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The Black Sabbath CoversWhen Jason Molina took on another artist's song, he willed his own universe into it, his own
personal and artistic mythology. Be it Conway Twitty or Townes Van Zandt, their blues were
infused with Molina's own entrancing blues. This pair of newly discovered, home-recorded
Black Sabbath covers is no different. Molina, a through-and-through fan of metal (seek out his
high school metal band the Spineriders' album if you haven't yet) peels back the sinister and
stoned elements of Sabbath, zeroing in on the loneliness and brooding.
He takes "Solitude,"
from 1971's unfuckwithable Master of Reality - and one of Sabbath's more mystical, near-proggy
songs - and doubles down on the title. Molina extracts Ozzy Osbourne's gorgeously
cooed vocal performance and transforms it into a high and lonesome sound, a desert campfire
howler. And on his cover of "Snowblind, from 1972's Vol. 4, it becomes obvious what a guitar
hero Sabbath's Tony Iommi was for Molina. Molina seemed to pull from Iommi's odd, simple
fingerings and tunings throughout his catalogue: from his first album (known informally as "the
black album") to Magnolia Electric Co.'s Josephine. Molina's brief acoustic cover dials back the
bombast, but you can surely connect "Snowblind"'s chord progressions with Molina's own on
the black album and Axxess & Ace.
Recorded in the midwest in the late '90s, during Molina's
multi-season run of batting 1.000, these two intimate songs are a bittersweet artifact of one of
the Rust Belt's titan songwriters.
Note: Do not attempt to play Side B of this 7" release. Side B is a gorgeous etching of a
black ram by artist Will Schaff. If you do attempt to play the etching on Side B it will sound
absolutely awful.1. Solitude
2. Snowblind$9.997 Vinyl Single - Sealed Buy Now
UNIM-BLU-1751xHorace Silver Quintet
Song For My Father
Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign
Released in 1965, Song For My Father by jazz pianist, Horace Silver, features Carmell Jones on trumpet, Joe Henderson on tenor sax, Teddy Smith on
bass and Roger Humphries on drums on the tracks "Song For My Father," "The Natives Are Restless Tonight," "Que Pasa" and "The Kicker." "Calcutta
Cutie" and "Lonely Woman" feature Blue Mitchell on trumpet, Junior Cook on tenor sax, Gene Taylor on bass and Roy Brooks on drums. A hard-bop
masterpiece, Song For My Father will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by
current Blue Note Records President, Don Was.1. Song For My Father
2. The Natives Are Restless Tonight
3. Calcutta Cutie
4. Que Pasa
5. The Kicker
6. Lonely Woman$19.99Vinyl LP Reissue - Sealed Buy Now
Genius Of Modern Music Vol. 2A Blue Note essential, this album is part of the Blue Note vinyl reissue campaign.$19.99Vinyl LP Reissue - Sealed Buy Now
Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign
Recorded at Van Gelder Studio in Hackensack, New Jersey, John Coltrane's Blue Train is a hard bob jazz album released on Blue Note in 1957. Certified
Gold, Blue Train is Coltrane's second solo album and the only one he recorded for Blue Note as a leader although he was never formally signed to the
label. Featured on the album are Coltrane on tenor sax with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on
bass and Philly Joe Jones on drums. Blue Train will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign
spearheaded by current Blue Note Records President, Don Was.1. Blue Train
2. Moment's Notice
4. I'm Old Fashioned
5. Lazy Bird$19.99Vinyl LP Reissue - Sealed Buy Now
Newk's TimeNewk's Time is an album by Sonny Rollins. It was his third album for Blue Note Records, recorded in 1957 and released in 1958. The title of the album is a reference to Rollins' nickname Newk, which is apparently based on his resemblance to Donald Newcombe, a Major League Baseball pitcher who shared the same nickname.1. Tune Up
2. Asiatic Raes
3. Wonderful! Wonderful!
4. The Surrey With The Fringe On Top
5. Blues For Philly Joe$19.99Vinyl LP Reissue - Sealed Buy Now
Come Away With Me1. Don't Know Why
2. Seven Years
3. Cold Cold Heart
4. Feelin' The Same Way
5. Come Away With Me
6. Shoot The Moon
7. Turn Me On
9. I've Got To See You Again
10. Painter Song
11. One Flight Down
13. The Long Day Is Over
14. The Nearness of You$19.99Vinyl LP - Sealed Buy Now
At Carnegie HallThis never-before-heard jazz classic documents one of the most historically important working bands in all of Jazz history, a band that was both short-lived and, until now, thought to be frustratingly under-recorded. The concert, which took place at the famed New York hall on November 29, 1957, was preserved on newly-discovered tapes made by Voice of America for a later radio broadcast that were located at the Library of Congress in Washington DC in 2005.1. Monk's Mood
3. Crepescule With Nellie
7. Sweet And Lovely
8. Blue Monk
9. Epistrophy$24.99Vinyl LP - 2 LPs Sealed Buy Now
4, 5, And 6This album is one in a series of special 2014 releases commemorating the 65th anniversary of Prestige Records and the 90th birthday of legendary
recording engineer Rudy Van Gelder.
Before Jackie McLean made some of the great jazz albums of the 1960s for Blue Note, he recorded for the Prestige label. 4, 5 and 6 is the best of all his
pre-Blue Note sessions. Recorded over two dates in July 1956, the album features future Blue Note colleague Donald Byrd joining in on trumpet for the
album's two originals Abstraction and Contour (penned by Kenny Drew and Mal Waldron respectively). Another Blue Noter, tenor-saxophonist Hank
Mobley, even makes it a sextet on Charlie Parker's Confirmation. The remaining three selections are quartet pieces (hence the album's title) with Mal
Waldron on piano, Doug Watkins on bass and Art Taylor on drums. Newly reissued on vinyl, this is a 'MUST HAVE' addition to all great jazz collections.1. Sentimental Journey
2. Why Was I Born
5. When I Fall In Love
6. Abstraction$21.99Vinyl LP - Sealed Buy Now
ACSO-APO-0613xStevie Ray Vaughan
In The Beginning (200 Gram Vinyl)
Mastered From The Original Tapes By Ryan Smith At Sterling Sound
200-Gram Pressing By Quality Record Pressings
With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.
Before the Montreaux Jazz Festival, before Bowie's Let's Dance album, before Texas Flood, before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful In Step and Family Style ..... before August 27, 1990..... before the all-star tributes, before The Legendary Stevie Ray Vaughan......
There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie.
It wouldn't be long.
Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that. Young Stevie Vaughan (he had yet to become Stevie Ray) blasted the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing.
Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's In the Open and the lengthy Tin Pan Alley are the real highlights here.
As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.
There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
This title is not eligible for discount.1. In The Open
2. Slide Thing
3. They Call Me Guitar Hurricane
4. All Your Love (I Miss Loving)
5. Tin Pan Alley (aka Roughest Place in Town)
6. Love Struck Baby
7. Tell Me
8. Shake for Me
9. Live Another Day$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Blue And SentimentalDuring the Blue Note 75th anniversary celebration the label released 100 essential Blue Note LPs and asked New York Times readers what titles they'd like to see make the list. This album is one of five new reissues that were hand-selected by Blue Note President, Don Was, based on New York Times reader recommendations.
Ike Quebec's 1961-1962 comeback albums for Blue Note were all pretty rewarding, but Blue and Sentimental is his signature statement of the bunch, a superbly sensuous blend of lusty blues swagger and achingly romantic ballads. True, there's no shortage of that on Quebec's other Blue Note dates, but Blue and Sentimental is the most exquisitely perfected.
Quebec was a master of mood and atmosphere, and the well-paced program here sustains his smoky, late-night magic with the greatest consistency of tone. Part of the reason is that Quebec's caressing tenor sound is given a sparer backing than usual, with no pianist among the quartet of guitarist Grant Green, bassist Paul Chambers, and drummer Philly Joe Jones. It's no surprise that Green solos with tremendous taste and elegance (the two also teamed up on Green's similarly excellent Born to Be Blue), and there are plenty of open spaces in the ensemble for Quebec to shine through.
His rendition of the Count Basie-associated title cut is a classic, and the other standard on the original LP, Don't Take Your Love from Me, is in a similarly melancholy vein. Green contributes a classic-style blues in Blues for Charlie, and Quebec's two originals, Minor Impulse and Like, have more complex chord changes but swing low and easy.
Through it all, Quebec remains the quintessential seducer, striking just the right balance between sophistication and earthiness, confidence and vulnerability, joy and longing. It's enough to make Blue and Sentimental a quiet, sorely underrated masterpiece.
-Steve Huey (All Music Guide)1.Blue And Sentimental
3.Don't Take Your Love From Me
4.Blues For Charlie
6.Count Every Star$19.99Vinyl LP - Sealed Buy Now
MosaicOriginally released by Blue Note Records in 1961, "Mosaic" by Art Blakey & The Jazz Messengers, will be reissued as part of an overall Blue Note 75th anniversary vinyl initiative spearheaded by current Blue Note Records President, Don Was. Performing with Blakey, "Mosiac" features critically-acclaimed jazz greats like Wayne Shorter, Freddie Hubbard and Curtis Fuller. This version of The Jazz Messengers performed together from 1961 through 1964.1. Mosaic
2. Down Under
3. Children of the Night
5. Crisis$19.99Vinyl LP Reissue - Sealed Buy Now
Enigma4 previously unreleased performances from the Blue Note vault recorded 1952-1953 presented on a standard black 10'' disc in the same style as Miles' Blue Note 10'' disc from the early 1950's.1. Enigma Alternate (Take 1)
2. Kelo Alternate (Take 1)
3. Chance It Alternate (Take 3)
4. Chance It Alternate (Take 4)$13.9910 Vinyl LP - Sealed Buy Now
Paris 1969Blue Note Records has announced Thelonious Monk Paris 1969, a fascinating and important late-career document of the legendary jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969. Beautifully captured on B&W film, the concert also featured a surprise guest appearance from renowned drummer Philly Joe Jones. Also included is a rare on-camera interview with Monk that was conducted by the French bassist Jacques Hess after the concert.
"The 1969 Paris concert captures the power and the undiminished beauty of Monk's music, reminding us that even as his body aged his musical imagination knew no limits," writes Monk scholar Robin Kelley in his liner notes essay. However, Kelley also illuminates what a peculiar and challenging moment 1969 was for the 52-year-old pianist. Monk hadn't achieved true success until the late-50s with his legendary run at the Five Spot CafÉ in New York City with John Coltrane (a band that was brilliantly captured on the lost recording Thelonious Monk Quartet with John Coltrane at Carnegie Hall from 1957 which was discovered and released on Blue Note in 2005). By the early-60s Monk's success had peaked when he signed with Columbia Records and was eventually featured on the cover of TIME Magazine in 1964.
However, by 1969, in addition to health issues, Monk's success was beginning to wane with the emergence of rock and the resulting jazz fusion movement. His recording contract with Columbia had just come to end after an ill-advised attempt at marketing him to a younger rock audience. That disappointment was followed by the departure of drummer Ben Riley and bassist Larry Gales from his band which left Monk with two chairs to fill on short notice before his European tour.
Monk eventually found two young musicians - bassist Nate Hygelund and drummer Paris Wright - to fill out the Quartet with his longtime tenor saxophonist Charlie Rouse. Luckily the inexperienced rhythm section had some time to gel before hitting the stage in Paris with a lengthy engagement in London followed by stops in Germany and Italy. By the time they reached the Pleyel the band was in fine form, which made for a triumphant return for Monk to the very stage he had made his Parisian debut on in 1954 in front of a hostile audience who felt that Monk was too avant-garde. 15 years later the situation could not have been more different with an enthusiastic audience and the concert being broadcast on television.
In addition to rollicking Quartet versions of Monk classics such as "I Mean You," "Straight No Chaser," and "Blue Monk," the set also includes three stunning solo piano performances on "Don't Blame Me," "I Love You Sweetheart Of All My Dreams," and "Crepuscule With Nellie." However, an undeniable highlight of the concert was when the veteran drummer Philly Joe Jones who was an expat living in Paris at the time comes from backstage to borrow the sticks from the 17-year-old Wright, providing a palpable spark on Monk's "Nutty."1. I Mean You
2. Ruby My Dear
3. Straight No Chaser
4. Bright Mississippi
5. Light Blue
7. Don't Blame Me
8. I Love You Sweetheart of All My Dreams
9. Crepuscule With Nellie
10. Bright Mississippi
12. Blue Monk$19.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Day Breaks (Deluxe Edition)Blue Note Records presents the Deluxe Edition of Norah Jones' acclaimed album Day Breaks; available as a Ltd. Edition 2-LP 180g vinyl with silver foil packaging. The album includes the 9 songs Norah recorded live at NYC's Sheen Center's Loreto Theater in Oct 2016.LP 1
4. It's A Wonderful Time For Love
5. And Then There Was You
6. Don't Be Denied
7. Day Breaks
9. Once I Had A Laugh
10. Sleeping Wild
11. Carry On
12. Fleurette Africane (African Flower)
1. Peace (Live In NYC)
2. I've Got To See You Again (Live In NYC)
3. Out On The Road (Live In NYC)
4. Sunrise (Live In NYC)
5. Burn (Live In NYC)
6. It's A Wonderful Time For Love (Live In NYC)
7. Flipside (Live In NYC)
8. Don't Know Why (Live In NYC)
9. Fleurette Africaine (African Flower) [Live In NYC]$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Dire Straits (45 RPM) (Pre-Order)
Dire Straits' Self-Titled 1978 Debut Distinguished By Jazz-Inflected Mix Of Folk, Blues, Country, And Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, And Texture
Mastered From The Original Master Tapes And Pressed At RTI For Optimal Sound: Mobile Fidelity 45RPM 2LP Set Engages With Natural Tones, Superb Balances, Reference Imaging, Sterling Clarity
Breakout Dire Straits Album Includes Sultans Of Swing And Down To The Waterline: Band's Shuffles, Boogies, And Ballads Spark With Crispness, Soulfulness, Coolness
Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over - and which has never been better than on this meticulous analog pressing.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.
Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.
Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings - an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads - mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.
Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. Down to the Waterline, Wild West End, and Lions all feature colloquial touches that add to their reach. By extension, In the Gallery functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, Sultans of Swing, pays homage to struggling bar bands.
Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.
This title is not eligible for discount.1. Down to the Waterline
2. Water of Love
3. Setting Me Up
4. Six Blade Knife
5. Southbound Again
6. Sultans of Swing
7. In the Gallery
8. Wild West End
9. Lions$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed PRE-ORDER Buy Now
At The Half Note Cafe Vol 1Part Of The Blue Note 75 Anniversary LP Reissue Campaign
A Blue Note essential, At The Half Note Cafe, Vol. 1 is part of the Blue Note 75 anniversary LP reissue campaign
Key to the initiative is high quality audio at affordable prices. A live album originally recorded in 1960.$19.99Vinyl LP Reissue - Sealed Buy Now
Vol.1Miles Davis Volume 1 is the first in a pair of compilation albums of recordings made by Miles Davis over 1952-1954, released by the Blue Note Record label.
The twelve inch LP (BLP 1501) was originally released in 1956 (followed by Volume 2 (BLP 1502)) after Davis won the Down Beat readers poll as best trumpeter.The two volumes of rereleased Miles Davis material were the first releases in Blue Note's new 1500 series of 12LPs. The music compiled on the two volumes was from three separate recording sessions made over 1952-1954, some of which had been previously issued as singles, and as three now discontinued 10 inch LPs. Volume 1 contained takes of the May 9, 1952 and April 20, 1953 sessions for the label, including alternate takes of some songs.1.Tempus Fugit
5.How Deep Is The Ocean
7.Dear Old Stockholm
12.Woody'n You$19.99Vinyl LP Reissue - Sealed Buy Now
...Little Broken HeartsWhite Colored Vinyl
Little Broken Hearts is the stunning and musically diverse new break-up album from Norah Jones and fifth full-length of her storied career. The 12-song set was produced by Danger Mouse (aka Brian Burton) and features original tracks co-written by Jones and Burton. The album is preceded by the lead single Happy Pills which ushers in a parade of sunshiny hooks and surprised both Jones and Burton from the moment they wrote it: "We didn't know if it fit on the record. But I couldn't stop singing it, and neither could Brian. explains Jones. Eventually we decided it was too much fun, it had to be there."
In addition to Jones and Burton, the album includes contributions from Blake Mills, Gus Seyffert, Joey Waronker, Heather McIntosh, the Sonus Quartet, Dan Elkin, Jonathan Hischke, Todd Monfalcone and Kennie Takahashi. Little Broken Hearts' artwork draws inspiration from the vintage movie posters that adorn Burton's Los Angeles studio and is loosely based on the poster for the 1965 Russ Meyer film Mudhoney.
Little Broken Hearts' is the fascinating next step in the artistic evolution of one of the music world's most consistently intriguing singer/songwriters. Jones first emerged on the world stage 10 years ago with the 2002 release of Come Away With Me, her self-described "moody little record" that introduced a singular new voice and grew into a global phenomenon, sweeping the 2003 Grammy Awards and signaling a paradigm shift away from the prevailing synthetic pop music of the time. Come Away With Me has just become the 10th best-selling album of the Soundscan era and has sold 25 million copies worldwide.
Since then, Jones has released three more critically acclaimed and commercially successful solo albums with Feels Like Home (2004), Not Too Late (2007) and The Fall (2009), as well as two albums with her country collective The Little Willies.
The 2010 compilation Featuring Norah Jones showed her to possess an incredibly versatile voice by collecting her collaborations with artists as diverse as Willie Nelson, Outkast, Herbie Hancock and the Foo Fighters. Jones previously collaborated with Danger Mouse on his acclaimed 2011 album Rome, a valentine to classic Italian film score music that also featured Jack White.1. Good Morning
2. Say Goodbye
3. Little Broken Hearts
4. She's 22
5. Take It Back
6. After The Fall
7. 4 Broken Hearts
8. Travelin' On
9. Out On the Road
10. Happy Pills
12. All A Dream$18.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Four & MoreExhilarating and Immediate: Live Set Documents One of Davis Final Excursions With a Program of Standards
Hear the Interior of Philharmonic Hall at New Yorks Lincoln Center Come Alive: Mobile Fidelitys Fastidious Reissue Illuminates Venue Acoustics, Musicians Phrasings
Whirlwind Uptempo Pace Prodded by Tenor Saxophonist George Coleman and Drummer Tony Williams
Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and In a Silent Way Also Available from Mobile Fidelity
Given his gargantuan recorded output, Miles Davis seldom abandoned a conceptual vision in the studio, particularly after the turn of the 1960s. Which makes a live document such as Four & More all the more valuable for the manner in which it portrays the legendary trumpeter removed from thematic demands and interior confines, and instead letting loose onstage with a program of stellar material that hed soon abandon in favor of experimentalism.
Part of Mobile Fidelitys Miles Davis catalog restoration series, Four & More engages with electrifying speed and palpable punch, the effort now claiming vastly improved imaging, deeper soundstaging, and startling clarity. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed analog edition teems with the urgency demonstrated by Davis and his band notes flooding the listener with an attack only possible from sound featuring full frequency extension, tremendous spacing, and you-are-there immediacy.
Recorded on February 12, 1964 in Philharmonic Hall at New Yorks Lincoln Center, Four & More bookends My Funny Valentine. Whereas the latter spotlights ballads, this thrilling souvenir is all about quick tempos, rushing solos, left-hook rhythms, and hard-bop grooves. Drawing largely on mid- and late-1950s material, Davis accompanied by bassist Ron Carter, drummer Tony Williams, saxophonist George Coleman, and pianist Herbie Hancock approaches standards such as So What, Seven Steps to Heaven, and Four with biting tenacity and furious passion, the individual themes racing by as the collective barges in to take rapid, punctuation-asserting solos.
Few, if any, live Davis performances match the hurricane-generating intensity and dynamic aggressiveness captured here. One reason for the vigor? Davis waived he and his musicians fees for the concert, taking place under the auspices of a political benefit, a decision that angered some of his sidemen. Whatever the cause, Hancock swings, Coleman flexes muscles, Carter bows instructive passages, and the 19-year-old phenom Williams throws down with breathtaking agility. Amidst the melodic tangents and galloping exchanges, the quintet retains gripping control, with eight-bar dialogues between the instrumentalists and positive vamps supplying cues and endings.
At last, these historic recordings are afforded the breathing room and acoustic perspective they've always deserved. For listeners that may be unfamiliar with this title, prepare to be blown away literally and figuratively. Aficionados know what to expect on the music front, but Mobile Fidelitys 180g LP reissue ratchets up the thrills by several levels. Don't miss this gem.
This title is not eligible for discount.1. So What
6. Seven Steps to Heaven
7. There Is No Greater Love
8. Go-Go$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
SPCO-PUR-872xRosemary Clooney & Duke Ellington
Blue Rose (Pure Pleasure)One of Rosemary Clooney's best records, and one of Duke's more accessible offerings, combined on one LP. The recorded output of the 1950's didn't get much more satisfying than this. Duke's music was always very sophisticated and this time it's even more obvious with a presence of such a talented singer as Rosemary Clooney. The songs are marvelous and she sounds young, fresh and sexy (ladylike sexy). In Blue Rose, not only are Clooney's vocals outstanding, but the arrangements are some of the prettiest of jazz.
The band swings simply and sweetly, though still thoroughly in the Duke style. As if to make the point that the band is the 'other' star of this recording, there's one instrumental here - Passion Flower (Johnny Hodges on sax never sounded more sure of himself). Its inclusion in the program, without a vocal from Clooney, is at first bizarre - but seems to make sense within the context of the album.
The fascinating album notes explain why and how separate tracks for Rosemary Clooney and Duke Ellington's orchestra had to be laid down. One would never realize that singer and orchestra were not together. They are totally in sync. This is not big, belting jazz; this is sophisticated, late night, intimate singing and playing. This is one of the most memorable pairings of a 'popular' singer with a jazz giant; ranking with the first Sinatra-Basie album and the Coltrane-Hartman session.
- Rosemary Clooney (vocal)
- Duke Ellington (piano, arranger)
- Billy Strayhorn (arranger)
- Johnny Hodges, Russell Procope (alto saxophone)
- Clark Terry, Cat Anderson (trumpet)
- Gordon Jackson (trombone)
- Jimmy Woode (bass)
- Sam Woodyard (drums)
Recording: January and February 1956
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Hey Baby
2. Sophisticated Lady
3. Me and You
4. Passion Flower
5. I Let A Song Go Out Of My Heart
7. Blue Rose
8. Im Checkin OutGoombye
9. I Got It Bad
10. Mood Indigo$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign
In a word association game, the name "Hank Mobley" will often generate "Blue Note" and vice versa. While Mobley had a musical life beyond the Blue Note label including associations with Dizzy Gillespie, Art Blakey's Jazz Messengers and Miles Davis (the 1961 Quintet), it is for his Blue Note recordings that he rightfully most remembered. Mobley led 25 albums for Blue Note and appeared on over 30 others as a sideman. His consistency resulted in all of those recordings being recommended to hard bop collectors.
Mobley's mastery of the style, his attractive tone, and his skill at writing songs that inspire memorable solos made him a perfect representative of the Blue Note sound. Even with his large number of great recordings, Workout is something special and a real standout. Joined by Grant Green, Wynton Kelly, Paul Chambers and Philly Joe Jones, Mobley creates brilliant statements on four of his best originals (including the soulful "Uh Huh" and "Greasin' Easy"), "The Best Things In Life Are Free" and "Three Coins In A Fountain." The passion in Mobley's playing is exciting and will surprise many. He takes wild chances that challenge the other all-stars, and he plays with a constant stream of creative ideas. Even collectors who own a dozen other Hank Mobley albums will have to get this version of Workout which, with its superb remastering, has never sounded better.1. Workout
2. Uh Huh
4. The Best Things in Life are Free
5. Greasin' Easy$19.99Vinyl LP Reissue - Sealed Buy Now
Conquistador! (Awaiting Repress)
Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign
For the second of Cecil Taylor's two Blue Note albums (following Unit Structures), the innovative pianist utilized a sextet comprised of trumpeter Bill Dixon, altoist Jimmy Lyons, both Henry Grimes and Alan Silva on basses and drummer Andrew Cyrille. During the two lengthy pieces, Lyons' passionate solos contrast with Dixon's quieter ruminations while the music in general is unremittingly intense. Both of the Taylor Blue Notes are quite historic and near-classics but, despite this important documentation, Cecil Taylor (other than a pair of Paris concerts) would not appear on records again until 1973.
- Scott Yanow (All Music)1. Conquistador
2. With (Exit)$19.99Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
Enjoy The ViewNEA Jazz Master Bobby Hutcherson makes his triumphant return to Blue Note Records, where the virtuoso vibraphonist started his career in the early
'60s, with the superb album, Enjoy the View. The vibrant session is produced by Blue Note president Don Was and will be released as a
significant event in the label's 75th anniversary yearlong celebration. Recorded by an all-star collective of saxophonist David Sanborn and organist Joey
DeFrancesco, and featuring drummer Billy Hart, the Hutcherson-sparked group plays seven original compositions that range from cool, gentle grooves to
fiery outbursts of exuberance.1. Delia
2. Don Is
3. Hey Harold
4. Little Flower
7. You$29.99Vinyl LP - 2 LPs Sealed Buy Now
A Night At Birdland, Vol. 1Part Of The Blue Note 75 Anniversary LP Reissue Campaign
A Night at Birdland Vol. 1 is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell.1. Split Kick (with Announcement by Pee Wee Marquette)
2. Once In A While
4. A Night In Tunisia
5. Mayreh$19.99Vinyl LP - Sealed Buy Now