- Lowest Price
- Highest Price
Blue Chips 7000Featuring old friends and FTD regulars Big Body Bes and Mayhem Lauren along with Rick Ross and others (more to be announced soon) Bronsolino is getting back to basics with the style of Queens rap that brought him to the forefront of hip-hop 5 years ago. In that vein Bronson worked with some of his most frequent and trusted producers for the project in Alchemist, Harry Fraud and of course no Blue Chips project would be complete without the talents of BC OG Party Supplies.1. Wolfpack
2. La Luna
3. The Chairman's Intent
4. Hot Pepper (feat. Meyhem Lauren and Jah Tiger)
6. Let It Rain
7. My Right Lung
8. TANK (feat. Big Body Bes)
9. Let Me Breathe
10. 9-24-7000 (feat. Rick Ross)
11. The Choreographer
12. Chop Chop Chop
13. Durag vs. Headband (feat. Big Body Bes)$19.99Vinyl LP - Sealed Buy Now
World Wide FunkPressed On 2x Funkalicious Splatter Vinyl!
Bootsy Collins was born a long, long time ago in a subterranean cavern full of shining dinosaurs deep below the Ohio River.... - Iggy Pop, introduction to World Wide Funk
The funk runs deep and rich on World Wide Funk, Bootsy Collins' first studio album since 2011's Tha Funk Capital of the World. Populated with musical friends old and new, and recorded in his Cincinnati home's Bootzilla Re-hab studio, World Wide Funk marks both a reckoning and significant reboot, if you will, for the Rhinestone Rock Star Monster of a doll baby baba! Blue-chip rappers like Doug E. Fresh, Big Daddy Kane, DJ Quik, Dru Down, and Chuck D, along with guitar shredder Buckethead, join a Bootsy-curated posse of fresh new artists on a record that embraces everything from the classic P-Funk sound Bootsy pioneered to the closest Collins has ever come to radio-active, boots on the ground, friendly fire in a musical-P-rated-adventure.LP 1
1. World Wide Funk (feat. Doug E. Fresh, Buckethead & Alissia Benveniste)
2. Bass-Rigged-System (feat. Victor Wooten, Stanley Clarke, Manou Gallo, Alissia Benveniste & World-Wide-Funkdrive)
3. Pusherman (feat. Dru Down, BlvckSeeds , Mr. Talkbox)
4. Thera-P (feat. Tyshawn Colquitt & Alissia Benveniste)
5. Hot Saucer (feat. Musiq Soulchild & Big Daddy Kane)
6. Heaven Yes
7. Ladies Nite (feat. MC Eiht & BlvckSeeds)
8. Candy Coated Lover (feat. X-Zact, Kali Uchis & World-Wide-Funkdrive)
1. Snow Bunny (feat. Tyshawn Colquitt, Snowbunny & World-Wide-Funkdrive)
2. Hi-On-Heels (feat. October London)
3. A Salute To Bernie (feat. Dr. G. Bernie Worrell)
4. Boomerang (feat. Justin Johnson)
5. Worth My While (feat. Kali Uchis)
6. Come Back Bootsy (feat. Eric Gales, Dennis Chambers & World-Wide-Funkdrive)
7. Illusions (feat. Chuck D, Buckethead & BlvckSeeds)$24.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Always On My Mind (Awaiting Repress)180 Gram Blue Colored Vinyl
Produced By Chips Moman + Bobby Emmons
First Time Audiophile Blue Vinyl & Gatefold Cover Presentation
Mastered Impeccablty By Joe Reagoso - Manufactured At R.T.I.
Willie Nelson is a musical phenomenon and an American icon. His
legendary musical career began in the 50's, followed with a plethora
of hit songs written for the likes of Ray Price, Patsy Cline and Roy
Orbison, and then his own six decade long recording career in the
country, rock, pop, adult, and even jazz genres, sharing his legendary
vocal, guitar and songwriting persona for millions of fans worldwide.
With 1982's Always On My Mind Lp, Willie Nelson created one of the
most successful top charting hit albums of all time. The Lp features
Willie's stellar vocal and guitar interpretations on the definitive outlaw
version of Procol Harum's A Whiter Shade Of Pale (featuring Waylon
Jennings), his melancholy #1 title track Always On My Mind, plus an
incredible reading of Aretha Franklin's Do Right Woman, Do Right
Alongside great versions of tunes like Bridge Over Trouble Water
by Simon & Garfunkel, you also get some masterful Willie Nelson
originals like the LP closer The Party's Over. All in all, making Always
On My Mind the legendary album it is and always will be.
This fine album has been out of print for decades on vinyl, and it
is our honor to announce the first time 180 Gram Audiophile Vinyl
presentation of Always On My Mind by the legendary Willie Nelson
on Friday Music. This limited edition audiophile masterpiece is now
impeccably mastered by Joe Reagoso and also for a very limited
time is pressed by R.T.I. on translucent Blue Vinyl, and features from
the original LP artwork not seen in years, in a first time gatefold
You Were Always On My Mind ..1. Do Right Woman, Do Right Man
2. Always on My Mind
3. A Whiter Shade of Pale
4. Let It Be Me
5. Staring Each Other Down
6. Bridge over Troubled Water
7. Old Fords and a Natural Stone
8. Permanently Lonely
9. Last Thing I Needed First Thing This Morning
10. The Party's Over$31.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
REDD-MOM-2216xJon Spencer Blues Explosion
Freedom Tower - No Wave Dance Party 2015New York City is a big place. A loud place. Some of that noise is music. And some of the music is noise.
Sucking it all in and turning it loose with prejudice, the Jon Spencer Blues Explosion takes a ferocious bite out of the Big Apple with their new long-player, Freedom Tower - No Wave Dance Party 2015, the first record of the new era that demands to be stopped and frisked!
Like the best sides that percolated up from the Bronx, the Lower East Side, and Greenwich Village across the 1970s and '80s - Freedom Tower is more than a high-octane dance party record, it is a document of New York City, a chronicle of grit and terror and love!
It's all here: The Hustler and The Trust Fund Baby, the Mosh Pit Casualty, the Celebrity Chef, the Crooked Cop, the Struggling Artist, the Sucker MC, the forgotten Sex Workers and Last-Chance Cinderellas. Within these grooves are cold-water tenements, blue-chip galleries, dingy Avenue B studios, and the last real warrior poet whose dark magick brings garage rock ghosts back from the grave!
Freedom Tower is a radical portrait of New York City set to the savage funkacide of the Blues Explosion, locked and loaded with the most deadly, predatory guitar riffs that primitive magnetic tape can handle . From start to finish, Freedom Tower is overmodulated, cooked with dirt, and finished in acid rain! Freedom Tower is packed with the kind of beats and rhymes that will make even the most reserved Walter Mitty jump back and say "damn!"
For nearly a quarter-century the Blues Explosion have been sweating, freezing, eating, drinking, fucking, fighting, winning, and losing in New York City, perpetrating some of the most timeless moments of musical mayhem in the history of Manhattan and beyond. As ever, Jon Spencer tells the tales, Judah Bauer plays the blues, and Russell Simins smashes things to bits... And as always Blues Explosion stomp on the faux underground oasis peddled by bourgeois hipsters and marketing jocks to deliver the real deal - rock'n'roll that is unapologetically nasty and strong.
Rehearsed and polished in a string of secret gigs and unannounced opening slots in theaters, hotel bars, and dives (often under assumed names), and then recorded at the legendary Daptone House Of Soul in Bushwick and mixed with hip-hop cult legend Alap Momin at the cutting edge of Harlem, Freedom Tower is the most provocative statement of urban pathos and panache ever recorded.
Play this record at all-night rent parties, picnics, discotheques, and protests!
There are eight million stories in the Naked City - but there is only one Blues Explosion!
Freedom Tower - dig it now, while you still can!1. Funeral
2. Wax Dummy
3. Do The Get Down
4. Betty vs. the NYPD
5. White Jesus
6. Born Bad
7. Down and Out
8. Crossroad Hop
9. The Ballad Of Joe Buck
10. Dial Up Doll
11. Bellevue Baby
12. Tales of Old New York: The Rock Box
13. Cooking for Television$19.99Vinyl LP - Sealed Buy Now
First reissue for this ultra-rare prog/rock LP from 1971 which was only ever released in Italy.
Blue Beard managed just one album and it seems likely that it was a studio project, roping in disparate, available musicians to record songs written in the main by Thurman Binkley and Robert Welch, both of whom also produced the set. Recording in Milan, Blue Beard comprised an Indonesian, Luis Noll (electric bass), a Dutchman, Hank Meerbeek (drums), an Irishman, John Irvine (lead electric guitar), an Indian, Errol Dyer (organ), and an Australian, Little Sammy Gaha (acoustic guitar). Judging by the photos on the rear cover, Binkley and Welch chipped in on keyboards and guitar respectively.
Blue Beard is best known for the single Sly Willy, which was released in 1971 across Europe, and is now sought after as a prime slice of funky rock. Its flipside, Country Man, is a pleasing, mellow affair. Copies of the single, in its various picture sleeves, change hands for between £20 and £40. The album itself only surfaced in Italy and is now a scarce item, commanding three figures. Highlights include the rococo pop of Baby I Need You, the heavily-strummed, gruffly-sung God Save The World (reminiscent of Cat Stevens) and the up-tempo proggy rock of Losing You, penned by John Irvine.
Nothing further is known of Blue Beard and its musicians, but Thurman Binkley appears to have contributed to the 1975 film La grande blonde avec une petite chatte noire (that's assuming there's only one Thurman Binkley out there), while Bob Welch was a member of the by now US-based Fleetwood Mac from the summer of 1971 through to 1975, a stalwart through one of their rockiest phases. Welch next formed trio Paris, before embarking on a successful solo career.$32.99Vinyl LP - Sealed Buy Now
Soul Deep is an essential compilation of The Box Tops' best tracks. Hailing from 1960's Memphis, The Box Tops are best known for the hits The Letter, Cry Like a Baby and Soul Deep, and are considered a major blue-eyed Soul group of the period.
They performed a mixture of current Soul music songs by artists such as James & Bobby Purify and Clifford Curry, Pop tunes such as A Whiter Shade of Pale by Procol Harum, and songs written by their producers, Dan Penn, Spooner Oldham, and Chips Moman.
Their records are prime examples of the styles made popular by Moman and Penn at American Sound Studio in Memphis. Many of their lesser known Top 40 hits, including Neon Rainbow, I Met Her in Church, and Sweet Cream Ladies, Forward March, are considered minor classics.1. The Letter
2. Neon Rainbow
3. Happy Times
4. Cry Like A Baby
5. Fields Of Clover
6. Choo Choo Train
7. She Shot A Hole In My Soul
8. People Gonna Talk
9. I Met Her In Church
10. Sweet Cream Ladies, Forward March
12. I Must Be The Devil
13. Soul Deep
14. I Shall Be Released
15. (the) Happy Song
16. Turn On A Dream
17. I See Only Sunshine
18. You Keep Tightening Up On Me$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Take Me To The AlleyLiquid Spirit - which followed Porter's critically-acclaimed and GRAMMY-nominated albums Water (2010) and Be Good (2012) - was released in the Fall of 2013 and quickly grew into a global phenomenon, selling a million albums worldwide and becoming the most streamed jazz album of all-time with over 20 million streams. The album sold Platinum in the U.K. and Germany, and in the U.S. Porter made his first-ever national TV appearances on The Tonight Show and Jimmy Kimmel Live while ESQUIRE and NPR Music both declared him "America's Next Great Jazz Singer." Liquid Spirit also won Porter his first GRAMMY Award in 2014 for Best Jazz Vocal Album while also earning him a Best Traditional R&B Performance nomination for his affecting ballad "Hey Laura."
In the Fall of 2015 Porter finally found the time to return to the studio in New York City to record Take Me To The Alley. As he's done on his previous three albums, Porter teamed with producer Kamau Kenyatta to craft a collection of stirring originals that juxtapose the personal and political. His partnership with Kenyatta started in the mid-1990s when he was a student at San Diego State University (Porter began his college years playing football on a full athletic scholarship before a shoulder injury diverted him into a music career). It was through Kenyatta's mentorship that Porter's professional musical career began.
Reinforcing their well-honed rapport is the return of Porter's core accompanying musicians - pianist and music director Chip Crawford, bassist Aaron James, drummer Emanuel Harrold, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. Singer Alicia Olatuja, trumpeter Keyon Harrold, and organist Ondrej Pivec also make appearances throughout.1. Holding On
2. Don't Lose Your Steam
3. Take Me To The Alley
4. Day Dream
5. Consequence of Love
6. In Fashion
7. More Than A Woman
8. In Heaven
10. Don't Be A Fool
11. Fan The Flames
12. French African Queen$25.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Liquid SpiritLiquid Spirit is the remarkable major label debut from GRAMMY-nominated jazz and soul singer Gregory Porter. The 14-track album is further justification for Porter's quick ascent into the top ranks of jazz and R&B singers today, and it also features 10 new originals which showcase Porter's innate gift for writing poignant songs based upon personal experiences with a relatable and emotional immediacy. Also included is a stirring rendition of the jazz standard "I Fall In Love Too Easily," as well as covers of Abbey Lincoln's "Lonesome Lover" and Ramsey Lewis' hit "The 'In' Crowd."
"I firmly consider myself a jazz singer but I enjoy blues, southern soul, and gospel," says Porter. "Those elements make their way inside my music. And I've always heard them in jazz." Indeed, Porter wields one of the most captivating baritone voices in music today. It emits enormous soul that conveys both the emotions and intellect of any given song without relying on vocal histrionics. In The New York Times, Nate Chinen wrote: "Gregory Porter has most of what you want in a male jazz singer, and maybe a thing or two you didn't know you wanted." Jazz singer Dee Dee Bridgewater praised Porter in the pages of JazzTimes by saying, "We haven't had a male singer like him in a long time. He's such a wonderful writer. He's a story teller."
On Liquid Spirit, Porter retains the same core musicians that accompanied him on his previous two albums - pianist and music director, Chip Crawford, drummer Emanuel Harrold, bassist Aaron James, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. On a few selections, Porter complements that ensemble with trumpeter Curtis Taylor, and organist Glenn Patscha. Producer Brian Bacchus also returns, as well as arranger and associate producer Kamau Kenyatta.
Porter sees Liquid Spirit as a logical progression in his burgeoning discography as it touches on some of the same themes, particularly the highs and lows of romance, his childhood, and socio-political observations. More pointedly, he views the title-track, a rousing, hand-clapping gospel-jazz romp, dealing with replenishing "thirsty" listeners with more substantial music, as the flipside to last year's "Bling Bling," a blistering song on his previous album Be Good on which the protagonist had so many artistic gifts to give but no one to give them to. Similar sentiments occur on "Musical Genocide," on which Crawford hammers a dark rhythmic figure against James' bluesy bass accompaniment as Porter declares his refusal of accepting the insistent squashing of quality, diverse music and culture by a mainstream in favor of disposable, homogenized pap.
In part, these songs are based upon Porter's reflections on new fans, worldwide, who come to him saying, "Where have you been?" or "How come I've never heard you before." "Not saying that I am 'what is,' Porter says, "But I think maybe what I'm doing is what people actually want to hear. There are some people who want that liquid spirit - a soulful, thoughtful sound - and they haven't been getting it."1. No Love Dying
2. Liquid Spirit
3. Lonesome Lover
4. Water Under Bridges
5. Hey Laura
6. Musical Genocide
9. Brown Grass
10. Wind Song
11. The 'In' Crowd
13. When Love Was King
14. I Fall in Love Too Easily$24.99Vinyl LP - 2 LPs Sealed Buy Now
From Elvis in Memphis (Speakers Corner)Ranked 190/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
A record by Elvis, produced in Tennessee. What's so special about that? Surely everyone knows that the lorry driver from the Southern State sobbed his early songs into the local radio microphones. But Elvis in Memphis is far more than just one of around 40 albums which the King of Rock' n' Roll produced during the course of 35 years. »This marks what is probably the most impressive comeback in the entire history of pop music«, enthused the normally reticent New York Times.
What had happened? In 1969, after a 14-year meteoric career in show business and movies, and an exemplary PR campaign, Elvis returned to his hometown to record these songs which, in their style, are reminiscent of those recorded in the Fifties for Sun Records. Alongside the lavishly mixed pop and blues numbers (Power Of My Love) and country sound (I'm Movin' On), there is also one of the greatest chart-busters and heart-breakers of a whole generation: In The Ghetto.
There is certainly no room for discussion about the value of this collectors' item - the astronomical price for a good secondhand copy speaks for itself!
- Elvis Presley (vocal, guitar, piano)
- Ronnie Milsap (piano)
- Bobby Emmons (organ)
- Reggie Young (guitar, electric-guitar)
- Tommy Cogbill, Mike Leech (bass)
- Gene Chrisman (drums)
- The Memphis Horns and background vocals
Recording: 1969 by Al Pachucki
Production: Felton Jarvis and Chips Moman
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Wearin' that Loved Look
2. Only the Strong Survive
3. I'll Hold You in My Heart
4. Long Black Limousine
5. It Keeps Right On A-Hurtin'
6. I'm Movin On
7. Power of My Love
8. Gentle on My Mind
9. After Loving You
10. True Love Travels on a Gravel Road
11. Any Day Now
12. In the Ghetto$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Headquarters Stack-O-TracksFirst Time 180 Gram Audiophile Clear Vinyl Release
Mastered Impeccably By Monkees Fan & Friend Joe Reagoso At Friday Music Studios & Capitol Mastering, Hollywood, CA From The Colgems Record Tapes
The Summer Of Love's First Album .... Re-Visited.... Re-Imagined...
The Monkees Headquarters/ Stack-O-Tracks
The Original Instrumental Backing Tracks To Their Most Celebrated Album
First Time Authorized Alternate Artwork
Yes... The Monkees Could Play Guitars, Bass, Drums, Piano, Steel Guitar, Organ, Banjo, Tambourine, Percussion..... and Play Them Well!!!
In 1967 after two number one albums, a plethora of hit singles and a smash television show, The Monkees were on top and knew they each had true musical talents not championed by their label executives. Michael Nesmith spearheaded a change in direction before sessions began on their legendary Headquarters album. This action resulted in the much-covered dissolution with music mogul Don Kirshner, as Chip Douglas (The Turtles) was now recruited by Nesmith to work with the band.
In rapid succession, things began to fall into place in February 1967. With initial tracks like country rocker Sunny Girlfriend, the band set the stage for what would become one of the most loved works in their catalog and one of the finest rock albums of a generation. A definite album opener, You Told Me begins Headquarters. The track features a brilliant 12 string guitar of Nesmith, as Tork's incredible banjo fills the track alongside Dolenz's driving drum work. With Jones' percussion, it became the very first song that many of us remember as we opened up our new copies back in the summer of '67. Not straying too far from previous success, the band scored a few more of Boyce and Hart compositions like Micky Dolenz's folk rock ballad I'll Spend My Life With You. The solid steel guitar work of Mike Nesmith became somewhat of a precursor to his groundbreaking Nashville sessions in the late sixties. Davy Jones has several watershed moments here with both Forget That Girl and Early Morning Blues and Greens Forget That Girl employs a unique English northern soul vibe, while the latter shares a wonderful rhythm presentation making it one of the more psychedelic infused and standout tracks on the LP. Michael Nesmith's handiwork is radiant on the entire album. You May Just Be The One rocks the album into full gear and makes it one of his and the bands' definitive landmark tracks. Headquarters also brought rightful acclaim to Peter Tork, as his first recorded Monkees' song For Pete's Sake soon became a prolific standard. The song transcended with the times and became one of the more insightful tunes from the quartet. It also replaced the familiar Monkees Theme at the end of season two, giving the song more TV exposure over the years. And as always, you can count on Micky Dolenz to deliver - whether it's his hard rock driving drum work on rockers like Randy Scouse Git & No Time, or his prog-rock feel on Mr. Webster, the album was definitely a great showcase for the artist.
The Monkees' Headquarters was one of 4 albums of The Monkees that topped the charts in 1967. This fact alone is enough to warrant the importance of this album in musical history. But there are other amazing feats that Headquarters managed to deliver to millions of fans on its eventful release back in May of 1967. The album hit the stores before Sgt. Pepper's Lonely Hearts Club Band by The Beatles. Friendly rivals as they were, Headquarters rose to number one and also opened the door to The Summer of Love. It remained in the upper rung of the retail charts until their fourth platter Pisces, Aquarius, Capricorn & Jones Ltd. became a number one album to close out the year. Wow! Most notably, Headquarters showed the real world the transition of four talented guys on a hit TV show evolving into a self-produced, self-reliant, and one of the most loved bands in musical history, and yes, they could actually play their instruments .and they did it well!
As another installment in our extensive Monkees catalog, Friday Music is pleased to announce a unique revisit to their third masterwork as we've now gone back to the original backing tracks and have assembled a fun and exciting instrumental Lp with The Monkees Headquarters Stack-O-Tracks. For this limited edition Friday Music release, we are pleased to offer for the first time on vinyl, the rare backing instrumental backing tracks, newly and impeccably mastered by Joe Reagoso (The Monkees/Brian Wilson) from the original Colgems Records masterwork.
Joe Reagoso notes You've never heard 'Shades Of Gray' until you hear the strings up front like you will on this new vinyl release. Michael Nesmith's work on 'You May Just Be The One' is beyond thrilling, you feel like you are in the studio with the band as they knock out this and other Monkees classics. From beginning to end, song after song, we always knew how special Headquarter was, and now this further showcases the artistry and musical acumen each man brought to the sessions. Truly a crowning achievement. To further enhance your Monkees listening enjoyment, we are also pressing the limited edition album on clear 180 Gram audiophile vinyl, as well as including a revisit to the original album cover artwork, now with the rare Monkees beard photo not issued on vinyl in many years, and first time authorized colorization effects to the original artwork to celebrate fifty years of this classic rock album for the fans. 1967 ..The Summer Of Love A very hip time in our American culture you can now relive with these newly impeccably mastered recordings from the much-loved band that broke a lot of ground in a very short time and made the world a much better place for it The Monkees Headquarters Stack-O- Tracks Only From Your Friends At Friday Music!1. You Told Me (Instrumental Backing Track)
2. I'll Spend My Life With You (Instrumental Backing Track)
3. Forget That Girl (Instrumental Backing Track)
4. Band 6
5. You Just May Be The One (Instrumental Backing Track)
6. Shades Of Gray (Instrumental Backing Track)
7. I Can't Get Her Off My Mind (Instrumental Backing Track)
8. For Pete's Sake (Instrumental Backing Track)
9. Mr. Webster (Instrumental Backing Track)
10. Sunny Girlfriend (Instrumental Backing Track)
11. Zilch- Peter
12. Zilch -Davy
13. Zilch- Micky
14. Zilch- Michael
15. No Time (Instrumental Backing Track)
16. Early Morning Blues And Green (Instrumental Backing Track)
17. Randy Scouse Git (Instrumental Backing Track)$33.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Beauty And The Beast: The Songs
Blue Colored Vinyl
Songs from the 2017 live-action remake of Disney's Beauty And The Beast.
The story and characters audiences know and love come to spectacular life in the live-action adaptation of Disney's animated classic Beauty and the Beast, a stunning, cinematic event celebrating one of the most beloved tales ever told. The film stars: Emma Watson as Belle; Dan Stevens as the Beast; Luke Evans as Gaston, the handsome, but shallow villager who woos Belle; Kevin Kline as Maurice, Belle's father; Josh Gad as Le Fou, Gaston's long-suffering aide-de-camp; Ewan McGregor as Lumière, the candelabra; Stanley Tucci as Maestro Cadenza, the harpsichord; Gugu Mbatha-Raw as Plumette, the feather duster; Audra McDonald as Madame De Garderobe, the wardrobe; Hattie Morahan as the enchantress; and Nathan Mack as Chip, the teacup; with Ian McKellen as Cogsworth, the mantel clock; and Emma Thompson as the teapot, Mrs. Potts.1. Belle
2. How Does A Moment Last Forever (Music Box)
3. Belle (Reprise)
5. Be Our Guest
6. Days In The Sun
7. Something There
8. How Does A Moment Last Forever (Montmartre)
9. Beauty and the Beast
11. The Mob Song
12. Beauty and the Beast (Finale)
13. How Does A Moment Last Forever - Performed by Celine Dion
14. Beauty and the Beast - Performed by Ariana Grande and John Legend
15. Evermore - Performed by Josh Groban$19.99Colored Vinyl LP - Sealed Buy Now
Flyin' ShoesWidely considered one of the greatest songwriters of his generation, Townes Van Zandt has been hailed by such artists as Steve Earle, Emmylou Harris, Lyle Lovett and Willie Nelson among others. Fat Possum proudly reissues four titles from his early career: Townes Van Zandt, Our Mother the Mountain, Delta Momma Blues and Flyin' Shoes which comprise an essential introduction to his best songs. Recorded between 1969 and 1978, Van Zandt's most prolific and most critically acclaimed decade, these four titles are the heart of any serious consideration of Van Zandt's musical career. Featuring some of the most iconic cover art in album history designed by Milton Glaser, each is a classic in every sense of the word. These four titles are the first in a series of Townes Van Zandt reissues that Fat Posssum is undertaking in conjuction with the Van Zandt estate.
The final Townes Van Zandt studio record before a nine-year-long mid-'70s recording drought, Flyin' Shoes has the advantage of Van Zandt's usual stellar songs, a famed producer (Chips Moman) and a boatload of first-class sidemen, including Jimmy Day, Randy Scrugg, and Spooner Oldham. The production is reasonably spare, allowing the quality of the songwriting and Van Zandt's creaky voice to shine through. Stand out tracks include Snake Song, No Place to Fall, When She Don't Need Me and a rare cover of Bo Diddley's Who Do You Love.1. Loretta
2. No Place to Fall
3. Flyin' Shoes
4. Who Do You Love
5. When She Don't Need Me
6. Dollar Bill Blues
7. Rex's Blues
8. Pueblo Waltz
9. Brother Flower
10. Snake Song$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Rega Isis CD Player
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Introducing the Rega ISIS flagship CD player
We are very proud to introduce the 7th generation of Rega CD player.
A product manufactured to the highest achievable quality inside and out, Rega's own unique CD technology, genuine black chrome lid and front facia, a custom solid anodised aluminium case weighing in at a notable 19kg! We hope you enjoy this very special CD player; we have spent a very long time creating it, drawing on our many years of experience in specialist Hi-Fi manufacturing.
Technology behind the design of the Isis
One important design goal was to take the current output, with no internal amplification within the D to A converter, and convert this to an analogue voltage, using discrete class A operational amplifiers and filters. This circuit can then be optimised for sonic performance. (With most CD players the use of standard operational integrated circuits locks you into the sound of those particular integrated circuits, thus narrowing the scope for improvement).
The class A current to voltage conversion amplifier evolved out of the development of the first stage of the Rega IOS MC amplifier.
It shares identical demands of low noise, high drive capability and gain bandwidth required of the voltage to current amplifier.
Careful choice has been made for every component in the digital and the analogue signal path to ensure the integrity of the signal.
The analogue and digital sections are bonded together using a substantial ground plane. It was found during the development of the player that
adoption of RF ground plane techniques aided the sonic quality and therefore were included in the final design.
Careful design of the PCB's ensures isolation of not just the digital and analogue sections, but also the motor, display and user interface processor.
All sonically critical electrolytic capacitors have been by-passed with polypropylene or polyester film capacitors. In addition to this, large value electrolytic capacitors have also been by-passed with audio grade electrolytic capacitors.
Power supply impedances in the digital to analogue converter are kept very low by the use of solid polymer capacitors.
All power supplies utilise custom Rega K-Power smoothing capacitors, along with fast diodes which have been used throughout in power supply rectification.
The Isis uses enhanced and optimised control code for the control of the CD processor and user display.This speeds up the initialisation process by means of a tighter control interface between the user micro and CD processor.
The analogue section employs two Burr Brown PCM1794 digital to analogue converters, running in a parallel dual mono mode, driving a high performance discrete class A current to voltage amplifier.
This combination generates an exceptionally wide dynamic range, low distortion, and linear signal. This drives an enhanced discrete class A output amplifier. The circuit is fully balanced from the digital to analogue converters to the balanced analogue XLR outputs. The analogue stage has its own dedicated 50VA mains transformer which ensures galvanic isolation between the digital and analogue sections of the player. You will find 10 separate power supply regulators are used in the analogue circuit and each individual amplifier stage has its own dedicated low noise voltage reference.
The digital section is blue printed and selected, with major improvements to the mechanism, optical amplifier, DSP core, PLL, master clock & motor power supplies. Another 10 separate power supply regulators are used in the digital circuit. The motor, user interface processor & display also have their own power supply. The digital stage also has its own 50VA transformer again ensuring galvanic isolation. The mechanism is graded and matched to the servo circuits, to ensure the servo and optical amplifiers are working at their optimum point, improving error correction and playability. The headroom of the optical amplifier has been improved by 10% by increasing the voltage in the power supply.
This revolutionary player has been five years in design. Rega, together with its design partners have pioneered a highly advanced servo controller that uses the latest signal processing techniques to ensure that the raw data that is recovered from the disc is of the very highest quality. Because our fully digital servo can use highly advanced algorithms the laser spot is kept in the optimum position for data recovery in terms of focus, size and tracking.
Extra Error Correction
Previous chip-sets always made compromises on error correction. Formerly it was possible to have good jog resistance or better musical performance.
The Rega chip-set allows optimum musical performance and optimised jog /vibration resistance.
Super-stable phase lock loop
The entire IC is clocked via a very special PLL of our own design. This allows better CD data recovery as well as a big improvement in the quality of the data delivered to the DAC.
Low noise digital design
In the design of our CPU IC we went to great lengths to ensure that the data and address bus noise was kept to an absolute minimum. This ensures the ground and signal connections to the DAC are as 'clean' as is possible.
Allowing direct connection to a laptop or PC via a USB A-B lead to stream internet radio Mp3 or WMA files directly from your computer via the high quality ISIS internal DAC.
The USB input uses an isolated double-clocked USB interface, which permits the digital to analogue stage to be used with a computer USB interface and it's own regulated power supply.
The USB benefits once again from galvanic isolation from the main circuitry of the ISIS player which eliminates the flow of earth currents between the CD and host computer, and eliminate computer power supply noise.
The ISIS will analyse each disc on an individual basis. During the initialising period (rather like the engine management system on a modern car which optimises the engine settings to temperature, fuel quality etc.) the ISIS will adjust itself to each disc in order to give optimal trouble free reading. For this reason the ISIS will often play discs with marks or scratches that other players cannot read.
All these features amalgamate to create the supreme level of performance found in the Isis and provide a perfect partner for the Rega Osiris amplifier.$9,995.00Rega Isis CD Player Buy Now