Children

Released a few months before the 100th anniversary of Claude Debussy's (1862-1918) passing, this LP contains a recital full of poetry by the French pianist Samson François, a master in this repertoire in which he conveys to us a unique vision with his unrivaled touch.

Bob's Burgers premiered on the Fox network January 2011, and quickly became one of the most watched series on television. After enjoying the highest-rated new season premiere of the 2010-11 season, Bob's Burgers quickly settled into an average viewership of over 4 million per episode. The show has won an Emmy award and been nominated five times, including a current nomination for Outstanding Animated Program. It has inspired many popular spinoff items, including a recent, best-selling cookbook. With the seventh season set to premiere this fall, Bob's Burgers' cultural influence only grows.

Now comes The Bob's Burgers Music Album, featuring 107 songs from the first 107 episodes (all six existing seasons), plus five special cover versions of songs from the show. Originally broadcast within the episodes - and often in abbreviated form - these songs appear here in their freestanding glory for the first time.

• The album features the main cast members - Bob (Jon Benjamin) and Linda (John Roberts) and their children Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen Schaal) - singing original songs that build on the show's unique sense of humor.

• Also featured are many of the show's recurring and special guests, from comedians like Aziz Ansari, Sarah Silverman, Kevin Kline, Paul Rudd, Bill Hader, Zack Galifianakis, and Fred Armisen, to musical guests Cyndi Lauper and Carly Simon.

• Includes five never-aired "Bob's Buskers" cover versions of songs from the show performed by St. Vincent, the National, Lapsley, and Stephin Merritt of Magnetic Fields.

The film follows Ben Stiller and Naomi Watts as Josh and Cornelia, a childless New York married couple in their mid-forties. As their other friends all start having children, the couple gravitates toward a young hipster couple named Jamie (Adam Driver) and Darby (Amanda Seyfried). He's an aspiring documentary filmmaker, avocation Josh already has. Soon the older couple begins enjoying the energy they feel hanging out with the younger generation, but eventually Josh begins to suspect his new best friend might not be as straightforward
and trustworthy as he thought.

The soundtrack is filled with classics such as Paul McCartney's "1985," Lionel Richie's "All Night Long (All Night)," Survivor's "Eye of The Tiger," or David Bowie's "Golden Years" just to name a few. The score to the film comes courtesy of LCD Soundsystem's own James Murphy.

180 Gram Audiophile Vinyl + Insert

Classical Music On Vinyl Release: Packed In Sturdy PVC Collector's Bag

David Bowie Narrates Prokofiev's Peter And The Wolf (1978) is a classical music album containing David Bowie's narration of Sergei Prokofiev's 1936 composition Peter And The Wolf. The music is performed by the Philadelphia Orchestra conducted by Eugene Ormandy. The album reached number 136 on the US Pop Albums chart.

Side One contains the narration by David Bowie of public domain material originally written by Prokofiev. The second side of this LP features Eugene Ormandy conducting Benjamin Britten's Young Person's Guide To The Orchestra with the Philadelphia Orchestra. Ormandy and the aforementioned musicians from Philly also back up Bowie on side one.

Critics lauded the album, saying Bowie 'found his most charming guise since Hunky Dory.' He tells the well-known fable with his usual eloquence and style, and gives instructions at the beginning for kids to understand how the music corresponds to characters in the story. The accompaniment from the Philadelphia Orchestra is first rate.

The Music On Vinyl re-release includes detailed liner notes on the project by Mary Campbell, specifically geared to introduce children to the sounds of the individual instruments in the symphony orchestra. Both Prokofiev and Britten wrote their respective pieces with this aim in mind.

Pressed On 180 Gram Vinyl

Children of the Future is the debut album by American rock band Steve Miller Band, originally released in 1968 by Capitol Records.

Shone elaborates: "AUTHOR & PUNISHER's newest sonic endeavor combines elements of both machines and more traditional apparati to stretch and blur the dynamic palette from doom to industrial, to heavy bass music, and back again."

Adds Seventh Rule Recordings label head Scott Flaster: "The new AUTHOR & PUNISHER? On first listen I was thrown into a grey world where the bleakness of early industrial music layered with a heavier contemporary dirge. "

Van Halen's third record in as many years, Women and Children First doesn't surrender anything to its two famous predecessors. Eddie Van Halen, David Lee Roth, and company go for broke, amping up the energy and escalating the heaviness on a concise, hard-hitting 9-song set that also throws a few surprises into the mix.

Anchored by the one-two punch of And the Cradle Will Rock and Everybody Wants Some!!, the 1980 release marks the first and only time the group employed a female vocalist, as Nicolette Larson sings on the chorus during Could This Be Magic? In addition, the opening track features a phase-shifter-effected Wurlitzer piano being played through a 100-watt Marshall amplifier, the change in instrumentation a hint of the ambition that was to come.

Make no mistake: Women and Children First knows how to party hard, but there are also undercurrents of somber tension missing on the first two albums. Van Halen matures here and it's a welcome evolution, as confirmed by the power ballad In a Simple Rhyme and country-flavored Take Your Whiskey Home. But above all, this album rocks harder than any other VH effort.

No, the bottle of hairspray and liter of Jack Daniel's aren't included with this killer reissue, but cue this meticulously pressed LP up on a good system, turn up the volume, and the good time pleasures forever associated with early Van Halen come rushing back! Guaranteed.

Mastered from the original analog tapes and pressed at RTI, Rhino's new 180g LP brings brings the dynamics and punch of the fervent music into crystal-clear focus and also shines a spotlight on the group's trademarks: Roth's shuck-and-jive deliveries; Alex Van Halen's booming percussion; Michael Anthony's soulful bass; and of course, Eddie Van Halen's inimitable guitar heroics.

Rock on!

Mastered from the Original Analog Master Tapes by Bernie Grundman: Exceptional Sound Allows You to Savor the Wowing Solos and Moody Textures

Charles Mingus called this late-period 1972 set "the best album I have ever made." Even in the context of the giant's other masterpieces, it's hard to argue with that statement. Let My Children Hear Music is that kind of great.

A large-ensemble effort featuring enterprising arrangements, the record surrounds the bassist/composer with a tremendous orchestra and swirling, glorious structures bejeweled with volleying horns, elaborate solos, and introspective moodiness. The most valuable buried treasure in Mingus' distinguished catalog? Hear the songs for yourself, and decide. ORG Music, however, has made it much easier to arrive at an answer.

Why? The sound on this 180 gram 45RPM 2LP pressing, mastered from the original analog master tapes by Bernie Grundman, practically invites you into the studio. Given proper room, dimensions, and imaging, the instruments and the music they combine to produce, further exposes Mingus' genius and reminds us all once again why sonic transparency equates to emotional realism and soulful revelation. What a record.

Musicians:

• Snooky Young (trumpet)


• Jimmy Knepper (trombone)


• Julius Watkins (fruegel horn)


• Charles McPherson (alto saxophone)


• Jaki Byard (piano)


• Charles McCracken (cello)


• Ron Carter (bass)


• Charles Mingus (bass, composer, arranger)


• Dannie Richmond (drums)

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

As much spiritual adherents of black sounds as they were of black Islam, Fathers Children was born in the dirt and grime of Washington, D.C., and incubated in local producer Robert Hosea Williams less-than-immaculate suburban beltway garage. Hailing from the Adams-Morgan neighborhood, in 1973 Nick Smith, Billy Sumler, and Ted Skeet Carpenter created a lost document of gritty soul, concerned with its own time and place, stripped of the L.A. gloss that permeated the the groups own 1979 debut for Mercury.

Unreleased until now, Fathers Childrens true freshman offering is an amalgam of sunny vocal group harmonies, fuzz guitar solos, shimmering keys, bubbling percussion, spiritual prophecy, and dub experiments. Whos Gonna Save The World gets the full Numero treatment, with extensive notes and scores of unpublished photos. Deluxe LP edition includes the bonus 45, Linda Movement b/w Intellect.