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  • Let Me Come Over Let Me Come Over Quick View

    $27.99
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    Let Me Come Over


    25th Anniversary


    Contains Previously Unreleased Live Show From 1992


    Remastered At Abbey Road


    Buffalo Tom formed at the University of Massachusetts at
    Amherst in 1984 - a breeding ground of post punk guitar
    bands like Dinosaur Jr. and the Pixies. They thrived on US
    college radio in the late 1980's and toured extensively in
    Europe, the US, Australia and Japan. In 1992 the band
    recorded their third album Let Me Come Over with a varied
    group of songs they had been developing at home and
    on the road - mixing their live power trio sound with some
    more acoustic based guitar ballads. The album's single
    Taillights Fade would become their signature song.

    LP 1
    1. Staples
    2. Taillights Fade
    3. Mountains Of Your Head
    4. Mineral
    5. Darl
    6. Larry
    7. Velvet Roof
    8. I'm Not There
    9. Stymied
    10. Porchlight
    11. Frozen Lake
    12. Saving Grace


    LP 2: Live From London, ULU 1992
    1. Staples
    2. Taillights Fade
    3. Larry
    4. I'm Not There
    5. Velvet Roof
    6. Sunflower Suit
    7. Mineral
    8. Sally Brown
    9. Enemy
    10. Birdbrain

    Buffalo Tom
    $27.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Sky (Or The Underground) (Discontinued) The Sky (Or The Underground) (Discontinued) Quick View

    $11.99
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    The Sky (Or The Underground) (Discontinued)

    Mean Creek's new release, The Sky (Or The Underground) is a valiant, dynamic effort to resurrect Boston's relevance back to a time when bands like the Pixies, the Lemonheads and Buffalo Tom reigned supreme. Recorded by Chris McLaughlin (Aberdeen City) at Chelsea Studios in Chelsea, Massachusetts, the album combines the gritty, blue collar-rock of bands like Echo & the Bunnymen and the Replacements with the boy/girl harmonies of Rilo Kiley and the New Pornographers.
    1. The Sky (Or The Underground)
    2. Face Of The Earth
    3. Beg & Plead
    4. Light Into Dark
    5. Strange Men
    6. Not To Dream
    7. Radio Drought
    8. It's Good To Be Back Again
    9. The Patient
    10. Wild Beasts
    Mean Creek
    $11.99
    Vinyl LP - Sealed Buy Now
  • Shadows, Greys & Evil Ways Shadows, Greys & Evil Ways Quick View

    $19.99
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    Shadows, Greys & Evil Ways

    The White Buffalo releases his new record 'Shadows, Greys, and Evil Ways' via Unison Music Group. NPR All Songs Considered has called songwriter Jake Smith "an amazing storyteller" and these 14 songs trace the life story of Joey White, a small town outsider who goes to war and returns home only to find more violence as he struggles to readjust to a life away from the front lines and reconcile with the girl he left behind.


    "I look at the whole thing as a love story," says Smith. "The beginning is their meeting, and because of his need and want to support her, he goes off to war, which starts his downward spiral."


    Recorded at LA's Unison Music Studios and produced by the Grammy-nominated team of Bruce Witkin and Ryan Dorn, 'Shadows, Greys, and Evil Ways' sees the core trio of Jake Smith, bassist Tom Andrews, and drummer Matt Lynott joined by the likes of drumming legend Jim Keltner on "Don't You Want It" and ex-Jayhawk Jessy Greene.


    The White Buffalo has had songs included in both 'Sons of Anarchy' and 'Californication,' and his new song "The American Dream" is included on the soundtrack to 'The Lone Ranger,' starring Johnny Depp, next month. Filter has said "influenced by musicians ranging from Bad Religion to Tom Waits, The White Buffalo is ready to break through and stampede into your speakers" and American Songwriter has praised his "deft songwriting chops and a booming whiskey voice."

    1. Shall We Go On
    2. The Getaway
    3. When I'm Gone
    4. Joey White
    5. 30 Days Back
    6. The Whistler
    7. Set My Body Free
    8. Redemption #2
    9. This Year
    10. Fire Don't Know
    11. Joe and Jolene
    12. Don't You Want It
    13. #13
    14. Pray To You Now
    The White Buffalo
    $19.99
    Vinyl LP - Sealed Buy Now
  • Once Upon A Time In The West Once Upon A Time In The West Quick View

    $19.99
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    Once Upon A Time In The West

    2012 release from singer/songwriter Jake Smith and his White Buffalo project. The songs on Once Upon A Time In The West are rooted in everyday struggles, on both epic and personal scales, with elements of Blues, Country & Western, Folk, and Classic Rock.


    The influences of story-tellers like Bob Dylan, Waylon Jennings, Townes Van Zandt, Elliot Smith, Leonard Cohen, Tom Waits and Bad Religion shine through. The album ranges in themes from slices of life in the shadows to coming out of a battlefield to dark heroic fantasies.

    1. Ballad Of A Deadman
    2. How The West Was Won
    3. The Pilot
    4. One Lone Night
    5. Sleepy Little Town
    6. BB Guns And Dirtbikes
    7. The Bowery
    8. Wish It Was True
    9. Hold The Line
    10. Good Ol' Day To Die
    11. Stunt Driver
    12. The Witch
    13. I Am The Light
    The White Buffalo
    $19.99
    Vinyl LP - Sealed Buy Now
  • Dove (Awaiting Repress) Dove (Awaiting Repress) Quick View

    $17.99
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    Dove (Awaiting Repress)

    The dream-rock band Belly blazed a bright trail in the '90s, releasing two albums full of taut, yet wondrous music that was memorable for its rumbling bass lines and insistent drumming as it was for its glittering riffs and airy vocals. Their new album Dove, which was recorded with friend of the band Paul Q. Kolderie, places Belly back on that trail, bridging the gaps between reverbed-out bliss and spaghetti-western drone and muscular, hook-forward pop.


    Belly came together in 1991, when vocalist-guitarist Tanya Donelly (Throwing Muses, The Breeders) began playing with brothers (and fellow Rhode Islanders) Tom (guitar) and Chris (drums) Gorman, as well as bassist Fred Abong. He left before the band's 1993 debut Star came out, and Gail Greenwood, then playing around Providence, joined. Star was a hit with critics and listeners alike, spawning the alt-radio and MTV staple "Feed the Tree." The band toured extensively behind the gold-certified album, touring with the likes of Radiohead, the Cranberries, and Pavement and playing a show at the Hippodrome in Paris where they opened for U2 and the Velvet Underground.


    Belly opened 1994 with two Grammy nominations, scoring nods for Best Alternative Music Album and Best New Artist at that year's edition of the awards. That summer, the band began work on King, their harder-edged second album. Belly toured behind that 1995 release extensively, opening for R.E.M. in Europe and bringing along Catherine Wheel and Superchunk for the American tour; their last gig was in November 1995, and the band officially dissolved in 1996.


    Since then, Belly's members kept busy, with Donelly releasing a string of hailed solo albums and touring with Throwing Muses, Greenwood performing with brash rockers L7 and revved-up punker Bif Naked, and Tom Gorman performing with fellow New England alt-rockers Buffalo Tom and Donelly's Throwing Muses partner Kristin Hersh before launching a photography business in New York with his brother. They had occasionally broached the topic of getting back together in individual settings; Greenwood and Tom Gorman separately collaborated with Donelly on her Swan Song Series omnibus.


    The idea of a Belly reunion, though, gained serious traction a few years ago. "We had just gotten to the point where we were just missing each other, and missing the music," says Donelly. "The music I've been doing in the past several years has been very collaborative, which made me kind of homesick for Belly; I missed that sense of having a band."


    Early rehearsals showed that Belly was still very much a unit, the years falling away as the quartet went to work on older material. "We immediately fell back into our original relationship and musical dynamics," says Donelly. "Just a lot of laughing-it felt like a real reunion in the best and truest sense from the first practice on. We had a bit of trepidation: 'Is this going to work?' But the first practice really set all our anxiety to rest."


    Eventually, though, the band's members, who had collaborated sporadically in the interim, got the itch to bring new songs into their set as a curveball for listeners-and for themselves, too. "You almost want to put yourself in the deep end," says Chris Gorman. "That just seems to be the inclination for creative people-you never just want to feel comfortable. You're always going, 'Well, what's the part of the night that's really going to make me really, really nervous and freaked out?' And that usually is, 'Let's try a new song.' When it works, that's the most the rewarding moment in the night."


    Belly previewed some of their new songs, including the prowling "Army of Clay" and the folk-tinged "Human Child," at their early reunion dates to effusive audiences. "The crowds have been amazing," says Donelly. "We've never really operated on a level before where live shows feel genuinely communal. We got such great feedback on the new stuff-people were just as enthusiastic about it," Donelly recalls. That handful of tracks blossomed into Dove, a dozen songs that nod to past glories while also showcasing the four members' growth as songwriters and musicians, adding dramatic flourishes like strings and vibed-out guitars to the group's already widescreen sound.


    Belly recorded most of the rhythm tracks for Dove at Stable Sound Studios in Portsmouth, RI, vocals at Greenwood's home studio, and guitars and overdubs in Tom's and Tanya's home studios. The songs spun out of a new songwriting system that was necessitated by the four members' far-flung hometowns. "It required a lot of trust," says Donelly, "because we were sending raw snippets to each other-anything from 30-second pieces to full songs. Tom and Gail and I would send demos back and forth, and then Chris would add drums to whatever snippets he'd heard, and Tom would sew everything together. It would sometimes be a very circuitous route to a song, but it was really fun."


    "All three of the songwriters were locked in and working in a way that complemented the others' strengths," says Chris Gorman. "Gail's writing was in top form. Tanya is able to make anybody's song her own-she's got that gift. And Tom has really honed his arrangement and production style."


    The shimmering, expansive "Shiny One," which pairs dreamy vocal harmonies with urgent riffing and dramatic string flourishes, is one of the best examples of Belly's new process. "I have a lot of affection for that one," says Donelly. "It was the first completely collaborative song we've ever done-Gail wrote the riff and the chorus, Tom and I wrote the verse and bridge, Chris's parts shaped the direction and vibe. When I hear it, I hear all four of us equally."


    While Dove's flight was aided by previews of some new tracks during the band's reunion tour, the band is excited to release the album in full, and to show it off to audiences around the world. "We're all looking forward to presenting these songs in a live setting, and having the opportunity to play together again," says Chris Gorman. "We should be in for a really exciting year."

    1. Stars Align
    2. Shiny One
    3. Girl
    4. Faceless
    5. Suffer the Fools
    6. Mine
    7. Human Child
    8. Army of Clay
    9. Artifact
    10. Heartstrings
    Belly
    $17.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
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