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  • Blow-Up Soundtrack Blow-Up Soundtrack Quick View

    $34.99
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    Blow-Up Soundtrack

    Import

    Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.


    The album features performances by Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. Rumours go that either the fabled Jimmy Smith or Paul Griffin played the Hammond organ on this record.


    Rock fans remember the film and the soundtrack for the inclusion of a rare Yardbirds number, Stroll On (actually, an adaptation of Tiny Bradshaw's The Train Kept A-Rollin'), one of only three songs they recorded with both Jeff Beck and Jimmy Page on guitars. The bassline to Bring Down The Birds was sampled by Deee-Lite for their 1990 hit single Groove Is In The Heart featuring Bootsy Collins.

    1. Main Title - "Blow Up"
    2. Verushka Part I
    3. Verushka Part II
    4. The Naked Camera
    5. Bring Down The Birds
    6. Jane's Theme
    7. Stroll On
    8. The Thief
    9. The Kiss
    10. Curiosity
    11. Thomas Studies Photos
    12. The Bed
    13. End Title - "Blow Up"
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blow Up Your Video Blow Up Your Video Quick View

    $24.99
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    Blow Up Your Video

    1. Heatseeker

    2. That's the Way I Wanna Rock & Roll

    3. Mean Streak

    4. Go Zone

    5. Kissin' Dynamite

    6. Nick of Time

    7. Some Sin for Nuthin'

    8. Ruff Stuff

    9. Two's Up

    10. This Means War
    AC / DC
    $24.99
    180 Gram Audiophile Virgin Vinyl LP -Sealed Buy Now
  • Up To Here Up To Here Quick View

    $37.99
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    Up To Here

    Import


    Canada's favorite boys the Tragically Hip push the sounds of heartland and down-home country-rock on their second album, Up to Here. This album also marks the band's first stateside release, and basically it's a record of burgeoning talent, suggesting what is yet to come from the Tragically Hip. Frontman Gordon Downie is raw and rugged, twisting American trad rock into gritty rock & roll. There's a lot of heartfelt emotion woven into pure musical swagger on songs like New Orleans Is Sinking and When the Weight Comes Down. Blow at High Dough follows the lead of its foot-stompin', hand-clappin' rock tracks.

    -All Music Guide

    1. Blow At High Dough
    2. I'll Believe In You (or I'll Be Leaving You Tonight)
    3. New Orleans Is Sinking
    4. 38 Years Old
    5. She Didn't Know
    6. Boots Or Hearts
    7. Everytime You Go
    8. When The Weight Comes Down
    9. Trickle Down
    10. Another Midnight
    11. Opiated
    Tragically Hip
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Up To Here (Awaiting Repress) Up To Here (Awaiting Repress) Quick View

    $21.99
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    Up To Here (Awaiting Repress)

    The first three Tragically Hip albums are being re-issued on high quality 180 gram vinyl pressed in the EU.


    Originally issued in Sept. 1989 -- Up To Here, Diamond Certified in Canada. The first full-length album and one of
    the band's most successful of their career, earning the band a Juno Award for Most Promising Artist. Includes fan
    favourites, 'Blow It High Dough', 'New Orleans Is Sinking' & '38 Years Old' Recorded at Ardent Studios in Memphis.
    Produced by Don Smith

    1. I'll Believe In You
    2. Blow It High Dough
    3. New Orleans is Sinking
    4. 38 Years Old
    5. She Didn't Know
    6. Boots or Hearts
    7. Every Time You Go
    8. When The Weight Comes Down
    9. Trickle Down
    10. Another Midnight
    11. Opiated
    The Tragically Hip
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • A Bad Wind Blows In My Heart A Bad Wind Blows In My Heart Quick View

    $24.99
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    A Bad Wind Blows In My Heart

    Bill Ryder-Jones is a talented man. His new album, A Bad Wind Blows In My Heart, marries his masterful capacities as arranger and composer with his first firm steps as a singer songwriter. It's an album of capital-S songs that will more than sate the appetite of those that appreciate his knack for heart swelling melody and painterly detail.


    Bill left The Coral after their fifth studio album Roots & Echoes, on which his arrangements hinted at a deeper and spectacular compositional talent. Last year Ryder-Jones explored this side of his creative talent in full with the orchestral album If for Domino sister label Double Six - which was a grand 'imaginary soundtrack' to Italo Calvino's post modernist novel If On A Winters Night A Traveller.


    A Bad Wind Blows In My Heart was recorded in Ryder-Jones' old bedroom in the upstairs of his mother's house in Liverpool. Two friends from local band By The Sea made up the backing band for the recordings, which were then produced and mixed together with James Ford.

    1. Hanging Song
    2. There's A World Between Us
    3. A Bad Wind
    4. By Morning I
    5. The Lemon Tree #3
    6. Anthony & Owen
    7. Christina That's The Saddest Thing
    8. You're Getting Like Your Sister
    9. He Took You In His Arms
    10. A Bad Wind Blows In My Heart Pt. 2
    Bill Ryder-Jones
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • FM (Awaiting Repress) FM (Awaiting Repress) Quick View

    $15.99
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    FM (Awaiting Repress)

    FM is the third full-length studio album by The Skints and their first on Easy Star Records. The Skints have been blowing up every clichÉ about modern reggae en route to becoming the hottest UK reggae act around.
    1. FM: DJ Mr. Versatile Breakfast Show
    2. This Town (featuring Tippa Irie & Horseman)
    3. In The Night (featuring Horseman)
    4. Come To You
    5. My War
    6. FM: Dancehall Dilemmas with Dr. Ranking Pegasus
    7. Friends & Business
    8. Where Did You Go?
    9. Tazer Beam (feat. Tippa Irie)
    10. The Forest For The Trees
    11. FM: Grime Hour with Rivz
    12. Eyes In The Back Of My Head (featuring Rival)
    13. Got No Say
    14. FM: DJ Mr. Versatile Evening Session
    15. Tomorrow
    The Skints
    $15.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Yeye Existentialiste Yeye Existentialiste Quick View

    $34.99
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    Yeye Existentialiste

    This album is the first 'best of' to fully cover the bands 20 years of releases with all the tracks fully re-mastered. Stereo Total is the Berlin based French-German duo Françoise Cactus and Brezel Göring, whose playful eclectic music incorporates any-thing from New Wave, Pop Electronique, 60's French pop mashed up with trashy Garage and Disco to form the band's distinctive sound: Stereo Total have released numerous studio albums, singles and film soundtracks on a variety of labels over the years around the world. A truly over-ground underground global lo-fi pop phenomenon! Features 28 recordings that span their twenty year career.
    LP 1
    1. I Love You ONO

    2. Musique Automatique

    3. Heroes

    4. Pixelize Me
    5. Everybody In The Discotheque (I Hate) - Blow Up Mix
    6. Alaska
    7. Do The Bambi
    8. Comme Un Garçon
    9. Relax Baby Be Cool
    10. Wir Tanzen Im 4-eck
    11. CafÉtÉria IdÉale
    12. Schön Von Hinten
    13. L'Amour À Trois
    14 .C'est La Mort


    LP 2
    1. Push It

    2. LA, CA, USA
    3. Holiday Innn
    4.I ch Bin Nackt
    5. Partir Ou Mourir
    6. Cosmonaute
    7. Ich Bin Der Stricherjunge
    8. Miau Miau
    9. FÜr Immer 16
    10. Dactylo Rock
    11. Die Frau In Der Musik
    12. Comicstripteasegirl
    13. Heaven's In The Back Seat Of My Cadillac
    14. Les Minets

    Stereo Total
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Not Too Late Not Too Late Quick View

    $20.99
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    Not Too Late

    With their colourful mix of rock, jazz and prog OUT OF FOCUS sat quite trends and helped to make the term Krautrock become a trademark. The band formed in the late Sixties in Munich, took part in a band competition in 1970 in the then trendy disco Blow Up, and convinced the Nuremberg based Kuckuck label such that immediately followed a record contract.
    1. One that's very easy
    2. The way i know her
    3. Spanish lines
    4. It's your life
    5. X
    6. Hey john
    7. Y
    Out Of Focus
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Down On The Upside Down On The Upside Quick View

    $34.99
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    Down On The Upside

    Remastered Reissue On 180 Gram Vinyl


    After the huge commercial breakthrough of Superunknown-where Soundgarden expanded its attack to include pop hooks, psychedelic riffage, and production values-the foursome decided to work harder at rocking harder.


    From the opening chords of Pretty Noose, the group brings out the brawny guitars and slightly leavens them with sweet harmonies. With Rhinosaur, Kim Thayil churns out more guitar-hero riffs for young America to master. Zero Chance turns to the quiet side as Chris Cornell ruminates in a depressive mood: Born without a friend/And bound to die alone. Ty Cobb floors the acceleration with no brakes. Robin Trower's Bridge of Sighs is evoked within Tighten & Tighter, while No Attention ventures toward Rocks-era Aerosmith, an occasional Soundgarden touchstone.


    The album's obvious centerpiece, however, is Blow Up the Outside World, with its mix of acoustic and electric guitars; it builds toward a cathartic chorus that rings true of everything Soundgarden could ever be.

    LP 1
    1. Pretty Noose
    2. Rhinosaur
    3. Zero Chance
    4. Dusty
    5. Ty Cobb
    6. Blow Up The Outside World
    7. Burden In My Hand
    8. Never Named


    LP 2
    1. Applebite
    2. Never The Machine Forever
    3. Tighter & Tighter
    4. No Attention
    5. Switch Opens
    6. Overfloater
    7. An Unkind
    8. Boot Camp

    Soundgarden
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Forever Found EP Forever Found EP Quick View

    $13.99
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    Forever Found EP


    Limited Edition Clear Vinyl


    The EP is highlighted by title track "Forever Found," which has already been championed by the ever-influential public radio station, KCRW, as well as by LA Weekly, which recently cited the evocative track in naming KAN WAKAN among the "Los Angeles Bands About To Blow Up" in coming months. In addition to an evolved take on the original "Forever Found" recording, the EP includes the spectacular "Midnight Moon," an epic suite of unprecedented adventurism, presented in two remarkable movements.


    KAN WAKAN emerged in early 2012, under the moniker of Oren Lyons, as the musical brainchild of composer/producer/multi-instrumentalist Gueorgui I. Linev. The Bulgarian-born musician originally set out to create solely instrumental music inspired by his lifelong passion for classical minimalism, but the involvement of chanteuse Kristianne Bautista and producer/guitarist Peter Potyondy rapidly saw the project grow in both scope and purpose.


    Since then they have dubbed themselves with the Native American-inspired abstraction, "KAN WAKAN." The trio was abetted by Ian Anderson (bass), Dannon Rampton (violin), Jesse Aumiller (keyboards, saxophone), and Keith Krey (drums), all of whom helped bring the bold sonic vision to full fruition. At the forefront is Bautista's powerful, provocative voice - described by Linev as not unlike "the lead instrument in an orchestra" - which conveys remarkable levels of romantic nuance and human complexity to songs like the mysterious "Moving On" which can also be found on the EP.


    - DaveHHM (Hellhound Music)

    1. Forever Found
    2. Moving On
    3. Moving On (Robin Hannibal Remix)
    4. Midnight Moon, Pt. 1
    5. Midnight Moon, Pt. 2
    Kan Wakan
    $13.99
    Colored Vinyl EP - Sealed Buy Now
  • Gunpowder (Original Soundtrack) Gunpowder (Original Soundtrack) Quick View

    $39.99
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    Gunpowder (Original Soundtrack)

    Import

    180-Gram Audiophile Vinyl


    PVC Protective Sleeve


    Includes 4-Page Booklet


    Score By Multiple Award Nominated Hauschka (Lion)


    Limited Edition Of 500 Individually Numbered Copies On Silver Vinyl


    Volker Bertelmann, better known by his stage name Hauschka, composed the music for the three-part HBO thriller Gunpowder. The soundtrack with the recognizable sound from his prepared piano play and the use of alien objects on top of the hammers and strings. The unique melodies he created for the series came to life by using a minimal approach and using the same frequency of the piano as the voice of the conversations. The impact of the scenes are furthermore supported by the use of strings and drums.


    The miniseries Gunpowder is based on the real 17th century Gunpowder Plot, in which a group of English Catholics led by Robert Catesby tried and failed to kill the King of England by blowing up the House of Lords. Harington stars as Catesby, who was a committed Catholic at a time when Protestant England persecuted Catholics relentlessly.


    Gunpowder is available as a limited edition of 500 individually numbered copies on silver vinyl.

    1. Opening Theme
    2. Execution - Torture - Hanging
    3. Retrieving Corpses
    4. Back Alley - Fawkes
    5. Why Have You Brought Us Here
    6. Forgive Me
    7. Escape - Chase - Tunnel
    8. If This Be A Game
    9. Men Of Honor And Piety
    10. Guy Fawkes Arrested
    11. A Steadfast Heart
    12. The Storm Is Upon Us - Guy Torture
    13. Barrage - They Are Here
    14. Gunned Down
    15. Execution
    16. Epilogue
    17. Closing Theme
    Volker Bertelmann (Hauschka)
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Tail Swallower And Dove Tail Swallower And Dove Quick View

    $20.99
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    Tail Swallower And Dove

    Pink And White Vinyl With Pink Splatter


    On Tail Swallower & Dove, These Arms Are Snakes move through
    10-songs with the cracked grace of bolted lightning, rolling and
    leveling, seeking a space to storm into. The band, comprised of Chris
    Common (drums, percussion), Brian Cook (bass, guitar, keyboards),
    Ryan Frederiksen (guitar, keyboards), Steve Snere (vocals, effects),
    have brought their non-stop work ethic of touring and beyond-intense
    performance to the studio with career defining result.


    Not any one thing. TAAS play with their history, with their personalities
    built deep into the music. You hear it in every innovation, behind each
    note. A beautiful collision of what has always been with what is
    completely unexpected. It's evident in the weight of the words,
    structure of the songs, the linkage of current and construction:
    concrete writing, coupled with a natural approach to recording, that
    brought the band - helmed by Chris Common, to produce and engineer
    - back into the semi-secret Red Room, in Seattle, Washington, to track
    and mix.


    The result is more an album - a coherent whole - than a cycle of
    individual songs. The music circles around, from beginning to end,
    looping seamlessly and devouring any sense of arrested motion. The
    first single, "Red Line Season," is all guitar-hook-squirm, leading to an
    anthem of a chorus. "Seven Curtains" explodes into being after thirtyseconds
    of gorgeous, low volume riffing. It's here that the band's
    strength in the studio really shows. From the textural depth of the
    keyboards and guitar tones, to the vocal delivery, the attention to
    detail is incredible. Each sound sets up huge spatial relationships,
    creating a dynamic tug-o-war, and building up a groove that continues
    throughout - marked by impossibly nimble drumming - blowing up the
    room with resonant vibration.

    1. Woolen Heirs

    2. Prince Squid

    3. Red Line Season

    4. Lucifer

    5. Ethric Double

    6. Seven Curtains

    7. Long And Lonely Step

    8. Lead Beater

    9. Cavity Carousel

    10. Briggs

    These Arms Are Snakes
    $20.99
    Colored Vinyl LP - Sealed Buy Now
  • MILANO MILANO Quick View

    $22.99
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    MILANO

    MILANO is the new album from Emmy nominated Italian composer, producer and artist, Daniele Luppi, along with New York rock band Parquet Courts.


    MILANO is a concept album, complete with songs that are fictionalized stories about misfits, fashionistas, outcasts and junkies in mid-1980s Milan. Daniele teamed up with Parquet Courts and Yeah Yeah Yeah's vocalist, Karen O, to help deliver his vision of an emerging youth culture struggling to be heard amidst the rapid gentrification of old Milan.


    The first offering from the album was the track Soul and Cigarette, a jaunty, springy tune belies its more sinister, saddened backstory of artistic struggle. Andrew Savage of Parquet Courts describes Soul and Cigarette as a tribute to Alda Merini, one of Milan and Italy's most renowned poets, yet unfortunately not as heralded internationally. He says, I was reading her and trying to imagine Milan as she saw and experienced it. Her story is one of great suffering and her verse is often quite painful, an important juxtaposition from the cosmopolitan Milan we associate with luxury and excess.


    The second track released from MILANO was Talisa featuring Karen O. Talisa is a love letter to Talisa Soto, the model and actress who was a dear friend and muse of revered designer Gianni Versace. Celebrated for her model-esque figure and striking beauty, Talisa appeared in numerous Versace ad campaigns at the height of the brand's fabled existence. Talisa's comely face was regularly plastered on billboards across Milan and she was a steady presence on the catwalks during Milan Fashion Week. Says Daniele, For Talisa's lyrics, Karen and I dreamed up a fantasy photoshoot, a la Antonioni's Blow Up. We imagined a scenario where Talisa is on set in a fantastical couture creation and Gianni himself is the photographer. We wanted to capture the excitement, vibrancy and fast lane life of Milano in the 80s, draped in fashion and models, as clichÉ as that may seem.


    MILANO is the unofficial follow up to Luppi and Danger Mouse's 2011 album Rome, a love letter to classic Italian film scores, with Jack White and Norah Jones.

    1. Soul and Cigarette
    2. Talisa (feat. Karen O)
    3. Mount Napoleon
    4. Flush (feat. Karen O)
    5. Memphis Blues Again
    6. Pretty Prizes (feat. Karen O)
    7. The Golden Ones (feat. Karen O)
    8. Lanza
    9. CafÉ Flesh
    Daniele Luppi & Parquet Courts
    $22.99
    Vinyl LP - Sealed Buy Now
  • Live Live Quick View

    $36.99
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    Live

    Sundazed Music is proud to present a genuine psychedelic landmark: Live by Moby Grape, the first official collection of concert recordings by the legendary San Francisco band at its blazing late-Sixties peak. At that time, in rock's hippest city, there was no other band like the original Grape: Jerry Miller, Skip Spence, Bob Mosley, Peter Lewis and Don Stevenson. Their Columbia debut LP, Moby Grape, issued in June 1967, is still acclaimed as one of the greatest rock albums evera thrilling union of blues, soul, country, surf twang and day-glo garage rock, packed into original killer-pop songwriting. Even as extreme Columbia hype, devastating business hassles and Spence's tragic mental collapse threatened to blow up the band, the Grape continued to make immortal albums, including 1968's Wow and the magnificent Moby Grape '69.


    But the records told only half of the tale. Moby Grape, in their prime, were also one of the Bay Area'sand America'sbest stage bands, like the Beatles and Rolling Stones in one, with a breathtaking triple-guitar attack and stunning vocal harmonies.


    Live is the long-awaited proof. It features more than an hour of dynamite performances from soundboard and broadcast tapes, including tracks from the Avalon Ballroom in 1967 and the band's complete long-lost set at the Monterey Pop Festival, just a week after Moby Grape came out. There are live versions of the great rare Grape songs Rounder and Looper and five tracks from a famous Dutch radio show featuring the hard-charging '69 lineup of Miller, Mosley, Lewis and Stevenson.


    And Live climaxes with the historic first-ever release of Spence's acid-guitar masterpiece Dark Magicnever recorded in the studio by the original band but presented here in an epic 17-minute performance at the Avalon, on New Year's Eve 1966. Moby Grape were the hottest band in town that night, with the whole rock & roll world ahead of them. And they sound like it. These four-decade-old recordings have been spectacularly mastered, in you-are-there fidelity, and this album comes with sumptuous packaging and rare photos, in true Sundazed style, plus liner notes by Rolling Stone writer and Moby Grape authority David Fricke. Live presents, at last, the untold part of Moby Grape's incredible story. It is San Francisco psychedelia at its zenith and the best historical rock release of the year.

    1. Ain't No Use (Avalon Ballroom, San Francisco, 1967)
    2. Rounder (Avalon Ballroom, San Francisco, 1967)
    3. Looper (Avalon Ballroom, San Francisco, 1967)
    4. Bitter Wind (Avalon Ballroom, San Francisco, 1967)
    5. Changes (Avalon Ballroom, San Francisco, 1967)
    6. Indifference (Avalon Ballroom, San Francisco, 1967)
    7. Someday (Avalon Ballroom, San Francisco, 1967)
    8. Introduction (Monterey International Pop Festival, 1967)
    9. Indifference (Monterey International Pop Festival, 1967)
    10. Mr. Blues (Monterey International Pop Festival, 1967)
    11. Sitting by the Window (Monterey International Pop Festival, 1967)
    12. Omaha (Monterey International Pop Festival, 1967)
    13. Sweet Little Angel (San Francisco, 1967)
    14. Murder in My Heart for the Judge (RAI, Amsterdam, Netherlands, 1969)
    15. I Am Not Willing (RAI, Amsterdam, Netherlands, 1969)
    16. Trucking Man (RAI, Amsterdam, Netherlands, 1969)
    17. Fall on You (RAI, Amsterdam, Netherlands, 1969)
    18. Omaha (RAI, Amsterdam, Netherlands, 1969)
    19. Dark Magic (Avalon Ballroom, San Francisco, 1966)
    Moby Grape
    $36.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Singles 1966-1969 Singles 1966-1969 Quick View

    $49.99
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    Singles 1966-1969

    Sundazed is proud to release The Velvet Underground Singles 196669, a 7 x 7 single box set honoring the legendary New York combo's 7 vinyl output in their rare mono versions. The set features exact reproductions of Velvet Underground singles, two of them with their original picture sleeves. The singles are packaged in a distinctively designed box, along with rare vintage photos and new liner notes by Rolling Stone's David Fricke (who also penned the acclaimed notes for the historic 1995 Velvets CD box set Peel Slowly and See).


    The Velvet Underground whose membership included Lou Reed, John Cale, Sterling Morrison, Maureen Tucker, Doug Yule and Nico introduced numerous sonic and thematic innovations that laid much of the groundwork for punk and alternative rock. Although they're now acknowledged as one of the most influential bands in rock history, during their existence the Velvets barely registered on mainstream radar, and were often reviled by mainstream observers as well as hippie-era arbiters of cool. But, as Fricke writes in the new set's liner notes, Somewhere, in another rock & roll universe, the Velvet Underground are more than a legendary band. They are stars, with hit singles, the original seven-inch masterpieces inside this box.


    Although they never came close to scoring a hit, the Velvet Underground was ideally suited to the 7 single format. The Velvet Underground were a great singles band, David Fricke notes, adding that the Velvets invented modern rock with searing guitar distortion, throbbing improvisation and brutally realistic tales of life on the wild side. But they did it all in these classic pop songscompact miracles of raw drive, intimate beauty and Top 40 ecstasy, heard again in the original, thrilling mono single mixes.


    The seven singles included in The Velvet Underground Singles 196669 comprise the four Velvets singles originally released in the U.S. on the Verve and MGM labels, plus an additional pair of singles that were prepared for release but never made it to the marketplace and a special radio-only promotional single. The singles feature alternate mono versions that differ in significant ways from the songs' better-known stereo album versions. For instance, the band's 1966 debut single All Tomorrow's Parties appears here in a special mono edit that amplifies the song's melodic beauty and sonic tension, and a mono mix of their sophomore single Sunday Morning emphasizes the song's haunting quality. Meanwhile, the mono single version of White Light/White Heat exemplifies the vintage Velvets' stark, distortion-laden fury, while a mono edit of What Goes On accentuates that song's inherent pop jangle.


    The Velvet Underground Singles 196669 also includes two unissued singles, one with a never-released pairing of White Light/White Heat backed by I Heard Her Call My Name, and the other with Temptation Inside Your Heart and Stephanie Says, recorded in the waning days of the band's classic Reed/Cale/Morrison/Tucker lineup and unheard by the public for nearly two decades thereafter. The set's seventh single is a reproduction of a vintage promotional disc, a two-and-a-half minute radio spot promoting the band's eponymous third album and featuring legendary disc jockey Bill Rosko Mercer, with excerpts from Im Set Free, What Goes On and Beginning to See the Light, as well as a picture sleeve with an un-airbrushed variation on the album's iconic cover art.


    By presenting the Velvets as a singles band, The Velvet Underground Singles 196669 shows, in David Fricke's words, rock history the way it should have been: the Velvet Underground as the New York Beatles, guaranteed to blow up your radio and your mind.

    Single 1
    All Tomorrow's Parties / I'll Be Your MirrorVerve VK-10427


    Single 2
    Sunday Morning / Femme FataleVerve VK-10466


    Single 3
    White Light/White Heat / Here She Comes NowVerve VK-10560


    Single 4
    White Light/White Heat / I Heard Her Call My Name Cancelled Single


    Single 5
    Temptation Inside Your Heart / Stephanie Says Cancelled Single


    Single 6
    What Goes On / JesusMGM K-14057


    Single 7
    VU Radio Spot / VU Radio SpotMGM VU-1

    Velvet Underground
    $49.99
    Vinyl LP (7x7 Box Set) - Sealed Buy Now
  • Old Salt Old Salt Quick View

    $19.99
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    Old Salt

    Gatefold Packaging


    They came from Venus to destroy the cities. Valient Thorr is a wild ass Rock N Roll band
    said to hail from inside of the planet Venus. Since crash landing on Earth in the year 2000,
    they've played well over 1500 shows all over the world. They've toured with visionaries
    from Motörhead and Joan Jett to contemporary heroes like Mastodon, Gogol Bordello,
    and Clutch.  Since 2005 they have put out six full length records and two seven inches!.


    And just so you, don't think we're blowing smoke, look them up! This is only the cusp of
    the feats of greatness this hard working, sweat drenched band has accomplished. And
    that's just So Far!! Take it from any of their legion of fans all over the world, known as the
    Thorriors!

    1. Mirakuru
    2. Lil Knife
    3. Cut And Run
    4. No Count Blues
    5. The Trudge
    6. Worm Up
    7. Spellbroke
    8. Linen Maker
    9. The Shroud
    10. Looking Glass
    11. Jealous Gods
    Valient Thorr
    $19.99
    Vinyl LP - Sealed Buy Now
  • Terrestrial Grief Terrestrial Grief Quick View

    $14.99
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    Terrestrial Grief

    It's apparent from the get-go: Omotai is a band that know what they want to accomplish and how to knock it out. Following two US tours and supporting slots for The Sword, Yob, Dark Castle, Thrones, Big Business and countless others, Omotai release their follow-up LP Terrestrial Grief.


    The songs are brief, frenetic explosions of sound, a deft blend of grindcore, sludge, progressive noise-rock, math metal and whatever else happens to be blowing the band's skirt up at the time, all of it reaching your ears sopping with distortion and twisted to superior volume. Melissa Lonchambon Ryan's omnipresent bass rumble lines up with Sam Waters' relentless guitar riffery like a taloned fist to a shredded glove, while Anthony Vallejo's incomparable percussive bloodlust feels more like machine-gun-equipped battalions bent on sheer attrition. All three members share vocal duties seamlessly, razored shrieks punctuated by Ryan's wispy alto, the lyrics an outlandish cocktail of drunken nihilism and avant-garde sci-fi. A tough band to pigeonhole, granted, but definitely one worth seeking out.

    - Daniel Rills

    1. Vela Hotel
    2. This Is For Zora
    3. Spanish Constellation
    4. Spidercave
    5. Seabitch
    6. Terrestrial Grief
    7. Lurching Away
    8. Orison
    9. Life In The Hive
    10. Hollow Innards
    11. Yuri
    Omotai
    $14.99
    Vinyl LP - Sealed Buy Now
  • Bringing It All Back Home (Awaiting Repress) Bringing It All Back Home (Awaiting Repress) Quick View

    $49.99
    Buy Now
    x

    Bringing It All Back Home (Awaiting Repress)

    Ranked 31/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Dylan's 1965 Landmark Blows Up Boundaries, Styles, Practicalities: Rock Music Becomes its Own Art Form


    Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity


    Best of Both Worlds: Dylan Pairs With a Band on Side One, Goes It Alone on Astonishing Solo Thought Dream Odysseys on Side Two


    Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song Represents New Benchmark in Respective Categories


    Numbered, Limited Edition


    Bob Dylan's Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the albums you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information.


    The sonics are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbias Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fan into a tizzy. And what better record to cause such enthusiastic reactions?


    More than 45 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant whos privy to cerebral viewpoints, mental transferences, and thought dreams elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naivetÉ, and tarnished relationships, respectively, Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk musics imprisoning rules and bounding restrictivenessand a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.


    Side One remains one of the boldest cohesive artistic statements ever assembled. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping, slashing, and rolling through Maggies Farm, another fun albeit caustic indictment of homogenous thought and bohemian method. Dylans attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery.


    Bringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums dont come more vetted. You deserve to experience it in the finest-possible quality.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Subterranean Homesick Blues
    2. She Belongs To Me
    3. Maggies Farm
    4. Love Minus Zero/No Limit
    5. Outlaw Blues
    6. On the Road Again
    7. Bob Dylans 115th Dream
    8. Mr. Tambourine Man
    9. Gates of Eden
    10. Its Alright, Ma (Im Only Bleeding)
    11. Its All Over Now, Baby Blue
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Blue Planet Eyes Blue Planet Eyes Quick View

    $19.99
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    Blue Planet Eyes

    The Preatures have announced that their highly-anticipated debut album Blue Planet Eyes.


    With two acclaimed EPs to their name, the band found time amid their intense 2014 touring schedule to record their long-awaited LP, alongside producer Jim Eno (best known as the drummer of Texan rockers Spoon). The recording began in Jim's Public Hi Fi studio in Austin, Texas and was wrapped up at the band's own Doldrums Studio in Surry Hills, with lead guitarist Jack Moffitt co-producing the record.


    Blue Planet Eyes not only lives up to its bold aspirations, it blows them away. As addictive as it is ambitious, it takes the promise of 'Is This How You Feel?' and projects it widescreen, popping with delicious grooves, hip-hugging basslines and choruses that just won't quit.

    1. Blue Planet Eyes
    2. Somebody's Talking
    3. Is This How You Feel
    4. Ordinary
    5. Two Tone Melody
    6. Rock And Roll Rave
    7. Whatever You Want
    8. Cruel
    9. It Gets Better
    10. Business, Yeah
    The Preatures
    $19.99
    Vinyl LP - Sealed Buy Now
  • Still Life Still Life Quick View

    $19.99
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    Still Life

    Dawn Golden is the work of Los Angeles-based producer Dexter Tortoriello. He gained exposure in 2010 when his other (much more serene) project, Houses began getting wide spread attention. Dawn Golden is it's opposite. Influenced by everything from doom metal bands like Neurosis to avant noise artists such as Xiu Xiu, the songs pound with a calm, but dire urgency. The project began in Tortoriello's bedroom as an experiment in different recording techniques, and quickly escalated as vocals were added and ideas rounded out. Dawn Golden released his first EP, Blow, in April 2011. The effort, which featured standouts like "Blacks" and "White Sun," received critical acclaim from NPR and Pitchfork. Post-Blow, Tortoriello started recording albums for both Dawn Golden and Houses, releasing Houses' A Quiet Darkness in May 2013. During this period, he continued working on the songs for what would become Dawn Golden's debut LP, Still Life. The album was recorded over the last three years at the Mad Decent studios in Los Angeles.


    Still Life is built around stream-of-conscious craft that explores the doleful voids of addiction, love, and death. Led by its first single "All I Want," Still Life gains its stark emotional perspective through some of the most unique production you're likely to hear this year. There's heavy exploration of sonic texture, and Tortoriello uses frozen cut-ups and creative vocal editing to flip a traditionally-futuristic sound into something that oozes feeling.

    1. Discoloration
    2. All I Want
    3. Sleight Orchestra
    4. I Won't Bend
    5. Swing
    6. The Beekeeper
    7. Still Life
    8. Chevrotain
    9. Last Train
    10. Brief Encounter
    Dawn Golden
    $19.99
    Vinyl LP - Sealed Buy Now
  • It Comes To You In A Plain Brown Wrapper It Comes To You In A Plain Brown Wrapper Quick View

    $36.99
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    x

    It Comes To You In A Plain Brown Wrapper

    One of the most exciting aspects of reintroducing so much rare and incredible music to the world is being able to finally make available material thats been in label-vault limbo since the day it was recorded, vital sounds locked away from the deserving ears of the legions of devoted music fans we at Sundazed count ourselves among. But when were able to present previously shelved material by one of the most visionary and influential artists of all time, in exceptional fidelity, with the look and feel of the packaging that the artist originally meant it to have? Well, then, that just takes everything to another level completelya level thats certainly been reached with the exclusive vinyl-only issue of Captain Beefheart and His Magic Bands mind-blowing lost 1967 sessions.


    Recorded in part as the follow-up to Safe as Milk, Beefhearts debut from earlier that year, the world-shattering material on It Comes to You in a Plain Brown Wrapper was rerecorded, truncated, and issuedwithout the Captains approvalas Strictly Personal in 1968. Mastered directly from the original analog tapes and featuring a wealth of unedited takes never before on vinyl, Sundazeds stunning gatefold double-LP release of this infamously enigmatic opus comes to you wrapped in a sharp outer sleeve bearing specially commissioned artwork by Frank Zappa/Straight Records illustrator Cal Schenkel replicating the albums planned 67 design; inside are rare photos and fascinating, exhaustive liner notes by Magic Band drummer John Drumbo French.


    So here, then, is Captain Beefheart and His Magic Bands second album of gloriously disjointed avant-rock/blues and free-jazz skronk, presented just as natureand the Captainintended. Even after more than 40 years, this music is still hopelessly ahead of its timeor, as one-time Magic Band member Ry Cooder once described it, right on time.

    1. Gimme Dat Harp Boy
    2. Dirty Blue Gene
    3. Beatle Bones 'n' Smokin' Stones Pt. 1 & 2
    4. Trust Us (take 9)
    5. Safe as Milk (take 12)
    6. Moody Liz (take 8)
    7. On Tomorrow
    8. Big Black Baby Shoes
    9. Flower Pot
    10. Korn Ring Finger
    11. Safe as Milk (take 5)
    12. Trust Us (take 6)
    13. Moody Liz (take 16)
    Captain Beefheart & His Magic Band
    $36.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Melbourne Melbourne Quick View

    $16.99
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    Melbourne

    It's the original rock n' roll fantasy: to be genius, aloof, deserving. To be instantaneously swept from the wings of obscurity into the arms of acclaim. Well, that's what I've heard at least.


    But who does this really happen to? Most successful musicians will tell you it's not enough to make brilliant music. You've got to work it constantly, clawing and hustling to get people to the next show, to finance the next record. How pedestrian. How droll. Why can't it just happen?


    No, it would seem there are no rock n' roll fairytales anymore. Or are there?


    Ladies and gentlemen, meet Jackson Scott, indie's newest prince charming. At the tender age of 20, Scott is already receiving more attention for his forthcoming debut, Melbourne than many musicians get in a lifetime.


    When an artist blows up this quickly it's hard to hear their music from an unbiased position. Questions unfailingly arise: What's the deal? Is he really that f-in' good? Did Daddy pay the promo man (remember The Strokes)? Is this guy for real?


    So, before we go on, let me just say, this record is good. Like, really good. Like, "I'm kinda freaked out that a kid who's been making music for a year did this by himself on a 4-track" good.


    So, let's ignore the hype for a while.


    First, the strength of Scott's songwriting is undeniable. Yea, there are some instrumentals here... but overall these songs stick with you. They have power, and with most of them clocking in at around the two minute mark, you won't get bored. Lyrically, Scott both flirts with and repudiates the kind of adolescent moodiness associated with the mopey 90's. Conversely, his musings also betray a connection to the well-fed and perpetually distracted iPhone generation.


    Melbourne also offers plenty of rewards in its production. Scott has the hissy, tape, psych-pop thing down. He's experimental where he needs to be and hooky where it counts. These homespun recordings sound like early Ty Segall as produced by The Elephant 6 Recording Co. While Scott acknowledges Segall as an influence, he claims ignorance of the famed recording collective. That said, his misanthropic use of sped-up vocals suggests otherwise.


    Melbourne opens with "Only Eternal", a wash of ambient guitar. This brooding intro slyly transitions into "Evie", with its sludgy, driving rhythm, Twilight Zone guitar hooks, and wavering harmonies. Peppy and short, "Sandy" is a druggy acoustic-pop highlight.


    "That Awful Sound" is the song that gained Scott so much attention in the first place. Nothing if not a solid single, its strummed acoustics, booming rhythm, and pseudo-Chipmunk vocals are impossible to hear without thinking of Elephant 6. It's not surprising that the crew at Pitchfork (no doubt approaching middle age and feeling a little nostalgic) picked this track to be "the song". This kind of thing ruled all hell in 1998. If not the best track on the record, it is at least the most classifiable, and by extension the most marketable.


    "Any Way"... is the high-water mark for Scott's pitch-shifted vocals. It's the kind of song Jackson Scott really sells. It's quick, melody driven, and vaguely flippant. With its toy marimba solo, it also exposes the childlike undercurrent running throughout this record.


    "Together Forever" is one of my favorite songs on Melbourne. If you listen closely you can hear the famous background vocals from "Where is My Mind?" at the beginning. To me this is Jackson Scott playing it straight. His voice sounds like a real person and his noisy guitar swells are just as mind-bending as anything coming out of the current psych-revival.


    "In The Sun" is reminiscent of the late Scott Miller's more stripped-down moments with Game Theory. The song's chorus reminds us of how much an inspiration Kurt Cobain is to Scott.


    Notwithstanding the strength, charisma, and raw talent exhibited on Melbourne, it feels like Jackson Scott has skipped a few levels. Although Cinderella sometimes does well in sports and American Idol, Jackson Scott is going for something much weightier, much deeper. Dare we call it, legitimacy?


    -Jacob Sides

    1. Only Eternal

    2. Evie

    3. Never Ever

    4. Sandy

    5. That Awful Sound

    6. Tomorrow

    7. Wish Upon

    8. Any Way

    9. Together Forever

    10. In the Sun

    11. Doctor Mad

    12. Sweet Nothing
    Scott Jackson
    $16.99
    Vinyl LP - Sealed Buy Now
  • Angels & Devils Angels & Devils Quick View

    $29.99
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    Angels & Devils

    It's after the end of the world, don't you know that yet...


    With recent reports from various think tanks predicting we have somewhere in the range of 15 years left before the collapse of society begins, it would seem like Kevin Martin's sonic predictions of dystopian London that were set out on 2008's London Zoo were pretty accurate. And if we are in fact declining rapidly to chaos, there's no better time then the present to take the focus of that sonic assault from earthly domains and blast it to the netherworlds above and below.


    The aforementioned London Zoo is where Kevin Martin, found his true voice. Pulling the fringes into a collective, unilaterally hateful assault. A psychological warfare driven by bass that on one hand captured a moment of London, yet also encapsulated a global message influenced by years of timeless and classic out-music.


    The latest offering from the The Bug, Angels & Devils, escapes the London cage, drawing on it for influence yet blowing it up into a world-view now seen from Kevin Martin's new Berlin home. A record that simultaneously draws on London Zoo, completes a triptych cycle which started with his Bug debut Pressure, and fills the spaces between and inserts what was missing previously. Both a year zero re-set and a continuation of what has been. Like the Bowie/Eno classic Low, or Can's Tago Mago, the album is split into two distinct themes and explorations of light & dark. Bringing the angel & devil voices together under a single common banner. Antagonist at times, but not solely for the sake of being antagonistic, there's a beauty and lush sparseness to be found within, even when at its most chaotic. Truly only The Bug could find the common ground between Liz Harris (of Grouper) & Death Grips and make it seamless. Angels & Devils stretches the polarity of its predecessor in both directions simultaneously and is even more extreme for its new found seductiveness and added intensity. Deep space is explored, and physical assault is administered. In these days of YouTube quick fixes, and single tune memory spans, its a joy to witness Martin actually charting a cohesive narrative that rejoices in celebrating life through sonic sex and violence, beauty and ugliness. This is an audio thriller that delights in pursuing its own singular path/vision.


    With the Angel side(s) up first, things kick off with Liz Harris (of Grouper) in the submerged lushness that is Void. Followed by contributions from ex Hype Wiliams half copeland (Fall), the blissed out patois of touring partner Miss Red (Mi Lost), two truly zoned Bug instrumentals, and rounded out by Gonjasufi on Save Me. It's a collection of heady, dubbed out cinematic blissfulness with a lurking darkness before giving way to devils...


    Devils leads off with the return of long time collaborator Flowdan on the mic and the guitar of Justin Broadrick (Godflesh / Jesu) bringing a complete about face to the proceedings and setting the tone with The One. Roll Deep's Manga steps up next with the instant Bug classic Function, which is being currently smashed on dubplate, by Mala, Kahn and Logan Sama. Death Grips raise the antagonistic bar with Fuck A Bitch. Flowdan & Justin Broadrick come back for the cinematic death crawl of Fat Mac. Warrior Queen steps in for hands down the nastiest vocal she's ever delivered (which is saying a lot) for Fuck You, and finally Flowdan steps up again to round it all off with a Devils battle cry of sorts dirty, fuck that murky....


    The concept is completed by the artistic expression it's packaged in, courtesy of Simon Fowler (Cataract). Known for his work for Sunn O))), Earth, and others, Simon has delivered a stunning hand drawn illustration, that sort that would make Bosch proud, showing the duality of the proceedings.


    Utopian/dystopian, black/white, complexity/singularity, negative/positive... Angels/Devils.

    1. Void (Featuring Liz Harris)
    2. Fall (Featuring copeland)
    3. Ascension
    4. Mi Lost (Featuring Miss Red)
    5. Pandi
    6. Save Me (Featuring Gonjasufi)
    7. The One (Featuring Flowdan)
    8. Function (Featuring Manga)
    9. Fuck a Bitch (Featuring Death Grips)
    10. Fat Mac (Featuring Flowdan)
    11. Fuck You (Featuring Warrior Queen)
    12. Dirty (Featuring Flowdan)
    The Bug
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Bringing It All Back Home (Mono) Bringing It All Back Home (Mono) Quick View

    $49.99
    Buy Now
    x

    Bringing It All Back Home (Mono)

    Ranked 31/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Dylan's 1965 Landmark Blows Up Boundaries, Styles, Practicalities: Rock Music Becomes its Own Art Form


    Wider Grooves, Superior Sound, Original Mono Mix, Meticulously Mastered


    Strictly Limited to 3,000 Copies


    Best of Both Worlds: Dylan Pairs With a Band on Side One, Goes It Alone on Astonishing Solo Thought Dream Odysseys on Side Two


    Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song Represents New Benchmark in Respective Categories


    Bring it all back home - in mono. Originally designed by the artist for mono listening, Bob Dylan's Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. It's a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is humbled to have the privilege of mastering the iconic album on its world-renowned mastering system and pressing it on 45RPM LPs at RTI in its original mono format. Strictly limited to just 3,000 copies, the end result is the very finest, most transparent analog mono edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the album's you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information.


    Since Bringing It All Back Home features the most instrumentation Dylan implemented in arrangements at that stage of his career, the set is undoubtedly vivid in stereo - particularly the electric half. Yet the Minnesota native paid particular attention to the mono mix, which here presents Dylan with unparalleled directness. The record's second half sounds especially genuine, lifelike, and intimate in mono. It paints listeners an incredibly accurate portrait of the attention-getting mass of acoustic-based sound - and features no artificial panning or echo chamber of its stereo counterpart. Instead, you are immersed right into the music.


    Indeed, the sonics on this Mobile Fidelity reissue are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbia's Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fans into a tizzy.


    More than 50 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant who's privy to cerebral viewpoints, mental transferences, and thought dreams elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naivetÉ, and tarnished relationships, respectively, Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk music's imprisoning rules and bounding restrictiveness - and a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.


    Side One remains one of the boldest cohesive artistic statements ever made. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping, slashing, and rolling through Maggie's Farm, another fun albeit caustic indictment of homogenous thought and bohemian method. Dylan's attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery.


    Ranked 31 on Rolling Stone's list of the 500 Greatest Albums of All Time, Bringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums don't come more vetted. You deserve to experience the mono edition in the finest-possible quality, just as Dylan intended.


    This title is not eligible for discount.

    1. Subterranean Homesick Blues
    2. She Belongs To Me
    3. Maggies Farm
    4. Love Minus Zero/No Limit
    5. Outlaw Blues
    6. On the Road Again
    7. Bob Dylans 115th Dream
    8. Mr. Tambourine Man
    9. Gates of Eden
    10. Its Alright, Ma (Im Only Bleeding)
    11. Its All Over Now, Baby Blue
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
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