- Lowest Price
- Highest Price
Stage (2017) (Live)2017 Remastered VersionLP 1
1. Warszawa (Live)
2. Heroes (Live)
3. What in the World (Live)
4. Be My Wife (Live)
5. The Jean Genie (Live)
6. Blackout (Live)
7. Sense of Doubt (Live)
1. Speed of Life (Live)
2. Breaking Glass (Live)
3. Beauty and the Beast (Live)
4. Fame (Live)
5. Five Years (Live)
6. Soul Love (Live)
7. Star (Live)
8. Hang On to Yourself (Live)
9. Ziggy Stardust (Live)
10. Suffragette City (Live)
1. Art Decade (Live)
2. Alabama Song (Live)
3. Station to Station (Live)
4. Stay (Live)
5. TVC 15 (Live)$39.99Vinyl LP - 3 LPs Sealed Buy Now
A New Career In A New Town (1977-1982) (Box Set)
DAVID BOWIE 'A NEW CAREER IN A NEW TOWN (1977 - 1982)' is the third in a series of box sets spanning his career from 1969 and the follow-up to the awarding winning and critically acclaimed DAVID BOWIE 'FIVE YEARS (1969 - 1973)' and DAVID BOWIE 'WHO CAN I BE NOW? (1974 - 1976)'.
This 13 LP, 180g audiophile vinyl box set features all of the material officially released by David Bowie between 1977 and 1982 including all four studio albums, his 1978 live album 'STAGE' in both original and expanded tracklistings, the newly compiled HEROES E.P., collecting together both the German and French long and single versions of Heroes, and the exclusive new compilation of single versions, non-album singles and B-sides, 'RE:CALL 3'. Also included exclusively is a brand new remix of the 1979 album 'LODGER' by long time Bowie producer/collaborator Tony Visconti.
- 84 Page hardback book
- Low (remastered) (1 LP)
- Heroes (remastered) (1LP)
- Heroes E.P. (remastered) (12 Single)*
- Stage (remastered) (2 LP Yellow Vinyl) *
- Stage (2017) (remastered) (3 LP)
- Lodger (remastered) (1 LP)
- Lodger (Tony Visconti 2017 Mix) (1 LP)*
- Scary Monsters (And Super Creeps) (1 LP)
- Re:Call 3 (single versions, non-album singles and B-sides) (remastered) (2LP)*
The box set's accompanying 84 page book features rarely seen and previously unpublished photos by photographers including Anton Corbijn, Helmut Newton, Andrew Kent, Steve Schapiro, Duffy and many others as well as historical press reviews and technical notes about the albums from producer Tony Visconti.Low (remastered) (1 LP)
1. Speed Of Life
2. Breaking Glass
3. What In The World
4. Sound And Vision
5. Always Crashing In The Same Car
6. Be My Wife
7. A New Career In A New Town
9. Art Decade
10. Weeping Wall
"Heroes" (remastered) (1 LP)
1. Beauty And The Beast
2. Joe The Lion
4. Sons Of The Silent Age
6. V-2 Schneider
7. Sense Of Doubt
8. Moss Garden
10. The Secret Life Of Arabia
"Heroes" E.P. (remastered) (12" Single)
1. "Heroes"/"Helden" (German album version)
2. "Helden" (German single version)
3. "Heroes"/"HÉros" (French album version)
4. "HÉros" (French single version)
Stage (remastered) (2 LP Yellow Vinyl)
1. Hang On To Yourself
2. Ziggy Stardust
3. Five Years
4. Soul Love
6. Station To Station
8. TVC 15
2. Speed Of Life
3. Art Decade
4. Sense Of Doubt
5. Breaking Glass
7. What In The World
9. Beauty And The Beast
Stage (2017) (remastered) (3 LP)
3. What In The World
4. Be My Wife
5. The Jean Genie *
7. Sense Of Doubt
1. Speed Of Life
2. Breaking Glass
3. Beauty And The Beast
1. Five Years
2. Soul Love
4. Hang On To Yourself
5. Ziggy Stardust
6. Suffragette City *
1. Art Decade
2. Alabama Song
3. Station To Station
5. TVC 15
* Previously unreleased
Lodger (remastered) (1 LP)
LODGER (2017 Tony Visconti mix)
1. Fantastic Voyage
2. African Night Flight
3. Move On
4. Yassassin (Turkish for: Long Live)
5. Red Sails
7. Look Back In Anger
8. Boys Keep Swinging
10. Red Money
Scary Monsters (And Super Creeps) (1 LP)
1. It's No Game (Part 1)
2. Up The Hill Backwards
3. Scary Monsters (And Super Creeps)
4. Ashes To Ashes
6. Teenage Wildlife
7. Scream Like A Baby
8. Kingdom Come
9. Because You're Young
10. It's No Game (Part 2)
Re:Call 3 (non-album singles, single versions and b-sides) (remastered) (2 LP)
1. "Heroes" (single version)
2. Beauty And The Beast (extended version)
3. Breaking Glass (Australian single version)
4. Yassassin (single version)
5. D.J. (single version)
6. Alabama Song
7. Space Oddity (1979 version)
8. Ashes To Ashes (single version)
9. Fashion (single version)
10. Scary Monsters (And Super Creeps) (single version)
1. Crystal Japan
2. Under Pressure (single version) - Queen and David Bowie
3. Cat People (Putting Out Fire) (soundtrack album version)
4. Peace On Earth/Little Drummer Boy * - David Bowie and Bing Crosby * mono
Bertolt Brecht's Baal
5. Baal's Hymn
6. Remembering Marie A.
7. Ballad Of The Adventurers
8. The Drowned Girl
9. The Dirty Song$249.99180 Gram Audiophile Virgin Vinyl LP Box Set - 13 LPs Sealed Buy Now
The David Bowie/Friday Music 180 Gram Audiophile Series Begins!
David Bowie's 2002 Masterwork Album!
Produced By David Bowie & Tony Visconti
Mastered By Joe Reagoso - Pressed At R.T.I.
First Time 180 Gram Audiophile Translucent Blue Vinyl & Tri-Fold Cover Presentation
Featuring Pete Townsend, Dave Grohl Tony Levin, & Carlos Alomar
David Bowie is truly a gift to rock music fans everywhere. There will
never be another David Bowie, an artistic genius who has enthralled
generations of aspiring musicians and music lovers the world over with
the many fine recordings and concert tours he's created seamlessly for
Celebrating over four decades in the music business, this English
native initially captivated millions of kids in the 70's with his Ziggy Stardust
persona. He drove the rockers mad with his stellar concerts and dynamic
presence on the stage. As David moved on and started venturing into other
fields of music, film and art, he soon emerged as one of the early founders
of alternative and ambient music with albums like Low and Heroes. At the
turn of the millennium, Bowie scored a new legion of fans with more harder
edged recordings like his 2002 multi-platinum masterwork Heathen.
Heathen kicks things off with the hard rock guitar sounds on Sunday.
This radio and fan favorite graced the alternative and college radio stations
and helped bolster even further the rest of the Lp with follow up hits like
the tour de force Slow Burn featuring the legendary Pete Townsend, and a
stellar revisit of Neil Young's I've Been Waiting For You featuring the guitar
work of Dave Grohl. All in all, a truly remarkable album which paved the
way to a whole new level of fans as David Bowie continues to be a major
force in the music of now and forever.
Friday Music is no stranger to the music of the legendary David Bowie,
as we've been releasing his fine recordings on our label. That is why
we are so very proud to announce another first installment in The David
Bowie/Friday Music 180 Gram Audiophile Vinyl Series with his legendary
Mastered impeccably by Joe Reagoso (David Bowie/Jeff Beck/Deep
Purple) for the first time on audiophile vinyl, David Bowie's Heathen will
truly become one of the most important and historical 180 Gram Audiophile
Vinyl titles in quite some time.
To celebrate David Bowie's amazing career, we further enhance this
limited anniversary edition with a stunning tri-fold cover featuring the
original artwork elements as well as being pressed by R.T.I on translucent
Everyone Says Hi!1. Sunday
3. Slip Away
4. Slow Burn
6. I've Been Waiting For You
7. I Would Be Your Slave
8. I Took A Trip In A Gemini Spaceship
9. 5:15 The Angel's Have Gone
10. Everyone Says 'Hi'
11. A Better Future
12. Heathen (The Rays)$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
There are still those rare bands out there in the world that have a unique ability to combine macabre, mystifying rock with a more pop-oriented flare, a la early Bowie or early The Cure. Grave Pleasures are such a band that is equally suited for playing on a stadium stage, or in some Lynchian nightmare. It's that duality and electrifying contradiction that makes their music so exhilarating.
Risen from the ashes of the short-lived underground sensation Beastmilk, the band sets the tone for their inspirations, from the esoteric underground of England's hidden reverse to Manchester's sound of misery. With their own metallic raw tone clashed with pop hooks, Motherblood is a furiously passionate and contemporary record, which re-defines post-punk as a "war-cry for the eternally doomed."
They have been described as "A post-punk wet dream," or perhaps more honestly as "bat-shit lunatics," and their music is in a funereal world of its own. Motherblood is a truly danceable, pop-feast of raw, banging pleasure - in all its primitive, gothic tribalism. Dance-floor death rock that brings with it an uncanny sense of inspired songcraft that made Bowie's Berlin era sound so fresh and revolutionary, Killing Joke's tribal anthems so desperately ominous and dark throbbing melancholy of Depeche Mode's atmospheric pop so damn sexy. Just about every part of this record bleeds menace, or emanates nuclear fumes. It's unsafe territory which in turn makes it thrilling, sexy and most dangerously of all, catchy.1. Infatuation Overkill
2. Doomsday Rainbows
3. Be My Hiroshima
4. Joy Through Death
5. Mind Intruder
6. Laughing Abyss
7. Falling For An Atom Bomb
8. Atomic Christ
10. Haunted Afterlife$32.99Vinyl LP + CD - Sealed Buy Now
The ArgumentAs founder and half of the songwriting engine that drove the mighty HÜsker DÜ to his maverick solo work (has there ever been a portrait of a breakup as evocative yet anthemic as "2541"?), Grant Hart has cut a singular path across the last three decades of music. It is with great confidence that we say he has made an album to rival his greatest achievements. A double album based on John Milton's epic Paradise Lost, Hart distills its essence into pop and rock concoctions that nimbly flit through the history of 20th century music from Irving Berlin and David Bowie to... HÜsker DÜ, even. Ambition is the topic and Hell is the location for this project that is ambitious as Hell. Does he pull it off? We say yes!
Although lines from the poem are rarely quoted directly, all of the menace, pain and devotion of Milton's best loved work are here found. But where
Milton's poem was unadorned by rhyme, The Argument contain many complex couplets, especially the title track, in which not only the ends of lines rhyme, but the word that ends a phrase is the same as the first line of the phrase after it, all while conforming to the original ten syllable structure devised by Milton. Anyone who has ever had a conversation with Grant knows how patiently he chooses the words he uses.
While visiting James Grauerholz, former friend and secretary for William S. Burroughs, James showed Grant an unpublished manuscript for Lost Paradise,
William's science fiction story which portrays the fallen angels as men from distant planets and God as none other than fellow Missourian Harry S. Truman.
James and Grant discussed adding music to William's story much in the same way that Tom Waits and William conspired to turn the German folk tale Die
Freishutz into The Black Rider as staged by Robert Wilson.
From that point the seed had been planted, and the seed grew into the most beautiful tree in the garden of Grant's career!
Domino invite you to taste the fruit of this tree, go ahead, taste it.1. Out Of Chaos
3. Awake, Arise!
4. If We Have The Will
5. I Will Never See My Home
6. I Am Death
8. Letting Me Out
9. Is The Sky The Limit?
10. Golden Chain
11. So Far From Heaven
12. Shine, Shine, Shine
13. It Isn't Love
14. War In Heaven
16. (It Was A) Most Disturbing Dream
17. Underneath The Apple Tree
18. The Argument
19. Run For The Wilderness
20. For Those Too High Aspiring$22.99Vinyl LP - 2 LPs Sealed Buy Now
Lust For LifeReleased less than a year after The Idiot, Lust For Life is a return to the sloppy, sleazy, blues-y, swagger of the Stooges. Though the record is, again produced by David Bowie, he takes much more of a backseat musically, allowing for Iggy Pop to take center stage in his return to form. His best solo album and an absolute classic from this legend. Reissued on 180g vinyl.1. Lust For Life
3. Some Weird Sin
4. The Passenger
7. Turn Blue
8. Neighborhood Threat
9. Fall In Love With Me$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Lust For Life (Purple Vinyl)
Purple Colored Vinyl
Released less than a year after The Idiot, Lust For Life is a return to the sloppy, sleazy, blues-y, swagger of the Stooges. Though the record is, again produced by David Bowie, he takes much more of a backseat musically, allowing for Iggy Pop to take center stage in his return to form. His best solo album and an absolute classic from this legend. Reissued on purple vinyl.1. Lust For Life
3. Some Weird Sin
4. The Passenger
7. Turn Blue
8. Neighborhood Threat
9. Fall In Love With Me$26.99Colored Vinyl LP - Sealed Buy Now
Lust For Life (Red Vinyl)Pressed On Red Colored Vinyl
Released less than a year after The Idiot, Lust For Life is a return to the sloppy, sleazy, bluesy swagger of the Stooges. Though the record is, again produced by David Bowie, he takes much more of a backseat musically, allowing for Iggy Pop to take center stage in his return to form. His best solo album and an absolute classic from this legend. Reissued on red vinyl.1. Lust For Life
3. Some Weird Sin
4. The Passenger
7. Turn Blue
8. Neighborhood Threat
9. Fall In Love With Me$26.99Colored Vinyl LP - Sealed Buy Now
Option Paralysis (Red Vinyl) (Awaiting Repress)Pressed On Red Vinyl
Limited Edition of 500 Copies
Printed Dust Sleeve & Vinyl-Only Bonus Track
At first glance, "Option Paralysis" seems like a highly inappropriate title to describe the constantly evolving output of THE DILLINGER ESCAPE PLAN. But once you're faced with the cumulative power and vision of guitarist Ben Weinman, vocalist Greg Puciato, bassist Liam Wilson, guitarist Jeff Tuttle and new drummer Billy Rymer, you'll wonder-right after you pick yourself up off the floor-why more bands don't achieve similar force-of-nature status.
"The title 'Option Paralysis' represents being in a situation where you have so many choices you can't decide, and end up being frozen," says founding member Weinman about the mindset permeating the band's fourth full-length album. "Back in the early days when I started to discover music, go to shows and find out about new bands, there were 'filters' from various circumstances - geography, economic status, etc - which deeply affected how a band sounded and what they stood for. Now, everyone is going through the same filter-namely computers and the internet-and everyone has the same circumstances: Everybody's seeing the same thing for the first time at the very same time, simultaneously all over the world. That very system is negatively affecting art and has created a situation where everything is influencing itself and art is not based on struggle, personal scarcity or unique and personal inspiration. This cultural revolutions is a big part of what determines our mission. We're not listening to any of the bands around us for some kind of input as to what we should sound like. At this point, we're using our own accomplishments as a measurement of what we need to do next."
From their early days in the late-'90s as short-haired Rutgers, New Jersey, college students delivering hyper-complex thrash to audiences of boorish long-haired surly metalheads, to performing with NINE INCH NAILS on the pioneering electronic band's farewell shows, the DILLINGER ESCAPE PLAN have merely one prerogative: to go forward in ALL directions simultaneously. Their groundbreaking 1999 debut full-length, "Calculating Infinity", is inarguably the essential technical-metal talisman for the 21st century, melding hardcore's blinding rage with a musical vision that made most progressive-rock bands sound positively lazy by comparison. "Irony Is A Dead Scene", the band's 2002 collaboration with Mike Patton, maintained their patented extremity while exploring electronic textures. The 2004 follow-up, "Miss Machine", (the first record to showcase frontman, Puciato) was a distillation of the band's work thus far, while including jaw-dropping flirtations with mainstream metal ("Unretrofied") that further enforced DILLINGER's desire-and ability-to take their music wherever the hell they wanted. 2007's "Ire Works" had the band finding inspiration from underground glitch and breakcore electronica, as well as indigenous music genres, in a world seemingly overrun with metalcore bores and screamo trend-hoppers. THE DILLINGER ESCAPE PLAN's unerring sweat equity has consistently found resonance with listeners on both sides of the stages the band trod upon.
"Option Paralysis" marks the beginning of another trajectory in the DEP mythology. After aligning themselves with the renowned Relapse label for most of their career, the band entered into a deal with the French label SEASON OF MIST to put out "Option Paralysis", tagging their new PARTY SMASHER INC label. "We signed a pretty traditional record deal with them for one record," explains Weinman. "What's exciting is that Michael [Berberian, SOM label founder] is a really big music fan and has a great understanding of how we operate. He was totally aware of the possibilities and limitations of working with a band like us-he's not expecting pop hits-and he's been extremely enthusiastic to dive right in and make it work for everyone."
Produced by Steve Evetts, Dillinger's new music is positively abundant with possibilities. Drummer Billy Rymer, whom Weinman describes as "young and hungry," now occupies the engine room that powers the band. Frontman, Puciato has always had a knack with a bellow that could make reciting a grocery list seem like an exhortation to open the mouth of Hell. But feeling some of the lyrics on "Option Paralysis", you can't positively determine if the singer is handing down indictments ("Farewell, Mona Lisa") or feeling emotionally wounded. "This record is concept driven but there is still a very emotional and personal aspect to his lyrics," says Weinman soberly. "He's going through transitional stages in his life right now." Nothing so eloquently supports that statement than the six and-a-half-minute "Widower", where the band are joined by veteran David Bowie keyboardist Mike Garson for an aural excursion that incorporates piano-trio jazz, tender balladry and anthemic power. While there's no shortage of DEP plasma-balls on "Option Paralysis" ("Room Full Of Eyes", "Good Neighbor"), the band keep things fresh with the math-rock/free-jazz convergence of "I Wouldn't If You Didn't," the electro-tweaked "Chinese Whispers" and the closing "Parasitic Twins". The latter track sports lead vocals courtesy of guitarist Tuttle, as well as Beach Boys-styled harmonies and a major-key Weinman solo that's more Clapton (ca. Derek And The Dominos) than calculus crush. Clearly, this is not your older brother's DILLINGER ESCAPE PLAN. "We're just trying to make music we can be stimulated by," says Weinman about the assorted directions and sonic vistas on "Option Paralysis". "We consider ourselves songwriters, which is kind of odd when you consider the kind of band most would consider us."
As passionate about their craft as ever, DEP are looking to ramp up things even more in 2010, with a planet-beating touring campaign that includes basement shows, a stint on the main stage at this summer's Vans Warped Tour, a performance at the legendary Cochella festival, and various points in between. But after 12 years of deliberately challenging themselves, as well as the preconceived notions of critics and the strict genre-specific zealots of the world's underground music scenes, the big question remains: What is the mission of the DILLINGER ESCAPE PLAN? It's a question Weinman addresses with equal parts melancholy, unwavering determination and humor. "I've been trying for a while to have someone explain that to me," he says, laughing. "Seriously, 'Option Paralysis' represents why we're here and why we're still making music. We started at a time when there wasn't all this access to the larger world. Our only goal was to make a small dent in the scene that we were in. The fact we've made it this far and that we're still relevant is really special to me. I feel that it is extremely important for bands like us to continue to represent the ethic and attitude that was present during a time that doesn't exist anymore."
"That," he says, pausing to smile. "And I have to pay my mortgage somehow "1. Farewell, Mona Lisa
2. Good Neighbor
3. Gold Teeth on a Bum
4. Crystal Morning
5. Endless Endings
7. Room Full of Eyes
8. Chinese Whispers
9. I Wouldn't If You Didn't
10. Parasitic Twins
11. Chuck McChip (vinyl only bonus track)$21.99Colored Vinyl LP - Sealed AWAITING REPRESS Buy Now
Dope MachinesEvery so often, one song can change everything. For The Airborne Toxic Event, that particular number happened to be an A Capella version of Queen and David Bowie's classic duet "Under Pressure".
"Somebody played it for me, and it blew my mind," declares vocalist and guitarist Mikel Jollett. "I made a decision to change my whole approach to music. I just wanted to be joyful about it. I wasn't going to worry anymore. For the first three records, I thought mostly like writer. My mindset changed. It was about inventing a musical logic that was unabashedly catchy and rhythmic, but way weirder than anything we've done in the past."
That "logic" came to life while Mikel composed "Hell and Back" for the Dallas Buyers Club soundtrack in August 2013. Under a tight deadline, he had no choice but to produce the track himself-a first for the Los Angeles outfit. However, he didn't stop there.
The frontman would go on to personally produce The Airborne Toxic Event's fourth full-length album and first for Epic Records Dope Machines with the blessing and support of Steven Chen [guitar, keyboards], Anna Bulbrook [violin, keyboard, backing vocals], Daren Taylor [drums], and Adrian Rodríguez [bass].
"Producing was massively challenging and super fun," admits Mikel. "When we finished the last record, our producer Jacquire King said to me, 'I think you're ready to produce an album now.' I felt like we had reached the apotheosis of being a proper rock band. This was the exact opposite. It was me alone in a room for 12 hours a day working harder than I'd ever worked."
Early in the process, Mikel tapped into a boundless aesthetic, embracing electronic elements as well as pop structures and unbridled rock 'n' roll bombast. At the same time, it defied categorization at every turn. "That's one of the hallmarks of the record," he affirms. "It doesn't sound like anything else."
The first single "Wrong" merges striking synths and an electronic swing with an evocative refrain punctuated by a robust groove. It's borderline danceable, but always chant-able.
"It's just about a guy feeling insecure," explains Mikel. "I wrote it at a time of massive upheaval in my life. We all have that moment. You look over everything and think, 'I am an idiot!' It's not every day, but you wish you could start over. That's the idea."
"California" turns a spotlight on a different side of the Golden State from the perspective of a true native. All the while, it still boasts an unshakable refrain and intricate instrumentation.
"I grew up in California," he goes on. "My parents were hippies, and I was born in the back of a VW bus on the beach. I was around everybody from Beatniks to gang members to kids who just emigrated from Guatemala or Ethiopia. None of this had anything to do with the popular image of what California is-that idea of palm trees and movie stars. As soon as you've got an idea of utopia, it begs a dystopia. It's an idea of apocalypse right around the corner in a place that's considered ideal."
Simultaneously, the title track tempers a distinct guitar bounce with entrancing harmonies, making for a provocative and potent dichotomy.
"You can interact with all of these dope hand devices, but they make you sort of dopey an hour later," he sighs. "You make music with them. They can save you from a heart attack. They're little extensions of the things that make us fundamentally human, which is the desire to interact with one another. The machines are all of these things at the same time."
In the middle of 2014 after moving on from Island Records, Epic Records C.E.O. L.A. Reid reached out and signed them-for the second time.
"L.A. signed us way-back-when at Island," recalls Mikel. "He literally saw us at Bowery Ballroom in New York, came backstage, and offered us a record deal. The moment we were free, he sent us a deal memo. It's a pleasure to be working with him again. He's a big believer, and he brings a lot of energy to this."
They've carried a similar energy through three full-length albums: The Airborne Toxic Event , which spawned the gold-selling single "Sometime Around Midnight", All At Once , and Such Hot Blood . In addition to reaching gold status, iTunes named "Sometime Around Midnight" the "#1 Alternative Song of the Year", and it spent a staggering eight weeks at #1 on Billboard's Heatseakers Chart. HBO utilized it on their high-profile Network Season Promo. The group has appeared on The Late Show with David Letterman four times, The Tonight Show with Jay Leno four times, and on Jimmy Kimmel Live! three times. Moreover, they've taken the stage at festivals including Coachella and Lollapalooza and sold over 50,000 tickets in 2013 alone.
In many ways though, Dope Machines signals something of a rebirth.
"It's like debuting a new phase," concludes Mikel. "It was a new approach. We've got a new label. We threw out everything we were tired of and moved on to a brand new palette. That was the goal. This isn't what The Airborne Toxic Event is supposed to be. This is who we are.1. Wrong
2. One Time Thing
3. Dope Machines
5. Time To Be A Man
6. Hell And Back
7. My Childish Bride
8. The Thing About Dreams
9. Something You Lost
10. Chains$20.99Vinyl LP - Sealed Buy Now
A Place For Us To DreamIt's rare to find a group of people that can successfully make a career out of
their band for 20 years. However, that's exactly what Placebo has done. Since
the release of their debut album in 1996, the band has gone on to sell over 12
million records worldwide, and have collaborated with the likes of David
Bowie, Robert Smith and more. They've achieved gold and platinum albums
in over 30 countries and have won countless awards, including an MTV
Award for Best Alternative Band. Their touring history includes sold out arena
tours and headlining festivals in more than 70 countries, sharing the stage
with several iconic groups, including The Cure and Red Hot Chili Peppers.
To celebrate their time as a band, Placebo will be releasing "A Place For Us
To Dream", a 20-year retrospective album. This collection will include singles
from both early and recent albums, as well as a brand new single titled
"Jesus' Son".LP 1
1. Pure Morning (Radio Edit)
2. Jesus' Son (Radio Edit)
3. Come Home
4. Every You Every Me (Single Version)
5. Too Many Friends
6. Nancy Boy (Radio Edit)
7. 36 Degrees (Version 2016)
8. Taste In Men (Radio Edit)
9. The Bitter End
1. Without You I'm Nothing (feat. David Bowie)
2. English Summer Rain (Single Verison)
3. Breathe Underwater (Slow)
5. Meds (feat. Alison Mosshart)
6. Bright Lights (Single Version)
7. Song To Say Goodbye (Radio Edit)v
9. Running Up That Hill
1. B3 (Radio Edit)
2. For What It's Worth
3. Teenage Angst
4. You Don't Care About Us (Radio Edit)
5. Ashtray Heart
6. Broken Promise (feat. Michael Stipe)
7. Slave To The Wage (Radio Edit)
8. Bruise Pristine (Radio Edit)
9. This Picture
10. ProtÉgÉ Moi
1. Because I Want You (Redux Version)
4. I Know (Version 2008)
5. A Million Little Pieces (Radio Edit)
6. Special Needs (Radio Edit)
7. Special K
8. Loud Like Love$69.99180 Audiophile Virgin Vinyl LP - 4 LPs Sealed Buy Now
Spongebob Squarepants, The New Musical (Original Cast Recording)A legendary roster of Grammy Award® winners. A visionary director and Tony Award®-winning design team. One of the world's most beloved and unforgettable characters. Turn them all loose on Broadway and what do you get? SpongeBob SquarePants, the new Broadway musical.
SpongeBob SquarePants is a one-of-a-kind Broadway musical with original songs written by Yolanda Adams, Steven Tyler and Joe Perry of AEROSMITH, Sara Bareilles, Jonathan Coulton, Alexander Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T's, They Might Be Giants, T. I., and a song by David Bowie. With additional lyrics by Jonathan Coulton and an additional song by Tom Kenny and Andy Paley.
Stakes are higher than ever before as SpongeBob and all of Bikini Bottom face the total annihilation of their undersea world. Chaos erupts. Lives hang in the balance. And just when all hope seem lost, a most unexpected hero rises up and takes center stage.
Acclaimed Steppenwolf director Tina Landau and the groundbreaking designers behind Fun Home, Hedwig and Spring Awakening have brilliantly reimagined Bikini Bottom for the Broadway stage, bringing the spirit of SpongeBob to life with humanity, heart and pure theatricality. With an original score from some of the biggest names in pop and rock, SpongeBob SquarePants explodes with energy. The production is conceived and directed by Tina Landau with a book by Kyle Jarrow, and orchestrations, arrangements and music supervision by Tom Kitt.LP 1
1. Prologue - Mark Ledbetter
2. Bikini Bottom Day - Company of SpongeBob SquarePants, The New Musical
3. No Control - Kelvin Moon Loh
4. BFF - Ethan Slater
5. When the Going Gets Tough - Nick Blaemire
6. (Just a) Simple Sponge - Ethan Slater
7. Daddy Knows Best - Emmy Raver-Lampman
8. Hero is My Middle Name - Lilli Cooper
9. Super Sea Star Savior - Sardines
10. Tomorrow Is - Company of SpongeBob SquarePants, The New Musical
1. Poor Pirates - Pirates
2. Bikini Bottom Day Reprise - Ethan Slater
3. Bikini Bottom Boogie - L'ogan J'ones
4. Chop to the Top - Lilli Cooper
5. (I Guess I) Miss You - Ethan Slater
6. I'm Not a Loser - Sea Anemones
7. Just a Simple Sponge Reprise - Ethan Slater
8. Best Day Ever - Lilli Cooper
9. Finale: Bikini Bottom Day Reprise - Company of SpongeBob SquarePants, The New Musical
10. SpongeBob SquarePants Theme - Company of SpongeBob SquarePants, The New Musical$29.99Vinyl LP - 2 LPs Sealed Buy Now