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  • Soul Message Soul Message Quick View

    $21.99
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    Soul Message

    A successful combination of swinging boogaloo rhythms and sincere, soulful soloing, Soul Message is an enduring good-time record and a true gem in
    organist Richard "Groove" Holmes' illustrious career. Recorded in 1965 at the Van Gelder Studio in Englewood Cliffs, NJ, this set more than lives up to
    "Groove's" middle name as the combo of Holmes, guitarist Gene Edwards, and drummer Jimmie Smith swing with carefree ease through two originals
    and four jazz standbys, including a smash hit version of "Misty." Jazz fans in search of some seriously swinging organ jazz need look no further than Soul
    Message - now available on vinyl.
    1. Groove's Groove
    2. Daahoud
    3. Misty
    4. Song For My Father
    5. The Things We Did Last Summer
    6. Soul Message
    Richard Groove Holmes
    $21.99
    Vinyl LP - Sealed Buy Now
  • Boogaloo Boogaloo Quick View

    $37.99
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    Boogaloo

    White Colored Vinyl


    Boogaloo is the twentieth studio album by the Scottish hard rock band Nazareth, originally released in August 1998.

    LP1
    1. When The Lights Come Down
    2. Cheerleader
    3. Loverman
    4. Open Up Woman
    5. Talk Talk
    6. Nothing So Good
    7. Party In The Kremlin
    8. God Save The South


    LP2
    1. Robber And The Roadie
    2. Waiting
    3. May Heaven Keep You
    4. Laid To Wasted
    5. Walk By Yourself

    Nazareth
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Mondo Zombie Boogaloo Mondo Zombie Boogaloo Quick View

    $22.99
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    Mondo Zombie Boogaloo

    On October 1, Yep Roc Records is proud to share with the world the Mondo Zombie Boogaloo, an album and tour celebrating Halloween, the most sinister day of all. The album is a collection of new music from The Fleshtones, Los Straitjackets and Southern Culture On The Skids and promises to put any listener in a spooky mood.
    1. It's Monster Surfing Time - Los Straitjackets
    2. Ghoulman Confidential - The Fleshtones
    3. Goo Goo Muck - Southern Culture on the Skids
    4. Que Monstruos Son - Los Straitjakets featuring The Fleshtones & Southern Culture on the Skids
    5. Haunted Hipster - The FLeshtones
    6. The Lonliest Ghost In Town - Southern Culture on the Skids
    7. Theme From Young Frankenstein - Los Straitjackets
    8. (Sock It To Me Baby) In The House Of Shock - The Fleshtones
    9. Theme From Halloween - Los Straitjackets
    10. Tingler Blues - Southern Culture on the Skids
    11. Ghoul On A Hill - Los Straitjackets
    12. La Marcha De Los Cabarones - Southern Culture on the Skids
    13. Ghostbusters - Los Straitjackets
    14. Dracula A GoGo - The Fleshtones
    15. Demon Death - Southern Culture on the Skids
    Los Straitjackets, The Fleshtones, S.C.O.T.S.
    $22.99
    180 Gram Audiophile Virgin Vinyl LP + CD - 2 LPs Sealed Buy Now
  • Black Whip Black Whip Quick View

    $31.99
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    Black Whip

    Classy jazz/funk guitarist and his band with covers by McCartney, Elton John, Leon Russell and his original compositions. Originally released in 1973. Limited pressing.
    1. Black Whip
    2. My Love
    3. Freak
    4. Daniel
    5. Ballad of Mad Dogs and Englishmen
    6. Crank Me Up
    Ivan Boogaloo Joe Jones
    $31.99
    Vinyl LP - Sealed Buy Now
  • Jungle Fire! Jungle Fire! Quick View

    $24.99
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    Jungle Fire!

    Featuring 180-Gram Vinyl Pressed At Quality Record Pressings (QRP)


    Lacquers Cut By Kevin Gray At Cohearent Audio From The Original Master Tapes


    Housed In A One-pocket Old-School Style Tip-On Jacket


    First-Ever Audiophile Quality Vinyl


    Featuring 180-gram vinyl pressed at Quality Record Pressings (QRP) from lacquers cut by Kevin Gray at Cohearent Audio from the original master tapes and housed in a one-pocket old-school style tip-on jacket, this is the first-ever audiophile quality vinyl reissue of Pucho and the Latin Soul Brothers' incendiary boogaloo getdown.

    1. Friendship Train
    2. Got Myself A Good Man
    3. The Spokerman
    4. Cloud 9
    5. Jamilah
    Pucho & The Latin Soul Brothers
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Superjazz Superjazz Quick View

    $37.99
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    Superjazz

    Import


    Limited First Pressing Of 500 Copies On Solid Orange And Yellow Mixed Vinyl, Black Vinyl Thereafter


    180-Gram Audiophile Vinyl


    Brand New 2017 Album


    Featuring The Single Baha


    BRUUT!'s 'superjazz' formula brings us to the surrealism of Quentin Tarantino films, second-hand records and old Westerns, to the vibe of lava lamps and Photoshopped boogaloo BRUUT! swings hard. They balance the colorful with the unpolished, and the danceable with the listenable. In short: BRUUT! is all about superjazz.


    This brings us to their brand new 2017 album: Superjazz. The much anticipated fourth album will endure their recognition as one of the most creative and energetic jazz bands of our time.


    The record contains ten slightly crazy fantasies in sound, including the single Baha.


    Internationally the band keeps expanding their territories with shows in: Japan, Poland, Burkina Faso, Germany, England, South-Africa, Spain, Surinam, Turkey and Belgium. BRUUT! recently performed in theaters around The Netherlands with Wilfried De Jong.

    1. Baha
    2. Camel
    3. Plume
    4. Loulou
    5. Prince
    6. Yamazaki
    7. Kors
    8. Saga
    9. Binson
    10. Sonora
    BRUUT!
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Freedom Suite Freedom Suite Quick View

    $21.99
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    Freedom Suite

    A successful combination of swinging boogaloo rhythms and sincere, soulful soloing, Soul Message is an enduring good-time record and a true gem in
    organist Richard "Groove" Holmes' illustrious career. Recorded in 1965 at the Van Gelder Studio in Englewood Cliffs, NJ, this set more than lives up to
    "Groove's" middle name as the combo of Holmes, guitarist Gene Edwards, and drummer Jimmie Smith swing with carefree ease through two originals
    and four jazz standbys, including a smash hit version of "Misty." Jazz fans in search of some seriously swinging organ jazz need look no further than Soul
    Message - now available on vinyl.


    With 15 albums under his belt, Sonny Rollins was poised to make a bold statement with 1958's Freedom Suite. Sporting a Mohawk haircut on the inside
    cover, Rollins was driven by the political climate at the time, acknowledging and questioning his place in society as an African American in the midst of the
    Civil Rights Movement. In the nearly 20-minute long title track, comprised of five movements, Rollins and his longtime collaborators - drummer Max
    Roach and bassist Oscar Pettiford - were able to dig deep and explore the melodic structure. Side B is comprised of four Broadway showtunes and
    standards, which Rollins, Roach and Pettiford make their own. An inspired and vibrant boundary-pushing album.

    1. The Freedom Suite
    2. Someday I'll Find You
    3. Will You Still Be Mine?
    4. Till There Was You (Take 4)
    5. Shadow Waltz
    Sonny Rollins
    $21.99
    Vinyl LP - Sealed Buy Now
  • Never Twice Never Twice Quick View

    $19.99
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    Never Twice

    Brisk, self-contained, a little mysterious, and catchy enough to revisit again and again

    -Paste Magazine


    His style is all his own

    -NPR


    The second coming of soul, infusing a distinctly California surf-rock spin to the genre

    -Vogue


    Many moons ago Primo Pitino, the DJ of San Francisco's legendary Oldies Night, passed me a copy of his friend Nick Waterhouse's "Some Place." Nick was a local vinyl DJ and the kid working at our Shangri-la, Rooky Ricardo's Records. Though he didn't have a band at the time, Waterhouse assembled some local musicians to cut a one-off 45 in the vein of the electrifying mid-century modern rhythm and blues he loved. I threw "Some Place" on the Technics during sound check a few cities down the line and was blown away from the howling falsetto all the way to the end! I gave it a whirl every night from Texas to Tennessee and all the way back home to New York. Not only were the dancers' feet responding, but they were also asking about the track on a nightly basis. The Nashville Scene was so blown away that they printed a piece on Nick after a single listen. DJs and collectors everywhere wanted it so bad that the little record with the big sound started fetching upwards of $300 on Ebay.


    The immediate and unprecedented underground dance party success of Nick's DIY record resulted in a full band, gigs, and, after a number of obstacles, the widely acclaimed 2012 LP Time's All Gone. Nick's music, vision, and fully formed aesthetic caught on globally and he was instantly a fixture at nearly every major nightclub and festival on both sides of the Atlantic, Australia, Japan, and Russia - hitting stages everywhere from Primavera to Montreux Jazz Festival and charting on college, public, and commercial radio.


    Only a year after self-releasing his first single, Nick Waterhouse was thrust into the chaos of leading a band, touring, and recording in the big leagues! Pummeling high speed down a bumpy hill of lineup changes, economic problems, and general chaos without any breaks, Nick made it through and the challenges made him more focused. 2014's Holly captured a more experienced artist upping the ante in writing, performance, recording, and production, inspiring a new level of critical and commercial success.


    In addition to a jam-packed five years on the road, in the studio, and in the practice space, Waterhouse also produced septuagenarian soul legend Ural Thomas, Los Angeles Latin stars the Boogaloo Assassins, and garage rockers the Allah-las. He's currently collaborating with the likes of young Grammy-nominee Leon Bridges and Steven Colbert bandleader Jon Batiste. The Rolling Stones blast Nick's version of "I Can Only Give You Everything" at stadiums before they go onstage. Vogue hired him to pose with Kendall Jenner. He hipped her to Little Willie John while Anna Wintour complimented his shoes. While a lesser artist would get lost in these distractions, Nick Waterhouse's acclaim only seems to energize him and make him work harder and push his music to the next level.


    Nick's latest Never Twice is a culmination, intensification, and realization of everything he's been developing throughout this prolific frenzy. Catchier and loaded with more hits than its predecessors, Nick's new LP is at the same time harder hitting, more rhythmic, more harmonic, more diverse, and more adventurous than any of the excellent work that already separated him from the pack. A cool and elegant post-post-modern cocktail of 1950s r&b and club jazz, mixed with 1960s soul and boogaloo, and shaken with a minimal contemporary sensibility, Never Twice finds the artist taking his time, refining his vision, and speaking with new authority. In five short years Nick Waterhouse has come a long way and it looks like he may have just painted his masterpiece.


    - Jonathan Toubin

    1. It's Time
    2. I Had Some Money (But I Spent It)
    3. Straight Love Affair
    4. Stanyan Street
    5. The Old Place
    6. Katchi (feat. Leon Bridges)
    7. Baby, I'm In The Mood For You
    8. Tracy
    9. Lucky Once
    10. LA Turnaround
    Nick Waterhouse
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Time Takes Time Time Takes Time Quick View

    $37.99
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    Time Takes Time

    Import

    180-Gram Audiophile Vinyl


    Includes Insert


    25th Anniversary Of Ringo's 10th Album


    Includes The Singles Weight Of The World And Don't Go Where The Road Don't Go


    Featuring Jeff Lynne, Brian Wilson, Harry Nilsson, Andrew Gold (Wax), Jeff Baxter (Steely Dan), Mark Hart (Supertramp) & Many Other Guest Appearances


    When The Beatles were formed in 1960, Ringo Starr was a member of another Liverpool group, Rory Storm and the Hurricanes. After achieving moderate success with that band, he quit and joined The Beatles in August 1962, replacing Pete Best. Starr played key roles in The Beatles' films and appeared in numerous others. After the break-up in 1970, Ringo Starr released several successful singles including the It Don't Come Easy, Photograph Back Off Boogaloo and You're Sixteen.


    Ringo Starr achieved commercial and critical success with his 1973 album Ringo, which was a top ten release in several countries. He has been featured in a number of documentaries and hosted television shows. Since 1989, he has toured with twelve variations of Ringo Starr & His All-Starr Band.


    Time Takes Time is the tenth studio album by Ringo Starr, released in 1992, his critically acclaimed comeback album. His first studio album since 1983's Old Wave, it followed a successful 1989-90 world tour with his All-Starr Band. Time Takes Time features several celebrity guests including Brian Wilson, Harry Nilsson and Electric Light Orchestra front man Jeff Lynne.


    Many critics considered Time Takes Time Starr's best album since 1973's Ringo. Rolling Stone magazine wrote, The drummer's most consistent, wide-awake album since Ringo, from 1973.


    Hot on the heels of the release of Ringo's latest album Give More Love, 2017 also marks the 25th anniversary of Time Takes Time. The album is now finally available again on vinyl.

    1. Weight Of The World
    2. Don't Know A Thing About Love
    3. Don't Go Where The Road Don't Go
    4. Golden Blunders
    5. All In The Name Of Love
    6. After All These Years
    7. I Don't Believe You
    8. Runaways
    9. In A Heart Beat
    10. What Goes Around
    Ringo Starr
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Belly of the Sun (Pure Pleasure) Belly of the Sun (Pure Pleasure) Quick View

    $49.99
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    Belly of the Sun (Pure Pleasure)

    Cassandra Wilson continues to move down a highly eclectic path on Belly Of The Sun, the somewhat belated follow-up to Traveling Miles. While displaying a jazz singer's mastery of melodic nuance and improvisatory phrasing, Wilson draws on a variety of non-jazz idioms -- roots music, rock, Delta blues, country, soul -- to create a kind of earthy, intelligent pop with obvious crossover appeal. Her core band includes guitarists Marvin Sewell and Kevin Breit, who blend marvelously, Sewell mostly on mellow acoustic and Breit adding atmospheric touches on electric, 12-string, and slide guitars, as well as mandolin, banjo, and even bouzouki. Bassist Mark Peterson and percussionists Jeffrey Haynes and Cyro Baptista provide a superbly sensitive rhythmic foundation. But because Wilson returned to her home state of Mississippi to record most of this album, she made sure to book some time with local musicians. Thus guitarist Jesse Robinson guests on (and co-writes) the funky Show Me a Love, and the octogenarian pianist Boogaloo Ames plays an unpolished yet utterly heartfelt duet with Wilson on the classic Darkness on the Delta. Other guests include drummer Xavyon Jamison, trumpeter Olu Dara, pianist and vocalist Rhonda Richmond (who penned the slowly swaying Road So Clear), guitarist Richard Johnston, backup vocalists Patrice Monell, Jewell Bass, Henry Rhodes, and Vasti Jackson, and the children of New York's Middle School 44. Wilson delves into vintage blues with Mississippi Fred McDowell's You Gotta Move and a brief yet dynamic rendition of Robert Johnson's Hot Tamales. But the best tracks are the rock/pop covers: the Band's The Weight, Bob Dylan's Shelter From the Storm, James Taylor's Only a Dream in Rio, Jobim's Waters of March, and Jimmy Webb's Wichita Lineman (a 1968 hit for Glen Campbell). Wilson and band are in peak interpretive form on these ethereal reinventions. While her own lyrics may not rise to the level of a Robbie Robertson or a Bob Dylan, her versatility and focus come through clearly on the originals Justice, Just a Parade (a collaboration with neo-soul rookie India.Arie), and the Caribbean-tinged Cooter Brown.



    Musicians:



    • Cassandra Wilson (guitar)

    • Kevin Breit (vocal, mandolin, guitar, banjo, bouzouki)

    • Olu Dara (trumpet)

    • Rhonda Richmond (vocal, piano)

    • Mark Peterson (bass)

    • Xavyon Jamison (drums)

    • Jeffrey Haynes (percussion)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. The Weight
    2. Justice
    3. Darkness On the Delta
    4. Waters of March
    5. You Gotta Move
    6. Only A Dream In Rio
    7. Just Another Parade
    8. Wichita Lineman
    9. Shelter From the Storm
    10. Drunk As Cooter Brown
    11. Show Me A Love
    12. Road So Clear
    13. Hot Tamales
    Cassandra Wilson
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Rising Grace Rising Grace Quick View

    $35.99
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    Rising Grace

    Wolfgang Muthspiel - whom The New Yorker has called "a shining light" among today's jazz guitarists - made his ECM leader debut in 2014 with the trio disc Driftwood, featuring him alongside two longtime colleagues, bassist Larry Grenadier and drummer Brian Blade. For his follow-up - Rising Grace - the Austrian guitarist has convened a very special quintet, adding jazz luminary Brad Mehldau on piano and the outstanding young trumpeter Ambrose Akinmusire to the subtly virtuosic Grenadier/Blade rhythm section.


    Muthspiel moves between electric guitar and classically tinged acoustic six-string, his playing by turns grooving ("Boogaloo") and enchanting ("Rising Grace"). The lyrical flights of Akinmusire's trumpet and the probing improvisations of Mehldau run through Muthspiel's rich set of compositions like golden threads, the tracks including a warm tribute to a late, great ECM artist, Kenny Wheeler ("Den Wheeler, Den Kenny"). Rising Grace also includes a deeply melodious piece that Mehldau composed especially for the album, "Wolfgang's Waltz."


    Musicians:

    Wolfgang Muthspiel - Guitar

    Ambrose Akinmusire - Trumpet

    Brad Mehldau - Piano

    Larry Grenadier - Double Bass

    Brian Blade - Drums

    1. Rising Grace
    2. Intensive Care
    3. Triad Song
    4. Father And Sun
    5. Wolfgang's Waltz
    6. Superonny
    7. Boogaloo
    8. Den Wheeler, Den Kenny
    9. Ending Music
    10. Oak
    Wolfgang Muthspiel
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Get Thy Bearings Get Thy Bearings Quick View

    $16.99
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    Get Thy Bearings

    Robert Walter performs all his own stunts. For 20 years, the San Diego native has been pulling drawbars and pushing the limits of the Hammond B3 organ. As a founding member of the Greyboy Allstars, he helped usher in the funk-jazz renaissance of the early '90s and has continued to keep one hand comping chords in the instrument's funky past, while the other explores ever-new melodic terrain. On June 25, his long-standing project, Robert Walter's 20th Congress, returns with, Get Thy Bearings, via The Royal Potato Family. It was a recent move from New Orleans to Los Angeles that jump-started the 20th Congress who hadn't recorded a studio album in ten years. The nine-track effort presents Walter's organ, piano, Rhodes and synthesizer driving an all-star line-up rounded out by guitarist/bassist Elgin Park, drummer Aaron Redfield, sax players Karl Denson and Cochemea Gastelum, and percussionist Chuck Prada.


    Get Thy Bearings is drenched in the vintage old school soul, funk and jazz vibe of Walter's heroes like Big John Patton, but it also reflects his recent work scoring films. There's a conceptual depth to the songwriting that draws on elements of narrative and character development, lending a cinematic color to the proceedings. The tracks range from the Sly Stone-style soul vamp of Little Business to the heavy gospel of Crux. Dog Party might as well be the theme song to a cartoon of the same name, while Don't Chin the Dog shifts from delicate shuffle to horn-drenched boogaloo. Things get eerie on Up From the Skies, a Jimi Hendrix cover rendered nearly unrecognizable in washes of electric Miles. Similarly, the album's title track is a shrewd reworking of the 1968 Donovan tune Walter first discovered on compilation of sample-friendly breakbeats, full of fuzz guitar and a mercurial organ solo.

    1. Hunk
    2. Little Business
    3. Get Thy Bearings
    4. Foxhunting
    5. Dog Party
    6. Inversion Layer
    7. Crux
    8. Don't Chin The Dog
    9. Up From The Skies
    Robert Walter's 20Th Congress
    $16.99
    Vinyl LP - Sealed Buy Now
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