Edition Of 1,500 200-Gram Black Vinyl Manufactured For Pristine Sound At Quality Record Pressings


    Mastered For Vinyl By Kevin Gray At Cohearent Audio


    Faithful, Updated Rendering Of Original Art Printed At Stoughton Printing


    Comes In Japanese-Style Resealable Poly Bag


    The Birthday Party's final full-length
    studio album Junkyard, is some of the most
    influential music to come out of the postpunk
    renaissance of the early 1980's. The
    minimal, incessant melodies laced with
    anarchic noise create an incomparable
    musical experience that heralded the
    careers of Nick Cave, Rowland S. Howard,
    Mick Harvey, and Tracy Pew.

    1. She's Hit
    2. Dead Joe
    3. The Dim Locator
    4. Hamlet (Pow, Pow, Pow)
    5. Several Sins
    6. Big-Jesus-Trash-Can
    7. Kiss Me Black
    8. 6" Gold Blade
    9. Kewpie Doll
    10. Junkyard
    The Birthday Party
    $33.99
    200 Gram Audiophile Virgin Vinyl LP Buy Now
  • Pop Crimes Pop Crimes Quick View

    $17.99
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    Pop Crimes

    Rowland S. Howard started playing in teenage bands in late
    70s Melbourne. Whilst still a callow youth he wrote "Shivers," an
    undisputed classic, (quietly ignoring the fact that Rowland perhaps
    doesn't see it that way and approaches the song as if it was written
    by someone else). The song was recorded by his band The Boys Next
    Door who mutated into the Birthday Party and then relocated to
    Europe to wage a guerrilla campaign against the trivialities of the
    80s, until they turned their fire upon themselves and disintegrated
    mid-decade.


    Whilst his former associates have moved on to weekend colour
    supplement acceptability, Rowland has commonly been perceived
    as the banished wastrel prince... exiled to a squalid garret on the
    colder edges of the kingdom, accompanied only by his dreams and
    inclinations. His demeanour (pale, gaunt, stick thin, sickly, dark
    humoured, fatalistic) has perhaps inadvertently added far too much
    credence to this interpretation of events. The shadow of this myth
    has seemingly obscured the sheer volume of his creativity and the
    singularity of his musical vision.


    Always respected by his peers, a scan through Rowland's
    catalogue of work sees him allied with the likes of Lydia Lunch,
    Thurston Moore, Wim Wenders, Barry Adamson, The Gun Club, Nikki
    Sudden, the Beasts Of Bourbon, the Hungry Ghosts and HTRK.
    Rowland's own ensemble These Immortal Souls gun their engines
    in the ill-lit background and the legacy of his work with The Birthday
    Party scores the skin of successive generations of musicians and
    fans.


    But it's a history Rowland would gleefully put a match to. With or
    without it Rowland S. Howard would make tense, beautiful music,
    would deliver us his personal vision of the world, would create Pop
    Crimes.


    Long-time faithful friends Mick Harvey (who played with Rowland
    for over 30 years), JP Shilo (Hungry Ghosts) and producer Lindsay
    Gravina make for a formidable backline. Out front the guitar playing
    couldn't be any one else but Rowland S Howard and his weary,
    almost journalistic vocal delivery dispassionately sits amidst the
    sweaty panic of the music, adding to the ill ease.


    The band lurch in to Pop Crimes as if dragging a rain soaked body
    across a muddy field. The ghosts of Lee Hazlewood, Snatch, Sergio
    Leone, The Shangri-Las and nameless guys from a never known chain
    gang watch on. Within the first few breaths Rowland references
    Stalin, Calvary and genocide, whilst razoring guitar lines the current
    crop of post-punk revisionists could only fantasize about.


    "Shut Me Down" is Rowland at his most romantic, though
    inevitably it's shot through with loss and longing. If only Dusty
    Springfield were alive to revel in its drama. Talk Talk's 'Life's What
    You Make It' is re-imagined as if it had risen from the grind of a
    Detroit auto plant's assembly line. '(I Know) A Girl Called Johnny'
    sees Jonnine D from HTRK sidle up to the microphone for a duet
    that will melt even the coldest of hearts. It's a glorious missing link
    between the New York girl group sound and the street smarts of
    Suicide. Townes Van Zandt's "Nothin" is given a chilling tenement
    building transformation. "Wayward Man" has the band wailing like
    alarm sirens before Rowland emerges at his most contemplative
    with the gorgeous, fragile build of "Ave Maria." Final track "The
    Golden Age Of Bloodshed" takes the album out on a swaggering,
    swashbuckling epic, with salvation slipping through the narrator's
    fingers.

    1. (I Know) A Girl Called Jonny
    2. Shut Me Down
    3. Life's What You Make It
    4. Pop Crimes
    5. Nothin '
    6. Wayward Man
    7. Ave Maria
    8. The Golden Age Of Bloodshed
    Rowland S. Howard
    $17.99
    Vinyl LP - Sealed Buy Now
  • The Transcendental Waterfall The Transcendental Waterfall Quick View

    $124.99
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    The Transcendental Waterfall

    The Transcendental Waterfall: Guitar Excursions 1959-1967 is a 6-LP box set drawing from John Faheys best, and most influential, period. Included in the set are Blind Joe Death, Death Chants, Breakdowns, And Military Waltzes, The Dance of Death and Other Plantation Favorites, The Great San Bernardino Birthday Party, The Transfiguration of Blind Joe Death, and Days Have Gone By, all reissued on 180 gram vinyl with deluxe tip-on jackets.


    Also included are a t-shirt, poster, and a postcard, all of which are housed in a deluxe box with stunning graphic design. An amazing package featuring some of the most important guitar solo recordings of the 20th century.

    Blind Joe Death
    1. West Coast Blues (Blind Blake)
    2. St. Louise Blues (W.C. Handy)
    3. I'm A Poor Boy A Long Way From Home (Barbecue Bob)
    4. Uncloudy Day (Josiah Kelley Alwood)
    5. John Henry (Traditional)
    6. In Christ There Is No East or West (Episcopal Hymn)
    7. The Transcendental Waterfall
    8. Desperate Man Blues
    9. Sun Gonna Shine In My Back Door Someday Blues
    10. Sligo River Blues
    11. On Doing AN Evil Deed Blues


    Death Chants, Breakdowns and Military Waltzes
    1. Sunflower River Blues
    2. When the Springtime Comes Again
    3. Stomping Tonight On the Pennsylvania/Alabama Border
    4. Some Summer Day
    5. On the Beach at Waikiki
    6. Spanish Dance
    7. The Downfall of the Adelphi Rolling Grist Mill
    8. John Henry Variations
    9. Take A Look At That Baby
    10. Dance of the Inhabitants of the Palace of King Phillip XIV
    11. America
    12. Episcopal Hymn


    The Dance of Death and Other Plantation Favorites
    1. Wine and Roses
    2. How Long
    3. On the Banks of the Owchita
    4. Worried Blues
    5. What the Sun Said
    6. Revelation on the Banks of the Pawtuxent
    7. Poor Boy
    8. Variations on the Coocoo
    9. The Last Steam Engine Train
    10. Give Me Corn Bread When I'm Hungry
    11. Dance of Death


    The Great San Bernardino Birthday Party
    1. The Great San Bernardino Birthday Party
    2. Knott's Berry Farm Molly
    3. Will the Circle Be Unbroken (traditional)
    4. Guitar Excursions Into the Unknown
    5. 900 Miles (traditional)
    6. Sail Away Ladies (traditional)
    7. Oh Come, Oh Come Emanuel (traditional)


    The Transfiguration of Blind Joe Death
    1. Beautiful Linda Getchell
    2. Orinda-Moraga
    3. I Am the Resurrection
    4. On the Sunny Side of the Ocean
    5. Tell Her to Come Back Home
    6. My Station Will Be Changed After Awhile
    7. 101 Is A Hard Road to Travel
    8. How Green Was My Valley
    9. Bicycle Built For Two
    10. The Death of the Clayton Peacock
    11. Brenda's Blues
    12. Old Southern Medley
    13. Come Back Baby
    14. Poor Boy
    15. Saint Patrick's Hymn


    Days Have Gone By
    1. The Revolt of the Dyke Brigade
    2. Impressions of Susan
    3. Joe Kirby Blues
    4. Night Train of Valhalla
    5. The Portland Cement Factory
    6. A Raga Called Pat, Pt. 1
    7. A Raga Called Pat, Pt. 2
    8. My Shepherd Will Supply My Needs
    9. My Grandfather's Clock
    10. Days Have Gone By
    11. We Would Be Building (Sibelius)

    John Fahey
    $124.99
    180 Gram Audiophile Virgin Vinyl LP - 6 LPs Sealed Buy Now
  • The Captain's Birthday Party The Captain's Birthday Party Quick View

    $32.99
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    The Captain's Birthday Party

    Pressed On 140 Gram Audiophile Virgin Vinyl


    Recorded In November Of 1977 At The Roundhouse In London And Originally Released In June Of 1986


    The Captain's Birthday Party is a live recording by The Damned. It was recorded in November 1977 at The Roundhouse in London and originally released in June 1986. It is now available again through Let Them Eat Vinyl and for the first time on deluxe gatefold vinyl format.

    1. You Take My Money
    2. Creep (You Can't Fool Me)
    3. Fan Club

    4. Problem Child

    5. So Messed Up

    6. New Rose

    7. Feel Alright
    8. Born To Kill
    The Damned
    $32.99
    140 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Great San Bernardino Birthday Party The Great San Bernardino Birthday Party Quick View

    $21.99
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    The Great San Bernardino Birthday Party

    Originally released in 1966. Fahey's never recorded an album that was more thoroughly of its moment. From the groovy flute and twangy sitar accompaniment to the backwards guitar, this Birthday Party is a charmingly trippy 60s time capsule. But it isn't a two dimensional one. The album gains immense depth from the tension between his sweeping, fingerpicked melodies and discordant string-battery. It's the audible battle between yearned for rose colored luminescence and ankle blistering hellhound darkness that enables this record to transcend its hippie dreaminess.
    1. The Great San Bernardino Birthday Party
    2. Knott's Berry Farm Molly
    3. Will the Circle Be Unbroken (Traditional)
    4. Guitar Excursions into the Unknown
    5. 900 Miles (Traditional)
    6. Sail Away Ladies (Traditional)
    7. Oh Come, Oh Come Emanuel
    John Fahey
    $21.99
    Vinyl LP - Sealed Buy Now
  • Coconuts Coconuts Quick View

    $13.99
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    Coconuts

    Words that come to mind while listening to Coconuts debut album: ugliness, despair, un-marketability. Theirs is a sound rooted in inherent darkness, influenced by early-80's post-punk, no wave (fellow Australians The Birthday Party come to mind) and the bleakest of world-views. It's an almost disorienting experience, created by homemade guitars that seem to leak feedback, built by founding members Tim Evans and Jordan Redaelli (the aforementioned Australians). The duo met up with pacific-northwesterner Daniel Mitha in New York City, whose primitive drumming completed the group.
    Side One

    1. Don't Take My Coconuts

    2. Naughty Boy

    3. Maladie D'Amour

    4. Ticket To The Tropics

    5. Indiscreet

     

    Side Two

    1. Kriminal-Tango

    2. Did You Have ToLove Me Like You Did

    3. If I Only Had A Brain

    4. The Glory That Was Eden
    Coconuts
    $13.99
    Vinyl LP - Sealed Buy Now
  • Howlin' Gang Howlin' Gang Quick View

    $16.99
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    Howlin' Gang

    Slug Guts hail from the baron, heat stricken confines of Brisbane, Australia, a town as desolate as it is depressing and suburban. Slug Guts began when four degenerates had little else to do but form a band in the tradition of Pussy Galore, X (Australia not LA), and Birthday Party. In the first four months of the band Slug Guts recorded their first LP Down on the Meat which was released on Stained Circles Records (Jay Reatard, Eddy Current Suppression Ring, Dirtbombs). Slug Guts will embark on their first US tour in March of 2011 including the Sacred Bones showcase at SXSW.


    Making their intentions clear with the bleak opener Howlin, Slug Guts take an intentionally crude and nihilistic approach to Howlin' Gang. Like their Australian heroes the Birthday Party, they concentrate on the dark, fractured end of post-punk, riddling the 13 songs with tom-heavy, oil-can percussion, jagged guitar chords, meaty basslines, and snarling baritone vocals. Because the album was recorded with little overdubbing, in only a week, empty space plays a big part to give the feel of a band playing live in an open warehouse. The slow and sleazy pseudo-ballads Down in the Mornin' Sun and Angie (not the Rolling Stones tune) fill the void, with guest vocalists Angela Bermuda of Circle Pit and Sarah Spencer of Blank Realm. Otherwise, it's sleazy, cacophonous bashing for the majority of the generally disturbing, and immensely satisfying, remainder. - Jason Lymangrover

    1. Howlin'
    2. Cold Bones
    3. Chrome Crucifix
    4. Praggin' the Cowboy
    5. Hangin' In the Pisser
    6. Down In the Mornin' Sun
    7. Ma
    8. Town Tied
    9. Spring Hill Lair
    10. White Cross
    11. Wild Country
    12. Down In the Hole
    13. Angie
    Slug Guts
    $16.99
    Vinyl LP - Sealed Buy Now
  • Four (Acts Of Love) Four (Acts Of Love) Quick View

    $20.99
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    Four (Acts Of Love)

    Mick Harvey is pleased to announced details for his latest solo album, FOUR (Acts of Love), a follow up to 2011's Sketches from the Book of the Dead, due out via Mute on June 11th, 2013.


    This is the sixth studio album from this prolific musician, a man renowned for his career with The Birthday Party and Nick Cave & The Bad Seeds as well as for his work with soundtracks (Chopper, To Have And To Hold, Australian Rules). In addition to his solo recordings and his feature length soundtracks his work as a Producer also speaks for itself having worked with Anita Lane, Rowland S Howard and most recently PJ Harvey's Mercury Prize winning album, Let England Shake.


    FOUR (Acts of Love) was recorded on two continents at Grace Lane in North Melbourne and Atlantis Sound in Melbourne and features original compositions from Harvey in addition to exciting re-interpreatations of classic hits. Regular


    collaborators Rosie Westbrook on double bass and JP Shilo on guitar and violin lent their talent, alongside new collaborators such as PJ Harvey "Glorious."


    Harvey takes a turn at revisiting classics such as The Saints 'The Story of Love', Van Morrison's 'The Way Young Lovers Do', Exuma's 'Summertime in New York' and Roy Orbison's 'Wild Hearts (Run Out of Time)'.


    FOUR (Acts of Love) is a contemplation on romantic love - its loss and re-awakening, its tumultuous struggle and its place in our universe.


    The album is a song cycle, divided into 3 Acts.

    Act 1 - SUMMERTIME IN NEW YORK

    1. Praise the Earth (Wheels of Amber and Gold)

    2. Glorious

    3. Midnight on the Ramparts

    4. Summertime in New York

    5. Where There's Smoke (before)


    Act 2 - THE STORY OF LOVE

    6. God Made the Hammer

    7. I Wish That I Were Stone

    8. The Way Young Lovers Do

    9. A Drop, An Ocean

    10. The Story of Love


    Act 3 - WILD HEARTS RUN OUT OF TIME

    11. Where There's Smoke (after)

    12. Wild Hearts

    13. Fairy Dust

    14. Praise the Earth (An Ephemeral Play)

    Mick Harvey
    $20.99
    Vinyl LP - Sealed Buy Now
  • A Decade Of Delain - Live At Paradiso A Decade Of Delain - Live At Paradiso Quick View

    $26.99
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    A Decade Of Delain - Live At Paradiso

    Symphonic Metal institution DELAIN are celebrating their tenth anniversary! Their first live album Decade Of Delain - Live at Paradiso is a splendid, three LP-set fueled by some seriously incredible highlights. Naturally, hits like Suckerpunch and We Are The Others find their place in the track listing, as well as the beast of an opener Hands Of Gold, which features Arch Enemy's Alissa White-Gluz in what amounts to an epic duet. Flawless chants and solo guitars lift this live record to a monumental state. Charlotte Wessels and her operatic singing and the Pink Floyd-vibe of the guitars will elicit a visceral reaction, leaving you covered in goosebumps. Additionally, Fear Factory frontman Burton C. Bell features on Where Is The Blood in another standout track. DELAIN also invited an unforgettable guest to their birthday party - you'll find the sound of the bassists Rob van der Loo of EPICA and Marco Hietala of NIGHTWISH as well as Liv Kristine - formerly of LEAVE'S EYES - on the second half of this double album. It's truly a special moment, celebrated with their musical friends and their fans.
    LP 1
    1. The Monarch Intro
    2. Hands Of Gold (feat. Alissa White-Gluz)
    3. Suckerpunch
    4. The Glory And The Scum
    5. Get The Devil Out Of Me
    6. Army Of Dolls
    7. The Hurricane
    8. April Rain
    9. Where Is The Blood (feat. Burton C. Bell)


    LP 2
    1. Here Come The Vultures
    2. Fire With Fire
    3. The Tragedy Of The Commons (feat. Alissa White-Gluz)
    4. Danse Macabre
    5. Sleepwalkers Dream (feat. Rob van der Loo, Sander Zoer, Guus Eikens)
    6. Your Body Is A Battleground (feat. Marco Hietala)
    7. Stay Forever
    8. See Me In Shadow (feat. Liv Kristine, Elianne Anemaat)


    LP 3
    1. The Gathering
    2. Pristine (feat. George Oosthoek)
    3. Mother Machine
    4. Sing To Me (feat. Marco Hietala)
    5. Don't Let Go
    6. We Are The Others

    Delain
    $26.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Born Villain Born Villain Quick View

    $24.99
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    Born Villain

    Born Villain is the eighth studio album from the always controversial artist Marilyn Manson, to be released in a joint venture between his own label Hell, etc. and Cooking Vinyl. Manson described the release as more romantic yet self-abusive and featuring a sound he dubs suicide death metal. All the Manson benchmarks are once again here including dark, sinister vocals, throbbing rhythms and heavy, thrashing guitars not to mention some punk rock fervor thrown in for good measure. Includes the rhythmic lead single No Reflection.


    The new record put simply has the ambition and determination of how I started making music in the first place, Manson says. It sounds like the first record in that it's not afraid to do anything. I had to remove myself from my lifestyle and start fresh. It doesn't really sound like any of my old records. In fact it sort of sounds like what I listened to before I made records; Killing Joke, Joy Division, Revolting Cocks, Bauhaus, Birthday Party. It's very rhythm-driven. I think this will probably be the grandest concept record of all.

    LP1
    1. Hey Cruel World...
    2. No Reflection
    3. Pistol Whipped
    4. Overneath The Path Of Misery
    5. Slo Mo Tion
    6. The Gardener
    7. The Flowers Of Evil


    LP2
    8. Children Of Cain
    9. Disengaged
    10. Lay Down Your Goddamn Arms
    11. Murders Are Getting Prettier Every Day
    12. Born Villain
    13. Breaking The Same Old Ground

    Marilyn Manson
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Delirium Tremens Delirium Tremens Quick View

    $20.99
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    Delirium Tremens

    Delirium Tremens Is The Third Collection Of
    Serge Gainsbourg Reinterpretations By Mick
    Harvey


    It was a mixtape made by a Frenchman and handed to Mick
    Harvey (Bad Seeds, The Birthday Party, Crime & The City
    Solution) in reunified Berlin that first alerted him to the oeuvre
    of Serge Gainsbourg.


    Like the rest of us, he'd heard 'Je T'aime (Moi Non Plus)',
    but the variety and depth of Gainsbourg's genius took him
    aback - so much so that he set about fastidiously translating
    the lyrics into English and disseminating the chansons to the
    anglophone world with a missionary zeal. The scope of the
    project he undertook was breathtaking.


    Mick Harvey explains, "Translating a great writer is like
    walking through a minefield and I set myself the difficult
    task of attempting to keep the places of rhyming, metre and
    meaning accurate to the originals. One or more of these
    elements is usually dispensed with in the translating of poetry
    and lyrics, but I did not want to iron out any of Gainbourg's
    more aberrant angles or lose any of his especially perverse
    and peculair touches."

    1. The Man With The Cabbage Head (L'homme à Tête De Chou)
    2. Deadly Tedium (Ce Mortel Ennui)
    3. Coffee Colour (Couleur Cafe)
    4. The Convict's Song (Chanson de Forçat)
    5. SS C'est Bon (Est-ce Est-ce Si Bon)
    6. I Envisage (J'envisage)
    7. A Day Like Any Other (Un Jour Comme Un Autre)
    8. A Violent Poison That's What Love Is (Un Poison Violent C'est Ça
    L'amour)
    9. More and More, Less and Less (De Plus en Plus De Moins en
    Moins)
    10. Don't Say a Thing (Ne Dis Rien)
    11. Boomerang
    12. The Decadance (La Decadanse)
    Mick Harvey
    $20.99
    Vinyl LP - Sealed Buy Now
  • Kicking Against The Pricks Kicking Against The Pricks Quick View

    $22.99
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    Kicking Against The Pricks

    Besides being noteworthy as an astonishingly good all-covers album, Kicking Against the Pricks is notable for the arrival of a new key member for the Seeds, drummer Thomas Wydler. Besides being a fine percussionist, able to perform at both the explosive and restrained levels Cave requires, Wydler also allowed Harvey to concentrate on adding guitar and keyboards live as well as in the studio, a notable bonus. Race reappears briefly to add some guitar while former Birthday Party cohorts Rowland Howard and Tracy Pew guest as well, the latter on some of his last tracks before his untimely death. The selection of songs is quite impressive, ranging from old standards like Long Black Veil to everything from John Lee Hooker's I'm Gonna Kill That Woman and Gene Pitney's pop aria Something's Gotten Hold of My Heart. Matching the range of material, the Seeds are well on their way to becoming the rock/cabaret/blues showband of Cave's dreams, able to conjure up haunting, winsome atmospheres (Sleeping Annaleah) as much as higher-volume takes (Roy Orbison's Running Scared, the Velvet Underground's All Tomorrow's Parties). The version of Leadbelly's Black Betty is particularly grand, Harvey's drumming driving the track with ominous power. This said, often holding everything back is the key, as the creepout build of Hey Joe demonstrates. Even more striking is how Cave's own vocals rebut the charges that all he ever does is overdramatize everything he sings -- consider the husky, purring delivery on Johnny Cash's The Singer. Other winners include a masterful version of Jimmy Webb's By the Time I Get to Phoenix and the stately, album-closing The Carnival Is Over, originally a mid-'60s hit for the Seekers.

    - Ned Raggett (All Music)
    1. Muddy Water
    2. I'm Gonna Kill That Woman
    3. Sleeping Annaleah
    4. Long Black Veil
    5. Hey Joe
    6. The Singer (a.k.a. The Folksinger)
    7. All Tomorrow's Parties
    8. By the Time I Get to Phoenix
    9. The Hammer Song
    10. Something's Gotten Hold of My Heart
    11. Jesus Met the Woman at the Well
    12. The Carnival Is Over
    Nick Cave And The Bad Seeds
    $22.99
    Vinyl LP - Sealed Buy Now
  • Murder Ballads Murder Ballads Quick View

    $24.99
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    Murder Ballads

    Nick Cave's been writing songs about killing and other evil things since he first surfaced in 1980 as the Birthday Party's pale, skinny, goth-punk Jim Morrison. But the murder ballads that provide this set's title are different, tantalizingly deliberate. Sure, there's plenty of trademark Cave here, but Murder Ballads is a fascinating concept album that uses the narrative ballad form of the English folk tradition to tell of murder: random deaths, passion crimes, and killing sprees, all in one package. Cave clearly thrives in this genre, and he produces some of his sharpest and most facile writing to date. Song of Joy, a genuinely scary campfire mystery of a murdered family and an unnamed killer, chillingly weaves clues into the lyrics, while Where the Wild Roses Grow is a narrative duet in which killer (Cave) and victim (pop star Kylie Minogue) reveal parallel tales. Cave even shows his knack for adaptation on Bob Dylan's Death Is Not the End: he recontextualizes a song of heavenly comfort into a sort of zombie We Are the World (featuring Minogue, PJ Harvey, Shane MacGowan, and others) in which death is not the end of pain and suffering. Above all, Murder Ballads should be heard as a work of pulp fiction--as sensationally funny as it is harrowing. The already violent traditional song Stagger Lee becomes gangsta folk, so ridiculously packed with obscenity and brutality it would make the Geto Boys cringe. And Cave's (unintentional?) point to would-be censors--that bad-ass songs existed long before rappers polluted the airways--should not be missed. --Roni Sarig
    1. Song Of Joy
    2. Stagger Lee
    3. Henry Lee
    4. Lovely Creature
    5. Where The Wild Roses Grow
    6. The Curse Of Millhaven
    7. The Kindness Of Strangers
    8. Crow Jane
    9. O'Malley's Bar
    10. Death Is Not The End
    Nick Cave And The Bad Seeds
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Lovely Creatures - The Best of Nick Cave and The Bad Seeds (1984-2014) Lovely Creatures - The Best of Nick Cave and The Bad Seeds (1984-2014) Quick View

    $39.99
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    Lovely Creatures - The Best of Nick Cave and The Bad Seeds (1984-2014)

    Formed following the breakup of The Birthday Party in 1982, Nick Cave & The Bad Seeds have released sixteen studio albums, starting with From Her To Eternity in 1984. Their most recent album Skeleton Tree was released in September 2016. The band was started by frontman Nick Cave with multi-instrumentalist Mick Harvey and guitarist Blixa Bargeld.


    The current line-up of Nick Cave & The Bad Seeds is: Nick Cave, Warren Ellis, Martyn Casey, Jim Sclavunos, Thomas Wydler Conway Savage and George Vjestica. One of the most critically acclaimed acts working today, the band are known for their pioneering, bold and vital output. They have sold over 1 million albums in the UK to date, with 3 Silver and 5 Gold Albums. Globally Nick Cave & The Bad Seeds' albums have charted 72 times in the Top 40, including 28 times in the Top 5, reaching No. 1 six times. The band's influence has been profound and far-reaching with major artists, as diverse as Johnny Cash, Metallica, and The Arctic Monkeys, covering their work.


    Lovely Creatures is the first Nick Cave & The Bad Seeds best of album in 18 years. This collection will see one of the world's most respected & remarkable recording & live bands showcase their 30 year long career to date. Nick Cave & The Bad Seeds have been hands on all aspects of the release.


    The LP version consists of three black heavyweight vinyl in triple gatefold sleeve printed 4 colour on 350gsm board with matt machine varnish and 3 x inner sleeves, printed 4/0 on 180gsm board with matt machine varnish.

    LP 1
    1. Loverman
    2. Tupelo
    3. Deanna
    4. From Her To Eternity
    5. The Weeping Song
    6. Dig, Lazarus, Dig!!!
    7. People Ain't No Good


    LP 2
    1. Higgs Boson Blues
    2. Straight To You
    3. Where The Wild Rose Grow
    4. Into My Arms
    5. Love Letter
    6. Red Right Hand
    7. The Mercy Seat


    LP 3
    1. O Children
    2. The Ship Song
    3. Stranger Than Kindness
    4. Jubilee Street
    5. Nature Boy
    6. We No Who U R
    7. Stagger Lee

    Nick Cave And The Bad Seeds
    $39.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Freak Show Freak Show Quick View

    $34.99
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    Freak Show

    Green Vinyl - Limited to 1500


    Remastered For Vinyl From 24bit Analogue And Lacquers Created By Kevin Gray


    Freak Show is the second studio album from Australian rock band Silverchair. Freak Show was released on 3 February 1997. The album also gives listeners a glimpse into the band's experimental side, as can be heard in Petrol & Chlorine and Cemetery. Early vinyl pressings also included a precursor to Anthem for the Year 2000 entitled The Millennium Bug.


    Silverchair began recording their second studio album, Freak Show, in May 1996 while experiencing the success of their debut album, Frogstomp, in Australia and the US. It was produced by Nick Launay (Birthday Party, Models, Midnight Oil) and was released in February 1997. The album reached number-one in Australia and yielded three Top 10 singles - Freak, Abuse Me, and Cemetery. Its fourth single, The Door, reached No. 25. The songs focused on the anger and backlash that the expectations of Frogstomp brought upon the band. Freak Show was certified gold in the US, 4× platinum in Australia and global sales eventually exceeded 1.5 million copies.

    LP1
    1. Slave
    2. Freak
    3. Abuse Me
    4. Lie To Me
    5. No Association
    6. Cemetery
    7. The Door


    LP2
    1. Pop Song For Us Rejects
    2. Learn To Hate
    3. Petrol & Chlorine
    4. Roses
    5. Nobody Came
    6. The Closing

    Silverchair
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • Say Yes To Love Say Yes To Love Quick View

    $19.99
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    Say Yes To Love


    These punk kids from the mean streets of Syracuse, New York, deliver high-energy
    slabs of mayhem-friendly post punk noise, a wall of guitar and Casio. Meredith
    Graves knows how to run her mosh pit like a dictator runs a birthday party." - Rolling
    Stone


    "In just four short songs, Perfect Pussy has spoken more truths than many artists with
    20-year-spanning discographies, and with news of a debut full-length in the works,
    now is probably a good time to start bracing yourselves. It might get a little uncomfortable, but trust me, the shake-up is worth it." - Complex


    "One of the boldest new rock bands." - Pitchfork


    Since releasing their 4 song demo cassette I Have Lost All Desire for Feeling
    in late 2013, Perfect Pussy have taken the music world by storm. Their harsh
    yet refreshing lyrics paired with the assaulting vocals of singer Meredith
    Graves drew in audiences from all crowds. While often muffled by the wall
    of sound built buy the guitar, bass, drums and synth, it is the brutal truths of
    Graves' lyrics and the power of her live delivery that has had everyone
    from Rolling Stone to Pitchfork to The New York Times praising the power of
    this rising band.


    With Say Yes to Love Perfect Pussy have begun to hone their sound while
    retaining the rough around the edges noise that first drew listeners in. The first
    track, "Driver", grabs the listener and drags them into the chaotic world of
    this brief but powerful album. The songs kick and punch but it is the dense,
    honest lyrics that will make the listener feel the most. Filled with conflict and
    confidence and despair and desire, these are songs that stay with the
    listener long after the album has ended.

    1. Driver
    2. Bells
    3. Big Stars
    4. Work
    5 Interference Fits
    6. Dig
    7. Advance Upon the Real
    8. VII
    Perfect Pussy
    $19.99
    Vinyl LP - Sealed Buy Now
  • Hit Reset Hit Reset Quick View

    $16.99
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    Hit Reset

    Kathleen Hanna stealthily assembled the members of The Julie Ruin without any of them realizing exactly what was happening. It all began in late 2009. Kathleen had not released an album since Le Tigre's This Island (2004), and she was ready to jump back into music again. She knew her onetime Bikini Kill band mate Kathi Wilcox was going to be moving to New York in the near future, so she didn't even bother with finding a bass player at first. Carmine Covelli, who had toured with Le Tigre as their video guru, was having a blast at Kathleen's birthday party when she abruptly asked him to be the drummer.


    A longtime admirer of Kathleen's work, Carmine couldn't say no to her at her own party, so of course he joined the band. Sara Landeau and Kathleen both taught at Girls Rock Camp and Kathleen lured her into the band by trading Pro Tools lessons for guitar lessons. Sara's surf-informed style gelled perfectly with Kathleen's sonic vision for her new band. Kathleen approached Kenny Mellman last with the idea that they should write country songs together to sell to other artists. Within a week of their first meeting, Kathleen's mysterious "manager" (whom Kenny maintains does not exist) told her that they would never break into the Nashville songwriting scene, so Kenny might as well join her new band on keyboards. Done.


    In late 2014 they began work on their second album, Hit Reset, due out July 8th on Hardly Art records. Mixed by Eli Crews (with whom the band worked on Run Fast), Hit Reset expands on the band's established sound: dancier in spots and moodier in others, with girl group backing vocals and even a touching ballad closer. Hit Reset is the sound of a band who have found their sweet spot. Kathleen's vocals are empowered and her lyrics are as pointed and poignant as ever. From the chilling first lines of "Hit Reset"("Deer hooves hanging on the wall, shell casings in the closet hall") to the touching lines of "Calverton" ("Without you I might be numb, hiding in my apartment from everyone / Without you I'd take the fifth, or be on my death bed still full of wishes"), Hanna takes a leap into the personal not seen completely on the first album or possibly even in the rest of her work.

    1. Hit Reset
    2. I Decide
    3. Play
    4. Be Nice
    5. Rather Not
    6. Planet You
    7. Let Me Go
    8. Mr. So and So
    9. Record Breaker
    10. Hello Trust No One
    11. I'm Done
    12. Roses More Than Water
    13. Time Is Up
    14. Calverton
    The Julie Ruin
    $16.99
    Vinyl LP - Sealed Buy Now
  • The Vertical Mind The Vertical Mind Quick View

    $19.99
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    The Vertical Mind

    Fred Schneider of the B-52's new project the Superions are a nonstop disco new wave party explosion for all generations.


    Since their Christmas record a couple of years back, pop dadaists Fred Schneider & The Superions have been roaming through their apartment, looking for the next party. Fred writes the words and sings the songs. Noah and Dan make the music.Blame it on the wine. Blame it on Orlando, Florida. The Superions go where no one else dares to go--into the silly, the ridiculous, the fun, the insane.

    1. The Veritcal Mind
    2. Konnichiwa
    3. Glitter Gulch
    4. Albóndigas (Meatball Ole!)
    5. Sleeping Booty
    6. Stampede At The Petting Zoo
    7. When The Dingoes Ate The Babies
    8. Passport Waller Cellphone
    9. Strip Search
    10. Kiss Me To Heaven
    11. (Underpants) In The Rain
    12. Savage Kiss
    Fred Schneider and the Superions
    $19.99
    Vinyl LP - Sealed Buy Now
  • Before The Dead (Box Set) Before The Dead (Box Set) Quick View

    $124.99
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    Before The Dead (Box Set)

    Limited Edition Of 2500 Sets


    Five 180-Gram LPs Containing Over 3.5 Hours Of Studio & Live Performances Culled From Previously Uncirculated Masters And Newly Discovered Recordings


    Audio Restoration And Mastering By Fred Kevorkian


    Lacquers Cut By Ron Mcmaster At Capitol Studios And Pressed To Vinyl By Quality Record Pressings.


    Produced By Grateful Dead Publicist And Biographer Dennis Mcnally And Brian Miksis.


    Includes A 32-Page Book With Rare Photos, Memorabilia And In-depth Liner Note Essays By Mcnally, Miksis, Acclaimed Bluegrass Scholar Neil V. Rosenberg, Sara Ruppenthal Katz, And Stu Goldstein.


    Round Records will release its most ambitious project to date with the long-awaited Jerry Garcia boxed set Before The Dead. The project features a meticulously researched and curated compilation of recordings the iconic Grateful Dead founder made prior to forming the legendary band. Before The Dead includes never before heard performances, recordings that have never been commercially released and a small selection that have. From intimate live recordings to live studio recordings to field recordings, Before The Dead serves as a historical document in the spirit of renowned releases by Smithsonian Folkways and influential field recordings by Alan Lomax. The music on Before The Dead was selected and co-produced by longtime Grateful Dead publicist/author Dennis McNally and documentarian Brian Miksis. The audio was restored and mastered by Fred Kevorkian.


    The first release from Before The Dead features the Black Mountain Boys (Garcia, Robert Hunter, David Nelson and Eric Thompson) in a rare 1964 live recording of "Rosa Lee McFall". Written by Charlie Monroe, the song would remain with Garcia throughout his career, reinterpreted later on with The Grateful Dead, Jerry Garcia Acoustic Band and Garcia/Grisman. This is the first time this track has ever been released.


    The 5-LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 pieces and includes a special in-depth 32-page book featuring essays by McNally and Miksis, rare photos and memorabilia along with detailed listening notes and commentary on each track by Dr. Neil V. Rosenberg. Aside from being a renowned musicologist, Rosenberg was part of the Redwood Canyon Ramblers, an influential Bay Area bluegrass ensemble that would inspire a younger generation of players, including Garcia. Each section features a "Tales of the Tape" essay that includes details on how, when and where the music was recorded, how it was found and, in most instances, anecdotes about the particular date, including early interactions with many area musicians before they went on to greater things. Sara Ruppenthal Katz (formerly Sara Garcia, Jerry's first wife) contributes an enlightening essay around the 1963 recording of her duo performance with Garcia at the intimate Pala Alto, CA club Top Of The Tangent (aka The Tangent). Tangent co-founder Stu Goldstein also adds a piece discussing the club's origins and how it became a hot spot for the new folk scene that was developing in the Bay Area.


    Before The Dead sheds light on the earliest period in Jerry Garcia's odyssey going from the young, charismatic, developing multi-instrumentalist coming of age during the early 1960's folk-revival (often sarcastically referred to as The Great Folk Scare) to one of the most influential and groundbreaking artists of the rock 'n roll era. Like many during that time, Garcia's influences were coming from the deep-rooted folk tradition of artists such as Doc Watson, Earl Scruggs, The Carter Family, The New Lost City Ramblers, The Stanley Brothers, The Weavers, a young Joan Baez and the Harry Smith Folkways collections to name a few. These influences would resurface prominently in some of Garcia's most important work with the Dead on the 1970 albums Workingman's Dead and American Beauty - regularly cited as foundational in the creation of what is now referred to as Americana.


    From beginning to end, the listener will journey through the musical evolution of Jerry Garcia and how the impact of the folk forbearers gradually permeates his playing and technique. You can hear the earliest origins of Garcia's signature style budding as he had become a student of the music constantly absorbing and endlessly challenging himself. His instrument rarely left his side from dawn to dust. What shines brightly throughout the set is Garcia's outgoing personality and sense of humor, often described as "magnetic", a clear early indicator.


    Throughout this period from 1961 to 1964 were pivotal first-time meetings, (documented in the book) between Garcia and people who would become life-long collaborators and friends. From his revered writing partner and early bandmate Robert Hunter, to mandolin master David Grisman, to each member of the Grateful Dead, to the many artists who would go on to take their own place in music history, including acclaimed instrumentalist Sandy Rothman, David Nelson (co-founder of New Riders of the Purple Sage) and Clarence White, guitarist of the Byrds.


    Before The Dead showcases Garcia in various ensembles and configurations starting with the rarest piece in the entire collection, the earliest known recording of Garcia captured at his girlfriend's 16th birthday party in 1961 alongside future Grateful Dead lyricist Robert Hunter. Outside of a short clip used in the Grateful Dead documentary Long Strange Trip, this recording has never been released, circulated or heard. Other highlights include the Sleepy Hollow Hog Stompers' 1962 gig in San Carlos, CA, and the Hart Valley Drifters' 1962 recording at Stanford's KZSU Radio Studio A (Garcia's first-known studio recording, released in 2017 for the first time). Arguably Garcia's best and most beloved bluegrass band of that early period, The Black Mountain Boys are prominently featured via three separate occasions in 1963 and 1964, while a 1964 performance by Garcia's Asphalt Jungle Mountain Boys rounds out Before The Dead. See a full list of dates, performances and players below.


    Despite Jerry Garcia's deep love for folk and bluegrass traditions, his time fully immersed in it was coming to a close. Encounters with one of his heroes, Bill Monroe, whose band he almost auditioned for (and Rothman went on to join), might have sent him deeper in that direction, but it was not to be. (Note: Garcia even used to tape Monroe's shows, a possible foreshadowing of allowing fans to tape Grateful Dead shows later). By the end of 1964, The Beatles had become a household name, The Rolling Stones hit hard with their version of the blues and civil rights had become an important part of the social and political landscape. New influences and inspirations would impact Garcia's direction as he went on to form The Warlocks, who would go on to become The Grateful Dead. However, the foundation in tradition was solidified during those early years and would resurface regularly throughout the remainder of his life in a multitude of ways, including the Dead, The Jerry Garcia Acoustic Band, Old and In The Way, Garcia/Grisman and so much more.

    LP 1
    Bob and Jerry
    May 26, 1961
    Brigid Meier's Sixteenth Birthday Party
    Menlo Park, California

    1. Santy Anno
    2. I Got A Home In That Rock
    3. Oh, Mary Don't You Weep
    4. All My Trials
    5. I Was Born Ten Thousand Years Ago
    6. Blow The Candles Out
    7. Rake And A Rambling Boy
    8. Trouble In Mind
    Jerry Garcia, Marshall Leicester, and Robert Hunter
    July 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    1. Brown's Ferry Blues
    2. Jesse James
    Jerry Garcia and Unknown Musician
    Summer or Fall 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    3. Down In The Willow Garden
    4. Long Lonesome Road
    5. Railroad Bill
    6. The Wagoner's Lad
    7. Katie Cruel


    LP 2
    Sleepy Hollow Hog Stompers
    June 11, 1962
    Boar's Head Coffeehouse, Peninsula Jewish Community Center
    San Carlos, California

    1. Cannonball Blues
    2. Little Birdie
    3. Sally Goodin
    4. Hold That Woodpile Down
    5. Legend Of The Johnson Boys
    6. Shady Grove
    7. Sweet Sunny South
    8. Man Of Constant Sorrow
    Hart Valley Drifters
    Fall 1962
    KZSU Radio Studio A, Stanford University
    Stanford, California

    1. Band Introductions
    2. Roving Gambler
    3. Ground Speed
    4. Pig In A Pen
    5. Standing In The Need Of Prayer
    6. Flint Hill Special
    7. Nine Pound Hammer
    8. Handsome Molly
    9. Clinch Mountain Backstep


    LP 3
    1. Think Of What You've Done
    2. Cripple Creek
    3. All The Good Times Have Past And Gone
    4. Billy Grimes, The Rover
    5. Paddy On The Turnpike (Boys, My Money's All Gone)
    6. Run Mountain
    7. Sugar Baby
    8. Sitting On Top Of The World
    The Wildwood Boys
    February 23, 1963
    Top of the Tangent
    Palo Alto, California

    1. Roll In My Sweet Baby's Arms
    2. Jerry's Breakdown
    3. Standing In The Need Of Prayer
    4. Mule Skinner Blues
    5. Saturday Night Shuffle
    6. Pike County Breakdown
    7. The Little Sparrow
    8. We Shall Not Be Moved


    LP 4
    Jerry and Sara
    May 4, 1963
    Top of the Tangent
    Palo Alto, California

    1. Deep Elem Blues
    2. Will The Weaver
    3. I Truly Understand
    4. Long Black Veil
    5. The Man Who Wrote Home Sweet Home Never Was A Married Man
    6. Foggy Mountain Top
    Black Mountain Boys
    Fall 1963
    Top of the Tangent
    Palo Alto, California

    1. Barefoot Nellie
    2. She's More To Be Pitied
    3. Noah's Breakdown
    4. Who Will Sing For Me?
    Black Mountain Boys
    January 10, 1964
    Top of the Tangent
    Palo Alto, California

    5. Salt Creek
    6. Monroe's Hornpipe (Jody's Hornpipe)
    7. Rosa Lee Mcfall
    8. John Hardy/closing Theme
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California
    9. Katie Kline
    10. Walkin' The Dog


    LP 5
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. Paddy On The Turnpike (Boys, My Money's All Gone)
    2. Love And Wealth
    3. Sourwood Mountain
    4. If I Lose
    5. Homestead On The Farm (I Wonder How The Old Folks Are At Home)
    6. Stoney Creek
    7. Salty Dog Blues
    8. Love Please Come Home
    9. Make Me A Pallet On The Floor
    10. Darlin' Allalee
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. In The Pines
    2. Raw Hide
    3. Black Mountain Rag
    4. True Life Blues
    5. Medley: Devil's Dream-Sailor's Hornpipe
    Black Mountain Boys
    Spring 1964
    Top of the Tangent
    Palo Alto, California

    6. Drink Up And Go Home
    Asphalt Jungle Mountain Boys
    Summer 1964
    Top of the Tangent
    Palo Alto, California

    7. These Men Of God
    8. Roll On Buddy
    9. Goodbye Old Pal
    10. Back Up And Push

    Jerry Garcia
    $124.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed Buy Now
  • A Special Life (Awaiting Repress) A Special Life (Awaiting Repress) Quick View

    $17.99
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    A Special Life (Awaiting Repress)

    As 2013 came to a close and with his 80th birthday mere weeks away, the godfather of British blues quietly entered a North Hollywood Studio with his band, special guest C.J. Chenier and
    co-producer/engineer Eric Corne. He walked out with one of the finest and most personal records of his career, A Special Life.


    This new album serves as further testament to John's boundless talent, vitality and ever-dynamic
    personality. Along with his accomplished band, he goes back to his roots with an eclectic album
    centered in the blues but with diversions into rock and Americana. There are three new songs penned by John and one from band members Greg Rzab and Rocky Athas, as well as blues favorites from some of the greats, including Albert King and Jimmy Rogers. C.J. Chenier came to join the party on a couple of tracks (including one written by his father), adding an exciting extra dimension with his vocals and accordion.


    This is John's first studio album in five years, a span during which the band's chemistry has grown tremendously. It is an instant classic and a must have for any blues/roots music enthusiast!

    1. Why Did You Go Last Night
    2. Speak Of The Devil
    3. That's All Right
    4. World Gone Crazy
    5. Floodin' In California
    6. Big Town Playboy
    7. A Special Life
    8. I Just Got To Know
    9. Heartache
    10. Like A Fool
    11. Just A Memory
    John Mayall
    $17.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Ride Ride Quick View

    $30.99
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    Ride

    For his fiftieth birthday, Anthrax guitarist Scott Ian wanted one present more than any other - the reunion of one of his favorite unsung heroes, Mother Superior - only he wanted to be a part of the lineup. They're a great, classic band that hit me in the same spot as all my favorite '70s bands, whether it's UFO, Ted Nugent, Cheap Trick or KISS, Ian explains. I knew getting to play with them would be like joining KISS.


    Thanks to Scott's wife Pearl Aday, who has been working with Mother Superior front man Jim Wilson for years, all it took was a quick phone call and the stage was literally set for Scott's dream gig.


    The band, which quickly gained the interests of Joey Vera (Armored Saint/Fates Warning) and John Tempesta (White Zombie, The Cult) called itself Motor Sister after the Mother Superior song Little Motor Sister and got together the day before the party to rehearse in Ian's jam room. The energy in the room was amazing, Ian says. It felt awesome. It was just something we did for fun and to celebrate my birthday.


    The minute I started to play with Scott, Joey and John the chemistry was amazing, Wilson says. We sounded like a band that had been together forever. Enthralled at the idea of making a record of his favorite Mother Superior songs, Ian contacted producer Jay Ruston (Anthrax, Steel Panther, Stone Sour) and asked if he thought it was possible to recapture the same spontaneous energy generated at their makeshift gig. He said, 'Yeah, we can make the record in two days and we can make it sound really good.' So that's what we did, Ian says. A week and a half later, we made the record in LA over a two day period. We recorded the whole thing live in the studio.


    While everyone in Motor Sister is busy with their day jobs, they are all interested in playing live as much as possible. We are a great live band Ian says. We proved it to ourselves in my jam room. It was our ability to play live together that made this happen and I can see us getting onstage and playing this shit back-to-back, Ramones-style, and just blowing people's minds with the power of these songs. And the door is always open to write more material because Pearl and Jim are always working together and I'm always with them. So we'll see what happens in the future.

    LP 1
    1. A Hole
    2. This Song Reminds Me of You
    3. Beg Borrow Steal
    4. Fool Around
    5. Get That Girl
    6. Head Hanging Low


    LP 2
    1. Fork in the Road
    2. Little Motor Sister
    3. Pretty in the Morning
    4. Whore
    5. Doghouse
    6. Devil Wind

    Motor Sister
    $30.99
    Vinyl LP - 2 LPs Sealed Buy Now
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