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Buddy Guy And Junior Wells

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  • Alone & Acoustic Alone & Acoustic Quick View

    $20.99
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    Alone & Acoustic

    An acoustic blues tour-de-force from two of the biggest names in electric Chicago blues. Junior Wells passed away in 1998, but Buddy Guy reigns as the modern day King of the Chicago Blues. Alone & Acoustic has never been available on vinyl in the U.S.
    1. Give Me My Coat And Shoes
    2. Big Boat (Buddy And Junior's Thing)
    3. Sweet Black Girl
    4. Diggin' My Potatoes
    5. Don't Leave Me
    6. High Heel Sneakers
    7. Wrong Doing Woman
    8. Cut You Loose
    9. Sally Mae
    10. Catfish Blues
    11. My Home's In The Delta
    12. Boogie Chillen
    Buddy Guy & Junior Wells
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Going Back To Acoustic (Pure Pleasure) (Awaiting Repress) Going Back To Acoustic (Pure Pleasure) (Awaiting Repress) Quick View

    $34.99
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    Going Back To Acoustic (Pure Pleasure) (Awaiting Repress)

    Originally issued in France on Isabel Records 900.510 under the title "Going Back" this LP presents one of the best duos in the history of the blues, guitarist Buddy Guy and harmonica player Junior Wells. Over the years they made many recordings together but this one is unique. Recorded whilst on a 1981 tour of Europe, Guy and Wells took a break from their backing musicians and amps to cut this spontaneous, all acoustic set. The results stand in stark contrast to the steamy Chicago blues the duo is best known for. Instead these recordings are relaxed and personal, with an intimate, back porch feel. Guy switches between six and twelve string guitars, and lays down rootsy acoustic rhythms for Wells's tasteful harmonica lines. The two share vocal duties on the performances as they pay homage to the rural, country blues roots these modern bluesmen share.



    Musicians:



    • Buddy Guy (guitar, vocal)

    • Junior Wells (harmonica, vocal)



    Recording: May 1981 at Sysmo Studio, Paris
    Production: Didier Tricard




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    1. Boogie Chillen
    2. Im In The Mood
    3. Dont Leave Me
    4. Give Me My Coat And Shoes

    5. Medley:Baby What You Want Me To Do/Thats Allright
    6. Big Boat(Buddy and Juniors Thing)
    7. High Heel Sneakers
    8. My Home Is In The Delta
    9. Wrong Doing Woman
    10. Diggin My Potatoes
    Buddy Guy & Junior Wells
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Goin' Home Goin' Home Quick View

    $34.99
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    Goin' Home

    In a 20-year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently
    in-demand live act and an influential force in a worldwide resurgence of interest in the blues. Now, the five-time GRAMMY® nominee delivers one of his
    most personal projects to date with Goin' Home, his eighth album and his first to be recorded in his hometown of Shreveport, Louisiana. Recorded in a
    mere 11 days, Goin' Home finds Shepherd revisiting a dozen of the vintage blues classics that first ignited his love of the blues and inspired him to play
    guitar. The artist's sharp interpretive skills and sublime guitar work shine on his renditions of tunes originally popularized by such blues icons as B.B. King,
    Albert King, Freddie King, Muddy Waters, Magic Sam, Johnny Guitar Watson, Stevie Ray Vaughan, Buddy Guy and Junior Wells.
    1. Palace of the King
    2. Everything's Gonna Be Alright
    3. I Love the Life I Live
    4. The House Is a Rockin' v
    5. Breaking Up Somebody's Home
    6. You Done Lost Your Good Thing Now
    7. You Can't Judge A Book by the Cover
    8. Boogie Man
    9. Looking Back
    10. Cut You Loose
    11. Born Under a Bad Sign
    12. Still a Fool
    Kenny Wayne Shepherd
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Stompin' Ground Stompin' Ground Quick View

    $20.99
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    Stompin' Ground

    Over the course of his career, Tommy Castro has always been inspired by the sounds he absorbed while coming of age on the rough and tumble side of San Jose, California. During the late 1960s and early 1970s, this was Tommy's home turf-his stomping ground. It was a place where the street-tough Mexican Americans and the counterculture hippies came together to drink, smoke, laugh, party and listen to tunes-the hippies with their blues and rock, the Mexicans with their soul music. Mixing the blues-rock he loved and the soul music he heard blasting out from the lowriders cruising the streets, along with the socially conscious message songs of the day, Tommy's own sound was born.

    Almost every major rock and soul act, from Ike & Tina Turner to Janis Joplin to Elvin Bishop and Taj Mahal toured through the area, and Tommy was at almost every show. He saw John Lee Hooker, Albert King, and Buddy Guy & Junior Wells at the same local blues bar, JJ's, where he often jammed, honing his chops and dreaming of one day busting out. Tommy Castro has long since gone from that local bar to stages around the world, but his San Jose DNA still infuses his music to this day. You can hear it in every note of Stompin' Ground.

    -Marc Lipkin

    1. Nonchalant
    2. Blues All Around Me
    3. Fear Is The Enemy
    4. My Old Neighborhood
    5. Enough Is Enough
    6. Love
    7. Rock Bottom
    8. Soul Shake
    9. Further On Down The Raod
    10. Them Changes
    11. Sticks And Stones
    12. Live Every Day
    Tommy Castro And The Painkillers
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Coming At You (Pre-Order) Coming At You (Pre-Order) Quick View

    $24.99
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    Coming At You (Pre-Order)

    Release Date: June 29, 2018*


    50th Anniversary Reissue Cut From The Original Analog Master By Ron Mcmaster At Capitol Mastering,


    Pressed On Audiophile-Quality, 180-Gram Vinyl


    Housed In An Old-School Style, Tip-On Jacket


    One of the great electric blues albums of the '60s, this gem from the "Godfather of the Blues," features harmonica player and singer Junior Wells at his finest. With fellow Chicago musician Buddy Guy on lead guitar, Coming At You showcases the two fiery musician's talents in the studio, as they play a selection of blues standards, backed by a tight band, including Lefty Dizz on guitar, Douglas Fagan on sax and Clark Terry on trumpet. Back on vinyl for the first time in over 40 years, this 50th anniversary reissue was cut from the original analog master by Ron McMaster at Capitol Mastering, pressed on audiophile-quality, 180-gram vinyl, and comes housed in an old-school style, tip-on jacket.


    *Please note that release dates are subject to change.

    1. Stop Breakin' Down
    2. Somebody's Tippin In
    3. Five Long Years
    4. Mystery Train
    5. So Sad This Morning
    6. When My Baby Left Me
    7. Little By Little
    8. Tobacco Road
    9. Worried Life Blues
    10. I'm Your Hoochie Coochie Man
    11. You Don't Love Me
    Junior Wells
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Hoodoo Man Blues Hoodoo Man Blues Quick View

    $54.99
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    Hoodoo Man Blues

    One of the all-time great urban blues records and the best-seller in the famed Delmark catalog. Hoodoo Man Blues is so full of bravado and snap it'll make you feel tough just listening to it. Not all of the Delmark titles were recorded very well, but this one certainly was. And at 45 RPM, this now stands as the undisputed definitive version. Hoodoo Man Blues, which features Buddy Guy on guitar, is not only Junior Wells' first LP appearance, it's damn near the first LP by a Chicago blues band. Chess and a few other labels had reissued 45s by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound free of the limitations of juke box/airplay promotion. Hoodoo Man Blues went a long way in the popularization of real Chicago blues and of Junior Wells.


    This title is not eligible for discount.

    1. Snatch It Back and Hold It
    2. Ships On the Ocean
    3. Good Morning Little School Girl
    4. Hound Dog
    5. In The Wee Hours of the Morning
    6. Hay Lawdy Mama
    7. Hooddoo Man Blues
    8. Early in the Morning
    9. We're Ready
    10. Do You Love Me, Baby
    11. Chiltin Con Carne
    12. Yonders Wall
    Junior Wells
    $54.99
    200 Gram Audiophile Virgin Vinyl 45RPM - 2 LPs Sealed Buy Now
  • Pleading The Blues (Pure Pleasure) Pleading The Blues (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Pleading The Blues (Pure Pleasure)

    The year was 1959. The occasion was a 'Battle of the Blues' at the Blue Flame Club in Chicago. A young harmonica player Junior Wells - who got his start as Little Walter Jacobs' replacement in Muddy Waters' band back in '52 - probably didn't imagine he would come in second. After all, he had already put down both Otis Rush and Magic Sam. Still to come, though, was this fleet-fingered, skinny young Louisiana cat - Buddy Guy, who came first. As the climax to his blistering solo, Guy tossed his guitar in the air, then caught it by the neck one handed. As it slid through his fingers, Buddy created this high levee moan. Crowd gone wild. It was the beginning of a beautiful friendship.



    That chance meeting set in motion more than a relationship. This early, and profound, respect translated into a partnership that somehow superceded Wells' early work with one of the most important people in the blues. Wells and Guy would produce some of the most unabashed and deeply cool West Side blues recordings.
    This album recorded for the French Isabel label, in 1979 is a companion piece to Guy's "Blues Giant" recording of the same year. There's the gentle blues shuffle of "It Hurts Me Too", made famous by Elmore James. There's the electric-blues muscle of the title tune. Finally, as a bonus track, there's the funky, clearly James Brown-influenced "I Smell Something". This is a fine recording - and certainly one of Junior's best little-known releases.



    Musicians:



    • Buddy Guy (guitar, vocals)

    • Phil Guy (guitar)

    • J. Williams (bass)

    • Ray Allison (drums)




    Recording: October 1979 at Condorcet Studio, Toulouse (France), by Francois Porterie

    Production: Didier Tricard




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Pleading The Blues
    2. It Hurts Me Too
    3. Cut Out The Lights
    4. Just For My Baby
    5. Quit Teasing My Baby
    6. I'll Take Care Of You
    7. Take Your Time Baby
    Junior Wells
    $34.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Rhythm & Blues Rhythm & Blues Quick View

    $29.99
    Buy Now
    x

    Rhythm & Blues

    Double LP Features Kid Rock, Keith Urban, Gary Clark, Jr., Beth Hart And Aerosmith Members Steven Tyler, Joe Perry And Brad Whitford!


    Six-time Grammy Award winner and 2012 Kennedy Center Honoree Buddy Guy releases his studio album, Rhythm & Blues, on RCA Records. The follow-up to his 2010 Grammy Award winning album Living Proof, this double-disc masterpiece features first time studio collaborations with A-list artists Kid Rock, Keith Urban, Gary Clark, Jr., Beth Hart and Aerosmith members Steven Tyler, Joe Perry and Brad Whitford.


    Produced by Grammy Award winning producer/songwriter and longtime collaborator Tom Hambridge (Skin Deep, Living Proof), Rhythm & Blues captures the 76 year-young Guy at the peak of his creativity. Replete with heartfelt vocals, straightforward lyrics and mesmerizing guitar licks, Rhythm & Blues not only exemplifies how blues continues to be the foundation of all genres of today's music, it also illustrates why Guy has been influential in the careers of Eric Clapton, Jimi Hendrix, Jeff Beck, Stevie Ray Vaughan and more.


    The Rhythm disc includes rhythm and blues-style blues with deep grooves, such as the Junior Wells' 1960 hit "Messin With The Kid" featuring Kid Rock, the touching "One Day Away" with Keith Urban, and "What You're Gonna Do About Me," a rousing duet with Beth Hart. Guy rounds out the disc with "Best In Town," "Whiskey Ghost," Guitar Slim's "Well I Done Got Over It" and more.


    The Blues disc taps into the genre's rich history with "Meet Me In Chicago," "I Could Die Happy," "Never Gonna Change" and "All That Makes Me Happy Is The Blues." Aerosmith's Tyler, Perry and Whitford contribute to the musical lesson with "Evil Twin" while Gary Clark, Jr. joins Guy on "Blues Don't Care."


    In a career that spans nearly 50 years with over 50 albums released, the incomparable Buddy Guy recently added the prestigious Kennedy Center Honors and NARM Chairman's Award for Sustained Creative Achievement to his long list of achievements. Guy is the recipient of 30 awards and accolades, including 6 Grammy Awards, 28 Blues Music Awards (formerly W. C. Handy Awards), Rock and Roll Hall of Fame induction, the first annual Great Performer of Illinois Award, a Billboard Music Awards' Century Award for distinguished artistic achievement, the Presidential National Medal of Arts, in addition to being listed as one of the 100 Greatest Guitarists of All Time by Rolling Stone.

    LP 1
    1. Best In Town
    2. Justifyin'
    3. I Go By Feel
    4. Messin' With The Kid (Feat. Kid Rock)
    5. What's Up With That Woman
    6. One Day Away (Feat. Keith Urban)
    7. Well I Done Got Over It
    8. What You Gonna Do About Me (Feat. Beth Hart)
    9. The Devil's Daughter
    10. Whiskey Ghost
    11. Rhythm Inner Groove


    LP 2
    1. Meet Me In Chicago
    2. Too Damn Bad
    3. Evil Twin (Feat. Steven Tyler, Joe Perry & Brad Whitford)
    4. I Could Die Happy
    5. Never Gonna Change
    6. All That Makes Me Happy Is The Blues
    7. My Mama Loved Me
    8. Blues Don't Care (Feat. Gary Clark, Jr.)
    9. I Came Up Hard
    10. Poison Ivy

    Buddy Guy
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
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