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Gone NowPressed On 180-Gram Red and White Marble Vinyl
Gone Now is BLEACHERS' highly-anticipated sophomore album and follow up to 2014's Strange Desire. Featuring the singles "Don't Take The Money" & "Hate That You Know Me."1. Dream of Mickey Mantle
3. Hate That You Know Me
4. Don't Take The Money
5. Everybody Lost Somebody
6. All My Heroes
7. Let's Get Married
9. I Miss Those Days
10. Nothing Is U
11. I'm Ready To Move On/Mickey Mantle Reprise
12. Foreign Girls$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Strange DesireBleachers will release debut album 'Strange Desire' on RCA Records. The highly anticipated album was written and produced by Grammy Award winning musician Jack Antonoff with co-producer John Hill (MIA, Jay Z, Empire of the Sun) as well as Vince Clarke (Depeche Mode, Yaz, Erasure) and others.
"It's the 2 words that perfectly title what this Bleachers album is as a documentation of my life as I can remember it at this point", wrote Antonoff yesterday afternoon in the Craigslist ad he posted announcing the album title.
Bleachers first single "I Wanna Get Better" has already streamed over 1.5 million times, was deemed "the song of the summer in February" by the Huffington Post and quickly skyrocketed into the top 10 at Alt radio.
Since the Bleachers launch in February critics have been nothing but excited and eager to hear more. Rolling Stone exclaimed "We'll be shocked if it's not all over the radio by spring", TIME raved " it's exciting to imagine what else Antonoff has up his sleeve" and Hilly Dilly proclaimed " this is the kind of music that can't get big enough."
Hailing from New Jersey, 29 year old Jack Antonoff has been in the music scene for over a decade. In 2002, with Jack as the lead singer, the success of New Jersey born indie rock band Steel Train was well underway. Steel Train's cult following lead them to make their national television debut on Late Night With Conan O'Brien and later appeared on Late Show With David Letterman. In 2008, Jack joined Nate Ruess and Andrew Dost to form the Grammy award winning fun.
In addition to being a multi-talented musician, Jack is a critically acclaimed songwriter and producer. His achievements include fun. being honored with the Vanguard Award at the 2014 ASCAP Pop Music Awards and co-writing fun.'s Grammy award winning song "We Are Young" and Grammy nominated album Some Nights. He also received a Golden Globe nomination for his collaboration with Taylor Swift on her song "Sweeter Than Fiction. Jack has also worked with Sara Bareilles, co-writing her Grammy nominated hit "Brave, and Canadian Indie icons Tegan and Sara.1. Wild Heart
4. I Wanna Get Better
5. Wake Me
6. Reckless Love
7. Take Me Away (ft. Grimes)
8. Like A River Runs
9. You're Still A Mystery
10. I'm Ready To Move On/Wild Heart Reprise (ft. Yoko Ono)
11. Who I Want You To Love$17.99Vinyl LP - Sealed Buy Now
Make Believe (MoFi)Make Believe on Numbered Limited Edition 180 Gram LP from Mobile Fidelity
2005 Platinum Set Nominated for Grammy Award, Streaked With Optimism and Personal Lyrics
Includes Smash Singles Beverly Hills, Perfect Situation, This Is Such a Pity, and We Are All on Drugs
Weezer's Most Balanced, Ambitious, and Diverse Record
Mastered from the Original Master Tapes: Rick Rubin's Sleek, Layered Production Now Reveals More Details and Subtle Cues
Following four acclaimed albums filled with power-pop, Weezer swings for the fences on Make Believe. Expanding its ambitions, arrangements, and diversity, and helmed by mega-producer Rick Rubin, the 2005 record ranks as the band's most diverse and balanced effort. It's also the group's longest set distinguished by more personal lyrics inspired by leader Rivers Cuomo's meditation sessions. Anchored by four radio-charting singles, and streaked with cautious optimism, Make Believe remains a compelling intersection of sleek, new wave and big, meaty arena-rock bluster.
Mastered from the original master tapes and pressed on 180 gram LP at RTI, Mobile Fidelity's reissue affirms Make Believe as the best-sounding record of Weezer's career by allowing Rubin's finessed sonics to showcase the instrumentation and subtle cues embedded in the layers of production. Previously buried or obscured, strings and pianos give extra body and shape to certain songs, while the quartet-buttressed by the brawnier, richer studio techniques-comes across as bigger than ever before. Drums, in particular, strongly benefit from Rubin's experience and ear.
Opening with "Beverly Hills," a chant-a-long anthem that immediately hypnotizing the senses with bleacher-stomping momentum and dorky talk-box solo, Make Believe takes amusing aim at haute-couture culture and fickle materialism here and on the farcical "We Are All On Drugs," each song informed by Cuomo's observations while living in California. Silly, witty, quirky-it's requisite Weezer, and uses a sense of humor to counteract the more serious sides of the album.
As he did on Pinkerton, Cuomo revisits intimate feelings and fears of loneliness, drawing from his break-up with his girlfriend to themes of forgiveness. Make Believe represents both a musical and emotional evolution, wherein Weezer embraces different styles (new wave, harder-edged rock, irony-free ballads) and hints at sincere hopefulness. Two of the effort's biggest singles ("This Is Such a Pity," "Perfect Situation") breathe with an endearing sympathy that steers clear of cynicism or sarcasm. Where the quartet previously opted for self-flagellation when it came to romance, songs here indicate Cuomo and Co. content to move on and let go.
Similarly, Cuomo wrote the nerves-exposed "The Other Way" for his ex-girlfriend after her boyfriend passed away. Undercurrents of self-analysis, apology, and resolution run throughout the material and affirm a maturation that nevertheless avoids sacrificing Weezer's hallmark hooks and melodies. As Rolling Stone writer Rob Sheffield noted in his review of Make Believe, "Not since Brian Wilson has an L.A.-pop mastermind gotten such musical mileage out of wanting to be an ordinary guy, not realizing that his psychosexual freakitude is exactly what makes him one."
This title is not eligible for discount.1. Beverly Hills
2. Perfect Situation
3. This Is Such a Pity
4. Hold Me
6. We Are All On Drugs
7. The Damage In Your Heart
8. Pardon Me
9. My Best Friend
10. The Other Way
11. Freak Me Out
12. Haunt You Everyday$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
How Do You Feel Now?After a 2014 that saw the release of their debut EP, How Do You Feel?, buzzworthy festival appearances across the U.S., and their late night debut performance on Late Night With Seth Meyers, Joywave are back to kick off 2015 in a big way.
News of their debut album comes in conjunction with Joywave's announcement that they will be joining Bleachers on a U.S. tour.1. Somebody New
2. Carry Me
3. Tongues (feat. KOPPS)
7. In Clover
8. Feels Like a Lie
9. Traveling at the Speed of Light
10. Nice House
11. Bad Dreams$19.99Vinyl LP - 2 LP Sealed Buy Now
Momentary MastersStrokes guitarist Albert Hammond Jr. has announced his third solo album, Momentary Masters. News of the album was originally posted on fan site The Strokes News via the label's website. Hammond Jr. has also shared Born Slippy, a track from the forthcoming album (no, it's not an Underworld cover). As with his most recent record, the ten-track LP was produced by frequent Strokes collaborator Gus Oberg. For the AHJ sessions, Hammond played all of the instruments with the exception of drums; this time around, he's recruited his live lineup, which comprises guitarists Hammarsing Kharhmar (Mon Khmer) and Mikey Hart (Bleachers), bassist Jordan Brooks, and drummer Jeremy Gustin (Delicate Steve, Marc Ribot).1. Born Slippy
2. Power Hungry
3. Caught By My Shadow
4. Coming to Getcha
5. Losing Touch
6. Don't Think Twice
7. Razors Edge
9. Drunched In Crumbs
10. Side Boob$18.99Vinyl LP - Sealed Buy Now
Tyler Bryant And The ShakedownA Band On The Verge Of Rock N Roll Greatness!
After carving out a fervent fan base and drawing widespread critical applause with their heady, high-voltage brand of guitar-driven rock, shooting from both hip and heart, Nashville's Tyler Bryant & The Shakedown find themselves at the epicenter of an advanced rock 'n' roll adventure that continues to take them around the world, appearing at some of the biggest venues along the way
Starting with a guest spot on AC/DC's 'Rock or Bust' World Tour in 2016, the quartet - Caleb Crosby on drums, Noah Denney on bass and backing vocals, Graham Whitford on guitar and Texas-born Tyler himself on vocals and guitar, a musician immersed in blues music from an early age - have continued to share events and stages with some of rock's most legendary names, including Guns N' Roses, Tom Petty & the Heartbreakers, Aerosmith, Deep Purple and ZZ Top.
At the same time as projecting their music into stadiums, Tyler Bryant & The Shakedown - The Shakedown to friends and fans - have continued to build their name and reputation as a headline act, and indeed it was backstage after a sold-out, bill-topping show in London (June 2017) that the band signed their new deal with Snakefarm Records - the most immediate and exciting result being an 11-track, self-titled studio album set to be the label's inaugural release, with November 3rd locked in as the day of the launch
"So many great things have happened over the past few months," exclaims Caleb, "and it's all just so surreal. I remember seeing that Guns N' Roses were playing two stadium shows in London on June 16th and 17th earlier this year, which are birthdays for Noah and myself, back to back, and I said wouldn't it be amazing if we appeared on both of those shows and we did!"
Rewinding back to 2008, Tyler moved to Nashville by himself at the ripe age of 17 to write songs and form a band. It was here he met Caleb, and together they put together what would become The Shakedown
"The instant we started playing, I knew there was something special," reflects Caleb. "We played our first show a week later and haven't stopped since!"
The next addition to the ranks was Graham Whitford, a young guitarist from Boston, Massachusetts. Introduced to Tyler as the guy who could put him out of a job, it was clear from the start that Whitford was a force to be reckoned with. As soon as Tyler heard him play, he asked him to uproot and move to Nashville to join the band.
All that was needed now was the right bassist: enter Noah Denney, who instantly added a whole new dimension to The Shakedown's sound. As Tyler recalls, "his bass sound scared me and he brought an edge and an attitude to the band that we didn't even know we needed."
2013's 'Wild Child' album announced the quartet's arrival with a bang as they logged time on the road with the likes of Aerosmith, Jeff Beck & ZZ Top, while receiving the endorsement of Guitar World, Rolling Stone, Los Angeles Times, Nylon, Interview Magazine and Paste. Taking over TV, they lit up the stage at both Jimmy Kimmel LIVE! and AXS Live.
Following the release of 'The Wayside' EP (2015, produced by Grammy Award winner Vance Powell), the boys crisscrossed the country alongside Billy Gibbons & AC/DC on that celebrated 2016 run. April 2017 found them without a label and only a month out from joining Guns N' Roses on a European tour
"We had just decided to self-produce a record completely on our own," says Tyler. "I'll never forget driving home that morning and getting a call from our manager saying, 'You wanna go back to Europe with Guns N Roses?' That was a great kick-start to the first day of tracking."
So they hunkered down and set about writing & recording their second full-length album, with John Fields (Soul Asylum, Paul Westerberg) coming on board to handle the mix. Blending a sense of history with a youthful, energetic heartbeat, this anticipated outing features a host of brand new tracks, some of which have become staples of the live set. It also stands as the start of a relationship with the newly-launched Snakefarm label.
Housed within the global infrastructure of Spinefarm Records (a UMG label), the Snakefarm brand will provide a targeted home for international artists, both established and new, from the increasingly buoyant roots rock world - music based on authenticity and emotion, under-pinned by core values and beliefs.
In this respect, Tyler Bryant & The Shakedown - who can lay claim to a fast-growing international presence, with major UK festivals such as Download, Ramblin' Man and British Summer Time already under their belt, alongside headline shows plus guest appearances with Nashville neighbors The Cadillac Three - are a flagship representation; what's more, in 'Tyler Bryant & The Shakedown' they've delivered a genuine genre-defying labour of love, a varied and infectious statement shot through with passion, pride and a welcome dash of glamour.
"This is the definitive Shakedown record as of now, and that's why we decided it should be self-titled," explains a fired-up Tyler. "It's the definitive Shakedown record due to the fact there were no other cooks in the kitchen. We put so much energy into writing and recording each song. It's not just a guitar album; it's a song album, and I'm proud to hang my hat on this one."
The first single / video, 'Heartland', introduces Tyler Bryant & The Shakedown with a one-two punch of gritty guitars and soulful vocals before slipping into a hypnotic bridge punctuated by airy clean guitars. Tyler sings, "There's a slow beat in the heartland, going down in the quicksand, stack 'em up and watch the cards fall, if it happens to one, then it happens to all".
"It's no secret that there's crazy stuff going on all over the world right now. There's madness all around and people are constantly picking sides. Every night when the Shakedown takes the stage, I'm amazed that music brings people together. Nobody is thinking about what side they're on when they're singing at the top of their lungs next to a complete stranger. I thought maybe through music I could remind myself and our TBSD family that when one person falls, the rest of us do, too. I wanna get together with a bunch of folks and sing that sentiment because it's one I strongly believe in.
Elsewhere, 'Backfire' struts along on a stomping drum groove driven by thick distortion with lyrics "about pulling the short end of the straw and feeling vengeful". Then there's 'Aftershock'. Hinging on hummable riffing, the track simmers at a steady swamp crawl before the Sabbathian refrain.
"That's a tune about feeling the effects of a situation long after it's come and gone.
As Tyler Bryant & The Shakedown spend 2017 lighting up stages with the likes of Guns N' Roses (again), The Who & Alice Cooper - as well as making their first appearance at Rock In Rio - this new album sees them fully realize their vision with a sound that resounds above the bleachers, plus a collective desire to keep the entertainment flag fully unfurled
"I want people to put this on and literally escape," Tyler leaves off. "I hope they feel free. That's what rock 'n' roll makes me feel. You don't have to think about your bills or any of the other things that have the power to bring you down when you've got your fist up in the air, your eyes closed and you're lost in the music. Angus Young told me, 'You've got to make the audience think you're taking them on a journey, and they'll go with you. If you believe it, they will too'. I believe it with this record."1. Heartland
2. Don't Mind The Blood
3. Jealous Me
5. Ramblin' Bones
6. Weak And Weepin'
7. Manipulate Me
8. Easy Target
9. Magnetic Field
11. Into The Black$29.99Vinyl LP - Sealed Buy Now
I Wanna Get Better (Out Of Stock)The band fun. conquered the charts in 2012 and 2013 with Some Nights, an energetic blast of a pop-rock record that featured hugely successful singles like the title track and the ubiquitous "We Are Young." At their best, the band incites a sugar-rush spark in the listener: they can make you feel insanely happy just to be alive. Lead guitarist Jack Antonoff inspired some of the record's best such moments with joyous, skidding guitar solos, and he's now striking out on his own with a new project, Bleachers; their first single is "I Wanna Get Better."
The song contains some of the same magic that's led fun. to success - a giddiness that's an inch or two away from the edge of control, an open-armed embrace of huge pop hooks - with a new voice at the helm, Antonoff's deeper, dry vocals having replaced Nate Ruess' soaring takes. "I Wanna Get Better" is a great first effort; it's exciting to imagine what else Antonoff has up his sleeve.1. I Wanna Get Better
2. I Wanna Get Better (Vince Clarke Remix)$5.997 Vinyl Single - Sealed Temporarily out of stock