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Dave Brubeck Quartet Time Out

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  • Time Out Time Out Quick View

    $32.99
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    Time Out

    Import


    Remastered


    'Time Out' is the 1959 album by The Dave Brubeck Quartet, based upon the use of time signatures that were unusual for jazz (mainly waltz or double-waltz time, but also 9/8, and most famously 5/4).
    Although the album was intended as an experiment and received negative reviews by critics upon its release, it became one of the best-known and biggest-selling jazz albums ever! Obviously, timing is everything!


    Just over 50 years after its original release, we present this timeless album on 180 grams audiophile vinyl.

    1. Blue Rondo A La Turk
    2. Strange Meadow Lark
    3. Take 5
    4. 3 To Get Ready
    5. Kathy's Waltz
    6. Everybody's Jumpin'
    7. Pick Up Sticks
    Dave Brubeck
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Time Out Time Out Quick View

    $39.99
    Buy Now
    x

    Time Out

    Import

    Remastered


    'Time Out' is the 1959 album by The Dave Brubeck Quartet, based upon the use of time signatures that were unusual for jazz (mainly waltz or double-waltz time, but also 9/8, and most famously 5/4).
    Although the album was intended as an experiment and received negative reviews by critics upon its release, it became one of the best-known and biggest-selling jazz albums ever! Obviously, timing is everything!


    Just over 50 years after its original release, we present this timeless album on 180 grams audiophile vinyl.

    1. Blue Rondo A La Turk
    2. Strange Meadow Lark
    3. Take 5
    4. 3 To Get Ready
    5. Kathy's Waltz
    6. Everybody's Jumpin'
    7. Pick Up Sticks
    Dave Brubeck
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Take Ten (Speakers Corner) Take Ten (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Take Ten (Speakers Corner)

    No, not Take Five but Take Ten is the title of this LP and its very first number. Certainly this should be taken as a hint that it was not Dave Brubeck but Paul Desmond who was the composer of this 'million seller'. At the recording session, the guitarist Jim Hall was more than a substitute for the piano - he contributed to the quartet a whole new sound colouring which was tinged with the influences of bossa nova.
    The numbers are all easy-going and airy, the melodic lines and sound are filled with transparency. All the while one is curious as to the clear part-writing, and the wealth of ideas emanating from the soloists. This does not only apply to the old favourites Alone Together, Nancy and The One I Love, all three of them arrangements made ad hoc in the studio and which demonstrate how familiar the musicians were with one another, how they listened to one another, answered, and kept the dialogue flowing. The atmosphere is relaxed, and this conveys itself to the listener even after almost half a century.



    RCA's recording and reproduction technology was ahead of its time. The music of these South-American-sounding gems comes out of the loudspeakers with brilliance, clarity and - at last - without the frustrating crackle of a second-hand LP.



    Musicians:



    • Paul Desmond (alto saxophone)

    • Jim Hall (guitar)

    • Gene Cherico, Gene Wright (bass)

    • Connie Kay (drums)




    Recording: 1963 in Webster Hall, New York, by Ray Hall

    Production: George Avakian





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Take Ten
    2. El Prince
    3. Alone Together
    4. Embarcadero
    5. Theme from ''Black Orpheus''
    6. Nancy (With the Laughing Face)
    7. Samba de Orfeu
    8. The One I Love (Belongs to Somebody Else)
    Paul Desmond
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Straight No Chaser Straight No Chaser Quick View

    $34.99
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    Straight No Chaser

    Import

    A few years after recording Straight, No Chaser, Thelonious Monk disappeared from the public eye. But as the years passed, more people became aware of the seminal role he played in the development in jazz as both pianist and composer, creating a standard of excellence that many musicians after him aspire to.


    Produced by Teo Macero, who was also responsible for legendary albums such as Miles Davis' Kind Of Blue and Dave Brubeck's Time Out!, Monk's Straight, No Chaser is a classic in its own right. It's the last album the talented pianist and composer recorded with his quartet consisting of Larry Gales on bass, Ben Riley on drums and his musical soul mate Charlie Rouse on tenor sax. It includes a light yet mature version of one of his standards; Straight, No Chaser is one idea played again and again, each time in a different part of the measure and with a different ending, and highlights some stellar action between Monk and Rouse.

    1. Locomotive
    2. I Didn't Know About You
    3. Straight, No Chaser
    4. Japanese Folk Song
    5. Between The Devil And The Deep Blue Sea
    6. We See
    Thelonious Monk
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Time Out (200 Gram) (Out Of Stock) Time Out (200 Gram) (Out Of Stock) Quick View

    $34.99
    x

    Time Out (200 Gram) (Out Of Stock)

    200 Gram Vinyl


    Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP


    Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing


    Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit Take Five has graced the soundtracks of multiple films, including Mighty Aphrodite, Pleasantville and Constantine.


    The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.


    Including the monster hit Take Five, the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.


    The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic old school look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.


    The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.


    This title is not eligible for discount.

    1. Blue Rondo A La Turk
    2. Strange Meadow Lark
    3. Take 5
    4. 3 To Get Ready
    5. Kathy's Waltz
    6. Everybody's Jumpin'
    7. Pick Up Sticks
    Dave Brubeck
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Time Out Time Out Quick View

    $54.99
    x

    Time Out

    Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine."


    The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.


    Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings, Analogue Productions brings you the definitive copy.


    Why definitive? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios.


    The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.



    The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together. 


    The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music. 


    Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five," at Brubeck's urging to try and write a song in quintuple (5/4) time. 


    "I told Paul to put a melody over (drummer) Joe Morello's beat," Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures. 


    Time Out peaked at No. 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching No. 25 on the Billboard Hot 100, and No. 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play. 


    Features:



    • 45rpm 200g Vinyl

    • Double LP

    • Pressed at Quality Record Pressings

    • First time Gatefold jacket

    • Rare black & white photos from Columbia Studios recording sessions

    • Heavy-duty chipboard shell stock by Stoughton Printing

    • Cut by Bernie Grundman


    Musicians:



    • Dave Brubeck, piano

    • Paul Desmond, alto saxophone

    • Joe Morello, drums

    • Gene Wright, bass


     



    This title is not eligible for discount.

    1. Blue Rondo A La Turk
    2. Strange Meadow Lark
    3. Take Five
    4. Three To Get Ready
    5. Kathy's Waltz
    6. Everybody's Jumpin'
    7. Pick Up Sticks
    Dave Brubeck
    $54.99
    200 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Temporarily out of stock
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