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Electrically Recorded: High Water EverywhereImport
One step further into the life and music of this true superstar of early blues, this compilation features the two-part High Water Everywhere, considered to be one of the greatest blues songs of all time, along with other pearls like Devil Sent The Rain Blues, making this second episode of Monk's retrospective on Charley Patton, another must have. Patton's ability to put the harsh everyday struggle of the Delta dwellers into music makes him one of the most enduring and soulful musicians in the entire history of Blues.1. Hammer Blues [Take 1]
2. I Shall Not Be Moved (Alt. take)
3. High Water Everywhere, Pt. 1
4. High Water Everywhere, Pt. 2
5. I Shall Not Be Moved
6. Rattlesnake Blues
7. Going To Move To Alabama
8. Hammer Blues [Take 2]
9. Joe Kirby
10. Frankie And Albert
11. Magnolia Blues
12. Devil Sent The Rain Blues
13. Runnin Wild Blues
14. Some Happy Day
15. Mean Black Moan
16. Green River Blues$24.99Vinyl LP - Sealed Buy Now
Tell Tale SignsLimited Edition
Bob Dylans Tell Tale Signs: The Bootleg Series Volume 8 is the 8th installment in the best-selling and critically lauded Bootleg Series which launched in 1991. A treasure-trove of 27 songs spanning 4 Limited Edition 180g LPs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylans most acclaimed and commercially successful albums from the last two decades, including Time Out Of Mind, Love And Theft, Modern Times and Oh Mercy. This must have Limited Edition 4 LP Box Set comes in 12x12 box with lift off cover and includes a download card, 60 page booklet with photos, essay and credits.
Features include; the previously unreleased songs Dreaming Of You, Red River Shore and Marching To The City from the sessions for the Grammy Award winning album, Time Out Of Mind; recordings created for the motion picture soundtracks of Lucky You (Hucks Tune), Gods & Generals (Cross The Green Mountain) and North Country (an alternate take of Tell Ole Bill); and a selection of outstanding live performances from 1989-2006 including Ring Them Bells from Dylans historic shows at New Yorks Supper Club in 1993,the unreleased Girl From The Greenbriar Shore from 1991 and a consummate rendering of High Water (for Charley Patton) from Niagara Falls in 2003.
Bob Dylan was recently awarded a Pulitzer Prize Special Citation for his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.SIDE A
1. Mississippi (Unreleased, Time Out Of Mind)
2. Most Of The Time (Alternate version, Oh Mercy)
3. Dignity (Piano Demo, Oh Mercy)
4. Someday Baby (Alternate version, Modern Times)
1. Red River Shore (Unreleased, Time Out Of Mind)
2. Tell Ol Bill (Alternate version, North Country soundtrack)
3. Born In Time (Unreleased, Oh Mercy)
1. Cant Wait (Alternate Version, Time Out Of Mind)
2. Everything Is Broken (Alternate version, Oh Mercy)
3. Dreamin Of You (Unreleased, Time Out Of Mind)
4. Hucks Tune (From Lucky You Soundtrack)
1. Marchin To The City (Unreleased, Time Out Of Mind)
2. High Water (For Charley Patton) (Live, 2003)
3. Mississippi (Unreleased version #2, Time Out of Mind)
1. 32-20 Blues (Unreleased, World Gone Wrong)
2. Series Of Dreams (Unreleased, Oh Mercy)
3. God Knows (Unreleased, Oh Mercy)
4. Cant Escape From You (Unreleased, December 2005)
1. Dignity (Unreleased, Oh Mercy)
2. Ring Them Bells (Live at The Supper Club, 1993)
3. Cocaine Blues (Live, 1997)
1. Aint Talkin (Alternate version, Modern Times)
2. The Girl On The Greenbriar
3. Shore (Live, 1992)
4. Lonesome Day Blues (Live, 2002)
1. Miss The Mississippi (Unreleased, 1992)
2. The Lonesome River (With Ralph Stanley)
3. Cross the Green Mountain (From Gods and Generals soundtrack)$98.99180 Gram Audiophile Virgin Vinyl LP - 4 LPs Sealed Buy Now
American Epic: The Best of BluesEarly geniuses of Delta Blues - Robert Johnson, Geeshie Wiley & Elvie Thomas, Son House, Charley Patton and many more have been painstakingly remastered using a mix of analog and digital technology for a hybrid sound that is simultaneously contemporary, immediate but still completely true-to-form.
Single LP with single pocket tip-on jacket with soft touch finish.1. Cross Road Blues by Robert Johnson
2. On the Road Again by Memphis Jug Band
3. Louis Collins by Mississippi John Hurt
4. Sittin' On Top of the World by Mississippi Sheiks
5. 'Tain't Nobody's Business If I Do (Part 1) by Frank Stokes
6. Down the Dirt Road Blues by Charley Patton
7. My Black Mama (Parts 1 & 2) by Son House
8. Walk Right In by Cannon's Jug Stompers
9. The Panama Limited by Bukka White
10. Last Kind Words Blues by Geeshie Wiley & Elvie Thomas
11. Cottonfield Blues (Part 2) by Garfield Akers
12. Tallahatchie River Blues by Mattie Delaney
13. Mama 'Tain't Long fo' Day by Blind Willie McTell
14. Future Blues by Willie Brown
15. Cool Drink of Water Blues by Tommy Johnson
16. Cypress Grove Blues by Skip James
17. Dark Was the Night, Cold Was the Ground by Blind Willie Johnson$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Atlanta Twelve-String180 Gram Audiophile Vinyl
Blind Willie McTell (May 5, 1898 - August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton.
McTell's influence extended over a wide variety of artists, including the Allman Brothers Band, who covered his Statesboro Blues, and Bob Dylan, who paid tribute to him in his 1983 song Blind Willie McTell, the refrain of which is And I know no one can sing the blues like Blind Willie McTell. Other artists influenced by McTell include Taj Mahal, Alvin Youngblood Hart, Ralph McTell, Chris Smither and the White Stripes.1. Kill It Kid
2. The Razor Ball
3. Little Delia
4. Broke Down Engine Blues
5. Dying Crapshooter's Blues
6. Pinetop's Boogie Woogie
7. Blues Around Midnight
8. Last Dime Blues
9. On The Cooling Board
10. Motherless Children Have A Hard Time
11. I Got To Cross The River Jordan
12. You Got To Die
13. Ain't It Grand To Live A Christian
14. Pearly Gates
15. Soon This Morning$34.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Mississippi Blues 1927-1941 (Pre-Order)Since its inception during the late 1960s, Yazoo Records has long been considered the standard-bearer for the rural roots sounds of America. From its ranks came collection after collection of some of the rarest early blues, jazz, country, folk, and gospel artists in music history, re-introducing the world to lost legends like Ma Rainey, Blind Lemon Jefferson, Mississippi John Hurt, and many more. Artists whose impact has been felt generations later, and continue to inspire and influence.
This class of artist can be found all across the 14 tracks of Mississippi Blues, a compilation of country blues music originally released in 1968, and now re-issued here decades later. Featuring tracks recorded between 1927 and 1941, and an artist lineup that is the stuff of legends: Charley Patton, Robert Johnson, Son House, Skip James, Mattie Delaney, and so many more.1. Harvey Hull - Gang Of Brown Skin Women
2. Henry Sims - Be True Be True Blues
3. William Harris - I'm Leavin' Town
4. Skip James - Special Rider Blues
5. Skip James - Cypress Grove Blues
6. Charley Patton - Hang It On The Wall
7. Geeshie Wiley - Eagles On A Half
8. Mattie Delaney - Tallahatchie River Blues
9. John Bird - Billy Goat Blues
10. Charley Patton - Mean Black Moan
11. Charley Patton - Pea Vine Blues
12. Bobby Grant - Nappy Head Blues
13. Son House - Delta Blues
14. Robert Johnson - Dead Shrimp Blues$24.99Vinyl LP - Sealed PRE-ORDER Buy Now
American Epic: The SoundtrackAmerican Epic: The Soundtrack leads the way for a series of album releases accompanying the Lo-Max/PBS/BBC Arena film project American Epic created by Allison McGourty, Duke Erikson and Directed by Bernard MacMahon.
American Epic is a journey across time to the birth of modern recording, when music scouts armed with cutting-edge recording technology captured the breadth of American music and discovered the artists that would shape our world.
The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. It was the first time America heard itself.
American Epic: The Soundtrack highlights recordings from the three-part documentary on one 150g LP, including original recordings by The Carter Family, Mississippi John Hurt, Charley Patton, Sister Rosetta Tharpe and more all restored to unprecedented levels of sonic fidelity.1. Gonne Die with My Hammer in My Hand - Williamson Brothers & Curry
2. On the Road Again - Memphis Jug Band
3. Frankie - Mississippi John Hurt
4. Bury Me Under the Weeping Willow - The Carter Family
5. Mal Hombre - Lydia Mendoza
6. Peg and Awl - Carolina Tar Heels
7. Tomi Tomi - Sol K. Bright with The Aloha Serenaders
8. The Indian Tom Tom - Big Chief Henry's Indian String Band
9. Cocaine Habit Blues - Hattie Hart & The Memphis Jugband
10. Up Above My Head - Sister Rosetta Tharpe
11. Down the Dirt Road Blues - Charley Patton
12. Allons A Lafayette - Joseph Falcon
13. Stackalee - Frank Hutchison
14. Waiting for a Train - Jimmie Rodgers
15. Jole Blon - The Breaux Brothers with Louis Michot$19.99Vinyl LP - Sealed Buy Now
The First Born Is DeadThe blues had long been a potent undercurrent in the Birthday Party's music, so it wasn't all that surprising that Nick Cave embraced the sound and feeling of rural blues on his second album with the Bad Seeds, The Firstborn Is Dead. What was startling was how well Cave and his bandmates -- Barry Adamson, Mick Harvey, and Blixa Bargeld -- were able to absorb and honor the influences of artists like Skip James and Charley Patton while creating a sound that was unmistakably their own. The moody obsessions of rural blues -- trains, floods, imprisonment, sin, fear, and death -- seemed made to order for Cave, and he was able to tap into the doomy iconography of this music with potent emotional force; on Tupelo, he makes a sweeping and disturbing epic of the rain-swept night when Elvis Presley was born, and Knocking on Joe is a tale of life on the work gang that communicates the pain of the spirit as clearly as the ache of the body. Also, the blues helped transform Cave's music as well as his lyrics; the brutal sonic pummel of the Birthday Party here gave way to a more subtle and dynamic approach that still made effective use of dissonance and bare-wired electric guitar noise while proving the balance of loud and soft only made each side deeper and more resonant. (The stark, barely there guitar and drums of Blind Lemon Jefferson are as startling and malignantly fascinating as anything in the Birthday Party's catalog.) The Firstborn Is Dead proved Nick Cave's musical palate was significantly broader than his debut album suggested and pointed to a path (channeling the sounds and emotions of American roots music) he would return to on many of his albums that followed.
- Mark Deming (All Music)1. Tupelo
2. Say Goodbye To The Little Girl Tree
3. Train Long Suffering
4. Black Crow King
5. Knockin' On Joe
6. Wanted Man
7. Blind Lemon Jefferson$22.99Vinyl LP - Sealed Buy Now
Wayfaring Strangers: Lonesome HeroesThe standard route for popular music, songwriter to publisher to label to artist, survived the '60s only to be overrun by a generation of folkies agog at giants strumming in the rearview. They were inspired by iconoclasts from Charley Patton to Woody Guthrie, artists entirely reliant on one guitar, one voice, and ones own words. But our heroes were not the agrarian luddites of yesterfolk. They cheered when Dylan plugged in and were rapt when Lennon and McCartney modernized songcraft, making the studio process justas important to song creation as setting the chords and words down.
The resultant work wasnt as readily reduced to words on paper as the Broadside pages that preceded them, success relied heavily on the way these songs were captured and transmitted: the sound of the room, the turn of a phrase, the odd way a piano got miced, or the way a guitar fell perfectly out of tune. As long as the end result was somber, dark, and meditative, it didnt matter if it was a conscious choice or a happily unhappy accident.
Each of our lonesome heroes began his journey from a wildly divergent place. Some of the stops may been similar, but each was made in different ways at different times for different reasons. All these travelers somehow found their ultimate destination on this disc. From artists who never played one professional gig to those that never stopped playing professionally, whose only shared experience is a journey set upon with no known end, sharing their thoughts, emotions and dreams with a lonely few along the way.
Wayfaring Stranger: Lonesome Heroes is the male singer/songwriter companion to Numero 008, Wayfaring Strangers: Ladies From The Canyon and Numero 018, Wayfaring Strangers: Guitar Soli.
Features 17 rare tracks by folk unknowns Jim Schoenfeld, Jim Ransom, Richard Smyrnios, Tucker Zimmermann, Kieran White, Les Moore, Rob Carr, Jack Hardy, George Cromarty, Jay Bolotin, Tony Trosley, Roger Lewis, Tim Ward, David Kaufmann, John Villemonte, Bob Brown and Robb Kunkel.
This deluxe 2LP gatefold set also includes 40 page booklet with extensive photo gallery, essay, artist bios and complete lyric sheet.$26.99Vinyl LP - 2 LPs Sealed Buy Now
Dark Night Of The SoulThis musical DNA has been in Jimbo Mathus since birth. His father and relatives
were all skilled musicians who filled the house with old folk, country and blues
tunes. By the age of eight, Mathus was joining them on mandolin and by his
teenage years had learned guitar and piano. High school led to playing in punk
and new wave bands, the most notable being Johnny Vomit and the Dry Heaves
and The End, with future Oblivian Jack Yarber. Post high school, Mathus studied
Philosophy at Mississippi State University before leaving to travel around
America. In doing so he worked various jobs, including an influential stint as
a barge tankerman on the mighty Mississippi River. Settling in Chapel Hill,
N.C., he drummed in the cult rock band Metal Flake Mother prior to starting
the Squirrel Nut Zippers. This ahead-of-its-time retro roots band scored a hit
with "Hot" and performed at President Clinton's second Inauguration and the
1996 Summer Olympics. Following the Zippers' split, Mathus worked with such
noted artists such as Buddy Guy and Elvis Costello, and collaborated with North
Mississippi Allstars guitarist Luther Dickinson and Alvin Youngblood Hart in the
South Memphis String Band. He also recorded his own albums (including one
dedicated to his childhood nanny Rosetta Patton, the daughter of Delta blues
icon Charley Patton).
On most of 'Dark Night's' tracks, Mathus' acoustic guitar is surrounded by
the electric guitar played by his longtime sideman Matt Pierce and pal Eric
"Roscoe" Ambel. (Ambel produced 'White Buffalo' but on 'Dark Night' he focuses
exclusively on his righteous guitar playing.) The album's raw, rock sound arose
from the fact that most of the tracks were recorded live in the studio with
Mathus' band, the Tri-State Coalition, which he found "very liberating way of
doing it." Mathus feels very in synch with his bandmates (keyboardist Eric
Carlton, drummer Ryan Rogers, guitarist Pierce and guest bassist and Drive By
Trucker Matt Patton) since they have played together now for several years.
"The intensity you're hearing on this album," he proclaims, "is the spirit of a
band that is put ting it's shit on the line ."1. Dark Night Of The Soul
2. White Angel
3. Rock & Roll Trash
4. Shine Like A Diamond
5. Writing Spider
7. Burn The Ships
8. Fire In The Canebrake
9. Hawkeye Jordan
10. Casey Caught The Cannonball
12. Butcher Bird$16.99Vinyl LP - Sealed Buy Now
The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set
* 800 Newly-Remastered Digital Tracks, Representing 172 Artists
* 200+ Fully-Restored Original 1920s Ads And Images
* 6x 180g Vinyl LPs Pressed On Burled Chestnut Colored Vinyl W/ Hand-Engraved, Blind-embossed Gold-Leaf Labels, Housed In A Laser-Etched White Birch LP Folio
* 250 Page Deluxe Large-Format Clothbound Hardcover Art Book
* 360 Page Encyclopedia-Style Softcover Field Guide Containing Artist Portraits And Full Paramount Discography
* Handcrafted Quarter-Sawn Oak Cabinet With Lush Sage Velvet Upholstery And Custom-forged Metal Hardware
* First-Of-Its-Kind Music And Image Player App, Allowing User Mgmt Of All Tracks And Ads, Housed On Custom-Designed USB Drive
How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in 'The Rise and Fall of Paramount Records 1917-1932,' an epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, to be jointly released by Jack White's Third Man Records and John Fahey's Revenant Records.
'Volume One,' which covers the label's improbable rise from 1917-1927, will be released exclusively through Third Man on October 29, and worldwide on November 19. The project is co-produced by leading Paramount authority Alex van der Tuuk, and 'Volume 2' will be released in November 2014.
Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a "race records" powerhouse, its sound and fortunes directly linked to the Great Migration.
By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable "other" (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.
The 'Rise and Fall' wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences.6 LPs feature 87 tracks from the collection.
USB Drive contains 800 digital tracks by 172 artists across the Paramount family of labels, including the earliest recordings of:
King Oliver, Jelly Roll Morton, Blind Blake, Fats Waller, Ma Rainey, Blind Lemon Jefferson, Duke Ellington, Louis Armstrong, Fletcher Henderson, Alberta Hunter, Papa Charlie Jackson, Ethel Waters, Coleman Hawkins, Johnny and Baby Dodds, Bo Weavil Jackson, Jimmy O'Bryant, Buddy Boy Hawkins, Tiny Parham, Jimmy Blythe, and Jaybird Coleman.$469.99180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed Buy Now
Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress)
Six LPs, 800 Digital Tracks, Two Definitive Large-Format Books. All Housed In A Polished Aluminum Case Evoking The Era's High Art Deco Stylings And America's Own Machine Age Modernism.
800 Newly-remastered Digital Tracks, Representing 175 Artists
90+ Fully-restored Original 1920s-30s Paramount Ads From Chicago Defender
6 X 180g LPs Pressed On Alabaster-white Label-less Vinyl, Each Side With Its Own Hand-Etched Numeral And Holographic Image
250 Pg. Large-Format Clothbound Hardcover Book Featuring Original Paramount Art And The Label's Curious Tale
400 Pg. Encyclopedia-Style Softcover Field Guide Containing Artist Bios & Portraits And Full Paramount Discography
Polished Aluminum And Stainless Steel Cabinet, Evoking 1930s High Art Deco Stylings And America's Own Machine Age Modernism
First-Of-Its-Kind Music And Image Player App Containing All Tracks And Ads, Housed On Sculpted Metal USB Drive
Last November, Jack White's Third Man and John Fahey's Revenant issued The Rise & Fall of Paramount Records, Volume One (1917-27), the first installment of the curious tale of America's most important record label. It was called spectacular (New York Times), unprecedented (Rolling Stone), breathtaking (Boing Boing), a cabinet of wonder, indeed (Pitchfork), and the most perfectly realized attempt to combine music and documentation (Fretboard Journal) and damnedest musical objet d'art (Nashville Scene) folks had ever seen.
Third Man-Revenant now presents the final volume in the Paramount story - The Rise & Fall of Paramount Records, Volume Two (1928-32).
As Volume Two begins, Paramount is entitled to a breather - in the previous 5 years it's been home to giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Eubie Blake, Fletcher Henderson, Big Bill Broonzy, Roosevelt Sykes, James P. Johnson, Jaybird Coleman, Clarence Williams, and Fats Waller.
But just as it seems the label might be losing steam, it begins a second act that threatens to dwarf its first. In its final 5 year push from 1928-32, Paramount embarks on a furious run for the ages, birthing the entire genre of Mississippi Delta blues and issuing some of the most coveted recordings in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Blind Roosevelt Graves, Willie Brown, King Solomon Hill, Tampa Red, Georgia Tom Dorsey, Little Brother Montgomery, Lottie Kimbrough, Rube Lacy, Meade Lux Lewis, Buddy Boy Hawkins, Ramblin' Thomas, Jaydee Short, George Bullet Williams, Cow Cow Davenport, Clifford Gibson, Ishman Bracey, Charlie Spand, Jabo Williams, Louise Johnson, Blind Joe Taggart, Geeshie Wiley & Elvie Thomas, and The Mississippi Sheiks.
Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first and most comprehensive chronicler of what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, Paramount - not some preservationist-minded enterprise like the Library of Congress - inadvertently created the most significant repository of this young nation's greatest art form.6 LPs feature tracks from the collection.
USB Drive contains 800 digital tracks by 175 artists across the Paramount family of labels.$469.99180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed AWAITING REPRESS Buy Now
Charley Patton's Complete Recorded Works in Chronological Order Vol 1 (Out Of Stock)Charley Patton's Volume 1 from Third Man's highly-anticipated Document Records reissue series on black 180-gram vinyl, remastered by Document's very own Gary Atkinson and features brand new artwork by Grammy-award-winning designer Rob Jones.
The recordings we'll be presenting in this reissue series are the building blocks and DNA of American culture. Blues, R&B, Elvis, teenagerism, punk rock... it all goes back to these vital, breathtaking recordings. Third Man Records is proud to present these landmark albums in conjunction with Document Records, with brand new, jaw-dropping artwork by Rob Jones and new insightful liner notes, on vinyl for the first time in decades. Every record collection should have ample room for these highly important and endlessly listenable albums.1. Mississippi Boweavil Blues
2. Screamin' And Hollerin' The Blues
3. Down The Dirt Road Blues
4. Pony Blues
5. Banty Rooster Blues
6. It Won't Be Long
7. Pea Vine Blues
8. Tom Rushen Blues
9. A Spoonful Blues
10. Shake It And Break It (But Don't Let It Fall Mama)
11. Prayer Of Death - Part 1
12. Prayer Of Death-Part 2
13. Lord I'm Discouraged
14. Lord I'm Discouraged (alt take)
15. I'm Goin' Home
16. Going To Move To Alabama$16.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
Electrically Recorded: Jesus Is A Dying-Bed Maker (Out Of Stock)Import
Twelve more tunes from Charley Patton's 1929 recording sessions. Here the 'Acknowledged King of the Delta Blues' perform some of his finest spiritual material, like the title track, and You're Gonna Need Somebody When You Die. One of the most seminal blues artists of all time, this collection helps keep the legend alive.1. Some Of These Days Ill Be Gone
2. Elder Green Blues [Take 2] (Alt.version)
3. Jim Lee, Pt.1
4. Jim Lee, Pt.2
5. Mean Black Cat Blues
6. Jesus Is A Dying-Bed Maker
7. Elder Green Blues [Take 2]
8. When Your Way Gets Dark
9. Some Of These Days Ill Be Gone [Take 2]
10. Heart Like Railwood Steel
11. Circle Round The Moon
12. Youre Gonna Need Somebody When You Die$24.99Vinyl LP - Sealed Temporarily out of stock
The Nightfly (45 RPM Box Set) (Out Of Stock)
Limit 1 Per Customer
Mastered From The Original Master Tapes With Mobile Fidelity's One-Step Process: The Nightfly US1S 45RPM Box Set Is The Ultimate Analog Version Of Donald Fagen's 1982 Landmark Debut
Lavish Packaging Includes Opulent Box And Special Foil-Stamped Jackets: Deluxe Audiophile Pressing Strictly Limited To 6000 Numbered Copies
Cinema For The Ears: The Nightly Remains One Of The Best-Sounding Albums Ever Made With Reference Production, Standout Playing, And Jazz-Like Arrangements That Embody Timeless Cool
Donald Fagen's largely autobiographical The Nightfly remains one of the best-sounding albums ever made. Revered by audiophiles, the Steely Dan co-founder's 1982 set immediately became a demonstration disc at hi-fi shows and audio salons the world over. It also quickly emerged as an irreplaceable monitor-evaluating tool for recording-studio engineers and front-of-the-house testing device for concert-venue soundboard engineers who continue to use it today. Painstakingly recorded over eight months by illustrious producer Gary Katz and a Hall of Fame-worthy cast of perfectionist-minded musicians, The Nightfly endures as a rare trifecta of superlative performance, consummate songwriting, and crisp, benchmark production. Mobile Fidelity is honored to give this seminal effort unsurpassed treatment befitting the most serious music connoisseurs.
Fagen's solo debut reaches three-dimensional sonic and emotional heights never before attained by analog recordings on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 5,000 numbered copies, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that picks up where Steely Dan's Gaucho leaves off. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, The Nightfly places Fagen and his session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.
The lavish packaging and beautiful presentation of Mobile Fidelity's The Nightfly pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of The Nightfly is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art - and everything involved with the album, from the images to the textures and liner notes.
Nominated for seven Grammy Awards, The Nightfly represent[s] certain fantasies that might have been entertained by a young man growing up in the remote suburbs of a northeastern city during the late fifties and early sixties, i.e., one of my general height, weight, and build, pens Fagen in the liner notes, revealing the work's thematic thrust and wistful, nostalgic appeal. At their core, songs look at the world via an optimistic, mindfully innocent lens and through the eyes of an adolescent holed up in his bedroom with his ear to a radio whose exciting transmissions inspire thoughts of futuristic cities, late-night deejays, otherworldly hopes, and Cold War romances. Cinema for the ears, The Nightfly comes on like a film transferred to wax - its stories filled with relatable vulnerability, ambition, and warmth.
It is also timelessly cool, with everything from the iconic album cover - complete with Fagen in the role of a cigarette-smoking disk jockey spinning a Sonny Rollins album on an RCA turntable at 4:09 in the morning - to the flawless playing honoring the laid-back, hip, stylish jazz pedigree of the arrangements. Indeed, The Nightfly's fame owes as much to the stunning contributions by stickler musicians - saxophonist Michael Brecker, trumpeter Randy Brecker, guitarist Larry Carlton, drummer Steve Jordan, bassist Marcus Miller, drummer Jeff Porcaro, and Harmonica Frank Floyd included - as it does the particulars behind its creation, which involved cutting-edge technology, novel microphoning techniques, and pioneering recording methods that gave Fagen exactly what he demanded. His insistence on dialing in exacting drum sounds is by itself the stuff of legend.
The results of the meticulous sessions transcend eras and generations - part of its very design. Virtually every track connects with classic 50s and 60s styles. Green Flower Street doubles as an homage to the jazz standard On Green Dolphin Street. The title track draws imagery from blues pioneer Charley Patton. Ruby Baby references soul greats the Drifters. Maxine nods to harmonies perfected by big-band vocal quartets like the Four Freshmen. The Goodbye Look acknowledges the bossa-nova craze of Fagen's youth. In all respects, The Nightfly rules the airwaves.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
This title is not eligible for discount.1. I.G.Y.
2. Green Flower Street
3. Ruby Baby
5. New Frontier
6. The Nightfly
7. The Goodbye Look
8. Walk Between Raindrops$99.99Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock