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  • Playback: The Brian Wilson Anthology Playback: The Brian Wilson Anthology Quick View

    $31.99
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    Playback: The Brian Wilson Anthology

    Brian Wilson's eponymous solo debut for Sire in 1988 launched an extended period of renewal for the iconic Beach Boys songwriter. Rhino revisits Wilson's solo career with a new 18-song collection that mixes studio and live recordings with two previously unreleased tracks: Run James Run, a new song Wilson wrote and recorded for this collection, and Some Sweet Day, an unreleased gem he wrote with Andy Paley in the early 1990s for an unfinished recording project.
    1. Love And Mercy
    2. Surf's Up
    3. Heroes And Villains
    4. Melt Away
    5. Let It Shine
    6. Some Sweet Day (previously unreleased)
    7. Rio Grande
    8. Cry
    9. Lay Down Burden
    10. The First Time
    11. This Isn't Love
    12. Soul Searchin'
    13. Gettin' In Over My Head
    14. The Like In I Love You
    15. Midnight's Another Day
    16. Colors Of The Wind
    17. One Kind Of Love
    18. Run James Run (previously unreleased)
    Brian Wilson
    $31.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Stand By Me (Original Motion Picture Soundtrack) Stand By Me (Original Motion Picture Soundtrack) Quick View

    $31.99
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    Stand By Me (Original Motion Picture Soundtrack)

    1986 was a big year for a huge blockbuster movie called
    Stand By Me. The Rob Reiner classic truly made way for the
    hit soundtrack companion LP, which sailed to the top of both
    the sales and airplay charts with the classic re-charting hit
    title track Stand By Me by the late great Ben E. King.


    The classic movie featured some of the biggest songs
    honoring the birth of rock and roll including Buddy Holly's
    worldwide smash hit single Everyday as well as The Silhouettes smash #1 Get a Job and
    The Coasters' rock champion Yakety Yak.


    As with our continuing expansion into the original movie soundtrack genres, Friday
    Music is very proud to announce the first time 180 Gram Audiophile Vinyl release of
    Stand By Me - The Original Motion Picture Soundtrack. This mega movie soundtrack
    rock classic comes with all of the great tunes you remember like Let the Good Times Roll
    by Shirley and Lee and Come Go With Me by The Del Vikings.


    This stunning album is mastered impeccably by Joe Reagoso (Elvis Presley/Sons of
    Anarchy/Brian Wilson) from the Atlantic Records tapes and includes the original LP sized
    artwork, not seen since its original 1986 release.


    Stand By Me The Original Motion Picture Soundtrack Another amazing rock
    soundtrack classic from your friends at Friday Music


    Goodness Gracious, Great Balls Of Fire!

    1. Everyday (Buddy Holly)
    2. Let the Good Times Roll (Shirley and Lee)
    3. Come Go With Me (The Del Vikings)
    4. Whispering Bells (The Del Vikings)
    5. Get a Job (The Silhouettes)
    6. Lollipop (The Chordettes)
    7. Yakety Yak (The Coasters)
    8. Great Balls of Fire (Jerry Lee Lewis)
    9. Mr. Lee (The Bobbettes)
    10. Stand By Me (Ben E. King)
    Various Artists
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Smiley Smile (Mono) Smiley Smile (Mono) Quick View

    $39.99
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    Smiley Smile (Mono)

    33 1/3 Rpm Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson - famed co-founder, songwriter and arranger - who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    After the much-discussed, uncompleted Smile project - which was supposed to take the innovations of Pet Sounds to even grander heights - collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes AllMusic.com


    For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. 'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time. - AllMusic.com


    This title is not eligible for discount.

    1. Heroes And Villains
    2. Vegetables
    3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
    4. She's Goin' Bald
    5. Little Pad
    6. Good Vibrations
    7. With Me Tonight
    8. Wind Chimes
    9. Getting' Hungry
    10. Wonderful
    11. Whistle In
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • No Pier Pressure No Pier Pressure Quick View

    $35.99
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    No Pier Pressure

    New Album Features Collaborations with Beach Boys Bandmates, Kacey Musgraves, fun.'s Nate Ruess, She & Him's Zooey Deschanel and M. Ward, Peter Hollens, and Capital Cities' Sebu Simonian


    He is one of popular music's most deeply revered figures, a legendary writer, producer, arranger and performer of some of the most cherished music in pop music history. Indeed, it is no exaggeration to call Brian Wilson one of the most gifted and influential composers of the past 50 years. For the release of his 11th solo studio album, titled No Pier Pressure, Wilson has returned to Capitol Records, his original label home with The Beach Boys.


    For the No Pier Pressure sessions, Brian Wilson reunited with longtime collaborator Joe Thomas, with whom he co-produced The Beach Boys' No. 3 Billboard album That's Why God Made The Radio for the iconic band's 50th anniversary reunion in 2012. In addition, Wilson was joined at Hollywood's Ocean Way Studios by talented musicians he personally invited to record with him, including his former Beach Boys bandmates Al Jardine, David Marks and Blondie Chaplin, as well as Kacey Musgraves, fun.'s Nate Ruess, She & Him's Zooey Deschanel and M. Ward, Peter Hollens, Capital Cities' Sebu Simonian, and trumpet master Mark Isham. Wilson has also brought in session all-stars Don Was, Jim Keltner, Dean Parks, and Kenny Aronoff. Members of Wilson's longtime touring band, including Scott Bennett, Paul Mertens, Darian Sahanaja, and Probyn Gregory also participated in the sessions, along with Matt Jardine, son of Al Jardine, and former bandmate Jeffrey Foskett.


    Wilson and Thomas began collaborating on the new songs during The Beach Boys' whirlwind 50th anniversary activities throughout 2012, a banner year for the band which also included a GRAMMY® Award win for Brian for The Beach Boys' long-awaited SMiLE Sessions release. He told family, friends, and journalists around the world that he looked forward to returning to the studio when he got back home to California.


    Always most inspired when creativity is given time and space to freely flow, Wilson initially envisioned the sessions for his new album with The Beach Boys in mind, but that was not to be. Wanting to find the right voices to complete his vision, Wilson saw an opportunity to finally become hip with his kids and recruited some amazing young vocalists who have been inspired by his music to do the job.


    Throughout his iconic career, Wilson has brought ingenious vision to his own compositions, as well as to those for which he has collaborated, weaving a lush, vibrant tapestry of intricately nuanced vocal harmonies and instrumental arrangements for himself, his bandmates and others. For more than 50 years, fans have marveled at the sheer beauty of the music that springs forth from Wilson's imagination into glorious song.


    Camped out at Ocean Way, Wilson took a fluid, woodshedding approach to the recording process, deftly tailoring the vocal and instrumental parts and arrangements to each participant. Wilson worked to hone the arrangements, often assembling pieces from various takes, a signature style of recording he has enjoyed since his earliest sessions with The Beach Boys. In fact, several of the songs were written during the recording process.


    Brian Wilson began his career as a teenaged founding member of The Beach Boys, who signed with Capitol Records in July 1962 and released their first album, Surfin' Safari, that same year. The band's initial surf-rock focus was soon broadened to include other themes, and 1966's Pet Sounds is universally hailed as one of the greatest albums of all time. Wilson's innovative vocal and instrumental arrangements for major hits including "I Get Around," "California Girls," "Wouldn't It Be Nice," "God Only Knows," and the No. 1 smash "Good Vibrations" made The Beach Boys America's preeminent band of the 1960s.


    Brian Wilson has also achieved great solo success with 10 of his own albums released to date, including his acclaimed 2004 completion of an album he first began recording in the '60s, Brian Wilson Presents SMiLE, which reached Billboard's Top 20 and earned him his first GRAMMY® Award for a recording. Wilson won his second GRAMMY Award® for producing The Beach Boys' acclaimed 2011 release, The SMiLE Sessions. Wilson has also performed major, sold-out SMiLE and Pet Sounds tours in recent years with his own band. Wilson is a Kennedy Center Honors recipient, a Songwriters Hall of Fame inductee, and a UK Music Hall of Fame inductee. As a member of The Beach Boys, Wilson was inducted into the Rock and Roll Hall of Fame in 1988 and honored with The Recording Academy's Lifetime Achievement GRAMMY® Award in 2001.

    LP 1
    1. This Beautiful Day
    2. Runaway Dancer [featuring Sebu Simonian]
    3. What Ever Happened [featuring Al Jardine and David Marks]
    4. On The Island [featuring She & Him]
    5. Our Special Love [featuring Peter Hollens]
    6. The Right Time [featuring Al Jardine and David Marks]
    7. Guess You Had To Be There [featuring Kacey Musgraves]
    8. Tell Me Why [featuring Al Jardine]


    LP 2
    1. Sail Away [featuring Blondie Chaplin and Al Jardine]
    2. One Kind Of Love
    3. Saturday Night [featuring Nate Ruess]
    4. The Last Song
    5. Half Moon Bay
    6. Don't Worry
    7. I'm Feeling Sad
    8. Somewhere Quiet

    Brian Wilson
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Song Cycle Song Cycle Quick View

    $24.99
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    Song Cycle

    Van Dyke Parks visionary 1968 debut, Song Cycle, rose phoenix-like from the ashes of his fabled Smile collaboration with Brian Wilson. Parks breathtaking high-wire act fused the pop genius of Phil Spector, Stephen Sondheims Broadway vertigo and the orchestral flare of American composer Charles Ives and made it wholly his own. Our definitive pressing of this landmark Warner Bros. album is sourced from the original analog master, and pressed on audiophile High-Definition Vinyl.
    1. Vine Street
    2. Palm Desert
    3. Widow's Walk
    4. Laurel Canyon Blvd.
    5. The All Golden
    6. Van Dyke Parks
    7. Public Domain
    8. Donovan's Colours

    9. The Attic
    10. Laurel Canyon Blvd.
    11. By The People
    12. Pot Pourri
    Van Dyke Parks
    $24.99
    Vinyl LP - Sealed Buy Now
  • The Smile Sessions The Smile Sessions Quick View

    $34.99
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    The Smile Sessions

    With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has, for the first time, collected and compiled the bands legendary 1966-67 sessions for the never-completed SMiLE album.


    In numerous sessions between the spring of 1966 and the summer of 1967, The Beach Boys recorded a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band's 1966 masterpiece, Pet Sounds. The master tapes were ultimately shelved, and The Beach Boys' SMiLE has never been released. Drawn from the original masters, The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world.


    The SMiLE Sessions double vinyl LP features an approximation of what was intended to be the completed SMiLE album, compiled from The Beach Boys original session masters. Additional session highlights and bonus tracks are also included, including demos and stereo mixes.


    Produced by Brian Wilson, Mark Linett, Alan Boyd and Dennis Wolfe in Los Angeles The SMiLE Sessions 2LP Set includes an assembled collection of core session tracks. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.


    Artwork for The SMiLE Sessions has been created with and inspired by Beat-Pop artist Frank Holmes original 1967 LP sleeve art and booklet designs intended for the SMiLE album.


    When Capitol/EMI and The Beach Boys first announced plans for The SMiLE Sessions 2011 release, the news spread rapidly. Pitchfork reported, The Beach Boys SMiLE is quite possibly the most storied album in rock history, Billboard proclaimed the upcoming release an event that pop music fans have been waiting for since the Summer of Love, and The Washington Post called SMiLE the most legendary unreleased album of all time.


    The best efforts have been taken by The Beach Boys, the producers, and Capitol/EMI to present the SMiLE album sessions most vital and fascinating elements. However, there will no doubt be some debate amongst Beach Boys fans around the world who, during the past four decades, have become familiar with a variety of widely-traded bootlegged bits and pieces from the sessions. As recently explained by the Detroit Metro Times, No album, released or not, has generated a more personal relationship with its audience, since no two people can ever agree on its content and purpose.


    Beginning with Good Vibrations, The Beach Boys best-selling record in a long string of hits, Brian Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this before in pop music, and his next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.


    In 1965, Brian Wilson met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including Heroes And Villains, the bands follow-up single to Good Vibrations. Wilson and Parks would also co-write Surf's Up, Vega-Tables, Cabin Essence, Do You Like Worms, Wonderful, Wind Chimes, and other pieces of the SMiLE tapestry. Parks also introduced Frank Holmes to create album sleeve art and a booklet interpreting the albums James Joyce-mode lyrics.


    The reason SMiLE did not see a release in 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld Heroes And Villains and announced they would instead release Vega-Tables recorded with the bands own money in April of '67 on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the bands Brother Records, and it was agreed that SMiLE was no longer to be the bands next album.

    LP 1
    Side 1
    1. Our Prayer
    2. Gee
    3. Heroes and Villains
    4. Do You Like Worms (Roll Plymouth Rock)
    5. I'm In Great Shape
    6. Barnyard
    7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
    8. Cabin Essence


    Side 2
    1. Wonderful
    2. Look (Song for Children)
    3. Child Is Father Of the Man
    4. Surf's Up


    LP 2
    Side 3
    1. I Wanna Be Around / Workshop
    2. Vega-Tables
    3. Holidays
    4. Wind Chimes
    5. The Elements: Fire (Mrs. O'Leary's Cow)
    6. Love to Say Dada
    7. Good Vibrations


    Side 4
    1. You're Welcome (stereo mix)
    2. Vega-Tables (stereo mix)
    3. Wind Chimes (stereo mix)
    4. Cabin Essence (Session highlights and stereo backing track)
    5. Surf's Up (Session Excerpt and Stereo mix)

    The Beach Boys
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Instant Replay Instant Replay Quick View

    $29.99
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    Instant Replay

    The Monkees have been one of the world's most enduring rock and pop acts of all time. Since their beginnings in 1966, their television show, multiplatinum albums, hit singles and concert tours truly made The Monkees one of the most colossal stories in the music business. In 1969, Davy Jones, Michael Nesmith and Micky Dolenz went back to the studio as a trio this time and recorded the classic Instant Replay album. Noted for their hit single Tear Drop City, this masterwork also found The Monkees reuniting with the production team of Tommy Boyce and Bobby Hart for several of the tracks as well as previous team Monkees writers like Carole King and Neil Sedaka, and highly touted producers like Bones Howe (The Association/Tom Waits) and Shorty Rogers and resulted in some of the finest collaborations ever with this superstar act. Instant Replay also offered the first look at Michael Nesmith's experimental and groundbreaking recording sessions in Nashville as well as solid compositions from all three Monkees.


    Opening up with the pop rocker Through The Looking Glass, Micky Dolenz is on top of his game vocally with a brilliant background of horns, Bobby Hart on piano and guitar work by legends Keith Allison (Paul Revere & The Raiders) and Gerry McGee (The Ventures/John Mayall). A major fan favorite, this classic was performed at many of the reunion concerts over the years. The late great Davy Jones belts out another Boyce and Hart classic with the haunting ballad Don't Listen To Linda. The tune truly resonated with the fans back then and continues to be one of the more appreciated classics in his long list of time tested Monkees favorites. Carole King and Gerry Goffin's I Won't Be The Same Without Her features a strong vocal performance by Michael Nesmith and the stunning guitar work of both Monkees' Peter Tork and Glen Campbell. A real summer time feeling song, this track would be a nice bridge to Micky Dolenz's orchestral masterpiece Just A Game.


    It is no secret that Nesmith was a fan of country music, but also lauded as one of the first pioneers of the country rock genre, not only with his contributions to the earlier Monkees' recordings as far back as Papa Gene's Blues, even for other noted artists like Linda Ronstadt for whom he penned her first smash single Different Drum. For the Instant Replay album, Nesmith ventured to Nashville's RCA Studios and cut Don't Wait For Me, the first released tune from his now famous Nashville sessions. With the fusion of country studio players and the voice and guitar of Michael Nesmith, The Monkees again were on the forefront of this new genre and would continue with this groundbreaking sound ever more so into future classics like The Monkees Present.


    As the '60s would come to a close, Davy Jones would also contribute his major impact on the generation with his truly hip and psychedelic masterpiece You And I. Noted for its hard rock opening to side two, the track also features the stunning lead guitar textures of Neil Young who recently departed with The Buffalo Springfield. More favorites like Nesmith's While I Cry is one of the artist's finest compositions of the era. With Mike's beautiful acoustic guitar work and help from friends like Harry Nilsson, this ballad would truly become one of the more enduring songs from this 1969 classic Monkees album.


    Neil Sedaka and Carol Bayer Sager contribute one of the classiest Monkees ballads ever with The Girl I Left Behind Me. Once again, the late great Davy Jones provides a superstar vocal second to none, with a soulful orchestra fill and band setting featuring the production and skillful piano work of Neil Sedaka, while Micky Dolenz would close out the album with his classic Shorty Blackwell. The whimsical tale of Micky's cat and a nod to his friends The Beatles' A Day In The Life, Shorty Blackwell would take almost a year to record and feature a bevy of the original wrecking crew of Hollywood musicians like drummer Jim Gordon (Eric Clapton/Traffic), Tommy Tedesco on guitar and even his sister Coco Dolenz on vocals. This track along with the other eleven tunes make this one of the more enduring and loved albums in the superior catalog of Monkees classics.


    Friday Music is once again very honored to announce the continuation of The Monkees Friday Music 180 Gram Audiophile Series with the re-release of their 1969 masterwork Instant Replay. Mastered by Joe Reagoso (The Monkees/Elvis Presley/Brian Wilson) from the original Colgems Records tapes at Friday Music Studios, this first time audiophile vinyl release is also for a very short time being offered in limited edition red vinyl as well as a first time gatefold cover presentation.

    1. Through The Looking Glass
    2. Don't Listen To Linda
    3. I Won't Be The Same Without Her
    4. Just A Game
    5. Me Without You
    6. Don't Wait For Me
    7. You And I
    8. While I Cry
    9. Tear Drop City
    10. The Girl I Left Behind Me
    11. A Man Without A Dream
    12. Shorty Blackwell
    The Monkees
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Summer Days (And Summer Nights) Summer Days (And Summer Nights) Quick View

    $24.99
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    Summer Days (And Summer Nights)

    Ranked 270/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

    The follow-up to Today!, Summer Days (And Summer Nights) remained on the U.S. Charts for 33 consecutive weeks and made it all the way to #2. After the melancholy second side of Today!, Mike Love encouraged Brian Wilson to write more Beach-Boys signature fare which resulted in tracks like California Girls, Amusement Parks U.S.A., Then I Kissed Her and a re-worked version of Help Me, Rhonda.


    All 'From The Capitol Vaults' titles feature carefully replicated artwork and packaging true to their original single or gatefold jacket LP releases.

    1. The Girl From New York City
    2. Amusement Parks U.S.A.
    3. Then I Kissed Her
    4. Salt Lake City
    5. Girl Don't Tell Me
    6. Help Me, Rhonda
    7. California Girls
    8. Let Him Run Wild
    9. You're So Good To Me
    10. Summer Means New Love
    11. I'm Bugged at My Ol' Man
    12. And Your Dream Comes True
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Arms & Hands Arms & Hands Quick View

    $16.99
    Buy Now
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    Arms & Hands

    Cornetist and composer Kirk Knuffke is one of modern jazz's most skilled navigators of the divide between inside and outside, freedom and swing. On his latest album, Arms & Hands, he assembles the ideal trio to bridge that divide. Joined by bassist Mark Helias and drummer Bill Goodwin, along with special guests Brian Drye (trombone), Daniel Carter (alto saxophone), and Jeff Lederer (soprano/tenor saxophone), Knuffke creates a set of music that is both engaging and inventive.


    Helias is best known for his work with jazz experimentalists like Anthony Braxton, Cecil Taylor, Marilyn Crispell, and Gerry Hemingway, his band BassDrumBone with Hemingway and Ray Anderson, and his trio Open Loose with Tony Malaby and Tom Rainey. Goodwin, on the other hand, is recognized as a premiere straight-ahead drummer, through his decades-long relationship with saxophonist Phil Woods and credits that include such giants as Bill Evans, Tony Bennett, Dexter Gordon, Jim Hall, Gary Burton, and Art Pepper.
    The chemistry between the trio is irrefutable on Arms & Hands, which is a showcase for the immense creativity of all three musicians. Knuffke intentionally wrote compositions that took advantage of Goodwin's gift for groove and swing while remaining open enough to allow the improvisations to wander however far afield the moment might call for.


    Kirk Knuffke is a prolific composer and improviser who has worked with a host of incredible musicians including Roswell Rudd, William Parker, Uri Caine, Myra Melford, Allison Miller, Steve Swell, John Zorn, Dave Douglas, Billy Hart, Steven Bernstein, and Mary Halvorson. Internationally, he has played with ensembles at jazz festivals in Saalfeldan Austria, Willisau Switzerland, The North Sea Jazz festival in Holland, The Moers festival as well as festival dates in Canada, Mexico, Italy and France. He is currently a member of the Matt Wilson Quartet. Knuffke is also a member of the Mark Helias Quartet, the Andrew D'angelo Big Band, Josh Roseman's Extended Constellations, Kenny Wollesen's Wollesonic and Allison Miller's Boom tic Boom. Knuffke's leader debut, Big Wig, was released by Clean Feed in 2008, followed by the trio recordings Chew Your Food and Amnesia Brown and the quartet album Chorale. He has also recorded several duo CDs with pianist Jesse Stacken and one with percussionist Mike Pride, and co-led the collaborative trio Sifter with Mary Halvorson and Matt Wilson and a quartet with saxophonist Ted Brown.

    1. Safety Shoes
    2. Bright Light
    3. Pepper
    4. Chirp
    5. Umbrella
    6. Next
    7. Arms & Hands
    8. Bonderizer
    9. Atessa
    10. Thanks A Lot
    Kirk Knuffke
    $16.99
    Vinyl LP - Sealed Buy Now
  • Brian Wilson Brian Wilson Quick View

    $29.99
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    Brian Wilson

    25th Anniversary of Brian Wilson's classic Masterpiece For The First Time Ever on 180 Gram Audiophile Translucent Blue Vinyl


    Mastered From Original Sire Records Tapes by Joe Reagoso


    Brian Wilson is a brilliant recording that truly resonates in the audiophile vinyl domain. To celebrate this 25th Anniversary limited edition album, Brian Wilson will be released with a gatefold cover, which features the original artwork elements from rare inner sleeve, lyrics and photos, as well as Brian Wilson's special notes from the original artwork.


    For this masterwork, the legendary Brian Wilson performs a number of his future classics like his hit single Love And Mercy and brilliantly melodic tunes like his much loved Melt Away. Some of his Beach Boys roots are felt as well with stunning tracks like Baby Let Your Hair Grow Long and Meet Me In My Dreams Tonight. Jeff Lynne is featured for one of the finest collaborative efforts ever between two legends with the stellar Let It Shine.

    1. Love and Mercy
    2. Walkin' the Line
    3. Melt Away
    4. Baby Let Your Hair Grow Long
    5. Little Children
    6. One for the Boys
    7. There's So Many
    8. Night Time
    9. Let It Shine
    10. Meet Me In My Dreams Tonight
    11. Rio Grande
    Brian Wilson
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • All Summer Long (Mono) All Summer Long (Mono) Quick View

    $39.99
    Buy Now
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    All Summer Long (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena - Beatlemania - and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak. - Amazon.com


    This title is not eligible for discount.

    1. I Get Around
    2. All Summer Long
    3. Hushabye
    4. Little Honda
    5. We'll Run Away
    6. Carl's Big Chance
    7. Wendy
    8. Do You Remember?
    9. Girls On The Beach
    10. Drive-In
    11. Our Favorite Recording Sessions
    12. Don't Back Down
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Smiley Smile Smiley Smile Quick View

    $39.99
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    Smiley Smile

    Stereo Edition Of Smiley Smile, Released On Vinyl For The First Time!


    Smiley Smile Stereo Mix Created Between 2005 And 2012 Using The First Generation Basic Tracking Session Multitracks, Synced With The Overdubs That Were Later Added On Second And Third Generation Masters, To Create The First True Stereo Mixes


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    First mixed and released in stereo for the first time in 2012. These stereo mixes were created using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes. The exception is Good Vibrations, which is a computer-generated stereo mix by Derry Fitzgerald. A remix in stereo wasn't possible because the original multi-track tape has never been located. The stereo mixes for Today!, Summer Days (And Summer Nights!!), Beach Boys' Party! and Smiley Smile were produced and mixed by Mark Linett, and co-produced by Alan Boyd.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    After the much-discussed, uncompleted Smile project - which was supposed to take the innovations of Pet Sounds to even grander heights - collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes AllMusic.com


    For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. 'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time. - AllMusic.com


    This title is not eligible for discount.

    1. Heroes And Villains
    2. Vegetables
    3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
    4. She's Goin' Bald
    5. Little Pad
    6. Good Vibrations
    7. With Me Tonight
    8. Wind Chimes
    9. Getting' Hungry
    10. Wonderful
    11. Whistle In
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfin' Safari Surfin' Safari Quick View

    $32.99
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    Surfin' Safari

    Peaking at number 32 on the album charts, Surfin' Safari was the Beach Boys' 1962 debut LP. The original 12-song track list, found here on side A, features the band's first two singles-"Surfin'" and "Surfin' Safari", while side B is made up primarily of rare outtakes from their 1961-62 Candix studio sessions. The two tracks, Barbie and What Is a Young Girl Made Of? were actually issued as a single in early 1962 under the name of Kenny & The Cadets, and feature a 20-year-old Brian Wilson on lead vocals.
    1. Surfin' Safari
    2. County Fair
    3. Ten Little Indians
    4. Chug-A-Lug
    5. Little Miss America
    6. 409
    7. Surfin'
    8. Heads You Win-Tails I Love
    9. Summertime Blues
    10. Cuckoo Clock
    11. Moon Dawg
    12. The Shift
    13. Land Ahoy
    14. Cindy, Oh Cindy
    15. Barbie
    16. What Is A Young Girl Made Of
    17. Surfin' Safari (Candix Session)
    18. Surfer Girl (Candix Master)
    19. Judy (Candix Session)
    20. Karate (Candix Session)
    21. Surfin' (First Attempt)
    22. Luau (First Attempt)
    23. Lavender (Demo)
    Beach Boys
    $32.99
    180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Buy Now
  • Pet Sounds Pet Sounds Quick View

    $39.99
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    Pet Sounds

    Stereo Edition Of Pet Sounds, Released On Vinyl For The First Time!


    Stereo Mix Produced By Mark Linett Under The Supervision Of Brian Wilson / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    It was Pet Sounds that blew me out of the water I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album. - Paul McCartney


    All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one. - Eric Clapton


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson - famed co-founder, songwriter and arranger - who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.


    This title is not eligible for discount.

    1. Wouldn't It Be Nice
    2. You Still Believe Me
    3. That's Not Me
    4. Don't Talk (Put Your Head On My Shoulder)
    5. I'm Waiting For The Day
    6. Let's Go Away For Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There's An Answer
    10. Here Today
    11. I Just Wasn't Made For These Times
    12. Pet Sounds
    13. Caroline No
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pure Phase Pure Phase Quick View

    $32.99
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    Pure Phase

    1995's Pure Phase was Spiritualized's eagerly awaited second album. Pure Phase showcases both a more symphonic sound as well as a dreamy rock grandeur. Think of Brian Wilson and La Monte Young recording together and you'll have a good idea of the Spiritualized totality here. Pure Phase is both beautiful and innovative; more than just psychedelic, it's celestial.
    1. Medication
    2. The Slide Song
    3. Electric Phase
    4. All of My Tears
    5. These Blues
    6. Let It Flow
    7. Take Good Care of It
    8. Born, Never Asked
    9. Electric Mainline
    10. Lay Back in the Sun
    11. Good Times
    12. Pure Phase
    13. Spread Your Wings
    14. Feel Like Goin' Home
    Spiritualized
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • 15 Big Ones 15 Big Ones Quick View

    $24.99
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    15 Big Ones

    15 Big Ones is the twentieth studio album by American rock group The Beach Boys released in July 1976. It was their first studio album since Holland three years earlier, and the first produced by Brian Wilson since Pet Sounds ten years earlier. With Blondie Chaplin and Ricky Fataar having left the group, 15 Big Ones marks the first album to feature the classic five-piece lineup of the Beach Boys (brothers Brian, Carl, and Dennis Wilson; cousin Mike Love; and friend Al Jardine) since 1965's The Beach Boys Today!
    1. Rock And Roll Music
    2. It's OK
    3. Had To Phone Ya
    4. Chapel Of Love
    5. Everyone's In Love With You
    6. Talk To Me
    7. That Same Song
    8. TM Song
    9. Palisades Park
    10. Susie Cincinnati
    11. A Casual Look
    12. Blueberry Hill
    13. Back Home
    14. In The Still Of The Night
    15. Just Once In My Life
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • West Of The West West Of The West Quick View

    $22.99
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    West Of The West

    Dave Alvin's home state of California has produced countless songwriters of varying musical genres. In an homage to some of those greats, West Of The West showcases Dave Alvin performing some of his favorites. Featuring songs by Merle Haggard, Tom Waits, John Fogerty, Jerry Garcia, Brian Wilson and more, the album also includes his original work "Between The Cracks" co-written with California native Tom Russell and bonus track "Boss" previously unavailable with this release.
    1. California Bloodlines
    2. Redneck Friend
    3. Kern River
    4. Blind Love
    5. Here in California

    6. I Am Bewildered
    7. Sonora's Death Row
    8. Down on the Riverbed
    9. Between the Cracks
    10. Don't Look Now
    11. Tramps and Hawkers
    12. Loser
    13. Surfer Girl
    Dave Alvin
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Beach Boys' Christmas Album The Beach Boys' Christmas Album Quick View

    $24.99
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    The Beach Boys' Christmas Album

    Digitally remastered edition of the original holiday album by Brian Wilson and the boys. With this release, the album is returned to its original form with no
    additional bonus tracks, but what a treat it is. No holiday is complete without harmony-laden Pop/Rock tunes like 'Little Saint Nick', 'Santa's Beard' and
    'Man With All The Toys'. This album gets better with time, just like dear ol' Santa himself!
    1. Little Saint Nick
    2. The Man With All The Toys
    3. Santa's Beard
    4. Merry Christmas, Baby
    5. Christmas Day
    6. Frosty The Snowman
    7. We Three Kings Of Orient Are
    8. Blue Christmas
    9. Santa Claus Is Comin' To Town
    10. White Christmas
    11. I'll Be Home For Christmas
    12. Auld Lang Syne
    Beach Boys
    $24.99
    Vinyl LP Mono - Sealed Buy Now
  • Prints Prints Quick View

    $14.99
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    Prints

    This duo consists of multi-instrumentalist Kenseth Thibideau (Tarentel, Sleeping People, Pinback) and Zac Nelson (Who's Your Favorite Son God). Merging the eclectic instrumentation of Talking Heads with the ethereal vocals of Peter Gabriel, the two mingle the precision of Brian Eno with the jubilance of Brian Wilson. Unvarnished performances and otherworldly themes. The lyrics create a lucid, dreamlike environment, marrying disparate images into fantastic and sometimes comical scenarios. "Prints" is that rarest of pop records, consistently rewarding with repeated listens.



    1.Easy Magic

    2.Too Much Water

    3.Pretty Tick

    4.Meditation

    5.Blue Jay

    6.I Wanna Know

    7.All We Knead

    8.End

    Prints
    $14.99
    Vinyl LP - Sealed Buy Now
  • Surfer Girl (Mono) Surfer Girl (Mono) Quick View

    $39.99
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    Surfer Girl (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    This title is not eligible for discount.

    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe
    7. In My Room
    8. Hawaii
    9. Surfer's Rule
    10. Our Car Club
    11. Your Summer Dream
    12. Boogie Woodie
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Fluff Fluff Quick View

    $18.99
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    Fluff

    Brimming with creativity, "Fluff" is the debut album from singer-songwriter Andy Gabbard (Buffalo Killers). This is "Modern Grunge Fuzz Pop with 60's aura". On "Fluff" you can hear the deeply-solid effects of the grunge genre and mid-90's 'alternative music' in a sonic gestalt. Exhibiting characteristics of fairly recent genres, as well as some classics that surrounded him during his youth, the album breaks barriers of seemingly comfortable, unthreatening music cultivating a physical embodiment of Nirvana, Dinosaur Jr, latter Beatles and even Brian Wilson!
    1. Fluff
    2. Home Suite
    3. Supernational
    4. Everything She Does
    5. Octoman
    6. Lonely Girl
    7. LYSM
    8. More
    9. Look Not Sound
    10. Dreams
    11. DDS
    Andy Gabbard
    $18.99
    Vinyl LP - Sealed Buy Now
  • Lycka Lycka Quick View

    $24.99
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    Lycka

    'Lycka' is a 1970 album released by folk/rock duo Björn Ulvaeus & Benny Andersson, who later became the male half of ABBA. Most of the songs feature lead vocals by Björn. The songs show the influence of Brian Wilson, Ticketto Ride era Beatles & traditional Swedish folk music. Lycka was produced by Björn & Benny with Bengt Bernhag &engineered by Michael B. Tretow. Benny & Björn played on the tracks with two Swiss musicians, drummer John Counz & bassist Gus Horn.
    1. Lycka
    2. Nånting Är på vÄg
    3. KÄra gamla sol
    4. Det dÄr med kÄrlek
    5. VÄlkommen in i gÄnget
    6. Lilla du, lilla vÄn
    7. Hej gamle man
    8. Liselott
    9. Kalles visa
    10. Ge oss en chans
    11. Livet går sin gång
    Bjorn Ulvaeus & Benny Andersson
    $24.99
    Vinyl LP - Sealed Buy Now
  • L.A. L.A. Quick View

    $24.99
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    L.A.

    L.A. (Light Album) is the twenty-third studio album by The Beach Boys, released on March 19, 1979. Produced by Bruce Johnston, James William Guercio and the band itself, the album was The Beach Boys' first on CBS Records, and the first to feature contributions from Johnston since his departure from the band in 1972. Johnston was brought in when it became clear that the ailing Brian Wilson was in no fit state to produce the album, and has remained in the band ever since.
    1. Good Timin
    2. Lady Lynda
    3. Full Sail
    4. Angel Come Home
    5. Love Surrounds Me
    6. Sumahama
    7. Here Comes the Night
    8. Baby Blue
    9. Goin' South
    10. Shortenin' Bread
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfin' USA (Picture Disc) Surfin' USA (Picture Disc) Quick View

    $32.99
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    Surfin' USA (Picture Disc)

    Doxy present a picture disc reissue of The Beach Boys's Surfin' USA, originally released in 1963. Surfin' USA is the second studio album from The Beach Boys. Though not yet fully formed, the genius that Brian Wilson had on display on 1965's Pet Sounds was beginning to show through here, as he began experimenting with double tracked vocals and took a stronger production role overall. Featuring the classic title track, as well as Shut Down, their version of Misirlou, and the timeless cover photo of surfing legend Les Williams riding a monster wave, Surfin' USA is a stone surf classic.
    1. Surfin' U.S.A.
    2. Farmer's Daughter
    3. Misirlou
    4. Stoked
    5. Lonely Sea
    6. Shut Down
    7. Noble Surfer
    8. Honky Tonk
    9. Lana
    10. Surf Jam
    11. Let's Go Trippin'
    12. Finders Keepers
    Beach Boys
    $32.99
    Vinyl LP Picture Disc - Sealed Buy Now
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