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  • The Basement Tapes The Basement Tapes Quick View

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    The Basement Tapes

    Ranked 291/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Recorded in Basement of Big Pink with The Band: Modern Americana Starts Here


    Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue


    Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material


    Includes This Wheels on Fire, You Aint Goin Nowhere, Tears of Rage, Million Dollar Bash, Yazoo Street Scandal


    The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and Blood on the Tracks Also Available from Mobile Fidelity


    Basements have long been associated with raw, off-the-cuff rock n roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbed Big Pink the location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of The Basement Tapes ever produced and the first-ever analog reissue. Inimitable, the particulars of The Basement Tapes especially, the gather-round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordings come to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.


    Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.


    In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does. Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freenessa liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.


    The Basement Tapes capacity to remain so gloriously honest and timeless performances that genuinely could've been made today, ten years from now, or back in the 1930's helps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.


    Mobile Fidelity's reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Odds and Ends
    2. Orange Juice Blues (Blues for Breakfast)
    3. Million Dollar Bash
    4. Yazoo Street Scandal
    5. Goin to Acapulco
    6. Katies Been Gone
    7. Lo and Behold
    8. Bessie Smith
    9. Clothes Line Saga
    10. Apple Suckling Tree
    11. Please Mrs. Henry
    12. Tears of Rage
    13. Too Much of Nothing
    14. Yea! Heavy and a Bottle of Bread
    15. Aint No More Cane
    16. Crash on the Levee (Down in the Flood)
    17. Ruben Remus
    18. Tiny Montgomery
    19. You Aint Goin Nowhere
    20. Dont Ya Tell Henry
    21. Nothing Was Delivered
    22. Open the Door, Homer
    23. Long Distance Operator
    24. This Wheels on Fire
    Bob Dylan and the Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Freewheelin' Bob Dylan The Freewheelin' Bob Dylan Quick View

    $49.99
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    The Freewheelin' Bob Dylan

    Ranked 97/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Dylans 1963 Sophomore Effort Marks the Beginning of a Cultural Sea Change


    Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity


    Records Ambitious Poetry, Melodies, and Moral Conviction Transformed Songwriting, Folk, and Pop


    Includes Masters of War, Blowin in the Wind, and A Hard Rains A-Gonna Fall


    Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity


    Its the album the ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. Its the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. Its the sound of change, the feeling of ground shifting beneath ones feet, and the entrance of an entirely new way of thinking. Its the effective beginning of whats arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation. Its The Freewheelin Bob Dylan.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of The Freewheelin Bob Dylan ever produced. Never before has the resonance of his nylon guitar strings, fingerpicked notes, shivering harmonica fills, or plainspoken timbre possessed such clarity, openness, body, or realism.


    With the advantage of wider and deeper grooves, the 45RPM pressing affords the opportunity to detect more information and lavish in extra richness. Whether its the exaggerated nasal accents employed on Down the Highway or the decay of each strummed line on the entirely acoustic album, previously concealed details, microdynamics, and ambient cues surface enhancing the listeners experience and taking them inside Columbia's Studio A where history was made by leaps and bounds.


    Exponentially surpassing the potential he demonstrated on his debut, Dylan became a mirror of the concerns, issues, and feelings confronting the nation. Writing and singing with penetrating honesty, observational wit, moral conviction, and scathing emotion, he digs into the madness of war (Masters of War, A Hard Rains A-Gonna Fall), hypocrisy of segregation (Oxford Town), urgency of civil rights and freedom (Blowin in the Wind), and multiple angles of unrequited love (Girl From the North Country, Dont Think Twice Its All Right) with a literate astuteness and depth that, nearly 50 years later, still leave audiences slack-jawed. Satire, absurdist humor, and traditional blues also pepper the album, which rests upon graceful melodies and sparse, poignant patterns.


    Viewed as protest songs, love songs, folk songs, or talking blues songs, the material on The Freewheelin Bob Dylan remains amongst the most astonishing and imaginative ever committed to tape. It deserves as much as you deserve a fidelity that makes as closely intimate as possible the musics connection with you. You deserve this edition.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Blowin in the Wind
    2. Girl From the North Country
    3. Masters of War
    4. Down the Highway
    5. Bob Dylans Blues
    6. A Hard Rains A-Gonna Fall
    7. Dont Think Twice, Its All Right
    8. Bob Dylans Dream
    9. Oxford Town
    10. Talking World War III Blues
    11. Corrina, Corrina
    12. Honey, Just Allow Me One More Chance
    13. I Shall Be Free
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Another Side Of Bob Dylan (Awaiting Repress) Another Side Of Bob Dylan (Awaiting Repress) Quick View

    $49.99
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    Another Side Of Bob Dylan (Awaiting Repress)

    Dylans Second 1964 Album Expands Songwriting Themes and Adds Levity


    Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity


    Recorded in One Day: Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness Grace the Bards Loosest 1960s Effort


    Includes I Shall Be Free No. 10, It Aint Me Babe, My Back Pages, Chimes of Freedom


    The Freewheelin Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity


    The ever-evasive Bob Dylan never explicitly stated exactly what represented the another side of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbias Studio A and, displaying an openness hed never before revealed in a formal environment, lays down the songs that compromise his fourth album.


    Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelitys reissue illuminates the artists conditionhe laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if hes stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfectionwith microscopic accuracy. Indeed, Dylans slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.


    The uninhibited joie de vive is discernable in the rattling piano lines on Black Crow Blues, seemingly subconscious ramble of the hysterical folk rhyming of Motorpsycho Nightmare, bluesy dream sequencing throughout I Dont Believe You, and intentionally out-of-tune yodeling during All I Really Want to Do. On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.


    And so the apparently autobiographical and self-aware My Back Pages, one of the earliest examples of Dylans immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant releasean essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions. Quintessential Dylan.


    As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal Chimes of Freedom, the standard that journalist Paul Williams dubbed Dylans Sermon on the Mount. Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. All I Really Want to Do
    2. Black Crow Blues
    3. Spanish Harlem Incident
    4. Chimes of Freedom
    5. I Shall Be Free, No. 10
    6. To Ramona
    7. Motorpsycho Nightmare
    8. My Back Pages
    9. I Dont Believe You
    10. Ballad in Plain D
    11. It Aint Me Babe
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • The Basement Tapes Raw: The Bootleg Series Vol. 11 The Basement Tapes Raw: The Bootleg Series Vol. 11 Quick View

    $99.99
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    The Basement Tapes Raw: The Bootleg Series Vol. 11


    Special Deluxe LP-Set On 180-gram Vinyl


    Featuring 3 LPs Of 38 Highlights From Dylan's Legendary 1967 Sessions With The Band


    Compiled From Meticulously Restored Original Tapes


    Includes Exclusive 12x12'' Booklet With Extensive Liner Notes And Rare Photographs


    Also Includes All The Tracks On 2 CDs


    Compiled from meticulously restored original tapes - many found only recently - this three-LP set includes 38 highlights of Dylan's legendary 1967 recording sessions with members of his touring ensemble who would later achieve their own fame as The Band.


    Among Bob Dylan's many cultural milestones, the legendary Basement Tapes have long fascinated and enticed successive generations of musicians, fans and cultural critics alike. Having transformed music and culture during the early 1960s, Dylan reached unparalleled heights across 1965 and 1966 through the release of three historic albums, the groundbreaking watershed single ''Like A Rolling Stone,'' a controversial and legendary 'electric' performance at the 1965 Newport Folk Festival and wildly polarizing tours of the United States, Europe and the United Kingdom. Dylan's mercurial rise and prodigious outpouring of work during that decade came to an abrupt halt in July 1966 when he was reported to have been in a serious motorcycle accident in upstate New York.


    Recovering from his injuries and away from the public eye for the first time in years, Dylan ensconced himself, along with Robbie Robertson, Rick Danko, Richard Manuel, Garth Hudson and, later, Levon Helm, in the basement of a small house, dubbed ''Big Pink'' by the group, in West Saugerties, New York. This collective, which would come to be known as Bob Dylan and The Band, recorded more than a hundred songs over the next several months including traditional covers, wry and humorous ditties, off-the cuff performances and, most important, dozens of newly-written Bob Dylan songs, including future classics ''I Shall Be Released,'' ''The Mighty Quinn,'' ''This Wheel's On Fire'' and ''You Ain't Going Nowhere.''


    When rumors and rare acetates of some of these recordings began surfacing, it created a curiosity strong enough to fuel an entirely new segment of the music business: the bootleg record. In 1969, an album mysteriously titled Great White Wonder began showing up in record shops around the country, and Dylan's music from the summer of 1967 began seeping into the fabric of popular culture, penetrating the souls of music lovers everywhere. With each passing year, more and more fans sought out this rare contraband, desperate to hear this new music from the legendary Bob Dylan.


    The actual recordings, however, remained commercially unavailable until 1975, when Columbia Records released a scant 16 of them on The Basement Tapes album (that album also included eight new songs by The Band, without Dylan).


    A critical and popular success, The Basement Tapes went Top 10 in the US and UK, with John Rockwell, of The New York Times, calling it ''one of the greatest albums in the history of American popular music,'' Paul Nelson, in Rolling Stone, praising the tracks as ''the hardest, toughest, sweetest, saddest, funniest, wisest songs I know'' and the Washington Post noting that ''...Dylan has to rank as the single greatest artist modern American pop music has produced.'' Robert Christgau gave the album an A+ rating in the Village Voice, where it topped the annual Pazz & Jop Critics Poll.


    Musicians:

    Bob Dylan

    Robbie Robertson

    Rick Danko

    Richard Manuel

    Garth Hudson

    Levon Helm

    (Lead vocals are sung by Bob Dylan. Harmony and instrumentation are unknown because all involved were multi-instrumentalists and vocalists, and no records remain.)

    LP 1
    1. Open the Door, Homer (Restored version)
    2. Odds and Ends (Alternate version)
    3. Million Dollar Bash (Alternate version)
    4. One Too Many Mornings (Unreleased)
    5. I Don't Hurt Anymore (Unreleased) (written by Donald I Robertson and Walter E Rollins)
    6. Ain't No More Cane (Alternate version) (Traditional, arranged by Bob Dylan)
    7. Crash on the Levee (Restored version)
    8. Tears of Rage (Without overdubs) (written by Bob Dylan and Richard Manuel)
    9. Dress it up, Better Have it All (Unreleased)
    10. I'm Not There (Previously released)
    11. Johnny Todd (Unreleased) (Traditional, arranged by Bob Dylan)
    12. Too Much of Nothing (Alternate version)


    LP 2
    1. Quinn the Eskimo (Restored version)
    2. Get Your Rocks Off (Unreleased)
    3. Santa-Fe (Previously released)
    4. Silent Weekend (Unreleased)
    5. Clothes Line Saga (Restored version)
    6. Please, Mrs. Henry (Restored version)
    7. I Shall be Released (Restored version)
    8. You Ain't Goin' Nowhere (Alternate version)
    9. Lo and Behold! (Alternate version)
    10. Minstrel Boy (Previously released)
    11. Tiny Montgomery (Without overdubs)
    12. All You Have to do is Dream (Unreleased)
    13. Goin' to Acapulco (Without overdubs)
    14. 900 Miles from My Home (Unreleased) (Traditional, arranged by Bob Dylan)


    LP 3
    1. One for the Road (Unreleased)
    2. I'm Alright (Unreleased)
    3. Blowin' in the Wind (Unreleased)
    4. Apple Suckling Tree (Restored version)
    5. Nothing Was Delivered (Restored version)
    6. Folsom Prison Blues (Unreleased) (written by Johnny Cash)
    7. This Wheel's on Fire (Without overdubs) (written by Bob Dylan and Rick Danko)
    8. Yea! Heavy and a Bottle of Bread (Restored version)
    9. Don't Ya Tell Henry (Alternate version)
    10. Baby, Won't You be My Baby (Unreleased)
    11. Sign on the Cross (Unreleased)
    12. You Ain't Goin' Nowhere (Without overdubs)

    Bob Dylan
    $99.99
    180 Gram Audiophile Virgin Vinyl LP + 2 CD - 3 LPs Sealed Buy Now
  • I'm Not There (Bob Dylan) I'm Not There (Bob Dylan) Quick View

    $49.99
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    I'm Not There (Bob Dylan)

    Import

    I'm Not There is a meta-biographical film re-imaging the life of Bob Dylan as portrayed by six different actors - Marcus Carl Franklin, Ben Whishaw, Heath Ledger, Christian Bale, Richard Gere, and Cate Blanchett - in six different phases of the artists life and career.


    The 4LP I'm Not There set features songs from and inspired by this film. The new interpretations of Bob Dylan songs are performed by an eclectic cavalcade of acclaimed and celebrated contemporary musicians including Eddie Vedder (Pearl Jam), Sonic Youth, Jim James (My Morning Jacket), Jack Johnson, Sufjan Stevens, Mark Lanegan and many others!


    Many of the album's performances include backing from The Million Dollar Bashers, an ensemble created especially for 'Im Not There' by Sonic Youth guitarist Lee Ranaldo, featuring Sonic Youth drummer Steve Shelley, Television guitarist Tom Verlaine, Wilco bassist Nels Cline, guitarist Smokey Hormel, keyboardist John Medeski and long-time Bob Dylan band bassist Tony Garnier. Other tracks on the album feature the alternative-country band Calexico backing up artists.


    I'm Not There includes two versions of the enigmatic title track, a new interpretation performed by Sonic Youth and the original Bob Dylan recording, a rare often-bootlegged outtake from The Basement Tapes sessions which has been unavailable on any official release for a long time.

    LP1
    1. Eddie Vedder & Million Dollar Bashers, The - All Along The Watchtower
    2. Sonic Youth - I'm Not There
    3. Jim James & Calexico - Goin' To Acapulco
    4. Richie Havens - Tombstone Blues
    5. Stephen Malkmus & Million Dollar Bashers, The - Ballad Of A Thin Man
    6. Cat Power - Stuck Inside Of Mobile With The Memphis Blues Again
    7. John Doe - Pressing On
    8. Yo La Tengo - Fourth Time Around


    LP2
    1. Iron & Whine & Calexico - Dark Eyes
    2. Karen O & Million Dollar Bashers, The - Highway 61 Revisited
    3. Roger Mcguinn & Calexico - One More Cup Of Coffee
    4. Mason Jennings - The Lonesome Death Of Hattie Carroll
    5. Los Lobos - Billy 1
    6. Jeff Tweedy - Simple Twist Of Fate
    7. Mark Lanegan - Man In The Long Black Coat
    8. Willie Nelson & Calexico - Señor (Tales Of Yankee Power)


    LP3
    1. Mira Billotte - As I Went Out One Morning
    2. Stephen Malkmus & Lee Ranaldo - Can't Leave Her Behind
    3. Sufjan Stevens - Ring Them Bells
    4. Charlotte Gainsbourg & Calexico - Just Like A Woman
    5. Jack Johnson - Mama You've Been On My Mind / A Fraction Of Last Thoughts On Woody Guthrie
    6. Yo La Tengo - I Wanna Be Your Lover
    7. Glen Hansard & Marketa Irglova - You Ain't Goin' Nowhere
    8. Hold Steady, The - Can You Please Crawl Out Your Window?
    9. Ramblin' Jack Elliot - Just Like Tom Thumb's Blues
    10. Black Keys, The - The Wicked Messenger


    LP4
    1. Tom Verlaine & Million Dollar Bashers, The - Cold Irons Bound
    2. Mason Jennings - The Times They Are A Changin'
    3. Stephen Malkmus & Million Dollar Bashers, The - Maggie's Farm
    4. Marcus Carl Franklin - When The Ship Comes In
    5. Bob Forrest - Moonshiner
    6. John Doe - I Dreamed I Saw St. Augustine
    7. Antony & The Johnsons - Knockin' On Heaven's Door
    8. Bob Dylan With Band, The - I'm Not There

    Various Artists
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 4 LPs Sealed Buy Now
  • Lost On The River Lost On The River Quick View

    $29.99
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    Lost On The River

    The New Basement Tapes, an album project from Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops) Taylor Goldsmith (Dawes), Jim James (My Morning Jacket), Marcus Mumford (Mumford & Sons) and producer T Bone Burnett, recorded in Capitol Studios to create music for two-dozen recently discovered lyrics written by Bob Dylan in 1967 during the period that generated the recording of the legendary Basement Tapes.


    The album will be released this year by Electromagnetic Recordings/Harvest Records (Capitol Music Group), and will be accompanied by a Showtime documentary titled, Lost Songs: The Basement Tapes Continued, directed by Sam Jones (the Wilco documentary, I Am Trying To Break Your Heart). The film will present an exclusive and intimate look at the making of Lost On The River: The New Basement Tapes set against the important and historical cultural backdrop of Bob Dylan's original Basement Tapes.


    Bob Dylan's original Basement Tapes - recorded by Dylan in 1967 with musicians who would later achieve their own fame as The Band - have fascinated and enticed successive generations of musicians, fans and cultural critics for nearly five decades. This collective recorded more than a hundred songs in
    the basement of a small house in upstate New York that summer and fall, including dozens of newly-written Bob Dylan future classics such as, "I Shall Be Released," "The Mighty Quinn," "This Wheel's On Fire," "You Ain't Going Nowhere" and "Tears Of Rage."


    Lost On The River: The New Basement Tapes celebrates the discovery of new Bob Dylan lyrics from that noted 1967 period and marks a unique creative opportunity for Burnett, Costello, Giddens, Goldsmith, James and Mumford, who are bringing them to life nearly 50 years later. For Burnett, whom Dylan
    has entrusted with this endeavor, it was imperative to provide an environment in which these artists could thrive. "Great music is best created when a community of artists gets together for the common good. There is a deep well of generosity and support in the room at all times, and that reflects the tremendous generosity shown by Bob in sharing these lyrics with us."

    1. Down On The Bottom
    2. Married To My Hack
    3. Kansas Cit
    4. Spanish Mary
    5. Liberty Street
    6. Nothing To It
    7. When I Get My Hands On You
    8. Duncan and Jimmy
    9. Lost On The River
    10. Florida Key
    11. Hidee Hidee Ho
    12. Stranger
    13. Card Shark
    14. Six Months In Kansas City (Liberty Street)
    15. Lost On The River
    The New Basement Tapes
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Blood On The Tracks (Awaiting Repress) Blood On The Tracks (Awaiting Repress) Quick View

    $34.99
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    Blood On The Tracks (Awaiting Repress)

    Ranked 16/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Dylans Masterpiece Break-Up Album: Sentimental Redemption Arises Amidst Sorrow, Turmoil, Sadness, and Pain


    Presence, Immediacy, Naturalness, Realism in Spades: Mobile Fidelity Reissue Makes Blood on the Tracks Among Most Lifelike-Sounding Albums You'll Ever Hear



    Songs Flow Like Rivers, Acoustic and Electric Elements Merge Like Bezels on a Diamond


    Includes Tangled Up In Blue, Simple Twist of Fate, Idiot Wind, Buckets of Rain


    The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and The Basement Tapes Also Available from Mobile Fidelity


    Bob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime. Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decades unprecedented run of transformational brilliance finished. Then came Blood on the Tracks.


    A start-to-finish cycle that documents a lovers pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made and ranks as the most personal statement of the Bards career. To hear it is to experience the agony, frustration, trauma, highs, lows, confusion, sadness, and, ultimately, requisite redemption associated with intimate relationships gone astray. Dylan maintains its a work of fiction, but its evident close-vested autobiographical premise is what helps make it universal: Its the icon singing through tears, going out of his mind, battling hallowing emptiness, firing shots across the bow, and accepting culpability. It is, in short, a consummate expression of loves darker sides and the consequences of what happens when dreams unravel.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of Blood on the Tracks ever producedand the first-ever proper analog reissue. Fantastically presenting both the solo acoustic and band-supported songs with the utmost clarity, dynamics, presence, immediacy, spaciousness, imaging, and balance, this version shines a high-powered light on the fluid vocal phrasing, timbral shifts, functional rhythms, and inward-looking strumming that contribute to every song here serving as a wound-exposing confessional.


    For all the melancholic pain, unresolved questions, shattered memories, wasted times, unrequited dialogs, and weary regret within, Blood on the Tracks remains as daring as it is reflective. Rather than follow for a monotone caustic vibe, Dylans songs burrow into the subconscious for the manners in which they are even-keeled, mellow, and occasionally, even peaceful. Dignity, honor, poignancy, and fairnessall traits uncommon in any situation in which partners dissolve histories, change hearts, and attribute blameinstill the record with equilibrium on par with the consistency of the flowing melodies.


    Throughout, tunes come on and proceed as if they could continue forever, Dylan spinning poetic verses and conversations amidst finely tied knots of acoustic notes, chords, and fills, the deceivingly simple architecture conjuring the intertwined refractions of a bezeled jewel, various angles, colors, and textures conjoining into a gorgeously inseparable whole. Backed by Tony Browns flexible albeit subtle bass, Buddy Cages country-streaked pedal-steel guitar, and Paul Griffins soul-baring organan instrument used to shadow, tuckpoint, and illuminate here as effectively as any time in rock historyDylan pours soulful emotion, open his veins, and bleeds.


    Ranked 16 on Rolling Stones list of the 500 Greatest Albums of All Time, and replete with existential thought, piercing directness, raw singing, and majestic arrangements,


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Tangled Up in Blue
    2. Simple Twist of Fate
    3. Youre A Big Girl Now
    4. Idiot Wind
    5. Youre Gonna Make Me Lonesome When You Go
    6. Meet Me in the Morning
    7. Lily, Rosemary and the Jack of Hearts
    8. If You See Her, Say Hello
    9. Shelter From the Storm
    10. Buckets of Rain
    Bob Dylan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Planet Waves Planet Waves Quick View

    $34.99
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    Planet Waves


    Chart-Topping 1974 Record Reunites Dylan With the Band: Interplay Alone Worth Experiencing Set in Highest-Possible Fidelity


    Mastered from the Original Master Tapes: Mobile Fidelity Version Brings Underrated Gem to Fullest Light With Warm, Revealing Sound


    Edgy Personal Album Captures Legendary Artist Straddling Line Between Romance and Suspicion: Includes Beloved Favorites "Forever Young" and "You Angel You"


    Bob Dylan's Planet Waves became an event even before the album was released and revealed itself as an understated masterwork. His first studio recording in nearly four years, the homespun 1974 effort finds him reuniting with the Band, by then firmly established as virtuosos. The chemistry is obvious on every song. And the modest and spare production only magnifies the honesty and purity of the collaboration. Mobile Fidelity's 180g LP deepens the music's emotional connection and rustic warmth to the fullest possible extent.


    Mastered from the original master tapes, this collectable audiophile edition brings to the surface the communal interplay and warm, relaxed vibe established by Dylan and the Band. Listeners will finally sense the sensitive tones made possible by the ensemble's laidback nature and watertight playing. The deep body of Richard Manuel's piano, pinpoint decay of Garth Hudson's organ, and clarity of Dylan's vocals emerge with new perspective. As a result, Planet Waves leaps from the background of Dylan's catalog into the fore, the revelatory sonics helping earn the record serious consideration as one of the Bard's finest.


    Recorded in just three days time, Planet Waves is at its core an exhibition of the inimitable folk-rock honed by Dylan and the Band. Recalling the Americana spirit of The Basement Tapes while adding a domesticated edginess and subtracting a degree of wildness, the set personifies simple charm and scraggly sweetness. Couched in the context of Dylan grappling with the chasm between family life and the road, Planet Waves fittingly encompasses myriad moods and contradictions, with tunes ranging from unquestionably devotional to overtly dark. In between, the singer attempts to navigate peace, catharsis, and resolve.


    Per Dylan's hallmark, many tunes on Planet Waves involve twists and subterfuge. Not, however, the best-known offerings-the often-covered wish "Forever Young," celebratory roll-and-tumble "On a Night Like This," devotional "You Angel You," which spark with love, romance, and prayer-like tenderness. Yet the seeds that blossomed into 1975's traumatic break-up album Blood on the Tracks are also planted here. Complex feelings and deep-seated personal confusion surface on "Wedding Song," the hardscrabble "Tough Mama," piano-centered "Dirge," and knocking-on-heaven's-door darkness of "Going, Going, Gone."


    Throughout, Dylan's voice supplies subtle hints about his mindset and intent as the Band shadows him step for step, adding to the thematic ambivalence and contributing to a debate over meaning that continues today. Indeed, such relevance confirms the significance of Planet Waves 40 years after its original release. Mobile Fidelity's analog version digs beneath the surface and helps expose the record's buried strains.


    This title is not eligible for discount.

    1. On a Night Like This
    2. Going, Going, Gone
    3. Tough Mama
    4. Hazel
    5. Something There Is About You
    6. Forever Young
    7. Forever Young (Continued)
    8. Dirge
    9. You Angel You
    10. Never Say Goodbye
    11. Wedding Song
    Bob Dylan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • John Wesley Harding John Wesley Harding Quick View

    $49.99
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    John Wesley Harding

    Ranked 301/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    John Wesley Harding on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Stripped-Back, Unobtrusive 1967 Album a Mellow Return to Dylan's Roots and Harbinger of Country Rock


    Hear the Musical Cousin to Dylan and The Band's The Basement Tapes in Extraordinary Fidelity: Transparent 45RPM Edition Mastered on Mobile Fidelity's World-Renowned Mastering System


    Includes Original Version of All Along the Watchtower


    Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by again deviating from the norm and straying from expectation. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with relief and freshness, the sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored 45RPM analog version presents the 1967 album with the finite details and impressionistic tones. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All of these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with a previously unheard supple character. Wider grooves mean more information reaches your ears.


    Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. It's as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.


    Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.


    Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, there's the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they could've been made in 1967, 1937, or 2007. With "All Along the Watchtower," Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isn't even a standout on an album on which every note just belongs.


    This title is not eligible for discount.

    1. John Wesley Harding
    2. As I Went Out One Morning
    3. I Dreamed I Saw St. Augustine
    4. All Along the Watchtower
    5. The Ballad of Frankie Lee and Judas Priest
    6. Drifter's Escape
    7. Dear Landlord
    8. I Am a Lonesome Hobo
    9. I Pity the Poor Immigrant
    10. The Wicked Messenger
    11. Down Along the Cove
    12. I'll Be Your Baby Tonight
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • John Wesley Harding (Mono) John Wesley Harding (Mono) Quick View

    $49.99
    Buy Now
    x

    John Wesley Harding (Mono)

    Ranked 301/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time


    John Wesley Harding On Numbered Limited Edition Mono 180 Gram 45 RPM 2LP From Mobile Fidelity


    Stripped-Back, Unobtrusive 1967 Album A Mellow Return To Dylan's Roots And Harbinger of Country Rock


    Includes Original Version Of All Along The Watchtower


    Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by deviating from the norm and straying from expectation - but continuing to work in the mono format. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with reassurance and freshness, the unobtrusive sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, this restored mono version presents the 1967 album with finite details and in the original sound Dylan intended. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with previously unheard character. With the advantage of wider and deeper grooves, the 45RPM pressing also affords the opportunity to detect more information and lavish in the extra richness.


    The preferred mix at the time of the recording, the mono version presents Dylan with unparalleled directness. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the all-star accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. As much as any Dylan record, the music here fits the mono spectrum to a proverbial 't.'


    Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. It's as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.


    Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.


    Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, there's the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they could've been made in 1967, 1937, or 2007. With All Along the Watchtower, Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isn't even a standout on an album on which every note just belongs.


    This title is not eligible for discount.

    1. John Wesley Harding
    2. As I Went Out One Morning
    3. I Dreamed I Saw St. Augustine
    4. All Along the Watchtower
    5. The Ballad of Frankie Lee and Judas Priest
    6. Drifter's Escape
    7. Dear Landlord
    8. I Am a Lonesome Hobo
    9. I Pity the Poor Immigrant
    10. The Wicked Messenger
    11. Down Along the Cove
    12. I'll Be Your Baby Tonight
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
  • Boomer's Story Boomer's Story Quick View

    $34.99
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    Boomer's Story

    Ry Cooder Is A Master Sonic Archeologist And Cultural Historian On Boomer's Story: Guitarist Pays Tribute To The Past And Updates Music For Future On Rustic Record Steeped In Folk, Blues, And Soul


    Mastered From The Original Master Tapes, Pressed At RTI, And Strictly Limited To 3000 Numbered Copies: Mobile Fidelity 180g LP Of Boomer's Story Sounds Fantastic With Vibrant Textures


    Ry Cooder's development as a peerless musician capable of grasping virtually any style began with his time spent with Taj Mahal and Captain Beefheart, but for all intents and purposes reaches epic proportions on Boomer's Story. With two ambitious albeit uneven studio albums behind him, the California native plunged into roles that still define him today - that of sonic archaeologist and cultural historian, shaping his 1972 Reprise effort with enlightened selections carved into the bedrock of America's folk, blues, and soul landscapes. Inspired, virtuosic, and poignant, Boomer's Story endures as a ravishing portrait of inspired translation and inventive craftsmanship that after years of neglect finally boasts sonics deserving of the performances.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelity's 180g LP of Cooder's breakout teems with natural tones, front-to-back imaging, and vintage tube warmth. Boomer's Story benefits from vibrant textures and organic openness, two prized traits that come to fore with breathtaking realism on this analog reissue. Details ranging from the audible resonance of the drum skins, drifting reverb on the guitar, and the inner cavity of the piano take up residence on deep-black soundstages. Individual notes appear and recede with lifelike decay. Cooder and company sound as if they're in the room, playing in real time with one another. This record has never been more dynamic or involving.


    Having initiated his self-taught learning of customs established by the likes of Josh White, Woody Guthrie, Charlie Johnson, and Robert Johnson as early as age four, and grown up a son of parents obsessed with Folkways Records, Cooder never suffers from the retro rehash fakery plaguing countless contemporary revivalists. A true original, the guitarist simultaneously pays tribute to the past and updates it for the future. Boomer's Story brims with traditional tunes (the title track, Good Morning Mr. Railroad Man), classic blues (Ax Sweet Mama, Cherry Ball Blues), and World War II standards (Comin' in on a Wing and a Prayer).


    A spellbinding blend of personality, respect, and innovation grace every song. Evoking the timeless rusticism and weird, old America vibe of Bob Dylan and the Band's Basement Tapes, Boomer's Story unfolds with a relaxed ease and back-porch chemistry underlined by the musicians' unpretentious demeanors and potent abilities. Drummer Jim Keltner, percussionist Milt Holland, and bassist Jim Dickinson (also a producer) are among the cast fleshing out Cooder's visions. The headliner also welcomes country-blues legend Sleepy John Estes to sing on his own President Kennedy and leans on pianist Randy Newman to help him transform the normally bellicose Rally 'Round the Flag into a patient, mournful protest.


    Cooder attains equally meaningful, emotional results on a definitive wordless interpretation of the staple soul ballad The Dark End of the Street, expressing unfathomable depths of regret and longing via slide-guitar work that draws a line back to Blind Willie McTell's immortal spiritual Dark Was the Night - a song Cooder called the most transcendent piece in all American music. Indeed, the degree of interplay attained by twinkling keys, rambling beats, brass accents, and dazzling guitar lines - also finger-picked and strummed - on Boomer's Story breathes with a rare air increasingly endangered in an era of on-demand immediacy and auto-tuned imitation. This, as it's said, is the real deal.


    This title is not eligible for discount.

    1. Boomer's Story
    2. Cherry Ball Blues
    3. Crow Black Chicken
    4. Ax Sweet Mama
    5. Maria Elena
    6. The Dark End of the Street
    7. Rally 'Round the Flag
    8. Comin' in on a Wing and a Prayer
    9. President Kennedy
    10. Good Morning Mr. Railroad Man
    Ry Cooder
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • We're All Gonna Die We're All Gonna Die Quick View

    $18.99
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    We're All Gonna Die

    Dawes' highly anticipated new album We're All Gonna Die will be released via the band's own HUB Records.


    Of the album, Taylor Goldsmith (guitar, vocals) explains, "Pretty much every song on this record explores a difficult situation and tries to find a way to find the good in it, or at least remind yourself that it's not always that big of a deal. After all, as scary as it is, we are all gonna die."


    The album was produced by Grammy nominated producer Blake Mills (Alabama Shakes) and includes backing vocals from Brittany Howard of Alabama Shakes, Jim James of My Morning Jacket, Holly Laessig and Jess Wolfe of Lucius, Mandy Moore and Will Oldham.


    Dawes has toured extensively playing headline shows worldwide and major festival appearances including Bonnaroo, Austin City Limits, Lollapalooza and Newport Folk Festival. Recently, they have toured with My Morning Jacket, Bob Dylan, Mumford and Sons, Conor Oberst, and Jackson Browne.


    In the fall of 2014, Goldsmith contributed to Lost On The River: The New Basement Tapes, an album project which found collaborators Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket), Marcus Mumford (Mumford & Sons) and producer T Bone Burnett writing and creating music for a treasure trove of recently discovered lyrics handwritten by Bob Dylan in 1967 during the period that generated the recording of the legendary Basement Tapes.


    Fellow collaborator Jim James proclaims about We're All Gonna Die, "The record sounds so fresh-yet fills me with a strange nostalgia for things that haven't happened yet...I hear it at the beach and blasting out of car windows on future summer nights...easily having become a natural part of people's lives."

    1. One Of Us
    2. We're All Gonna Die
    3. Roll With The Punches
    4. Picture Of A Man
    5. Less Than Five Miles Away
    6. Roll Tide
    7. When The Tequila Runs Out
    8. For No Good Reason
    9. Quitter
    10. As If By Design
    Dawes
    $18.99
    Vinyl LP - Sealed Buy Now
  • Home Again Home Again Quick View

    $19.99
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    Home Again

    Few records make such an instant impression as Home Again, the debut album by Michael Kiwanuka, winner of the prestigious BBC Sound of 2012 prize. Immersing the listener in a sound that is both modern and at the same time as familiar as the classics, it manages to strike the balance between being contemporary and somehow utterly timeless. For Kiwanuka, key musical touchstones include Marvin Gaye, Otis Redding, Bob Dylan, Paul Simon, Shuggie Otis, Roberta Flack's First Take, Bill Withers' Live At Carnegie Hall and D'Angelo's modern soul landmark Voodoo.


    Born in Muswell Hill to Ugandan ÉmigrÉ parents, Kiwanuka was brought up in a home from which music was largely absent, with his first introduction to rock (Nirvana, Radiohead) arriving at the same time as he began to hang with the skater kids in the north London suburb during his early teenage years. Later coming across a soul compilation album given away with a music monthly, he was enthralled by the sound of Otis Redding's studio talkback discussions with his engineer while recording an outtake version of (Sittin' On) The Dock Of The Bay. From this point on, he resolved to make music that sounded raw and authentic.


    Though deeply into soul and jazz, he found real inspiration in the cross-pollination of the two styles with folk in the music of Bill Withers. "Bill Withers was very rootsy and earthy," he points out, "but people branded him as a soul singer. To me, he was a folk artist. So that encouraged me to keep going, 'cause I didn't know where I would fit in as a black guy with an acoustic guitar."


    While performing on the acoustic circuit around London, Kiwanuka quickly attracted interest and made connections, not least with his current manager who in turn garnered the attention of Communion Records, the label that in 2011 released the singer's first two acclaimed EPs, Tell Me A Tale and I'm Getting Ready. Both of these EPs, as with Home Again, were produced by Paul Butler (The Bees) in his vintage equipment-stuffed basement studio at his house in Ventnor on the Isle Of Wight. Together the pair played almost every instrument to be heard on the album, with Butler's remarkably intimate, detailed productions adorned with everything from flute to brass to sitar to aching strings, perfectly matching Kiwanuka's visions for his songs.


    "The way we made the record was very modern," the singer points out. "There was loads of editing. We manipulated it to get exactly what we wanted." From the opening bars of the stirring Tell Me A Tale, it is instantly clear that Home Again is a very special album. While its more upbeat characteristics are embodied in the Prince Buster-like loping of the lovelorn but irresistibly catchy Bones and the rolling soul groove of I'll Get Along, elsewhere it proves itself to be a record of real stripped-down beauty.


    In I Won't Lie, with its gospel-infused echoes of The Staples Singers, Kiwanuka offers something akin to a modern spiritual, while in Rest he turns in a tender love lullaby and in Always Waiting, he blends classical elements with the confessional intimacy of Roberta Flack. It is with the title track of Home Again, however, that Michael Kiwanuka feels the record's sounds and themes are ultimately encapsulated. "That's the song that really for me ties everything together," he says. "It's one of the earliest songs I wrote for the album and even though I progressed and changed stuff in the studio, it was the one I could never throw away. Like a lot of them, it's a hopeful song. I use home as the metaphor for contentment and peace within."


    Other parts of the record, on the other hand, find Kiwanuka struggling for peace of mind and using his songs as a form of self-empowerment, not least in the soulful I'm Getting Ready, the darker, unburdening Any Day Will Do Fine and the self-explanatory Worry Walks Beside Me. "It can really paralyze you, if you worry too much," the singer admits. "I do tend to overthink things. All of these songs are me talking to myself, really. Trying to encourage myself to believe."

    1. Tell Me A Tale
    2. Rest
    3. I'll Get Along
    4. Home Again
    5. I'm Getting Ready
    6. Bones
    7. Always Waiting
    8. I Won't Be Long
    9. Any Day Will Do Fine
    10. Worry Walks Beside Me
    11. Lasan
    Michael Kiwanuka
    $19.99
    Vinyl LP - Sealed Buy Now
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