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I Will Be MeThe superb new album from Kinks founder Dave Davies -
now available on gorgeous 12" vinyl with alternate cover art! Features guest appearances by The Jayhawks, Anti-Flag, award winning UK blues guitarist Oli Brown, Chris Spedding, Aussie rockers The Art, and others!1. Little Green Amp
2. Livin' In The Past
3. The Healing Boy
4. Midnight In L.A.
5. When I First Saw You
6. The Actress
7. Erotic Neurotic
8. You Can Break My Heart
9. Walker Through The Worlds
10. Remember The Future
11. Cote Du Rhone (I Will Be Me)$18.99Vinyl LP - Sealed Buy Now
Inside Llewyn Davis SoundtrackNonesuch Records releases the soundtrack to Inside Llewyn Davis. Written and directed by Academy Award© winners Joel and Ethan Coen and produced by Scott Rudin and Joel and Ethan Coen, the film stars Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, and Justin Timberlake. T Bone Burnett, Joel Coen, and Ethan Coen produced the soundtrack, with Marcus Mumford as associate producer. The album includes 12 new recordings made especially for the film and soundtrack plus an existing recording by Dave Van Ronk.
Also featured is a never-before-released version of Bob Dylan performing his song "Farewell," which was recorded during the sessions for his album The Times They Are A-Changin' and is available exclusively on this soundtrack.1. Hang Me, Oh Hang Me - Oscar Isaac
2. Fare Thee Well (Dink's Song) - Marcus Mumford and Oscar Isaac
3. The Last Thing on My Mind - Stark Sands
4. Five Hundred Miles - Justin Timberlake, Carey Mulligan and Stark Sands
5. Please Mr. Kennedy - Oscar Isaac, Justin Timberlake and Adam Driver
6. Green, Green Rocky Road - Oscar Isaac
7. The Death of Queen Jane - Oscar Isaac
8. The Roving Gambler - John Cohen with the Down Hill Strugglers
9. The Shoals of Herring - Oscar Isaac
10. The Auld Triangle - Chris Thile, Chris Eldridge, Marcus Mumford, Justin Timberlake and Gabe Witcher
11. The Storms Are on the Ocean - Nancy Blake
12. Fare Thee Well (Dink's Song) - Oscar Isaac
13. Farewell - Bob Dylan
14. Green, Green Rocky Road - Dave Van Ronk$24.99Vinyl LP - Sealed Buy Now
The Mono Collection (Box Set)Classic Mono Recordings Of Their First 8 Albums From 1964-1969
Pressed On 180 Gram Vinyl
Featuring A 48-Page Hardcover Book Including Never-Before-Seen Photos & New Interviews With Ray Davies, Dave Davies And Mick Avory
Also Includes A Bonus Double LP Compilation, The Kinks (Black Album)
The Kinks - The Mono Collection Deluxe Vinyl Box of classic mono recordings, 10 discs from 1964 - 1969 all on 180g heavyweight vinyl. The Mono Collection packages the first 8 albums in glorious mono, including Live At Kelvin Hall. The set also includes the bonus double LP compilation, The Kinks (aka The Black Album) PLUS a lavish hardcover 48-page book including never-before-seen photos and new interviews with Ray Davies, Dave Davies and Mick Avory.LP 1: Kinks
1. Beautiful Delilah
2. So Mystifying
3. Just Can't Go to Sleep (Mono Mix)
4. Long Tall Shorty (Mono Mix)
5. I Took My Baby Home (Mono Mix)
6. I'm a Lover Not a Fighter
7. You Really Got Me (Mono Mix)
9. Bald Headed Woman
10. Revenge (Mono Mix)
11. Too Much Monkey Business
12. I've Been Driving On Bald Mountain
13. Stop Your Sobbing
14. Got Love if You Want It (Mono Mix)
LP 2: Kinda Kinks
1. Look for Me Baby
2. Got My Feet On the Ground
3. Nothin' In the World Can Stop Me Worryin' 'Bout That Girl
4. Naggin' Woman
5. Wonder Where My Baby Is Tonight (Mono Mix)
6. Tired of Waiting for You
7. Dancing In the Street
8. Don't Ever Change
9. Come On Now
10. So Long
11. You Shouldn't Be Sad
12. Something Better Beginning
LP 3: The Kink Kontroversy
1. Milk Cow Blues
2. Ring the Bells
3. Gotta Get the First Plane Home
4. When I See That Girl of Mine
5. I Am Free
6. Till the End of the Day (Mono Mix)
7. The World Keeps Going Round
8. I'm On an Island
9. Where Have All the Good Times Gone
10. It's Too Late
11. What's In Store for Me
12. You Can't Win
LP 4: Face To Face
1. Party Line (Mono Mix)
2. Rosy Won't You Please Come Home
3. Dandy (Mono Mix)
4. Too Much On My Mind (Mono Mix)
5. Session Man
6. Rainy Day in June (Mono Mix)
7. House in the Country
8. Holiday in Waikiki (Mono Mix)
9. Most Exclusive Residence for Sale (Mono Mix)
10. Fancy (Mono Mix)
11. Little Miss Queen of Darkness (Mono Mix)
12. You're Looking Fine (Mono Mix)
13. Sunny Afternoon
14. I'll Remember
LP 5: Something Else By The Kinks
1. David Watts
2. Death of a Clown
3. Two Sisters
4. No Return (Mono Mix)
5. Harry Rag (Mono Mix)
6. Tin Soldier Man (Mono Mix)
7. Situation Vacant (Mono Mix)
8. Love Me Till the Sun Shines (Mono Mix)
9. Lazy Old Sun (Mono Mix)
10. Afternoon Tea (Mono Mix)
11. Funny Face
12. End of the Season
13. Waterloo Sunset (Mono Mix)
LP 6: Live At Kelvin Hall
1. Till the End of the Day (Live At Kelvin Hall; Mono Mix)
2. A Well Respected Man (Live At Kelvin Hall; Mono Mix)
3. You're Looking Fine (Live At Kelvin Hall; Mono Mix)
4. Sunny Afternoon (Live At Kelvin Hall; Mono Mix)
5. Dandy (Live At Kelvin Hall; Mono Mix)
6. I'm On an Island (Live At Kelvin Hall; Mono Mix)
7. Come On Now (Live At Kelvin Hall; Mono Mix)
8. You Really Got Me (Live At Kelvin Hall; Mono Mix)
9. Medley: Milk Cow Blues/ Batman Theme/ Tired of Waiting for You/ Milk Cow Blues (Live At Kelvin Hall; Mono Mix)
LP 7: The Kinks Are The Village Green Preservation Society
1. The Village Green Preservation Society
2. Do You Remember Walter?
3. Picture Book
4. Johnny Thunder (Mono Mix)
5. Last of the Steam-Powered Trains
6. Big Sky
7. Sitting By the Riverside (Mono Mix)
8. Animal Farm
9. Village Green
11. Phenomenal Cat
12. All of My Friends Were There
13. Wicked Annabella
15. People Take Pictures of Each Other
LP 8: Arthur Or The Decline And Fall Of The British Empire
2. Yes Sir, No Sir
3. Some Mother's Son
8. Mr. Churchill Says
9. She's Bought a Hat Like Princess Marina (Mono Mix)
10. Young and Innocent Days
11. Nothing to Say
LP 9: The Kinks (Black Album)
1. You Really Got Me (Mono Mix)
2. Long Tall Shorty (Mono Mix)
3. All Day and All of the Night
4. Beautiful Delilah
5. Tired of Waiting for You
6. I'm a Lover Not a Fighter
7. A Well Respected Man (Mono Mix)
8. Till the End of the Day (Mono Mix)
9. See My Friends
10. Don't You Fret
11. Dedicated Follower of Fashion (Mono Mix)
12. Sunny Afternoon
1. Dead End Street
2. Death of a Clown
3. Two Sisters
4. Big Black Smoke (Mono Mix)
5. Susannah's Still Alive (Mono Mix)
6. Autumn Almanac
7. Waterloo Sunset (Mono Mix)
8. Last of the Steam-Powered Trains
9. Wonderboy (Mono Mix)
10. Do You Remember Walter?
11. Dandy (Mono Mix)
12. Animal Farm
13. Days (Mono Mix)$199.99180 Gram Audiophile Virgin Vinyl LP Mono Box Set - 10 LPs Sealed Buy Now
Muswell HillbilliesMuswell Hillbillies is the ninth studio album by the English rock group The Kinks. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s. The album centered on themes of poverty and working-class life, as well as the destruction and subdivision of old Victorian neighborhoods-a practice that had become commonplace in North London during the 1970s.LP1
1. 20th Century Man
2. Acute Schizophrenia Paranoia Blues
4. Skin and Bone
6. Complicated Life
7. Here Come the People in Gray
8. Have a Cuppa Tea
9. Holloway Jail
10. Oklahoma U.S.A.
11. Uncle Son
12. Muswell Hillbilly
1. Lavender Lane
2. Mountain Woman
3. Have a Cuppa Tea (Alternate Version)
4. Uncle Son
5. Kentucky Moon
6. Nobody's Fool (Demo)
7. Acute Schizophrenia Paranoia Blues (BBC Peel Session)
8. Holiday (BBC Peel Session)
9. Skin and Bone (BBC Peel Session)
10. 20th Century Man (Alternate Instrumental Take)
11. Queenie (Backing Track)
12. Muswell Hillbillies (Radio Spot)$39.99Vinyl LP - 2 LPs Sealed Buy Now
Give The People What They Want (Pre-Order)The Kinks / Friday Music 180-Gram Audiophile Series Continues
Celebrate Their 18th Studio Smash - Give The People What They Want
First Time 180-Gram Clear Vinyl - Gatefold Cover - LP Poster
Mastered Impeccably By Joe Reagoso - Pressed At R.T.I.
In 1981, the Kinks continued their winning streak with their stellar effort "Give The People What They Want." For this amazing release, Ray Davies, Dave Davies & Co. expand their arena rock sound into a unique brand of rock and storytelling like no other.
With 11 solid new rockers including big radio hits like "Destroyer" "Around The Dial" and the huge title track, the entire Lp has become an enduring masterwork.
Filled with even more favorites like "Art Lover" & "Better Things, The Kinks truly delivered one of the most important albums of the early 80's with the hard-rockin' "Give The People What They Want."
It is with much pleasure to continue our lengthy reissue program with another fine installment in The Kinks/ Friday Music Series with their 18th hit album "Give The People What They Want" now for the very first time anywhere on stunning clear audiophile vinyl.
Mastered impeccably by Joe Reagoso at Friday Music Studios and Capitol Mastering, we are further enhancing your Kinks musical enjoyment with a first time gatefold cover, as well as including an LP poster insert.1. Around the Dial
2. Give the People What They Want
3. Killer's Eyes
5. Add It Up
8. Back to Front
9. Art Lover
10. A Little Bit of Abuse
11. Better Things$32.99180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
Visiting This PlanetVisiting This Planet is Tisziji's maiden voyage as producer, bandleader, composer, and arranger; featuring rare band configurations and exciting performances by Pharaoh Sanders, Dave Liebman, Paul Shaffer, John Hicks, Cecil McBee, Art Davis, Bob Moses, and Idris Mohammed amoung others.1. Song for All Children
2. The Ways of Love
3. Astral Circus
4. A Spiritual Reunion
7. To Be
8. Crisis of Attachment
9. Visiting This Planet$16.99Vinyl LP - Sealed Buy Now
One For The RoadDouble 180 Gram Pink Vinyl
Mastered Impeccably By Joe Reagoso (The Kinks) At Friday Music Studios & Capitol Mastering
Pressed At R.T.I.
Presented In Original Stunning Gatefold Cover & Features 12 X 24 Double Sided Concert Tour Poster
The Kinks "One For The Road" is an extensive live overview of their greatest hits, popular album tracks, along with artist and fan favorites, performed live during their amazing sell out 1980 tour throughout the USA and Switzerland.
Friday Music being a home to many of The Kinks masterworks like Sleepwalker, Misfits, and Low Budget, we are very honored to announce for the first time anywhere the 180 Gram Audiophile 2 LP Pink Vinyl release of their much revered concert album "One For The Road."
Featuring a plethora of classic Kinks music on four sides of audiophile vinyl, the songs are simply some of his finest from their classic 60's and 70's rock era with smash hits like "You Really Got Me", "Catch Me I'm Falling", "Superman", "Lola" and "All The Day, All Of The Night."
More great live smash hits further the stellar collection with favorites like "Low Budget", "Stop Your Sobbing" and "Victoria."
Mastered impeccably by Joe Reagoso (The Kinks) at Friday Music and Capitol Mastering, this limited edition Kinks classic release will be presented in the original stunning gatefold cover art, along with a 12" X 24" double sided poster featuring unique live performance shots from this great concert tour.
For a very limited time, each LP will be pressed by R.T.I. on beautiful pink vinyl, making our Friday Music audiophile edition of "One For The Road" a highly collectible Kinks title.
The Kinks (Ray Davies, Dave Davies, Mick Avory and Jim Rodford) are one of the world's finest gifts to all forms of popular culture, music, film and art. Their powerful songs, their live show, the audience, their musicianship and unparalleled artistry are second to none. "One For The Road" proves that now and forever.LP 1
2. The Hard Way
3. Catch Me Now I'm Falling
4. Where Have All The Good Times Gone
5. Intro : Lola
8. All Day And All Of The Night
9. 20th Century Man
11. Prince Of The Punks
12. Stop Your Sobbing
1. Low Budget
3. (Wish I Could Fly Like) Superman
4. National Health
5. 'Till The End Of The Day
6. Celluloid Heroes
7. You Really Got Me
9. David Watts$42.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
SleepwalkerPressed On 180 Gram Black & White Swirl Vinyl
Mastered Impeccably By Joe Reagoso At Friday Music & Capitol Studios, Hollywood, CA With Ron McMaster
Manufactured At R.T.I.
First Time Gatefold & Poster Presentation
Includes 12 x 12 Poster
In 1977, the superstar Kinks embarked on an incredible musical journey which surely was developing into the most successful era of their four-decade career. Thanks in part to their first Arista Records smash album Sleepwalker, Ray Davies, Dave Davies, Mick Avory and John Dalton expanded their early 70's sound into a unique brand of album oriented rock and storytelling like no other legacy band at the time.
With nine solid new rockers like the autobiographical Life On The Road and smash singles like Juke Box Music and the stellar title track Sleepwalker, the entire LP seemed like a greatest hits album at the time due to the way rock radio was so receptive to this tremendous new masterwork from The Kinks.
Filled with even more favorites like Mr. Big Man, Sleepless Night and Life Goes On, the Rock Hall Of Famers' The Kinks truly delivered one of the most important albums of the classic rock era with the brilliant Sleepwalker.
Therefore it is with much pleasure to continue our lengthy reissue program with another fine installment in The Kinks/ Friday Music 180 Gram Audiophile Vinyl Series with their 1977 groundbreaking hit LP Sleepwalker. And what a better way to celebrate your holidays this year with this exclusive Friday Music release on limited edition Black & White Swirl Vinyl.
Mastered impeccably by Joe Reagoso at Friday Music Studios and Capitol Mastering in Hollywood, CA, the amazing release is also manufactured at R.T.I.
To further enhance your Kinks musical enjoyment, we are also presenting this stellar album in a first time gatefold cover, as well as including a 12 x 12 front cover LP poster insert.
So, please join Friday Music in welcoming back The Kinks and their legendary Sleepwalker LP.1. Life On The Road
2. Mr. Big Man
5. Juke Box Music
6. Sleepless Night
7. Stormy Sky
8. Full Moon
9. Life Goes On$32.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Everybody's In Show-Biz
150 Gram Vinyl
Two Inserts: Original Lyric Sheet Plus Second Insert With Bonus Track Info
Contains The Original 2-LP Plus A Third LP With 9 Previously Unreleased Live And Studio Tracks
First released in August 1972, Everybody's In Show-Biz was The Kinks' tenth studio album, arriving within a year of the acclaimed Muswell Hillbillies (the group's debut album for RCA Records). The original double-LP Everybody's In Show-Biz contained a complete studio album (which premiered the all-time Kinks classic Celluloid Heroes among other tracks) and a live disc chronicling The Kinks' Carnegie Hall appearance in March 1972.
The 2016 Legacy Edition of Everybody's In Show-Biz includes the original album, produced by Raymond Douglas Davies, in its entirety alongside a full disc's worth of previously unissued studio sessions outtakes (recorded for the album in 1972 at Morgan Studios, Willesden, London) and live material (recorded March 2-3, 1972 during The Kinks' triumphant Carnegie Hall concert run).
The new edition of Everybody's In Show-Biz includes in-depth liner notes penned especially for this release by noted rock scholar David Fricke.
A concept album of sorts, Everybody's In Show-Biz drew its themes and inspirations from the trials, tribulations and triumphs of life as a touring musician. (The raucous Carnegie Hall recordings on the album come from one of the first North American concerts performed by The Kinks after the lift of a four-year ban imposed on the group by the American Federation of Musicians in 1965.) The songs on Everybody's In Show-Biz were initially intended to serve as the soundtrack to The Colossal Shirt, a never-realized feature film about The Kinks on the road.
Life keeps using me, keeps on abusing me, mentally and physically, Davies sings on the album's Maximum Consumption. I gotta stay fit, stay alive, need fuel inside, eat food to survive . Stylistically, Everybody's in Show-Biz finds Davies further exploring his interest in Americana-inspired musical arrangements as heard on Muswell Hillbillies.
Everybody's In Show-Biz showcases the second great classic Kinks line-up: frontman Ray Davies, guitarist Dave Davies, bassist John Dalton, keyboardist John Gosling and drummer Mick Avory, joined by brass and woodwind players Mike Cotton, John Beecham and Alan Holmes (all of whom played on Muswell Hillbillies).
The Carnegie Hall recordings include a variety of Kinks originals in addition to unconventional covers including Mr. Wonderful (from the Sammy Davis Jr.-led musical of the same name), the 1920s popular standard Baby Face (made famous by Al Jolson) and The Banana Boat Song (a calypso-folk perennial popularized by Harry Belafonte).
The new Legacy Edition of Everybody's In Show-Biz includes never-before-heard live versions of Sunny Afternoon, Get Back in Line, Complicated Life and the rarely-played Long Tall Shorty as well as alternate versions of Supersonic Rocket Ship, Unreal Reality and the debut release of History, which foreshadowed The Kinks' next concept album, 1973's Preservation Act 1.LP 1
1. Here Comes yet Another Day
2. Maximum Consumption
3. Unreal Reality
4. Hot Potatoes
5. Sitting In My Hotel
7. You Don't Know My Name
8. Supersonic Rocket Ship
9. Look A Little On the Sunny Side
10. Celluloid Heroes
1. Top of the Pops (Live)
3. Mr. Wonderful(Live)
4. Acute Schizophrenia Paranoia Blues(Live)
6. Muswell Hillbilly(Live)
8. Banana Boat Song(Live)
9. Skin and Bone(Live)
10. Baby Face(Live)
1. 'Til the End of the Day (Live)
2. You're Looking Fine (Live)
3. Get Back In Line (Live)
4. Have A Cuppa Tea (Live)
5. Sunny Afternoon (Live)
6. Complicated Life (Live)
7. Long Tall Shorty (Live)
9. Supersonic Rocket Ship (Alternate mix)$29.99Vinyl LP - 3 LPs Sealed Buy Now
Straight No ChaserImport
A few years after recording Straight, No Chaser, Thelonious Monk disappeared from the public eye. But as the years passed, more people became aware of the seminal role he played in the development in jazz as both pianist and composer, creating a standard of excellence that many musicians after him aspire to.
Produced by Teo Macero, who was also responsible for legendary albums such as Miles Davis' Kind Of Blue and Dave Brubeck's Time Out!, Monk's Straight, No Chaser is a classic in its own right. It's the last album the talented pianist and composer recorded with his quartet consisting of Larry Gales on bass, Ben Riley on drums and his musical soul mate Charlie Rouse on tenor sax. It includes a light yet mature version of one of his standards; Straight, No Chaser is one idea played again and again, each time in a different part of the measure and with a different ending, and highlights some stellar action between Monk and Rouse.1. Locomotive
2. I Didn't Know About You
3. Straight, No Chaser
4. Japanese Folk Song
5. Between The Devil And The Deep Blue Sea
6. We See$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
In A Silent Way (Awaiting Repress)Float Into the Ether: Gorgeous 1969 Experimental Treasure Among the Most Atmospheric Jazz Albums Ever Recorded
Delicate, Immersing, Dynamic: Mobile Fidelity Reissue Magnifies the Bold Textures, Soothing Ambience, and Transcendent Moods
Davis First Fusion Album Features John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Wayne Shorter, Dave Holland, and Tony Williams
Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and Four & More Also Available from Mobile Fidelity
Shhh. The command to be quiet is no just part of the title of one of the two sprawling compositions on this pioneering album. Its also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis first full-on fusion effort and part of his electric era, the 1969 landmark claims a Whos Who lineup that sends the music into an ethereal stratosphere.
Part of Mobile Fidelitys Miles Davis catalog restoration series, In a Silent Way now immerses the listener in linoleate landscapes starlit by the intuition, suspension, and paradoxes wrought by a once-in-a-lifetime collective. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of jazz, rock, and ambience, following a loose theory Davis dubbed New Directions.
Few albums are so delicately textured. And on Mobile Fidelitys meticulous analog reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Hollands extrapolative bass, and the mosaic of keys.
If the records only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the groups members. The lineup is great on paper, but, if its even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.
Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis decorative spirals. And as color is the primary unit of currency on Davis Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the sets maverick reputation attained via musings on solitude rather than explosions of noise.
Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producers could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.
This title is not eligible for discount.1. Shhh/Peaceful
2. In a Silent Way/Its About That Time$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
A Period of Review (1975-1983) (Awaiting Repress)
Expert Mastering By Greg Davis, Liner Notes By K. Leimer And Dave Segal
Double LP Packaging Features Unique Reverse Flap Exterior, Full Color Eurosleeves, &
For the third installment in RVNG Intl.'s archival series, the tape is wound back to 1970s
Seattle, home place of ambient music savant K. Leimer. A Period of Review (Original
Recordings: 1975-1983) unearths unreleased portions of Leimer's vast archives and
highlights the work of a self-taught visionary whose use of generative compositions ferried
his music to infinite resonance.
Kerry Leimer was born in Winnipeg, Canada. He was raised in Chicago before his family
permanently settled in Seattle in 1967. Kerry's teenage interests and artistic experiments
blossomed from the seductively strange tendrils of Dadaism and Surrealism. In the early 70s,
Leimer found musical parallels to these visual movements by studying import copies of NME
and Melody Maker and inquiring with local record store clerks about the exotic descriptions
he read of Can, Neu! and Faust-innovators who were bringing the wild dictates of 60s art-discourse into music
The tape-manipulated serenity Leimer experienced with Cluster's II was a key revelation.
Leimer realized the potential to compose with minimal training and scoured pawnshops
for cheap instruments and recording equipment to transpose his wayward musical instincts.
Leimer's sound palette and composition soon refined and heightened with the accessibility of
dynamic equipment such as the Micromoog and TEAC multi-track tape machines.
Synchronously, the Terry Riley indebted loop-based compositions of Robert Fripp and
Brian Eno's No Pussyfooting inspired Leimer to form recursive musical passages of bare
timbre and melody that would become hallmarks of his sound. "The loop provided an
instant structure-a sort of fatalism," recollects Leimer in A Period of Review's liner notes. "The
participation of the tape machine in shaping and extending the music was a key to setting
self-deterministic systems in motion and held a clear relationship to my interests in fine art."
The underground music scene of Seattle/Olympia in late 70s was small but seeded.
The vestiges of prog rock pompously pummeled the few clubs and record shops before
punk and New Wave became the rage. Leimer sought to support a growing community of
experimental composers by launching the Palace of Lights record label in 1979 with his wife
Dorothy Cross (this was years prior to the birth of regional titans K Records and Sub Pop).
Leimer rarely performed live, averting the litmus of instant appreciation for his solitary
studio pursuits. Tellingly, the "K." that abbreviated Leimer's first name was a nod to Kafka's
doomed pariah Josef K (from The Trial and The Castle). This gives a sense of the reclusive
and literary realm Leimer was fond of working in. Despite his reticence, Leimer's debut 1980
album Closed System Potentials would reach a receptive audience, and eventually sell more
than 3,000 copies thanks in part to Cross's persistent advocation to independent distributors
A Period of Review focuses on unheard material outside of the work Leimer offered on
Palace of Lights, though even that music could be considered relatively "unheard." The thirty
tracks of A Period of Review may have remained a mystery on moldy reels until now, but
Leimer's entire catalog of generative music remains pristine in its absolute power.
Liner notes were crafted by Seattle writer David Segal. Top-tier mastering was done by
Greg Davis, who produced the compilation with Palace of Lights artist Robert Carlberg, RVNG
and Kerry Leimer himself, who continues making music to this day.LP 1
2. My Timid Desires
3. From A Common Center
4. Explanation of Terms
5. From One To Ten
7. Bump In The Night
8. (aka accident)
9. Facing East
10. At Daybreak
11. A Spiritual Life
12. Honey To Ashes
13. Stop It!
14. Two Voices
15. Lonely Boy
16. Practical Demonstration
3. Archie's Dub
6. Assemble and Diffuse
7. Eno's Aviary
8. Almost Chinese
9. Agfa / Lupa
10. The Phonic Chasm (feat. Dawn Seago)
13. All Sad Days
14. Porcelain (feat. Nancy Estle)$29.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
The Inner Mystique (Awaiting Repress)Sundazed is totally stoked to announce the reissue of the first two albums by the Chocolate Watch Band, high on everyones list as one of the most exciting garage bands ever. Hailing from San Jose, California, the Watch Bandfeaturing the pouting, Mick Jagger-influenced lead vocals of Dave Aguilar, the thrilling guitars of Sean Tolby and Mark Loomis, the solid bass of Bill Flores and the thumping drums of Gary Andrijasevichmade all the right scenes in San Jose, including appearances with South Bay chart-toppers the Syndicate of Sound and Count Five.
The Inner Mystique, the Watch Bands follow-up LP, puts you in the middle of a hippie ballroom with legendary producer Ed Cobbs instrumental Voyage of the Trieste and In the Past, which use enough psychedelic guitar, electric sitar and exotic shakers and rattles to grow your hair at least two inches overnight. Ray Davies Im Not Like Everybody Else sounds like it was written just for the Watch Band, and Dylans Its All Over Now, Baby Blue is a jingle-jangle masterpiece.1. Voyage of the Trieste
2. In the Past
3. Inner Mystique
4. I'm Not Like Everybody Else
6. Let's Go, Let's Go, Let's Go
7. It's All Over Now, Baby Blue
8. I Ain't No Miracle Worker$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Primitive And Deadly
Contains Vinyl Only Exclusive Track: Badgers Bane
This deluxe vinyl version of the new Earth studio opus comes in a thick Stoughton old style tip-on jacket with a soft-touch UV varnish.
Primitive And Deadly, is EARTH's tenth studio collection. Dylan Carlson and long term cohort, drummer Adrienne Davies, manage to pull off the trick of completing an Ouroborean creative cycle, twenty-five years in the making, whilst exploring new directions in their music. For the first time in their diverse second act, they allow themselves to be a rock band, freed of adornment and embellishment. As much as Carlson's guitar has always been the focal point of EARTH's music, it's been surrounded by consistently diverse instrumentation. Here the dialog between Carlson and Davies drumming remains pivotal, underpinned by the sympathetic bass of Bill Herzog (Sunn O))), Joel RL Phelps, Jesse Sykes and the Sweet Hereafter) and thickened by additional layers of guitar from Brett Netson (Built To Spill, Caustic Resin) and Jodie Cox (Narrows). Perhaps the largest left turn on Primitive And Deadly, though, is prominence of guest vocalists Mark Lanegan and Rabia Shaheen Qazi (Rose Windows) who transform the traditionally free ranging meditations of EARTH into something approaching traditional pop structures.
On Rooks Across the Gates, a song stylistically the closest to the folk inspired modality of Angels Of Darkness, Carlson stretches out into some of his most lyrical playing to date, creating an almost symbiotic relationship between his performance and the vocals of old friend Mark Lanegan. From the Zodiacal Light, meanwhile, takes the late 60s San Franciscan/freaked-out jazz-rock transcendence of The Bees Made Honey In The Lion's Skull and quickly re-appropriates that sound into a musky torch song for the witching hour.
This contradictive tension between a band pushing itself ever-forward whilst surveying their history is reflected in the albums twin recording locales. The foundation of the record was laid in the mystic desert high lands of Joshua Tree, California where EARTH recorded hour after hour of meditations on each tracks central theme at Rancho de la Luna. Upon returning to Seattle these were edited, arranged and expanded upon at Avast with the help of long-term collaborator Randall Dunn (who was previously at the helm for the Hex, The Bees Made Honey In The Lions Skull and Hibernaculum sessions).
Thick, dense and overdriven, melodically rich and enveloping, Primitive And Deadly is EARTH reaffirming their position as a singular point in the history of rock.
produced by earth
recorded at rancho de la luna, joshua tree, ca by mathias schneeberger, assisted by dave catching
additional recording and production at crackle & pop and avast, seattle, wa by randall dunn
mixed at avast, seattle, wa by randall dunn
mastered at chicago mastering services by jason ward
dylan carlson - guitars
adrienne davies - drums and percussion
bill herzog - bass
brett netson - additional guitars
jodie cox - additional guitars
mark lanegan - vocals
rabia shabeen qazi - vocals
randall dunn - moog synthesizerLP 1
1. Torn By The Fox Of The Crescent Moon
2. There Is A Serpent Coming
3. From The Zodiacal Light
1. Even Hell Has Its Heroes
2. Rooks Across The Gate
3. Badgers Bane (exclusive vinyl only bonus track!)$25.99Vinyl LP - 2 LPs Sealed Buy Now
Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands.
One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.
The other setting was recorded with Ron Carter, Dave Holland, Chick Corea, and Herbie Hancock among others. This record is complex, but somehow still groovy. Tracs like "Sivad", "Funky Tonk", and "What I say" shows enthusiasm and wonderfully live material.LP 1
2. Little Church
3. Medley: Gemini / Double Image
4. What I Say
5. Nem Um Talvez
2. Funky Tonk
3. Inamorata And Narration By Conrad Roberts$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The double live album Dark Magus was recorded on March 30, 1974, at Carnegie Hall in New York City. Davis' group at the time included bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas. Dark Magus was produced by Teo Macero and featured four two-part recordings titled after Swahili names for the numbers one through four.
Dark Magus was released after Davis' 1975 retirement. After releasing the live recordings Agharta (1975) and Pangaea (1976), Dark Magus was originally only released in Japan.
The album inspired noise Rock acts during the late 1970s and the experimental Funk artists of the 1980s. In retrospective reviews, critics praised its Jazz-Rock aesthetic and the group members' performances, and felt that parts of the music foreshadowed jungle music. In 2001, Q magazine named Dark Magus one of the 50 Heaviest Albums of All Time.LP 1
1. Dark Magus - Moja
2. Dark Magus - Wili
1. Dark Magus - Tatu
2. Dark Magus - Nne$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
180 Gram Audiophile Vinyl
Includes 4-Page Booklet
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only.
Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira) through one continuously performed set list.
The songs in the band's setlist were as followed: Directions, Miles Runs the Voodoo Down, Willie Nelson, I Fall In Love Too Easily, Sanctuary, It's About That Time, Bitches Brew, Masqualero, Spanish Key, and The Theme. They were performed as one continuous and uninterrupted piece of music, a practice Davis had begun in 1967. He later explained in his autobiography that performing these kinds of long musical suites without breaks allowed more space for improvisations in concert.
The original Japanese booklet is included in this vinyl package.LP 1
1. Black Beauty Part I
2. Black Beauty Part II
1. Black Beauty Part III
2. Black Beauty Part IV$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Bitches Brew: 40th Anniversary Collector's EditionThis 40th Anniversary Collector's Edition of Miles Davis Bitches Brew is housed in a 12 x 12 slipcase box, contains an audiophile 180g vinyl double-LP gatefold replication of the original album; two CDs with the original 94-plus minutes of music plus six bonus tracks and a third CD of a previously unissued performance at Tanglewood in August of 1970, with Keith Jarrett, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira and Gary Barts; and a DVD of a previously unissued performance in Copenhagen in November of 1969, with Wayne Shorter, Corea, Holland and DeJohnette.
Also included is a 52 page full-color 12x12 book with a 500 word essay by journalist/author/producer/musician Greg Tate; producer's notes by Michael Cuscuna and Richard Seidel (the box's co-producers); and a Lenny White interview by author Ashley Kahn. The book features Mati Klarwein's painting Zonked (a psychedelic portrait of Miles Davis' wife, Betty, which also encodes a profile of Miles) on its cover, plus dozens of rare, unpublished photographs and record label memos.
In addition, a memorabilia envelope is also included containing a reproduction of the Miles Davis Rolling Stone cover story from December of 1969, a previously unseen correspondence from Teo Macero's archives, reproductions of three Fillmore West concert tickets from April of 1970, high quality photograph prints, and a foldout poster.LP 1:
1. Pharaoh's Dance
2. Bitches Brew
1. Spanish Key
2. John McLaughlin
3. Miles Runs the Voodoo Down
1. Pharaoh's Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
1. Miles Runs the Voodoo Down
3. Spanish Key (alternate take)
4. John McLaughlin (alternate take)
5. Miles Runs the Voodoo Down (single edit)
6. Spanish Key (single edit)
7. Great Expectations (single edit)
8. Little Blue Frog (single edit)
CD 3 - Tanglewood Live 1970:
1. Bill Graham Intro
3. Bitches Brew
4. The Mask
5. It's About That Time
7. Spanish Key/The Theme
8. Miles Runs the Voodoo Down
9. Bill Graham Outro
DVD - Copenhagen Live 1969:
2. Miles Runs the Voodoo Down
3. Bitches Brew
5. I Fall In Love Too Easily
7. It's About That Time/The Theme$124.99180 Gram Audiophile Virgin Vinyl LP + 3 CD + DVD - 2 LPs Sealed Buy Now
180 Gram Audiophile Vinyl
Featuring Herbie Hancock, John Mclaughlin, Lonnie Listen Smith, Chick Corea, Wayyne Shorter, Joe Zawinul And Many Others
Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies electric period.
Sides one and four (Great Expectations and Lonely Fire) were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks, making it sound much like the sitar. This contributed to creating a very clear and lean sound, highlighting both the high and low registers, as opposed to the busier sound of Bitches Brew which placed more emphasis on the middle and low registers.
Ife was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks from that record. It has a drum and electric bass groove and a plethora of musicians improvising individually and in combinations over variations on the hypnotic bassline.
Recorded in March 1970, Go Ahead John is an outtake from Davis's Jack Johnson sessions. The recording is a riff and groove-based, with a relatively sparser line-up of Steve Grossman on soprano saxophone, Dave Holland on bass, Jack DeJohnette on drums, and John McLaughlin on guitar with wah-wah pedal.LP 1
1. Great Expectations
1. Go Ahead John
2. Lonely Fire$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Bitches Brew: LiveImport
It has been said that jazz stopped evolving when Davis wasn't there to push it forward.
Even if that isn't true, Miles Davis certainly was one of the greatest music innovators of the 20th century, pioneering Cool Jazz (with the 1949 recording of Birth Of The Cool), Modal Jazz (with 1959's Kind Of Blue) and Fusion with 1970's Bitches Brew.
Bitches Brew Live contains recordings from two performances: the first three songs were recorded at his Newport Jazz performance in July 1969 - a couple of weeks before the Bitches Brew Sessions in August of that year - and have remained unissued till this day.
Miles performs with Chick Corea on electric piano, Dave Holland on acoustic bass and Jack DeJohnette on drums; musicians who all went on to become leaders of the Fusion movement. (Wayne Shorter unfortunately missed this date because he was stuck in traffic.) The A1 track 'Miles Runs The Voodoo Down' is the first professionally live recorded version of this song.
The other six songs were recorded at the Isle Of Wight festival in 1970,and contain 'Directions' and 'It's About That Time' from the In A Silent Way sessions.
Included in this exclusive release is a 12 page booklet with a liner note essay by renowned music journalist Michael Azzerad, and a special etch on the D side.Side 1
1. Miles Runs The Voodoo Down
3. It's About That Time/The Theme
2. Bitches Brew
1. It's About That Time
3. Spanish Key
4. The Theme
D-Side is etched$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Filles De KilimanjaroNumbered, Limited Edition
Davis' Self-Proclaimed "Directions in Music" March Begins Here
Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center
Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous
Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.
Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.
Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.
The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun." Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.
Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.
More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline "Directions in Music." With the jazz world still trying to wrap its collective mind around its genius, it still does.
This title is not eligible for discount.1. Frelon Brun
2. Tout de Suite
3. Petits Machins
4. Filles de Kilimanjaro
5. Mademoiselle Mary$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
Kind Of Blue (Mono)Import
180 Gram Audiophile Vinyl
Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck - Time Out & Charles Mingus - Ah Um among them), so much has been said and written about Miles Davis' Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Miles Davis laid out the themes before the tape rolled and the band improvised. The end results were fragile and wondrous. Recorded during 2 sessions in 1959, Kind of Blue worked on many different levels and will do so for many years to come.1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches$39.99180 Gram Audiophile Vinyl LP Mono - Sealed Buy Now
Late Night Tales: Django DjangoDjango Django is the latest band invited to curate a prestigious Late Night Tales collection, set for release on 5th May. Like many of the best British groups, the Djangos met at art school, specifically Edinburgh College Of Art, before reconnecting in London. Django Django released their self-titled debut album on quirky French indie Because in early 2012 to some acclaim, winding up in many critics' end of year lists (Top Ten in the NME and Top 30 in Rolling Stone, among them).
Their oddball approach to music, which sounds like the rich harmonies of the Mamas & Papas beamed through a refracting prism pointing towards Bo Diddley, Chicago house and outer-space (it's no surprise to learn that Django producer/drummer Dave Maclean's brother John was in the Beta Band, who also shared the same cinemascopic view of the pop landscape).
"Rollicking sing-alongs, galloping into disco sunsets like whisky-addled and leather-saddled bandits on the stolen backs of prairie wild mustangs," is how Django Django describe themselves. Which is another way of saying they're pop adventurists, as at home with Mad Mike's Underground Resistance as they are the blues rumble of Canned Heat. A bit like this delightful mix, then, which darts about like a gurgle of guppies after two too many espressos.
Check out mixes that rock between two-step delights like Roy Davis Jr's 'Gabrielle' to Nilsson's lyrically winsome 'Coconut'. At one end of the Django spectrum there's James Last, the terminally unhip Teuton, whose 'Inner City Blues' shows you can never underestimate the Germans, while at the far reaches of the mix, they manage to sneak in Ramadanman ('Bass Drums') and Hudson Mohawke and Lunice collaboration TNGHT's 'Bugg'n'. You can hear the echoes of influences in some of the selections, like The Beach Boys whose peerless 'Surf's Up' makes a welcome appearance halfway through, while Seals & Crofts' "Sweet Green Fields" show what sun-drenched pop can sound like when it's done well. And because it's Late Night Tales there's a sparkling cover version of 'Porpoise Song', the theme from The Monkees daffily brilliant 'Head', an admirably lysergic termination to this waltz through pop's nooks and cranberries. "You should never be afraid to make a fool of yourself for art," Dave Maclean once said. Let's raise a dram to Scotland's favourite fools on the hill.
"We wanted to produce a mix that represented the band. It's what we're all into, so everyone put forward suggestions. It's what we are as a band; and we're kids that have grown up with an obsession about our mum and dad's record collections, like '50s and 60s stuff and then got into hip hop and dance music as we grew up. At the heart of it all is our parents' collections, with our tastes mixed in. Our Late Night Tales pays homage to that."
Dave Maclean (Django Django)LP1
1. Leo Kottke - The Tennessee Toad
2. Gulp - Game Love
3. Bob James - Nautilus
4. James Last - Inner City Blues
5. Philip Glass - Floe
6. Map Of Africa - Bone
7. Seals & Crofts - Sweet Green Fields
8. The Millennium - To Claudia On Thursday
9. The Beach Boys - Surf's Up
10. Primal Scream - Carry Me Home
1. Massive Attack - Man Next Door
2. TNGHT - Bugg'n
3. Outkast - Slum Beautiful
4. Timmy Thomas - Why Can't We Live Together
5. Harry Nilsson - Coconut
6. Canned Heat - Poor Moon
7. Rick Miller - Future Directions
8. Django Django - Porpoise Song
9. Benedict Cumberbatch - Flat Of Angles pt.4$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Vinyl Lacquers Cut By Alex DeTurk At Masterdisk
Pressed At R.T.I.
No digital 'plug-ins' of any kind were used in this recording. All of the recording, processing, effects and mixing was done in the analog domain using tape and mostly vintage equipment.
''For all intents and purposes, this album is the black version of [The Beach Boys'] Smile-- at best, it will go down in the Smile/There's a Riot Goin' On/Miles Davis' On the Corner category.'' - Questlove
The prodigal son of the soul and funk canon, D'Angelo, is back! His ever-awaited third studio album, Black Messiah, is his first album since the critically acclaimed Voodoo, bringing to an end a 14-year hiatus. The album blends 70's jazz-funk and neo-soul.
Anyone who's been keeping up should be keen to the fact that the long-lusted over project was recorded in full analog, so the liner notes' PSA "For best results, listen at maximum volume" should be taken as a direct order for fervent D'lievers. And what better way to experience the gritty greatness of the release than a heavy-bodied vinyl pressing for the audio junkies?
The album features tracks co-penned by Kendra Foster (Parliament/Funkadelic) and Q-Tip (A Tribe Called Quest). It's also co-produced by Questlove (The Roots), bassist Pino Palladino (John Mayer Trio, The RH Factor), and drummer James Gadson (Bill Withers, Temptations, Beck, Jamie Lidell).
*Executive Produced by Kevin Liles and Alan Leeds
* Produced by D'Angelo, Questlove, Pino Palladino, James Gadson
* Mixed by Russell Elevado
* Additional Mixing by Ben Kane
* Engineered by Russell Elevado and Ben Kane
* Additional Engineering by Tony Rambo
* Mixed at M.S.R. Studios and Henson Studios
* Mastered by Dave CollinsLP 1
1. Ain't That Easy
2. 1000 Deaths
3. The Charade
4. Sugah Daddy
5. Really Love
1. Back to the Future (Part I)
2. Till It's Done (Tutu)
4. Betray My Heart
5. The Door
6. Back to the Future (Part II)
7. Another Life$23.99Vinyl LP - 2 LPs Sealed Buy Now