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BlackstarSpecial Die-Cut Packaging
Blackstar is David Bowie's 28th studio album and his first since memorizing the world in 2013 with the critically acclaimed 'The Next Day'. The release of Blackstar coincides with David's birthday. The album's title track is the first single, and is accompanied by a short film visual by the acclaimed director Johan Renck. Music from the Blackstar single has been featured in the opening title credits and trailers for the TV series The Last Panthers, also directed by Johan Renck.1. Blackstar
2. 'Tis A Pity She Was A Whore
4. Sue (Or In A Season Of Crime)
5. Girl Loves Me
6. Dollar Days
7. I Can't Give Everything Away$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
No PlanFeatures The Single 'Lazarus' From Blackstar, As Well As The Three Final David Bowie Studio Recordings From That Album's Sessions
Pressed On 180-Gram Vinyl
Side B Features A Special Lazer Etching (No Music)
The No Plan EP was originally released digitally on January 8th, 2017 the day after would have been David Bowie's 70th Birthday. The release reached #1 on the iTunes charts of 11 countries including the UK, Netherlands, Denmark, Ireland, Norway, Finland and Sweden, and broke the Top 20 in more than 30 territories. The No Plan EP is now being pressed on heavyweight 180g black vinyl that includes a special laser etching on side B and is housed in new artwork designed by longtime collaborator Jonathan Barnbrook.
The No Plan EP features the single 'Lazarus' from, and the three final David Bowie studio recordings during the sessions for his 28th and final album - No Plan, Killing A Little Time and When I Met You. The track No Plan was hailed by Rolling Stone who ranked it at #4 in their 50 Best Songs of 2016 as a magnificent coda... one last transmission from the Bowie universe.1. Lazarus
2. No Plan
3. Killing a Little Time
4. When I Met You$16.99180 Gram Audiophile Virgin Vinyl EP - Sealed Buy Now
LegacyBOWIE - LEGACY collects together a selection of Bowie's most popular tracks and singles, from 1969's Space Oddity, through to the final singles 'Lazarus' and 'I Can't Give Everything Away,' issued earlier this year.
BOWIE - LEGACY features a previously unreleased version of the classic 1971 Hunky Dory track, Life On Mars?, remixed by its original producer Ken Scott.
From his very first recordings over fifty years ago, right through to his last album Blackstar, David Bowie was at the vanguard of contemporary culture as a musician, artist, icon and a constant influence on generations of writers, artists and designers. He was, and remains, a unique presence in contemporary culture.
Bowie left a legacy of inspiration in every discipline from art and fashion to acting and beyond. But, it is for his ground-breaking music that he will be best remembered.
BOWIE - LEGACY is an introduction to a world of incredible music, just waiting to be enjoyed by a whole new generation.LP 1
1. Let's Dance (Single Version Remastered)
2. Ashes to Ashes (Single Version Remastered)
3. Under Pressure
4. Life On Mars? (2016 Mix)
6. The Man Who Sold the World (Remastered)
7. Space Oddity (Remastered)
8. Starman (Original Single Mix)
9. Ziggy Stardust (Remastered)
10. The Jean Genie (Original Single Mix Remastered)
1. Rebel Rebel (Remastered)
2. Young Americans (Original Single Edit)
3. Golden Years (Single Version Remastered)
4. Modern Love (Single Version Remastered)
5. China Girl (Single Version Remastered)
6. Fame (Remastered)
7. Sound and Vision (Remastered)
8. Heroes (Single Version Remastered)
9. Where Are We Now? (Album Version)
10. Lazarus (Radio Edit)$37.99Vinyl LP - 2 LPs Sealed Buy Now
Still ClimbingLeslie West is set to releases his album Still Climbing in 2013 via Provogue Records / Mascot Label Group.
Originality, excitement, honesty and survival are all part of what makes a legend, and those qualities ripple through every song on the album. It's a testimonial to the strength and durability of West's artistry. Born October 22, 1945, as he approaches his 68th birthday, West has packed some of the most soulful and searing vocal performances of his half-century career into these 11 tracks. His guitar has never sounded more massive or riff-orientated.
What's different on Still Climbing is that I wanted my guitars to sound as big as I look. So I used four of my Dean Signature model guitars with my Mountain of Tone humbucking pickups. I plugged them into my Blackstar amps - no pedals - and turned them up loud and raw, and what you hear is exactly what I did in the studio. These Blackstar amps deliver everything I need without 'confidence' pedals. I played one of the early tracks we recorded for Slash, and he said, 'That is as heavy as it gets.'
Still Climbing is co-produced by West and Mike Metal Goldberg, who engineered all of the sessions. Songs like Dyin' Since The Day I Was Born, Hatfield or McCoy, and Busted, Disgusted or Dead establish a new litmus test for heavy.
The latter features West and Johnny Winter on duelling slide guitars. West also gave up smoking cigarettes and pot after a bout with bladder cancer, so it's no wonder many of Still Climbing's numbers explore the theme of survival and, ultimately, triumph. To that end, West avows, Not only am I lucky to be here, but because I stopped smoking my voice is now stronger than it's ever been - as strong as my guitar playing.
His inclusion of Feeling Good, a song by British actor-musician Anthony Newley that was made famous by Steve Winwood's group Traffic, is a testimonial to all of that. Its lyrics celebrate a new dawn for me as West and his long-time buddy Dee Snider (Twisted Sister) trade vocal lines.
West has always been an outstanding vocalist, earning comparisons to soul legends like Otis Redding since his 1969 debut Mountain, which gave his historic band its name. On Still Climbing West revisits the catalogue of another classic soul man, Percy Sledge, with the enduring When a Man Loves a Woman. He's joined by now 32 year-old soul man Jonny Lang, who he met 15 years ago when Lang was a rising guitar prodigy. West says they cut the tune side-by-side in the studio, their soaring guitars and voices twining to bring fresh blood and a blues-soaked arrangement to the song.
When a Man Loves a Woman, Never Let Me Go and Fade Into You explore a romantic theme. In 2009 West married his wife Jenni, who co-wrote many of Still Climbing's songs with the guitar giant.
Balls, guts, heart - more words that are part of West's legend and describe the roaring crescendos and deep emotional roots of Still Climbing - and West himself. You know, when it comes to talent, we don't all move at the same rate of speed, West muses. Some people start at the top of their game and after 10 or 20 years you wonder what the hell happened to them. I like to joke that the older I get the better I used to be, but after giving up drugs and smoking, my voice can hit notes that I never could reach before. I'm thankful for that.1. Dyin' Since The Day I Was Born (With special guest Mark Tremonti)
2. Busted, Disgusted or Dead (With special guest Johnny Winter)
3. Fade Into You
4. Not Over You At All
5. Tales Of Woe
6. Feeling Good (with special guest Dee Snider)
7. Hatfield or McCoy
8. When A Man Loves A Woman (With special guest Jonny Lang)
9. Long Red
10. Don't Ever Let Me Go (With special guest Dylan Rose)
11. Rev Jones Time (Somewhere Over The Rainbow)$18.99Vinyl LP - Sealed Buy Now
Two VinesAlt-electro pioneers Empire Of The Sun return with their third studio album, Two Vines, set for release via Astralwerks. With Two Vines, the Australian band invites listeners to enter the jungle paradise that marks the third remarkable age of the Empire Of The Sun. Through a waterfall of dreams, beyond the white light of an ice curtain lies a lush, green world where childlike innocence and ancient wisdom are one. The album's first single, "High & Low," offers a glimpse of this dreamlike kingdom.
"We always saw Empire as a movie," says Nicholas Littlemore, the co-pilot with Luke Steele of this fantastic vessel of electro-futurist sound and vision. "The whole concept was based around childhood fantasies; being in bed and staring at the posters on your wall, whether they were monster movies or outlandish rock stars or pieces of art. We always wanted to be one of those posters on a child's wall that had so much imagination locked into it, a kind of invitation that pushes you over the edge into dream world. With this record, it's time to take that next step."
Recorded in Hawaii and Los Angeles, Two Vines is co-produced by Empire Of The Sun and Peter Mayes (Sia, The Killers, Mika), alongside long-term collaborator, Donnie Sloan (Midnight To Monaco). It also sees the creative circle expanding with esteemed pianist/arranger Henry Hey and bassist Tim Lefebvre, from David Bowie's Blackstar band, featured heavily on the album. Factor in Wendy Melvoin from Prince's Revolution, as well as Fleetwood Mac's genius guitarist/vocalist Lindsey Buckingham, and the Empire's rainbow has never been so vast and colorful.
"Going to Hawaii to record was the best idea," says Luke Steele of sessions at Honolulu's Avex Studios - where Kanye West recorded 2010's My Beautiful Dark Twisted Fantasy. "That was the catalyst for me. I'd spend the morning surfing, then roll in and make music into the night."1. Before
2. High and Low
3. Two Vines
5. There's No Need
6. Way to Go
8. Digital Life
9. First Crush
11. To Her Door
13. Lend Me Some Light
14. Welcome to My Life
15. Walking on a Dream$22.99Vinyl LP - Sealed Buy Now
The Second AlbumBack in 1995, Bay Area rap was at the big-ballin' peak of the mobb music craze, LA was chronically gripped in a G-funk indo smoke haze, Atlanta was
enjoying its Southernplayalistic days, and NYC was entering a shiny-suit phase. There was no frame of reference for two lyrical emcees experimenting
with the tonality and resonance of rhyme patterns. This was uncharted territory. The pairing of Lyrics Born and Lateef the Truthspeaker into Latyrx was an accident, LB recalls. Both emcees were solo artists, but when LB heard the pre-Endtroducing DJ Shadow beat which would become Latyrx' eponymous debut single, his reaction was, Oh my God, I gotta get on this.
Latyrx was a syllabic tour de force which began with two dissonant voices -- one gruff and bassy, the other higher-pitched and trebly, both hella fluid -- it
transmogrified into a harmonic convergence of doubled verses simultaneously assaulting eardrums. Undeniably, it was great... but weird. It was ill,
Lateef recalls. We really felt like we had something unlike anyone else had done, he adds. Latyrx' first and thusfar, only, full-length, 1997's Latyrx: the Album, set the tone for what Solesides and Quannum would do, LB recalls, while 1998's Muzappers Re-Mixes EP spawned one of the only feminist-affirming club bangers in hip-hop history, Lady Don't Tek No.
Though Latyrx never officially broke up, after Muzappers, both members followed their chosen paths to considerable solo success. Yet no matter how
much acclaim each attained individually, the notion of someday making another Latyrx record was always present. It's probably the number one thing I
got asked about in my career, LB says. 16 years (!) after the release of Latyrx: the Album, LB and Lateef have finally answered the prayers of long-starved fans who have begged, pleaded and, by now, tweeted about the possibilities of a reunion. An impromptu Latyrx set at a 2010 Jazz Mafia concert at San Francisco's Mezzanine led to an
appearance at 2011's Outside Lands festival, Google's Summer Concert Series (they were the first ever hip-hop act to perform) and a last minute
appearance as part of HITRECORD At The Movies -- a unique film and music traveling showcase curated and hosted by actor and artist Joseph Gordon-
Most recently the duo have performed at the Wintersalt Festival in San Francisco last December and toured the United States with super funk group,
Galactic. Having just released a brand new EP titled 'DISCONNECTION' late last year, LB & Lateef are hard at work on the proper follow up to their debut album, a
new record aptly titled, 'THE SECOND ALBUM'.
Featuring a long list of producers and special guests, the album credits read like a music festival with artists from Tune Yards and Forrest Day to
Blackalicious and The Decemberists stepping in to help create one of the most highly anticipated records of all time. What Latyrx brings to the table is a technical difficulty level rare these days in hip-hop and matched only by a few groups in the genre's entire history: Run -DMC, Jurassic 5, Blackstar, Freestyle Fellowship. Their challenging, intricate back-and forth arrangements evoke a lyrical version of bebop, with layer
upon layer of rhythmic syncopation and vocal patterning constantly pushing the envelope.
We have a good chemistry and it's kind of unique, Lateef says. We step up each others' game content, and both of us push each other in the originality
department. What we've talked about is very simply, picking up where we left off, LB explains. The return of Latyrx stands as Very Good News for true hip-hop fans,
lyrical aficionados, boom-bap beatniks, urban bohemians, wee tots in Reeboks, and Muzappers of all shapes, sizes, colors, and ages.1. Arrival [prod. by Jel of Anticon]
2. It's Time [feat. Zion I, prod. by Amp Live]
3. Reload [prod. by Jel of Anticon]
4. Exclamation Point [feat. Forrest Day, prod. by Forrest Day]
5. Deliberate Jibberish [prod. by tUnE-yArDs]
6. Close Your Eyes [feat. Busdriver, prod. by Antonionian]
7. Nebula's Eye [feat. 1-O.A.K. & Joyo Velarde, prod. by G-Koop & O-Man]
8. The Power of Rumor (Leonard Is Lost) [prod. by Adam Theis and Lyrics Born]
9. Watershed Moment [feat. The Gift of Gab of Blackalicious, prod. by tUnE-yArDs]
10. Sometimes Why? [prod. by Chris Funk of The Decemberists]
11. Every Man For Himself [feat. Joyo Velarde, prod. by Future People]
12. Electric Chair [feat. Corey Glover of Living Colour, prod. by Kaveh Rastegar & Jeremy Ruzumna]
13. Gorgeous Spirits (Aye, Let's Go!) [prod. by The Bangerz]$24.99Vinyl LP - 2 LPs Sealed Buy Now