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  • Coexist Coexist Quick View

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    Anyone expecting a dense pop production won't find it in Angels, a ballad which feels a bit like an introduction to a more lavish song; if past hits like Crystalised were spare, then Angels is positively barren. Opening, characteristically enough, with a clean but woozy guitar, the new song doesn't get much more bombastic from there: A few snare taps and a low rumble join the most elemental guitar lines as the few adornments for Romy Madley Croft's naked expressions of devotion.

    You move through the room, like breathing was easy, she sings, adding, If someone believed me, they would be as in love with you as I am. A gentle love song made all the more disarming for its simplicity, Angels ratchets up the tension using the fewest possible ingredients.

    1. Angels
    2. Chained
    3. Fiction
    4. Try
    5. Reunion
    6. Sunset
    7. Missing
    8. Tides
    9. Unfold
    10. Swept Away
    11. Our Song
    The XX
    Vinyl LP - Sealed Buy Now
  • IV IV Quick View

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    Dub Trio is back with their fourth and most powerful album to date, IV, an overwhelming blend of sounds, styles and ideas that come out swinging, and hit harder than ever. Can metal coexist with dubs bass heavy rhythms? Dub Trios newest album proves that not only can such incongruities coexist, but that in the right hands they flourish!

    With IV the band succeeds dramatically at emphasizing the theories, emotions, sounds and concepts of their current musical exploration. IV finds the members playing multiple instruments, tweaking, turning and torturing knobs, cutting and chopping the audio itself, and shaping the compositions to create their own unique interpretation of dub as an art form.

    As go-to live musicians for both Mike Patton and Matisyahu, Dub Trio has also worked closely with Lady Gaga as her original showcasing band, 50 Cent and G-Unit, Mary J. Blige, Tupac, Yoko Ono, The Fugees, Lauryn Hill, Mos Def, Mobb Deep, and many more.

    1. En Passant
    2. Noise
    3. Swarm
    4. Control Issue Controlling Your Mind
    5. Ends Justify the Means
    6. Words
    7. Patient Zero
    8. 1:1.618
    9. Thousand Mile Stare
    Dub Trio
    Vinyl LP - Sealed Buy Now
  • Six Six Quick View

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    More than just a return to numerical album titles, Six is The Black Heart Procession's first album to be written and recorded simultaneously with a new Three Mile Pilot album. As both bands now coexist for the first time ever, coconspirators Pall Jenkins and Tobias Nathaniel have steered The Black Heart Procession into a darker, more adventurous direction. Produced and recorded by the band over the past couple years, Six is without a doubt the group's most emotionally resonant album since Three.
    1. When You Finish Me
    2. Wasteland
    3. Witching Stone
    4. Rats
    5. Heaven And Hell
    6. Drugs
    7. All My Steps
    8. Forget My Heart
    9. Liar's Ink
    10. Suicide
    11. Back To The Underground
    12. Last Chance
    13. Iri Sulu
    The Black Heart Procession
    Vinyl LP - Sealed Buy Now
  • Whine of the Mystic Whine of the Mystic Quick View

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    Whine of the Mystic

    Nova Scotia's Nap Eyes is the greatest band you've never heard, and Whine of the Mystic is their first full-length album, a brilliant small-batch brew of crooked, literate guitar pop refracted through the gray Halifax rain. Recorded live to tape with no overdubs, it's equal parts shambling and sophisticated, with one eye on the dirt and one trained on the starry firmament, inhabiting a skewed world where odes to NASA and the Earth's magnetic field coexist easily with songs about insomnia and drinking too much. Nap Eyes' keen sonic signature cruises briskly and beautifully along the dog-eared axes of jangle-jaded Oceanic pop music (The Clean, The Verlaines, The Go-Betweens), and through the backpages of Peter Perrett (The Only Ones, England's Glory), via all things Lou Reed and Modern Lovers, without ever sounding very much like anything else happening today.
    1. Dark Creedence
    2. Make Something
    3. Tribal Thoughts
    4. Delirium and Persecution Paranoia
    5. No Man Needs to Care
    6. Dreaming Solo
    7. Night of the First Show
    8. Oh My Friends
    9. No Fear of Hellfire
    Nap Eyes
    Vinyl LP - Sealed Buy Now
  • Doss Doss Quick View

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    Limited Edition Debut EP Of 1000

    500 Clear, 500 White Vinyl (Colors Shipped At Random)

    Heavy Card Sleeve With Gloss Finish

    Doss bursts forth into our reality by stepping sideways from one where the
    90s boom never ended - an alternate Earth of curved, shining surfaces and
    strobing colours.

    As a producer and singer exploring Electronica as a concept, Doss sidesteps
    the revivalist tag by reaching across genres, from trip hop and trance to liquid
    drum & bass and Eurodance, and warping them into something
    simultaneously nostalgic and futuristic.

    Perhaps what makes her music so vital is that she manages to avoid using her
    influences as obvious templates. Instead, she uses particular genre tropes as
    tools in a contemporary, almost EDM, context; a place where the synth
    melodies of Crystal Waters and Love, Inc. coexist with the slinking shuffle of
    LTJ Bukem and Fabio.

    Doss makes bold, emotional pop music that bursts with imagination. But
    beyond the sheen there is a complex fragility reminding us that glossy
    fantasies are just as interesting for their subtext..

    1. The Way I Feel
    2. Softpretty
    3. Here Tonight
    4. Extended Mix
    Colored Vinyl EP - Sealed Buy Now
  • White Women White Women Quick View

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    White Women

    We are officially on the cusp of the Canadian funk lords' fourth album's release. It's called White Women and it's a doozy. As a work of cultural theory, it posits that we are living in a post-nostalgia age. All previous genres and styles of music now coexist within a singularity of moves and gestures. (Ouch, sorry, got possessed by a cultural studies prof. for a second there but the foregoing is true of Chromeo, just FYI.) More importantly, as pure entertainment, White Women perpetuates and elevates Chromeo's existing blueprint: sexy funk, ass-targeting beats, melodic honey, and smart lyrics about the foibles of contemporary love.

    Chromeo is an electrofunk duo based in Montreal, Canada composed of P-Thugg on keyboards, synthesizers, and talk box, and Dave 1 on guitar and lead vocals. The two childhood friends jokingly describe themselves as the only successful Arab/Jewish partnership since the dawn of human culture.World leaders, powerful CEOs, and assorted other fat cats could learn myriad lessons from Chromeo, but the number one tip that Dave 1 and P-Thugg have is this: Know thyself, know thy vibe, and stay thy course. The rest of the population will catch up. What this means is that Chromeo is really good at being Chromeo. The mission, the package, the vision-it's been a straight shot of pure intentionality from the jump. These Chromeo dudes? They have the whole being-these-Chromeo-dudes thing totally wired.

    LP 1
    1. Sexy Socialite
    2. Jealous (I Ain't With It)
    3. Come Alive (feat. Toro Y Moi)
    4. Over Your Shoulder
    5. Lost On The Way Home (feat. Solange)
    6. Play The Fool

    LP 2
    1. Hard To Say No
    2. Ezra's Interlude (feat. Ezra Koenig)
    3. Old 45s
    4. Somethingood
    5. Frequent Flyer
    6. Fall Back 2U

    Vinyl LP - 2 LPs Sealed Buy Now
  • What Am I Doing What Am I Doing Quick View

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    What Am I Doing

    Debut Album From This Brooklyn Band

    Album Produced By Annabel Alpers Of Bachelorette (Drag City)

    Mixed By Adam Cooke (Beach House / Double Dagger)

    Lushes are a band born of tensions - between art and math,
    order and chaos, planning and chance. You can hear it in their
    songs - taut, twitching art-punk that balance anxiety and elation,
    often within the space of a few bars. Album opener Harsh glides
    along slowly, feeling like a moody and measured art-rock
    meditation until you zero in on the words in the chorus: Harsh on
    my ears, that's the way I like it. This is push-pull music, songs
    that temper the jagged fitfulness of groups like June of 44 and
    Slint with the soft-focus sweetness and open-ended song
    structures of The Sea & Cake and The Notwist.

    That moods so diametrically opposed can peacefully coexist is
    part of Lushes mystery and allure. That duality extends to the
    group's background. James Ardery and Joel Myers were living in
    worlds far removed from music, both working day jobs that
    neither of them enjoyed. Their personalities were different -
    James was outspoken and gregarious, Joel introverted and
    reserved. Their musical backgrounds were different: James grew
    up pillaging his father's record collection, getting turned on to
    Nirvana and Wu-Tang Clan by his older brother and attending
    hardcore shows by pioneering bands like Fugazi at 12 years old.
    Joel was formally trained, loving classical music but almost
    completely oblivious to rock and pop. The fusion of their disparate
    influences is what animates Lushes - the anarchy of punk and
    hardcore colliding with the precision of jazz to create music that is
    marvelously ordered while still feeling seconds away from
    detonation. That tension pulses throughout What Am I Doing, the
    group's warring influences making for music that feels brittle and

    1. Harsh
    2. One Right Word
    3. Traffic
    4. Warm Contagion
    5. Dead Girls
    6. Feastin
    7. Garden
    Vinyl LP - Sealed Buy Now
  • Elsewhere Elsewhere Quick View

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    In Elsewhere, the second full-length album by Moullinex, you get a window into the past's soul, funk, garage rock, Brazilian music - especially when it comes to percussion and flutes, which have an increasingly important role in its universe - these sounds come together and meet synths bursting with nostalgia for the future, all coexisting in perfect harmony and in such a way that never lets you forget for a second that the music is all coming from the same person.
    1. Trip Advisor
    2. Take a Chance
    3. Things We Do
    4. Elsewhere
    5. Don't You Feel
    6. Anxiety
    7. Lies pt. I
    8. Lies pt. II
    9. Can't Stop
    10. Widening Circle
    11. Sing My Heart Asleep
    Vinyl LP - Sealed Buy Now
  • See Mystery Lights See Mystery Lights Quick View

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    See Mystery Lights

    Limited Edition of 1000 Copies on White Vinyl

    Features Detailed Spot-Glass Artwork Exclusive to the Vinyl Version

    Brainy and block-rocking rarely coexist like this.
    -Entertainment Weekly

    Recorded in Marfa, Texas, YACHT's See Mystery Lights is an intimate party record that was captured in widescreen Technicolor. Singles include Summer Song and the sublimely catchy Psychic City, mixing electro and post punk rhythms seamlessly.

    Jona Bechtolt - founding member of YACHT, former member of the Blow - is a huge talent, something that may not have been readily apparent on any of his three previous LPs. Those albums, created largely as solo endeavors, will not have prepared listeners for See Mystery Lights. Now an official partnership between Bechtolt and Claire L. Evans, who performed on several songs on 2007's I Believe In You, Your Magic Is Real, YACHT finally feel like a full-fledged band with direction and vision, particularly given the added weight (or rather, levity) of Evans' influence.

    The songs on See Mystery Lights - from the bouncy, burbling you-can't-take-it-with-you screed The Afterlife (which plays like a less spastic companion piece to the Mae Shi's Run to Your Grave) to the roller rink-ready vocoder vocals of I'm In Love With a Ripper - represent YACHT at their most poppy. It's a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. Built on electronic foundations - laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) - these new songs are giddy with creative freedom while remaining tethered in service of their melodies. The vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics' mantra-like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

    1. Ring The Bell
    2. The Afterlife
    3. I'm In Love With A Ripper
    4. It's Boring / You Can Live Anywhere You Want
    5. Psychic City
    6. Summer Song
    7. We Have All We've Ever Wanted
    8. Don't Fight The Darkness
    9. I'm In Love With A Ripper (Party Mix)
    10. Psychic City (Version)
    Colored Vinyl LP - Sealed Buy Now
  • The Wilderness The Wilderness Quick View

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    The Wilderness

    Features An 8-Panel Gatefold Jacket With O-Card Slipcase

    The Wilderness is Explosions In The Sky's sixth album, and first non-soundtrack release since 2011's Take Care, Take Care, Take Care. True to its title, The Wilderness explores the infinite unknown, utilizing several of the band's own definitions of "space (outer space, mental space, physical geography of space) as compositional tools. The band uses their gift for dynamics and texture in new and unique ways-rather than intuitively fill those empty spaces, they shine a light into them to illuminate all the colors of the dark. From the electronic textures of the opening track to the ambient dissolve of closer "Landing Cliffs," The Wilderness is an aggressively modern and forward-thinking work-one that wouldn't seem the slightest bit out of place on a shelf between original pressings of Meddle and Obscured By Clouds. It is an album where shoegaze, electronic experimentation, punk damaged dub, noise, and ambient folk somehow coexist without a hint of contrivance-and cohere into some of the most memorable and listenable moments of the band's expansive body of work-"proper" studio albums and major motion picture soundtracks alike.

    The progressive ambience of early Peter Gabriel, the triumphant romanticism of The Cure in their prime, and the more melancholy moments of Fleetwood Mac all inform the curious beauty of The Wilderness. The uncanny ability to reconcile the tension between discordant, nightmarish cacophony and laid-back, Laurel Canyon-inspired folk-rock is a cornerstone of this album, and the center of Explosions In The Sky's remarkable evolution. If The Earth Is Not A Cold Dead Place was the defining album of Explosions In The Sky's career, The Wilderness is the band's [re]defining album.

    1. Wilderness
    2. The Ecstatics
    3. Tangle Formations
    4. Logic Of A Dream
    5. Disintegration Anxiety
    6. Losing The Light
    7. Infinite Orbit
    8. Colors In Space
    9. Landing Cliffs
    Explosions In The Sky
    Vinyl LP - 2 LPs Sealed Buy Now
  • Foxbase Alpha Foxbase Alpha Quick View

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    Foxbase Alpha

    "Foxbase Alpha" is the 1991 debut album by the British group Saint Etienne and it is a wonderful mix of both modern and retro influences with house music, ambient, samples and 60s pop coexisting easily for a unique sound not found anywhere else at the time. It is best known for their popular cover of Neil Young's "Only Love Can Break Your Heart". "Foxbase Alpha" had such an impact upon its release that it was nominated for the Mercury Prize eventually losing to Primal Scream's Screamadelica. This early 90s Britpop classic is now available on 180 gram vinyl from Plain Records.
    1. This Is Radio Etienne
    2. Only Love Can Break Your Heart
    3. Wilson
    4. Carnt Sleep
    5. Girl VII
    6. Spring
    7. She's The One
    8. Stoned To Say The Least
    9. Nothing Can Stop Us
    10. Etienne Gonna Die
    11. London Belongs To Me
    12. Like The Swallow
    13. Dilworth's Theme
    Saint Etienne
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Thought It Was Us But It Was All Of Us I Thought It Was Us But It Was All Of Us Quick View

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    I Thought It Was Us But It Was All Of Us

    Inlcudes Art Print Poster

    New Project Led By Montreal Cellist Rebecca Foon


    • Features Jamie Thompson (UNICORNS) and Guest Players from LITTLE SCREAM, PATRICK WATSON BAND

    • Recorded and Mixed by Grammy-Winning Engineer
    Mark Lawson (ARCADE FIRE)

    Saltland is the new project led by Montreal-based cellist Rebecca Foon, best
    known as a founding member of contemporary chamber group Esmerine and a former
    member of Thee Silver Mt. Zion and Set Fire To Flames. Foon began composing solo
    work in 2010, featuring multi-layered cello and hushed vocals at the intersection of
    drone, no-wave, improv, dream-pop and minimalism. Joined by Jamie Thompson
    (Unicorns, Esmerine) on miniature percussion, programming and signal processing,
    Foon's live performances in Montreal and abroad over the past two years have seen
    her sound progress towards gently rhythmic and electronic territory as well. She has
    transfixed audiences with this new music while sharing the stage with Mary Margaret
    O'Hara, Julia Kent, Nat Baldwin and Sam Amidon, among others. As her largely homerecorded debut album began taking shape throughout 2011, with numerous guests
    contributing to various pieces, Foon adopted the Saltland moniker for this work.

    I Thought It Was Us But It Was All Of Us is a beautifully restrained debut
    album that telescopes the directness and economy of Foon's compositional and vocal
    styles into lush, twilight atmospheres aglow with luminescent tendrils and flickering
    particles. Foon sings of childhood innocence lost, of tender utopic reveries and
    downcast dystopic horizons, and the search for soft, stoic strength in a darkening,
    devolving world. Foon's voice is discreet but defined, drifting on buoyant currents of
    sound sourced from her plucked and bowed cello lines, in most cases propelled by
    Thompson's bespoke percussion and understated programming/processing, with
    touches of guitar, bass, horns, woodwinds, strings and backing vocals added by a cast
    of supporting players. The record unfurls like a gauzy flag in a restless breeze at dusk:
    a delicate, resolute sentinel set against the fading light.

    The album's ambience also owes much to the work of Mark Lawson, the awardwinning engineer (Arcade Fire) who collaborated closely with Foon to record and mix
    these songs at Six Saint V, her apartment studio in Montreal. Lawson, along with
    friend and percussionist Thompson, helped to forge a balance between lo-fi intimacy
    and shimmering breadth with these recordings, remaining faithful to the all-anologue
    instrumentation of the source material while judiciously deploying signal processing
    strategies to subtly refract, saturate and expand the sonic landscape. With
    contributions from Laurel Sprengelmeyer and Jess Robertson (Little Scream), Mishka
    Stein (Patrick Watson), Colin Stetson (Bon Iver), Sarah Neufeld and Richard Reed Parry
    (Arcade Fire) among others, Saltland offers up an unassumingly immersive debut
    album of searching songs that blend several core influences into a distinctively
    naturalistic sound. Saltland stakes out an unaffected, meditative, clear-eyed and
    earnest space where minimalism, dream-pop, drone, shoegaze, confessional folk,
    modern chamber and ambient/electronic coexist and coalesce.

    1. Golden Alley
    2. I Thought It Was Us
    3. Treehouse Schemes
    4. Unholy
    5. But It Was All Of Us
    6. Colour The Night Sky
    7. ICA
    8. Hearts Mend
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dreamland Dreamland Quick View

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    Natalie Bergman has had her picture taken on countless occasions -- hundreds of studio portraits and live shots and backstage festival snaps. But the simple, gorgeous black & white photo of Bergman on the cover of Wild Belle's Dreamland that she describes as just me and this sort of abyss That one was lensed by the person who best knows how to capture her essence on celluloid: Her older brother and bandmate, Elliot Bergman. Besides being Wild Belle's multi-instrumentalist extraordinaire, Elliot has an equally impressive flair for visual arts, from painting and sculpture to bronzemaking and photography. An avid collector of vintage cameras, Elliot brought along a recently acquired Polaroid Land Camera to a show Wild Belle played in Denver this summer: The duo grabbed a quick moment at their hotel to take the portraits of each other that grace the front and back of their new record. The pictures Elliot takes of me are always really beautiful and it's because he knows me better than anyone else on this Earth, says Natalie. Adds Elliot: I like that it's a photo of Natalie just being Natalie. And the stark contrast of her in the foreground with the dark background really fit with these collages she has been doing. Natalie is in the light but the shadows are pretty heavy and you can't really tell where she is or what's back there.

    Recorded at studios in their native Chicago, Natalie's new home of Los Angeles, Nashville and Toronto, Dreamland -- Wild Belle's bold, evolutionary new album -- derives from an era in the singer's life when she was struggling to get control of what she describes as the anger and deep sorrow that plagued her at the end of her most recent romantic relationship. For a woman whose music has always been inspired by her desire to translate her complicated feelings into immediately relatable songs, there was certainly plenty of grist for the mill. Dreamland tracks such as Losing You and It Was You (Baby Come Back) offer glimpses of the darkness that Natalie battled during the early months writing for the duo's sophomore full-length. But there are also genuine moments of lightness and ecstatic triumph, like Giving Up On You -- an irresistibly kinetic, punk number Wild Belle recorded with TV On The Radio's Dave Sitek producing.

    I was very heated when we were making this record. My body, my heart and my soul were filled with a flame, which sounds very dramatic but it's the truth, says Natalie. I had a healing moment when I moved to LA earlier this year, because I was far away from my ex and I felt like I was getting rid of a lot of baggage. That was the redemptive, triumphant time for my lyrics. On 'Giving Up On You,' I sing: 'Now I smile so bright, you can see me from outer space, look at me shine. Baby it's about time, I was so miserable and now I feel so alive.' All the songs I wrote near the end of making the album have that sentiment: 'Now look at where I am, after all the turmoil that was inside of me, I'm here and I'm happy and I'm ready for whatever comes my way.'

    The follow-up to 2013's Isles, Dreamland expands the band's ambitions in every way. It's deeper, it's more fun, it's more haunting, it's got more grooves, Elliot says. There's sorrow and pain but there's also hope and joy -- all those things can coexist in the songs because they coexist in life. He continues: Dreamland, that's not some kind of idealized notion of where we live and I hope people hear that as a question: What is the Dreamland What is our dream here The album doesn't get overtly political, but we're dealing with a lot of the things that are dark about what's happening now. 'Throw Down Your Guns' is about a relationship but is also kind of about the messed up situation that we're in right now. The chorus, 'Throw down your guns / In the name of love, I put my hands up,' to me can be heard in a number of ways, including as a prayer for peace or a cry out against violence.

    Importantly, the album also shares its name with one of the first songs Natalie remembers Elliot introducing her to: Bunny Wailer's 1970 reggae classic, Dreamland. One year for Christmas, he gave her a compilation of female artists who recorded at Jamaica's legendary Studio One, and it included Della Humphrey's version of the song. Natalie listened to it over and over and over again. I was so in love with it, she says. From there, I started my exploration of rocksteady and ska and lovers rock and anything that had to do with Jamaican music from the Fifties onward.

    The duo started writing music together several years ago, after Elliot took a sixteen year-old Natalie on tour to play percussion with his acclaimed Afrobeat ensemble, NOMO. I can present a song to Elliot and he has this foresight -- he can see things further than I see them, and he helps me realize things, she says. I'd been writing very simple melodic love songs since I was fifteen years old. I definitely have a pop sensibility in my style, and that's a great platform for Elliot to work from, because it's fun for him to have a cool little pop song and combine it with more eccentric sounds and make it into a weird, unique percussive jam. Sometimes he'll bring the jam to me and because we've got this routine together, we can write a song together wherever we are.

    Work on the album began in early 2014, in Chicago. The song that opens Dreamland -- Mississippi River -- was also the first one to come together in the studio. It was sparked by a moment of musical serendipity: The record starts with this pulsing ARP drone, says Elliot, which is a very expensive esoteric nerdy synthesizer that's complicated to program. Natalie and I had this weird, symbiotic thing where I was playing three chords off the ARP and she started playing different three chords on this out-of-tune autoharp she brought over. They were both completely in the wrong key, and yet perfectly in tune with each other. That was like the new bar for the record. It was like, 'Yeah, we're going to put synthesizers and saxophone and kalimbas on these songs, and we're going to have lavish string arrangements if we want to. We were getting comfortable with all of the materials that we love, and being like, 'I love this, so let's do it.

    They tracked several songs at home in Chicago last year, and then at the start of 2015, Natalie packed all of her belongings into the Wild Belle van and drove from Chicago to Venice, California. She rented a house where Elliot joined her a couple weeks later. When I had my place in Venice, Elliot would wake up earlier than I would and start making dope beats, says Natalie. One day he made this ridiculous song, 'The One That Got Away,' and the beat and underlying track were so exciting that it didn't take very long to write. Our friends came over and were jumping on the tabletops, dancing, getting naked because they loved the song so much.

    Playing the new songs at Lollapalooza for the first time with an eight-piece band, says Elliot, I had a feeling onstage that I'd never had before with Wild Belle, where you're part of a sound that's much bigger than you could make on your own. It's this charged-up badass feeling. It's about a groove and rhythmic energy and force and momentum and making a big, dark, deep sound -- something that moves people and makes you want to dance and makes you want to shout. It's tapping into a deeper musicality that I've always been looking for.

    1. Mississippi River
    2. Losing You
    3. Dreamland
    4. Coyotes
    5. Cannonball
    6. Giving Up On You
    7. It Was You
    8. Throw Down Your Guns
    9. The One That Got Away
    10. Our Love Will Survive
    11. Rock & Roll Angel
    Wild Belle
    Vinyl LP - Sealed Buy Now
  • Villains Villains Quick View

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    Housed In a Gatefold With Two Inner Sleeves & A Lyric Sheet

    Etching On Side 4 (No Music)

    The title Villains isn't a political statement. It has nothing to do with Trump or any of that shit. It's simply 1) a word that looks fantastic and 2) a comment on the three versions of every scenario: yours, mine and what actually happened Everyone needs someone or something to rail against-their villain-same as it ever was. You can't control that.The only thing you can really control is when you let go.-Joshua Homme

    Hundreds of epic shows, memory lapses, unexplained injuries, one yearlong detour with Iggy Pop and multiple Grammy nominations later, Queens Of The Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, set for release on Matador Records.

    Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens Of The Stone Age since 2013's Like Clockwork gave the band its first #1 albumin the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took Like Clockwork around the world and back are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. As Homme himself puts it, The most important aspect of making this record was redefining our sound, asking and answering the question 'what do we sound like now?' If you can't make a great first record, you should just stop-but if you can make a great record but you keep making records and your sound doesn't evolve, you become a parody of that original sound.

    Longtime Queens cohort co-producer Mark Rankin added, After the baptism of fire that was Like Clockwork,I was excited to get into the studio again with the challenge of pushing the sound for this record, especially with the addition of Ronson into the creative mix What we've made is forward looking yet unmistakably Queens.

    LP 1
    1. Feet Don't Fail Me
    2. The Way You Used to Do
    3. Domesticated Animals
    4. Fortress
    5. Head Like a Haunted House
    6. Un-Reborn Again

    LP 2
    1. Hideaway
    2. The Evil Has Landed
    3. Villains of Circumstance

    Queens of the Stone Age
    Vinyl LP - 2 LPs Sealed Buy Now
  • Light Information Light Information Quick View

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    Light Information

    Nobody cared about their old heads, because the new ones work just fine now, don't they?.... they have the same size mouth and eyes.

    The song Old Heads is a sci-fi space anthem to technology that constantly replaces itself, proving both necessary and unnecessary at the same time. It's also a jangly pop gem, a trip through the fantastical that is ultimately warm and relatable. This remarkable coexistence is one of many achievements of Chad VanGaalen's Light Information, his sixth record on Sub Pop.

    For an album that's about not feeling comfortable with really anything, as VanGaalen says, Light Information is nonetheless a vivid, welcoming journey through future worlds and relentless memories. The rich soundscapes and sometimes jarring imagery could only come from the mind of a creative polymath--an accomplished visual artist, animator, director, and producer,VanGaalen has scored television shows, designed puppet characters for Adult Swim, directed videos for Shabazz Palaces, Strand of Oaks,METZ, Dan Deacon, and The Head and the Heart, and produced records for Women, Alvvays, and others.

    While alienation has always been a theme of VanGaalen's music,Light Information draws on a new kind of wisdom--and anxiety--gained as he watches his kids growing up. Being a parent has given me a sort of alternate perspective, worrying about exposure to a new type of consciousness that's happening through the internet, he says. Throughout the dark-wave reverb of Light Information are stories of paranoia, disembodiment, and isolation--but there's also playfulness, empathy, and intimacy.

    The product of six years' work, going back even before 2014's Shrink Dust, Light Information emerged from the experimental instruments that fill VanGaalen's Calgary garage studio. As always, VanGaalen wrote, played, and produced all of the music on Light Information(save Ryan Bourne's bass part on Mystery Elementals and vocals onStatic Shape from his young daughters Ezzy and Pip), and designed the cover art.

    1. Mind Hijacker's Curse
    2. Locked in the Phase
    3. Prep Piano and 770
    4. Host Body
    5. Mystery Elements
    6. Old Heads
    7. Golden Oceans
    8. Faces Lit
    9. Pine and Clover
    10. You Fool
    11. Broken Bell
    12. Static Shape
    Chad Vangaalen
    Vinyl LP - Sealed Buy Now
  • Villains (Deluxe Edition) Villains (Deluxe Edition) Quick View

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    Villains (Deluxe Edition)

    Deluxe LP Pressed On Heavyweight 180-Gram Vinyl At Pallas

    Includes 14 Lyric Inserts

    Housed In a Gatefold With Pocket To Hold 14 Lyric Inserts

    Etching On Side 4 (No Music)

    The title Villains isn't a political statement. It has nothing to do with Trump or any of that shit. It's simply 1) a word that looks fantastic and 2) a comment on the three versions of every scenario: yours, mine and what actually happened Everyone needs someone or something to rail against-their villain-same as it ever was. You can't control that.The only thing you can really control is when you let go.-Joshua Homme

    Hundreds of epic shows, memory lapses, unexplained injuries, one yearlong detour with Iggy Pop and multiple Grammy nominations later, Queens Of The Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, set for release on Matador Records.

    Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens Of The Stone Age since 2013's Like Clockwork gave the band its first #1 albumin the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took Like Clockwork around the world and back are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. As Homme himself puts it, The most important aspect of making this record was redefining our sound, asking and answering the question 'what do we sound like now?' If you can't make a great first record, you should just stop-but if you can make a great record but you keep making records and your sound doesn't evolve, you become a parody of that original sound.

    Longtime Queens cohort co-producer Mark Rankin added, After the baptism of fire that was Like Clockwork,I was excited to get into the studio again with the challenge of pushing the sound for this record, especially with the addition of Ronson into the creative mix What we've made is forward looking yet unmistakably Queens.

    LP 1
    1. Feet Don't Fail Me
    2. The Way You Used to Do
    3. Domesticated Animals
    4. Fortress
    5. Head Like a Haunted House
    6. Un-Reborn Again

    LP 2
    1. Hideaway
    2. The Evil Has Landed
    3. Villains of Circumstance

    Queens of the Stone Age
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Cast The First Stone Cast The First Stone Quick View

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    Cast The First Stone

    Pressed On Camo Green Vinyl

    Death metal is more than just music. It transcends such a limited mortal state of mind. Death metal is the aural expression of humanity's darkest side, of devastation, sorrow and the harbingers of mankind's own inhumanity and ultimate destruction. Death metal is not a trend, a fashion parade or a means to an end. It is much more than that. It is a way of life. A life in death.

    This is the doctrine Italy's HOUR OF PENANCE, spewn forth with unrelenting musical ferocity through their sickening, mind-obliterating auditory assault on the senses.

    Forged in the dark shadows of "The Holy Capital," this most unholy of quartets have steadily been making a name for themselves as one of the most intense, talented and impressive modern death metal bands both in-studio and onstage.

    Like clockworks Hour of Penance is ready to release "Cast the First Stone" as the follow-up of his last successful album Regicide. Releasing an album every 2 years, the band has been described by the fans and worldwide press as one of the most "productive" band in the genre, "Cast the First Stone" will mark album number 7 in the band's career .

    Singer Paolo Pieri describes the concept of the new album : "Cast the First stone" revolves around the idea that the injustices suffered during the Crusades and Colonialism cannot justify indefinitely a chain of hate that propagandize the destruction of the West. I believe that the political situation in recent years has brought to light again a millennial conflict between West and East, and events like the terrorist attack at the Bataclan, where we only played a few months before the massacre, have influenced the lyrics on this record very much.

    It does not matter who has thrown the first stone, but who first evolved his ideology to seek peace and coexistence instead of war to the bitter end. In Europe, people have massacred each other for millennia but in the last 60 years, we were able to overcome differences and secular hatred that divided us, while the blind hatred of Islamic extremism is bringing entire geographic areas back to the darkest middle ages.

    We find ourselves once again in front of a war between reason and religion, and unless we take a strong stand in defense of our Western values, we risk falling into chaos because of a weak and coward enemy stubbornly convinced of his senseless laws."

    Lead guitarist and songwriter, Giulio Moschini, adds : "Sonically speaking , this is the best sounding album we've ever recorded , we really worked hard on this, listening to the album countless times before finally delivering the masters to Prosthetic Records.. it was definitely worth the wait and we're 100% satisfied by the great work our bass player Marco Mastrobuono has done behind the mixing desk. We've literally spent weeks trying different micing techniques, hardware, preamps- trying to avoid plugins technologies as much as we could. We wanted our album to sound more dynamic and I think that we've achieved that 100%. "

    Since releasing 2012's acclaimed "Sedition", which Decibel lauded as a "hyper-blasting, inhuman, machine-like attack," HOUR OF PENANCE has annihilated fans worldwide with its fiery exuberance, playing well over 200 gigs alongside such acts as BEHEMOTH, SKELETONWITCH, CANNIBAL CORPSE, THE BLACK DAHLIA MURDER, DEVILDRIVER, PSYCROPTIC, MISERY INDEX, DEICIDE, BELPHEGOR, NILE and KRISIUN.

    1. XXI Century Imperial Crusade
    2. Cast the First Stone
    3. Burning Bright
    4. Iron Fist
    5. The Chains of Misdeed
    6. Horn of Flies
    7. Shroud of Ashes
    8. Wall of Cohorts
    9. Damnatio Memoriae
    Hour Of Penance
    Colored Vinyl LP - Sealed Buy Now
  • Paradise & Lunch Paradise & Lunch Quick View

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    Paradise & Lunch

    Desert Island-Worthy Paradise and Lunch Will Renew Your Faith in Music: Diverse 1974 Ry Cooder Set Comes on Like a Secret History of Song, Features Exquisite Interplay and Inspirational Harmonies

    Paradise and Lunch Mastered on 180g Vinyl from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity LP Graced With Organic Sound

    Ry Cooder's exceptional Paradise and Lunch takes a popular precept - music as the common denominator across all languages and styles - to extremes few artists have envisioned let alone fulfilled. Considered by many diehards to be the California native's finest hour, the 1974 set unfurls with rarified levels of joyousness, ingenuity, and sophistication. A prime contender for any Desert Island list and an album that repeatedly restores your faith in the inimitable effects experienced upon listening to special performances, Paradise and Lunch is an eternal musicians' musician record - an adventurous, ambitious, soulful leap down roads well-traveled and paths less known.

    Such eclecticism, virtuosity, and ebullience resonate with unmatched verve on Mobile Fidelity's 180g LP reissue. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, this vinyl LP boasts dead-quiet surfaces, superb transient response, front-to-back soundstaging, and an organic immediacy that heightens the enjoyment, character, and craft of the arrangements. Cooder's inspired guitar playing sounds tremendously lifelike, replete with proper scale, full-bodied tones, and a sense of decay that presents the trail ends of each note. Horns pop with three-dimensional detail and brassy colors. Akin to the contributions of all the all-star participants, Jim Keltner's percussion benefits from added stability and depth. Paradise and Lunch has never been more transparent.

    On the surface a collection of seemingly disparate jazz, blues, spiritual, and roots songs, the diversified album comes across as a secret history of music. It remains a paragon of seamless convergence in which sonic DNA differences reveal shared traits and quilt a fabric united by feeling, reinvention, and elation. Beginning with a recast rendition of a traditional folk number, Tamp 'Em Up Solid, believed to be a close descendant of the group-vocal tune sung by field hands when they stacked bales of cotton, and ending with a stirring stripped-down cover of Arthur Blake's Ditty Wah Ditty - a show-stealing duet sent up with just an acoustic guitar and jazz icon Earl Fatha Hines' spritely walking-the-line piano riffs - Paradise and Lunch charms with exquisite interplay, inspirational harmonies, and innate flair.

    At no point do the experimentations sound forced, artificial, or retro. Cooder transforms what initially appear to be obscurities into coherent, approachable songs that could have been recorded yesterday - or decades ago. In his world, a marvelous reggae-spiced and R&B-driven rendition of Bobby Womack's It's All Over Now coexists with a sanctified, harmony-based march through the gospel hymn Jesus on the Mainline anchored by restrained Dixieland accents and tolling bells. Another standard, albeit more modern, Burt Bacharach's Mexican Divorce strolls across dusty plains via gently clopping beats, shimmering Spanish motifs, and sympathetic support vocals.

    Cooder also turns up the electricity a smidge for his idea of Bobby Miller's If Walls Could Talk, a melodic snapshot of doo-wop shot through with reverb-drenched grooves. He rains funky vibes, chicken-scratch slide guitar, and churchgoing lessons down on a top-to-bottom remake of Blind Willie McTell's Married Man's a Fool, the revision evocative of the imagination, proficiency, and blending that help make Paradise and Lunch an absolute must-own album - and now, an audiophile choice for those wished-for Desert Island trips.

    This title is not eligible for discount.

    1. Tamp 'Em Up Solid
    2. Tattler
    3. Married Man's a Fool
    4. Jesus on the Mainline
    5. It's All Over Now
    6. Fool for a Cigarette/Feelin' Good
    7. If Walls Could Talk
    8. Mexican Divorce
    9. Ditty Wah Ditty
    Ry Cooder
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Chambers Chambers Quick View

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    An album for piano and string quartet, CHAMBERS re-imagines Romantic-era chamber music as today's addictive pop. Gestures from rap, ambient, easy listening and the avant-garde co-exist as always in Chilly Gonzales' musical universe - this time with strings attached!
    1. Prelude To A Feud
    2. Advantage Points
    3. Sweet Burden
    4. Green's Leaves
    5. Freudian Slippers
    6. Solitaire
    7. Odessa
    8. Sample This
    9. The Difference
    10. Cello Gonzales
    11. Switchcraft
    12. Myth Me
    Chilly Gonzales
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Final Tour: Copenhagen, March 24, 1960 The Final Tour: Copenhagen, March 24, 1960 Quick View

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    The Final Tour: Copenhagen, March 24, 1960

    Showcasing the musical chemistry shared by Miles and Trane and lets fans experience the magic of both artists at the peak of their collective powers. Miles and Trane each implemented their own jazz revolutions at the time of this concert and the electrifying sonic frisson produced by the sometimes competing/sometimes intertwining music visions of these artists perplexed contemporary jazz fans

    As quoted by music historian Ashley Kahn, "it's not that the band members were so much apart, but rather that each were more themselves within the same unit - that divergence could co-exist and make music together."

    Focuses on the final chapter in the landmark collaboration between Davis and Coltrane.

    1. Introduction (Live from Tivoli Konsertsal, Copenhagen)
    2. So What (Live from Tivoli Konsertsal, Copenhagen)
    3. On Green Dolphin Street (Part 1) (Live from Tivoli Konsertsal, Copenhagen)
    4. On Green Dolphin Street (Part 2) (Live from Tivoli Konsertsal, Copenhagen)
    5. All Blues (Live from Tivoli Konsertsal, Copenhagen)
    6. The Theme (incomplete) (Live from Tivoli Konsertsal, Copenhagen)
    Miles Davis
    Vinyl LP - Sealed Buy Now
  • The College Dropout (Awaiting Repress) The College Dropout (Awaiting Repress) Quick View

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    The College Dropout (Awaiting Repress)

    Voted Best Album of 2004 by Rolling Stone and the Village Voice's Pazz & Jop Poll!

    On the most impressive and game-changing hip-hop debut since the early 90s, Kanye West magically sledgehammers home opinions on taboo topics over beats that are equally daring. The envelope-ripping beats shouldn't come as a surprise, given that he's supplied the soundscapes to monster singles by everyone from Alicia Keys ("You Don't Know My Name") to Talib Kweli ("Get By"). In West's world, rhymes about strippers, God, college life, and urban ills co-exist tidily and never come off as parodic.

    With jaw-dropping cameos from Jay-Z, Common, Mos Def, John Legend, and the Harlem Boys Choir, College Dropout is as explosive, provocative, and complex as rap gets.

    1. Intro

    2. We Don't Care

    3. Graduation Day

    4. All Falls Down

    5. I'll Fly Away

    6. Spaceship

    7. Jesus Walks

    8. Never Let Me Down

    9. Get Em High

    10. Workout Plan

    11. The New Workout Plan

    12. Slow Jamz

    13. Breathe in Breathe Out

    14. School Spirit Skit 1

    15. School Spirit Skit 2

    16. Lil Jimmy Skit

    17. Two Words

    18. Through the Wire

    19. Family Business

    20. Last Call
    Kanye West
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • It's All Just Pretend It's All Just Pretend Quick View

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    It's All Just Pretend

    Seattle-based five-piece rock combo Ivan & Alyosha are finally complete, having organically grown from the original duo of Tim Wilson and
    Ryan Carbary, adding Tim's brother Pete and Tim Kim, then drummer Cole Mauro as a full-time member for their sophomore Dualtone Records
    album, It's All Just Pretend, an uplifting exploration of the things that fuel their classic sound, steeped in the verities of family, faith and existential
    doubt. On It's All Just Pretend, Ivan & Alyosha continue to make timeless music that shows that rock and domestic bliss can indeed co-exist,
    as they overcome any obstacles by the sheer joy of their roles -- not only as performers, but brothers, husbands, fathers and sons.
    1. Something Is Wrong
    2. Bury Me Deep
    3. All This Wandering Around
    4. It's All Just Pretend
    5. Tears In Your Eyes
    6. Oh This Love
    7. Come Rain, Come Shine
    8. Modern Man
    9. Drifting Away
    10. Let Me Go East
    11. Don't Lose Your Love
    Ivan & Alyosha
    Vinyl LP - Sealed Buy Now
  • Scoop 3 Scoop 3 Quick View

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    Scoop 3


    In a world of trendy popsters, the King of Rock Royalty emerges solo with a new masterpiece. Scoop 3 is a continuation of Townshend's infamous Scoop projects, proving that carefully orchestrated lullabys, such as I Think I Like It the Way It Is, can co-exist with the cutting, raw power of bedroom style recording in Dirty Water. Townshend miraculously brings to life a notebook of his art in a fashion that may seem a bit unorthodox to some, but fully realized to devoted music lovers of all ages.

    This three LP set offers many moods to travel through, only to realize that Townshend is still a sure bet when it comes to pleasure, beauty, and intensity.

    LP 1
    1. Can You See The Real Me
    2. Dirty Water
    3. Commonwealth Boys
    4. Theme 015
    5. Marty Robbins
    6. I Like It The Way It Is
    7. Theme 016
    8. No Way Out (However Much I Booze)
    9. Collings
    10. Parvardigar
    11. Sea And Sand
    12. 971104 Arpeggio Piano

    LP 2
    1. Theme 017
    2. I Am Afraid
    3. Maxims For Lunch
    4. Wistful
    5. Eminence Front
    6. Lonely Words
    7. Prelude 970519
    8. Iron Man Recitative
    9. Tough Boys
    10. Did You Steal My Money?
    11. Can You Really Dance?

    LP 3
    1. Variations On Dirty Jobs
    2. All Lovers Are Deranged
    3. Elephants
    4. Wired To The Moon - Pt. 2
    5. How Can You Do It Alone
    6. Poem Disturbed
    7. Squirm Squirm
    8. Outlive The Dinosaur
    9. Teresa
    10. Man And Machines
    11. It's In Ya

    Pete Townshend
    Colored Vinyl LP - 3 LPs Sealed Buy Now
  • Poetry In Motion Poetry In Motion Quick View

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    Poetry In Motion

    SOJA, the internationally acclaimed GRAMMY-nominated eight-piece from Washington D.C., will release its new album 'Poetry in Motion' via ATO Records.

    SOJA's core sound an uplifting meld of reggae, go-go, D.C. hardcore, Latin, rock, and hip-hop is as tight and compelling as it's ever been in the group's 20-year history, but now the group digs deeper on its message of finding peace and understanding in the world caught in tribulation. For the band, having fun and social awareness can, and should, co-exist.

    Lead singer Jacob Hemphill explains, 'Poetry in Motion is about us, the human race. We're beautiful. We're the caretakers of this earth and everything that lives here, calls it home. But something is wrong. Something in us is lost. That's the focus - how to get back to the beauty and away from... well, this.'

    1. Moving Stones
    2. I Can't Stop Dreaming
    3. Tried My Best
    4. More
    5. Fire In The Sky
    6. Everything To Me
    7. Life Support
    8. Bad News
    9. To Whom It May Concern
    10. Sing To Me
    11. I Found You
    Vinyl LP - Sealed Buy Now
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