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  • British Steel British Steel Quick View

    $19.99
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    British Steel

    British Steel is the sixth album by the British heavy metal band Judas Priest, originally released on 14 April 1980.
    1. Breaking the Law
    2. Rapid Fire
    3. Metal Gods
    4. Grinder
    5. United
    6. Living After Midnight
    7. You Don't Have to Be Old to Be Wise
    8. The Rage
    9. Steeler
    Judas Priest
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wheels Of Steel Wheels Of Steel Quick View

    $24.99
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    Wheels Of Steel

    Saxon, over the decades have gone from being pioneers of the New Wave Of British Heavy Metal, to becoming one of the most successful UK rock acts of all time. The truth, though, is that Saxon have always transcended trends and eras. From 1979's 'Saxon' album to new album 'Thunderbolt', the band have enjoyed considerable success. Five Top 40 albums in the UK, with four Top 20 singles. And they were similarly successful in other parts of the world as well. It's no wonder their influence spread across the globe, and played a crucial role in the way we look at hard rock and heavy metal today.


    Saxon's second album, Wheels Of Steel was originally released in 1980 and propelled the band to stardom, going gold in the UK and spawning two top 40 singles - '747 (Strangers In The Night) and Wheels Of Steel', which have remained live favourites to this day. Wheels Of Steel is hailed as a heavy metal classic and a genre defining moment.


    This version includes some rare demos and live tracks from the inaugural Monsters Of Rock festival, held at Castle Donington in 1980.

    1. Motorcycle Man (2009 Remastered Version)
    2. Stand Up and Be Counted (2009 Remastered Version)
    3. 747 (Strangers in the Night) (2009 Remastered Version)
    4. Wheels of Steel (2009 Remastered Version)
    5. Freeway Mad (2009 Remastered Version)
    6. See the Light Shining (2009 Remastered Version)
    7. Street Fighting Gang (2009 Remastered Version)
    8. Suzie Hold On (2009 Remastered Version)
    9. Machine Gun (2009 Remastered Version)
    Saxon
    $24.99
    Vinyl LP - Sealed Buy Now
  • Point Of Entry Point Of Entry Quick View

    $19.99
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    Point Of Entry

    Point of Entry is the seventh album from the British heavy metal band Judas Priest. It was originally released on 26 February 1981.


    In 1980 Judas Priest garnered some airplay with Breaking the Law and Living After Midnight from their album British Steel. As a result, the band pursued a more radio-friendly direction on Point of Entry.


    Following the conclusion of the British Steel World Tour, the band began work on their next project. By this time, they had sufficient funds to fly all their equipment to the huge, state-of-the-art Ibiza Studios in Spain. This gave Point Of Entry a louder, stronger, more live sound than previous Judas Priest albums.

    1. Heading Out to the Highway
    2. Don't Go
    3. Hot Rockin'
    4. Turning Circles
    5. Desert Plains
    6. Solar Angels
    7. You Say Yes
    8. All the Way
    9. Troubleshooter
    10. On the Run
    Judas Priest
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Redeemer Of Souls Redeemer Of Souls Quick View

    $33.99
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    Redeemer Of Souls

    CLASSIC JUDAS PRIEST METAL ON THE WAY WITH THEIR 17TH ALBUM 'REDEEMER OF SOULS'


    There are only a select number of bands that have accomplished what Judas Priest has throughout their career (as well as having served as a stylistic influence on such a wide variety of bands). Soon the group - singer Rob Halford, guitarists Glenn Tipton and Richie Faulkner, bassist Ian Hill and drummer Scott Travis - will be offering up more classic Judas Priest metal with the release of 'Redeemer of Souls'


    'Redeemer of Souls' is Judas Priest's latest collection of epic metal - raising the bar is consistent for us and 'Redeemer' hits the ground running - it matches up perfectly to earlier Priest classics as evidenced by the album's leadoff single 'March of the Damned'
    (we are forging ahead, slamming the pedal to the metal!) - the band mean business once again.


    We feel 'Redeemer of Souls' reinforces our passion for what we believe in from the Judas Priest style heavy metal. The album also marks Richie Faulkner's studio debut with Priest and is the co-writer of the material along with Glenn Tipton and Rob Halford.


    First bursting onto the scene with 1974's 'Rocka Rolla' Judas Priest is responsible for some of heavy metal's all-time great albums - 1980's 'British Steel', 1982's 'Screaming for Vengeance', 1990's 'Painkiller' etc - and anthems 'Breaking the Law', 'Living After Midnight', 'You've Got Another Thing Coming' etc - as well as trailblazing metal's now instantly identifiable look - leather and studs - 2014 marks the 40th anniversary of the band.


    And while fans are undoubtedly starved for more Priest (their last studio album 'Nostradamus' was released in 2008) the band themselves are eager for the world to hear their latest studio triumph. Classic combination of all the statements we love to create with raging guitar riffs and solos, thundering drums, thick grooves of bass and vocals tearing it all up!

    LP 1
    1. Dragonaut
    2. Redeemer of Souls
    3. Halls of Valhalla
    4. Sword of Damocles
    5. March of the Damned
    6. Down in Flames
    7. Hell & Back


    LP 2
    1. Cold Blooded
    2. Metalizer
    3. Crossfire
    4. Secrets of the Dead
    5. Battle Cry
    6. Beginning of the End

    Judas Priest
    $33.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Screaming For Vengeance (Awaiting Repress) Screaming For Vengeance (Awaiting Repress) Quick View

    $24.99
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    Screaming For Vengeance (Awaiting Repress)

    Screaming for Vengeance on Numbered Limited Edition LP from Mobile Fidelity Silver Label


    Double-Platinum 1982 Blockbuster Remains Judas Priest's Most Commercially Successful LP


    Includes Electric Eye, Screaming for Vengeance, You've Got Another Thing Comin'


    Dual Magnesium-Burn Guitars, Leather-Tough Percussion, Molten-Hot Melodies Help Form Triangular Equilibrium of Speed, Accessibility, and Attitude


    Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI


    You've got another thing comin'! Distinguished by dual magnesium-burn guitars, leather-tough percussion, molten-hot melodies, and the unmistakable piercing falsetto of operatic vocalist, Screaming for Vengeance became the soundtrack to millions of music lovers' lives in the early 1980s as Judas Priest continued to lay waste to its contemporaries' softer, cheesier hard-rock styles. An effort on which precision-based speed, mainstream accessibility, and resilient attitude meet in triangular equilibrium, the 1982 set remains the British metal legends' top-selling record.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Series numbered limited edition LP shows off the grand intersection of daring adventure and commercial purpose achieved via ironclad production values and entrenched grooves. The latter particularly benefit from this analog pressing, as the group never overlooks the importance of rhythm and pace even when stoking tempos to engine-combusting levels. Leagues ahead of the sonics gracing its peers' albums from the time, the sense of balance, separation, and realism is on par with that of big-budget rock creations.


    Staked by the breakout "You've Got Another Thing Comin'," which burns white-hot with foot-pounding riffs, prize-fighting percussion, and singer Rob Halford's gun-for-hire blare, Screaming for Vengeance clutches hold of the jugular and doesn't let go. A return to the band's gritty, purist roots, the record revisits the themes of darkness, menace, and the unknown firmly established on the pioneering Stained Class and Killing Machine. Along with those albums, and British Steel, Screaming for Vengeance is the template for the catchy albeit uncompromisingly heavy crossover success Metallica, Megadeth, and Anthrax enjoyed years later.


    With the one-two opening tandem of the instrumental "The Hellion" and stomping "Electric Eye," overseen by Halford as if he's embodying the persona of a wicked James Bond villain, Priest sounds utterly futuristic and terrifying, the instruments seemingly on a swivel and the sawed-off tones flooding the guitar solos with intimidation. A classic head-out-to-the highway anthem ("Riding on the Wind"), a racing proto-thrash banger ("Screaming for Vengeance"), and a scorching exorcism ("Devil's Child") function as the metal-hued bolts that hold the foundations of this Top 20-charting benchmark in place.


    Perhaps more so here than on any other record, Priest spit-shines hooks and collusive six-string harmonic leads to perfection, giving listeners ying-yang doses of pain and pleasure, sweet and bitter. Songs at once invite sing-a-longs and fist-pumping responses. Screaming for Vengeance marked the last time Priest would sound this heavy in the 80s. No wonder it was voted the 12th best metal album of all time in Martin Popoff's definitive book of the same name.


    This title is not eligible for discount.

    1. The Hellion
    2. Electric Eye
    3. Riding on the Wind
    4. Bloodstone
    5. (Take These) Chains
    6. Pain and Pleasure
    7. Screaming for Vengeance
    8. You've Got Another Thing Comin'
    9. Fever
    10. Devil's Child
    Judas Priest
    $24.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Don't Cry Now (Awaiting Repress) Don't Cry Now (Awaiting Repress) Quick View

    $34.99
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    Don't Cry Now (Awaiting Repress)

    After her breakthrough on Capitol Records with The Stone Poneys (Different Drum) plus some acclaimed solo releases, Linda Ronstadt jumped to David Geffens bourgeoning Asylum roster, joining The Eagles and Jackson Browne to form the genesis of the California Country-Rock sound.


    Dont Cry Now, her first for Asylum was released in 1973 and would help solidify Ronstadt as one of the premiere female pop vocalists for the next two decades. This is one of the most exceptional sounding female vocalist recordings of the 1970's.


    Various tracks were produced by John Boylan, J. D. Souther; and, for the first time in what would be a long and highly successful relationship, British musician (Peter & Gordon) Peter Asher. The album spent more than a year on the Billboard chart and peaked at No. 45. Featured hit singles are the Eagles' Desperado, Bonnie Raitts Love Has No Pride, Randy Newmans sly observation on slavery and southern culture Sail Away plus a nod to both Dusty Springfield and the Grand Ole Opry with Silver Threads and Golden Needles.


    Guest appearances include guitar work by both the Eagles Glenn Frey and super-sessionman Larry Carlton, plus harmonica by the Nitty Gritty Dirt Bands Jimmy Fadden, bass and drums by L.A.A-teamers Lee Sklar and Russ Kunkel respectively, plus last but certainly not least, the legendary Sneeky Pete adding his tasteful pedal steel throughout.


    This title is not eligible for discount.

    1. I Can Almost See It
    2. Love Has No Pride
    3. Silver Threads And Golden Needles
    4. Desperado
    5. Don't Cry Now
    6. Sail Away
    7. Colorado
    8. The Fast One
    9. Everybody Loves A Winner
    10. I Believe In You
    Linda Ronstadt
    $34.99
    Gain 2 Ultra Analog 180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • The King's Gift The King's Gift Quick View

    $19.99
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    The King's Gift

    A Christmas album of Celtic carols, The King's Gift ("Tiodhlac An Righ," in Gaelic) pays tribute to an ancient genre and transports the listener to a time of mystery and valor. Last Christmas (2012), Trace's Celtic version of "We Three Kings" was released and will be featured on the album.


    Esteemed guests join Adkins on his first-ever holiday album since his Platinum debut sixteen years ago. Guests include renowned Irish ensemble, The Chieftains; Scottish vocalist Alyth McCormack, British folk/pop star Emma Stevens, multi-award winning family group, The Isaacs; Kevin Costner and daughter Lily Costner; and legendary drummer Kenny Aronoff. The keyboards, acoustic, steel and bass guitars of American folk music harmonize with the weissenborn, mandolin, uilleann pipe, penny whistle, violin, viola, cello, harp, and organ.


    "The Christmas Show" Tour begins a new Adkins holiday tradition for years to come. Envisioned as a theatrical production, Trace will alternate between fireside story-telling of anecdotes (both personal and historical) and performances of classic carols with a 12 piece ensemble - a quartet string section, female vocalists and a range of traditional instruments. The tour is inspired by Adkins' annual hosting duties at Disney World's Candlelight Processional, where his deep baritone narrates Christmas stories, while a full choir and orchestra performs. It has always been a highlight of Trace's year and he is thrilled to bring his own unique version of this concept on tour.

    1. Wexford Carol
    2. Tannenbaum
    3. O' Come Emmanuel (with Emma Stevens)
    4. Away In A Manger
    5. I Saw Three Ships (w. The Chieftains feat. Alyth McCormack)
    6. Silent Night (w. Kevin and Lily Costner)
    7. We Three Kings (w. Sonya Isaacs)
    8. Drummer Boy (w. Kenny Aronoff)
    9. Oh Holy Night (w. The Isaacs)
    10. What Child Is This
    Trace Adkins
    $19.99
    Vinyl LP - Sealed Buy Now
  • Hoodoo Hoodoo Quick View

    $23.99
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    Hoodoo

    1st Time Officially Released On LP In North America


    Hoodoo is the third studio album by British singer-songwriter Alison Moyet. It was originally released in 1991, reached No. 11 in the UK and features the singles It Won't Be Long, Wishing You Were Here, Hoodoo, and This House.


    Largely produced by Pete Glenister, the album includes contributions from Kirsty MacColl, Steve Lillywhite, Marius De Vries, and ex-Fine Young Cannibals Andy Cox and David Steele.

    1. Footsteps
    2. It Won't Be Long
    3. This House
    4. Rise
    5. Wishing You Were Here
    6. (Meeting With My) Main Man
    7. Hoodoo
    8. Back Where I Belong
    9. My Right A.R.M.
    10. Never Too Late
    11. Find Me
    Alison Moyet
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • FRKWYS Vol. 11 - Contos De Lisboa FRKWYS Vol. 11 - Contos De Lisboa Quick View

    $23.99
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    FRKWYS Vol. 11 - Contos De Lisboa

    For the the eleventh volume of FRKWYS, an unrestricted series pairing contemporary
    artists with their influential predecessors, gifted guitar squire Steve Gunn meets roving,
    radiating legend Mike Cooper in Lisbon, Portugal.


    Sharing their vision over lengthy living room guitar sessions and evenings of cold wine
    in Fado taverns, Gunn and Cooper created Cantos de Lisboa, an album with variable
    vernacular shades and musical forms from Portugal's antiquity.


    Cantos means "corner" in Portuguese, as well as "chant" or "song" (this latter meaning
    evolved from the Latin antecedent referring to stanzas of verse in poetry). For two artists
    whose roots lie in the country blues and its subverted offshoots, the proverbial "corner"
    is actually home, the undisturbed spot where music can flourish.


    A tranquil interlude for these two travellers to create off-guard improvisations in their
    shared style of deconstructed guitar music, Cantos de Lisboa is a curious detail in the
    periphery of their snapshot of Portugal.


    In his fifty-year-plus career, Cooper's global ventures have transported his music to
    exotic locales parallel to Lisbon. 2004's Rayon Hula musically translated the patterned
    flora of aloha shirts (Cooper's signature garment) as looped samples of famed Hawaiian
    vibraphone player Arthur Lyman for an avant vivified form of exotica.


    Rayon Hula signaled Cooper's vital re-emergence as a dexterous alchemist of slide
    guitar. Cooper's discography is colored with similar instances of casually conceptual,
    improvisatory guitar music, including his 1970 masterpiece Trout Steel (an album Gunn
    recalls in Cantos de Lisboa's liner notes as shaping his own ambitions and music).
    For his part, Gunn's path to Portugal was compelled by his kinship to Cooper and
    his ilk's experimentation with guitar-picked country blues and 70s British folk. Gunn's
    extracurricular immersion in free jazz and psychedelia, no doubt influenced by his
    Philadelphia upbringing and surroundings, ensures his playing never grits or grids and
    always soars to ecstatic heights.


    These musical emblems were gracefully memorialized on Gunn's celebrated Time
    Off (Paradise of Bachelors, 2013) and across a substantial catalog of solo, duo and
    ensemble work that resembles that of a veteran player more than a young guitar
    slinger.


    On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional
    music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into
    the music, while steering a wide berth from any bummer notes or pastiche. Cooper's
    sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn's
    ashen voice and steady strum lend an intensely organic feel to the album's improvisatory
    portraits.


    The latter half of Cantos de Lisboa echoes the "saudade" theme as referenced in
    the blissful opening track, Cooper's howl spiriting the Portuguese word that translates
    roughly into "loss" or "longing." Saudade is said to be the core feature of Fado music. In
    Cantos de Lisboa, Saudade becomes a spirit inhabiting the album's corners, but never
    disrupting the musicians' collaborative evocations.


    In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract,
    almost field recorded take on lap-steel and American Primitive guitar styles. For the
    brief idyll, Gunn and Cooper's collaboration is remarkably rich, marking their passage
    through Portugal not just as a time to revel in an ancient city, but a time for focused
    collaboration and creative consonance.

    1. Saudade Do Santos-o-Velho
    2. Pena Panorama
    3. Song For Charlie
    4. Pony Blues
    5. The Enchanted Moura
    6. Lampedusa 2013
    7. Saramago
    Mike Cooper & Steve Gunn
    $23.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Wishbone Wishbone Quick View

    $19.99
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    Wishbone

    Wishbone is the sophomore album from the British-born artist who calls New York City home. Recorded in Los Angeles with producer Ted Hutt (Gaslight Anthem, Lucero, Old Crow Medicine Show), the well crafted songs on Wishbone live up to the expectations put upon a young man the Wall Street Journal touted as a "promising talent" with "much more to say," after the release of his Liam Watson-produced debut album, A Winter Tale.


    On Wishbone Long taps into a broader pallete of emotions than he has on past releases, eschewing melancholy and eloquently channeling anger and frustration into gritty, hard driving guitar parts (the majority of which are played by Long) that compliment his rough-hewn vocals. Steel guitar provides an apt counter balance, adding a hint of twang and drawn out expanse to the urgency put forth in the lyrics. Throughout the album Long displays his deft control of melody and tone, well practiced over many years of prolific songwriting.

    1. Devil Moon
    2. She Won't Leave
    3. In Your Way
    4. Blood in the Orchard
    5. Help You Mend
    6. Making You Talk
    7. All My Brothers
    8. My Parade
    9. Yesterday Yesterday
    10. Waiting for Dawn
    11. Not Tonight, Not Today
    12. To the Light
    Bobby Long
    $19.99
    Vinyl LP - Sealed Buy Now
  • Some Girls Some Girls Quick View

    $24.99
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    Some Girls

    Ranked 269/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Stones' Classic Remastered on 180 gram LP


    Universal Music Group and The Rolling Stones present the remastered version of their groundbreaking 1978 album, Some Girls, which introduced the band to a whole new generation of fans. Justly considered one of the finest works by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Ronnie Wood, Some Girls topped the US charts over three decades ago and remains the best selling album of their storied career.


    Some Girls is the Rolling Stones' most direct and diverse collection of material from Mick Jagger's irresistible falsetto on the four-on-the-floor filler Miss You, their eighth U.S. #1, to the country-flavored Far Away Eyes via the Chuck Berry meets punk snarl of Respectable. And let's not forget the sensuous, Beast of Burden, one of Keith Richards' finest tunes, which reached #8 on the U.S. singles chart, the garage rocker Shattered, the albums' third U.S. Top 40 entry, and the soulful swagger of the group's version of The Temptations' Just My Imagination, another timeless offering in their canon of classic Stones Motown covers.


    Following the critical praise and commercial success afforded the re-mastered, expanded editions of Exile On Main Street, which matched the chart performance of the epochal 1972 album, and returned the Rolling Stones to their rightful place at the top of the British charts in 2010, the extensive reissue of Some Girls constitutes the next step in the band's ongoing relationship with Universal Music Group.


    Some Girls holds a special place in the history of the Rolling Stones and demonstrates why they remain one of the most thrilling and influential bands of all time. The 1978 album features the Keith Richards' classic Before They Make Me Run, a signature song he still performs defiantly to this day. Some Girls documented Mick Jagger's love of 1970's funk reflected in Miss You, the dance track that wrong footed many people, made the club and black charts, and made it okay for other mainstream acts at the time to 'go disco'.


    The 1978 album also courted controversy because of Jagger's tongue-in-cheek lyrics on the title track, on Miss You and on Respectable, perceived as a retort to the punk and new wave groups who had borrowed so much attitude and copped so many anti-establishment moves from the Rolling Stones. Ironically, the furor around the elaborate Some Girls package, designed by Peter Corriston and featuring the band members in drag, a nod in the direction of the picture on the 1966 single Have You Seen Your Mother, Baby, Standing in the Shadow? and likenesses of Lucille Ball, Farrah Fawcett, Raquel Welch, Judy Garland and Marilyn Monroe that hadn't been legally cleared, necessitating a swift withdrawal and rethink.


    Some Girls demonstrated the distinctive and definitive riffing from Keith Richards, with its abundance of unstoppable licks and majestic power chords driving the band into its brand new musical direction. This album not only defined him and his playing, but also defined a new era for the Rolling Stones, with Richards since described as a sense of renewal. Some Girls marks the only other time since recording Satisfaction where Richards used an effects pedal to 'elevate' the sound.


    The album cemented the position of guitarist Ronnie Wood, who had joined in 1975, and added his trademark slide and pedal steel playing to several of the album's most memorable tracks, including When the Whip Comes Down and Shattered. He also co-wrote the Shattered B-side Everything Is Turning To Gold. Some Girls also marked a move to the Pathe Marconi Studios in Paris for the Glimmer Twins production team of Jagger and Richards. These factors helped what is arguably the group's most focused and dynamic album, driven by the sans pareil rhythm section of drummer Charlie Watts and bassist Bill Wyman.


    Some Girls featured fewer guest musicians than any Rolling Stones album since 1971, but the contributions keyboard-player Ian McLagan, Wood's bandmate in The Faces, saxophone-player Mel Collins, and harmonica player Sugar Blue (discovered busking on the Paris metro), made Miss You in particular sound brighter than ever.


    Thirty-three years on from its original release, the re-mastered vinyl edition of Some Girls shows exactly why the 1978 album has often been hailed as the equal of Exile On Main Street. The album stands as both a time capsule and a timeless listen and it features the band at their tightest and toughest, at their most vibrant and vital.

    1. Miss You
    2. When the Whip Comes Down
    3. Just My Imagination (Running Away With Me)
    4. Some Girls
    5. Lies
    6. Far Away Eyes
    7. Respectable
    8. Before They Make Me Run
    9. Beast of Burden
    10. Shattered
    The Rolling Stones
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Some Girls: Super Deluxe Edition Some Girls: Super Deluxe Edition Quick View

    $179.99
    Buy Now
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    Some Girls: Super Deluxe Edition

    Ranked 269/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Includes the Original Album Remastered on CD, a Bonus CD with Extras Unearthed by Producer Don Was, a 7 Single, DVD, Unseen Photos by Helmut Newton and an Essay by Anthony DeCurtis


    Universal Music Group and The Rolling Stones present the remastered, expanded, Super-Deluxe edition of their groundbreaking 1978 album, Some Girls, which introduced the band to a whole new generation of fans. Justly considered one of the finest works by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Ronnie Wood, Some Girls topped the US charts over three decades ago and remains the best selling album of their storied career.


    In addition to the remastered album on CD and some undiscovered gems recently unearthed from the Rolling Stones vaults by producer Don Was, the Super Deluxe Edition of Some Girls will include a stunning, previously unseen Helmut Newton photo session from 1978, an essay by esteemed author and journalist Anthony DeCurtis putting the album in its cultural context, a 7 vinyl single of Beast of Burden b/w When The Whip Comes Down in its banned sleeve and Ken Regan shots from the era.


    Some Girls is the Rolling Stones' most direct and diverse collection of material from Mick Jagger's irresistible falsetto on the four-on-the-floor filler Miss You, their eighth U.S. #1, to the country-flavored Far Away Eyes via the Chuck Berry meets punk snarl of Respectable. And let's not forget the sensuous, Beast of Burden, one of Keith Richards' finest tunes, which reached #8 on the U.S. singles chart, the garage rocker Shattered, the albums' third U.S. Top 40 entry, and the soulful swagger of the group's version of The Temptations' Just My Imagination, another timeless offering in their canon of classic Stones Motown covers.


    Following the critical praise and commercial success afforded the re-mastered, expanded editions of Exile On Main Street, which matched the chart performance of the epochal 1972 album, and returned the Rolling Stones to their rightful place at the top of the British charts in 2010, the extensive reissue of Some Girls constitutes the next step in the band's ongoing relationship with Universal Music Group.


    Some Girls holds a special place in the history of the Rolling Stones and demonstrates why they remain one of the most thrilling and influential bands of all time. The 1978 album features the Keith Richards' classic Before They Make Me Run, a signature song he still performs defiantly to this day. Some Girls documented Mick Jagger's love of 1970's funk reflected in Miss You, the dance track that wrong footed many people, made the club and black charts, and made it okay for other mainstream acts at the time to 'go disco'.


    The 1978 album also courted controversy because of Jagger's tongue-in-cheek lyrics on the title track, on Miss You and on Respectable, perceived as a retort to the punk and new wave groups who had borrowed so much attitude and copped so many anti-establishment moves from the Rolling Stones. Ironically, the furor around the elaborate Some Girls package, designed by Peter Corriston and featuring the band members in drag, a nod in the direction of the picture on the 1966 single Have You Seen Your Mother, Baby, Standing in the Shadow? and likenesses of Lucille Ball, Farrah Fawcett, Raquel Welch, Judy Garland and Marilyn Monroe that hadn't been legally cleared, necessitating a swift withdrawal and rethink.


    Some Girls demonstrated the distinctive and definitive riffing from Keith Richards, with its abundance of unstoppable licks and majestic power chords driving the band into its brand new musical direction. This album not only defined him and his playing, but also defined a new era for the Rolling Stones, with Richards since described as a sense of renewal. Some Girls marks the only other time since recording Satisfaction where Richards used an effects pedal to 'elevate' the sound.


    The album cemented the position of guitarist Ronnie Wood, who had joined in 1975, and added his trademark slide and pedal steel playing to several of the album's most memorable tracks, including When the Whip Comes Down and Shattered. He also co-wrote the Shattered B-side Everything Is Turning To Gold. Some Girls also marked a move to the Pathe Marconi Studios in Paris for the Glimmer Twins production team of Jagger and Richards. These factors helped what is arguably the group's most focused and dynamic album, driven by the sans pareil rhythm section of drummer Charlie Watts and bassist Bill Wyman.


    Some Girls featured fewer guest musicians than any Rolling Stones album since 1971, but the contributions keyboard-player Ian McLagan, Wood's bandmate in The Faces, saxophone-player Mel Collins, and harmonica player Sugar Blue (discovered busking on the Paris metro), made Miss You in particular sound brighter than ever.


    Thirty-three years on from its original release, the re-mastered expanded, Super Deluxe edition of Some Girls shows exactly why the 1978 album has often been hailed as the equal of Exile On Main Street. The album stands as both a time capsule and a timeless listen and it features the band at their tightest and toughest, at their most vibrant and vital.

    CD 1 (Some Girls Remastered)

    1. Miss You

    2. When the Whip Comes Down

    3. Just My Imagination (Running Away With Me)

    4. Some Girls

    5. Lies

    6. Far Away Eyes

    7. Respectable

    8. Before They Make Me Run

    9. Beast of Burden

    10. Shattered


    CD2 - Extras

    1. Claudine

    2. So Young

    3. Do You Think I Really Care?

    4. When You're Gone

    5. No Spare Parts

    6. Don't Be A Stranger

    7. We Had It All

    8. Tallahassee Lassie

    9. I Love You Too Much

    10. Keep Up Blues

    11. You Win Again

    12. Petrol Blues


    DVD


    7" Single

    A1. Beast of Burden

    B1. When the Whip Comes Down

    The Rolling Stones
    $179.99
    7 Vinyl LP + DVD + 2 CDs - Sealed Buy Now
  • Chromatics Chromatics Quick View

    $18.99
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    Chromatics

    When songwriter and producer Sam Genders last donned his Diagrams hat, captive listeners found themselves truly stunned by the Streatham Hill artist's imaginative and inventive arrangements that made up 2012s debut album Black Light. Having now upped sticks from his London lodgings and settled in Sheffield with a new lease of life and wife, fresh pastures and friendships are what form the heart of Diagrams' brand new album Chromatics.


    "Relationships are a constant thread. In all their frustrating, exciting, mundane, beautiful, wonderful, sexy, scary glory," reveals Genders of the album's themes. "And there's lots of hope in the songs. They shouldn't be taken too literally mind you in my head Chromatics is life in Technicolor; with all its ups and downs."


    Equally drawing inspiration from the writing on relationships by David Schnarch, Ester Perel and the book Division Street by Sheffield poet Helen Mort, whilst spending time in his own home studio for the first time, it's without doubt that the Steel city provided the ideal backdrop for Genders to write whenever the inspiration came and, essentially, whittle down the fifty or so tracks he had recorded as part of the album's creation. "There are woods over the road and a little garden out the back with a greenhouse, shed, and flower beds. Being in a new place has brought something special to the process. Sheffield is a very open and direct place and I'd say the songs are more that way too."


    Whilst Black Light fizzed with electronic effects, synth-bass, programmed beats and low-key funk grooves that brought about comparisons to the leftfield pop of Arthur Russell, Metronomy, Steve Mason and Hot Chip, it's without doubt that Genders' next offering falls closer to home comforts and marks the next step in Genders' renaissance. Take lead track 'Phantom Power'; it's the track which truly sums up what it's like to find yourself forever reassessing. "It's about feeling like you're losing a grip on your sanity at one moment, then feeling inspired and up for anything the next. Or frustration with yourself yet believing that it's possible to sort yourself out," explains Genders. Elsewhere 'You Can Talk To Me's delicate rolling melody and 'Serpent' once again showcase the playful, eclectic slant to Genders' songwriting prowess alongside an innate sense of crisp production and programming techniques.


    Never one to shirk away from those around him, Genders would be the first to call Diagrams, and particularly Chromatics, a collaborative process. Once again featuring a rolling cast of inspirational musicians the album includes vocals from, amongst friends and family members, The Smoke Fairies whilst the skilled brass and string arrangements come courtesy of Danyal Dhondy and Sam Ewens. 'London's greatest' drummers Karl Penney, and Cacophony drummer Fletcher Adams provide the beats whilst live band members Emma Black and Ben Malitskie lend their expertise of Baritone Saxophone and Viola. 'Brain' meanwhile, was co-written with long-time friend and collaborator Matt McKenzie and features an in utero recording of his son James' heartbeat.


    Yet it's the partnership with producer Leo Abrahams (Wild Beasts, David Byrne, Brian Eno, Jon Hopkins, Ed Harcourt, Marianne Faithful et al) that has truly brought Diagrams to life. After a long search, Abrahams was picked to piece all parts together and as a result Genders found himself writing songs that worked across a variety of production styles. "Leo's incredibly good at what he does and virtually all the impressive production and soundscaping is down to him. He's also an amazing guitarist and played some of my favourite guitar moments on the album."


    Who knows exactly what kind of relationships will inspire Genders next? Currently finding himself midst China's south central city of Changsha in Hunan as a Musician in Residence on behalf of the British Council and PRS foundation, life for Genders right now is all about new experiences, meeting new faces and learning from new friendships. "It feels like anything could happen from one day to the next. I'd like to record a Chinese version of 'Phantom Power' so that once I'm back in the UK I can reconnect with the music lovers I've met. I've heard lots of very poppy pop songs that incorporate both Chinese and English lyrics so I'd like to try my own twist on that."

    1. Phantom Power
    2. Gentle Morning Song
    3. Desolation
    4. Chromatics
    5. You Can Talk To Me
    6. Shapes
    7. Dirty Broken Bliss
    8. Serpent
    9. The Light & The Noise
    10. Brain
    11. Just A Hair's Breadth
    Diagrams
    $18.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • A Winter Tale A Winter Tale Quick View

    $19.99
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    A Winter Tale

    A Winter Tale is the highly anticipated debut studio album from British singer/songwriter/guitarist Bobby Long. Currently residing in New York City, the 24-year old Long has been writing finely-crafted songs since taking up the guitar at age 17; from then on he's been creating memorable songs inhabited by hauntingly poetic lyrics. After relocating to London from Wiltshire in the countryside of Southwest England, he became a fixture at London's open-mic nights while attending London Metropolitan University where he studied Music in Film and wrote his thesis on The Social Impact of American Folk Music.



    As Long became more entrenched in London's burgeoning open mic circuit, he met actor and fellow musician Robert Pattinson, who would go on to sing Let Me Sign (co-written by Long and friend Marcus Foster) over a crucial dramatic scene in the blockbuster film Twilight. The inclusion of the song in the film's soundtrack gave Long a head start on a legion of fans.



    A Winter Tale features Nona Hendryx (LaBelle) on backing vocals, B. J. Cole (Elton John, Sting) on pedal steel, and Icelandic singer Lay Low on several tracks. Produced by Grammy winner Liam Watson (The White Stripes)

    1. A Winter Tale
    2. Who Have You Been Loving?
    3. The Bounty of Mary Jane
    4. In The Frost
    5. Sick Man Blues
    6. Penance Fire Blues
    7. A Passing Tale
    8. Dead and Done
    9. Being a Mockingbird
    10. Two Years Old
    11. A Stranger Song
    Bobby Long
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Journey Man The Journey Man Quick View

    $35.99
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    The Journey Man

    "In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."


    Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"


    It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.


    But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.


    Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.


    Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.


    "I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."


    What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.


    Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.


    By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."


    Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).


    Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.


    A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.


    The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.


    Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.


    "I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."


    Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.


    'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.


    Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".


    And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.


    - Tim Barr, 2017

    LP 1
    1. Horizons (feat. Terri Walker & Swindle)
    2. Prism
    3. Mountains
    4. Castaway
    5. The Mirrored River


    LP 2
    1. I Adore You (w/ Ulterior Motive)
    2. I Think of You
    3. Truth (feat. Jose James)
    4. Redemption


    LP 3
    1. Tu Viens Avec Moi?
    2. The Ballad Celeste
    3. This Is Not A Love Song
    4. The River Mirrored (feat. Terri Walker)
    5. Triangle
    6. Tomorrow's Not Today
    7. Run Run Run

    Goldie
    $35.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Screaming For Vengeance (Picture Disc) (Out Of Stock) Screaming For Vengeance (Picture Disc) (Out Of Stock) Quick View

    $24.99
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    Screaming For Vengeance (Picture Disc) (Out Of Stock)

    30th Anniversary - Picture Disc Edition!


    The album was recorded at Ibiza Sound Studios, Ibiza, Spain and mixed at Beejay Recording Studios and Bayshore Recording Studios in Florida. It was first released on July 17, 1982. The album reached #11 in the UK and #17 on Billboard 200 Pop Albums and made Judas Priest much more popular than they were after their British Steel album. It went Gold (RIAA) on October 29, 1982, Platinum on April 18, 1983 and Double Platinum on October 16, 2001, being their first album to achieve the two latter awards.

    1. The Hellion
    2. Electric Eye
    3. Riding On The Wind
    4. Bloodstone
    5. (Take These) Chains
    6. Pain And Pleasure
    7. Screaming For Vengeance
    8. Youv'e Got Another Thing Coming
    9. Fever
    10. Devils Child
    Judas Priest
    $24.99
    Vinyl LP Picture Disc - Sealed Temporarily out of stock
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