- Lowest Price
- Highest Price
Book Of Secrets'
The Book Of Secrets: 20th Anniversary Collector's SetLimited, Numbered Box Set Celebrating The 20th Anniversary Of Loreena McKennitt's Album, The Book Of Secrets
Contains 180-Gram Vinyl Editions Of The Book Of Secrets, The Live In Paris And Toronto 3xLP & An Exclusive 12 Single Of Loreena's Global Hit Single, The Mummers' Dance
A very limited, numbered box set that contains 180-gram vinyl editions of Loreena McKennitt's multi-million selling album The Book Of Secrets, the Live In Paris And Toronto triple album that was recorded on the Book Of Secrets tour and an exclusive 12 single of Loreena's global hit single 'The Mummers' Dance.'The Book Of Secrets
1. Prologue (Book Of Secrets)
2. The Mummers' Dance (Book Of Secrets)
3. Skellig (Book Of Secrets)
4. Marco Polo (Book Of Secrets)
5. The Highwayman (Book Of Secrets)
6. La Serenissima (Book Of Secrets)
7. Night Ride Across The Caucasus (Book Of Secrets)
8. Dante's Prayer (Book Of Secrets)
Live In Paris And Toronto
1. Prologue (Live In Paris And Toronto)
2. The Mummers' Dance (Live In Paris And Toronto)
3. Skellig (Live In Paris And Toronto)
4. Marco Polo (Live In Paris And Toronto)
5. The Highwayman (Live In Paris And Toronto)
6. La Serenissima (Live In Paris And Toronto)
1. Night Ride Across The Caucasus (Live In Paris And Toronto)
2. Dante's Prayer (Live In Paris And Toronto)
3. The Mystic's (Live In Paris And Toronto)
4. Santiago (Live In Paris And Toronto)
5. Bonny Portmore (Live In Paris And Toronto)
6. Between The Shadows (Live In Paris And Toronto)
1. The Lady Of Shalott (Live In Paris And Toronto)
2. The Bonny Swans (Live In Paris And Toronto)
3. The Old Ways (Live In Paris And Toronto)
4. All Soul's Night (Live In Paris And Toronto)
5. Cymbeline (Live In Paris And Toronto)
The Mummers' Dance (12)
1. The Mummers' Dance - Remix (The Mummers' Dance )
2. The Mummers' Dance Album Version (The Mummers' Dance )
3. The Mummers' Dance - Instrumental (The Mummers' Dance )
4. The Mystic's Dream (The Mummers' Dance )$99.99180 Gram Audiophile Virgin Vinyl LP Box Set + 12 Single - 4 LPs Sealed Buy Now
The Book Of SecretsIn celebration of the 20th anniversary of her most successful international recording to date, award-winning Canadian artist Loreena McKennitt is releasing The Book of Secrets, a Juno Award nominee for Best Album - in a limited edition 180-gram pressing of 10,000 copies worldwide. Recognizing the growing public appetite for the sound only vinyl can deliver, this latest release is the 12th high-end audiophile reproduction from McKennitt's musical catalog.1. Prologue
2. The Mummers' Dance
4. Marco Polo
5. The Highwayman
6. La Serenissima
7. Night Ride Across the Caucasus
8. Dante's Prayer$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Secret LifeToronto duo Moon King have crafted a raw, rapturous and emotional new record, which documents their ascent from an intimate conceptual project into a powerful live band. A first preview of the record comes with the chugging propulsion, soaring harmonies and cosmic haze of album opener 'Roswell'.
In 2013, Moon King, made up of songwriter Daniel Benjamin and singer/guitarist Maddy Wilde, played over 100 shows to support a pair of EPs, Obsession I and II, which were released on Fucked Up's One Big Silence label in North America and Tough Love in UK/Europe. After a year spent on the road, it became evident they should capture the energy of their live show while it was fresh. Following a performance at Iceland Airwaves, Daniel & Maddy relocated to a cottage in northern Ontario to record the album with a group of Toronto music scene luminaries, all of whom had played in various incarnations of the live band.
Most of the tracks on the album were recorded live off the floor, with little except the vocals added, put to tape by live sound engineer Noah Giffin (Owen Pallett, Austra, Diana). Though only five days of recording were booked, an ice storm prevented them from leaving, resulting in an extra couple of days work. The record was then mixed in New York with Jacob Portrait of Unknown Mortal Orchestra/Blouse.
The album's production introduces further nuance to the wall-of-sound approach of the EPs, stripping back dense layers to unearth spellbinding vocals and melodies. Daniel's lyrics focus on catharsis and the weight of emotional trauma, as well as dealing with the self-doubt that stands in the way of recovery.
Frequent show-opener "Apocalypse" begins with the confession "somehow I feel no release when I'm alone with anyone else / somehow I fall to pieces when I wake up to nothing where you should be" and builds intensity and speed until overflowing in a rush of noise, an oddly structured pop song with no repeating sections. "It's impossible / you've been run through with fear / love's a landfill / just another burning spear" chants the soaring chorus of 'Impossible'. The ultimatum at the climax of "Golden Age" - "all I want is to be wanted" channels an honest and tangible fear not common in today's pop landscape.
This sense of loss and longing permeates the album throughout, each song carrying with it both a weight and a sense of urgency.1. Roswell
2. Secret Life
4. Come Back
8. Golden Age
9. Medicine$19.99Vinyl LP - Sealed Buy Now
Live In Paris & TorontoAvailable on vinyl for the first time, Live In Paris And Toronto is a concert recording captured on 1998's The Book Of Secrets Tour and originally released on CD in 1999. This deluxe limited edition set features a three LP 180-gram vinyl set in a gatefold sleeve.
Captured live in April and May of 1998 in the Salle Pleyel in Paris and Massey Hall in Toronto, this three LP set is, says Loreena, simply 'the sound of us doing what we did.' Featuring performances of all of the songs from The Book Of Secrets as well as a generous selection of favorites from previous recordings, Live In Paris And Toronto was originally conceived as a charitable effort in support of The Cook-Rees Memorial Fund For Water Search And Safety. Its proceeds have now raised millions of dollars for the Fund's work in the fields of water safety and education. Recognizing the growing public appetite for the sound only vinyl can deliver, this release is the 13th high-end audiophile reproduction from McKennitt s musical catalog.LP 1
2. The Mummers' Dance
4. Marco Polo
5. The Highwayman
6. La Serenissima
1. Night Ride Across The Caucasus
2. Dante's Prayer
3. The Mystic's Dream
5. Bonny Portmore
6. Between The Shadows
1. The Lady Of Shalott
2. The Bonny Swans
3. The Old Ways
4. All Soul's Night
5. Cymbeline$59.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
The Journey So Far The Best Of Loreena McKennittIf there are such things as musical travel writers, then Loreena McKennitt is certainly one, as she has pursued the history of the Celts from Ireland to
Spain, Morocco to Turkey, to China and beyond. Her fans have been found across generations and across musical genres. The Journey So Far - The
Best of Loreena McKennitt traces the highlights of her career spanning 30 years resulting in sales of over 14 million albums, 2 Grammy nominations, and
a once in a lifetime journey in the footsteps of the Celts.
Culling from her double platinum album "The Book Of Secrets" and platinum releases "The Mask and Mirror" and "The Visit" among others, this new "Best
Of" collection brings together rich cultural textures like the weave of an exotic musical tapestry, with an eye on history and a foot in the present. Of the
songs held most dear to those who are familiar with her music, the cross format hit "The Mummers' Dance" and the "Lady of Shalott" are considered two
of the most treasured.1. The Mystic's Dream
2. Bonny Portmore
3. The Bonny Swans
4. The Mummers' Dance
5. Down By the Sally Gardens
6. Stolen Child
7. The Lady of Shalott
8. Marco Polo
9. Penelope's Song
10. Huron 'Beltane' Fire Dance
11. The Old Ways
12. Dante's Prayer$19.99Vinyl LP - Sealed Buy Now
Harry Potter and The Deathly Hallows Pt.1Harry Potter and the Deathly Hallows is the seventh and final novel of the Harry Potter series written by British author J.K. Rowling. The book was released on 21 July 2007. The book won the 2008 Colorado Blue Spruce Book Award, and "Best Book for Young Adults".
Harry Potter and the Deathly Hallows - Part 1 begins as Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemorts immortality.
The seventh entry into the internationally successful Harry Potter is also one of the series' darkest. Composer Alexander Desplat infuses the young wizard's world with the appropriate amount of gravitas.
Deplat's score is both subtle and huge, lending quiet emotional depth, playful wickedness, and tense, robust action with masterful precision.1. Obliviate
2. Snape To Malfoy Manor
3. Polyjuice Potion
4. Sky Battle
5. At The Burrow
6. Harry And Ginny
7. The Will
8. Death Eaters
10. Ministry Of Magic
12. The Locket
13. Fireplaces Escape
14. Ron Leaves
15. The Exodus
16. Godric's Hollow Graveyard
17. Bathilda Bagshot
18. Hermione's Parents
19. Destroying The Locket
20. Ron's Speech
22. The Deathly Hallows
23. Captured And Tortured
24. Rescuing Hermione
25. Farewell To Dobby
26. The Elder Wand$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
MusikNative Memphian William Eggleston, 77, is widely regarded to be the most important photographer of the late 20th Century, but there is another side to him that took root in his Sumner, Mississippi childhood, where he discovered the piano in the parlor that ignited in him a lifelong passion for music. In the 1980's, Eggleston, who disdained digital cameras and modernity in general, became surprisingly fascinated with a synthesizer, the Korg O1/W FD, which had 88 piano-like keys, and in addition to being able to emulate the sound of any instrument, also contained a four-track sequencer that allowed him to expand the palette of his music, letting him create improvised symphonic pieces, stored on 49 floppy discs, encompassing some 60 hours of music from which this 13 track recording was assembled.
The music, which he refers to as Musik, adopting the German spelling of his hero, JS Bach, is highly emotional, whether he's improvising a Bach-like organ fanfare out of whole cloth, using a Korg patch titled guitar feedback to create a dirge, or playing Lerner and Lowe's On The Street Where You Live as a dramatic overture. Mr. Eggleston often says that he feels that music is his first calling, as much a part of him, at least, as his photography.LP 1
1. Untitled Improvisation DCC 05.19
2. Untitled Improvisation FD 1.10
3. Untitled Improvisation DAT 3.1 2.79
4. Untitled Improvisation DCC 02.9
5. Untitled Improvisation DCC 02.25 3-01
6. Untitled Improvisation DCC 04.31
7. Untitled Improvisation DCC 4.33.3
8. Untitled Improvisation DCC 02.21
9. Untitled Improvisation FD 6.9
1. Untitled Improvisation FD 1.1-9.5
2. Tit Willow - Gilbert/Sullivan
3. Untitled Improvisation FD 1.12
4. On The Street Where You Live - Lerner/Lowe$26.99Vinyl LP - 2 LPs Sealed Buy Now
Heart Like A Wheel (Pre-Order)
Linda Ronstadt's 1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting: Heart Like a Wheel Features an All-Star Instrumental Cast and Singer at Her Best
Audiophile Clarity, Profound Depth, Lifelike Naturalism, and Transfixing Warmth: Numbered, Limited-Edition Mobile Fidelity 180g LP Meticulously Mastered for Supreme Sound
How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance - Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance - a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180g vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.
Yet the advantages of this limited, numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180g LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.
While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple - and a lasting example of the period's laid-back West Coast sound - cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.
The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses - the edge between vulnerability and willfulness that I find totally, irresistibly sexy.
Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s You're No Good, harmony-rich treatment of Hank Williams' I Can't Help It (If I'm Still in Love with You), folk-rock lilt of Lowell George's Willin', or soulful send-up of Phil Everly's When Will I Be Loved? Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort - the kind of record they just don't make anymore.
This title is not eligible for discount.1. You're No Good
2. It Doesn't Matter Anymore
3. Faithless Love
4. The Dark End of the Street
5. Heart Like a Wheel
6. When Will I Be Loved
8. I Can't Help It (If I'm Still in Love with You)
9. Keep Me from Blowing Away
10. You Can Close Your Eyes$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
FlagFlag is Classic JT: At-Home Folk Arrangements, Soft-Rock Coziness, Captivating Emotion
Narratives on 1979 Gem Peer into the Heart of Everyman and Everywoman
Mastered from the Original Master Tapes: Sonics As Mellifluous As Taylor's Voice on a Cool Summer Night
JT and Dad Loves His Work Also Available on 180g LP from Mobile Fidelity
James Taylor was an interesting place when he recorded the colossally underrated Flag. Fresh off his double-platinum J.T. (also available from Mobile Fidelity), the artist who defines the singer-songwriter genre had just collaborated with Art Garfunkel and Carly Simon, undertaken a Broadway musical, and become more active in political affairs. All these factors contribute to this 1979 treasure, which finds Taylor plying more of his trademark mellow vibes and insightful, soul-gazing lyrics.
While Flag has been previously remastered for CD, its never been sourced from the original analog master tapes. Mobile Fidelitys brilliant-sounding 180g LP is, and the results are as spectacular as chilling out to Taylors mellifluous voice on a summer night. Flush with exquisite acoustic textures, beautiful tonalities, and studio-perfect dynamics, this audiophile version brings Taylors music to life like never before.
Having landed in the Top Ten and sold more than two million copies, Flag nonetheless remains one of Taylors most under-appreciated efforts. And its not because the content is lacking. The beloved singer enters his hallmark storytelling mode on Sleep Come Free Me and dizzies the senses with the beloved Rainy Day Man. Drawing from his musical Working (based on legendary author Studs Terkels book of the same name), Millworker and Brother Trucker are lessons in character studies, Taylors narratives peering into the heart of blue-collar America and reflecting his knack for the everymanand everywoman.
Similarly, a pair of coversUp on the Roof and Day Trippershow his knack for reverent interpretation as well as originality. Flag reveals why we love JT. The literary descriptiveness, at-home folk arrangements, soft-rock fireplace coziness, captivating emotion, faithful tones, and stellar sense of instrumental placement, be it backing vocals, nuanced percussion, pedal-steel guitar, or subtle horns, the latter courtesy of do-it-all saxophonist David Sanborn. Alas, many of these facets have long gone unnoticed.
Ever since its original release, Flag has been plagued with muddled sound. No longer. Mobile Fidelitys analog reissue unlocks the well-kept sonic secrets and floods the record with the intimacy and impact that have always lurked underneath the surface. Finally, Taylors finite acoustic playing, well-mannered melodies, reflective words, and refined singing are experienced as a whole. The amount of new musical information thats been uncovered will boggle the minds of even the most ardent Taylor fans.
Trust us: Flag is one of Taylors finest works. After three decades, hear it all for yourself. And discover what is certain to become of your new favorite records.
This title is not eligible for discount.1. Company Man
2. Johnnie Comes Back
3. Day Tripper
4. I Will Not Lie for You
5. Brother Trucker
6. Is That the Way You Look?
8. Rainy Day Man
10. Up on the Roof
11. Chanson Française
12. Sleep Come Free Me$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Fantastic Beasts And Where To Find Them
First Pressing Of 2.000 Numbered Copies On 180 Gram Audiophile Vinyl Transparent Blue & Gold Mixed Vinyl, Black Vinyl Thereafter
OST Of The Brand New 2016 Movie, Written By J. K. Rowling (Harry Potter)
Music Composed By Multiple Award Winner James Newton Howard
The adventures of writer Newt Scamander in New York's secret community of witches and wizards seventy years before Harry Potter reads his book in school.
Fantastic Beasts and Where to Find Them is a brand new British fantasy action film directed by David Yates and written by J. K. Rowling, inspired on Rowling's book of the same name.
A spin-off and a prequel of the Harry Potter film series; the film will be the first installment of a series of five films, and stars Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol and Colin Farrell.
The story opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident Were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt's fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
The score is composed by Grammy, Golden Globe, BAFTA, Academy Award Winner James Newton Howard (Dark Knight, Hunger Games series, I Am Legend, Batman Begins).LP 1
1. Main Titles - Fantastic Beasts And Where To Find Them
2. There Are Witches Among Us / The Bank / The Niffler
3. Tina Takes Newt In / Macusa Headquarters
4. Pie Or Strudel / Escaping Queenie And Tina's Place
5. Credence Hands Out Leaflets
6. Inside The Case
7. The Erumpent
8. In The Cells
1. Tina And Newt Trial / Let's Get The Good Stuff Out / You're One Of Us Now / Swooping Evil
2. Gnarlak Negotiations
3. The Demiguise And The Occamy
4. A Close Friend
5. The Obscurus / Rooftop Chase
6. He's Listening To You Tina
7. Relieve Him Of His Wand / Newt Releases The Thunderbird / Jacob's Farewell
8. Newt Says Goodbye To Tina / Jacob's Bakery
9. End Titles - Fantastic Beasts And Where To Find Them$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
InnerworldIn a click-bait driven music scene, it's rare to find an album that stands the test of time, but Toronto-based synth duo Electric Youth may have managed that rare feat with their spectral, stunning debut
album Innerworld. "We wanted to make something that had the sense of being timeless," says Austin
Garrick, the band's instrumentalist alongside vocalist Bronwyn Griffin. "Our ultimate goal is to make a
record that will be the favourite album of people that aren't born yet.
With their swooning collaboration with College, "A Real Hero", featured in Nicolas Winding Refn's
universally acclaimed neo-noir 'Drive', a place in the history books is arguably already theirs. After
cracking the Top 10 of the iTunes dance charts in 15 countries, the band stepped back from the limelight
to take their time to work on a full-length. "We get asked a lot 'how have guys not already put out an
album - that would have been a good time to do it'", admits Austin. "But at the end of the day, more
important for us than capitalising on timing is really making sure that we would have the record that we
Recording took place between the duo's Toronto studio and their home studio in LA. Each space served
its different purpose - in Toronto Austin was able to make use of his extensive vintage synth collection,
making up what he estimates is 80% of analogue sounds on the album. In LA meanwhile, the pair
recorded Bronwyn's vocals, of which they share writing duties for -- in their space -- which includes a film
projection room. Fritz Lang's boundary-breaking twenties classic 'Metropolis' was a favourite. It's easy to
see how the vast scope of Lang's movie inspired the wide-eyed vistas of Innerworld, where soundscapes
bleed into vocals and songs take you on journeys into roads unexplored.
The artwork for Innerworld is similarly starry-eyed, with British artist Paul Roberts painting Austin and
Bronwyn as intrepid children for the cover. "He was in a group called Sniff 'n' the Tears who had a big hit
in the 70's with their song "Drivers Seat", which we came to know through its use in 'Boogie Nights'. We
loved his album covers which he would paint and from there we discovered he went on to incredible work
as an artist" says Austin. "The initial intention was for it to be more about the landscape, but we liked it
and it did make sense to us, going back to the concept of Innerworld Bronwyn and I have known each
other since we were 10 years old and a lot of the time we're still the same kids in our mind, in our inner
world. And so for us you could say, in our inner world that's what we look like - those two kids." With
their music's unquenchable sense of wonder, perhaps they're not too far from those kids today. "David
Lynch never wants to define the meanings of his films," says Austin. "Similarly, we don't like to get too
specific about the meaning of our music." When it sounds this good, who needs to put their music into
a box? Let their inner world wash over you.1. Before Life
5. Without You
6. If All She Has Is You
7. The Best Thing
9. Another Story
10. She's Sleeping Interlude
11. A Real Hero
12. Outro$18.99Vinyl LP - Sealed Buy Now
Mermaid Avenue Vol. IIho knew that after the undeniable, sometimes shimmering, sometimes rustic magic of Mermaid Avenue that there was enough quality material for a second volume? By setting their own music to Woody Guthrie's lyrics, Billy Bragg and Wilco once again offer a 50-minute testament to Guthrie's long, dynamic shadow. This sophomore meeting is as balanced between the up-tempo and the down-tempo as was the first Mermaid. Jeff Tweedy's rasp gives all the Wilco-driven tunes a certain grit, and the songs Bragg takes on have a luminescent, frank earnestness that intensifies the delivery of Guthrie's lyrical social critiques. Hot Rod Hotel, with Bragg on the mic, melds the two approaches best, and Secret of the Sea is the CD's poppiest centerpiece--aptly aimed at radio airplay like the first Mermaid's California Stars. Natalie Merchant's playful I Was Born is brief but sweet, just as bluesman Corey Harris's Against the Law is an uplift, with his passionate vocal wail mirroring the political gist of Guthrie's words. The moody closers Black Wind Blowing and Someday, Some Morning, Sometime end Volume 2 with a pair of sweetly sad gems, one a Bragg-sung folk blues that mourns the loss of cotton crops in the American dustbowl era, the other a Tweedy-sung paean to lost love. At the dawn of a new millennium, with labor and the distribution of wealth as pressing historical issues that disrupt every International Monetary Fund and World Trade Organization soiree, the time is right for Woody. --Andrew BartlettLP 1
1. Airline To Heaven
2. My Flying Saucer
3. Feed Of Man
4. Hot Rod Hotel
5. I Was Born
6. Secrets Of The Sea
7. Stetson Kennedy
8. Remember The Mountain Bed
9. Blood Of The Lamb
10. Against The Law
11. All You Fascists
12. Joe DiMaggio Done It Again
13. Meanest Man
14. Black Wind Blowing
15. Someday, Some Morning, Sometime$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
X-Men: First Class Soundtrack
First Pressing Of 1000 Numbered Copies On 180 Gram Silver Coloured Vinyl, Black Vinyl Thereafter
Gatefold Sleeve With Embossed Aluminium X-Men Logo On Front Cover
4 Page Insert
The American superhero movie X-Men: First Class is based upon the comic books of Marvel Comics and was the fifth installment in the X-Men film series. Keyroles are played by James McAvoy as Professor Charles Xavier, Michael Fassbender as Erik Lehnsherr/Magneto and Kevin Bacon as Sebastian Shaw. The story is the epic beginning of the X-Men saga and tells the secret history of famous global events, set against the two young (at first) close friends Professor X and Magneto, who later become arch- enemies, to prevent Nuclear Armageddon.
The music was composed by Henry Jackman whose credits include The Da Vinci Code with Hans Zimmerman, Pirates Of The Caribbean: Dead Man's Chest, Pirates Of The Caribbean: At Worlds End and recently the 2016 soundtrack for The 5th Wave. Upcoming soundtracks include Uncharted 4: A Thief's End and Jack Reacher: Never Go Back, both scheduled for 2016/2017 release.
Henry won the ASCAP Film and Television Music Award in 2012. His music score is the perfect backdrop for this action movie.LP 1
1. First Class
2. Pain And Anger
3. Would You Date Me?
4. Not That Sort Of Bank
5. Frankenstein's Monster
6. What Am I Thinking
8. Mobilise For Russia
9. Rise Up To Rule
10. Cold War
2. Rage And Serenity
3. To Beast Or Not To Beast
4. True Colours
5. Let Battle Commence
6. Sub Lift
7. Coup D'État
8. Mutant And Proud
10. Magneto$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Shaka BunduThe remarkable story of South
African singer and dancer Penny
Penny is t for Hollywood. A
nearly homeless janitor without
formal education gets a record
deal, becomes a multi-platinum
selling pop star, plays
stadiums acrossAfrica, then
builds a career as a popular
politician for Nelson Mandela's
African National Congress
party. Penny Penny's debut
recording Shaka Bundu,
recorded in 1994, is the album
that launched a 34-year-old
Giyani Kulani Kobane from the
streets of Johannesburg to the
national political spotlight.
After a chance meeting with Tsonga disco producer Joe Shirimani, just six months
after apartheid was lifted, Penny Penny's Shaka Bundu was released and entered
the consciousness of the entire country. Penny Penny became an immediate
sensation, against the expectations of everyone involved. The album went on to
sell more than 250,000 copies in SouthAfrica and Penny Penny has played to
thousands on stadium stages from Liberia and Sierra Leone to Namibia and
Using anAtari computer, Korg M1 synthesizer and reel-to-reel tape for vocals,
Penny and Shirimani cut the entire record in just seven days. The music was
something new for Tsonga disco. Penny s sound was dominated by slow tempo
house rhythms rising and falling against his anthemic vocal exultations and steel
drum synth sounds. Variations on call-and-response singing with a female chorus
had been a characteristic of Tsonga music for generations and Penny adopted
and twisted that approach with his rap-like delivery. Penny s husky, playful vocal
performance is relatively light on lyrics and heavy on vibes. Shirimani
constructed a signature sound for Penny was a static bass line, the sound of
which contains the root tones of an organ but with a peculiar richness and
depth. The producer won't reveal the secret of his trademark sound.
Amidst all the success of subsequent albums and tours, Penny's passion grew
into working with the people back in his home province. Eventually, Penny got
into politics. In 2011, he was elected ward councillor for his region under the
African National Congress party banner.
Today, nearly 20 years since Shaka Bundu could be heard blasting from
speakers across a new SouthAfrica, the music still sounds larger than life and
worldly.And even today, despite shifting his energies from stadium shows to
municipal matters, Penny Penny still sports his inimitable top-bun hairstyle.1. Shichangani
3. Ndzihere Bhi
4. Dance Khomela
5. Shaka Bundu
7. Milandu Bhe
8. Shichangani (Remix)$23.99Vinyl LP - 2 LPs Sealed Buy Now
HauntsI stay up drinking with your ghost every night.
Haunts is full of memories. People you used to know. Rooms where you lived, streets you walked down. The lover you haven't spoken to in years who still lives in your dreams. Because the past is never dead. It's not even past.
Sometimes music is memory. The emotional memory of a songwriter, distilled into a way of viewing the world. Some songwriters are cartographers, mapping an inner landscape of hope and regrets. Each song is an invisible city, populated by ghosts. That is the land, and these are the people, of Tiny Victories' debut full-length album, Haunts.
Tell your ghost to leave me alone-
I can't sleep no more in my own home.
The surprise is that the tone of much of Haunts is joyous, even celebratory. Synths and electronic squiggles crash against pounding beats in ecstatic, orgiastic rhythms. Lyrically, though, the album is a compendium of love and loss. The contrast creates rooms of light and shadow (in "Scott & Zelda" or "Systems") or the oceanic catharsis of a party at the end of the world ("Austin, TX" and "This Revolution").
Tiny Victories' new album is a statement of purpose-and a point of arrival. The songwriting has evolved in a more focused direction, with a tighter structure, while Greg Walters and Cason Kelly continue to build on the experimental sonic architecture that fascinated them in their early days. Synth lines cut through through the dense underbrush of electronic soundscapes, propelled forward by Cason's relentless drumming. Greg's self-assured voice soars above the commotion. Haunts was produced and mixed by industry veteran Alex Aldi (Passion Pit, Holy Ghost!) and mastered by Chris Gehringer (Yeasayer, Chairlift, Jay-Z).
The song ideas were born in bedrooms crowded with samplers, Kaoss Pads and other electronic gadgets. Then the duo moved into Alex Aldi's Brooklyn studio in mid-2013. Aldi's studio was the de facto storage house for Passion Pit frontman Michael Angelakos' synth collection. Greg and Cason dove into this gear. Much of the record was performed on Angelakos' hardware.
Tiny Victories was formed in 2010 when Greg Walters met Cason Kelly in a Brooklyn bar. Both had played in a variety of other musical projects for years. Otherwise, they were an unlikely duo. Greg was just back from a six-year stint as a foreign correspondent based in Moscow, Russia. He'd covered the original Orange Revolution in Ukraine, the Tulip Revolution in Kyrgyzstan, and crisscrossed Siberia in a helicopter chasing after secretive oil company executives. During the Russian-Georgian war, he rode into the zone in a Russian armed personnel carrier as an embedded journalist.
"Journalism and music are both ways of making sense of the world," Greg says. "Journalism looks outward at what's happening around you. Music explores your inner life." Cason had recently moved to New York from Athens, GA, and was doing social work with inner city kids-a different kind of daily struggle. Both were burned out and looking for something new. They each wanted to take their music farther than it had gone before. They decided to start a band.
Their 7 vinyl debut in 2011 was followed by the critically acclaimed 2012 EP, Those Of Us Still Alive. John Schaefer of NPR's Soundcheck picked Tiny Victories as a local band likely to break big nationally, and invited them to do a live show on the air. Momentum began to snowball, culminating in invitations to play Bonnaroo in 2012 and 2013 and a slot on the Bonnaroo 365 tour with White Denim and Maps & Atlases.1. Drinking With Your Ghost
2. Scott & Zelda
4. Let It Burn
5. This Revolution
6. Austin, Tx
7. Proton Pagoda
8. Life Is Boring
9. Our Lady of Route 80
11. You're Gone$11.99Vinyl LP - Sealed Buy Now
REDD-FIV-5214xThe Dirty Heads
Swim TeamMusic thrives on freedom. Without boundaries or blueprints, songs not only come to life, but last for a very long time to come.
Dirty Heads' sixth full-length offering, SWIM TEAM [Five Seven Music], finds the group at its most free. The Orange County, CA quintet-Jared "Dirty J" Watson [co-lead vocals], Dustin "Duddy B" Bushnell [co-lead vocals, guitar], Jon Olazabal [percussion], Matt Ochoa [drums], and David Foral [bass]-traffic between alternative, hip-hop, reggae, and rock with the same spirit and spark that's powered them since the beginning.
As a result, the hooks naturally became bigger, the experimentation got bolder, and the smoke blazed brighter
"We've put in so much hard work over the years that we have the freedom to do whatever we want now," affirms Jared. "Making the new record, I re-fell in love with everything about being in this band: writing music, playing shows, having fun, and where we're at. We spent every day not only working on songs, but laughing our asses off. What other people said didn't matter. The rules of being a proper songwriter and all of that bullshit didn't matter. If something felt good, we left it in there. It was so cool to get back to that feeling. Creating music was completely free. It was just fucking fun!"
For the better part of 15 years, Dirty Heads have quietly worked towards this point. In 2008, they emerged with the fan favorite full-length debut, Any Point In A Storm. Signature single "Lay Me Down" achieved an RIAA gold certification and clinched #1 on the Billboard Alternative Chart for 11 weeks-a record run for that year. 2014 saw Sound of Change debut at #8 on the Billboard Top 200, garner acclaim from the likes of Esquire, and vault "My Sweet Summer" to the top of Alternative Radio. Most recently, 2016's self-titled Dirty Heads went Top 15 on the Top 200 and spawned the smash "That's All I Need," which racked up over 10.5 million Spotify streams and counting. Noisey summed up the album best as, "Killer." Simultaneously, they remain one of the world's most engaging and exhilarating live acts, selling out sheds coast to coast.
During early 2017, the group started writing songs with no expectations or plans and soon found themselves working on what would become SWIM TEAM. That boundless environment immediately fostered inspiration.
"We had some time off, and we were like, 'We might as well get in the studio and see what happens'," recalls Duddy. "In doing that, we were able to come up with some really good ideas. We didn't have any pressure to put out new music. It's a lot more ambient and simple. We went heavier on the hip-hop, which I love. After the first song, we agreed to just finish a record. We were all inspired."
In order to capture those moments, Dirty Heads handpicked a team of collaborators-Jonas Jeberg [Demi Lovato, Juicy J, Jason Derulo], "Lay Me Down" partner-in-crime Rome [Enrique Iglesias] of Sublime with Rome, Blueprint [Jay-Z, Kanye West, Timbaland, Eminem, Nas, Prodigy], Oren Yoel [Miley Cyrus, Kanye West], HEAVY [Andrew McMahon], and The Score-and recorded between Los Angeles and Orange County.
"On the last album, it was like a mad speed dating rush with a bunch of producers to see who worked best," says Jared. "We had never done that before, and it was cool. It was a different vibe, studio, and guy every day. There are only a few producers on SWIM TEAM. The only new guys were HEAVY, and we hit it off immediately. We were molding and mutating what Dirty Heads are but with something new. We wanted to create songs we hadn't heard before."
That brings us to the first single "Vacation." Produced by Jeberg, "Vacation" sways from bright sun-soaked piano and booming horns into an unshakable and hashtaggable chant, "Hey, I'm on vacation every single day cuz I love my occupation. Hey, I'm on vacation, if you don't like your life then you should go and change it."
"We spent eight years in a van, worked hard, and now we're here," says Duddy. "It's almost like a vacation now."
"I want 'Vacation' to speak to people out there who have paid their dues and love their jobs," adds Jared. "For those who don't enjoy what they do every day, it sends a message that, 'It's not too late to do something else.' If you're not happy, life is way too fucking short to hang around and do things you don't love. We're blessed to do something we're passionate about. We hope you feel the same!"
Working with HEAVY, the emotional "Celebrate" volleys from vulnerable verses into confessional raps and a heart-wrenching refrain about being away from home. It's a classic pop ballad Dirty Heads-style with the power to resonate amongst listeners everywhere.
"It strikes a chord for those of us who travel a lot and leave friends and families at home," explains Duddy. "We miss so much on the road. We're humans. We have wives. We have kids. We're happy to do what we love, but at the same time we miss our loved ones."
Then there's "High Tea," which tows the line between 1940s-inspired crooning and grimy East Coast rhyme gymnastics like The Ink Spots guesting on Paul's Boutique.
"That's my favorite song we've ever written," beams Jared. "The melody was super catchy, and there's an old school guitar part. We juxtapose those mellow, airy, and ethereal elements with hard-hitting hip-hop. We were drinking these weed kombuchas at the time," he laughs.
In the end, SWIM TEAM represents Dirty Heads at their most dynamic, diverse, and definitive.
"When you hear it, I just want you to walk away thinking, 'Damn, that sounds like Dirty Heads'," concludes Duddy.
Jared leaves off, "I want you to feel the same way I did making it. Join this weird, odd, and wonderful secret society we've created over the past fifteen years. You're part of it now. Welcome to the team."1. Staloney
2. High Tea
3. Mad At It
6. Diamonds And Pearls
7. Get Somewhere
8. So Glad You Made It
9. God Damn Liar
11. West Coast$19.99Vinyl LP - Sealed Buy Now
Skin & EarthThroughout a year long process, she began secretly working on an unprecedented idea writing and drawing her own comic book based around this alter ego of sorts. And on top of that, just to make things more difficult - an album to coincide with the whole thing.
Thus came Skin&Earth, the Canadian singer's fourth record and her most open and vulnerable to date. In the past, Lights wouldn't write about being angry or Lights wouldn't write a song about fighting or Lights wouldn't write about sex, she says. So En is me in another dimension, and I was able to write about all the things that I never wrote about before.
The album form of Skin&Earth also brings help from some of music's brightest including Corin Roddick of Purity Ring, Big Data and Josh Dun of Twenty One Pilots. Everything that happened on this record was really fun and natural and felt like we were all working towards the same goal, she says. It was this organic mutual fan-ship kind of thing that brought it all together. She continues, This is the most fun I've had doing a record. I've never felt that I understood a record more and I've never felt like I understood a reason for a record more.
Ultimately for Lights, the most important takeaway from the story of Skin&Earth is of a young woman entranced by a spirit that she and she alone must overcome. This is based on internal, emotional stress and turmoil - stuff that I've dealt with and stuff that a lot of people have dealt with. I've always believed that all those battles can be fought and you come out of this stronger. And that was the foundation of the story, she says. At the end of the day, if nothing else, I want people, especially young women, to see in this character a little bit of themselves - see that an ordinary person can do amazing things and fight battles nobody else can see, and there's no shame in that. In fact, there's a lot of beauty in it.1. Intro
3. Until the Light
4. Savage (feat. Josh Dun)
5. New Fears
7. We Were Here
12. Magnetic Field
13. Fight Club
14. Almost Had Me$18.99Vinyl LP - Sealed Buy Now
Blonde On Blonde (Box Set)Ranked 9/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
That Thin, That Wild Mercury Sound: Dylans Ground-Shaking 1966 Double LP Sent Tremors Throughout the World
Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity
Recorded With One of The Most Ear-Awakening Lineups Ever Assembled: Al Kooper, Pig Robbins, Joe South, Kenny Buttrey, and The Bands Rick Danko and Robbie Robertson Among Musicians
Vaudeville, Contemporary Pop, Fiery Rock and Roll, Memphis Blues, Folk-Derived Sagas Among Enriched Palette of Styles
Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didnt know. Professor Sean Wilentz, historian-in-residence for Bob Dylans Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any whove tried: The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beautyin short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld. No lie.
As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed that thin, that wild mercury sound, the albums famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.
Forever prized for a unique sound that cultural critic Greil Marcus tagged the most glamorous record imaginable; listening you [can] see the checkered jesters suit Dylan had worn on stage for the nine previous, furious months, Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylans request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelitys reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres youll ever hear in plain sight.
The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashvilles top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.
As for the tunes? Chapters of books and lengthy theses are dedicated to the sheer conscious-altering power, mythical weight, character cast, and convention-obscuring magnetism of the lyricsto say nothing of the sophisticated albeit pure playing within, as arrangements touch upon gospel, R&B, pop, traditional and contemporary blues, vaudeville, folk, and more. Then theres Dylans inventive phrasing, his manipulation of pitch and locution, helping the narratives to take on epic, inchoate, and cryptic meanings that continue to be deciphered to this day. Punch lines occur as frequently as romantic declarations, all delivered with salient references, traditional parallels, and elusive interpretations on par with those of Shakespeare.
Visions of Johanna. I Want You. Rainy Day Women #12 & 35. Sad Eyed Lady of the Lowlands. Absolutely Sweet Marie. We could go on. Essential doesnt even begin to cover the genius of this record that, now, sounds better than Dylan himself can imagine.
Given the sonic and artistic merit of this album, we anticipate huge demand.
This title is not eligible for discount.1. Rainy Day Women #12 & 35
2. Pledging My Time
3. Visions of Johanna
4. One of Must Know (Sooner or Later)
5. I Want You
6. Stuck Inside of Mobile With the Memphis Blues Again
7. Leopard-Skin Pill-Box Hat
8. Just Like a Woman
9. Most Likely You Go Your Way (And Ill Go Mine)
10. Temporary Like Achilles
11. Absolutely Sweet Marie
12. 4th Time Around
13. Obviously 5 Believers
14. Sad Eyed Lady of the Lowlands$84.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 3 LPs Sealed Buy Now
InteriorsInteriors, Cameron Mesirow's second full-length release as
Glasser, is a more considered, confident, and much more
sharply personal album than its predecessor. It's central
themes are love and anxiety and the spatial constraints
of both in the landscape of one's life. In the three years
since Cameron released her breakout debut "Ring", she
toured around the world (with Jónsi of Sigur Rós, The XX,
Delorean, among others) and left her California home for
New York. Along the way, she discovered a new partner
in producer Van Rivers (Fever Ray, Blonde Redhead)
whose background in techno production added expansive
spatial elements to her music that reflect both the looming,
condensed architecture of Glasser's new adopted home
as well as the intricate internal worlds she conjures in on
The tension between interior and exterior space fills the
album. In architect Rem Koolhaas' book Delirious New
York, which Mesirow credits as an inspiration, the author
suggests that New York's massive, stoic-faced buildings
are monuments rife with secrets. Interiors is Cameron's
attempt to exorcise and address some of those metropolitan
secrets. "I thought a lot about the physical impositions in
my life, and about the fluid emotional boundaries in my
relationships," Mesirow says. "There's no limit to what can
be said about these structures. I can't help but live and
work in them, exploring their many folds."
The instrumentation of the album is a mixture of synthetic
and organic sounds, real strings, reeds and drums
combined with programmed ones, a purposeful coupling
of natural enemies. "I like music where you're not thinking
about what a specific instrument is," she says. "An
instrument-less quality. It doesn't come from a band, but
from a whisper in the wind." As on Ring there are sounds
used for unlikely purposes; vocals used as percussive
accents, or melodic themes assembled from environmental
sounds. The song "Design" illustrates this with Cameron's
own pitched-down vocals serving as a writhing bass line
in the frantic depiction of lust. The Glasser we find on
Interiors is smoother and smokier, more confident and
defined against an increasingly stoic electronic music
backdrop. The effect is a paragon of sonic architecture--a
soundspace that's packed tight but never feels crowded.1. Shape
5. Window I
6. Keam Theme
9. Window III
10. Window II
11. New Year
12. Divide$18.99Vinyl LP - Sealed Buy Now
OfferingsIf a Fellini film, a Bosch painting, and a Rorschach drawing had a collective sound, it would be Typhoon's new release. The 14-track record Offeringsis a musical and lyrical excursion into surreal imagery, eerie soundscapes, and an emotionally jarring narrative.
The 70-minute album for Roll Call Records, which is the Portland, Oregon indie rock band's fourth studio album, centers on a fictional man who is losing his memory, and in turn, his sense of self. "I've always been preoccupied with memory, losing memory, and trying to recapture memory. I wanted to explore the questions: What does a person become if they don't know where they came from? What is the essential quality of the person if you strip away all memory?" explains singer/songwriter Kyle Morton.
Motivated in part by his own preoccupation with "losing it," Morton also found a treasure trove of inspiration through various books, art, and film he was immersed in during the writing of this record. "I was watching a lot of David Lynch, and thought a lot about the Christopher Nolan movie, Memento, and Fellini's 8 ½.And there were a lot of books on my nightstand that played into this. It made it's a much darker album for sure," he says.
Offerings is divided into four movements (Floodplains, Flood, Reckoning, and Afterparty) to represent the mental phases the main character goes through where he first realizes that something is wrong, then struggles through the chaos of his situation, and finally moves into acceptance before succumbing to his dreadful fate.
"I wanted this record to be a journey, like Dante's Inferno. It kicks off with 'Wake,' where the character wakes up and he's shitting the bedand doesn't know what's going on. I was going for a specific feel that Samuel Beckett does so well," says Morton, who was reading Beckett's Three Novels, specifically Malloy, while writing the song's lyrics. "Beckett would call it a literature of impoverishment where he'd strip away as much as he could so he could get a feeling of essence and scarcity; that's what I tried to do musically and lyrically here."
Mission accomplished. Morton also masterfully makes a parallel with the character's journey to the state of the world today starting with the second track, "Rorschach," which looks at the age of information and collapse of meaning.
"But, by the third song, 'Empiricist,' there's a regression to the womb where the character is back in his bed at home,talking about his range of motion shrinking. This first movement ends with 'Algernon' [taken from one of Morton's favorite short stories, Flowers for Algernon, by Daniel Keyes], where he's constantly awakening and in an interrogation with a woman-who the listener should know is his wife, but he doesn't."
Musically, there is a sense of impending doom and chaos throughout the record that mirrors the character's fear and anxiety. "The claustrophobic feeling of only having the present moment and this sense of repetition is musically mirrored with this looping that runs though the record with a through line of choral parts that give it a darker, creepier feel," says Morton.
To set the right tone for the story, Morton went for a less horns, more guitar approach. "We have a little bit of trumpet on this record and a lot of string arrangements. But we really strayed away from the horn arrangements. I wanted it to be a darker, more intense rock record, so it's very guitar-based. It's going back to my rock roots before Typhoon," says Morton.
The concept of what the main character in the album is going through is also meant as a way of explaining cultural memory loss. "I was also reading historian Timothy Snyder and was inspired by his take on how America is at risk of losing their sense of history. If we haven't learned the lessons of our past, historically, we can't recognize when elements come back to haunt us, which is what's happening right now," he adds.
One choral part ("Down in the floodplains waiting on a cure/ Blessed be the water/ May the water make us pure") was especially inspired by current politics. "I had Steve Bannon in mind quite a bit when I was writing these choral parts because I'm taking on this world view that I don't agree with, which is that the world needs a bloody struggle to reset -bring on the demolishing of order," he says.
The character's downward spiral continues through the album's second movement, Flood, while in the third, Reckoning, comes the absolute-zero moment where the character is ready and willing to let go of life. Reckoning kicks off with "Coverings," which is the first song Morton ever co-wrote with a band member -Shannon Steele, who also sings on it. (Steele lends her vocals to the end of "Bergeron," as well.)
"'Coverings' takes the story into the devil's mansion where all the rooms are the same representing this repeated infinite present with no reference. For me, this is Hell. And, at this point, our character has lost his marbles," he explains.
"At the same time, on the worldly scale," continues Morton, "this is the point where we don't have any public trust and there's no cultural memory, there's just chaos. People are becoming identical in this collapse of meaning and you have no reference. If there is any point to this record it's that -Without reference, you have an interesting concept of infinity, which can be really bad."
As the album comes to a close with the acoustic "Sleep," the character decides that instead of taking part of the chaos, he'd rather sacrifice himself. But there is light at the end of this dark, emotional journey. "The secret track, 'Afterparty,' is where he finds peace and freedom. It's his homecoming. He's on the other side of it now and has found his version of Heaven," says Morton.
It's this level of intricacy in Typhoon's storytelling and musicianship that has helped Typhoon become one of indie rock's most revered bands. Their previous album, White Lighter, hit No. 2 on Billboard's Heatseekers Album Chart and got Best of The Year nods from NPR and Paste.Typhoon has brought their, at times, 11-piece live show on the road alongside indie rock peers The Decemberists, Portugal the Man and Grouplove, and sold out major clubs and venues across America.
Adds Morton of Offerings, "I kind of wanted to make a dystopian record. If it's nothing else, it's that. If I could write my own one-line review, I'd think I'd want people to say, 'It's disturbing and unfortunately correct."1. Wake
14. Sleep$29.99Vinyl LP - 2 LPs Sealed Buy Now
Klipsch Heritage Forte III Floorstanding Speaker
When it was first introduced in 1985, the Forte quickly became the most popular Klipsch model. The elegant design and spectacular performance made the Forte standout among its competitors. In 2017, Klipsch brought the Forte back as part of the Heritage speaker series. The new Forte III features an updated look and the latest advancements in acoustic engineering, while maintaining the original charm that made the Forte such a hit.
- High efficiency, full range loudspeaker
- Designed and made in the USA with domestic and imported components
- 15 Passive Radiator for full range performance
- Book-Match wood veneer sold as grain-matched pairs
- Built to last
High Efficiency + High Performance
The Forte III features a three-way design using a 12" woofer and horn-loaded midrange and tweeter. The new Forte III uses brand new state of the art drivers including midrange and tweeter titanium compression drivers for a smooth and powerful response. The Forte III's new midrange horn uses patented technology to improve coverage and control of the key mid-frequency band.
New Patented Midrange
The Forte III's new midrange horn uses patented technology to improve coverage and control of the key mid-frequency band. There's no listening experience like it on the planet.
Designed And Made In The USA Using Domestic And Imported Components
Don't mess with perfection. Although there were some important upgrades made to the Forte III, it remains practically unchanged since its creation. Do you remember great sound? Klipsch does, too. The Forte III enclosure is still proudly made in the USA, by expert craftsmen in Hope, Arkansas. Just like Paul W. Klipsch (PWK) intended.
15 Passive Radiator Yields Full Range Performance
There is a secret in the back of the cabinet of the Forte III. The Forte III's well-extended bass is found in the use of a rear-mounted passive radiator. A giant 15" (38 cm) in size, this sub-bass radiator operates on acoustic pressure generated by the woofer while allows for greater bass output and extension.
Book-Matched Wood Veneer
Klipsch consistently uses book-matched wood veneers for the Heritage series. The veneer leaves are kept in order as they are delicately sliced from the timber and precisely arranged to offer a mirror image at the splice joint - just like turning the pages of a book. This grants each speaker a more aesthetically pleasing and consistent appearance that is treasured more than any other cut of wood veneer.
Perfection At The Granular Level
Every pair of Forte III loudspeakers is grain-matched using wood veneer panels that originate from the same timber. Each cabinet is precisely matched so that each speaker in the pair is almost indistinguishable from the other. The speakers move seamlessly together through the factory. Each finished product is carfully inspected and labeled with sequential serial numbers, to ensure that each pair of speakers leave the factory as a meticulously crafted set.
Built To Last
Not a single detail goes unnoticed. Klipsch speakers are built to rock the house and stand up to the test of time. The Forte III is meticulously handcrafted and assembled with the finest quality materials, even down to the highest-grade adhesives and fasteners. This is a speaker that will be passed down from generation to generation.
More Depth - Less Deep
The Forte III is designed to fill large rooms with outstanding sound without having to sacrifice too much floorspace. At a mere 13 (33cm) deep, the Forte III is thinner than any Heritage Series or Reference Premiere floorstanding speaker - yet still able to provide incredible, robust acoustics.
Finish In Style
The Forte III real-wood veneer is offered in four distinct finishes including Distressed Oak, Cherry, Black Ash and Walnut - all designed to coordinate with your home's dÉcor.
Klipsch built the Forte III with high-quality, heavy-duty bi-wire capable input terminals to cater to your desired audio preference.
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.$1,799.00Heritage Forte III Floorstanding Speaker - Single - 4 Colors Available Buy Now
- High efficiency, full range loudspeaker
Tyler Bryant And The ShakedownA Band On The Verge Of Rock N Roll Greatness!
After carving out a fervent fan base and drawing widespread critical applause with their heady, high-voltage brand of guitar-driven rock, shooting from both hip and heart, Nashville's Tyler Bryant & The Shakedown find themselves at the epicenter of an advanced rock 'n' roll adventure that continues to take them around the world, appearing at some of the biggest venues along the way
Starting with a guest spot on AC/DC's 'Rock or Bust' World Tour in 2016, the quartet - Caleb Crosby on drums, Noah Denney on bass and backing vocals, Graham Whitford on guitar and Texas-born Tyler himself on vocals and guitar, a musician immersed in blues music from an early age - have continued to share events and stages with some of rock's most legendary names, including Guns N' Roses, Tom Petty & the Heartbreakers, Aerosmith, Deep Purple and ZZ Top.
At the same time as projecting their music into stadiums, Tyler Bryant & The Shakedown - The Shakedown to friends and fans - have continued to build their name and reputation as a headline act, and indeed it was backstage after a sold-out, bill-topping show in London (June 2017) that the band signed their new deal with Snakefarm Records - the most immediate and exciting result being an 11-track, self-titled studio album set to be the label's inaugural release, with November 3rd locked in as the day of the launch
"So many great things have happened over the past few months," exclaims Caleb, "and it's all just so surreal. I remember seeing that Guns N' Roses were playing two stadium shows in London on June 16th and 17th earlier this year, which are birthdays for Noah and myself, back to back, and I said wouldn't it be amazing if we appeared on both of those shows and we did!"
Rewinding back to 2008, Tyler moved to Nashville by himself at the ripe age of 17 to write songs and form a band. It was here he met Caleb, and together they put together what would become The Shakedown
"The instant we started playing, I knew there was something special," reflects Caleb. "We played our first show a week later and haven't stopped since!"
The next addition to the ranks was Graham Whitford, a young guitarist from Boston, Massachusetts. Introduced to Tyler as the guy who could put him out of a job, it was clear from the start that Whitford was a force to be reckoned with. As soon as Tyler heard him play, he asked him to uproot and move to Nashville to join the band.
All that was needed now was the right bassist: enter Noah Denney, who instantly added a whole new dimension to The Shakedown's sound. As Tyler recalls, "his bass sound scared me and he brought an edge and an attitude to the band that we didn't even know we needed."
2013's 'Wild Child' album announced the quartet's arrival with a bang as they logged time on the road with the likes of Aerosmith, Jeff Beck & ZZ Top, while receiving the endorsement of Guitar World, Rolling Stone, Los Angeles Times, Nylon, Interview Magazine and Paste. Taking over TV, they lit up the stage at both Jimmy Kimmel LIVE! and AXS Live.
Following the release of 'The Wayside' EP (2015, produced by Grammy Award winner Vance Powell), the boys crisscrossed the country alongside Billy Gibbons & AC/DC on that celebrated 2016 run. April 2017 found them without a label and only a month out from joining Guns N' Roses on a European tour
"We had just decided to self-produce a record completely on our own," says Tyler. "I'll never forget driving home that morning and getting a call from our manager saying, 'You wanna go back to Europe with Guns N Roses?' That was a great kick-start to the first day of tracking."
So they hunkered down and set about writing & recording their second full-length album, with John Fields (Soul Asylum, Paul Westerberg) coming on board to handle the mix. Blending a sense of history with a youthful, energetic heartbeat, this anticipated outing features a host of brand new tracks, some of which have become staples of the live set. It also stands as the start of a relationship with the newly-launched Snakefarm label.
Housed within the global infrastructure of Spinefarm Records (a UMG label), the Snakefarm brand will provide a targeted home for international artists, both established and new, from the increasingly buoyant roots rock world - music based on authenticity and emotion, under-pinned by core values and beliefs.
In this respect, Tyler Bryant & The Shakedown - who can lay claim to a fast-growing international presence, with major UK festivals such as Download, Ramblin' Man and British Summer Time already under their belt, alongside headline shows plus guest appearances with Nashville neighbors The Cadillac Three - are a flagship representation; what's more, in 'Tyler Bryant & The Shakedown' they've delivered a genuine genre-defying labour of love, a varied and infectious statement shot through with passion, pride and a welcome dash of glamour.
"This is the definitive Shakedown record as of now, and that's why we decided it should be self-titled," explains a fired-up Tyler. "It's the definitive Shakedown record due to the fact there were no other cooks in the kitchen. We put so much energy into writing and recording each song. It's not just a guitar album; it's a song album, and I'm proud to hang my hat on this one."
The first single / video, 'Heartland', introduces Tyler Bryant & The Shakedown with a one-two punch of gritty guitars and soulful vocals before slipping into a hypnotic bridge punctuated by airy clean guitars. Tyler sings, "There's a slow beat in the heartland, going down in the quicksand, stack 'em up and watch the cards fall, if it happens to one, then it happens to all".
"It's no secret that there's crazy stuff going on all over the world right now. There's madness all around and people are constantly picking sides. Every night when the Shakedown takes the stage, I'm amazed that music brings people together. Nobody is thinking about what side they're on when they're singing at the top of their lungs next to a complete stranger. I thought maybe through music I could remind myself and our TBSD family that when one person falls, the rest of us do, too. I wanna get together with a bunch of folks and sing that sentiment because it's one I strongly believe in.
Elsewhere, 'Backfire' struts along on a stomping drum groove driven by thick distortion with lyrics "about pulling the short end of the straw and feeling vengeful". Then there's 'Aftershock'. Hinging on hummable riffing, the track simmers at a steady swamp crawl before the Sabbathian refrain.
"That's a tune about feeling the effects of a situation long after it's come and gone.
As Tyler Bryant & The Shakedown spend 2017 lighting up stages with the likes of Guns N' Roses (again), The Who & Alice Cooper - as well as making their first appearance at Rock In Rio - this new album sees them fully realize their vision with a sound that resounds above the bleachers, plus a collective desire to keep the entertainment flag fully unfurled
"I want people to put this on and literally escape," Tyler leaves off. "I hope they feel free. That's what rock 'n' roll makes me feel. You don't have to think about your bills or any of the other things that have the power to bring you down when you've got your fist up in the air, your eyes closed and you're lost in the music. Angus Young told me, 'You've got to make the audience think you're taking them on a journey, and they'll go with you. If you believe it, they will too'. I believe it with this record."1. Heartland
2. Don't Mind The Blood
3. Jealous Me
5. Ramblin' Bones
6. Weak And Weepin'
7. Manipulate Me
8. Easy Target
9. Magnetic Field
11. Into The Black$29.99Vinyl LP - Sealed Buy Now
Sound City: Real To ReelLimited Collector's Edition 180 Gram Vinyl
All-New Original Album of Music Created Exclusively for the Documentary
Deep in the San Fernando Valley, behind the train tracks and amidst dilapidated warehouses, was rock n' roll's best kept secret. Sound City, America's greatest unsung recording studio, housed a legendary, one-of-a-kind recording console, and became the birth place to the seminal albums that defined 20th century music. Fleetwood Mac, Neil Young, Rick Springfield, Tom Petty, Nirvana, amongst many others, all put magic to tape within these walls. It was rock n' roll hallowed ground. Directed by Dave Grohl (Nirvana, Foo Fighters) and featuring interviews and performances by the iconic musicians who made their careers in the studio, Sound City tells the story of real rock n' roll history, and celebrates the human element of music, as Grohl gathers some of rock's greatest artists to collaborate on a new album. Using Sound City's legendary analog console, together they continue to create musical miracles in a digital world.
Sound City - Real To Real, the companion album to the documentary is released on Roswell
Records, in conjunction with the film's DVD and Blu-Ray releases. A brand new collection of all-new all-original songs, each song featured on the album was composed and recorded exclusively for the film within its own 24-hour session. The new tracks - featuring an amazing and idiosyncratic cast of collaborators including Paul McCartney, Grohl's former Nirvana and current Foo Fighters bandmates, Stevie Nicks, Rick Springfield, Trent Reznor, Joshua Homme of Queens of the Stone Age, Rick Nielsen of Cheap Trick, Lee Ving of Fear, Corey Taylor of Slipknot, Brad Wilk and Tim Commerford of Rage Against The Machine and more--passionately exemplify Sound City's celebration of the human element of musicianship and recording in an increasingly digital world.1. Heaven And All - Robert Levon Been, Dave Grohl, Peter Hayes
2. Time Slowing Down - Chris Goss, Tim Commerford, Dave Grohl, Brad Wilk
3. You Can't Fix This - Stevie Nicks, Dave Grohl, Taylor Hawkins, Rami Jaffee
4. The Man That Never Was - Rick Springfield, Dave Grohl, Taylor Hawkins, Nate Mendel, Pat Smear
5. Your Wife Is Calling - Lee Ving, Dave Grohl, Taylor Hawkins, Alain Johannes, Pat Smear
6. From Can To Can't - Corey Taylor, Dave Grohl, Rick Nielsen, Scott Reeder
7. Centipede - Joshua Homme, Chris Goss, Dave Grohl, Alain Johannes
8. A Trick With No Sleeve - Alain Johannes, Dave Grohl, Joshua Homme
9. Cut Me Some Slack - Paul McCartney, Dave Grohl, Krist Novoselic, Pat Smear
10. If I Were Me - Dave Grohl, Jessy Greene, Rami Jaffee, Jim Keltner
11. Mantra - Dave Grohl, Joshua Homme, Trent Reznor$32.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Passage (Out Of Stock)Brooklyn, NY's Exitmusic, comprised of Devon Church and Aleksa Palladino, present their debut album, Passage. The 10-song set is a collection of newly-written songs and some of their older tunes that received some new coats of paint. Here, the two tethers that make up Exitmusic's sound, one stirring atmospherics, one of grandioise and thoughtful pop, are let to bow further out than ever before. They are, however, also pulled into a tighter, sharper knot at the center. There are big, emotional dynamic shifts, and a wave-crashing momentum across the set without ever breaking a sustained feeling of tenderness. It's dream-pop for those of us whose dreams are Lawrence of Arabia-epic in scope: lulling, apocalyptic, celestial, triumphant.
Recorded at Rare Book Room in Brooklyn with mixer Nicholas Vernhes (Dirty Projectors, Deerhunter), Church and Palladino, along with the assistance of new bandmates drummer Dru Prentiss and live electronics by Nicholas Shelestak, built on the chilling, beautiful aesthetic they had created as a duo when recording at home. The result is a sound that is more powerful and more nuanced, covering broad oceans of emotional terrain. Opener and title track "Passage" is like watching a great shifting of tides through rapid time-lapse photography, introducing new dynamics in one magnificent breath. It is a statement of intent that tears down the Victorian boudoir gauze found on previous efforts. The ghosts are still piercing the veil, but now they're throwing chairs. The song begins gently, with candlelight piano plucks, distant explosions on the horizon, aching breaths and moans. But in moments, the oceans swell and lurch as it detonates into a shower of brilliant shrapnel.
Elsewhere, on album standout "The Night," Exitmusic's gaze moves upwards with chiming, blurry guitars, the heavenly sighs of Palladino in the background and one of the album's finest choruses in the foreground. And "Storms" sounds like Peng-era Stereolab as seen through a fun house carnival mirror. The album has a bona fide, fist-pumping anthem "The Modern Age" and closes elegantly with the starkly devastating "Sparks of Light. Simply put: This is arena goth.
Passage is a longtime in the making, and certainly worth the wait. Church and Palladino started writing together several years ago, when the Canadian-born Church moved to New York City, Palladino's home, following a year teaching English in Taiwan and India. Their collective sonic interests: layers, textures, churning, spacious guitars (Palladino had been playing hers since age 12), blinking electronics, shimmering vocals, created a fruitful writing partnership immediately. Their songs began to take on new dimensions when the pair moved to Los Angeles a year later, finally committing their compositions to the recording process. A few twists and turns, and a move back to New York City, later, Exitmusic found a home with Secretly Canadian who released their first EP, From Silence, in the Fall of 2011. Critical raves for the four song collection poured in globally, with everyone from New York Magazine to The Guardian heralding the band's arrival. With the new live line-up, Exitmusic will have toured with artists such as Phantogram, School of Seven Bells, The Joy Formidable and A Place To Bury Strangers.1. Passage
2. The Night
3. The City
4. White Noise
6. The Wanting
8. The Modern Age
9. The Cold
10. Sparks of Light$16.99Vinyl LP - Sealed Temporarily out of stock