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  • Brahms: 10 Intermezzi For Piano (Speakers Corner) Brahms: 10 Intermezzi For Piano (Speakers Corner) Quick View

    $34.99
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    Brahms: 10 Intermezzi For Piano (Speakers Corner)

    Johannes Brahms: Intermezzi op. 76 no. 6 in A major, no. 7 in A minor; op. 116 No. 4 in E major; op. 117 no. 1 in B-flat major, no. 2 in B-flat minor, no. 3 in C-sharp minor; op. 118 no. 1 in A minor, no. 2 in A major, no. 6 in E-flat minor; op. 119 no. 1 in B minor


    If you mainly connect the name Brahms with opulent symphonies, passionate concertos and weighty piano music, you will be in for a big surprise when you listen to the Intermezzi op. 117. The music critic Eduard Hanslick talks of a more restrained, detached style and clearly means the calm, simple and immensely expressive flowing melodies, which characterize the late piano music of this Romantic composer. Just how sensitively the performer must tackle these precious miniatures is described by Clara Schumann with the words » the intellectual technique in them demands a fine comprehension and one must be very familiar with Brahms to play them as Brahms had imagined them«.


    When it comes to Brahms, Glenn Gould - famous for his analytically strict and emphatic interpretation of Bach's keyboard works - proves himself to be a true poet and thinker at the keyboard. Driven by the melancholy force, his thoughts find their way, sometimes hesitantly, then moving on with a deep breath, as it were, to the next deceleration.
    In op. 118 no. 1 the Canadian pianist begins with a passion that wrests expansive cascades of sound from the keyboard, then finds his way back to introvert mellifluous tones (op. 118 no. 2) and increases the drama in the will-o'-the-wispish and futile attempts to come to a redemptory final cadence (op. 118 no. 6). It would be hard to find a more closely-knit and intense rendering than on the present recording.


    Musicians:


    • Glenn Gould (piano)


    Recording: September and November 1960 at Columbia's 30th Street Studio, New York

    Production: J. Scianni


    About Speakers Corner


    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Intermezzo In E-Flat Major, Op. 117, No. 1
    2. Intermezzo In B-Flat Minor, Op. 117, No. 2
    3. Intermezzo In C-Sharp Minor, Op. 117, No. 3
    4. Intermezzo In E-Flat Minor, Op. 118, No. 6
    5. Intermezzo In E Major, Op. 116, No. 4
    6. Intermezzo In A Minor, Op. 76, No. 7
    7. Intermezzo In A Major, Op. 76, No. 6
    8. Intermezzo In B Minor, Op. 119, No. 1
    9. Intermezzo In A Minor, Op. 118, No. 1
    10. Intermezzo In A Major, Op. 118, No. 2
    Glenn Gould
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms: Symphony No.4 In E Minor, Op.98 Brahms: Symphony No.4 In E Minor, Op.98 Quick View

    $25.99
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    Brahms: Symphony No.4 In E Minor, Op.98

    One of four legendary LP albums that represent Carlos Kleiber's entire orchestral output for Deutsche
    Grammophon, now available individually. These LPs were expertly produced from the recent 24-bit remastered
    recordings, which are as faithful to the original analogue sources as possible. Manufactured on 180-gram vinyl, each record comes with its original LP front and back covers.
    1. Allegro non troppo
    2. Andante moderato
    3. Allegro giocoso - Poco meno presto - Tempo I
    4. Allegro energico e passionato - Più allegro
    Carlos Kleiber
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Firebird & Jeu De Cartes The Firebird & Jeu De Cartes Quick View

    $44.99
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    The Firebird & Jeu De Cartes

    Claudio Abbado is one of those rare conductors who seem to get more youthful and enquiring with age, while at the same time his music-making takes on an ever greater profundity. - Daily Telegraph, London


    Abbado has recorded for Deutsche Grammophon since 1967, amassing a discography that includes the entire symphonic works of Beethoven, Brahms, Mahler, Mendelssohn, Schubert and Ravel and more than 20 complete opera recordings.


    Claudio Abbado conducting the London Symphony Orchestra performing Stravinsky's Firebird and Jeu De Cartes.

    Side 1:


    1. Introduction

    2. L'oiseau de feu et sa danse / The Firebird's Dance / Der Feuervogel und sein Tanz/The Firebird and its Dance

    3. Variation de l'oiseau de feu / Variation: Der Feuervogel / Variation of the Firebird

    4. Ronde des princesses /Reigen der Prinzessinnen / The Princesses' Round

    5. Danse infernale du roi Kastchei / Hollentanz des Konigs Kaschtschei / Infernal Dance of King Kastchei's

    6. Berceuse / Wiegenlied / Lullaby

    7. Finale


    Side 2:


    Jeu De Cartes / Kartenspiel / Card Game (1936) Ballet en trois donnes / Ballett in drei Runden / Ballet in Three Deals


    1. Premiere donne / Erste Runde / First Deal (Alla breve - Moderato assai - Tranquillo)

    2. Deuxieme donne / Zweite Runde / Second Deal (Alla breve - Marcia - Variazioni I-V - Coda - Marcia

    3. Troisieme donne / Dritte Runde / Third Deal (Alla breve - Valse - Presto - Tempo del principio)


    Igor Stravinsky
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms - Hungarian Dances (Speakers Corner) Brahms - Hungarian Dances (Speakers Corner) Quick View

    $34.99
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    Brahms - Hungarian Dances (Speakers Corner)

    Fritz Reiner dedicated himself to the interpretation of works by modern composers such as Richard Wagner, Richard Strauss and BÉla Bartók, and it suited him well to tackle works such as Brahms's Hungarian Dances and Dvorák's Slavonic Dances. These lively compositions require a conductor whose interaction with the orchestra is vivacious and animated. Reiner always demanded utmost concentration and perfection from his ensemble. Under his baton, the Vienna Philharmonic Orchestra plays with enthusiasm and without restaint; no trace of a sterile concert atmosphere is found in this recording.



    Reiner's penchant for effects is not irritating, but rather adds highlights which support his highly musical interpretation, indeed one even forgets this trait when listening to the brilliant music.



    From a tonal point of view, the sound is beautifully balanced and reaches the highest standards despite its recording date of 1960 - or maybe just for that reason? The recording is characterized by its brilliance, warmth and vivacity with the result that listening becomes a true musical pleasure.





    Musicians:



    • Vienna Philharmonic Orchestra

    • Fritz Reiner (conductor)




    Recording: June 1960 at Sofiensaal, Vienna by James Brown

    Production: Erik Smith





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    Johannes Brahms
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms - Sonata for Cello and Piano (Speakers Corner) (Awaiting Repress) Brahms - Sonata for Cello and Piano (Speakers Corner) (Awaiting Repress) Quick View

    $34.99
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    Brahms - Sonata for Cello and Piano (Speakers Corner) (Awaiting Repress)

    The original pressing just doesn't hold a candle to this re-issue! Lovingly re-mastered from the original Mercury Living Presence analog tapes, Speakers Corner has done an astounding job on this album. Hear Starkers bold and natural cello and Seboks piano reproduced with perfect clarity and tonality. The performances are exceptional; lively and heartfelt. The sound quality is purely first rate. Outstanding music, impeccably performed, and the sound quality is the best youll hear! It just doesnt get better than this!



    Brahms' Cello and Piano Sonatas could well be described as 'romantic expression dressed in classical garb,' filled as they are with the same musical philosophy that is to be found in many of his instrumental works. Although 21 years lay between the two compositions, Brahms remained true to the formal musical language of the Viennese masters, and this brought him and other composers of his time the reproach of imitating Beethoven.



    The unmistakable personal style of Brahms is reflected in the sweeping first movement which is in the manner of a serious song and calls for sensitive but by no means feeble bowing. Starker's wiry, austere playing keeps a check on any excessive emotion and instead brings the music to life in great detail.



    Musicians:



    • Janos Starker (cello)

    • Gyorgy Sebok (piano)




    Recording: June 1964 at Watford Town Hall, London, by C.R.Fine and Robert Eberenz

    Production: Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    1. Sonata for Cello and Piano No. 1 in E minor, op. 38

    2. Allegro Non Troppo

    3. Allegretto Quasi Minuetto

    4. Allegro


    5. Sonata for Cello and Piano No. 2 in F major, op. 99

    6. Allegro Vivace

    7. Adagio Affetuoso

    8. Allegro Passionato

    9. Allegro Molto

    Johannes Brahms
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Brahms: Violin Concerto Brahms: Violin Concerto Quick View

    $34.99
    Buy Now
    x

    Brahms: Violin Concerto

    RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound!


    Remastered and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound


    Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!


    Another of the rare performances of violinist Jascha Heifetz and conductor Fritz Reiner together with the Chicago Symphony Orchestra. The original 30 ips 2-track analog tape was used in mastering for LPs and SACDs. This stunning performance is nothing short of breathtaking.


    This title is not eligible for discount.

    1. Brahms Concerto in D, op. 77
    Fritz Reiner with the Chicago Symphony Orchestra
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wiener Philharmoniker - 175th Anniversary Edition (Box Set) Wiener Philharmoniker - 175th Anniversary Edition (Box Set) Quick View

    $139.99
    Buy Now
    x

    Wiener Philharmoniker - 175th Anniversary Edition (Box Set)

    Celebrating the Wiener Philharmoniker's 175th anniversary with a special vinyl release: A limited, numbered edition
    of 1842 sets. Includes the first release of Bruckner's Symphony No. 2 with Riccardo Muti. Schumann's Symphony
    No. 3 and Cello Concerto conducted by Leonard Bernstein. Includes three other legendary recordings: Carlos
    Kleiber's Beethoven's 7th Symphony; Claudio Abbado's Brahms' Hungarian Dances; Herbert von Karajan
    conducting Wagner Orchestral Works and Liebestod.
    Wiener Philharmoniker
    $139.99
    Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • Concert For Violin & Orchestra Concert For Violin & Orchestra Quick View

    $44.99
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    Concert For Violin & Orchestra

    Johanna Martzy has hitherto only been heard on records here in the Brahms Concerto and that performance established her at once as a great player. This record entirely confirms the verdict. She has an unerring sense of tempo - how exactly right is her speed for the slow movement: and her freshness and rhythm in the finale are a delight. This is just the sort of performance this concerto needs and it is one that will commend the music to anyone who has so far not been particularly captivated by the work. ... The orchestral accompaniment is extremely well done. - Gramophone


    Musicians:

    Johanna Martzy

    Rias Symphonie-Orchester, Berlin

    Feren Fricsay, conductor

    Antonin Dvorak (1841-1904)
    Concert for Violin and Orchestra, A minor, Op. 53
    Antonin Dvorak
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms: The Four Symphonies Brahms: The Four Symphonies Quick View

    $89.99
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    Brahms: The Four Symphonies

    Deutsche Grammophon presents a reissue of the 1964 recordings of Brahms' symphonies as performed by the Berlin Philharmonic and Herbert von Karajan.
    LP 1: Symphonie Nr. 1 C-moll Op. 68
    1. Satz: Un Poco Sostenuto - Allegro

    2. Satz: Andante Sostenuto

    3. Satz: Un Poco Allegretto E Grazioso
    4. Satz: Adagio - Più Andante - Allegro Non Troppo, Ma Con Brio


    LP 2: Symphonie Nr. 2 D-dur Op. 73
    1. Satz: Allegro Non Troppo

    2. Satz: Adagio Non Troppo

    3. Satz: Allegretto Grazioso (Quasi Andantino)

    4. Satz: Allegro Con Spirito


    LP 3: Symphonie Nr. 3 F-dur Op. 90
    1. Satz: Allegro Con Brio

    2. Satz: Andante

    3. Satz: Poco Allegretto

    4. Satz: Allegro


    LP 4: Symphonie Nr. 4 E-moll Op. 98
    1. Satz: Allegro Non Troppo

    2. Satz: Anadante Moderato

    3. Satz: Allegro Giocoso

    4. Satz: Allegro Energico E Passionato (Tema Con Variazioni)

    Herbert Von Karajan
    $89.99
    Vinyl LP - 4 LPs Sealed Buy Now
  • Brahms - Piano Concerto 1 (Speakers Corner) Brahms - Piano Concerto 1 (Speakers Corner) Quick View

    $34.99
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    Brahms - Piano Concerto 1 (Speakers Corner)

    Brahms originally intended his Piano Concerto No. 1 as a symphony and he extensively reworked his ideas before setting down the work in the form as we know it today. The composer's original intentions still shimmer through however, for the work goes far beyond mere concertante playing and a display of virtuoso brilliance by the soloist. The first movement in particular, with its relentless, threatening main theme, embodies Brahms's dramatic symphonic writing and even a conciliatory secondary theme offers no relief for it too must give way to the heavy, fateful initial theme.



    The passionate and grandiose opening movement is followed by an Adagio full of tranquillity and quiet devotion; the solemn atmosphere is taken to exalted heights by the soloist and orchestra only to fade out pianissimo.
    Although the forceful, belligerent Finale occasionally conjures up the dark powers of the first movement, the work ends in a confident and cheerful vein.
    It is amazing how the sheer presence of the emotions in this composition have been captured on the present DECCA recording from 1962. This is not only true of the gripping interpretation but also of the recording itself which remains transparent and brilliant throughout.



    Musicians:



    • Sir Clifford Curzon (piano)

    • London Symphony Orchestra

    • George Szell (conductor)




    Recording: May/ June 1962 at Kingsway Hall, London by Kenneth E. Wilkinson
    Production: John Culshaw





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    1. Brahms: Piano Concerto No. 1 in D minor Op. 15

    2. Maestoso

    3. Adagio

    4. Rondo: Allegro non troppo

    Johannes Brahms
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms: Violin Concerto Brahms: Violin Concerto Quick View

    $21.99
    Buy Now
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    Brahms: Violin Concerto

    Warner Classics continue releasing iconic recordings of the core catalogue in their original cover artwork on LP to benefit from the booming vinyl market. Heroic, dramatic, reflective and joyous, Brahms's Violin Concerto, written for the great Joseph Joachim, a close friend of the composer, is one of the monuments of the Romantic repertoire.


    In a performance of epic sweep, Itzhak Perlman and Carlo Maria Giulini do full justice to its ambitions. This record has been regarded at the time it was released as "one of the greatest Brahms recordings of all time" (Guide Diapason). 40 years after its original release, it remains an absolute must-have, and a reference recording of the Brahms Concerto. It also benefits from the 24-BIT/96kHz remastering done at Abbey Road in 2015.

    1. Violin Concerto in D Major, Op. 77: I. Allegro non troppo - By Itzhak Perlman/Carlo Maria Giulini
    2. Violin Concerto in D Major, Op. 77: II. Adagio - By Itzhak Perlman/Carlo Maria Giulini
    3. Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - By Itzhak Perlman/Carlo Maria Giulini
    Itzhak Perlman
    $21.99
    Vinyl LP - Sealed Buy Now
  • The Perlman Sound The Perlman Sound Quick View

    $23.99
    Buy Now
    x

    The Perlman Sound

    No one could deny that Itzhak Perlman holds a special place in the world of music - and no one could define it more eloquently than his old friend and colleague, the pianist and conductor Daniel Barenboim: It is quite impossible to imagine today's violin heritage without the absolute musical genius of Perlman. The most obvious manifestation of that genius is the famous Perlman Sound - lustrous, warm and generous, its impact compounded by often astounding virtuosity; and yet Perlman makes it all look so easy. In fact, he communicates a positive joy in his playing.


    Perlman Sound is released as a primer for the deluxe 59-album boxed set Itzhak Perlman: the Complete Warner Recordings, and may be a good option for fans who don't have enough shelf space for this expansive edition. This collection explores his artistry from the finest concerto highlights (Mendelssohn, Brahms, Beethoven, Tchaikovsky, Korngold, Sibelius, The Four Seasons), to virtuoso solo and chamber repertoire (Paganini Caprice No.24, Bach Partita No.3, the MÉditation from Thaïs, Flight of the Bumblebee, Zapateado) and klezmer and jazz selections. The duo partners and conductors are some of the 20th century's biggest classical stars, many of whom count among Perlman's dearest friends and collaborators.

    1. Thais: Meditation
    2. Vocalise, Op. 34, No. 14
    3. Zigeunerweisen, Op. 20
    4. Meditation, Op. 32
    5. Russian Fantasy (arr. Kreisler)
    6. Souvenir d'un lieu cher, Op. 42: No. 2 Scherzo in C Minor (Arr. Glazunov)
    7. Legende, Op 17
    8. The Old Refrain (arr. Kreisler)
    9. Schon Rosmarin
    Itzhak Perlman
    $23.99
    Vinyl LP - Sealed Buy Now
  • Brahms: Violin Concerto in D Brahms: Violin Concerto in D Quick View

    $18.99
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    x

    Brahms: Violin Concerto in D

    Newly presented on 180g heavyweight vinyl, Decca are proud to present an iconic Mercury Living Presence album
    from the analogue era back on vinyl. Presented with original artwork and pressed at Optimal GmbH, each release
    has been carefully mastered from the original Decca analogue tapes at Abbey Road Studios.

    This LP includes the Brahms Violin Concerto in D with violinist Henryk Szeryng and the London Symphony Orchestra conducted by Antal
    Doráti.

    1. Allegro non troppo
    2. Adagio
    3. Allegro giocoso, ma non troppo vivace - Poco più presto
    Henryk Szeryng / London Symphony Orchestra / Antal Dorati
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Debussy / Brahms / Bartok: Sonatas For Violin And Piano Debussy / Brahms / Bartok: Sonatas For Violin And Piano Quick View

    $34.99
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    Debussy / Brahms / Bartok: Sonatas For Violin And Piano

    200-Gram Vinyl Plated And Pressed At Quality Record Pressings


    Mastered By Kevin Gray At Cohearent Audio


    This is perhaps the most exquisitely natural recording ever made. All in all, this Wilson record is a triumph of the analog recording art. - International Audio Review


    David Abel, violin. Julie Steinberg, piano. Perhaps the most transcendent of David Wilson's brilliant recordings, this remarkable album of solo violin accompanied by piano comes as close to putting the two performers in the listening room as any ever made, writes The Absolute Sound, of Sonatas for Violin & Piano.


    Recorded on Wilson's Ultramaster Recorder, built by John Curl, and using a spaced pair of Schoeps microphones driving vacuum tube electronics, the recording has a close perspective that heightens transparency and engagement as well as wonderfully capturing the beautiful tonality of Abel's Guarnerius violin and Steinberg's Hamburg Steinway without exaggerating their size.


    The duo performs these works as if they are one. - The Absolute Sound, July/August 2013


    This title is not eligible for discount.

    1. Violin Sonata No. 1 in G Major, Op. 78_ I. Vivace ma non troppo play
    2. Violin Sonata No. 1 in G Major, Op. 78_ II. Adagio play
    3. Violin Sonata No. 1 in G Major, Op. 78_ III. Allegro molto moderato play
    4. Violin Sonata in G Minor_ I. Allegro vivo play
    5. Violin Sonata in G Minor_ II. Intermede_ Fantastique et leger play
    6. Violin Sonata in G Minor_ III. Finale play
    7. Roman nepi tancok (Romanian Folk Dances), BB 68 (arr. for violin and piano)
    David Abel & Julie Steinberg
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms Symphony No.2 In D Major, Op. 73 Brahms Symphony No.2 In D Major, Op. 73 Quick View

    $25.99
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    Brahms Symphony No.2 In D Major, Op. 73

    Vinyl release of Brahms Symphony No.2 In D Major, Op. 73, conducted by Thomas Zehetmair and performed by Norway's Stavanger Symphony Orchestra at Stavanger Concert Hall in 2015. Produced by Ulrike Schwarz and Grammy winner Jim Anderson. Mixed at George Lucas' Skywalker Sound Studio and mastered by Bob Ludwig
    1. Symphony No 2 In D Major, Op 73: Allegro non troppo
    2. Symphony No 2 In D Major, Op 73: Adagio non troppo
    3. Symphony No 2 In D Major, Op 73: Allegretto grazioso (quasi andantino)
    4. Symphony No 2 In D Major, Op 73: Allegro con spirito
    Stavanger Symphony Orchestra
    $25.99
    Vinyl LP - Sealed Buy Now
  • Duo (Schumann, Debussy, Shostakovich, Brahms) Duo (Schumann, Debussy, Shostakovich, Brahms) Quick View

    $25.99
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    x

    Duo (Schumann, Debussy, Shostakovich, Brahms)

    Two of today's most passionate and inspirational artists join forces in the recital programme that brought audiences to their feet at the Menuhin Festival in
    Gstaad in Summer 2011. The chemistry between HÉlène Grimaud and Sol Gabetta left critics and audiences nothing short of euphoric and this first duo
    recording captures the revelatory magic of their collaboration.


    This is the first time, that either artist has embarked on a dedicated duo recording project and it goes far beyond a traditional musical collaboration. Based
    on a rare understanding on many levels - musical, emotional and personal, this fresh and strong encounter does not even raise the question of who
    accompanies whom. Finding new musical insights in familiar work, HÉlène and Sol present masterpieces in new light.


    The album reprises the same programme the duo performed in Gstaad: Robert Schumann's FantasiestÜcke, Claude Debussy's Sonata for Cello and Piano in D minor, Johannes Brahms Sonata for Cello and Piano No.1 in E minor and Dmitri Shostakovich's Sonata for Cello and Piano.


    "Grimaud doesn't sound like most pianists: she is a reinventor of phrasings, a taker of chances Her albums aren't merely proficient tours through the
    repertoire; they are highly personal explorations that can stand out among dozens of rival performances. Her strongly interpretive playing has made her
    a favorite among many conductors and reviewers." (The New Yorker). HÉlène's recordings have been best-sellers on the Yellow Label with more than 800.000 units sold altogether to date.


    Like Grimaud, in addition to performing traditional repertoire with the world's great orchestras, Sol Gabetta is a champion of new works and a passionate
    musical collaborator. Argentine-French of Russian origin, Sol is a best-selling, chart-storming artist, who is regarded as one of the great cellists of our day,
    impressing with her intriguing, full-bodied approach and a charismatic, conquering personality.

    LP 1
    1. Zart und mit Ausdruck
    2. Lebhaft, leicht
    3. Rasch und mit Feuer
    4. Prologue (lent)
    5. SÉrÉnade (ModÉrÉment animÉ)
    6. Finale (AnimÉ)


    LP 2
    1. Allegro non troppo
    2. Allegretto quasi minuetto
    3. Allegro - Più presto
    4. Allegro non troppo
    5. Allegro
    6. Largo
    7. Allegro

    Grimaud / Gabetta
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Chopin - Scherzo No. 3 / Brahms -  Rhapsodies (Speakers Corner) Chopin - Scherzo No. 3 / Brahms - Rhapsodies (Speakers Corner) Quick View

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    Chopin - Scherzo No. 3 / Brahms - Rhapsodies (Speakers Corner)

    The debut recording by the Argentinian pianist Martha Argerich took the public by the storm all over the world - and the applause has still not subsided! A mere glance at the repertoire shows that she was reaching for the stars. To bring five composers together on an LP of roughly 45 minutes length means nothing other than speaking five different musical languages - and Martha Argerich proves herself a master of them all! The demonic opening of the Scherzo in C sharp minor gives way to an iridiscent dialogue which sings and sparkles beyond compare. The Barcarolle rocks gently along; Prokofiev's Toccata is filled with dynamic force and nervous agitation; Ravel's Jeux d'eau is pensive and introverted, with the water rippling in a circular motion. As a contrast, the two famous Brahms Rhapsodies are performed with passion, impetuosity and occasionally the required heaviness.



    This recording is surely one of the brightest candles to burn anew on Deutsche Grammophon's birthday cake.



    This record was part of the 3-LP Set "The Conductors" and is now available again.



    Musicians:



    • Martha Argerich (piano)




    Recording: July 1960 at Beethoven-Saal, Hannover by Heinz Wildhagen

    Production: Prof. Elsa Schiller





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    and that the lacquer discs are newly cut.



    1. No. 3 C Sharp Minor, Op.39: Scherzo No. 3 In C Sharp
    2. Minor, Op.39
    3. Rhapsody, Op.79: No.1 Agitato In B Minor
    4. Rhapsody, Op. 79: No. 2 Molto passionato, ma non troppo allegro In G Minor
    5. Toccata, Op. 11
    6. Jeux D'Eau: Tres doux
    7. Barcarole In F Sharp Major, Op. 60
    8. Hungarian Rhapsody No.6:
    Johannes Brahms
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms: Hungarian Dance No.1-21 Brahms: Hungarian Dance No.1-21 Quick View

    $25.99
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    Brahms: Hungarian Dance No.1-21

    Hungarian Dances

    Nos. 1-21


    Wiener Philharmoniker

    Claudio Abbado

    Johannes Brahms (1833 - 1897)
    Hungarian Dance No.1 in G Minor, WoO 1
    1. Orchestrated by Brahms - Hungarian Dance No.2 in D minor
    2. Orchestrated by Johan Andreas HallÉn (1846-1925) - Hungarian Dance No.3 in F
    3. Orchestrated by Brahms- Hungarian Dance No.4 in F sharp minor
    4. Orchestrated by Paul Juon (1872-1940) - Hungarian Dance No.5 in G Minor, WoO 1
    5. Orchestrated by Martin Schmeling (?-1943) - Hungarian Dance No.6 in D Flat Major, WoO 1
    6. Orchestrated by Martin Schmeling (?-1943) - Hungarian Dance No.7 in A Major
    7. Orchestrated by Martin Schmeling (?-1943) - Hungarian Dance No.8 in A minor, WoO.1
    8. Orchestrated by Hans Gál (1890-1987) - Hungarian Dance No.9 in E minor, WoO.1
    9. Orchestrated by Hans Gál (1890-1987) - Hungarian Dance No.10 in F
    10. Orchestrated by Brahms - Wiener Philharmoniker, Claudio Abbado


    Johannes Brahms (1833 - 1897)
    Hungarian Dance No.11 in D minor, WoO.1
    1. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.12 in D minor
    2. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.13 in D
    3. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.14 in D minor
    4. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.15 in B flat
    5. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.16 in F minor / major
    6. Orchestrated By Albert Parlow - Hungarian Dance No.17 in F sharp minor
    7. Orchestrated by A. Dvorák (1841-1904) - Hungarian Dance No.18 in D
    8. Orchestrated by A. Dvorák (1841-1904) - Hungarian Dance No.19 in B minor
    9. Orchestrated by Antonín Dvorák - Hungarian Dance No.20 in E minor
    10. Orchestrated by Antonín Dvorák - Hungarian Dance No.21 in E minor
    11. Orchestrated by Antonín Dvorák

    Johannes Brahms
    $25.99
    Vinyl LP - Sealed Buy Now
  • Brahms: Alto Rhapsody (Speakers Corner) Brahms: Alto Rhapsody (Speakers Corner) Quick View

    $34.99
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    Brahms: Alto Rhapsody (Speakers Corner)

    Johannes Brahms: Alto Rhapsody, Song Of Destiny / Gustav Mahler: Songs Of A Wayfarer


    The Alto Rhapsody, Song Of Destiny and Song Of A Wayfarer. Each of these three vocal compositions is unique in its expression and construction, yet the frayed emotional worlds of all three works are connected by a multitude of fine threads. The Alto Rhapsody, which Brahms wrote as a wedding gift for Clara Schumann's daughter Julie, in whom he was himself in love, demonstrates with almost Wagnerian weight the anger that the disappointed Brahms must have felt while composing. The Song Of Destiny too, with its sonorous E major waves of harmony, soon announces in C minor the finiteness of existence as Hölderin's poem demands. That finally a hopeful, conciliatory - though unsure - moment lingers is reflected in the musical means. Many emotions and vagaries are emulated in Mahler's song cycle. The journeyman sets off on his wanderings in order to forget his unhappy liaison and strides through the ups and downs of mixed emotions and painful heartache. Drumrolls and march rhythms reflect the real world and sounds of nature, dissonances and a change between major and minor keys show the way from dreams, reality and feelings. The recording with Mildred Miller and the Columbia Symphony Orchestra under Bruno Walter has achieved reference status and is sure of a place in the TAS Super LP List given out by The Absolute Sound.

    Musicians:


      Mildred Miller (vocals)
    • The Occidential College Concert Choir and the Columbia Symphony Orchestra
    • Bruno Walter (conductor)



    Recording: June 1960 and January 1961 at Columbia Studios, Hollywood

    Production: John McClure



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    Brahms: Alto Rhapsody, Op. 53
    Brahms: Song Of Destiny, Op. 54
    Songs Of A Wayfarer (Leider Eines Fahrenden Gesellen)
    I. Wenn Mein Schatz Hochzeit
    II. Ging Heut' Morgen Über's Feld
    III. Ich Hab' Ein GlÜhend' Messer
    IV. Die Zwei Blauen Augen
    Bruno Walter
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms: Piano Concerto No. 1 Brahms: Piano Concerto No. 1 Quick View

    $24.99
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    Brahms: Piano Concerto No. 1

    Recorded With Sir Simon Rattle & The Berliner Philharmoniker


    DG celebrates Krystian Zimerman's 60th birthday in December with 3 releases new release to vinyl. Original tapes remastered by EBS and pressed on 180g heavyweight vinyl.

    1. Maestoso - Poco più moderato
    2. Adagio
    3. Rondo (Allegro non troppo)
    Krystian Zimerman
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brahms: Piano Concerto No.1 In D Minor Brahms: Piano Concerto No.1 In D Minor Quick View

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    Brahms: Piano Concerto No.1 In D Minor

    180 Gram Vinyl


    Newly presented on 180 gram heavyweight vinyl pressings, Decca are proud to present iconic albums from the
    analogue era back on vinyl. Presented with original artwork and pressed at optimal GmbH, each release has been
    carefully mastered from the original Decca analogue tapes at Abbey Road Studios. In this classic recording, pianist Clifford Curzon records Brahms' Piano Concerto no. 1 with George Szell leading the London Symphony.

    1. Maestoso - Poco più moderato
    2. Adagio
    3. Rondo (Allegro non troppo)
    Clifford Curzon
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Cello Concertos Cello Concertos Quick View

    $44.99
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    Cello Concertos

    The greatest cellist of modern time -- well, who could argue with a statement like that? After all, Mstislav Rostropovich is a supreme virtuoso, a charismatic performer, and a sublime interpreter and virtually every one of his recordings is as good as it gets for the repertoire. The key word, of course, is virtually: while Rostropovich's Dvorák concerto with Karajan, his Beethoven sonatas with Richter, his Brahms sonatas with Serkin, and above all his Shostakovich sonata with Shostakovich are definitive, can one say the same of his Boccherini, Vivaldi, and Tartini concertos with Paul Sacher? Or could one say that Rostropovich does not so much play the music of the great Italian Baroque composers as overwhelm it, that his virtuosity, his charisma, and his interpretations are more than the music can bear and that the listener is left not with fond memories of the music but instead with the overpowering impression of an unstoppable musical personality having his way with the music. The results are initially awe-inspiring but may ultimately prove to some to be empty. Accompanied -- the more appropriate word might be enabled -- by Sacher and the Collegium Musicum ZÜrich, the greatest cellist of modern times came, saw, and conquered the finest cello concertos of Baroque times. Whether that's a good thing or not is up to the listener.

    - All Music Guide


    Musicians:

    Mstislav Rostropovich, cello

    Side 1:
    Luigi Boccherini (1743-1805)
    Concerto for Violoncello and Strings No. 2 in D major
    1. Allegro
    2. Adagio
    3. Allegro


    Antonio Lucio Vivaldi (1678-1741)
    Concerto for Violoncello, Strings and Continuo in C major (P. 31)
    4. Allego
    5. Largo
    6. Allegro


    Side 2:
    Giuseppe Tartini (1692-1770)
    Concerto for Violoncello and Strings in A major
    1. Allegro
    2. Larghetto
    3. Allegro assai


    Antonio Lucio Vivaldi (1678-1741)
    Concerto for Violoncello, Strings and Continuo in G Major (P. 120)
    4. Allegro
    5. Largo
    6. Allegro

    Antonio Vivaldi
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Bach & Schumann Bach & Schumann Quick View

    $22.99
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    Bach & Schumann

    Their programme comprises Bach (Sonata for Violin and Piano No. 4 in C minor, BWV 1017, whose lilting opening movement became the sublime 'Erbarme dich' from St Matthew Passion), Brahms (Sonatensatz in C minor, Op. posth.) and Schumann (FantasiestÜcke, Op. 73 and the Violin Sonata No 1 in A minor, Op 105). "Working with Martha was a unique experience for me," Itzhak Perlman has said Her brilliance and the colours she uses when she plays are recognisable as soon as you hear them: it's her - nobody else sounds like that I am so excited that we were actually able to record together again." Martha Argerich is no less enthusiastic in her praise of her duo partner: "I feel so stimulated to play with Itzhak, it's really a feast - fantastic! It's a very special relationship, I am completely enchanted. it's like having a conversation You get inspired by what you hear at a particular moment. There is an interplay, a lot of things happen - it has spontaneity!"
    1. Violin Sonata No. 1 in A Minor, Op. 105: I. Mit leidenschaftlichem Ausdruck
    2. Violin Sonata No. 1 in A Minor, Op. 105: II. Allegretto
    3. Violin Sonata No. 1 in A Minor, Op. 105: III. Lebhaft
    4. FantasiestÜcke, Op. 73: I. Zart und mit Ausdruck
    5. FantasiestÜcke, Op. 73: II. Lebhaft, leicht
    6. FantasiestÜcke, Op. 73: III. Rasch und mit Feuer
    7. Sonatensatz in C Minor, Op. posth. FAE Sonata: Scherzo
    8. Violin Sonata No. 4 in C Minor, BWV 1017: I. Siciliano. Largo
    9. Violin Sonata No. 4 in C Minor, BWV 1017: II. Allegro
    10. Violin Sonata No. 4 in C Minor, BWV 1017: III. Adagio
    11. Violin Sonata No. 4 in C Minor, BWV 1017: IV. Allegro
    Martha Argerich & Itzhak Perlman
    $22.99
    Vinyl LP - Sealed Buy Now
  • Dream A Little Dream Dream A Little Dream Quick View

    $22.99
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    Dream A Little Dream

    At the time of Dream a Little Dream's release, the von Trapp family was more newsworthy than it had been in a while: The Sound of Music Live!, a television adaptation of Rodgers & Hammerstein's musical, was a ratings success when it aired in December 2013. More poignantly, Maria von Trapp, the last surviving member of the original Trapp Family Singers, passed in February 2014 at age 99.


    On this collaboration with Pink Martini, Sofie, Melanie, Amanda, and August von Trapp -- the great-grandchildren of the von Trapps immortalized in The Sound of Music -- continue the family tradition with beautifully harmonized versions of songs ranging from Johannes Brahms' In Stiller Nacht to the national anthem of Rwanda, Rwanda Nziza. Working with Pink Martini was an inspired choice, as they almost always bring out the best in their collaborators -- along with the unexpected, like Kuroneko No Tango, a version of the Italian song Black Cat Tango inspired by Japanese singer Osamu Minagawa's 1969 rendition. The group sounds just as natural backing the von Trapps as they do working with their usual vocalists, and Dream a Little Dream bears the same mix of kitsch and sublime beauty as one of Pink Martini's own albums. Die Dorfmusik sounds like it could have strolled in from The Lawrence Welk Show, while the version of ABBA's Fernando sounds like it came from a Swedish Carnaval parade thanks to the involvement of the Lions of Batucada.


    The inevitable Sound of Music inclusions are handled in a similarly playful fashion, with Wayne Newton taking the lead on The Lonely Goatherd and Charmian Carr (who portrayed Liesl in the film of the musical) joining the von Trapps for a sweet version of Edelweiss that recalls Pink Martini's work with Phyllis Diller on their previous album, Get Happy. The von Trapps balance Dream a Little Dream's quaint and quirky moments with more contemporary-sounding tracks, three of which were penned by August. Storm and Friend recall '60s folk in their acoustic earnestness, and the Chieftains give the closing track, Thunder, a pretty, if somewhat out of place, Celtic twist. As is often the case with Pink Martini's albums, the most intimate moments here are among the best.


    A softer-than-soft rendition of Chitty Chitty Bang Bang's Hushabye Mountain captures the exquisite poignancy of vintage children's music, while the delicate Le Premier Bonheur du Jour and a starlit version of the album's title track cast a similar spell. Ultimately, Dream a Little Dream is an entertaining blend of both parties' strengths, showcasing Pink Martini's globetrotting pop and introducing the next generation of von Trapp music.

    1. Storm
    2. Kuroneko no tango
    3. Dream a Little Dream
    4. Fernando
    5. Hayaldah Hachi yafa bagan
    6. Friend
    7. Die Dorfmusik
    8. In stiller Nacht
    9. Le premier Bonheur du jour
    10. Rwanda nziza
    11. Gongxi Xi
    12. Hushabye Mountain
    13. Lonely Goatherd
    14. Edelweiss
    15. Thunder
    Pink Martini
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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