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  • Carney (200 Gram Vinyl) Carney (200 Gram Vinyl) Quick View

    $34.99
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    Carney (200 Gram Vinyl)

    Hit Maker And Musician's Musician Struck Chart Gold With 1972 Album Carney


    Analogue Productions Reissue On 200-Gram Vinyl


    Mastered By Kevin Gray At Cohearent Audio From The Original Master Tapes


    Plated And Pressed At Quality Record Pressings


    Heavyweight Tip-On Old-Style Jacket From Stoughton Printing


    With his trademark top hat, hair well past his shoulders, a long, lush beard, an Oklahoma drawl and his fingers splashing two-fisted barrelhouse piano chords, future Rock and Roll Hall of Fame inductee Leon Russell cut a flamboyant figure in the early 1970s. He recorded his first hit single Tight Rope with the release of his third, and most successful album Carney, in 1972, which peaked at No. 2 on the Billboard Hot 200.


    Two years earlier Russell had already played on hundreds of songs as one of the top studio musicians in Los Angeles. The Oklahoma-born pianist, guitarist, songwriter and bandleader led Joe Cocker's band Mad Dogs & Englishmen, appeared at George Harrison's 1971 Concert for Bangladesh in New York City and composed numerous hits of his own. He was in Phil Spector's Wall of Sound Orchestra and played sessions for Frank Sinatra, Sam Cooke, Aretha Franklin, the Ventures and the Monkees, among many others.


    But it was the top-rated Carney, reissued here on an audibly exquisite 200-gram LP from Analogue Productions, that put Carney into the league of extraordinary musicians. Soulful roots-rock yields to dizzying psychedelia on this, Russell's most famous album. His all-time biggest hit, Tight Rope, leads to Out in the Woods, Cajun Love Song, This Masquerade, and more! No link in the reissue chain was sacrificed, making this outstanding reissue a true audiophile masterpiece. Kevin Gray at Cohearent Audio remastered the album from the original master tapes; plating and pressing took place at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly, as benefits a stellar reissue, we packaged our version in a heavyweight old-style tip-on jacket from Stoughton Printing.


    Russell wrote scores of hits for others, among them Superstar, (written with Bonnie Bramlett) for the Carpenters, Delta Lady for Joe Cocker and This Masquerade, for George Benson. His own version of This Masquerade is featured on Carney. More than 100 acts recorded A Song for You, which Russell said he wrote in 10 minutes. Ray Charles' recording of the song in 1993 received a Grammy Award.


    Sadly, Russell's life as a musical muse and performer ended with his death at 74 on Nov. 13, 2016, at his home in Nashville. He will be forever remembered for making a broad, sophisticated palette of American music sound down-home and natural.


    This title is not eligible for discount.

    1. Tight Rope
    2. Out in the Woods
    3. Me and Baby Jane
    4. Manhattan Island Serenade
    5. Cajun Love Song
    6. Roller Derby
    7. Carney
    8. Acid Annapolis
    9. If the Shoe Fits
    10. My Cricket
    11. This Masquerade
    12. Magic Mirror
    Leon Russell
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Hopeless Romantic Hopeless Romantic Quick View

    $25.99
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    Hopeless Romantic

    Hopeless Romantic marks Branch's first solo album since Grammy nominated Hotel Paper (certified Platinum). Produced by Patrick Carney (The Black Keys) and Gus Seyffert (Beck, Norah Jones, SIA), Hopeless Romantic weaves a tale of love-lost and found.
    LP 1
    1. Best You Ever
    2. You re Good
    3. Fault Line
    4. Heartbreak Now
    5. Hopeless Romantic
    6. Living A Lie
    7. Knock Yourself Out
    8. Temporary Feeling
    9. Carry Me Home


    LP 2
    1. Not A Love Song
    2. Last Night
    3. Bad Side
    4. Shadow
    5. City

    Michelle Branch
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Young And Old (Awaiting Repress) Young And Old (Awaiting Repress) Quick View

    $16.99
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    Young And Old (Awaiting Repress)

    Denver CO-based husband and wife duo Tennis follow-up their acclaimed 2011 debut Cape Dory with a new album on Fat Possum, entitled Young and Old. The 10-song set was produced by The Black Keys' Patrick Carney in Nashville, TN and features the lead single Origins.
    1. It All Feels The Same
    2. Origins
    3. My Better Self
    4. Traveling
    5. Petition
    6. Robin
    7. High Road
    8. Dreaming
    9. Take Me To Heaven
    10. Never To Part
    Tennis
    $16.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Double Roses Double Roses Quick View

    $18.99
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    Double Roses

    Pressed 180-Gram White Vinyl With Smoky Black Swirl


    First new album in seven years from English singer/songwriter and model Karen Elson. This set includes collaborations with Patrick Carney (The Black Keys), Father John Misty, Pat Sansone (Wilco), Benmont Tench (Tom Petty & The Heartbreakers), Laura Marling, Nate Wolcott, Paul Cartwright, and Dhani Harrison. Follow up to the critically acclaimed The Ghost Who Walks.

    1. Wonder Blind
    2. Double Roses
    3. Call Your Name
    4. Hell and High Water
    5. The End
    6. Raven
    7. Why Am I Waiting
    8. A Million Stars
    9. Wolf
    10. Distant Shore
    Karen Elson
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Once Once Quick View

    $39.99
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    Once

    Import


    'Once' is a 2006 Irish musical film written and directed by John Carney, former bassist for Irish band The Frames. Set in Dublin, this naturalistic drama stars musicians Glen Hansard (singer of, again, popular rock band The Frames) and MarkÉta Irglová as struggling musicians during an eventful week as they write, rehearse and record songs that reveal their unique love story. Collaborators prior to making the film, Hansard and Irglová composed and performed all of the original songs in the movie.


    Hansard and Irglová's song 'Falling Slowly' received a 2008 Academy Award for Best Original Song and the soundtrack as a whole also received a Grammy nomination.


    Steven Spielberg was quoted as saying A little movie called 'Once' gave me enough inspiration to last the rest of the year. When informed of Spielberg's comments, director John Carney told Sky News, in the end of the day, he's just a guy with a beard

    Side A:


    1. Falling Slowly

    2. If You Want Me

    3. Broken Hearted Hoover Fixer Sucker Guy

    4. When Your Mind's Made Up

    5. Lies

    6. Gold


    Side B:


    1. The Hill

    2. Fallen From The Sky

    3. Leave

    4. Trying To Pull Myself Away

    5. All The Way Down

    6. Once

    7. Say It To Me Now

    Glen Hansard & Marketa Irglova
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Drifting Your Majesty (Awaiting Repress) Drifting Your Majesty (Awaiting Repress) Quick View

    $19.99
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    Drifting Your Majesty (Awaiting Repress)

    The driving force behind Desertshore is the partnership between guitarist Phil Carney and keyboard player Chris Connolly. The former has played with both of sadcore king Mark Kozelek's bands, Red House Painters and Sun Kil Moon, and the latter has a classical background, though he also loves the gauzy, ethereal indie rock sounds that came out of England's 4AD label (which was also home to Red House Painters). With third man Dave Muench on drums and a couple of guests (including Kozelek), Carney and Connolly made Desertshore's all-instrumental debut album a place where all their varied influences intertwine.


    The album's title offers a hint about the mood of the music -- Drifting Your Majesty maintains a haunting, dreamlike quality throughout its 14 tracks. Though these pieces are not without dynamics, they remain on the impressionistic, ethereal side, whether it's an intimate duet between Connolly and Carney that's taking place, or something more fully fleshed out with rhythm section and second guitar. As the tunes gently rise and fall, they roll rather seamlessly through a wide array of styles, blending psychedelia, post-rock, and international touches. Sometimes these tracks evoke the mellower, more contemplative circa end-of-1969 Neil Young or Grateful Dead improvisatory expeditions (Desertshore are, after all, a Bay Area band). At other points, there are echoes of a more contemporary post-rock sound à la Mogwai or Explosions in the Sky, and occasionally, Connolly and Carney dip into some Middle Eastern-tinged modalities, suggesting some quality time spent listening to early world music-inclined '60s guitarists like Peter Walker and Sandy Bull. Drifting Your Majesty manifests a moody, meditative feeling, but is never monochromatic.


    - James Allen (All Music Guide)

    1. Black Mirror Water
    2. The Town Alight
    3. Mojave Mirage
    4. Gwynnedd
    5. Beautiful Descent
    6. Darkhan
    7. Drifting Your Majesty
    8. Koko
    9. Plataea
    10. Right Favor
    11. Sixteen Drawers
    12. Jordan Heavyhand
    13. Maurice In Reflection
    14. Deep Forest Echoes
    Desertshore
    $19.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Attack & Release Attack & Release Quick View

    $18.99
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    Attack & Release

    Until now, guitarist-singer Dan Auerbach and drummer Patrick Carney of the Black Keys took an extreme do-it-yourself approach to record making, hunkering down in a basement studio or setting up equipment in one of the abandoned factories of their native Akron, Ohio. Their modus operandi was more seance than session. With a minimal set of tools, they conjured up a big, swaggering blues-rock sound, seemingly drawn from some distant time and place yet too weirdly original to ever be called retro. As Rolling Stone put it in a review of their 2006 Nonesuch debut, Magic Potion, Pure blues rock of this caliber is really timeless.


    For this album, however, the Black Keys decided not to go it alone: Attack and Release is the result of one of the most audacious and eagerly awaited collaborations in alternative rock history. As producer, Auerbach and Carney chose Danger Mouse, the mega-eclectic sonic mastermind behind the Grammy Award-winning Gnarls Barkley's St. Elsewhere and its multi-format hit, Crazy, as well as the music-industry provocateur who created the mother of all mash-ups, The Grey Album. The Black Keys also deigned to work at an established studio, albeit one within driving distance of Akron. Suma Recording, a legendary spot in northeast Ohio renowned for its supply of great vintage gear, provided just the right ambience for the guys. As Carney put it, with genuine affection, Suma smells like a moldy cabin and looks like a haunted house.


    On Attack and Release, Danger Mouse is more creative co-conspirator than traditional figure behind the boards. He doesn't radically alter the duo's sound so much as coax out more of its inherent soulfulness, groove and bittersweet emotion. Two versions of Remember When illustrate how the duo can swing easily from smoldering ballad to thrashing rocker. I'm more pleased with the sound of this record than any one we've ever made, says Carney, and Auerbach concurs: We never let it all go like we did for this one, anything was game. It was just fun to make, and that's why I think it's so successful. The band adds more instrumentation to their mix, including piano, organ and moog synthesizer. Danger Mouse fashions subtle special effects, like the ghostly background choir that surfaces on the moody I Got Mine, which sounds as if it were samples from some old Warner Bros. cartoon. The Black Keys also invited in a few special guests: guitarist Marc Ribot and clarinetist-flautist (and Pat's uncle) Ralph Carney, both veterans of Tom Waits' band and players on countless avant-rock/jazz/noise session. Jessica Lea Mayfield a/k/a Chittlin, an impressive 18 year-old bluegrass/country singer from Kent, Ohio, sings alongside a heart-breakingly plaintive Auerbauch on the slow-dance final cut, Things Ain't Like They Used to Be

    1. All You Ever Wanted
    2. I Got Mine
    3. Strange Times
    4. Psychotic Girl
    5. Lies
    6. Remember When (Side A)
    7. Remember When (Side B)
    8. Same Old Thing
    9. So He Won't Break
    10. Oceans & Streams
    11. Things Ain't Like They Used to Be
    The Black Keys
    $18.99
    Vinyl LP - Sealed Buy Now
  • Heat Leisure III & IV Heat Leisure III & IV Quick View

    $18.99
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    Heat Leisure III & IV

    Heat Leisure is a collective centered around the Carney brothers of Pontiak, Greg Fox and Alexandra Drewchin of Guardian Alien, Steve Strohmeier of Beach House, and Robert J. Otten III. Their music takes a freewheeling approach to psychedelia with obvious nods to Amon DÜÜl II, Can and the Grateful Dead. For this, their second gathering and recording at the Carney s farm in Virginia, the group recruited the legendary Merry Prankster and Grateful Dead associate Ken Babbs, who emceed the Dead s mythical Veneta, OR gig in 1972 that became Sunshine Daydream, to contribute a shamanistic monologue to III, which occupies the first side of this, their first full-length vinyl release. The Carneys approached Babbs about collaborating with Heat Leisure t his Oregon farm on the last Pontiak tour. Heat Leisure s core principles are spontaneity, serendipity, and collaboration. The band employs frying amp distortion, a signature of Pontiak, as well as an array of drums, synthesizers, samplers, organs and a heavy dose of explorative improvisation by the musicians to create a highly lyrical album. Heat Leisure was conceived as a multi-media pursuit. While this release, III & IV, is an audio record, Heat Leisure I & II was released in the form of a short film/DVD with an accompanying 7 . The Carneys have said that future incarnations could take any form from performance and paintings, to sculptures or even digital mediums. Very much like the collaborative approach of the musicians to each session, they are keeping it open. III & IV was recorded late at night during a three day period during the first week of 2014 in Pontiak s Studio A, also on their farm, with Lain Carney doing most of the engineering. The session was recorded live to 1 tape, the reel old and decaying, which lead the tape to subtly speed up and slow down as the tape broke down and left residue on the tape heads. This organic effect adds to the woozy, surreal vibe of the music, and could not be replicated in a digital recording.
    1. III
    2. IV
    Heat Leisure
    $18.99
    Vinyl LP - Sealed Buy Now
  • Turn Blue Turn Blue Quick View

    $19.99
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    Turn Blue

    The Black Keys' 2014 album, Turn Blue, was released on Nonesuch Records.
    Produced by Danger Mouse, Dan Auerbach and Patrick Carney, Turn Blue features 11
    tracks including the first single, "Fever."


    Turn Blue was recorded at Sunset Sound in Hollywood during the summer of 2013 with
    additional recording done at the Key Club in Benton Harbor, MI and Auerbach's Easy Eye
    Sound in Nashville in early 2014. Of the new album, the band says Turn Blue could refer to:


    A: Suffocation

    B: Sadness

    C: Numbness from extreme cold

    D: A Cleveland late night TV host from the 1960s named Ghoulardi

    E: All of the above


    Moreover, Carney comments, "We are always trying to push ourselves when we make a
    record-not repeat our previous work but not abandon it either. On this record, we let the songs
    breathe and explored moods, textures and sounds. We're excited for the world to hear Turn
    Blue."


    This is the eighth full-length album from the duo and follows 2011's critically and commercially
    acclaimed El Camino, which is now certified RIAA Platinum. Internationally, El Camino is Gold
    in Belgium, Spain, Italy and Holland; Platinum in Ireland, France and the U.K.; and double
    Platinum in Australia, Canada and New Zealand. The record also resulted in three awards at the
    55th annual Grammy Awards-Best Rock Performance, Best Rock Song, and Best Rock Album.
    The band now has a total of six Grammy Awards including three in 2010 for their breakout,
    RIAA Platinum album, Brothers.

    1. Weight of Love

    2. In Time
    3. Turn Blue

    4. Fever
    5. Year in Review
    6. Bullet in the Brain
    7. It's Up to You Now
    8. Waiting on Words

    9. 10 Lovers
    10. In Our Prime
    11. Gotta Get Away
    The Black Keys
    $19.99
    Vinyl LP - Sealed Buy Now
  • Youngish American Youngish American Quick View

    $21.99
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    Youngish American

    Dams of the West - the new solo project from Vampire Weekend drummer Chris Tomson - have shared details on their debut LP, entitled 'Youngish American.'


    Produced by Patrick Carney of the Black Keys alongside Roger Moutenot and Tomson himself, 'Youngish American' was born after a long run of Vampire Weekend dates, when Tomson found himself at home with an empty calendar for the first time in years. After a few months spent grappling with existential insecurity and writer's block, the new music began to take form. Recorded in Nashville with Carney at the helm, Tomson wrote every song and plays virtually all instruments on the album.


    The 10-song collection offers casually cutting takes on early-30's ennui and domesticity, exploring the tension between wanting to settle down and the simultaneous hesitancy to leave behind younger roles. The project's name serves as a nod to this psychological limbo, an ode to the once-useful dams of the west - totemic pieces of infrastructure that threaten to become obsolete as time moves on.

    1. Bridges and Tunnels
    2. Tell the Truth
    3. Death Wish
    4. The Inerrancy of You and Me
    5. Polo Grounds
    6. Will I Be Known to Her
    7. Flag on the Can
    8. Perfect Wave
    9. Pretty Good WiFi
    10. Youngish Americans
    Dams Of The West
    $21.99
    Vinyl LP - Sealed Buy Now
  • Brothers Brothers Quick View

    $24.99
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    Brothers

    W/ CD version of the album included.


    The maturation of the Black Keys as record makers and performers has been both subtle and startling. With their 2008 Nonesuch release Attack & Release, the fifth album of their eight-year career which doubled the sales of their previous album and Nonesuch debut Magic Potion, guitarist Dan Auerbach and drummer Patrick Carney illustrated the durability of their few-frills sound, a mysterious and heavy brew of '70s-vintage rock, classic R&B and timeless, downhearted blues. Producer and pal Danger Mouse, their first outside collaborator, didn't try to reinvent their sound but further isolated its essence with the help of a few carefully chosen guest players and some retro-modern electronic gear. It didn't need to get slicker to get better, or, as the Boston Globe put it, Attack & Release proves that cleaning up the boys still won't stop them from tracking mud all over the house.


    Danger Mouse returned to co-produce Tighten Up on Brothers, but for the most part, the duo was on its own, spending ten days at the legendary Muscle Shoals studio in Alabama and coming up with the an even more intensely focused, deeply soulful set that includes a cover of Jerry Butler's Never Gonna Give You Up. The performances are inventive and impassioned: Auerbach extends his vocal range to falsetto on lead-off track Everlasting Light and The Only One; Howlin' For You opens with a Gary Glitter-style drum riff and the chorus practically invites singing along. The tunes offer a surprising amount of lyrical candor and more than a little dark humor; the grooves alternate between ballsy swagger and bluesy rumination. The album reflects where Auerbach and Carney have been lately, most recently collaborating with a who's who of New York City MC's, including RZA, Q Tip, Mos Def and Raekwon on the 2009 BlakRocBlack Keys fan Damon Dash. They've also pursued projects on their own, Auerbach with his solo Keep It Hid album and tour, Carney with his band Drummer and its debut disc, Feels Good Together. Their maturation didn't happen just in the studio, though. Carney admits, Dan and I grew up a lot as individuals and musicians prior to making this album. Our relationship was tested in many ways but at the end of the day, we're brothers, and I think these songs reflect that. super-session organized by hip-hop impresario and


    Brothers was primarily cut in Muscle Shoals, a setting that turned out to have more in common with the Akron, Ohio factories where the Black Keys used to record. The place was desolate, the town depressed, so once again the duo slipped into a world all its own. They did additional recording at Auerbach's Easy Eye Sound System in Akron and The Bunker in Brooklyn. The album was mixed by engineer Tchad Blake, a veteran of sessions with Los Lobos, Pearl Jam and Peter Gabriel. Says Carney, The way he approaches mixing is the same way we approach making music. Respecting the past while being in the present..

    1. Everlasting Light
    2. Next Girl
    3. Tighten Up
    4. Howlin' For You
    5. She's Long Gone
    6. Black Mud
    7. The Only One
    8. Too Afraid To Love
    9. Ten Cent Pistol
    10. Sinister Kid
    11. The Go Getter
    12. I'm Not The One
    13. Unknown Brother
    14. Never Gonna Give You Up
    15. These Days
    The Black Keys
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Flux Outside Flux Outside Quick View

    $17.99
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    Flux Outside

    Comprised of frontman Ryan Schaefer, drummer Chris Rusk and guitarist Sam Stratton, Royal Bangs combine catchy hooks with heavy synths to create a sound that SPIN Magazine describes as a mix of LCD Soundsystem's pulsing eletro-punk and the new Wave-y shimmer of the Strokes.


    Hailing from Knoxville, TN, Royal Bangs received some local buzz from their self-recorded album We Breed Champions, catching the attention of Patrick Carney (The Black Keys) who then re-released the progressive album on his own record label. The band followed up that effort with Let It Bleep which was released in 2009 to critical acclaim.


    In September of 2010, Royal Bangs signed with Glassnote Records. Their newest release, Flux Outside was mixed by Dave Fridman (Flaming Lips/MGMT). Gatefold double LP with MP3 download card.

    1. Grass Helmet

    2. Fireball

    3. Back Then It Was Different

    4. Triccs

    5. Bull Elk

    6. Bad News, Strange Luck

    7. Loosely Truthing
    8. Faint Obelisk Two

    9. Silver Steps
    10. TV Tree
    11. Dim Chamber

    12. Slow Cathedral Melt
    Royal Bangs
    $17.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Indigos Indigos Quick View

    $34.99
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    Indigos

    Import

    Indigos is a seminal Jazz album by big band superstar Duke Ellington, originally released in 1958. Ellington chose a set of easy listening ballads to be performed by his ace Big Band, putting less emphasis on the uptempo and danceable Swing the group was revered for.


    Behind Ellington on piano, you'll hear a marvelous band including Paul Gonsalves on tenor sax, Shorty Baker on trumpet, Ray Nance on violin, Johnny Hodges on alto sax and Harry Carney on baritone sax, all being put in the solo spotlight on every song of this record.


    This stereo reissue features the mono version of The Sky Fell Down, thus featuring the original 1958 track listing, exactly as it was intended more than half a century ago. A timeless classic!

    1. Solitude
    2. Where Or When
    3. Mood Indigo
    4. Autumn Leaves
    5. The Sky Fell Down
    6. Prelude To A Kiss
    7. Willow Weep For Me
    8. Tenderly
    9. Dancing In The Dark
    Duke Ellington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • El Camino El Camino Quick View

    $24.99
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    El Camino

    Reviewing The Black Keys' 2010 Top Ten breakthrough album Brothers, Rolling Stone called the duo a two-man combo with a big-band mind. That description seems downright prophetic now. With the hard-rocking El Camino, The Black Keys' fourth Nonesuch release, guitarist-singer Dan Auerbach and drummer Patrick Carney conjure up an exhilarating, stadium-sized sound in collaboration with producer and friend Danger Mouse. El Camino boasts a no-nonsense brilliance: The pace is fast, the mood is upbeat, the choruses unfailingly addictive made for shouting along, preferably in a large, sweaty crowd.


    A band already at the top of its game has gotten even better. And The Black Keys have done pretty damn well so far this year, with three 2011 Grammy awards for Brothers under their belt, an MTV Video Music Award for Tighten Up, more than 850,000 copies of Brothers sold in the U.S., and upwards of a million units worldwide, plus innumerable licensing placements in film, TV, and commercials. El Camino features one stand-out track after another, such as first single Lonely Boy, Gold on the Ceiling, and the surprising, acoustic-guitar-driven, tempo-shifting Little Black Submarines.


    This record is more straight ahead rock and roll raw, driving, and back to basics, says Auerbach. As Carney has put it, The Black Keys respect the past while being in the present, and that formula has made them sound like nothing less than the future of rock and roll. While the largely self-produced Brothers, recorded at the famed Muscle Shoals Studio in Alabama, had a more soul and blues-oriented sound, El Camino often recalls the blitzkrieg-paced British-style rock of the 1960s and 70s, post-Beatles and pre-punk: artists like T-Rex, The Sweet, and Gary Glitter, along with the heavier swing of such bands as Led Zeppelin and Black Sabbath.


    The references are there, but the sound is very much contemporary and utterly their own, equally informed by The Black Keys' passion for hip hop and R&B and bolstered by the atmospheric production approach of Danger Mouse (a.k.a. Brian Burton), who was behind the boards for 2008's Attack & Release and collaborated with them on the funky Tighten Up for Brothers. As Auerbach notes, Brian understands all the different kinds of music we're into. He's got really great ideas about melody and song structure. For him it's all about the song. Also rejoining them is consistently innovative mixing engineer Tchad Blake, who Auerbach calls a genius with audio, a complete wizard.


    El Camino arrives just in time to serve as the ideal holiday gift for The Black Keys' rapidly growing fan base. It came together quickly in an unfettered burst of creativity by the hard-charging pair. They recorded these 11 tracks between tour dates for Brothers at Auerbach's new Easy Eye Studio in Nashville, where he and Carney have now relocated after years of working in their native Akron, Ohio. The duo plans to embark on a six week European Tour at the start of the New Year, with U.S. dates to follow shortly thereafter-including several arenas.


    In a time of global austerity, The Black Keys work simply and efficiently, with a minimum of tools and a wealth of ideas, to produce the richest, fattest, coolest music around. Upon the release of Brothers last year, Britain's Uncut magazine called them one of the best rock'n'roll bands on the planet, and El Camino, confirms that.

    1. Lonely Boy
    2. Dead And Gone
    3. Gold On The Ceiling
    4. Little Black Submarines
    5. Money Maker
    6. Run Right Back
    7. Sister
    8. Hell Of A Season
    9. Stop Stop
    10. Nova Baby
    11. Mind Eraser
    The Black Keys
    $24.99
    Vinyl LP + CD - Sealed Buy Now
  • Broke Til Midnight Broke Til Midnight Quick View

    $19.99
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    Broke Til Midnight

    East coast-to-LA transplants Roll The Tanks have signed to Epitaph and will release release their hook-laden debut album Broke Til Midnight in 2014.


    Broke Til Midnight hits right in the gut upon first listen. A record that leaves no room for uncertainty in 13-tracks that beg listeners to hit repeat and enjoy the ride. It helps that band members Danny Carney (vocals/guitar), Aaron Stuart (guitar/ vocals), Mike Wakeman (bass/vocals), and Joe Sirois (drums) are fans of enduring songsmiths Tom Petty & The Heartbreakers, The Pixies, and The Clash from where they draw inspiration to carry on the torch. "We're going to make records because that's what we want to do - make records," says Carney. "No clunkers, no fillers. Records where you almost die making them." Though the band didn't die while making the album, they did have to wait until 12 AM for when their paychecks cleared at the bank in order to pay their bar tabs; hence the album title Broke Til Midnight.


    Epitaph Label CEO and Bad Religion guitarist/songwriter Brett Gurewitz shares his thoughts on the signing:


    "Roll The Tanks write the kind of songs that make you want to be a songwriter. The kind of inspiring rock n roll songwriting that made me want to devote myself to this crazy life in the first place. They bring to mind Strummer, Pixies, Petty, The Kinks but not because that's what they sound like, rather because they're cut from the same cloth. These guys are a great band, I can't wait for people to hear them."


    An unpretentious, classic rock inspired "band's band," Roll The Tanks are primed and ready to carry the torch for energetic, solid rock music. They know the value of a dollar from grinding their days away waiting tables, driving trucks, and working as carpenters to pay the bills so they can dedicate their evenings (and as much time as they can put into the stage and the road) to honing their already formidable songwriting chops. Music is their passion. And as their name implies, they are prepared to flatten all obstacles.

    1. 24th & Buckets
    2. Broke Til Midnight
    3. Toeing The Line
    4. Waiting on a Storm
    5. Goddnight Jimmy Lee
    6. Computer Money
    7. Record Players
    8. Hornet
    9. Lock Your Daughters Up
    10. Assumption Army
    11. Insufficient Funds
    12. My Soapbox
    13. Pistolero
    Roll The Tanks
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Big Come Up The Big Come Up Quick View

    $17.99
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    The Big Come Up

    2002 was a hell of a year for The Black Keys, the minimalist two-man blues-rock outfit from Akron, Ohio. They released their debut album The Big Come-Up on the tiny Alive label that year and garnered barely-contained raves in Rolling Stone, Spin, The Village Voice and MOJO. One listen to The Big Come Up, a startling raw slab of juke-joint blues, validates the band's rapid ascent from playing for no money on the bottom of the bill at Cleveland's Beachland Tavern to selling out blistering headline dates and being invited to open for the Jon Spencer Blues Explosion and elder Ohio statesmen Guided By Voices. Their vintage concoction of Dan Auerbach's genuinely fine, powerful blues vocals and busy reverb soaked guitar riffing mixed with Patrick Carney's earthy drumming is what makes The Big Come Up a cool and raunchy electric blues record with a vigor and imagination that's way fresher than any standard bar band blues-rockers with slicker execution and pencient for blues cliches. Now right at home here on Vinyl LP!
    1. Busted
    2. Do The Rump
    3. I'll Be Your Man
    4. Countdown
    5. Breaks, The
    6. Run Me Down
    7. Leavin' Trunk
    8. Heavy Soul
    9. She Said, She Said
    10. Them Eyes
    11. Yearnin'
    12. Brooklyn Bound
    13. 240 Years Before Your Time
    The Black Keys
    $17.99
    Vinyl LP - Sealed Buy Now
  • Duke Ellington Meets Coleman Hawkins Duke Ellington Meets Coleman Hawkins Quick View

    $49.99
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    Duke Ellington Meets Coleman Hawkins

    For years Duke Ellington and tenor saxophonist Coleman Hawkins promised each other that they would one day find a way to collaborate on an album. Finally, in 1962, they recorded at the famed Rudy Van Gelder Studios in New Jersey, with a small personnel from the Ellington band. The event was marked by the combination of the guest tenor's distinctive and expansive tones, the rich ensemble sound, and of course, the extraordinary Ellington compositions. Duke Ellington covered the piano and brought with him Aaron Bell, brass; Lawrence Brown, trombone; Sam Woodyard, drums; and Ray Nance, cornet and violin. What became obvious almost immediately was the interplay of Hawkin's tenor and Harry Carney on alto saxophone and the alto voicing of Johnny Hodges. Highlights include the infectious calypso-like opening of Limbo Jazz that moves from solos by Hodges, Ray Nance and Lawrence Brown to a solo by Coleman Hawkins. Ellington's classic Mood Indigo is the perfect vehicle for Hawkins with his rich, resonant phrasing. Wanderlust, which was first recorded in 1938, is revived here with Lawrence Brown and Ray Nance contributing to the blues mood of the piece. Duke Ellington Meets Coleman Hawkins features two legendary masters of jazz in a meeting that remains as masterful and thrilling as it did when it first took place in 1962.


    This title is not eligible for discount.

    1. Limbo Jazz
    2. Mood Indigo
    3. Ray Charles' Place
    4. Wanderlust
    5. You Dirty Dog
    6. Self Portrait (Of the Bean)
    7. The Jeep Is Jumpin'
    8. The Ricitic
    Duke Ellington & Coleman Hawkins
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Stairs And Elevators Stairs And Elevators Quick View

    $16.99
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    Stairs And Elevators

    The Heartless Bastards' story starts in Dayton, Ohio, where Erika Wennerstrom found the name on a multiple choice video trivia game at a bar. As a songwriting teenager during a time when GBV and Brainiac were packing local bars and three of the Breeders were still in town, Wennerstrom used to sneak into clubs to check out the scene. I would just see those people, my music heroes, hanging out at the bar like everyone else, she remembers. I could see myself in them. It gave me inspiration to do my own thing.


    After doing the usual business of playing local shows, the trio set out the following year on a regional tour. One of the first gigs of the trip took them to a bar in Akron, where Black Keys' drummer Patrick Carney just happened to be one of only a handful of people in the audience. This chance encounter led Wennerstrom and the Heartless Bastards to Fat Possum Records, with whom they released this, their debut, Stairs and Elevators, in early 2005.

    1. Gray
    2. Onions
    3. New Resolution
    4. My Maker
    5. Runnin
    6. Autonomy
    7. Pass and Fail
    8. The Will Song
    9. Swamp Song
    10. Done Got Old
    11. Piano Song
    12. Laz
    Heartless Bastards
    $16.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Lost In Alphaville Lost In Alphaville Quick View

    $20.99
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    Lost In Alphaville

    Lost In Alphaville is the long awaited and highly anticipated follow-up to The Rentals' landmark albums Return of the Rentals and
    Seven More Minutes.


    When listening to Lost In Alphaville for the first time, one can't
    help but be stoked by the perfect amalgamation of the sonic
    components: the dense wall of Slegr's punishing guitars, the
    primal smack of Carney's drums, Sharp's driving, distorted
    bass and thick buzz of saturated Moog synthesizers -- all
    tempered by Laessig's and Wolfe's beautifully lush voices and
    Chipman's elegant string arrangements serving as an extremely
    rich foundation for the layers and layers of Sharp's detached,
    voyeuristically breathy vocals.


    Sharp created a wall of sound so dense and powerful with
    arrangements that several songs on the album exceed 200
    individually recorded tracks. During this process of arranging,
    Sharp would slip into what he described as "euphoric, psychedelic
    daydreams." Sharp says, "If you can't whip yourself up into a state
    of full-blown rapture while you're creating, I don't really see the
    point of making music."


    Lost In Alphaville is a true sonic achievement, The Rentals' best
    album by a mile, a blissfully righteous storm of broken-up guitars,
    buzz-saw synthesizers, brutally, barbaric rhythms which crumble
    and crackle against a wash of strings, male and female voices-all
    blending into 10 perfectly formed pop songs. Not only have The
    Rentals completely surpassed their first two albums, but Sharp
    just might be putting forward the best work of his entire career.

    1. It's Time To Come Home
    2. Traces Of Our Tears
    3. Stardust
    4. 1000 Seasons
    5. Damaris
    6. Irrational Things
    7. Thought Of Sound
    8. Song Of Remembering
    9. Seven Years
    10. The Future
    The Rentals
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Chulahoma Chulahoma Quick View

    $17.99
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    Chulahoma

    Chulahoma is a stopgap EP from the Black Keys, a collection of six covers of songs by cult bluesman Junior Kimbrough, whose 'Do the Rump' they covered on their 2002 debut, Big Come Up. Considering that this is the first time the blues-rock guitar-n-drums duo has devoted an album to nothing but straight-ahead blues songs, it wound seem logical that Chulahoma would be the bluesiest recording in their catalog, but the Black Keys aren't that simple. The six songs on this 28-minute EP are hardly replications of Kimbrough's gritty originals, nor do they have the dirty, punch-to-the-gut feel of any of the duo's three proper albums. Instead, this is the weirdest set of music the band has done to date, a trippy, murky excursion into territory that floats somewhere between the primal urgency of the duo's best work and the dark, moody psychedelia of late-'60s blues-rock. Take 'Have Mercy on Me' its winding, narcotic blues groove settles into a bed of droning organ and bongos, but the interplay between guitarist/vocalist Dan Auerbach and drummer Patrick Carney prevents it from sounding as affected as psychedelia, while infusing it with a real sense of danger. That unsettling undercurrent flows throughout this brief EP, and it makes Chulahoma an album that's ideal for pitch-black nights, where the music can worm its way into your imagination and then run wild. That alone would make it a unique, noteworthy detour for the Black Keys, but when this is compared to Kimbrough's original recordings, it becomes an instructive listen since a side-by-side listen reveals how Auerbach drew inspiration from Kimbrough's stripped-down, idiosyncratic grooves and took it into some place entirely different. And while that might mean that Chulahoma doesn't necessarily sound like a kissing cousin to Kimbrough's originals, it does make it a greater, richer tribute than most cover albums, and it certainly proves that Auerbach's testimonial in the liner notes about how Junior Kimbrough changed his life is no lie.
    1 Keep Your Hands off Her

    2 Have Mercy on Me

    3 Work Me

    4 Meet Me in the City

    5 Nobody But You

    6 My Mind Is Ramblin'
    The Black Keys
    $17.99
    Vinyl LP - Sealed Buy Now
  • Blues In Orbit Blues In Orbit Quick View

    $34.99
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    Blues In Orbit

    Remastered By Bernie Grundman From The Original Analog Tapes


    Gatefold Old-school Tip-On On Jacket By Stoughton Printing


    Plated And Pressed At Quality Record Pressings


    It's tempting for Blues in Orbit to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as In a Mellotone and C Jam Blues as well as less often heard gems like Blues in Blueprint and Sweet and Pungent. It is also in stereo, and the arrangements are superb.


    The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like Brown Penny and Sentimental Lady, but also in the rousing, Smada.


    The full Analogue Productions reissue treatment is at work on this smashing LP - famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 200-gram disc in a premium Stoughton Printing gatefold jacket.


    All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. - a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.


    If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.


    This title is not eligible for discount.

    1. Three J's Blues
    2. Smada
    3. Pie Eye's Blues
    4. Sweet and Pungent
    5. C Jam Blues
    6. In A Mellow Tone
    7. Blues In Blueprint
    8. The Swinger's Get The Blues Too
    9. The Swinger's Jump
    10. Blues In Orbit
    11. Villes Ville Is The Place, Man
    Duke Ellington
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Mountain The Mountain Quick View

    $16.99
    Buy Now
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    The Mountain

    The Heartless Bastards' story starts in Dayton, Ohio, where Erika Wennerstrom found the name on a multiple choice video trivia game at a bar. As a songwriting teenager during a time when GBV and Brainiac were packing local bars and three of the Breeders were still in town, Wennerstrom used to sneak into clubs to check out the scene. I would just see those people, my music heroes, hanging out at the bar like everyone else, she remembers. I could see myself in them. It gave me inspiration to do my own thing. After doing the usual business of playing local shows, the trio set out the following year on a regional tour. One of the first gigs of the trip took them to a bar in Akron, where Black Keys' drummer Patrick Carney just happened to be one of only a handful of people in the audience. This chance encounter led Wennerstrom and the Heartless Bastards to Fat Possum Records, with whom they released their debut, Stairs and Elevators, in early 2005.


    The band moved on with critical praise in their back pocket, including a four-and-a-half star review from Rolling Stone, which took note that, when Wennerstrom opens her throat on Stairs and Elevators she sounds like shes wailing on the shoulders of giants; her sad and angry vocals channeling all the swagger and spit of a young Robert Plant. All This Time, was released during the summer of 2006, it received even more widespread critical acclaim than Stairs and Elevators. The Bastards played hundreds of shows to support the record. They played huge festivals and toured with Wilco and Lucinda Williams. Wennerstroms songs appeared often on TV shows and in films, this would be measured by most as a huge success. Though in Wennerstroms mind her sound and band were still evolving, and she knew it was time for a change.


    In true ascetic discipline, she moved to Austin, Texas in 2007 for a change of inspirational scenery and a new recording project. With the help of producer Mike McCarthy (Spoon, Trail of Dead), she assembled a group of musicians with whom she gave the songs life and uncovered yet another layer of herself and the Heartless Bastards. The two new Bastards arent Texas ringers, but fellow Dayton brethren Dave Colvin on drums, and Jesse Ebaugh on bass, who actually played on the original demo that hooked Fat Possum. The album, entitled The Mountain, delivers the powerful howl that fans expect from the Heartless Bastards, but also weaves in adventure with mandolins, banjos, strings and Erikas transcendent voice.

    1. The Mountain
    2. Be So Happy
    3. Early in the Morning
    4. Hold Your Head High
    5. Out At Sea
    6. Nothing Seems the Same
    7. Wide Awake
    8. So Quiet
    9. Had To Go
    10. Witchy Poo
    11. Sway
    Heartless Bastards
    $16.99
    180 Gram Audiophile Virgin Vinyl LP + 7 - Sealed Buy Now
  • Black, Brown And Beige (Speakers Corner) Black, Brown And Beige (Speakers Corner) Quick View

    $49.99
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    Black, Brown And Beige (Speakers Corner)

    Black, Brown, & Beige is Duke Ellington's musical representation of the African-American experience in the United States. It is arguably The Maestro's greatest work. The triumph of telling so important a story so well through music alone makes Duke Ellington's Black, Brown, & Beige a masterpiece. It also displays Duke's, and Jazz's, highest achievement in long form. Whether you perceive it as a three-movement symphony or accept Ellington's own personalized terminology »Tone Parallel«, Black, Brown, & Beige matches conceptually and in artistic content the musical continuity of Western Classical's greatest names in their lengthiest works.


    The history of Black, Brown, & Beige is in its own right momentous. Ellington premiered the work at Carnegie Hall on January 23, 1943, at Duke's first performance on that illustrious stage. The Maestro has created the Come Sunday Suite. Duke Ellington basically reduced his three movement work to its first, Black, elevating that movement's spiritual theme, Come Sunday, making it the melody of the edited work. Truncating the symphony Black, Brown, & Beige into the song Come Sunday works because Duke Ellington has expanded Come Sunday through numerous theme and variations unknown to the original. The piece de resistance: a sacred text, by Duke himself, a text sung by the best known African-American religious singer in history, Mahalia Jackson. There is no doubt that it is the presence and performance of Mahalia Jackson which secures a home in the pantheon for this recasting of Black, Brown, & Beige, a work that already resided there.


    And Duke Ellington pulled off this coup with one hand tied behind his back, or without the services of his right-hand man. Overlooked over the years since the album Black, Brown, & Beige was recorded in February 1958 is the absence of Johnny Hodges (Hodges did a gig with Strayhorn in Florida during this period), the Ellington band's premier soloist


    The sides C & D are released on vinyl for the first time with this issue.


    Recording in mono.


    Musicians:



    • Duke Ellington (piano)

    • Mahalia Jackson (vocal)

    • Clark Terry (trumpet)

    • Ray Nance (trumpet, vocal)

    • Quentin Jackson (trombone)

    • Harry Carney (bassoon)

    • Paul Gonsalves (tenor saxophone)

    • Jimmy Hamilton (clarinet)

    • Russell Procope (clarinet, alto saxophone)

    • Jimmy Woode (bass)

    • Sam Woody (drums)



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    LP 1
    1. Part I
    2. Part II
    3. Part III (AKA Light)
    4. Part IV (AKA Come Sunday)
    5. Part V (AKA Come Sunday)
    6. Part VI (23rd Psalm)


    LP 2
    1. Track 360 (AKA Trains)(Alt. Take)
    2. Blues In Orbit (AKA Tender)(Alt. Take)
    3. Part I (Alt. Take)
    4. Part II (Alt. Take)
    5. Part III (AKA Light) (Alt. Take)
    6. Part IV (AKA Come Sunday)(Alt. Take)
    7. Part V (AKA Come Sunday)(Alt. Take)
    8. Part VI (23rd Psalm)(Alt. Take)
    9. Studio Conversation (Mahalia Swears)
    10. Come Sunday (A Capella)

    Duke Ellington & Mahalia Jackson
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono - 2 LPs Sealed Buy Now
  • Masterpieces (Pure Pleasure) Masterpieces (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Masterpieces (Pure Pleasure)

    When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between its late-1940's configuration (the 5-man trumpet section) and its mid-1950's personnel. The sax section had settled into the form it would have for most of the ensuing two decades (old-timers Hodges and Carney and newcomers Procope, Hamilton and Gonsalves); the trombone section had long-timer Lawrence Brown as well as Tyree Glenn and newcomer Quentin Jackson; and the drummer was still Sonny Greer, who had anchored the rhythm section since the beginning.


    The arrangements and orchestrations all bear the hallmarks of Ellington's collaboration with Billy Strayhorn in the late 1940's: they are lush, symphonic, impressionistic, and densely (and adventurously) harmonic. Mood Indigo, in particular, is a 15-minute tone-poem with shifting colors and key relationships as Ellington and Strayhorn bring the melody through a wide variety of guises, from Glenn's wah-wah trombone solo to Shorty Baker's lyrical waltz to orchestral and piano passages which do homage to the influence which Ravel and Stravinsky had on both of them.


    The Tattooed Bride is the only new piece from the original Masterpieces by Ellington LP, and it is a beauty. The others of the original tracks -- Sophistocated Lady and Solitude -- are not laid out as inventively in their harmonics or structure. Of the group, Solitude is perhaps the weakest, but this is a relative term. Ellington would go on to pen many more extended, symphonic works, but none would have quite the multicolored, impressionistic tone-pallate that these do. And Strayhorn's presence would not be as pronounced in those future works as it is here: the orchestration and harmonies in particular bear his mark. These are masterpieces indeed: great works of art by two of our greatest composers/orchestrators, and played by one of the greatest orchestras in Afro-American music. - Andrew R. Weiss

    Musicians:



    • Duke Ellington, Billy Strayhorn (piano)
    • Cat Anderson, Clark Terry, Ray Nance (trumpet)
    • Quentin Jackson (trombone)
    • Johnny Hodges (reeds)
    • Mercer Ellington (french horn)
    • Russell Procope (clarinet, reeds)
    • Wendell Marshall (bass)
    • Louie Bellson (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Mood Indigo
    2. Sophisticated Lady
    3. The Tattooed Bride
    4. Solitude
    Duke Ellington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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