- Lowest Price
- Highest Price
WARB-NON-79967xThe Black Keys
Magic Potion1. Just Got to Be
2. Your Touch
3. You're the One
4. Just a Little Heat
5. Give Your Heart Away
6. Strange Desire
7. Modern Times
8. The Flame
9. Goodbye Babylon
10. Black Door
10. Elevator$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
WARB-NON-9381xThe Black Keys
BrothersW/ CD version of the album included.
The maturation of the Black Keys as record makers and performers has been both subtle and startling. With their 2008 Nonesuch release Attack & Release, the fifth album of their eight-year career which doubled the sales of their previous album and Nonesuch debut Magic Potion, guitarist Dan Auerbach and drummer Patrick Carney illustrated the durability of their few-frills sound, a mysterious and heavy brew of '70s-vintage rock, classic R&B and timeless, downhearted blues. Producer and pal Danger Mouse, their first outside collaborator, didn't try to reinvent their sound but further isolated its essence with the help of a few carefully chosen guest players and some retro-modern electronic gear. It didn't need to get slicker to get better, or, as the Boston Globe put it, Attack & Release proves that cleaning up the boys still won't stop them from tracking mud all over the house.
Danger Mouse returned to co-produce Tighten Up on Brothers, but for the most part, the duo was on its own, spending ten days at the legendary Muscle Shoals studio in Alabama and coming up with the an even more intensely focused, deeply soulful set that includes a cover of Jerry Butler's Never Gonna Give You Up. The performances are inventive and impassioned: Auerbach extends his vocal range to falsetto on lead-off track Everlasting Light and The Only One; Howlin' For You opens with a Gary Glitter-style drum riff and the chorus practically invites singing along. The tunes offer a surprising amount of lyrical candor and more than a little dark humor; the grooves alternate between ballsy swagger and bluesy rumination. The album reflects where Auerbach and Carney have been lately, most recently collaborating with a who's who of New York City MC's, including RZA, Q Tip, Mos Def and Raekwon on the 2009 BlakRocBlack Keys fan Damon Dash. They've also pursued projects on their own, Auerbach with his solo Keep It Hid album and tour, Carney with his band Drummer and its debut disc, Feels Good Together. Their maturation didn't happen just in the studio, though. Carney admits, Dan and I grew up a lot as individuals and musicians prior to making this album. Our relationship was tested in many ways but at the end of the day, we're brothers, and I think these songs reflect that. super-session organized by hip-hop impresario and
Brothers was primarily cut in Muscle Shoals, a setting that turned out to have more in common with the Akron, Ohio factories where the Black Keys used to record. The place was desolate, the town depressed, so once again the duo slipped into a world all its own. They did additional recording at Auerbach's Easy Eye Sound System in Akron and The Bunker in Brooklyn. The album was mixed by engineer Tchad Blake, a veteran of sessions with Los Lobos, Pearl Jam and Peter Gabriel. Says Carney, The way he approaches mixing is the same way we approach making music. Respecting the past while being in the present..1. Everlasting Light
2. Next Girl
3. Tighten Up
4. Howlin' For You
5. She's Long Gone
6. Black Mud
7. The Only One
8. Too Afraid To Love
9. Ten Cent Pistol
10. Sinister Kid
11. The Go Getter
12. I'm Not The One
13. Unknown Brother
14. Never Gonna Give You Up
15. These Days$24.99Vinyl LP - 2 LPs Sealed Buy Now
REDD-FAT-7117xThe Black Keys
ThickfreaknessAkron, Ohio's Black Keys offer crunchy, riff-heavy blues-rock that is remarkably rich and textured, particularly when one considers that they are merely a duo. Continuing in the vein of their 2002 debut, The Big Come Up, this sophomore album leavens their garage blues with enough innovation to keep things interesting, taking full advantage of Dan Auerbachs full-throated growl. Particularly appealing are Hard Row, which lurks somewhere between Cream and punk rock, the strong stomp of Everywhere I Go, and the irresistible guitar riff that graces If You See Me. The Black Keys might be covering familiar territory, but they do it so well--and with so much invention--that one is inclined to yield it to them and see what they do with it.1. Thickfreakness
2. Hard Row
3. Set You Free
4. Midnight in Her Eyes
5. Have Love Will Travel
6. Hurt Like Mine
7. Everywhere I Go
8. No Trust
9. If You See Me
10. Hold Me in Your Arms
11. I Cry Alone$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
WARB-NON-5552xThe Black Keys
Turn BlueThe Black Keys' 2014 album, Turn Blue, was released on Nonesuch Records.
Produced by Danger Mouse, Dan Auerbach and Patrick Carney, Turn Blue features 11
tracks including the first single, "Fever."
Turn Blue was recorded at Sunset Sound in Hollywood during the summer of 2013 with
additional recording done at the Key Club in Benton Harbor, MI and Auerbach's Easy Eye
Sound in Nashville in early 2014. Of the new album, the band says Turn Blue could refer to:
C: Numbness from extreme cold
D: A Cleveland late night TV host from the 1960s named Ghoulardi
E: All of the above
Moreover, Carney comments, "We are always trying to push ourselves when we make a
record-not repeat our previous work but not abandon it either. On this record, we let the songs
breathe and explored moods, textures and sounds. We're excited for the world to hear Turn
This is the eighth full-length album from the duo and follows 2011's critically and commercially
acclaimed El Camino, which is now certified RIAA Platinum. Internationally, El Camino is Gold
in Belgium, Spain, Italy and Holland; Platinum in Ireland, France and the U.K.; and double
Platinum in Australia, Canada and New Zealand. The record also resulted in three awards at the
55th annual Grammy Awards-Best Rock Performance, Best Rock Song, and Best Rock Album.
The band now has a total of six Grammy Awards including three in 2010 for their breakout,
RIAA Platinum album, Brothers.1. Weight of Love
2. In Time
3. Turn Blue
5. Year in Review
6. Bullet in the Brain
7. It's Up to You Now
8. Waiting on Words
9. 10 Lovers
10. In Our Prime
11. Gotta Get Away$19.99Vinyl LP - Sealed Buy Now
WARB-NON-3335xThe Black Keys
El CaminoReviewing The Black Keys' 2010 Top Ten breakthrough album Brothers, Rolling Stone called the duo a two-man combo with a big-band mind. That description seems downright prophetic now. With the hard-rocking El Camino, The Black Keys' fourth Nonesuch release, guitarist-singer Dan Auerbach and drummer Patrick Carney conjure up an exhilarating, stadium-sized sound in collaboration with producer and friend Danger Mouse. El Camino boasts a no-nonsense brilliance: The pace is fast, the mood is upbeat, the choruses unfailingly addictive made for shouting along, preferably in a large, sweaty crowd.
A band already at the top of its game has gotten even better. And The Black Keys have done pretty damn well so far this year, with three 2011 Grammy awards for Brothers under their belt, an MTV Video Music Award for Tighten Up, more than 850,000 copies of Brothers sold in the U.S., and upwards of a million units worldwide, plus innumerable licensing placements in film, TV, and commercials. El Camino features one stand-out track after another, such as first single Lonely Boy, Gold on the Ceiling, and the surprising, acoustic-guitar-driven, tempo-shifting Little Black Submarines.
This record is more straight ahead rock and roll raw, driving, and back to basics, says Auerbach. As Carney has put it, The Black Keys respect the past while being in the present, and that formula has made them sound like nothing less than the future of rock and roll. While the largely self-produced Brothers, recorded at the famed Muscle Shoals Studio in Alabama, had a more soul and blues-oriented sound, El Camino often recalls the blitzkrieg-paced British-style rock of the 1960s and 70s, post-Beatles and pre-punk: artists like T-Rex, The Sweet, and Gary Glitter, along with the heavier swing of such bands as Led Zeppelin and Black Sabbath.
The references are there, but the sound is very much contemporary and utterly their own, equally informed by The Black Keys' passion for hip hop and R&B and bolstered by the atmospheric production approach of Danger Mouse (a.k.a. Brian Burton), who was behind the boards for 2008's Attack & Release and collaborated with them on the funky Tighten Up for Brothers. As Auerbach notes, Brian understands all the different kinds of music we're into. He's got really great ideas about melody and song structure. For him it's all about the song. Also rejoining them is consistently innovative mixing engineer Tchad Blake, who Auerbach calls a genius with audio, a complete wizard.
El Camino arrives just in time to serve as the ideal holiday gift for The Black Keys' rapidly growing fan base. It came together quickly in an unfettered burst of creativity by the hard-charging pair. They recorded these 11 tracks between tour dates for Brothers at Auerbach's new Easy Eye Studio in Nashville, where he and Carney have now relocated after years of working in their native Akron, Ohio. The duo plans to embark on a six week European Tour at the start of the New Year, with U.S. dates to follow shortly thereafter-including several arenas.
In a time of global austerity, The Black Keys work simply and efficiently, with a minimum of tools and a wealth of ideas, to produce the richest, fattest, coolest music around. Upon the release of Brothers last year, Britain's Uncut magazine called them one of the best rock'n'roll bands on the planet, and El Camino, confirms that.1. Lonely Boy
2. Dead And Gone
3. Gold On The Ceiling
4. Little Black Submarines
5. Money Maker
6. Run Right Back
8. Hell Of A Season
9. Stop Stop
10. Nova Baby
11. Mind Eraser$24.99Vinyl LP + CD - Sealed Buy Now
AloneThe Pretenders are set to release their first album in eight years, Alone, via BMG. Recorded in Nashville and originally intended as a solo follow-up to 2014's 'Stockholm', it soon became obvious that those driving guitars, ragged but righteous arrangements, tough yet tender lyrics delivered by the most beautifully distinctive voice of a generation, sounded fantastically familiar. The Pretenders were back. 36 years after their remarkable first album, 'Alone' could be the older, wiser, badder sister to that exhilarating debut.
Chrissie Hynde recorded the album in Nashville with Dan Auerbach, from The Black Keys, who stood as captain, producer and multi-instrumentalist on the record, an album which sees Chrissie at her searingly honest, most incisive best.
The full band joining Chrissie and Dan on the album features Johnny Cash's former bass player Dave Roe and country rocker Kenny Vaughan on guitar plus sundry members of Dan Auerbach's side project The Arcs: Richard Swift, drums, Leon Michels, keyboards and Russ Pahl providing sly curlicues of pedal steel. The album was mixed by Tchad Blake (Arctic Monkeys, Peter Gabriel, Elvis Costello). Duane Eddy also features on the punchy 'Never Be Together'.
Of the new album Chrissie Hynde said the following: "This record is what I love the most - real people playing real music. I sang and recorded every vocal in a 48 hour period - 48 hours to sing them, 40 years of preparation!"1. Alone
2. Roadie Man
3. Gotta Wait
4. Never Be Together
5. Let's Get Lost
6. Chord Lord
7. Blue Eyed Sky
8. The Man You Are
9. One More Day
10. I Hate Myself
11. Death Is Not Enough$21.99Vinyl LP - Sealed Buy Now
REDD-FAT-3211xThe Black Keys
ChulahomaChulahoma is a stopgap EP from the Black Keys, a collection of six covers of songs by cult bluesman Junior Kimbrough, whose 'Do the Rump' they covered on their 2002 debut, Big Come Up. Considering that this is the first time the blues-rock guitar-n-drums duo has devoted an album to nothing but straight-ahead blues songs, it wound seem logical that Chulahoma would be the bluesiest recording in their catalog, but the Black Keys aren't that simple. The six songs on this 28-minute EP are hardly replications of Kimbrough's gritty originals, nor do they have the dirty, punch-to-the-gut feel of any of the duo's three proper albums. Instead, this is the weirdest set of music the band has done to date, a trippy, murky excursion into territory that floats somewhere between the primal urgency of the duo's best work and the dark, moody psychedelia of late-'60s blues-rock. Take 'Have Mercy on Me' its winding, narcotic blues groove settles into a bed of droning organ and bongos, but the interplay between guitarist/vocalist Dan Auerbach and drummer Patrick Carney prevents it from sounding as affected as psychedelia, while infusing it with a real sense of danger. That unsettling undercurrent flows throughout this brief EP, and it makes Chulahoma an album that's ideal for pitch-black nights, where the music can worm its way into your imagination and then run wild. That alone would make it a unique, noteworthy detour for the Black Keys, but when this is compared to Kimbrough's original recordings, it becomes an instructive listen since a side-by-side listen reveals how Auerbach drew inspiration from Kimbrough's stripped-down, idiosyncratic grooves and took it into some place entirely different. And while that might mean that Chulahoma doesn't necessarily sound like a kissing cousin to Kimbrough's originals, it does make it a greater, richer tribute than most cover albums, and it certainly proves that Auerbach's testimonial in the liner notes about how Junior Kimbrough changed his life is no lie.1 Keep Your Hands off Her
2 Have Mercy on Me
3 Work Me
4 Meet Me in the City
5 Nobody But You
6 My Mind Is Ramblin'$17.99Vinyl LP - Sealed Buy Now
Welcome Back To MilkIt's time for a revolution. Beth Jeans Houghton is dead. Du Blonde is born.
Welcome Back To Milk is the Newcastle-born singer-songwriter's second
album, but her debut as Du Blonde, and it's a complete reinvention: new name,
new look, new band, new attitude - and attitude is a key word.
Du Blonde is not a persona or a character, it's Beth Jeans Houghton ripping
it up and starting again. Gone is the baroque chamber pop of 2012's Yours
Truly, Cellophane Nose. Gone is the band she recorded that album with,
The Hooves Of Destiny. In place of all that are heavy riffs, loud drums, vocal
aggression and the sound of somebody finding their voice, whether screaming
the chorus of Chips To Go, singing soul-bearing ballad Four In The Morning
or cooing through wistful torch song After The Show.
Aside from a track made with Youth, Welcome Back To Milk is produced by
Jim Sclavunos, who knows plenty about capturing dark sounds as a member
of Nick Cave's Bad Seeds. An unmistakable presence on the album is that of
Future Islands frontman Samuel T Herring, whose soaring vocals appear on
Mind Is On My Mind.
Where Yours Truly, Cellophane Nose threw everything at a song, Du Blonde
strips everything down to the bare essentials. Black Flag, which opens the
album, is bass, guitar, drums and a dose of rage. "I got really into hard rock
and American hardcore while I was living in LA after we finished touring," she
says. "I couldn't work out why I was having such trouble expressing myself with
the music I was writing, but after a while I realised the instrumentation didn't
lend itself to the anger I was feeling. I needed to release all of this pent up
aggression and I was trying to do it over layers of vocal harmonies and nicely
played instruments. It was never going to work."
"I was hiding behind my guitar for so long, it was easy to feel safe there. I
wanted to put myself in a position I wasn't comfortable with in order to grow
as a performer. I want no choice but to look people dead in the eyes and give
them all I have."1. Black Flag
2. Chips to Go
3. Raw Honey
4. After the Show
5. If You're Legal
7. Hard to Please
8. What Is It Like
9. Mr. Hyde
10. Four in the Morning
11. Mind is on My Mind
12. Isn't It Wild?$20.99Vinyl LP - Sealed Buy Now
Led Zeppelin I
Remastered from the Original Master Tapes by Jimmy Page and Pressed at Pallas In Germany
Led Zeppelin had a fully formed, distinctive sound from the outset, as their eponymous debut illustrates. Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme, Zeppelin created a majestic, powerful brand of guitar rock constructed around simple, memorable riffs and lumbering rhythms. But the key to the group's attack was subtlety: it wasn't just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos. As Led Zeppelin proves, the group was capable of such multi-layered music from the start. Although the extended psychedelic blues of Dazed and Confused, You Shook Me, and I Can't Quit You Baby often gather the most attention, the remainder of the album is a better indication of what would come later. Babe I'm Gonna Leave You shifts from folky verses to pummeling choruses; Good Times Bad Times and How Many More Times have groovy, bluesy shuffles; Your Time Is Gonna Come is an anthemic hard rocker; Black Mountain Side is pure English folk; and Communication Breakdown is a frenzied rocker with a nearly punkish attack. Although the album isn't as varied as some of their later efforts, it nevertheless marked a significant turning point in the evolution of hard rock and heavy metal.
- Stephen Thomas Erlewine (All Music Guide)1. Good Times Bad Times
2. Babe I'm Gonna Leave You
3. You Shook Me
4. Dazed And Confused
5. Your Time Is Gonna Come
6. Black Mountain Side
7. Communication Breakdown
8. I Can't Quit You Baby
9. How Many More Times$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Trompe Le Monde
The Pixies Trompe Le Monde On Numbered Limited Edition 180g LP From Mobile Fidelity
Pixies Swan Song Sparks With Electrically Charged Hooks, Outer-Space Atmospherics, And Eminent Tunefulness
Mastered From The Original Master Tapes: Restoration Turns 1991 Album Into A Sonic Blockbuster
Frank Black-led Set Includes Contagious Cover Of The Jesus And Mary Chain's "Head On"
The Pixies verged on commercial breakthrough when the now-iconic band released Trompe le Monde in September 1991. A sea change in popular music tastes that the band helped initiate began to sweep the world. And the Boston quartet seemed prepared to lead the way, with this, its eminently tuneful fourth record, jam-packed with crafty hooks, prickly tones, catchy elements, outer-space atmospherics, electrically charged energy, and delightfully quirky lyrics.
As it stands, Trompe le Monde takes its place as one of the finest swan songs ever recorded. If the Pixies wouldn't have broken up right after its release, there's no telling what would've happened. All that you need to know is that the 15-track effort is as hard rocking and brilliantly innovative as any of the group's creations. That's no small feat.
Mastered from the original analog tapes and pressed at RTI, Mobile Fidelity's numbered limited edition 180g LP presents the ensemble's abrasively melodic landmark in a fidelity it's never enjoyed in any prior version. Featuring lusher keyboards and moodier soundscapes than its predecessors, but also reclaiming the nasty guitar edginess and swooning distortion of the group's earliest efforts, Trompe de la Monde finally comes across as the Pixies intended: A sonic bridge between college-rock's influential cruder-textured albums and the polished professionalism that distinguished alt-rock classics.
In other words, Mobile Fidelity's version presents it as the perfect-sounding album: Replete with grit, rawness, and character, but mixed in with radio-friendly smoothness and virtuosic professionalism. Awash with incredible timbres and tonalities, myriad new details rise to the surface. Listen to the counterpoint melodies and layered vocals on "Letter to Memphis"; the trash-compactor feedback and thumping bass during the whipsawing "Planet of Sound"; the "Spyhunter"-like pace and limitless depth now present on "Subbacultcha." Dynamics, contrasts, low-end frequencies, and imaging are all significantly enhanced. Compared to the original CD, Trompe le Monde emerges as a new album-a sonic wonderland that's not far removed from that of Nirvana's celebrated blockbuster Nevermind.
Musically, the Pixies were never better. On par with the groundbreaking Surfer Rosa and Doolittle, Trompe le Monde explodes with hyper riffs, jerks to stop-start progressions, elates with cheerful emotions, and bangs on to giddy surf-fused arrangements. With Kim Deal absent from the songwriting process, vocalist/guitarist Frank Black takes the reigns and doesn't disappoint. Tales about sea monkeys ("Palace of the Brine"), aliens ("Planet of Sound"), and love ("The Sad Punk") bop alongside memorable jabs at hipster pretensions ("Subbacultcha") and inflated egos ("U-Mass"). A contagious cover of the Jesus and Mary Chain's "Head On" will have you hitting "repeat." Power pop, wanderlust punk, theatrical glam rock, reconfigured reverb-laden country-all here, all encouraging repeat listens.
Nearly lost due amidst the alternative trend that it played such a key role in spawning, Trompe le Monde gets new life courtesy of this extremely punchy, greatly balanced Mobile Fidelity issue. If you missed it the first time, don't make that mistake again. Essential with a capital "E," and the perfect way to close Mobile Fidelity's Pixies catalog restoration series.
This title is not eligible for discount.1. Trompe le Monde
2. Planet of Sound
3. Alec Eiffel
4. The Sad Punk
5. Head On
7. Palace of the Brine
8. Letter to Memphis
9. Bird Dream of the Olympus Mons
10. Space (I Believe In)
12. Distance Equals Rate Times Time
13. Lovely Day
14. Motorway to Roswell
15. The Navajo Know$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
MelophobiaCage The Elephant's highly anticipated forthcoming third studio album, entitled 'Melophobia', is released via RCA Records. The album was recorded in Nashville, TN and reunites the band with producer Jay Joyce who produced the group's prior two releases.
This album has tested us as individuals and as a collective. We're five people fighting for our own ideologies of good music - we clash stylistically and sometimes even personally, said drummer Jared Champion. The studio is the place where we push all of those individual creative emotions together and smash them to the dispersion point until they explode like a Timebomb. With the explosion arrives something beautiful and in the end, when you listen back and goose bumps prick your skin like the first few drops of a summer rainfall on searing concrete, you know that you and your band of brothers have created something substantial. Conquering our melophobia is what drives us.
The new album is the follow up to 2011's acclaimed sophomore album Thank You Happy Birthday, which debuted at #2 on the Billboard Top 200 Chart and has sold over 250,000 copies to date. Rolling Stone, New York Times, LA Times, USA Today, and Entertainment Weekly praised the release as one of the best rock albums of the year. The album also spawned the hit single Shake Me Down which spent six weeks at #1 at Alternative radio. Their acclaimed self-titled debut album was released in 2009 and has sold over 550,000 copies to date. The album remained on the Billboard 200 Chart for an astounding 73 consecutive weeks and produced three Top 5 singles at Alternative Radio, including the massive hit Ain't No Rest For The Wicked. In additional to numerous Sold Out headline runs, Cage The Elephant has toured with Black Keys, Foo Fighters, Queens of the Stone Age, Muse, Stone Temple Pilots, Foals, Silversun Pickups, Manchester Orchestra, and many more.
- BWWMusicWorld1. Spiderhead
2. Come A Little Closer
4. It's Just Forever (featuring Alison Mosshart)
5. Take It Or Leave It
7. Black Widow
10. Cigarette Daydreams$16.99Vinyl LP - Sealed Buy Now
WARB-NON-87xThe Black Keys
Attack & ReleaseUntil now, guitarist-singer Dan Auerbach and drummer Patrick Carney of the Black Keys took an extreme do-it-yourself approach to record making, hunkering down in a basement studio or setting up equipment in one of the abandoned factories of their native Akron, Ohio. Their modus operandi was more seance than session. With a minimal set of tools, they conjured up a big, swaggering blues-rock sound, seemingly drawn from some distant time and place yet too weirdly original to ever be called retro. As Rolling Stone put it in a review of their 2006 Nonesuch debut, Magic Potion, Pure blues rock of this caliber is really timeless.
For this album, however, the Black Keys decided not to go it alone: Attack and Release is the result of one of the most audacious and eagerly awaited collaborations in alternative rock history. As producer, Auerbach and Carney chose Danger Mouse, the mega-eclectic sonic mastermind behind the Grammy Award-winning Gnarls Barkley's St. Elsewhere and its multi-format hit, Crazy, as well as the music-industry provocateur who created the mother of all mash-ups, The Grey Album. The Black Keys also deigned to work at an established studio, albeit one within driving distance of Akron. Suma Recording, a legendary spot in northeast Ohio renowned for its supply of great vintage gear, provided just the right ambience for the guys. As Carney put it, with genuine affection, Suma smells like a moldy cabin and looks like a haunted house.
On Attack and Release, Danger Mouse is more creative co-conspirator than traditional figure behind the boards. He doesn't radically alter the duo's sound so much as coax out more of its inherent soulfulness, groove and bittersweet emotion. Two versions of Remember When illustrate how the duo can swing easily from smoldering ballad to thrashing rocker. I'm more pleased with the sound of this record than any one we've ever made, says Carney, and Auerbach concurs: We never let it all go like we did for this one, anything was game. It was just fun to make, and that's why I think it's so successful. The band adds more instrumentation to their mix, including piano, organ and moog synthesizer. Danger Mouse fashions subtle special effects, like the ghostly background choir that surfaces on the moody I Got Mine, which sounds as if it were samples from some old Warner Bros. cartoon. The Black Keys also invited in a few special guests: guitarist Marc Ribot and clarinetist-flautist (and Pat's uncle) Ralph Carney, both veterans of Tom Waits' band and players on countless avant-rock/jazz/noise session. Jessica Lea Mayfield a/k/a Chittlin, an impressive 18 year-old bluegrass/country singer from Kent, Ohio, sings alongside a heart-breakingly plaintive Auerbauch on the slow-dance final cut, Things Ain't Like They Used to Be1. All You Ever Wanted
2. I Got Mine
3. Strange Times
4. Psychotic Girl
6. Remember When (Side A)
7. Remember When (Side B)
8. Same Old Thing
9. So He Won't Break
10. Oceans & Streams
11. Things Ain't Like They Used to Be$18.99Vinyl LP - Sealed Buy Now
Keep It HidNonesuch Records releases Keep It Hid, the solo debut from singer/songwriter/guitarist Dan Auerbach, best known as half of The Black Keys. While working on and touring in support of The Black Keys most recent album, Attack & Release, Auerbach also was writing songs that would become Keep It Hid. This record is a mixture of things I like to listen to, psychedelia, soul music, country harmonies, says Auerbach. In February Auerbach will begin a national tour with performances in New York City, Boston and Washington, DC. Opening acts for the tour will include Those Darlins and Hacienda, the latter also lending support as Auerbachs backing band.
Keep It Hid was produced and engineered by Auerbach at his studio, Akron Analog and features him playing a variety of instruments, including drums, guitar, percussion and keyboards. Many of Auerbachs friends and family play on the album, including his uncle James Quine, who contributes vocal harmony and electric guitar on the track Street Walkin. Other musicians include fellow Ohioans Jessica Lea Mayfield, who sings on the track When the Night Comes, and Bob Cesare, who plays drums on Whispered Words, a song originally written by Auerbachs father. Of the recording process Auerbach states, I wanted a live, organic sound. Nothing was too plotted or planned, just a lot of spontaneity. The record was mixed by Auerbachs good friend Mark Neill at Neills Soil of the South studio.
With his Black Keys bandmate Patrick Carney, Auerbach has recorded five critically acclaimed full-length albums, beginning with 2002s The Big Come Up. In 2008, Attack & Release debuted on the Billboard Top 200 chart at #14, marking The Black Keys highest position to date. The New York Times called it a savage, bitter concoction built on a snarling punk-rock riff, while the Los Angeles Times called it without doubt the Keys most dynamic effort yet. Auerbach also has been busy with his own record label, Polymer Sounds, for which he produced the 2008 debut from Jessica Lea Mayfield, With Blasphemy, So Heartfelt; Pitchfork praised Mayfields album as fascinating and endlessly listenable.1. Trouble Weighs a Ton
2. I Want Some More
3. Heartbroken, in Disrepair
4. Because I Should
5. Whispered Words
6. Real Desire
7. When the Night Comes
8. Mean Monsoon
9. The Prowl
10. Keep It Hid
11. My Last Mistake
12. When I Left the Room
13. Street Walkin'
14. Goin' Home$18.99Vinyl LP - Sealed Buy Now
REDD-FAT-7919xThe Black Keys
Rubber FactoryRubber Factory, the follow-up to one of 2003's most successful albums, thickfreakness features more of Patrick and Dan's mix of rough rock n' roll and blues straight out of Akron, Ohio. Rubber Factory is the second Black Key's album out on Fat Possum(though you can't tell from the packaging--thanks a lot, Epitaph), and continues the raw, ragged, and loud sound, and this time, with handclaps.1. When The Lights Go Out
2. 10 A.M. Automatic
3. Just Couldn't Tie Me Down
4. All Hands Against His Own
5. The Desperate Man
6. Girl Is On My Mind
7. The Lengths
8. Grown So Ugly
9. Stack Shot Billy
10. Act Nice and Gentle
11. Aeroplane Blues
12. Keep Me
13. Till I Get My Way
$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Springtime CarnivoreEvoking a mellow high on a warm Sunday afternoon, where everything is magnified and glows in
Technicolor, the debut album from Springtime Carnivore is a dreamy work of ebullient pop and
looming psychedelia. Springtime Carnivore is the nom de tune of Greta Morgan. Produced by
Morgan and sonic wizard Richard Swift (The Black Keys, The Shins, Foxygen) the album crackles with warmth, employing faded strings, blown-out drums, fuzzy guitars, and pawnshop keyboards to adorn widescreen vocals. Due out November 4th from Aquarium Drunkard's Autumn
Tone Records, the album builds on a foundation of classic folk and pop songwriting, synthesizing
those roots with production that turns and careens unexpectedly, shooting her melodic songs in
varied light and from surprising angles: "Name on a Matchbook" merges off kilter grooves to
a strident glide; "Sun Went Black" charges marries fuzzy power pop to wistful longing; "Other
Side of the Boundary" is an aching psychedelic ballad, at once intimate but also cosmically faraway. Springtime Carnivore makes songs that sound familiar but skewed. Already a music veteran, Springtime Carnivore recently completed a tour supporting legendary soft psych band The
Zombies, with whom she shares a distinct melodic touch. The songs on the album utilize classic
approaches, but are distinctly modern. There's an index card tacked to the wall of Morgan's rehearsal space. It reads "no cheap tricks," and its command is heeded on Springtime Carnivore's
14 heavenly songs.1. Western Pink
3. Name on a Matchbook
4. Sun Went Black
5. Foxtrot Freak (Something In The Atmosphere)
6. Other Side of the Boundary
7. Karen Bird's Theme
8. Keep Confessing
9. Last One to Know
10. Two Scars
11. Talk to Me Slow
12. Creature Feature
13. Find a New Game
14. Low Clouds$19.99Vinyl LP + CD - Sealed Buy Now
"Blond and boisterous, music's newest hot chick" - Teen Vogue
"Artist To Watch" - Esquire
"Blown away by her voice" - Perez Hilton
"Dangerously Catchy" - Entertainment Weekly
Pop, blues, soul, and rock'n'roll singer/songwriter/guitarist/ banjoist Elle King announces today that her debut album LOVE STUFF will be released on RCA Records.
Elle worked with acclaimed collaborators on LOVE STUFF including Jeff Bhasker (Fun., Kanye West, The Rolling Stones), Eg White (Adele, Sam Smith), Jacknife Lee (R.E.M., U2, Crystal Castles), Mark Ronson (Amy Winehouse, Bruno Mars, Paul McCartney), Martin Johnson, and Dave Bassett, among others.
Her single "Ex's & Oh's" was #1 Most Added at AAA radio upon release and has received tremendous praise: Billboard raves "Mix Duffy's vocals, the Black Keys' urgent rhythms and a hook and tempo that recalls P!nk's So What, and you have Elle King's catchy and clever RCA debut." Perez Hilton writes: "She's like a modern-day Janis Joplin! Elle King is the real deal! A true talent!" Muumuse declares: "Elle King, the man eatin', shit talkin' spitfire of your dreams or nightmares. (Boys: You've been warned)."
LOVE STUFF showcases Elle's powerful voice, tremendous songwriting, playful spirit, and bad-ass ways with lyrics that chronicle bad boyfriends, passionate relationships, and heartbreak.
Elle has toured with Of Monsters and Men, Train, Ed Sheeran, Michael Kiwanuka, and many others. With the release of her critically acclaimed 4 track EP,THE ELLE KING EP, Elle made her network television debut with her single "Playing For Keeps" on the Late Show With David Letterman (click here to watch her performance).The track was featured as the theme song for VH1's "Mob Wives Chicago" and chosen for the national TV ad campaign for Mad Men. With the release of her EP, Elle has been featured by Esquire, Teen Vogue, Vanity Fair, Glamour, Entertainment Weekly, and many more.1. Where The Devil Don't Go
2. Ex's & Oh's
3. Under the Influence
4. Last Damn Night
5. Kocaine Karolina
6. Song of Sorrow
7. America's Sweetheart
8. I Told You I Was Mean
9. Ain't Gonna Drown
11. Make You Smile
12. See You Again$19.99Vinyl LP - Sealed Buy Now
SONM-RCA-7014xCage The Elephant
Tell Me I'm PrettyTell Me I'm Pretty was produced by Dan Auerbach of The Black Keys & The Arcs. With this record, we wanted to be more transparent, said lead singer Matt Shultz. We wanted to capture the sentiment of each song, and whatever emotional response it provoked, to be really honest to that. The results are the band's most forceful and focused songs yet. They recorded most of the songs on the 10-song album on the first take, capturing the band's raw and frenetic onstage energy. Their last album, Melophobia, was nominated for a Grammy for Best Alternative Album.1. Cry Baby
2. Mess Around
3. Sweetie Little Jean
4. Too Late To Say Goodbye
5. Cold Cold Cold
7. How Are You True
8. That's Right
9. Punchin' Bag
10. Portuguese Knife Fight$19.99Vinyl LP - Sealed Buy Now
180 Gram Audiophile Vinyl
Includes 4-Page Booklet
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only.
Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira) through one continuously performed set list.
The songs in the band's setlist were as followed: Directions, Miles Runs the Voodoo Down, Willie Nelson, I Fall In Love Too Easily, Sanctuary, It's About That Time, Bitches Brew, Masqualero, Spanish Key, and The Theme. They were performed as one continuous and uninterrupted piece of music, a practice Davis had begun in 1967. He later explained in his autobiography that performing these kinds of long musical suites without breaks allowed more space for improvisations in concert.
The original Japanese booklet is included in this vinyl package.LP 1
1. Black Beauty Part I
2. Black Beauty Part II
1. Black Beauty Part III
2. Black Beauty Part IV$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Black CelebrationWhether the band felt it was simply the time to move on from its most explicit industrial-pop fusion days, or whether increased success and concurrently larger venues pushed the music into different avenues, Depeche Mode's fifth studio album, Black Celebration, saw the group embarking on a path that in many ways defined their sound to the present: emotionally extreme lyrics matched with amped-up tunes, as much anthemic rock as they are compelling dance, along with stark, low-key ballads. The slow, sneaky build of the opening title track, with a strange distorted vocal sample providing a curious opening hook, sets the tone as David Gahan sings of making it through another black day while powerful drums and echoing metallic pings carry the song. Black Celebration is actually heavier on the ballads throughout, many sung by Martin Gore -- the most per album he has yet taken lead on -- with notable dramatic beauties including Sometimes, with its surprise gospel choir start and rough piano sonics, and the hyper-nihilistic World Full of Nothing. The various singles from the album remain definite highlights, such as A Question of Time, a brawling, aggressive number with a solid Gahan vocal, and the romantic/physical politics of Stripped, featuring particularly sharp arrangements from Alan Wilder. However, with such comparatively lesser-known but equally impressive numbers as the quietly intense romance of Here Is the House to boast, Black Celebration is solid through and through.
- Ned Raggett (All Music Guide)1. Black Celebration
2. Fly On The Windscreen - Final
3. A Question Of Lust
5. It Doesn't Matter Two
6. A Question Of Time
8. Here Is The House
9. World Full Of Nothing
10. Dressed In Black
11. New Dress$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Time To DieA cultural as well as a musical force, ELECTRIC WIZARD has left an indelible mark on a host of different genres, the likes of doom, stoner and sludge; at heart, however, they stand as an iconic British metal band, cast in the great tradition, with lyrics and artwork reflecting the hypnotic weight of the music, and subject to the same intelligence and detail.
Wreathed in occult ritual and drug-culture references, with classic '70s horror an inspirational seam, ELECTRIC WIZARD is poised to turn a page; there's the new deal with Spinefarm Records, plus - after a nine-year hiatus - the return of Mark Greening (the drummer on Dopethrone), who completes the lineup of Oborn, American guitarist Liz Buckingham, a key member since 2003, and new bassist Clayton Burgess (SATAN'S SATYRS).
Fueled by strong emotion and the harder sounds of late-'60s Detroit, the remodeled lineup - isolated by choice, giant stacks glowing red - set about crafting an eighth studio album to both rival and exceed the milestone recordings of the past, with Buckingham keeping things suitably monolithic and the band generally looking back to some of their earliest influences. Toerag Studios in London was once again charged with capturing The Sound, and (encouragingly) words like raw, hateful and sickeningly heavy are being traded.
Founding member Jus Oborn said the following: All of our albums in the past have had a theme - revenge, drugs, black magick - and the theme of this one is death. Of course, death to us really means rebirth, so this album is a manifestation of a very primal occult belief in the final sacrifice. We have gone full circle - it was inevitable, but we had to do it. We had to kill the band so we could be reborn. It was the only way to ensure we could come back even stronger.LP1
1. Incense For The Damned
2. Time To Die
3. I Am Nothing
4. Destroy Those Who Love God
5. Funeral Of Your Mind
1. We Love The Dead
3. Lucifer's Slave
4. Saturn Dethroned$25.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Unknown PleasuresFormed in 1977, Joy Division (guitarist Bernard Albrecht, bassist Peter Hook, drummer Stephen Morris, and vocalist Ian Curtis) helped usher in the Post-Punk movement with their haunting melodies and melancholy lyrics. By incorporating synthesizers into their music, they paved the way for an entire generation of bands who would soon follow in their footsteps. The band released two classic albums, 1979's Unknown Pleasures and 1980's Closer as well as several singles, before Curtis' suicide on the eve of their first American tour. Following Curtis' death, Albrecht (now Sumner), Hook, and Morris formed the band New Order, and would continue to record over the next twenty-five years.
It even looks like something classic, beyond its time or place of origin even as it was a clear product of both - one of Peter Saville's earliest and best designs, a transcription of a signal showing a star going nova, on a black embossed sleeve. If that were all Unknown Pleasures was, it wouldn't be discussed so much, but the ten songs inside, quite simply, are stone-cold landmarks, the whole album a monument to passion, energy, and cathartic despair. The quantum leap from the earliest thrashy singles to Unknown Pleasures can be heard through every note, with Martin Hannett's deservedly famous production - emphasizing space in the most revelatory way since the dawn of dub - as much a hallmark as the music itself. Songs fade in behind furtive noises of motion and activity, glass breaks with the force and clarity of doom, minimal keyboard lines add to an air of looming disaster - something, somehow, seems to wait or lurk beyond the edge of hearing. But even though this is Hannett's album as much as anyone's, the songs and performances are the true key. Sumner redefined heavy metal sludge as chilling feedback fear and explosive energy, Hook's instantly recognizable bass work at once warm and forbidding, Morris' drumming smacking through the speakers above all else. Curtis synthesizes and purifies every last impulse, his voice shot through with the desire first and foremost to connect, only connect - as Candidate plaintively states, I tried to get to you/you treat me like this. Pick any song, the nervous death dance of She's Lost Control, the harrowing call for release New Dawn Fades, all four members in perfect sync, the romance in hell of Shadowplay, Insight and its nervous drive towards some sort of apocalypse. All visceral, all emotional, all theatrical, all perfect - one of the best albums ever.1. Disorder
2. Day Of The Lords
5. New Dawn Fades
6. She's Lost Control
10. I Remember Nothing$21.99Vinyl LP - Sealed Buy Now
REDI-ALI-4412xThe Black Keys
The Big Come Up2002 was a hell of a year for The Black Keys, the minimalist two-man blues-rock outfit from Akron, Ohio. They released their debut album The Big Come-Up on the tiny Alive label that year and garnered barely-contained raves in Rolling Stone, Spin, The Village Voice and MOJO. One listen to The Big Come Up, a startling raw slab of juke-joint blues, validates the band's rapid ascent from playing for no money on the bottom of the bill at Cleveland's Beachland Tavern to selling out blistering headline dates and being invited to open for the Jon Spencer Blues Explosion and elder Ohio statesmen Guided By Voices. Their vintage concoction of Dan Auerbach's genuinely fine, powerful blues vocals and busy reverb soaked guitar riffing mixed with Patrick Carney's earthy drumming is what makes The Big Come Up a cool and raunchy electric blues record with a vigor and imagination that's way fresher than any standard bar band blues-rockers with slicker execution and pencient for blues cliches. Now right at home here on Vinyl LP!1. Busted
2. Do The Rump
3. I'll Be Your Man
5. Breaks, The
6. Run Me Down
7. Leavin' Trunk
8. Heavy Soul
9. She Said, She Said
10. Them Eyes
12. Brooklyn Bound
13. 240 Years Before Your Time$17.99Vinyl LP - Sealed Buy Now
Young And Old (Awaiting Repress)Denver CO-based husband and wife duo Tennis follow-up their acclaimed 2011 debut Cape Dory with a new album on Fat Possum, entitled Young and Old. The 10-song set was produced by The Black Keys' Patrick Carney in Nashville, TN and features the lead single Origins.1. It All Feels The Same
3. My Better Self
7. High Road
9. Take Me To Heaven
10. Never To Part$16.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Black BubblegumBlack Bubblegum is the newest LP from Eric Copeland,
and we are not kidding when we emphasize it sounds like
nothing he has done in the past. The title of the record
says it all: chewy, sticky pop that doesn't taste quite like
any chewy, sticky pop you've had before.
Recorded at Copeland's old practice space in South
Williamsburg, Black Bubblegum contains songs with
more conventional sounds and songwriting than any of
his previous releases. While there are similarities with
Copeland's earlier work in the drum patterns, major
scales and vocals, Black Bubblegum moves away from
his trademark psychedelic dub towards strange and
fantastical pop; imagine Arthur Russell going into the
studio with the Ramones. Wanting to take a more "handson"
approach to these recordings, Copeland exchanged
sample-driven tech and hardware for keyboards, guitars
and effect pedals, creating a new sound that is oddly
easy to digest despite its rejection of melody in favour of
discord and dissonance.
For a long time, Copeland considered this collection of
songs to be recordings which would never be heard. This
invariably influenced certain decisions made during the
creation of Black Bubblegum, blessing Copeland with
the unique freedom that comes from making music never
intended to be heard, let alone released.
When asked to please jot down what influenced this new
album and sound, Eric replied "glam holes, glitter dreams,
money troubles, apocalypse paranoia, one hit wonders,
manifest destiny, my family's westward migration, body
troubles (was passing kidney stones almost the entire
time), LGBT disco parties, Jonathan Richman, Missing
Foundation, Neil Diamond, New Orleans, poverty, getting
pushed out of another Brooklyn neighbourhood... No
Beach Boys, no Beatles, no Buddha... More Bad News
Eric Copeland has been sound clashing at full volume for
over twenty years, first carving out a named for himself as
one third of the legendary NY-via-Providence band Black
Dice. A wildly prolific solo artist, Copeland has played
shit houses, party palaces and seemingly everything in
between all over the world.
A long time Brooklyn, resident, Eric recently relocated
to where the L Train does not run - Palma de Mallorca,
Spain. While maintaining a relatively humble and low key
presence in a highly competitive musical world, he has
releases a prolific amount of music every year through
indie labels such as L.I.E.S., Escho (Iceage), PPM (No Age), Paw Tracks (Animal Collective) and DFA.1. Kids In A Coma
2. Rip It
3. Fuck It Up
4. Honorable Mentions
5. Blue Honey
7. Cannibal World
8. Don't Beat Your Baby
9. Radio Weapons
10. Get My Own$19.99Vinyl LP - Sealed Buy Now