- Lowest Price
- Highest Price
Corrosion Of Conformity'
Graves At Sea / Sourvein SplitTwo of doom metal's mightiest of feedback-laden riff worshippers - Portland's GRAVES AT SEA and Cape Fear's SOURVEIN - have united in sound, mind and spirit for the ultimate split of earth-smoldering amplifier worship.
GRAVES AT SEA, whose contributions leave an eerie aura complete with tortured vocals, foreboding composition, and a general sense of dread, occupy Side A. Recorded by Billy Anderson, (Melvins, Sleep, Neurosis) Betting On Black and Confession finds the all-consuming sludge for which the band is notorious, flooding in amongst the tortured howls and shrieks of vocalist Nathan Misterek.
SOURVEIN, who've now existed for two decades of distortion, damage and total doom, solidify Side B. With three songs produced and recorded by Mike Dean Of Corrosion of Conformity, these odes of heavy combine toxic riffs, grooves and just the right amount of psychedelic appeal.1. GRAVES AT SEA - Betting On Black
2. GRAVES AT SEA - Confession
3. SOURVEIN - Driffter
4. SOURVEIN - Equinox
5. SOURVEIN - Follow The Light$18.99Vinyl LP - Sealed Buy Now
No Cross No Crown (Splatter Vinyl)Splatter Colored Vinyl
Limited to 1000
Whenever CORROSION OF CONFORMITY releases a new album, folks take notice. But their latest is a true event. It's been a
dozen years since C.O.C. recorded new material with vocalist/guitarist Pepper Keenan at the helm. In that time, there have been
rumors, whispers and outright allegations that the legendary Southern rock outfit would reunite to blow the doors off the whole
damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup Down,
Keenan reconnected with the core C.O.C. trio of Woody Weatherman, Mike Dean and Reed Mullin to hit the road hard and write
& record "No Cross No Crown".1. Novus Deus
2. The Luddite
3. Cast The First Stone
4. No Cross
5. Wolf Named Crow
6. Little Man
7. Matre's Diem
8. Forgive Me
9. Nothing Left To Say
10. Sacred Isolation
11. Old Disaster
13. No Cross No Crown
14. A Quest To Believe (A Call To The Void)
15. Son And Daughter$32.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Clerks (20th Anniversary Soundtrack) (Awaiting Repress)Clear With Black Smoke (Limited To 1500)
Available On Vinyl For The First Time
Mastered For Vinyl And Lacquers Created By Stan Ricker
Gatefold Jacket And D Side Etching
To celebrate Clerks 20th anniversary the soundtrack will be pressed to vinyl for the first time ever! Clerks is the 1994 soundtrack album to the film of the same name. The original soundtrack's mix of dialogue from the movie (''I'm not even supposed to be here today!'') and tunes by some of the leading groups of the alternative era will now play out across three sides of two LPs - the final side will contain an etching. The soundtrack features songs by Alice in Chains, Girls Against Boys, the Jesus Lizard, Bad Religion, Soul Asylum, Corrosion of Conformity, Stabbing Westward and more. It also features songs by Love Among Freaks, friends of Smith's who visit the convenience store in the movie and who scored the original soundtrack for the movie.
Famously, the cost of licensing the songs on the soundtrack cost more than the film cost to make. The movie helped make Alice in Chains' 1992 Sap EP tune ''Got Me Wrong'' a hit, and the Kevin Smith-directed clip for Soul Asylum's ''Can't Even Tell,'' which closes out the movie, propelled it to Number 16 on Billboard's Alternative Songs chart.LP1 - Side A
1. Dialogue - Dante's Lament
2. Love Among Freaks - Clerks
3. Girls Against Boys - Kill The Sex Player
4. Dialogue - No Time For Love, Dr. Jones
5. Alice In Chains - Got Me Wrong
6. Dialogue - Randal & Dante On Sex
7. Bash & Pop - Making Me Sick
LP1 - Side B
1. Dialogue - A Bunch Of Muppets
2. Supernova - Chewbacca
3. The Jesus Lizard - Panic In Cicero
4. Golden Smog - Shooting Star
5. Bad Religion - Leaders And Followers
6. Dialogue - I Like To Expand My Horizons
LP2 - Side C
1. Stabbing Westward - Violent Mood Swings (Thread Mix)
2. Love Among Freaks - Berserker
3. Corrosion Of Conformity - Big Problems
4. Seaweed - Go Your Own Way
5. Dialogue - Social Event Of The Season
6. Soul Asylum - Can't Even Tell
7. Dialogue - Jay's Chant
LP2 - Side D
Etched$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs AWAITING REPRESS Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Down II: A Bustle in Your HedgerowThis was Down's first album in seven years since the release of NOLA, the longest gap between the band's Four studio albums to date. Since Down was a supergroup, the band went on hiatus in 1996 so that members could focus on their main bands (namely Eyehategod, Corrosion of Conformity, Crowbar and Pantera). Down reformed in 1999 with Pantera bassist Rex Brown replacing Todd Strange. The band wanted the album to have a bluesy feel, so they moved into Phil Anselmo's barn, dubbed Nödferatu's Lair, in southern Louisiana where they lived and recorded the album in 28 days without anyone leaving the house.LP1
1. Lysergik Funeral Procession (Amended LP Version)
2. There's Something On My Side
3. The Man That Follows Hell
4. Stained Glass Cross
5. Ghosts Along The Mississippi
6. Learn From This Mistake
7. Beautifully Depressed
1. Where I'm Going
3. New Orleans Is A Dying Whore
4. The Seed
5. Lies, I Don't Know What They Say But.. (Amended LP Version)
7. Dog Tired
8. Landing On The Mountains Of Megiddo$31.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Down IV Part IIWith a collective resume encompassing Pantera, Corrosion of Conformity, and Eyehategod, the quintet puffed out its
first haze of sonic smoke from the belly of gritty old New Orleans on the 1995 platinum-selling classic, Nola. At that
moment, they naturally summoned something akin to a ritual, continually partaking in it with critically revered
offerings-Down II: A Bustle In Your Hedgerow in 2002, Down III: Over the Under in 2007, and Down IV - Part One
in 2012. Their shows built a certain live lore with unforgettable runs alongside Metallica and Heaven & Hell as well as
coveted spots on Download, Soundwave, and OZZfest. On 2014's Down IV - Part Two [Available via Down Records/
ADA-Music], the boys once again deliver passionate, powerful, and pure heavy music.1. Steeple
2. We Knew Him Well
5. Sufferer's Years
6. Bacchanalia$18.99Vinyl LP + CD - Sealed Buy Now
Blood!As far as stories of lost and found recorded material go, few tales can be told where all the pieces of the puzzle come together in fortunate ways, resulting in a brand new recording that surprised even the band themselves.
Having formed in 1982, infamous Santa Cruz hardcore legends BL'AST! released their first album, The Power of Expression in 1985. This debut blew everyone away and went on to become one of the highly sought after, "must- have" hardcore albums of the '80s. BL'AST! was beyond intense, continually pushing the boundaries of hardcore with their advanced musicianship, unstoppable energetic delivery and explosive live performances. This overwhelming power caught the attention of SST records, who released the band's second album, It's In My Blood in 1987. Their third LP, Take The Manic Ride, was then released by the label in 1989. BL'AST!'s wide-eyed, ambitious approach and intense perseverance became an influence for many bands to come. Shortly after the release of Take The Manic Ride, the band broke up and their story was buried by time and dust .UNTIL NOW!
Earlier this year BL'AST! guitarist Mike Neider contacted Southern Lord with news that he had found some mysterious old BL'AST! master tapes in a abandoned storage locker. Greg Anderson, a BL'AST! fanatic, wasted no time in sending the tapes to a studio to be baked. Needless to say, after 25 years gathering dust, the quality had deteriorated. Still, nobody could have anticipated what would follow. With the audio digitized, Southern Lord contacted fellow longtime BL'AST! fiend, Dave Grohl about mixing this recording, his response was an enthusiastic "FUCK YEAH!, LETS DO THIS"!
Whilst inside Grohl's famous 606 Studios (and with the Neve console as featured in the recent Grohl produced documentary Sound City) an astonishing discovery was made; a completely unheard, unreleased BL'AST! recording session from the mid-'80s.
The lineup of the band at the time of the recording included second guitarist William Duvall (from Neon Christ, and now the current vocalist for Alice In Chains) who had moved from his hometown of Atlanta out to Santa Cruz on a tip from mutual friends, Corrosion of Conformity, to join the band. Unfortunately, his tenure with BL'AST! was short-lived and no recordings from that lineup were ever released.
From the thunderous bass intro of "Only Time Will Tell" to the apocalyptic warnings of "It's In My Blood," the album completely rips and rages from start to finish. All parties involved were completely amazed at how vibrant, unique and fresh this newly-discovered material sounded. All things considered, it is miraculous the record survived this long and that everyone who was involved in bringing this recording to life, could be. Everything fell into place, when it could have easily crumbled along the way. This record is a time capsule that is meant to be heard!
There is no doubt in our minds that Blood will be a crucial purchase for any current hardcore fiend as well as punk/hardcore fans who loved the band back in the day. START THE MACHINE!1. Only Time Will Tell
4. Winding Down
5. Look into Myself
7. Your Eyes
10. Something Beyond
11. It's in My Blood$15.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
...And Justice For Y'all (Awaiting Repress)The South will smoke again. The Bible Belt state of North Carolina, USA seems a fertile ground for hemp and stoner rock. When cult sludge act BUZZOV•EN called it a day, bass player Dave Dixie Collins teamed up with guitarist Dave Shep Shepherd and founded WEEDEATER in the harbor town of Wilmington about the year 1998. Their crushing and massive first full-length and Justice for Y'all created an immediate buzz, while critics were struggling to put a tag on their sound. Nearly everybody agreed that stoner rock, doom, sludge and some crusty elements were part of the mix, which the band simply calls weed metal. The debut was produced by renowned engineer Billy Anderson (EYEHATEGOD, NEUROSIS) as well as sophomore album Sixteen Tons (2002). WEEDEATER went out to perform live with CORROSION OF CONFORMITY and ALABAMA THUNDERPUSSY among others. After some detours of Dixie Dave, who played shortly with BONGZILLA and SOURVEIN, the third album God Luck and Good Speed hit the world in 2007 and shifted the band's focus slightly towards the stoner side. The latest full-length Jason the Dragon got delayed when guitarist Shep lost a toe due to an incident with his favourite shotgun. When the sludge driven album finally came out in 2011 shows in the US and Europe cemented the band's reputation as a fierce live entity. For the next release WEEDEATER have signed up with Season of Mist, which will reissue the complete back catalogue. Remastered and presented with its original artwork, And Justice for Y'all will also be available on vinyl for the first time. Time to lean back and get high on this WEEDEATER cult classic!1. Tuesday Night
2. Monkey Junction
4. Hungry Jack
7. Truck Drivin' Man
8. Southern Cross
10. Bucket$21.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Parasites EPParasites EP is the eight song follow up and companion piece to Coliseum's critically acclaimed third album, House With A Curse, and their first release since this year's wildly popular and sought-after Record Store Day split release with Superchunk. The band has toured tirelessly across North America and Europe with bands as varied as pop-punk superstars Rise Against, experimental rock titans Red Sparowes, and crossover icons Corrosion of Conformity.1. One Last Night
2. Waiting (Too Late)
3. The Fiery Eye
4. Ghost Of God
5. The Big Baby
6. Gone With The Pope
7. Blood Of The Beasts
8. Give Up The Ghost$19.99Vinyl LP - Sealed Buy Now
Greatest Hits Vol. 1Gray and Black Colored Vinyl
The long-gestating brainchild of Corrosion Of Conformity founder/drummer/vocalist Reed Mullin, guitarist Mick Murphy (My Ruin, The Birds of Satan, Neanderthal) and producer John "Lou" Lousteau, Teenage Time Killers' Greatest Hits Vol. 1 is 20 concise seismic shocks created by an all-star line up of punk and metal legends spanning decades. Joining Reed on drums and Mick on guitar on the album's 20 mostly original tracks and few covers of underground classics (including the Rudimentary Peni deep cut that inspired the project's title) includes: Jello Biafra, Randy Blythe of Lamb of God, Dave Grohl and Pat Smear of Foo Fighters, Nick Oliveri, Matt Skiba of Alkaline Trio, Corey Taylor of Slipknot and Stone Sour, Tommy Victor of Prong and Danzig, Lee Ving of Fear, Mike "IX" Williams of Eyehategod, Mullin's Corrosion of Conformity band mates Mike Dean and Woody Weatherman, Karl Agell and many, many more. All instrumental tracks on Teenage Time Killers' Greatest Hits Vol. 1 were recorded at Grohl's 606 Studios in Northridge, CA. The album was produced by John Lou Lousteau, Reed Mullin and Mick Murphy, engineered and mixed by John Lou Lousteau at 606.LP 1
1.Exploder (feat. Reed Mullin)
2.Crowned by the Light of the Sun (feat. Neil Fallon)
3.Hung Out to Dry (feat. Randy Blythe)
4.Power Outage (feat. Clifford Dinsmore)
5.Ode to Sean Hannity (feat. Jello Biafra)
6.Barrio (feat. Matt Skiba)
7. The Dead Hand (feat. Reed Mullin)
8.Egobomb (feat. Corey Taylor)
9.Plank Walk (feat. Pete Stahl)
10.Time to Die (feat. Mike IX Williams)
11.Days of Degradation (feat. Tommy Victor)
12.Clawhoof (feat. Tairrie B. Murphy)
1.Big Money (feat. Lee Ving)
2.Devil In This House (feat. Karl Agell)
3.Say Goodnight to the Acolyte (feat. Phil Rind)
4.Ignorant People (feat. Tony Foresta)
5.Son of an Immigrant (feat. Jonny Webber)
6.Your Empty Soul (feat. Aaron Beam)
7.Bleeding to Death (feat. Vic Bondi)
8. Teenage Time Killer (feat. Tren
9.Ode to Sean Hannity (feat. Reed Mullin)
10.Ignorant People (feat. Reed Mullin)
11.Time to Die (feat. Reed Mullin)
12.My Revenge (feat. Reed Mullin)$22.99Colored Vinyl LP + CD - 2 LPs Sealed Buy Now
God Luck And Good Speed (Awaiting Repress)Nearly five years after their second CD, the underrated Sixteen Tons, was seemingly flushed like so much unwanted bong water down the toilet of stoner rock's decline in popularity, the members of North Carolina's Weedeater found the strength to roll up a new one after hooking up with the Southern Lord label, and duly re-emerged with a hell of a comeback album. In fact, it's' a good bet that their invariably baked fan contingent would likely bestow 2007's God Luck and Good Speed with the highest possible honor of calling it really good shit, full-to-bursting with coarse, crusty, stoner sludgecore of the highest market value. This becomes immediately apparent on the album's impressive opening triple threat -- the earth-shaking grooves of the title track, the uproarious speed-blast of Wizard Fight, and the groove-driven laughs of For Evan's Sake -- all of which surf on surging waves of feedback, their tendrils forming dirty electric causeways for an extended, uninterrupted buzz. Then suddenly, all is quiet for the one-off austerity of Alone, featuring only a banjo, an acoustic bass, and vocalist Dixie Dave Collins replacing his trademark croak with a drunken baritone à la Tom Waits, stinking drunk out on the bayou. (Curiously, this track alone was recorded by Corrosion of Conformity's Mike Dean, while the rest of the album was produced by indie rock staple Steve Albini.) Punishing, viscous volume and distortion are resumed by subsequent aural bulldozers like the instrumental $20 Peanut, the doomy but somewhat dull Dirt Merchant, and the oddly named epic Weed Monkey (all interlocked by even more feedback, naturally). And to emphasize their sub-Mason Dixon line allegiance, Weedeater deliver an aptly sludge-encrusted cover of Lynyrd Skynyrd's Gimme Back My Bullets as sung by Swamp Thing. Final verdict? The wait was worth it: God Luck and Good Speed is definitely some of Weedeater's strongest stuff yet.
- Eduardo Rivadavia (All Music)1. God Luck & Good Speed
2. Wizard Fight
3. For Evans Sake
5. $20 Peanut
6. It Is What It Is
7. Gimme Back My Bullets
8. Weed Monkey
9. Willow$21.99Vinyl LP - Sealed AWAITING REPRESS Buy Now