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  • Rocks Rocks Quick View

    $22.99
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    Rocks

    Import


    This aptly titled collection digs back into the archaeology of Cliff Richard's career to celebrate the seething rock & roll with which he announced his arrival and which kick-started the rocking dreams of an entire generation of British kids.

    Side A:


    1. Move It
    2. High Class Baby
    3. My Feet Hit The Ground
    4. Livin Lovin Doll
    5. Mean Streak
    6. Never Mind
    7. Living Doll
    8. Dynamite
    9. Twenty Flight Rock
    10. The Snake and The Bookworm
    11. Mean Woman Blues
    12. Blue Suede Shoes


    Side B (live):


    1. Apron Strings
    2. My Babe
    3. Down the Line
    4. I Got A Feeling
    5. Baby I Dont Care
    6. Move It
    7. Ready Teddy
    8. Too Much
    9. Dont Bug Me Baby
    10. Thatll Be The Day
    11. Danny
    12. Whole Lotta Shakin Goin On

    Cliff Richard
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Deodato 2 (Speakers Corner) Deodato 2 (Speakers Corner) Quick View

    $34.99
    Buy Now
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    Deodato 2 (Speakers Corner)

    In his early years, Deodato, 'the gift of God', cultivated a highly original art of give and take in his music. His score for Stanley Kubrick's science fiction film A Space Odyssey 2001 - a funky, jazzed-up adaptation of Richard Strauss's bombastic orchestral work Also sprach Zarathustra - opened the ears of innumerable cinema-goers to classical music. On the present album Deodato again rocks and grooves with works from past eras: Gershwin's Rhapsody In Blue is reworked rhythmically and enriched, while Ravel's Pavane unfolds hesitatingly over a velvety carpet of sound. And why not win new fans for major musical works? Deodato, the master, and his complex musical apparatus impart a true Latin feeling to these covered works.


    The 'new' classic Nights In White Satin too, one of the most congenial gigantic hits from the 60s, is staged by Deodato as a miniature slow rock drama just as perfectly as he cultivates his own very pure funky style (Super Strut). In Deodato's arrangements, the powerful instrumental forces open out almost effortlessly and evolve into a gentle flow of sheer pleasure. Everything appears to be simple, although nothing is simple! And therein lies the uniqueness of 'the gift of God'.



    Musicians:



    • Eumir Deodato (keyboards)

    • Jon Faddis (trumpet, fluegel horn)

    • Wayne Andre (trombone)

    • Joe Temperley (bassoon)

    • Hubert Laws (flute)

    • John Tropea (guitar)

    • Stanley Clarke (bass)

    • Billy Cobham (drums)





    Recording: April and May 1973 at Van Gelder Studios, Englewood Cliffs, NJ (USA), by Rudy Van Gelder

    Production: Creed Taylor





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Nights In White Satin
    2. Pavane For A Dead Princess
    3. Skyscrapers
    4. Super Strut
    5. Rhapsody In Blue

    Deodato
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Arbitrage Arbitrage Quick View

    $15.99
    Buy Now
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    Arbitrage

    Directed by Nicholas Jarecki and starring Richard Gere - in the best performance of his career - Arbitrage tells the story of a troubled hedge fund magnate desperate to complete the sale of his trading empire. Cliff Martinez - who did the music for Drive -composed the beautiful and electronica driven score. IT features all the musical elements that have made Cliff Martinez one of the most interesting and sought after composer of our time. The soundtrack features also music by Bjork, Billie Holiday, Jobim/Getz and a great cover of My Foolish Heart.
    1. All Business
    2. Mistress
    3. Slow Mistress
    4. It's Not My Problem
    5. Involuntary Manslaughter
    6. Just Go Away
    7. Dad Are You Listening?
    8. This Is Not Going To Go Away
    9. Everything OK Sir?
    10. I'm Sorry
    11. What Would You Have Paid?
    12. I Need a Serious Favor
    13. He's using you
    14. This is Crazy
    15. Then I don't make it
    16. Last Chance
    17. What's He Offering You Now?
    18. Bring A Notary
    19. We Will Pick It Up Later
    20. After the Accident
    Cliff Martinez
    $15.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Soul Message Soul Message Quick View

    $21.99
    Buy Now
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    Soul Message

    A successful combination of swinging boogaloo rhythms and sincere, soulful soloing, Soul Message is an enduring good-time record and a true gem in
    organist Richard "Groove" Holmes' illustrious career. Recorded in 1965 at the Van Gelder Studio in Englewood Cliffs, NJ, this set more than lives up to
    "Groove's" middle name as the combo of Holmes, guitarist Gene Edwards, and drummer Jimmie Smith swing with carefree ease through two originals
    and four jazz standbys, including a smash hit version of "Misty." Jazz fans in search of some seriously swinging organ jazz need look no further than Soul
    Message - now available on vinyl.
    1. Groove's Groove
    2. Daahoud
    3. Misty
    4. Song For My Father
    5. The Things We Did Last Summer
    6. Soul Message
    Richard Groove Holmes
    $21.99
    Vinyl LP - Sealed Buy Now
  • The Besnard Lakes Are The Roaring Night The Besnard Lakes Are The Roaring Night Quick View

    $16.99
    Buy Now
    x

    The Besnard Lakes Are The Roaring Night

    With the aid of Besnard members Kevin Laing on drums and Richard White on guitar, The Besnard Lakes Are the Roaring Night is a dense, ambitious recording, experimenting, as always, with the studio as instrument. The album calls upon the influence of ELO and finer parts of the Alan Parsons Project in its orchestration. Still inspired by the Ghost of Beach Boys Past, the album is more Dennis Wilson than Brian, and more Peter Green Fleetwood Mac than Lindsay Buckingham. The album is a dark bliss-out that folds the eerie guitar epics of the Montreal band's breakthrough into a wall of affected drones and atmospherics, but with a toughened immediacy and grit that gives the form a much-needed shove over the cliffs, making for a haunting, provocative swan dive into the crushing tide.
    1. Like The Ocean, Like The Innocent Pt. 1: The Ocean
    2. Like the Ocean, Like The Innocent Pt. 2: The Innocent
    3. Chicago Train
    4. Albatross
    5. Glass Printer
    6. Land Of Living Skies Pt.1: The Land
    7. Land Of Living Skies Pt. 2: The Living Skies
    8. And This Is What We Call Progress
    9. Light Up The Night
    10. The Lonely Moan
    Besnard Lakes
    $16.99
    Vinyl LP - Sealed Buy Now
  • Freedom Suite Freedom Suite Quick View

    $21.99
    Buy Now
    x

    Freedom Suite

    A successful combination of swinging boogaloo rhythms and sincere, soulful soloing, Soul Message is an enduring good-time record and a true gem in
    organist Richard "Groove" Holmes' illustrious career. Recorded in 1965 at the Van Gelder Studio in Englewood Cliffs, NJ, this set more than lives up to
    "Groove's" middle name as the combo of Holmes, guitarist Gene Edwards, and drummer Jimmie Smith swing with carefree ease through two originals
    and four jazz standbys, including a smash hit version of "Misty." Jazz fans in search of some seriously swinging organ jazz need look no further than Soul
    Message - now available on vinyl.


    With 15 albums under his belt, Sonny Rollins was poised to make a bold statement with 1958's Freedom Suite. Sporting a Mohawk haircut on the inside
    cover, Rollins was driven by the political climate at the time, acknowledging and questioning his place in society as an African American in the midst of the
    Civil Rights Movement. In the nearly 20-minute long title track, comprised of five movements, Rollins and his longtime collaborators - drummer Max
    Roach and bassist Oscar Pettiford - were able to dig deep and explore the melodic structure. Side B is comprised of four Broadway showtunes and
    standards, which Rollins, Roach and Pettiford make their own. An inspired and vibrant boundary-pushing album.

    1. The Freedom Suite
    2. Someday I'll Find You
    3. Will You Still Be Mine?
    4. Till There Was You (Take 4)
    5. Shadow Waltz
    Sonny Rollins
    $21.99
    Vinyl LP - Sealed Buy Now
  • Straight Life (Pure Pleasure) Straight Life (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Straight Life (Pure Pleasure)

    Recorded between trumpeter Freddie Hubbard's better-known classics Red Clay and First Light, Straight Life is actually arguably Hubbard's greatest recording. Hubbard, joined by an all-star group that includes tenor saxophonist Joe Henderson, keyboardist Herbie Hancock, guitarist George Benson, bassist Ron Carter, and drummer Jack DeJohnette, is frequently astounding on Straight Life (check out that introduction) and Mr. Clean, constructing classic solos. The very memorable set is rounded off by the trumpeter's duet with Benson on a lyrical version of the ballad Here's That Rainy Day. This exciting album is essential for all serious jazz collections.



    Musicians:



    • Freddie Hubbard (trumpet, fluegel horn)

    • Joe Henderson (tenor saxophone)

    • Herbie Hancock (piano)

    • George Benson (guitar)

    • Ron Carter (bass)

    • Jack DeJohnette (drums)

    • Richard Pablo Landrum (percussion)

    • Weldon Irvine (tambourine)



    Recording: November 1970 at Van Gelder Studios, Englewood Cliffs, NJ (USA), by Rudy Van Gelder

    Production: Creed Taylor



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Straight Life
    2. Mr. Clean
    3. Here's That Rainy Day
    Freddie Hubbard
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • God Bless The Child (Pure Pleasure) (Out Of Stock) God Bless The Child (Pure Pleasure) (Out Of Stock) Quick View

    $34.99
    x

    God Bless The Child (Pure Pleasure) (Out Of Stock)

    Kenny Burrell's guitar artistry is well-documented in his years with Oscar Peterson and on his first dates as a leader on the Blue Note label, but God Bless The Child, his only date for CTI in 1971, is an under-heard masterpiece in his catalogue. Burrell's band for the set includes bassist Ron Carter, percussionist Ray Barretto, Richard Wyands on piano, flutist Hubert Laws, trumpeter Freddie Hubbard, and drummer Billy Cobham. CTI's house arranger, Don Sebesky, assembled and conducted the strings in a manner that stands strangely and beautifully apart from his other work on the label. Sebesky understood Burrell's understated approach to playing guitar. Burrell didn't belong with the fusioneers, but he could groove better than any of them. Sebesky built a moody, atmospheric soundscape behind him, one that was as impressionistic as it was illuminating of a player who could dig in and chop it up -- as he does on his own composition Love Is the Answer and Do What You Gotta Do -- and stroke it smooth and mellow as on the title track, the truly sublime Be Yourself, and Thad Jones' A Child Is Born. This is Burrell at his level best as a player to be sure, but also as a composer and as a bandleader. Magnificent.



    Musicians:



    • Kenny Burrell (guitar)

    • Freddie Hubbard (trumpet)

    • Hubert Laws (flute)

    • Hugh Lawson, Richard Wyands (piano)

    • Ron Carter (bass)

    • Billie Cobham (drums)

    • Ray Barretto, Airto Moreira (percussion)



    Recording: April & May 1971 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA

    Production: Creed Taylor



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Be Yourself
    2. Love Is The Answer
    3. Do What You Gotta Do
    4. A Child Is Born
    5. God Bless The Child
    Kenny Burrell
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • From A Whisper To A Scream (Pure Pleasure) (Out Of Stock) From A Whisper To A Scream (Pure Pleasure) (Out Of Stock) Quick View

    $34.99
    x

    From A Whisper To A Scream (Pure Pleasure) (Out Of Stock)

    One of Esther Phillips finest '70s releases, From A Whisper To A Scream is the first of seven albums the singer recorded for CTI offshoot Kudu. Arranged and conducted by Pee Wee Ellis, the December 1971 session also involved principal players such as bassist Gordon Edwards, drummer Bernard Purdie, percussionist Airto, guitarists Cornell Dupree and Eric Gale, keyboardist Richard Tee, and saxophonists Hank Crawford and David Liebman. Setting the tone for Phillips' Kudu era, Whisper offers a series of spacious, yet fully arranged ballads of burning heartache, along with a handful of relatively funky numbers that do nothing to compromise her talent, dishing out loads of classy grit. It's a definite point of departure from the likes of Esther Phillips Sings and And I Love Him!, her field of contemporaries closer to Al Green and Aretha Franklin than before. She grabs onto Home Is Where The Hatred Is, Gil Scott-Heron's most harrowing rumination on drug dependency -- which, at that point, wasn't even a year old -- as if it were her very own, and it's all the more poignant given its parallels with her own life. (It's meaning was only compounded by her death in 1984.) Though there is absolutely nothing lacking in the album's more energetic moments, it's still the ballads that shine brightest, like the alternately fragile and explosive From A Whisper To A Scream (Allen Toussaint) and a staggering Baby, I'm for Real (Marvin and Anna Gordy, made popular by the Originals) so vulnerable yet commanding that it really should've closed the album.



    Musicians:



    • Esther Phillips (vocal)

    • Pee Wee Ellis (arranger, conductor)

    • Hank Crawford (alto saxophone)

    • David Liebman (bassoon, flute)

    • Eric Gale (guitar)

    • Gordon Edwards (bass)

    • Airto Moreira (percussion)

    • Bernard Purdie (drums)




    Recording: December 1971 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA

    Production: Creed Taylor



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Home Is Where The Hatred Is
    2. From A Whisper To A Scream
    3. To Lay Down Beside You
    4. That's All Right With Me
    5. 'tTll My Back Ain't Got No Bone
    6. Sweet Touch Of Love
    7. Baby, I'm For Real
    8. Your Love Is So Doggone Good
    9. Scarred Knees
    Esther Phillips
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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