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  • Rhythm & Blues Rhythm & Blues Quick View

    $29.99
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    Rhythm & Blues

    Double LP Features Kid Rock, Keith Urban, Gary Clark, Jr., Beth Hart And Aerosmith Members Steven Tyler, Joe Perry And Brad Whitford!


    Six-time Grammy Award winner and 2012 Kennedy Center Honoree Buddy Guy releases his studio album, Rhythm & Blues, on RCA Records. The follow-up to his 2010 Grammy Award winning album Living Proof, this double-disc masterpiece features first time studio collaborations with A-list artists Kid Rock, Keith Urban, Gary Clark, Jr., Beth Hart and Aerosmith members Steven Tyler, Joe Perry and Brad Whitford.


    Produced by Grammy Award winning producer/songwriter and longtime collaborator Tom Hambridge (Skin Deep, Living Proof), Rhythm & Blues captures the 76 year-young Guy at the peak of his creativity. Replete with heartfelt vocals, straightforward lyrics and mesmerizing guitar licks, Rhythm & Blues not only exemplifies how blues continues to be the foundation of all genres of today's music, it also illustrates why Guy has been influential in the careers of Eric Clapton, Jimi Hendrix, Jeff Beck, Stevie Ray Vaughan and more.


    The Rhythm disc includes rhythm and blues-style blues with deep grooves, such as the Junior Wells' 1960 hit "Messin With The Kid" featuring Kid Rock, the touching "One Day Away" with Keith Urban, and "What You're Gonna Do About Me," a rousing duet with Beth Hart. Guy rounds out the disc with "Best In Town," "Whiskey Ghost," Guitar Slim's "Well I Done Got Over It" and more.


    The Blues disc taps into the genre's rich history with "Meet Me In Chicago," "I Could Die Happy," "Never Gonna Change" and "All That Makes Me Happy Is The Blues." Aerosmith's Tyler, Perry and Whitford contribute to the musical lesson with "Evil Twin" while Gary Clark, Jr. joins Guy on "Blues Don't Care."


    In a career that spans nearly 50 years with over 50 albums released, the incomparable Buddy Guy recently added the prestigious Kennedy Center Honors and NARM Chairman's Award for Sustained Creative Achievement to his long list of achievements. Guy is the recipient of 30 awards and accolades, including 6 Grammy Awards, 28 Blues Music Awards (formerly W. C. Handy Awards), Rock and Roll Hall of Fame induction, the first annual Great Performer of Illinois Award, a Billboard Music Awards' Century Award for distinguished artistic achievement, the Presidential National Medal of Arts, in addition to being listed as one of the 100 Greatest Guitarists of All Time by Rolling Stone.

    LP 1
    1. Best In Town
    2. Justifyin'
    3. I Go By Feel
    4. Messin' With The Kid (Feat. Kid Rock)
    5. What's Up With That Woman
    6. One Day Away (Feat. Keith Urban)
    7. Well I Done Got Over It
    8. What You Gonna Do About Me (Feat. Beth Hart)
    9. The Devil's Daughter
    10. Whiskey Ghost
    11. Rhythm Inner Groove


    LP 2
    1. Meet Me In Chicago
    2. Too Damn Bad
    3. Evil Twin (Feat. Steven Tyler, Joe Perry & Brad Whitford)
    4. I Could Die Happy
    5. Never Gonna Change
    6. All That Makes Me Happy Is The Blues
    7. My Mama Loved Me
    8. Blues Don't Care (Feat. Gary Clark, Jr.)
    9. I Came Up Hard
    10. Poison Ivy

    Buddy Guy
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Chicago/The Blues/Today! (Pure Pleasure) (Awaiting Repress) Chicago/The Blues/Today! (Pure Pleasure) (Awaiting Repress) Quick View

    $99.99
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    Chicago/The Blues/Today! (Pure Pleasure) (Awaiting Repress)

    In early 1966, blues history was made with the issuance of a three-volume set of new recordings produced by blues historian Samuel Charters. This series was known as Chicago/The Blues/Today! and the release sent shock waves through the world of rock & roll. Every artist on the three volumes had recorded before (some, like Otis Rush and Junior Wells, had actually seen small hits on the R&B charts), but these recordings were largely their introduction to a newer -- and predominately white -- album-oriented audience. These recordings have stayed in print and have been reasonably good sellers over the years since their original release, all coming out on compact disc. This new packaging puts all three volumes together, but with no bonus tracks, as no extras were recorded for these sessions.



    A plus in the new packaging, is that it features a nice booklet with detailed, updated notes from Charters, a nice appreciation from Ed Ward, and absolutely eye-boggling session photos taken by Charters' wife, Ann. Even if you still have the original vinyl or CDs, this is one of the times when it would be best to spend the dough and add this one to your collection, because blues records seldom come as important, innovative, or just plain pleasurable to listen to as this set. File under 'essential'.




    Musicians:



    • J.B. Hutto

    • Junior Wells

    • Otis Spann

    • Otis Rush

    • Jimmy Cotton

    • Johnny Shines Blues Band

    • Johnny Young's South Side Blues Band

    • Homesick James

    • and Big Walter Horton's Blues Harp Band with Memphis Charlie Musselwhite




    Recording: 1965 at RCA Studios, Chicago

    Production: Samuel Chartersdeutsch



    Format: 3LPs 33rpm / Box, booklet



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    LP1
    1. Help Me (A Tribute to Sonny Boy Williamson)
    2. It Hurts Me Too
    3. Messin' with the Kid
    4. Vietcong Blues
    5. All Night Long
    6. Going Ahead
    7. Please Help
    8. Too Much Alcohol
    9. Married Woman Blues
    10. That's the Truth
    11. Marie
    12. Burning Fire
    13. S P Blues
    14. Sometimes I Wonder
    15. Spann's Stomp


    LP2
    1. Cotton Crop Blues
    2. The Blues Keep Falling
    3. Love Me or Leave
    4. Rocket 88
    5. West Helena Blues
    6. Everything's Gonna Turn Out Allright
    7. It's a Mean Old World
    8. I Can't Quit You Baby
    9. Rock
    10. It's My Own Fault
    11. Dust my Broom
    12. Somebody Been Talkin'
    13. Set a Date
    14. So Mean to Me


    LP3
    1. One More Time
    2. Kid Man Blues
    3. My Black Mare
    4. Stealin' Back
    5. I Got Mine In Time
    6. Tighten Up On It
    7. Dynaflow Blues
    8. Black Spider Blues
    9. Layin' Down My Shoes and Clothes
    10. If I Get Lucky
    11. Rockin' My Boogie
    12. Mr. Boweevil
    13. Hey Hey

    Various Artists
    $99.99
    180 Gram Audiophile Virgin Vinyl - 3 LPs Sealed AWAITING REPRESS Buy Now
  • Alabama Blues (Pure Pleasure) Alabama Blues (Pure Pleasure) Quick View

    $34.99
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    Alabama Blues (Pure Pleasure)

    J. B. Lenoir was one of the outstanding blues artists of all times. His album Alabama Blues is the first recorded document by any blues poet, who included and incorporated very critically the social and political situation of black people living in the U.S.A. in the year of 1965. Thus a musical document was created long before the black communities in the United States became proud of their heritage - their roots. Jimi Hendrix was the first artist who acknowledged that J. B. Lenoir's work, preserved in this album, was a major part of his self-liberation and of finding his own identity. Though the Library of Congress has placed this album in its achives as an important part of American Musical History - comparable to Duke Ellington's Black, Brown and Beige Suite for example - it was never released in the United States, and even in Europe its distribution was poor. Because of this it has become one of the most searched-for collectors' items in music today. Pure Pleasure Records is happy and proud to release this masterpiece of music again.



    Musicians:



    • J. B. Lenoir (vocal, guitar)

    • Willie Dixon (vocal)

    • Freddie Below (drums)




    Recording: May 1965 in Chicago, Ill.

    Production: Horst Lippmann



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Alabama Blues
    2. The Mojo Boogie
    3. God's Word
    4. The Whale Has Swallowed Me
    5. Move This Rope
    6. I Feel So Good
    7. Alabama March
    8. Talk To Your Daughter
    9. Mississippi Road
    10. Good Advice
    11. Vietnam
    12. I Want To Go
    J.B. Lenior
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Stone Blue Stone Blue Quick View

    $32.99
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    Stone Blue

    Celebrate 40 Years Of Stone Blue!


    First Time 180 Gram Audiophile Translucent Blue Vinyl


    Produced By Eddie Cramer & Foghat


    Mastered Impeccably By Joe Reagoso From The Bearsville Records Tapes


    Foghat: Dave Peverett, Roger Earl, Rod Price, Craig MacGregor


    First Time Gatefold Cover Art Include Rare Photos & Recollections By Roger Earl (Co-Founder Foghat/ Savoy Brown)


    First Run Of 1000 Albums Includes An Authentic Signed 8 x 10 Photo By Roger Earl & Foghat


    Foghat is truly a worldwide gift to rock music and boogie band enthusiasts everywhere. The nucleus of the band (Dave Peverett, Roger Earl, Tone Stevens) was originally from the British blues powerhouse Savoy Brown, and left to form their own trailblazing band in 1972, and rock music and their millions of fans have never been the same since.


    In 1978, Foghat was now enjoying the benefits of superstardom after years on the road and having consistently successful radio and chart success. Stone Blue was another huge hit for the band and brought them even further success thanks to multiple amount of smash tracks and stellar blues interpretations that have been considered some of their finest material ever.


    Kicking things off with the hard-rockin' Stone Blue, this slide guitar champion truly takes the listener into a classic rock journey complete with all the great twists and turns you would expect from this superstar outfit.


    Check out the stunning blues interpretations of Bo Diddley's classic Chevrolet, the perfect reading of Elmore James' It Hurts Me Too, and of course, the Foghat smash version of Robert Johnson's Sweet Home Chicago.


    Lonesome Dave Peverett continues his winning streak with a handful of newer fare with the powerful Easy Money, complete with an incredible drum workout by his old Savoy Brown bandmate Roger Earl, locking in step with the stunning lead guitar of Rod Price and the great Craig MacGregor on heavy-duty bass.


    These pioneers of the British blues/rock scene carry on with more masterful workouts on hit album tracks like Midnight Madness, High On Love and their inspiring power ballad Stay With Me, making Stone Blue the revered masterpiece that it still is today.


    Friday Music is no stranger to the music of the gold & platinum rockers Foghat, therefore we are so excited to announce our first installment in The Foghat /Friday Music 180 Gram Audiophile Vinyl Series with the 40th Anniversary Edition of their legendary masterpiece Stone Blue.


    The original Bearsville Records Lp is mastered impeccably by Joe Reagoso (Jeff Beck, Johnny Winter, Deep Purple) and will be manufactured for a limited time on stunning translucent blue audiophile vinyl.


    To celebrate four decades of Foghat's Stone Blue, we further enhance this limited anniversary edition with a first time gatefold cover featuring the original artwork elements as well as rare gatefold featuring photos from the band's archives, as well as new commentary from co-founder and drummer Roger Earl.

    1. Stone Blue
    2. Sweet Home Chicago
    3. Easy Money
    4. Midnight Madness
    5. It Hurts Me Too
    6. High On Love
    7. Chevrolet
    8. Stay With Me
    Foghat
    $32.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Golden Butter: The Best Of The Paul Butterfield Blues Band Golden Butter: The Best Of The Paul Butterfield Blues Band Quick View

    $39.99
    Buy Now
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    Golden Butter: The Best Of The Paul Butterfield Blues Band


    The First Time Audiophile Vinyl 40th Anniversary Presentation Of Their Legendary Elektra Recordings


    Mastered Impeccably From The Original Elektra Records Tapes by Joe Reagoso at Friday Music Studios & At Capitol Records With Ron McMaster


    Features The Original Gatefold Cover Album Art & Essay by Tony Glover


    Along with fellow superstars Jefferson Airplane, Steve Miller Band and The Grateful Dead, The Paul Butterfield Blues Band was one of the first powerhouse rock acts of the sixties. With their phenomenal brand of Chicago blues music unlike any band before or after them, they helped to usher in the progressive underground rock movement.


    With its core line-up of Paul Butterfield (harmonica/lead vocalist), Mike Bloomfield (guitar), Elvin Bishop (guitar), Sam Lay(drums), Mark Nataflin (keyboards) and Jerome Arnold (bass), this amazing band truly delivered many legendary blues and rock recordings during their successful reign at Elektra Records.


    Blues masterpieces of the era still resonate today as Paul Butterfield and Co. foretold with their classic signature tunes like Born In Chicago, Look Over Yonders Wall, Mellow Down Easy and the mammoth blues prog-rocker East West. With the superstar talents that made up this band over the years, it was not uncommon to hear radio stations play entire sides of their revolutionary albums during the dawn of FM and underground radio.


    Later albums would reveal even further extensions of the blues rock genre with classic renditions like Marvin Gaye's One More Heartache, Michael Nesmith's Mary Mary, plus more of their own prolific standards like Last Hope's Gone, Morning Blues and of course their Woodstock 1969 anthem Love March.


    Elektra awarded The Paul Butterfield Blues Band and their huge fan base with a very extensive and amazing "Greatest Hits" package called Golden Butter back in 1972. Right from the start you get a healthy serving from their first monster release The Paul Butterfield Blues along with more solid tunes from other fine albums like East West, The Resurrection of Pigboy Crabshaw, In My Own Dream, Live and Keep On Movin'.


    Out of print on vinyl for many years, it is with great pride and honor to announce the first time 180 Gram Audiophile Vinyl release of The Paul Butterfield Blues Band classic Golden Butter - The Best Of The Paul Butterfield Blues Band on Friday Music.


    As a first installment in the Paul Butterfield/Friday Music 180 Gram Audiophile Vinyl Series, this amazing album features 18 of their most important songs from their legendary albums from1965 through 1973. From the early blues rock sounds of Shake Your Money-Maker and the lengthy live epic Driftin' and Driftin' to later day album radio favorites like Blind Leading the Blind, One More Mile and the pivotal Willie Dixon favorite Spoonful, this album truly shows the relevance and importance of this sorely missed iconic band.


    Mastered impeccably from the original Elektra Records tapes by Joe Reagoso at Friday Music Studios and at Capitol Records with Ron McMaster, this super limited edition album also boasts the original gatefold cover album art and wonderful essay by Tony Glover, not seen in years!


    The two HQ vinyl LP's are also protected by polylined sleeves as well as a polybag to help keep the album cover and albums in great condition for your blues collection.


    The Paul Butterfield Band Golden Butter First Time 180 Gram Audiophile Vinyl Sounding blusier than ever Nothin' But Some Of The Finest Blues Ever From Chicago exclusively from your friends at Friday Music! In My Own Dream

    LP 1
    1. Born In Chicago
    2. Shake Your Money-Maker
    3. Mellow Down Easy
    4. Our Love Is Drifting
    5. Mystery Train
    6. Look Over Yonders Wall
    7. East-West
    8. Walkin' Blues
    9. Get Out of My Life, Woman
    10. Mary, Mary


    LP 2
    1. Spoonful
    2. One More Mile
    3. One More Heartache
    4. Last Hope's Gone
    5. In My Own Dream
    6. Love March
    7. Driftin' and Driftin'
    8. Blind Leading the Blind

    The Paul Butterfield Blues Band
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • Trying To Live My Life Without You Trying To Live My Life Without You Quick View

    $16.99
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    Trying To Live My Life Without You

    Otis Clay is one of the premier deep soul and gospel singers working today. His raw, fiery vocals drive an energetic and danceable blend of soul, r&b and blues in the tradition of such deep soul singers as Otis Redding, Wilson Pickett and Solomon Burke.


    A master showman, Otis Clay stays in demand for festival and concert appearances in the U.S., Europe and Japan. Noteworthy recent appearances include headlining The 2006 Japan Blues and Soul Festival Tour, headlining the opening night and being Honorary President of The 2006 Blues Passions Festival in Cognac, France a special guest appearance at The Chicago Emmy Awards in Nov., 2006 and the 2007 Chicago Gospel Music Festival.


    Born in Waxhaw, Mississippi, Clay began his career in gospel singing with groups such as The Pilgrim Harmonizers, The Gospel Songbirds and the legendary Sensational Nightingales. His recording of When The Gates Swing Open was a hit in the mid-80's and is included on The Gospel Truth cd released on Blind Pig Records. Both When The Gates Swing Open and The Gospel Truth remain staples on gospel radio today. As a singer and producer, Otis Clay remains very active in gospel. Walk A Mile In My Shoes, a new cd featuring Otis' version of this classic song has been released on his own Echo Records label.


    Clay launched and established his career as a deep soul singer with his first recordings made in the mid-60s for George Leaner's One-derful label in Chicago. A series of hit singles including Trying To Live My Life Without You produced by Willie Mitchell in Memphis for Hi Records followed in the '70's. Otis has also recorded for the Cotillion, Kayvette, Elka and Rounder labels as well as his own Echo Records. The intensity and passion of his live shows are captured on Soul Man: Live in Japan (Rounder) and Respect Yourself (Blind Pig) recorded live at The Lucerne Blues Festival in Switzerland.


    A long time resident of Chicago's West Side, Otis Clay is actively involved as a board member of People For New Direction, a community-based non-profit creating economic initiatives to address a number of issues on the West Side. People For New Direction consists of West Side businessmen and women, doctors, ministers and others who believe strongly in giving something back to the community where they live and work.


    As Chairman of The Board of the non-profit Tobacco Road, Inc. (TRI, Inc.), Otis was heavily involved in the extensive planning, fundraising and development of The Harold Washington Cultural Center at 47th and King Drive which has served as the cornerstone for the revitalization and redevelopment of the historic Bronzeville neighborhood. The Cultural Center, which includes the state-of-the-art 1,000 seat Com-Ed Performing Arts Theatre, is built on the former site of The Regal Theatre, the legendary venue for national and Chicago-based r&b/soul, blues, jazz and comedy stars.


    Whether bringing audiences around the globe to their feet with his fiery brand of soul and gospel or working tirelessly with community and church leaders to provide better economic and cultural opportunities for West and South Side Chicago residents, Otis Clay has proven himself to be a national treasure.

    1. Trying To Live My Life Without You
    2. I Die A Little Each Day
    3. Holding On To A Dying Love
    4. I Can't Make It Alone
    5. That's How It Is
    6. I Love You I Need You
    7. You Can't Keep Running From My Love
    8. Precious Precious
    9. Home Is Where The Heart Is
    10. Too Many Hands
    Otis Clay
    $16.99
    Vinyl LP - Sealed Buy Now
  • Field Notes Field Notes Quick View

    $17.99
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    Field Notes

    Wil Blades Field Notes features guitarist Jeff Parker of Tortoise and drummer Simon Lott from New Orleans.


    "He is the future to carry on the legend, the legacy of the organ, of the B-3." - Dr. Lonnie Smith


    When Wil Blades sits down at the Hammond B3, count on inspired music to follow. The 34-year old, Chicago-native, Berkeley-based artist is a cornerstone organist of his generation-a modern voice in a lineage that includes giants like Richard "Groove" Holmes, Charles Earland and Brother Jack McDuff.


    Having studied at the feet of the legendary Dr. Lonnie Smith and played alongside the likes of John Lee Hooker, Melvin Sparks and Idris Muhammad, Blades has absorbed the spirit of the masters. His extensive collaborations also reflect the high regard in which he's held by contemporaries, including Stanton Moore, Anders Osborne and Nicholas Payton.
    Having released a critically acclaimed co-led duo album Shimmy with Medeski Martin & Wood drummer Billy Martin in 2012, Blades returns with a deeply soulful and sinuous nine-track effort, Field Notes, on which he's found fronting his own trio featuring Tortoise guitarist Jeff Parker and New Orleans' drummer Simon Lott.


    From the recording's outset, it's easy to picture Blades fingers free-flowing across the keys, feet gliding along the bass pedals in a continuous dance. Syncopation drives songs like "Miller's Time" and "Addis" as the trio locks in tight to a relentless groove. But there's also a refined harmonic vision and deep affection for melody on tracks like "(I Can't Stand) The Whole Lott of You" and "Dewey" where Blades' Clavinet adds a fresh sonic dimension to the proceedings. Shades of psychedelia are weaved within "Parks 'N' Wreck," while a tip of the hat to vintage soul jazz balladry informs "Forgetful" and classic pop swing is at the heart of "I Get The Blues When It Rains."


    In its sum, Field Notes is a masterful statement from an artist who's poised to keep the timeless sound of the Hammond B3 organ as vital and compelling today as it's ever been in the history of modern jazz and rock.

    1. Miller's Time
    2. (I Can't Stand) The Whole Lott of You
    3. Chrome
    4. Dewey
    5. Addis
    6. Park N' Wreck
    7. Forgetful
    8. Red Lanterns Are Blue
    10. I Get The Blues When It Rains
    Wil Blades
    $17.99
    Vinyl LP - Sealed Buy Now
  • Love Stuff Love Stuff Quick View

    $19.99
    Buy Now
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    Love Stuff


    "Blond and boisterous, music's newest hot chick" - Teen Vogue


    "Artist To Watch" - Esquire


    "Blown away by her voice" - Perez Hilton


    "Dangerously Catchy" - Entertainment Weekly


    Pop, blues, soul, and rock'n'roll singer/songwriter/guitarist/ banjoist Elle King announces today that her debut album LOVE STUFF will be released on RCA Records.


    Elle worked with acclaimed collaborators on LOVE STUFF including Jeff Bhasker (Fun., Kanye West, The Rolling Stones), Eg White (Adele, Sam Smith), Jacknife Lee (R.E.M., U2, Crystal Castles), Mark Ronson (Amy Winehouse, Bruno Mars, Paul McCartney), Martin Johnson, and Dave Bassett, among others.


    Her single "Ex's & Oh's" was #1 Most Added at AAA radio upon release and has received tremendous praise: Billboard raves "Mix Duffy's vocals, the Black Keys' urgent rhythms and a hook and tempo that recalls P!nk's So What, and you have Elle King's catchy and clever RCA debut." Perez Hilton writes: "She's like a modern-day Janis Joplin! Elle King is the real deal! A true talent!" Muumuse declares: "Elle King, the man eatin', shit talkin' spitfire of your dreams or nightmares. (Boys: You've been warned)."


    LOVE STUFF showcases Elle's powerful voice, tremendous songwriting, playful spirit, and bad-ass ways with lyrics that chronicle bad boyfriends, passionate relationships, and heartbreak.


    Elle has toured with Of Monsters and Men, Train, Ed Sheeran, Michael Kiwanuka, and many others. With the release of her critically acclaimed 4 track EP,THE ELLE KING EP, Elle made her network television debut with her single "Playing For Keeps" on the Late Show With David Letterman (click here to watch her performance).The track was featured as the theme song for VH1's "Mob Wives Chicago" and chosen for the national TV ad campaign for Mad Men. With the release of her EP, Elle has been featured by Esquire, Teen Vogue, Vanity Fair, Glamour, Entertainment Weekly, and many more.

    1. Where The Devil Don't Go
    2. Ex's & Oh's
    3. Under the Influence
    4. Last Damn Night
    5. Kocaine Karolina
    6. Song of Sorrow
    7. America's Sweetheart
    8. I Told You I Was Mean
    9. Ain't Gonna Drown
    10. Jackson
    11. Make You Smile
    12. See You Again
    Elle King
    $19.99
    Vinyl LP - Sealed Buy Now
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