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Bopping The Blues (Awaiting Repress)Landmark 1946 Historical Release Documents Miles Davis' First-Known Instance of Open-Voiced Trumpet Playing at One of His Earliest Sessions
Tantalizing Audiophile Restoration Series Resurrects UK Label Black Lion: Mastered at Bernie Grundman Studios by Chris Bellman and Pressed at Pallas
EQ Notes and Curation Performed by Iconic Engineer Steve Hoffman; LPs EQ'd and Set Up by Bernie Grundman
Conceived, Designed, and Manufactured for Collectors and Enthusiasts: Vinyl Jacket Features Exclusive Art
One of Miles Davis' earliest recording sessions. The very first known instance of the famed trumpeter playing in an "open" style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it's got that elusive Holy Grail quality.
Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Bopping the Blues marks what are indisputably Davis' initial open-voiced contributions and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Helmed by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.
Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180g LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. The title may not be widely known to most, but this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.
Jazz fans, Davis devotees, audiophiles, and music fanatics, don't sleep on this collectable gem!1. Don't Sing Me The Blues (Take 1)
2. Don't Sing Me The Blues (Take 2)
3. I've Always Got The Blues (Take 1 Incomplete)
4. I've Always Got The Blues (Take 2)
5. I've Always Got The Blues (Take 3)
6. Don't Explain To Me Baby (Take 1)
7. Don't Explain To Me Baby (Take 2)
8. Don't Explain To Me Baby (Take 3)
9. Don't Explain To Me Baby (Take 4)
10. Baby, Won't You Make Up Your Mind (Take 1)
11. Baby, Won't You Make Up Your Mind (Take 2)
12. Baby, Won't You Make Up Your Mind (Take 3)$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
King Of The Delta Blues Singers Vol. 1Import
If one would ever have to start assembling a serious Blues collection, Robert Johnson's King Of The Delta Blues Singers vol. 1 would be the best purchase. The mythical figure that inspired the worldwide Blues revival in the Sixties will forever be credited with inspiring guitar greats like Clapton and Hendrix to pick up a guitar.
Johnson lived a short but impactful musical tenure in the Thirties. After apparently 'selling his soul at the crossroads', Johnson quickly became the best Country Blues singer in his time, however a tormented one. The devil eventually took his soul at a too young age of 27. The remastered audio of this original 1961 collection of material is simply stunning - Robert Johnson never sounded so alive.1. Crossroads Blues
2. Terraplane Blues
3. Come On In My Kitchen
4. Walking Blues
5. Last Fair Deal Gone Down
6. 32-20 Blues
7. Kindhearted Woman Blues
8. If I Had Possession Over Judgment Day
9. Preaching Blues
10. When You Got A Good Friend
11. Rambling On My Mind
13. Stones In My Passway
14. Traveling Riverside Blues
15. Milkcow's Calf Blues
16. Me And The Devil Blues
17. Hellhound On My Trail$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Lady Sings The BluesAlthough Billie Holiday's repertoire covered barely more than a dozen pure blues numbers during the course of her long career from 1933 to 1959, music critics always referred to her as the 'Lady [who] sings the blues'. And that hasn't changed to this day. In truth the recordings she made for Columbia in the Thirties and those for Clef/ Verve between 1953 and 1957 were a highly varied mixture of titles from the American songbook and her own compositions.
Her interpretations were a benchmark against which all aspiring singers were measured. Highly expressive, almost visual ballads went hand in hand with Billie Holiday's life and voice - and only she alone could sing them! Her voice was always embedded in the sound carpet produced by her accompanying musicians: Tony Scott and Paul Quinichette are two names who made their mark on her music in the mid-Fifties, and the rhythm group of Barney Kessel, Kenny Burrell and Chico Hamilton is really first class. The trumpeter Harry 'Sweets' Edison, a long-time friend from the Count Basie Band, sensitively accompanies the singer's mature voice.1. Lady Sings The Blues
2. Trav'lin' Light
3. I Must have That Man
4. Some Other Spring
5. Strange Fruit
6. No Good Man
7. God Bless The Child
8. Good Morning Heartache
9. Love Me Or Leave Me
10. Too Marvelous For Words
11. Willow Weep For Me
12. I Thought About You$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Pressed On 180 Gram Audiophile Vinyl
Housed In A Gatefold Sleeve
Grammy Award 2004 Winner In The Category 'Best Traditional Blues Album'
The album is all acoustic and dedicated to John Lee Hooker with the line, In Memory of John Lee Hooker. You are missed.
Not known for his acoustic work, Buddy Guy unplugs for a rare album-length excursion into folk blues. The guitarist gets down and dirty with 12 tracks that sound like they were recorded after hours in his living room or on his back porch.
Guy's stinging leads are still evident as is his emotive voice, but both are less flamboyant in the unplugged setting. Accompanied by spare stand-up bass and brushed drums, Guy sounds nearly possessed on covers from Skip James (Hard Time Killing Floor), Johnny Shines (Moanin' and Groanin'), Son House (Louise McGhee), and John Lee Hooker (Sally Mae) among others. It's a low-key, low-down affair made for late nights, rainy days, and the saddest of moods.
Guy is just as convincing here--arguably more so--as on his barnstorming electric albums, making Blues Singer one of the bravest and most poignant albums in his catalogue.
The album earned Guy the 2004 Grammy Award for 'Best Traditional Blues Album'.LP 1
1. Hard Time Killing Floor
2. Crawlin' Kingsnake
3. Lucy Mae Blues
4. Can't See Baby
5. I Love The Life I Live
6. Louise McGhee
1. Moanin' and Groanin'
2. Black Cat Blues
3. Bad Life Blues
4. Sally Mae
5. Anna Lee
6. Lonesome Home Blues$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Greatest of the Delta Blues SingersAfter Skip James was rediscovered in the early '60s he went on to record an amazing body of material. These 1964 recordings by Dick Spottswood are some of the best. They initially came out on Melodian which was later sold to Biograph who reissued them. Some of these recordings have been featured on other Skip James records, but Greatest Of The Delta Blues Singers and its beautiful cover drawing of the blues legend is one of the rarest. This 180g vinyl reissue from Sutro Park also includes two bonus tracks that were rarely recorded by James in Motherless and Fatherless and Skip's Worried Blues.1. Hard Time Killing Floor Blues
2. Sick Bed Blues
3. Washington HC Hospital Center Blues
4. Devil Got My Woman
5. Skip's Worried Blues
6. Illinois Blues
7. I Don't Want A Woman To Stay Up All Night Long
8. Cherry Ball Blues
9. All Night Long
10. Motherless & Fatherless$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
World's Foremost Blues SingerLegendary blues vocalist/pianist Memphis Slim
release, with fully restored artwork and
remastered audio, on 180 gram vinyl!1. Lonesome (Blue Blues)
2. Cold Blooded Woman
3. One Man's Mad
4. Good Time Roll Creole
5. What Is Mare-back
6. Pigalle Love
7. Four Walls
8. It's Been Too Long
9. Big Bertha
10. I'm Lost Without You
11. I'll Just Keep Singing The Blues
12. True Love$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
King Of The Delta Blues Singers Vol. IIImport
Ranked 424/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
King of the Delta Blues Singers, Vol. II is a compilation album by American blues musician Robert Johnson, released in 1970 on Columbia Records. It is considered one of the greatest blues releases ever.
A wonderful follow-up to the first compilation (King of the Delta Blues Singers) of Robert Johnson's small library of recorded work. This album boasts the first album appearance of Love in Vain, as well as a number of other blues classics penned by the artist. Sweet Home Chicago, I Believe I'll Dust My Broom, They're Red Hot, and Malted Milk are all present (and all covered by a multitude of artists -- the Blues Brothers, Elmore James, the Red Hot Chili Peppers, and Eric Clapton, respectively). As is generally the practice with Robert Johnson albums, a painting stands in for the cover (there are only two known photographs of the artist in the first place, and every other album released uses one of them). The music is certainly impeccable -- the self-accompanying bassline boogie was one of Johnson's greatest contributions to the blues, and it's displayed in all its beauty here. To top this, there's the beauty of his melodic work, and the interplay with his semi-gruff voice that help to make his songs memorable. He is the true legend of the blues, and anyone with even the slightest curiosity in that genre or rock needs to own both this album and its predecessor.
- Adam Greenberg (All Music Guide)1. Kind Hearted Woman Blues
2. I Believe I'll Dust My Broom
3. Sweet Home Chicago
4. Rambling On My Mind
5. Phonograph Blues
6. They're Red Hot
7. Dead Shrimp Blues
8. Preachin' Blues
9. I'm A Steady Rollin' Man
10. From Four Till Late
11. Little Queen Of Spades
12. Malted Milk
13. Drunken Hearted Man
14. Stop Breakin' Down Blues
15. Honeymoon Blues
16. Love In Vain$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
UNIM-FAN-9986xBlind Gary Davis
Harlem Street SingerReverend Gary Davis, also Blind Gary Davis was a blind African American blues and gospel singer and guitarist, who was also proficient on the banjo guitar and harmonica. His finger-picking guitar style influenced many other artists .1. Samson And Delilah
2. Let Us Get Together Right Down Here
3. I Belong To The Band
4. Pure Religion
5. Great Change Since I Been Born
6. Death Don't Have No Mercy
7. Twelve Gates To The City
8. Goin' To Sit Down On The Banks Of The River
9. Tryin' To Get Home
10. Lo, I Be With You Always
11. I Am The Light Of This World
12. Lord, I Feel Just Like Goin' On$21.99Vinyl LP - Sealed Buy Now
Nina Simone is hands down one of the best Blues singers of the 20th century and only artists the likes of Billie Holiday and Bessie Smith had the power to lay a soul bare like she could! This is no better exemplified than on Pastel Blues' stripped-down album opener Be My Husband, which was later covered famously by Jeff Buckley. Also featured on this beloved 1965 Philips Records release are dazzling interpretations of songs directly related to the aforementioned songstresses including Nobody Knows When You're Down And Out, originally sung by Smith and Holiday's signature song Strange Fruit, not to mention the traditional spiritual Sinnerman, which remains one of Simone's most popular recordings. At long last, Pastel Blues is back on vinyl courtesy of this Music On Vinyl 180g audiophile reissue!1. Be My Husband
2. Nobody Knows You When You're Down And Out
3. End Of The Line
4. Trouble In Mind
5. Tell Me More And More And Then Some
6. Chilly Winds Don't Blow
7. Ain't No Use
8. Strange Fruit
9. Sinnerman$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
African American singer and guitar player who got his start playing on the streets of Memphis around the turn of the century. His enormous repertoire of early folk, blues, old time country and popular music, along with his influence on local musicians has made many point to him as the true father of Memphis blues. He began touring the South with a black face Medicine Show comedian in the 1910s where it is said he met and influenced Jimmie Rodgers, among others. He then moved to Tennessee where he began playing with musician Dan Sane with whom he made his first recordings as the Beale Street Sheiks for Paramount in 1927. Throughout this period Stokes recorded a number of sides for Paramount and Victor until his old time style began to lose popularity with the record buying public.1. Downtown Blues
2. Bedtime Blues
3. Whats the Matter Blues
4. Mistreatin Blues
5. It Wont Be Long Now
6. Nehi Mamma Blues
7. I Got Mine
8. Stomp That Thing
9. 'Taint Nobodys Business If I Do
10. Take Me Back
11. How Long
12. South Memphis Blues
13. Bunker Hill Blues
14. Right Now Blues
15. Shiney Town Blues
16. Frank Stokes' Dream
17. Memphis Rounders Blues$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dublin BluesAvailable On Vinyl For The First Time
Dublin Blues is an album by American singer-songwriter Guy Clark, originally released in 1995.
A mere three years after Boats to Build, Guy Clark offered Dublin Blues, a record filled with sizzle, inspiration, and his
best batch of songs in years. Teaming with Miles Wilkinson for the third time and using in the studio for the first time
his road band -- which included Über guitarist and singer Darrell Scott -- Clark delivered a batch of searing portraits,
intimate observations, first-person narratives, and one dumb throwaway cut ("Baby Took A Limo to Memphis").
As usual, some old friends return to the fold -- Rodney Crowell, Emmylou Harris, Sam Bush, Verlon Thompson, Kenny
Malone, and Suzy Ragsdale -- but there were new faces at the time that joined in like Ramblin' Jack Elliott, Nanci
Griffith, and Kathy Mattea.
The magic begins with the title track. Haunted Celtic melodies played on the fiddle and a mandolin with an acoustic
guitar usher in a country song that could be from the countryside of Ireland. With Mattea on the backing vocals,
the listener is transported between worlds in time and space. "Black Diamond Strings" is a friendly little number
about what else: guitar strings! Its catchy hook and singalong chorus make it a Clark winner. "Shut Up and Talk to
Me" features Scott playing the swinging blues as Clark counts off the music like a fierce memory. "Stuff That Works"
is another of Clark's quiet observation tunes, where his words speak volumes and the instruments underline their
meanings. It's a workingman's anthem sung seemingly from the workshop bench. But "Hank Williams Said It Best,"
"Tryin' to Try," "Cape," and "Hangin' Your Life on the Wall" are all tremendous in their scope and intimacy. They are
full of dimension and depth, and Wilkinson gives them textures.
The set ends with a re-recording of the spooky yet shattering elegy "The Randall Knife" Clark cut on Better Days. The
difference here is age. The view Clark sings from is one of distance and age. "The Randall Knife" doesn't feel quite
so spooky this time out, but it does resonate with empathy and even tenderness. As it winds to a close, the listener
is left not in bewildered silence but in awe that such a bond exists at all.1. Dublin Blues
2. Black Diamond Strings
3. Shut Up And Talk To Me
4. Stuff That Works
5. Hank Williams Said It Best
6. The Cape
7. Baby Took a Limo to Memphis
8. Tryin' To Try
9. Hangin' Your Life On The Wall
10. The Randall Knife$21.99Vinyl LP - Sealed Buy Now
Blues FuneralBlues Funeral is the first release from the Mark Lanegan Band since 2004's acclaimed Bubblegum. The album was recorded in Hollywood, CA by Alain Johannes at his 11AD Studio. The music was played by Johannes and Jack Irons with appearances from Greg Dulli and Josh Homme among others. Mark Lanegan has sung with the Screaming Trees, Queens Of the Stone Age, The Twilight Singers, The Gutter Twins, Mad Season, Soulsavers and Isobel Campbell. Limited edition grey vinyl.1. The Gravedigger's Song
2. Bleeding Muddy Water
3. Grey Goes Black
4. St Louis Elegy
5. Riot In My House
6. Ode To Sad Disco
7. Phantasmagoria Blues
8. Quiver Syndrome
9. Harborview Hospital
11. Deep Black Vanishing Train
12. Tiny Grain Of Truth$26.99Vinyl LP - Sealed Buy Now
Texas Troublesome BluesImport
Tramp Records presents Texas Troublesome Blues, a 16-track vinyl compilation featuring the recordings of Texas blues singer Alger 'Texas' Alexander.1. Range In My Kitchen Blues
2. Mama, I Heard You Brought It Right Back Home
3. Death Bed Blues
4. Bantam Rooster Blues
5. Deep Blue Seas Blues
6. Mama's Bad Luck Club
7. St. Louis Fair Blues
8. Gold Tooth BLues
9. Johnny Behren's Blues
10. Texas Special
11. Days Is Lonesome
12. Last Stage Blues
13. Texas Troublesome Blues
14. One Morning Blues
15. Deceitful Blues
16. Bottoms Blues$27.99Vinyl LP - Sealed Buy Now
CITH-4MEN-1112xRobert Pete Williams
Louisiana Blues (Colored Vinyl)
Limited Edition Of 600 On Bottleneck Brown Vinyl
Comes With A 8 Page Booklet
Over 50 years since his discovery by ethnomusicologists Dr. Harry Oster and Richard Allen in the prison farm of Angola, Louisiana, what is it that makes the blues as sung and picked by Robert Pete Williams such a singular listening experience, unequaled elsewhere in that musical form? As Peter Guralnick, in his Feel Like Going Home book writes: "It's difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. More than anyone else he shatters the conventions of the form and refuses to rely upon any of the clichÉs, either of music or of lyric, which bluesman after bluesman will invoke. Instead he sings blues which reflect a unique and personal vision; he makes each song unmistakably his own."
Unfamiliar keys, clichÉ-free lyricism, spontaneity, an individualistic style in invoking his particular blues, all make Robert Pete Williams an idiosyncratic entry into the canon. It's impossible to listen to blues artists before him and hear strains of his particular style. None have matched it since. Louisiana Blues contains 10 songs recorded in the month of July 1966 out in Berkeley, California for John Fahey's Takoma imprint.1. Somebody Help Poor Me
2. Freight-Train Blues
3. It's Hard To Tell
4. I'm Going Down Slow
5. Motherless Children Have A Hard Time
7. So Long Boogie
8. This Is A Mean Old World To Me
9. High As I Want To Be
10. It's A Long Old Road$21.99Colored Vinyl LP - Sealed Buy Now
Mouth Harp BluesShakey Jake - Mouth Harp Blues The late James Harris earned the moniker Shakey Jake due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder's New Jersey studio in November 1960 to record this, his second album for the Bluesville label. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter's band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping Easy Baby, a tune also associated with Jake's nephew Magic Sam.
Guitarist Jimmie Lee Robinson, who died in 2002, was the soul of Acoustic Sounds' own APO Records. He was the first to record at Blue Heaven Studios, having made three records (one still unreleased) in the converted church, and he was there several more times to perform. A Chicago native and lifelong resident, Robinson began playing guitar in the open-air market on Maxwell Street in 1942 with the likes of Big Bill Broonzy and Robert Nighthawk. He later teamed with Freddie King for a four-year partnership and went on to play guitar and bass with Little Walter, Howlin' Wolf, Eddie Taylor, Elmore James, Jimmy Rogers, Jimmy Reed, Magic Sam and of course Shakey Jake.
This title is not eligible for discount.1. Mouth Harp Blues
2. Love My Baby
3. Jake's Cha Cha
4. Gimme A Smile
5. My Broken Heart
6. Angry Lover
7. Things Is Alright
8. Easy Baby
9. Things Are Different Baby
10. It Won't Happen Again$49.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
Low Country BluesProduced by T-Bone Burnett
Band Features Dr. John, Jay Bellerose, Doyle Bramhall II
Legendary Singer Interprets Classic Blues Songs by Likes of Muddy Waters and Magic Sam
As a founding member of the one and only Allman Brothers Band and in his own storied solo career, Gregg Allman has long been a gifted natural interpreter of the blues, his soulful and distinctive voice one of the defining sounds in the history of American music. Low Country Blues marks the legendary Rock & Roll Hall of Famer's seventh solo recording and first in more than 13 years. Produced by T Bone Burnett, the album finds Allman putting his own stamp on songs by some of the blues giants whose work has long informed his own, from Muddy Waters and BB King to Buddy Guy and Magic Sam. Named for the coastal Georgia region Allman calls home, Low Country Blues stands as a high water mark in an already remarkable body of work, rich with passion, verve, and the unerring confidence of a true survivor.
Though Allman has been a constant presence on the road over the past decade, with the Allman Brothers Band as well as with his own crack combo, he has spent precious little time in the studio since the 2002 death of producer Tom Dowd - the man behind the glass for much of his recorded career. So when his manager suggested he veer off from a 2009 tour for a Memphis meeting with the multiple Grammy Award-winning Burnett, Allman admits to being not entirely enthused.
I said, 'Oh man, I don't wanna start meeting a string of dudes, all of 'em trying to outdo the other one, he recalls. But we stopped in Memphis and here comes T Bone. The first sentence out of his mouth was something like, 'Tommy Dowd was The Man, wasn't he? I've patterned a lot of my stuff after that gentleman.' I thought, 'Right, what've we got here?'
The two musicians quickly bonded, chatting about favorite records, mutual friends, and reminiscences of Nashville's renowned clear channel station, WLAC, which introduced rhythm & blues music to a generation of late night listeners from New York to Miami. He told me some guy gave him a hard drive, it has 10,000 obscure blues songs, Allman says. He says, 'I'm gonna pick out twenty of 'em and send 'em to ya and you tell me what you think.' He said, 'They're old, like Billie Holliday old, and when you listen to 'em, I want you to think about us gettin' in there and about bringin' 'em up to today.'
Allman found the idea irresistible and in January 2010, a stunning combo was assembled at Los Angeles' The Village Recorder, comprising Burnett and Doyle Bramhall II on guitars, backed by the brilliant rhythm section of upright bassist Dennis Crouch and drummer Jay Bellerose. What's more, the lineup included a brass section arranged and conducted by trumpeter Darrell Leonard, whose illustrious resume extends back to his work with Delaney Bonnie & Friends (featuring Gregg's late, great brother Duane). As if that weren't enough, sitting in on piano was a dear old friend, the Night Tripper himself, Mac Dr. John Rebennack, with whom Allman co-wrote Let This Be A Lesson To Ya' on the Gregg Allman Band's 1977 classic, Playin' Up A Storm.
This powerhouse band - which of course also features Gregg's own acoustic guitar expertise and trademark Hammond B-3 organ - cooks up an earthy and atmospheric musical stew infused with gritty R&B muscle, spooky Southern psychedelia, and greasy deep soul grooves.
Like any genuine bluesman, Allman's own life has been colored by myriad triumphs and too many tragedies. Low Country Blues was initially slated for a mid-2010 release, but that plan changed when Gregg, who had long battled chronic Hepatitis C, was notified that he was a candidate for a liver transplant. In June 2010, he entered the Mayo Clinic in Jacksonville, Florida where he successfully underwent the difficult surgery. Knowing that he had only just made one of the defining albums of his recorded career proved to be the best medicine, giving Allman the inner strength he needed to fully heal.1. Floating Bridge
2. Little By Little
3. Devil Got My Woman
4. I Can't Be Satisfied
5. Blind Man
6. Just Another Rider
7. Please Accept My Love
8. I Believe I'll Go Back Home
9. Tears Tears Tears
10. My Love is Your Love
11. Checking On My Baby
12. Rolling Stone$29.99Vinyl LP - 2 LPs Sealed Buy Now
Trouble An' BluesLouisiana-born singer and harmonica blower Sidney Maiden first made his mark in the blues world during the late Forties with Eclipse of the Sun, a number cut in Oakland with guitarist K.C. Douglas. Unlike many other Southern bluesmen who urbanized their styles after relocating to the West Coast, Maiden and Douglas stuck close to their rural roots. Maiden spent much of his career entertaining farm workers around Fresno, while Douglas became a favorite in Bay Area folkmusic circles. This 1961 reunion, recorded in Berkeley by Kenneth S. Goldstein and Chris Strachwitz, reveals that the two men had lost none of their old musical empathy and shows Maiden, in the words of annotator Larry Cohen, worthy of being mentioned along with the select few greats of the mouthharp.
This title is not eligible for discount.1. Buy Me an Airplane
2. Sweet Little Woman
3. My Black Name
4. Sidney's Fox Chase
5. San Quentin Blues
6. Tell Me, Somebody
7. Blues An' Trouble
8. Hand-Me-Down Baby
9. Sidney's Worried Life Blues
10. Me and My Chauffeur Blues
11. Coal Black Mare
12. I'm Goin' Back Home$17.50Vinyl LP - Sealed Buy Now
The Phosphorescent Blues\After working with Burnett numerous times-most recently on the soundtrack for the Joel and Ethan Coen film Inside Llewyn Davis and the related Town Hall/Showtime concert Another Day, Another Time-Punch Brothers decided to join forces with the multiple Grammy Award-winning producer for their new record. Last summer, the band and Burnett spent a month at Hollywood's Ocean Way Recording laying down the songs that guitarist Chris Eldridge, bassist Paul Kowert, banjo player Noam Pikelny, mandolinist and lead singer Chris Thile, and fiddler Gabe Witcher had written during several writing "retreats" last winter and spring.
Thile explains one of the ways the music on The Phosphorescent Blues reflects the band's view of modern life: "We often go to bars after shows or writing sessions, to be around other people for a little while. And I'd see people just like me on their phones, telling people they wish they were there, texting people who really are there. Then a song would come on that somebody likes and then they see that someone else does too and maybe they both sing it together and that moment is spiritual, some shared experience, and they are interacting in the flesh, with their fellow man. And that's communion. Many of the songs on this record dive into that: how do we cultivate beautiful, three-dimensional experiences with our fellow man in this day and age?"
Shortly before the sessions began, Thile and Witcher met with Burnett and discovered the producer had the very same things on his mind. In fact, he'd just given a commencement address at the University of Southern California on the subject of technology and human interaction. Witcher remembers, "Thile and I looked at each and said, 'This is unbelievable. It's exactly what we are writing about.' So this was a perfect, serendipitous union."LP 1
3. Passepied (Debussy)
4. I Blew It Off
6. My Oh My
1. Boll Weevil
2. PrÉlude (Scriabin)
4. Between 1st and A
5. Little Lights
6. Sleek White Baby
8. The Hops of Guldenberg
9. The Wireless$39.99Vinyl LP - 2 LPs Sealed Buy Now
Delta Momma BluesWidely considered one of the greatest songwriters of his generation, Townes Van Zandt has directly influenced such singers as Steve Earle, Emmylou Harris and Willie Nelson. Fat Possum is proud to reissue two titles from his early career, Townes Van Zandt and Delta Momma Blues, on 180g vinyl. Recorded between 1969 and 1978, Van Zandt's most prolific and most critically acclaimed decade, these titles are the heart of any serious consideration of Townes' career. Featuring iconic cover art designed by Milton Glaser, each is a classic in every sense of the word. These titles are the first in a series of Townes Van Zandt reissues that Fat Possum is undertaking in conjunction with the Van Zandt estate.1. Ffv
2. Delta Momma Blues
3. Only Him or Me
4. Turnstyled, Junkpiled
5. Tower Song
6. Come Tomorrow
7. Brand New Companion
8. Where I Lead Me
10. Nothin'$17.99180 Gram Audiogram Virgin Vinyl LP - Sealed Buy Now
Bopping The BluesOne of Miles Davis' Earliest Recording Sessions
Pressed On Audiophile-Grade 180 Gram Vinyl At Pallas Group In Germany
Mastered From Original Analog Tapes By Bernie Grundman
Features Legendary Tenor Saxophonist Gene Ammons and Drummer Art Blakey
One of Miles Davis' earliest recording sessions. The very first known instance of the famed trumpeter playing in an "open" style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it's got that elusive Holy Grail quality. Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Bopping the Blues marks what are indisputably Davis' initial open-voiced contributions and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music.1. Don't Sing Me The Blues (Take 1)
2. Don't Sing Me The Blues (Take 2)
3. I've Always Got The Blues (Take 1)
4. I've Always Got The Blues (Take 2)
5. I've Always Got The Blues (Take 3)
6. Don't Explain To Me Baby (Take 1)
7. Don't Explain To Me Baby (Take 2)
8. Don't Explain To Me Baby (Take 3)
9. Don't Explain To Me Baby (Take 4)
10. Baby, Won't You Make Up Your Mind (Take 1)
11. Baby, Won't You Make Up Your Mind (Take 2)
12. Baby, Won't You Make Up Your Mind (Take 3)$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Mississippi Delta Blues (Awaiting Repress)"Mississippi" Fred Mcdowell's 1965 Recording With Producer Alan Bates In Como, Mississippi
Remastered For Vinyl At Infrasonic Mastering
Pressed On Audiophile-Grade Vinyl At Pallas Group
As Ron Wynn wrote for AllMusic, "Fred McDowell played
simple, haunting blues with vivid, demonstrative passion
and power." This is music that owes nothing to artifice,
but simply makes its impact through the total honesty of
the performer. Of all the blues singers of the older school
who have been discovered or rediscovered in recent
years, McDowell may well be the most impressive, and
this LP affords ample proof of his stature.
"Mississippi Delta Blues" was recorded in Como,
Mississippi, late in 1965, by producer Alan Bates. The LP
was originally issued by Bate's Black Lion label in 1965.
It has now been remastered by Infrasonic Mastering,
and pressed on audiophile-grade vinyl at Pallas Group
in Germany.1. Some Day Baby
2. Milk Cow Blues
3. The Train I Ride
4. Over The Hill
5. Goin' Down To The River
6. I Wished I Were In Heaven Sitting Down
7. Louise$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Genius Sings the BluesNumbered Limited-Edition 180g LP from Mobile Fidelity
1961 Collection Gathers 12 Must-Have Songs from Charles' Peak Era
Mobile Fidelity Has Righted the Sonic Wrongs That Plagued Earlier Versions - You Won't Find a Better-Sounding Ray Charles LP
Genius doesnt even begin to describe the greatness of The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singers migration to rival ABC Paramount. What Atlantic originally underestimated is that the album contained many of Charles greatest works, all unified by their bluesy emotions and stirring arrangements. A classic of the soul and R&B canon, The Genius Sings the Blues is a snapshot of the evolution of timeless American music captured by the pianists indelible rhythmic pace, gospel roots, jazz backgrounds, and Southern-styled accents. And its never sounded so good.
From the iconic cover art (a photo of Charles taken by legendary photographer Lee Friedlander) to the distinguished music within, everything about the thematic record is iconic. Now, nearly 50 years later, it can be heard in pristine fidelity sourced from the original mono master tapes. Mobile Fidelitys engineers have taken great pains to ensure that every clink of the piano keys, ache of Charles rolling voice, and rush of the backing arrangements sounds better than they have since first being recorded in the studio. This 180g LP simply lays waste to the competition.
Previous editions of The Genius Sings the Blues, including a remastered digital edition from Rhino, suffered from varying levels, distracting static and noise, and inconsistent vocal balances. Mobile Fidelity has gone back to the original mono master tapes to correct these problems, giving music lovers what is now unquestionably the best-sounding Charles album to stem from his peak era. And these performances are simply on fire.
Whether inhabiting the sadness in Night Time (Is the Right Time) or personifying the loss of Hard Times, Charles invests each song with supreme emotion and undeniable conviction that makes the lyrics ring true and the blues resonate with cathartic pathos. Uptempo country blues numbers (Im Movin On, Early in the Mornin) balance the mournful slow fare, and again prove Charles a master composer, interpreter, and musician who could make any style his own. The Genius Sings the Blues also speaks to legendary jazz pianist Billy Taylors initial impressions of Charles upon hearing him in a way in which few other Charles recordings do.
Taylor recalled: While playing through some new music for a projected Ruth Brown record date, I was asked to listen to an original song played and sung by a young composer and pianist from Seattle, Washington. I can still remember how surprised I was to hear this kind of music from a Northwesterner. He reminded me of Charles Brown, another pianist-singer who was very popular in the Forties, but he had a very personal sound and there was something different about his rhythmic approach. In his handling of melody he seemed to be using devices similar to those used by Dinah Washington and a small group of popular singers who allowed their gospel singing backgrounds to influence their interpretation of popular songs... I was intrigued by the emotional quality projected by both his piano playing and his unusual voice and was not surprised when Ahmet ErtegÜn said that he wanted to let the young musician record some of his own material. He communicates just like the old blues singers, Ahmet said.
Indeed, that innate blues aesthetic dominates this collection, as does Charles distinctive rhythmic mannerisms. Finally, hear them as theyve always been intended to be experienced.
This title is not eligible for discount.1.Early in the Mornin'
2.Hard Times (No One Knows Better Than I)
3.The Midnight Hour
4.(Night Time Is) the Right Time
7.I'm Movin' On
8.I Believe to My Soul
10.Mr. Charles' Blues
11.Some Day Baby
12.I Wonder Who$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Richland Woman Blues (Pure Pleasure)
Best known for that ditty about camels, Maria Muldaur has since established herself as one of the finest folk/country/jazz/blues/gospel interpreters ever to have a Top Five single. After 26 years and 24 solo albums, Muldaur -- inspired by a trip to Memphis' Beale Street -- digs deep into her roots and pays tribute to the classic blues women of the '20s and '30s. Aided by the similarly inclined Bonnie Raitt, Taj Mahal, and Alvin 'Youngblood' Hart, Muldaur breezes through 14 tunes from icons Bessie Smith and Memphis Minnie, as well as obscurities from the Reverend Gary Davis, Mississippi John Hurt, and Blind Willie Johnson. Keeping the unplugged accompaniment stripped way down to a single guitar or piano and occasional bass, Muldaur has room to maneuver her evocative vocals that shift from gritty groans to a high-pitched edgy trill. Far from a dry history lesson, these songs are performed with the strength and tenacity of the women who originally sang them. Whether spinning saucy, double entendre lyrics in Me And My Chauffeur Blues (»the way you ride so easy, I can't turn you down«) or longing for her Southern home after moving north during the Depression in Bessie Smith's Far Away Blues, the singer remains invigorated and inspired throughout. By returning to her late-'60s Jim Kweskin Jug Band coffeehouse days, Maria Muldaur has discovered her middle-aged oasis with Richland Woman Blues. And there's not a camel in sight.
- Maria Muldaur (vocal)
- Alvin Youngblood Hart (guitar, vocal)
- Bonnie Raitt, John Sebastian (guitar)
- David Wilkie (mandocello)
- Dave Mathews (piano)
- Roly Salley (bass)
- Angela Strehli, Tracy Nelson (vocal)
Recording: 2001 by John Jacob
Production: John Jacob & Maria Muldaur
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. The One To Sing The Blues
2. I'm So Bad (Baby I Don't Care)
3. No Voices In The Sky
4. Going To Brazil
6. Love Me Forever
7. Angel City
8. Make My Day
10. Shut You Down
11. 1916$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Blues of Desperation (Awaiting Repress)GRAMMY-nominated blues-rock guitar icon Joe Bonamassa announces his 20160solo album, Blues of Desperation (J&R Adventures). Like his previous solo disc, 2014's Top 10 Billboard hit Different Shades of Blue, this record features all-original material, and it sees the maverick superstar guitarist, singer and songwriter tossing away the rule book as he continues to reinvent and redefine the blues-rock genre like no other artist working today.
I want people to hear my evolution as a blues-rock musician, says Bonamassa, somebody who isn't resting on accomplishments and who is always pushing forward and thinking about how music can evolve and stay relevant.
The writing sessions for Blues of Desperation took Bonamassa back to Nashville, where he'd composed Different Shades of Blue, to work with some of Music City's top tunesmiths, people like James House, Tom Hambridge, Jeffrey Steele, Jerry Flowers and Gary Nicholson.
These are some of the best guys in the business, Bonamassa raves. Lyrically, you'll hear the proverbial trains, mountains, valleys and other blues references about heartbreak and loneliness but there are also some poignant moments about getting away from the stressful, crazy demands of life and losing yourself with your special someone. I think anybody will be able to relate.
Bonamassa and his longtime producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey) convened at Nashville's Grand Victor Sound Studios (formerly known as RCA Studio A), and during an intense, five-day period they recorded 11 galvanizing songs with a crack group of musicians including drummers Anton Fig and Greg Morrow, bassist Michael Rhodes, keyboardist Reese Wynans, horn players Lee Thornburg, Paulie Cerra and Mark Douthit, and background singers Mahalia Barnes, Jade McRae and Juanita Tippins.
Of his decade-long collaboration with Shirley, Bonamassa says, I can explain our relationship with one word - 'trust.' I completely trust in Kevin and his musical promptings. He pushes my musical ability by challenging me to not just rest on my laurels or settle for 'good.' He expects more out of the other musicians as well and will not hold back when he sees us falling back into our usual routine.
Which sometimes calls for unorthodox measures, says Shirley, who admits that his idea of augmenting Bonamassa's usual recording band with second drummer Morrow was engineered to ruffle Joe's feathers.
I wanted him to work a little harder, like in his early years, he says, so I brought in an additional drummer, just to throw the cat amongst the pigeons. Of the results, Shirley raves, Recording 'Blues of Desperation' is one of the most exciting recording projects I've done. What a joyful noise we made!
Blues of Desperation is Bonamassa's most powerfully diverse and boldly realized album yet, with the material ranging from the gutsy, gritty blues call to arms of This Train (Joe's guitar is set to rude throughout) to the elegant yet emotionally shattering ballad What I've Known for a Very Long Time to the soul-nourishing, acoustic-based Americana of The Valley Runs Low, on which Bonamassa's voice rises up majestically to meet Barnes, McRae and Tippins in gospel-like rapture. And then there's the bleary, tequila-soaked Drive, dripping with the kind of raw, wicked and unsettling sensuality that could make David Lynch green with envy.
Throughout the record, Bonamassa's epic guitar playing conjures up stirring benedictions and explosive exorcisms of sound. No Good Place For the Lonely features some of the guitarist's most cauterizing licks yet, and the walloping title track is a white-knuckled, six-string thrill ride guaranteed to jolt the senses. Guitar fans everywhere (like those who recently voted Bonamassa Best Blues Guitarist in Guitar World magazine by an overwhelming margin) will consider Blues of Desperation a treasure trove of axe riches.
There are some long solos on this record and even some mini-jams in the middle of a track where the band would just jive and crank it out, he says. [During those jams], we do a tip of the hat to Beck and Clapton from the '70s. I think guitar nerds and music fans like myself will love it.
Packed with unparalleled musicianship and teeming with the most enthralling collection of songs in Bonamassa's career, Blues of Desperation is guaranteed to knock out critics and fans alike. By exceeding his own vertiginously high artistic goals, Bonamassa is bound to shatter all other expectations with this record and reach new audiences - no mean feat when you continue his astonishing track record of hits now includes 15 #1 Billboard Blues Albums (more than any other artist in history). 2014's Different Shades of Blue debuted at #8 on Billboard's Top 200 Chart, making it his highest charting album, his first top 10 and accounting for his biggest sales week ever. In 2014, the guitarist received his first-ever Grammy nomination (for Best Blues Album) for the album Seesaw, his second collaboration with blues singing star Beth Hart, and was named 2014's Billboard Blues Artist of the Year.1. This Train
2. Mountain Climbing
4. No Good Place For The Lonely
5. Blues Of Desperation
6. The Valley Runs Low
7. You Left Me Nothin' But The Bill And The Blues
8. Distant Lonesome Train
9. How Deep This River Runs
10. Livin' Easy
11. What I've Known For A Very Long Time$34.99180 Gram Audiopbhile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now