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Dave Brubeck Blues Roots

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  • Blues Roots (Pure Pleasure) (Awaiting Repress) Blues Roots (Pure Pleasure) (Awaiting Repress) Quick View

    $34.99
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    Blues Roots (Pure Pleasure) (Awaiting Repress)

    Although this is a blues-oriented set, there is plenty of variety in tempos and grooves. The 1968 Quartet featured the leader/pianist, baritone saxophonist Gerry Mulligan, bassist Jack Six and drummer Alan Dawson. The repertoire on this LP ranges from Limehouse Blues (which is not really a blues) to Things Ain't What They Used To Be and several originals. These songs are average for 1968, but the soloing is remarkable and the musicians here are some of the best. Journey is a remarkably beautiful piano ballad, while Blues Roots narrowly rises above in it's epic scope, and over-the-top ending. It's probably my favourite song here. But, Broke Blues is also exceptional. This one, along with Cross Ties and Blues Roots, are fairly progressive, drawing as much from post bop as blues and traditional Jazz, pushing toward avante-garde. -G. Skate/S. Yannow

    Musicians:



    • Dave Brubeck (piano)
    • Gerry Mulligan (bassoon))
    • Jack Six (bass, electric bass)
    • Alan Dawson (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Limehouse Blues
    2. Journey
    3. Cross Ties
    4. Broke Blues
    5. Things Ain't What They Used To Be
    6. Movin' Out
    7. Blues Roots
    The Dave Brubeck Trio And Gerry Mulligan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
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