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  • Spiderman Of The Rings Spiderman Of The Rings Quick View

    $15.99
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    Spiderman Of The Rings

    Reissue of Dan Deacon's 2007 classic on white vinyl.
    1. Wooody Wooodpecker
    2. The Crystal Cat
    3. Wham City
    4. Big Milk
    5. Okie Dokie
    6. Trippy Green Skull
    7. Snake Mistakes
    8. Pink Batman
    9. Jimmy Joe Roche
    Dan Deacon
    $15.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Bromst Bromst Quick View

    $13.99
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    Bromst

    Fusing the growing intensity of his live performances with his background in electro-acoustic composition, the result is a collection of pieces that are intense and epic, and at the same time, down to earth and welcoming. Unlike the completely electronic Spiderman Of The Rings, the instrumentation on Bromst is a mixture of acoustic and mechanical instruments, samples, and electronics. The intricate and complex parts are woven together into a rich, dense, and noisy dance pop that has become Deacon's signature sound.
    1. Build Voice
    2. Red F
    3. Paddling Ghost
    4. Snookered
    5. Of the Mountains
    6. Surprise Stefani
    7. Wet Wings
    8. Woof Woof
    9. Slow With Horns / Run For Your Life
    10. Baltihorse
    11. Get Older
    Dan Deacon
    $13.99
    Vinyl LP - Sealed Buy Now
  • Gliss Riffer Gliss Riffer Quick View

    $17.99
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    Gliss Riffer

    Domino is proud to announce Gliss Riffer, the new album from Dan Deacon.


    Gliss Riffer marks new territory for Deacon who, following up on the release of his large
    ensemble-based recordings - 2009's Bromst and 2012's America - decided to return to
    a simpler way of writing and recording, similar to that of 2007's Spiderman of the Rings,
    which resulted in this self-produced album.


    Despite being predominately electronic, Gliss Riffer's sonic palette is informed by his
    post-Spiderman of the Rings material. The Disklavier, a MIDI-fed player piano first heard
    on Bromst, is present here. Cross-rhythms suggestive of America's orchestral songs
    and Deacon's art music work (including a Carnegie Hall performance and film score for
    Francis Ford Coppola) are also in evidence. While Gliss Riffer contains all the instrumental
    layering we've come to expect, the vocals are mixed with a prominence ("Feel the
    Lightning," "Learning to Relax") and, at times, a clarity ("When I Was Done Dying") that
    have never been heard on a Dan Deacon record before.


    Gliss Riffer trades in exuberant, uncontained fun that is tempered by lyrics that yearn
    and are set in defiance of life's nagging anxiety. The bliss on this record is well-earned.

    1. Feel the Lightning
    2. Sheathed Wings
    3. When I Was Done Dying
    4. Meme Generator
    5. Mind On Fire
    6. Learning to Relax
    7. Take it to the Max
    8. Steely Blues
    Dan Deacon
    $17.99
    Vinyl LP - Sealed Buy Now
  • America America Quick View

    $20.99
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    America

    Domino Records is pleased to announce the release of Dan Deacon's new album, America!



    America is Deacon's most powerful work to date, the culmination of years spent playing both DIY venues and concert halls across the world, of exercises in the power of the individual and a coordinated mass, of a disenfranchised mind questioning notions of cultural identity and values.



    The ecstatic, celebratory sounds found on America, are in compelling contrast with the darker thematic undercurrents. The album demonstrates anger, confusion, and apocalyptic anxiety over corporatism and war, but finds consolation in the geography of the United States and in recent social movements both domestic and international.

    1. Guilford Avenue Bridge
    2. True Thrush
    3. Lots
    4. Prettyboy
    5. Crash Jam
    6. USA I: Is a Monster
    7. USA II: The Great American Desert
    8. USA III: Rail
    9. USA IV: Manifest
    Dan Deacon
    $20.99
    Vinyl LP - Sealed Buy Now
  • Carve Out The Face Of My God Carve Out The Face Of My God Quick View

    $13.99
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    Carve Out The Face Of My God

    Infinite Body is Kyle Parker, once know throughout the world as Gator Surprise in his youthful days. Now a grown man he has cast aside his harsh outpouring and transformed it into a lush and bright planetary awakening. Drawing the harmony of the spheres into his brain and channeling it through his fingertips onto recorded medium INFINITE BODY causes sound to bloom where there once was only darkness! Yes! This rules! You might have witnessed such events live during Infinite Body tours with No Age, Dan Deacon and Deerhunter.

    1. Dive

    2. A Fool Persists

    3. What They Wanted To Be Was Useless

    4. Out To Where I Am

    5. On Our Own To Fall Off

    6. Beside Me In The Dawn

    7. Sunshine

    8. Lived On Its Knees (For Matt)

    9. He Runs Without Feet And Holds Without Hands

    10. Drive Dreams Away

    11. Carve Out The Face Of My God

    Infinite Body
    $13.99
    Vinyl LP - Sealed Buy Now
  • Meetle Mice Meetle Mice Quick View

    $16.99
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    Meetle Mice

    The music contained on these albums I wrote while in college (and a few while in high school) when I was just discovering computer music. I wrote them for fun, never planning on doing anything with them at the time or expecting them to be heard outside of my circle of friends. When I was asked to play a show on campus I thought it might be a good idea to burn some CD-Rs and try to sell them at the show.


    Going through my files, I found the pieces that I liked the most, grouped them into two different collections and gave them the most appropriate/absurd titles I could think of. Many of the song titles are absurd or toy with the idea of what is offensive and what is not, many of them created as a commentary on the super politically correct atmosphere that was Purchase College in the early 2000s.


    The organization of the songs was somewhat thought out but mostly chaotic: make sure the granular synth pieces are far from each other; keep the songs with beats spread out; sound collages placed amongst sine wave drone pieces. They were more like compilations of my experiments than albums of compositions.


    I made only 8 CD-R copies of each in photocopied sleeves with contact paper on the discs. I sold all but 1 of each for $7 or two for $10. Explosions were going off in my head, dollar signs appearing in my eyes. Making $70 from selling CD-Rs was blowing my mind. I started selling them at every show, even though the music contained on them didnt represent what I ever performed live, since the music on Meetle Mice and Silly Hat was never meant to be performed live (except for the acoustic ensemble pieces).


    The CD-Rs and artwork are riddled with mistakes. Theres digital clipping on many of the tracks; Silly Hat vs. Egale Hat was meant to be Silly Hat vs. Eagle Hat; copy write should have been copyright, etc., but I thought the typos were funny and kept it with each batch of the CD-Rs. Since I was only selling them on campus or a few shows in NYC it didnt really matter. I hated stuff that took itself too seriously so keeping my spelling mistakes glaring was important to me. And considering the music was made in a vacuum with no intention of it ever seeing the light of day, it made sense to keep all the errors in their original state (true of this reissue as well (the artwork was scanned from the original run of 8)).


    I was a very different musician back then trying to figure out how to interact with sound, what could be done with it, where it could go, learning music software for the first time, and discovering many more genres of experimental music than what I was exposed to in my youth on Long Island. It was an exciting time! Since then my aesthetic has shifted, my absurdist mindset subdued and Ive been exposed to a global audience. At times I feel like these albums are skeletons in my musical closet, knowing how easily parts of them could be taken out of context by a media that loves to take things out of context. But these records were made without knowledge of that media world. Theres an innocent ignorance to them that none of my other records will ever be able to have, an ignorance lost to experience.


    These albums are like seeds. They sound, look and feel very different from the fruit that theyve grown but they are still of the same tree. I hope you enjoy listening to them as much as I enjoyed making them. - Dan Deacon

    1. BJI Aii Hmhp #14
    2. Never Do That (Mars)
    3. Biggle Hat Was Ice Cream Time (Card Shark Nose Nose)
    4. 30 (from 21 through 35)
    5. Electronics With Clarinet and Bari Sax
    6. Song For Dina
    7. My own face is F word
    8. Drinking Out of Cups
    9. sdahgsfdgh3frgha3wffhjdvbjs4uh
    10. The Adventures of Mr Bumbershine
    11. Thats A Nice Shirt (Dad)
    12. Aerosmith Permanent Vacation 24162-2
    13. Plums
    14. Im So Gay with The Boner
    15. Aw Ah Ah Ah (Party Cakes)
    16. My Weasle Is Married Worm Married
    17. I Have AIDS
    18. 005 September 22 BE
    Dan Deacon
    $16.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Silly Hat Vs. Egale Hat Silly Hat Vs. Egale Hat Quick View

    $16.99
    Buy Now
    x

    Silly Hat Vs. Egale Hat

    The music contained on these albums I wrote while in college (and a few while in high school) when I was just discovering computer music. I wrote them for fun, never planning on doing anything with them at the time or expecting them to be heard outside of my circle of friends. When I was asked to play a show on campus I thought it might be a good idea to burn some CD-Rs and try to sell them at the show.


    Going through my files, I found the pieces that I liked the most, grouped them into two different collections and gave them the most appropriate/absurd titles I could think of. Many of the song titles are absurd or toy with the idea of what is offensive and what is not, many of them created as a commentary on the super politically correct atmosphere that was Purchase College in the early 2000s.


    The organization of the songs was somewhat thought out but mostly chaotic: make sure the granular synth pieces are far from each other; keep the songs with beats spread out; sound collages placed amongst sine wave drone pieces. They were more like compilations of my experiments than albums of compositions.


    I made only 8 CD-R copies of each in photocopied sleeves with contact paper on the discs. I sold all but 1 of each for $7 or two for $10. Explosions were going off in my head, dollar signs appearing in my eyes. Making $70 from selling CD-Rs was blowing my mind. I started selling them at every show, even though the music contained on them didnt represent what I ever performed live, since the music on Meetle Mice and Silly Hat was never meant to be performed live (except for the acoustic ensemble pieces).


    The CD-Rs and artwork are riddled with mistakes. Theres digital clipping on many of the tracks; Silly Hat vs. Egale Hat was meant to be Silly Hat vs. Eagle Hat; copy write should have been copyright, etc., but I thought the typos were funny and kept it with each batch of the CD-Rs. Since I was only selling them on campus or a few shows in NYC it didnt really matter. I hated stuff that took itself too seriously so keeping my spelling mistakes glaring was important to me. And considering the music was made in a vacuum with no intention of it ever seeing the light of day, it made sense to keep all the errors in their original state (true of this reissue as well (the artwork was scanned from the original run of 8)).


    I was a very different musician back then trying to figure out how to interact with sound, what could be done with it, where it could go, learning music software for the first time, and discovering many more genres of experimental music than what I was exposed to in my youth on Long Island. It was an exciting time! Since then my aesthetic has shifted, my absurdist mindset subdued and Ive been exposed to a global audience. At times I feel like these albums are skeletons in my musical closet, knowing how easily parts of them could be taken out of context by a media that loves to take things out of context. But these records were made without knowledge of that media world. Theres an innocent ignorance to them that none of my other records will ever be able to have, an ignorance lost to experience.


    These albums are like seeds. They sound, look and feel very different from the fruit that theyve grown but they are still of the same tree. I hope you enjoy listening to them as much as I enjoyed making them. - Dan Deacon

    1. My Name Is Robert
    2. ksjfhgljkhertykjlehgskjhkjvhda
    3. Sound Events (Live)
    4. Shit Slowly Applied On Cock Parts
    5. The House I Was Isn't My Girlfriends Porshe
    6. Missy Modle x 1000
    7. Spring
    8. I Will Always Have Juice Today
    9. Glass and Metal
    10. It's Not As It's Going Downtown
    11. Junior High Band With Trucks and Dogs
    12. 4400440044040 with Dufus and The Beatles
    Dan Deacon
    $16.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Cloud Nothings Cloud Nothings Quick View

    $14.99
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    Cloud Nothings

    Debut full-length from this lo-fi Cleveland power-pop project Cloud Nothings. The self-titled release was produced by Dan Deacon/Future Islands collaborator Chester Gwazda.
    1. Understand at All
    2. Not Important
    3. Should Have
    4. Forget You All the Time
    5. Nothing's Wrong
    6. Heartbeat
    7. Rock
    8. You're Not That Good at Anything
    9. Been Through
    10. On the Radio
    11. All the Time
    Cloud Nothings
    $14.99
    Vinyl LP - Sealed Buy Now
  • Enter The Slasher House Enter The Slasher House Quick View

    $21.99
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    Enter The Slasher House


    Double LP Includes Two 180g Heavyweight Vinyl With Two Printed Inner Card Stock Sleeves


    Domino is proud to announce the debut album Enter The Slasher House from Avey Tare's Slasher Flicks.


    Slasher Flicks by name alone is not what it appears to be. Scrambled horror film soundtracks? Not even
    remotely. A bunch of East Coasters making their quintessential LA album? No, more like escape from
    LA, say leather masked guitar-wielding Avey Tare (of Animal Collective), knife-wielding keyboard player
    Angel Deradoorian (of Dirty Projectors, Deradoorian), and the cannibal chief drummer and decaying
    grandfather Jeremy Hyman (of Ponytail, Dan Deacon).


    Having composed the bones of these eight songs on acoustic guitar, Avey Tare invited Deradoorian, to
    create melodic lines to flesh them out. Inspired by Ken Burns' Jazz history documentary, they needed
    a drummer who could play "free but structured"; enter Hyman. The group produced and recorded the
    songs live at the Lair studio using only minimal overdubs; the live sound being key to Slasher Flicks'
    spooky dynamism.

    1. A Sender
    2. Duplex Trip
    3. Blind Babe
    4. Little Fang
    5. Catchy (Was Contagious)
    6. That It Won't Grow
    7. The Outlaw
    8. Roses On The Window
    9. Modern Days E
    10. Strange Colores
    11. Your Card
    Avey Tare's Slasher Flicks
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Natural Motion Natural Motion Quick View

    $16.99
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    Natural Motion

    Other Colors is an exploratory pop group from Baltimore comprised of longtime collaborators William Ryerson and Daniel Whatley, with a rotating cast of characters.


    A historic blizzard in Baltimore back in 2010 played prominently in the early history of the band. With the city shut down for almost two weeks, Ryerson took the opportunity to write a droney, catchy set of songs on a broken electric guitar, layering sounds overtop on an old four-track. The results, captured on a self-titled EP released a year later, set a course for the group's future pop ambitions: a skewed, lo-fi miniature of greater things to come.


    Their proper debut album, Free Thoughts, was recorded in 2012 by Dan Frome (Big Ups, Expert Alterations). A more polished and recognizably rock affair, it features contributions from notable musicians including Jenn Wasner (Wye Oak) and Dave Jacober (Dope Body). Released on their own Genpop imprint in early 2013, the album incorporates introspective folk-rock moods and atmospheric production into a set of memorable songs. To follow up, they recorded a two-song seven-inch with Chester Endersby Gwazda (Future Islands, Dan Deacon) that more accurately captured the band's dreamy live sound.


    The band is now preparing to release their second album Natural Motion, recorded and mixed throughout 2015 at Beat Babies by Chris Freeland (Lower Dens, Wye Oak). This new album draws stylistic inspiration from forgotten AM radio hits and the smoother side of krautrock, conjuring tender soft-rock vibes through the fractured lens of contemporary underground pop. Filled with imaginative arrangements and first-rate songcraft, Natural Motion is a major step forward for the group: a lush, fully realized sound experience with abundant melodic treasures waiting to be uncovered.

    1. Return To Life
    2. Natural Motion
    3. Livin The Same
    4. Color Me Whatever
    5. Awaken The Feeling
    6. You Know The One
    7. Something Flashy
    8. Dream Of Mine
    9. Is It Over
    Other Colors
    $16.99
    Vinyl LP - Sealed Buy Now
  • Fantasy Empire Fantasy Empire Quick View

    $22.99
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    Fantasy Empire

    Over the course of its two-decade existence, Lightning Bolt has revolutionized underground rock in immeasurable ways. The duo broke the barrier between stage and audience by setting themselves up on the floor in the midst of the crowd. Their momentous live performances and the mania they inspired paved the way for similar tactics used by Dan Deacon and literally hundreds of others. Similarly, the band's recordings have always been chaotic, roaring, blown out documents that sound like they could destroy even the toughest set of speakers. Fantasy Empire, Lightning Bolt's sixth album and first in five years, is a fresh take from a band intent on pushing themselves musically and sonically while maintaining the aesthetic that has defined not only them, but an entire generation of noisemakers. It marks many firsts, most notably their first recordings made using hi-fi recording equipment at the famed Machines With Magnets, and their first album for Thrill Jockey. More than any previous album, Fantasy Empire sounds like drummer Brian Chippendale and bassist Brian Gibson are playing just a few feet away, using the clarity afforded by the studio to amplify the intensity they project. Every frantic drum hit, every fuzzed-out riff, sounds more present and tangible than ever before. Fantasy Empire is ferocious, consuming, and is a more accurate translation of their live experience. It also shows Lightning Bolt embracing new ways to make their music even stranger. More than any previous record, Chippendale and Gibson make use of live loops and complete separation of the instruments during recording to maximize the sonic pandemonium and power. Gibson worked with Machines very carefully to get a clear yet still distorted and intense bass sound, allowing listeners to truly absorb the detail and dynamic range he displays, from the heaviest thud to the subtle melodic embellishments. Some of these songs have been in the band's live repertoire since as early as 2010, and have been refined in front of audiences for maximum impact. This is heavy, turbulent music, but it is executed with the precision of musicians that have spent years learning how to create impactful noise through the use of dynamics, melody, and rhythm.
    1. The Metal East
    2. Over The River And Through The Woods
    3. Horsepower
    4. King Of My World
    5. Mythmaster
    6. Runaway Train
    7. Leave The Lantern Lit
    8. Dream Genie
    9. Snow White (& The 7 Dwarves Fans)
    Lightning Bolt
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Rat Film (Original Film Score) (Pre-Order) Rat Film (Original Film Score) (Pre-Order) Quick View

    $19.99
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    Rat Film (Original Film Score) (Pre-Order)

    Rat Film marks Deacon's first full record devoted to modern composition. In between his four ecstatic electronic-pop albums, Deacon has frequently flexed the 21st-century classical muscles he first developed studying at SUNY Purchase's Conservatory of Music. He's provided soundtracks for film and stage giants ranging from Francis Ford Coppola's Twixt to New York City Ballet's presentation of Justin Peck's "The Times Are Racing." Deacon's array of compositional commissions includes pieces with Kronos Quartet at Lincoln Center, Sigur Rós at the L.A. Philharmonic, and So Percussion at the Barbican Centre.


    Rat Film offers the first recorded document of this parallel career-and both as a self-contained album and a companion piece to an equally potent film, it astounds.

    1. Redlining
    2. Horn Phase
    3. Pelican
    4. OCME
    5. Harold
    6. Reed Clouds
    7. Seagull
    8. Calhoun
    9. Rat Poison
    10. Video Game
    11. Harold's Lament
    12. Map Overlays
    Dan Deacon
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Infinity Caller Infinity Caller Quick View

    $17.99
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    Infinity Caller

    What do you do when irrational guilt and fear start to steer the ship? When you're a kid living in the Dallas suburbs it's relatively predictable; you start to see a shrink, take some prescribed meds, and as soon as you have access, numb the voices with
    drugs and alcohol. Not a particularly novel or interesting trajectory, but what if those voices just keep getting louder, consuming every waking moment, leaving you effectively paralyzed or twitching with paranoia? After a while, succumbing to these voices might seem self-indulgent, a cry for attention, or just boilerplate teenage histrionics. What do you do when you're 30; a grown-ass-man still tethered to the beast that dictated your life throughout your formative years? You could do a lot of things, but if you're Travis Johnson of the band Grooms, you stop drinking, soberly stare the demons in the face, and start writing songs.


    Johnson's OCD (a religion-centric form of OCD called Scrupulosity) has guided all of his adult life's pursuits, from inspiring his initial interest in music to his current day job making guitar pedals at Brookyn's Death By Audio. After releasing two albums on the prestigious indie label Kanine Records, the band still hadn't gained enough traction to support themselves with their music and they were understandably ready to call it quits. However, in 2011, impressed with their albums and live shows, author Michael Azerrad invited Grooms to perform at his Our Band Could Be Your Life show alongside St. Vincent, Ted Leo, Wye Oak, Dan Deacon, and WV alumni Dirty Projectors. It was a huge opportunity for the band, and the catalyst for what would become their
    new album Infinity Caller. Azerrad's enthusiasm and encouragement gave Johnson the confidence to soldier on, keep making music, and ultimately find peace of mind.

    1. Lion Name
    2. I Think We're Alone Now
    3. Sleep Detective
    4. Iskra Goodbye
    5. Play
    6. Susie Jo
    7. Completely
    8. Very Very Librarian
    9. Sometimes Sometimes
    10. Something I Learned Today
    11. Infinity Caller
    Grooms
    $17.99
    Vinyl LP - Sealed Buy Now
  • Light Information Light Information Quick View

    $18.99
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    Light Information

    Nobody cared about their old heads, because the new ones work just fine now, don't they?.... they have the same size mouth and eyes.

    The song Old Heads is a sci-fi space anthem to technology that constantly replaces itself, proving both necessary and unnecessary at the same time. It's also a jangly pop gem, a trip through the fantastical that is ultimately warm and relatable. This remarkable coexistence is one of many achievements of Chad VanGaalen's Light Information, his sixth record on Sub Pop.

    For an album that's about not feeling comfortable with really anything, as VanGaalen says, Light Information is nonetheless a vivid, welcoming journey through future worlds and relentless memories. The rich soundscapes and sometimes jarring imagery could only come from the mind of a creative polymath--an accomplished visual artist, animator, director, and producer,VanGaalen has scored television shows, designed puppet characters for Adult Swim, directed videos for Shabazz Palaces, Strand of Oaks,METZ, Dan Deacon, and The Head and the Heart, and produced records for Women, Alvvays, and others.

    While alienation has always been a theme of VanGaalen's music,Light Information draws on a new kind of wisdom--and anxiety--gained as he watches his kids growing up. Being a parent has given me a sort of alternate perspective, worrying about exposure to a new type of consciousness that's happening through the internet, he says. Throughout the dark-wave reverb of Light Information are stories of paranoia, disembodiment, and isolation--but there's also playfulness, empathy, and intimacy.

    The product of six years' work, going back even before 2014's Shrink Dust, Light Information emerged from the experimental instruments that fill VanGaalen's Calgary garage studio. As always, VanGaalen wrote, played, and produced all of the music on Light Information(save Ryan Bourne's bass part on Mystery Elementals and vocals onStatic Shape from his young daughters Ezzy and Pip), and designed the cover art.

    1. Mind Hijacker's Curse
    2. Locked in the Phase
    3. Prep Piano and 770
    4. Host Body
    5. Mystery Elements
    6. Old Heads
    7. Golden Oceans
    8. Faces Lit
    9. Pine and Clover
    10. You Fool
    11. Broken Bell
    12. Static Shape
    Chad Vangaalen
    $18.99
    Vinyl LP - Sealed Buy Now
  • Aja Aja Quick View

    $34.99
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    Aja

    Ranked 145/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

    Limited Edition


    Import


    Long argued as one of the (if not THE) best rock recording ever and a permanent fixture on many a demo system in the late '70s and '80s, Aja was the culmination of everything Donald Fagen and Walter Becker aspired to accomplish in their storied careers. It was the first album certified platinum (eventually selling more than 5 million copies in the U.S.) by the then-new RIAA sales tracking system. It made Steely Dan superstars. It contained three ubiquitous U.S. Top 40 singles in Peg, Josie and Deacon Blues, though each of the seven tracks are wonderful.


    Steely Dan's meticulously crafted sixth album was Walter Becker and Donald Fagen's stab at becoming mainstream jazz-pop superstars. And thanks to sweet, smart, slippery tracks like Deacon Blues and Peg, they did just that - and won a Grammy for Best Engineered album too.



    1. Black Cow
    2. Aja
    3. Deacon Blues
    4. Peg
    5. Home At Last
    6. I Got The News
    7. Josie
    Steely Dan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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