- Lowest Price
- Highest Price
Currents (Black Vinyl)Currents will be released by Interscope Records. It's the highly anticipated third full length from the
much loved Australian band and the follow up to 2012's Innerspeaker. A top live draw and critical darling, the group was a smash at Coachella this April and will headline Lollapalooza and Outside Lands. Accolades for the new songs include "Best New Music" (Pitchfork) and glowing reviews from Stereogum, Consequence of Sound, Rolling Stone, and more.LP1
1. Let It Happen
3. The Moment
4. Yes I'm Changing
1. The Less I Know The Better
2. Past Life
4. 'Cause I'm A Man
5. Reality In Motion
7. New Person, Same Old Mistakes$29.99Vinyl LP - 2 LPs Sealed Buy Now
The WeatherGleaming psych-pop at home in its passivity, waiting to be swept away - Pitchfork
This is the third studio album from POND and is the Perth-based band's most ambitious piece of work to date. Produced by Tame Impala's Kevin Parker and featuring current and former members of that group, The Weather sees POND hone their pop songcraft, if forever with a wryly subversive twist.1. 30000 Megatons
2. Sweep Me Off My Feet
3. Paint Me Silver
4. Colder Than Ice
5. Edge Of The World Pt. 1
7. Zen Automaton
8. All I Want For Xmas (Is A Tascam 388)
9. Edge Of The World, Pt. 2
10. The Weather$24.99Vinyl LP - Sealed Buy Now
CI Audio VDA-2 24-bit Digital to Analog Converter
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Digital to Analog audio conversion like you've never heard it before. The VDA•2 uses unique filters and a low jitter receiver to produce natural sound.
Our new VDA•2 takes Digital to Analog audio conversion to a new level. Traditional DAC designs use brick-wall digital filters, usually followed by more analog filtering to reduce sampling noise, but cause signal degradation in the process. Another approach has been to use no filtering at all, but this adds noise to the analog signal. Both of these designs have their strengths and weaknesses, but neither tends to be a good trade-off. Our design uses only a mild "slow roll-off" digital filter and first order analog filter to tame the sampling noise. This architecture has reduced filtering artifacts compared to brick-wall types, and lower sampling noise than filterless types, resulting in a more "analog" sound.
Digital input signals are accepted by Toslink optical or coaxial SPDIF, then fed to the CS8416 24 bit/192k low jitter input receiver, then to the Burr Brown PCM1794 balanced/current output DAC. Our unique output stage is a fully discrete/zero feedback design and uses only a single transistor per output to insure the purity of the audio signal. Circuit board is high quality 2 oz. copper with lead-free silver solder construction.
Input selection and digital domain phase are selected by convenient front panel switches, and an LED indicates "LOCK" when a valid signal is being received.
1 Year Parts & Labor Warranty$599.00VDA-2 24-bit Digital to Analog Converter Buy Now
Eonian (Bone & Black Swirl Vinyl)Eerie shadows are lurking in the dark corners of spring 2018; the spirit that denies, a force able to distort our conception of space and time. Over seven years, deathlike silence has filled the halls of the world's biggest black metal forge, DIMMU BORGIR, whilst powers have been gathering to resurrect the band right in time for their 25th anniversary. Now they finally mark their return with a vicious work of art that can be defined as timeless in the truest sense of the word: »Eonian«.
Conceived in the heart of the Norwegian black metal scene in 1993, DIMMU BORGIR quickly broke free from the boundaries of the genre, daring to combine a traditional raven black sound with opulent symphonic orchestration. Soon they turned into pioneers of their field, forging groundbreaking albums such as »Enthrone Darkness Triumphant« (1997), »Spiritual Black Dimensions« (1999), or »Death Cult Armageddon« (2003), invading the entire world with headline tours and eventually turning into the most influential act of their genre after nine full-length studio releases. Seven years have passed since their latest manifesto »Abrahadabra«, they are now returning to rip apart the space-time continuum with »Eonian«.
From a musical point of view, the band explores their boundaries in every direction with this new record, with the black metal parts even rougher and darker than before, and the epic, orchestral moments pushed to their ultimate limits. This time DIMMU BORGIR were aiming for a more organic sound for their devilish offerings, and reached out to Jens Bogren, who engineered the 10 new tracks inside his Fascination Street studios. The cover artwork was designed in fascinating detail by Zbigniew M. Bielak.
The songwriting core of DIMMU BORGIR furthermore consists of charismatic vocalist Shagrath, as well as the string wizards Silenoz and Galder, but other familiar faces also emerge from the darkness: Drummer Daray and keyboarder Gerlioz are still part of the team, and Gaute Storaas helped with the choral arrangements for the majestic voices of the Schola Cantrum Choir.
The lyrical theme of the Norwegians' tenth studio work follows a philosophical concept, dealing with the illusion of time and Luciferian codes:
"Time, when not approaching it from the construct we're used to can't be defined and thus it is illusory", explains axemaster Silenoz. "There's only an 'eternal now', which the album title is already hinting at. When we travel between the worlds seen and unseen, the perception of time ceases to exist, it has no function. Our energy is our torch and our compass when we make rifts and pierce through our the veil - when we go beyond." Silenoz refuses to grant more information than that, hence why DIMMU BORGIR's albums have always been open for interpretation and felt somewhat like a dark room in which every listener believes to see something different in front of their light seeking eyes.
"»Eonian« represents the illusion of time, everything that is and always has been. For us, it also marks the 25th anniversary of DIMMU BORGIR and the album itself is a tribute to our own history and the Norwegian black metal history", adds Shagrath.
Since their debut album »For All Tid« from 1994, DIMMU BORGIR have always released their epic new works in regular intervals, but this time around, the Norwegians couldn't tame the beast of their creativity that quickly, and therefore they took the time it needed to slowly weave their collective ideas into these nine new tracks:
"Some of the songs on this album were written in 2012. All of us have our own pre-production studios and just write separately, without too much communication at first. Over a time period of one or two years we collect our ideas and then get together and try to get the best out of the material", says Shagrath. "Sometimes this can be quite challenging, because we have different tastes and opinions - but that makes it also more interesting for the listener, since we want to create music that makes you feel as if you don't know what's behind the next corner."
Silenoz agrees: "The main challenge is to hold back the beast. You're so into what you're doing that sometimes it's easy to forget that you have to approach the beast without waking it up right away, because you know you won't be able to control it. It's actually pointless to trick yourself to believe you can ever control art... It's like going into a lion's den with a rope tied around your waist in case you need to be pulled out real quick. Being our own producers also mean we have to step out of our own egos and look at our material from an 'outside' perspective. This is another challenging part of the songwriting process because you put so much of yourself into it - and then to start shaving off things, trim things down instead of adding - is a tough process. Letting go can sometimes be really hard but when we step out of ourselves and look into the mouth of the beast, only then we're able to distinguish what to feed it next."
Thus, both classic black metal invasions such as 'Lightbringer', but also highly symphonic charged anthems like 'Interdimensional Summit' gather on »Eonian«, with one of the band's personal favourites being the experimental, folkloristic 'Council of Wolves And Snakes'. Risking a look far beyond the horizon, this song proves that the band follows 'no formula, no absolute', as Silenoz vows, and shows that the path sometimes guides them to places they would have never expected to end up when they started their journey.
On the previous album, »Abrahadabra«, the Norwegians irritated some militant black metal elitists by appearing in opulent white / gray costumes. And although they chose a different appearance for »Eonian«, DIMMU BORGIR always keep new surprises in store:
"We're definitely a band that does not follow any set of 'rules', if any; we're out to break them - for sure. Not that it's a goal per se, it's just who we are. We knew the white/grey look would raise a few eyebrows but whatever we do, or not do, we'll end up raising eyebrows", Silenoz states and Shagrath adds: "The album feels like a rebirth, but also like a logical continuation. Our music comes naturally. We're not sitting down in a circle, thinking about what we could do next - it has to come with a flow and with whatever is in your mind at that time, it needs to be spontaneous and is exactly what we could do at that time. Each one of our releases was linked to a certain time period of our life."
After having released the live DVD »Forces Of The Northern Night« in spring 2017 which provided a monumental overview of the shows that DIMMU BORGIR had performed with a big orchestra and choir, the time is over in which fans needed to watch the band members on screen - hence now they are ready to storm the stages of the world again. The first headline slots at Europe's major festivals, such as Wacken and Hellfest, have already been confirmed, and further live plans are currently being forged for the second half of this year. The Lightbringers are back - and they've come to split apart the heavens:
"We obviously rely on our fans, if a band says they don't care - they're lying. We're definitely ready to work hard to convince the 'doubters', the 'dwellers ready to strike', that what we have to offer is still very much valid. A new generation of fans and listeners who come from a different 'time' than we do are out there now, not shy to let artists hear it! And we're not shy to let them hear what we've been up to!"1. The Unveiling
2. Interdimensional Summit
4. Council of Wolves and Snakes
5. The Empyrean Phoenix
7. I Am Sovereign
8. Archaic Correspondence
9. Alpha Aeon Omega
10. Rite of Passage$34.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Hard Times Are RelativeOur favorite songs are like one-night stands: passionate or sad, capable of recalling moments with Proustian power. Our favorite artists are lifelong companions: fixtures we turn to for comfort and highs.
Over the last two decades, Jason Boland and the Stragglers have delivered and become both.
"We've always just wanted to entertain ourselves and put out music that would be a part of people's lives, not just something passing to them," says Boland. "We want to be something more monolithic." He pauses and grins as he adds, "We're just a social experiment at this point."
Boland is talking about the deep body of work he's created with his band of jangly honky-tonk aces, the Stragglers--Grant Tracy on bass; drummer and background vocalist Brad Rice; Nick Worley on fiddle, mandolin, and harmonies; and Cody Angel on guitar and pedal steel. Fronted and co-founded by Boland with Tracy and Rice, the band has featured only a handful of other members over the last 20 years, all of whom--whether they're currently Stragglers or not--are like brothers. As they've independently sold more than half a million albums, the outfit has packed iconic dancehalls, theaters, and other big rooms across the country.
With their new record Hard Times are Relative, Boland and the Stragglers stack the smart, road-ready outlaw country longtime fans have come to expect alongside creative risks that flirt with punk and psychedelic sounds. The 10-song collection is a rare blend of instantly gratifying and rewarding of closer listens--a definitively Stragglers accomplishment. "It's an upbeat album--a lot of fast songs, but it doesn't try to be fast," Boland says with characteristic insight. "It just sits in the pocket."
No one has combined Woody Guthrie's conscience with Waylon Jenning's panache quite like Boland and the Stragglers. Since debuting in 1999 with the Lloyd Maines-produced Pearl Snaps, the band has matured without taming their refreshing irreverence. "We always joke that we try to take as much as we can from Lloyd and apply it to producing our own records," Boland says. "We've worked with him so many times. The most obvious thing he taught us is: just be musical. Don't hammer through the songs like a garage band all the time."
That mix of subtle musical sophistication and unruly Oklahoma junkyard pedigree has resulted in some of the best independent honky tonk in recent memory. "You just have to be where you are--keep plugging away and doing the best you can at any moment," Boland says, reflecting on their career thus far. "For a bunch of slackers [like us], that's not too terribly tough."
Co-produced by the Stragglers, David Percefull, and Adam Odor, Hard Times are Relative is the band's ninth studio record. All songs were recorded live to tape and without the use of any computers--now a Stragglers' hallmark. Upbeat steel guitar kicks off album opener "I Don't Deserve You" before Boland's signature baritone thunders in, smooth and stronger than ever. When fellow sly honky-tonk champ Sunny Sweeney joins him in out-front harmonies, the two become the rootsy dream team you never knew you always wanted.
The album's title track is a masterpiece: an epic story song about a young orphaned brother and sister depending on the land and one another. Rich details layered over strings paint a scene that's compelling and lush. The song has become one of Boland's favorites. "Folk music is hard to write. Country music is hard to write," he says, reflecting on the difficulty of spinning a long tale while keeping it simple and engaging. "When you hit your own little tuning fork in your head, that one is a hard sell, even to me. But I enjoy that song."
"Right Where I Began" sounds like vintage Stragglers: clever wordplay and muscly guitars ready for two-steppers. Fiddle and vocal showcase "Searching for You" shows off Rice's and Worley's harmonies that are downright divine. Crunchy guitars drive "Dee Dee OD'd" as Boland offers another round of wry observations. Easy gem "Going Going Gone" makes a solid argument for fiddle in rock-and-roll as Boland deftly turns a baseball metaphor into a classic leaving song.
Gorgeous waltz "Do You Remember When" bemoans some of modern life's emphasis on disposability and the dismissal of heritage. Rollicking "Tattoo of a Bruise" picks up the same idea, and is tongue-in-cheek country doo-wop, fueled by fiddle, steel, and drums. "I'm not judging anybody," Boland clarifies. "Our music has always called it like we see it, right or wrong, smarter or dumber."
Praise for the past but acknowledgement of nostalgia's limitations is a career-long theme for Boland, and one that this record continues to carry. "We don't want to lose the chili recipes and the Schroeder Halls because people are moving on to faster, louder, and newer," he says. "But instead of just hemming and hawing, remembering what's old and gone, we want to have new experiences within those frameworks--make memories with what's left of the good stuff."
With lines like "Empty pockets don't mean you need money / It's just another place to put your hands / And focus on that rock you've been kicking / One day it's going to be a grain of sand," "Predestined" challenges listeners as it soothes. The song is a lyrical victory for Boland, who's long-since become a master of distilling heady ideas into digestible nuggets.
Penned by Oklahoma music godfather Randy Crouch, "Grandfather's Theme" serves as the album's climactic closer. Attacked with psychedelic ferocity by the band, the song picks up the record's recurring concepts of the ground's insistence on shifting, inevitability, and our complex relationship with the past. Stripped down as Boland sings, the song soars off into a trippy, robust jam-band send-off--a serious triumph especially considering it's a defiantly analog recording. "We're fighting the digital world because they can make it so huge," Boland says, discussing the balancing act of filling out songs while letting them breathe. "I'm really proud if what we did."
As he mulls over where the Stragglers have been and where they're headed, Boland comes back to one idea over and over again: he and his band are who they are, and with that genuineness comes grit, beauty, and staying power. "We're fortunate that we're not trying to fool anybody," he says. "That's what it comes down to. We're all loners but somehow a team. Now that I can look at it all, I can see: it's been fun."
Here's to the next 20 years.1. I Don't Deserve You
2. Hard Times Are Relative
3. Right Where I Began
4. Searching For You
5. Do You Remember When
6. Dee Dee OD'd
7. Going Going Gone
8. Tattoo of a Bruise
10. Grandfather's Theme$18.99Vinyl LP - Sealed Buy Now