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David Bowie Live'
David LiveBreakout from David Bowie's Who Can I Be Now? 1974-1976 Box Set. David Live was culled from performances on the 8th, 9th, 10th, 11th and 12th of July, 1974 at the Tower Theater, Philadelphia.LP 1
1. 1984 (Live) [2005 Mix] [2016 Remastered Version]
2. Rebel Rebel (Live) [2005 Mix] [2016 Remastered Version]
3. Moonage Daydream (Live) [2005 Mix] [2016 Remastered Version]
4. Sweet Thing/Candidate/Sweet Thing (Live) [2005 Mix] [2016 Remastered Version]
5. Changes (Live) [2005 Mix] [2016 Remastered Version]
6. Suffragette City (Live) [2005 Mix] [2016 Remastered Version]
7. Aladdin Sane (Live) [2005 Mix] [2016 Remastered Version]
8. All The Young Dudes (Live) [2005 Mix] [2016 Remastered Version]
1. Cracked Actor (Live) [2005 Mix] [2016 Remastered Version]
2. Rock 'N' Roll With Me (Live) [2005 Mix] [2016 Remastered Version]
3. Watch That Man (Live) [2005 Mix] [2016 Remastered Version]
4. Knock On Wood (Live) [2005 Mix] [2016 Remastered Version]
5. Here Today, Gone Tomorrow (Live) [2005 Mix] [2016 Remastered Version]
6. Space Oddity (Live) [2005 Mix] [2016 Remastered Version]
7. Diamond Dogs (Live) [2005 Mix] [2016 Remastered Version]
1. Panic In Detroit (Live) [2005 Mix] [2016 Remastered Version]
2. Big Brother (Live) [2005 Mix] [2016 Remastered Version]
3. Time (Live) [2005 Mix] [2016 Remastered Version]
4. The Width Of A Circle (Live) [2005 Mix] [2016 Remastered Version]
5. The Jean Genie (Live) [2005 Mix] [2016 Remastered Version]
6. Rock 'N' Roll Suicide (Live) [2005 Mix] [2016 Remastered Version]$39.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
Live Nassau Coliseum '76Breakout from David Bowie's Who Can I Be Now? 1974-1976 Box Set. Recorded live at the Nassau Coliseum Uniondale, NY, U.S.A., 23rd March, 1976. Originally released on EMI BOWSTSD 2010 within the Station To Station deluxe set on 20th September, 2010.LP 1
1. Station To Station (Live Nassau Coliseum '76)
2. Suffragette City (Live Nassau Coliseum '76)
3. Fame (Live Nassau Coliseum '76)
4. Word On A Wing (Live Nassau Coliseum '76)
5. Stay (Live Nassau Coliseum '76)
6. Waiting For The Man (Live Nassau Coliseum '76)
7. Queen Bitch (Live Nassau Coliseum '76)
1. Life On Mars? (Live Nassau Coliseum '76)
2. Five Years (Live Nassau Coliseum '76)
3. Panic In Detroit (Live Nassau Coliseum '76)
4. Changes (Live Nassau Coliseum '76)
5. TVC15 (Live Nassau Coliseum '76)
6. Diamond Dogs (Live Nassau Coliseum '76)
7. Rebel Rebel (Live Nassau Coliseum '76)
8. The Jean Genie (Live Nassau Coliseum '76)$31.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Live Santa Monica '72Live Santa Monica 72 is a live album that was housed in the David Bowie Five Years 1969-1973 box set. It will be issued as a heavyweight 180 gram 2LP vinyl edition.LP 1
1. Introduction (Live)
2. Hang On To Yourself (Live)
3. Ziggy Stardust (Live)
4. Changes (Live)
5. The Supermen (Live)
6. Life On Mars? (Live)
7. Five Years (Live)
8. Space Oddity (Live)
9. Andy Warhol (Live)
10. My Death (Live)
1. The Width Of A Circle (Live)
2. Queen Bitch (Live)
3. Moonage Daydream (Live)
4. John, I'm Only Dancing (Live)
5. Waiting For The Man (Live)
6. The Jean Genie (Live)
7. Suffragette City (Live)
8. Rock 'N' Roll Suicide (Live)$31.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Ziggy Stardust And The Spiders From Mars (The Motion Picture Soundtrack)Ziggy Stardust And The Spiders From Mars (The Motion Picture Soundtrack) is a live album that was housed in the David Bowie Five Years 1969-1973 box set. On June 17th, it will be issued as a heavyweight 180 gram 2LP vinyl edition.LP 1
2. Hang On To Yourself (Live) [Stereo]
3. Ziggy Stardust (Live) [Stereo]
4. Watch That Man (Live) [Stereo]
5. Wild Eyed Boy From Freecloud (Live) [Stereo]
6. All The Young Dudes (Live) [Stereo]
7. Oh! You Pretty Things (Live) [Stereo]
8. Moonage Daydream (Live) [Stereo]
9. Changes (Live) [Stereo]
10. Space Oddity (Live) [Stereo]
11. My Death (Live) [Stereo]
2. Cracked Actor (Live) [Stereo]
3. Time (Live) [Stereo]
4. The Width Of A Circle (Live) [Stereo]
5. Let's Spend The Night Together (Live) [Stereo]
6. Suffragette City (Live) [Stereo]
7. White Light/White Heat (Live) [Stereo]
8. Farewell Speech (Live) [Stereo]
9. Rock 'N' Roll Suicide (Live) [Stereo]$31.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
A Reality Tour3 LP Box Set On 180 Gram Translucent Blue Vinyl
Includes Two Poster Inserts
3 Bonus Tracks
Friday Music is proud to announce the reissue of David Bowie's A Reality Tour. The album is essentially his greatest hits live, taken from his last tour during his two-night stint at The Point in Dublin, Ireland, in November 2003. This 3 LP box set contains beautiful 180 Gram Audiophile Translucent Blue Vinyl, with two first time poster inserts featuring the wonderful 12" x 12" front cover image as well as a 12" x 24" double-sided poster featuring unique live performance shots, and 3 bonus tracks.LP 1
1. Rebel, Rebel
2. New Killer Star
6. Sister Midnight
8. All The Young Dudes
9. Be My Wife
10. The Loneliest Guy
11. The Man Who Sold The World
1. Fantastic Voyage
2. Hallo Spaceboy
3. Under Pressure
4. Life On Mars
5. Battle For Britain (The Letter)
6. Never Get Old
7. Ashes To Ashes
8. The Motel
9. Loving The Alien
11. I'm Afraid Of Americans
2. Bring Me The Disco King
3. Slip Away
4. Heathen (The Rays)
5. Five Years
6. Hang On To Yourself
7. Ziggy Stardust
8. Fall Dogs Bomb The Moon (Bonus Track)
9. Breaking Glass (Bonus Track)
10. China Girl (Bonus Track)$99.99180 Gram Audiophile Virgin Vinyl LP Box Set - 3 LPs Buy Now
Stage (2017) (Live)2017 Remastered VersionLP 1
1. Warszawa (Live)
2. Heroes (Live)
3. What in the World (Live)
4. Be My Wife (Live)
5. The Jean Genie (Live)
6. Blackout (Live)
7. Sense of Doubt (Live)
1. Speed of Life (Live)
2. Breaking Glass (Live)
3. Beauty and the Beast (Live)
4. Fame (Live)
5. Five Years (Live)
6. Soul Love (Live)
7. Star (Live)
8. Hang On to Yourself (Live)
9. Ziggy Stardust (Live)
10. Suffragette City (Live)
1. Art Decade (Live)
2. Alabama Song (Live)
3. Station to Station (Live)
4. Stay (Live)
5. TVC 15 (Live)$39.99Vinyl LP - 3 LPs Sealed Buy Now
TV Eye: 1977 (Live)TV Eye Live 1977 (or TV Eye) is a live album by Iggy Pop originally released in 1978. Iggy took a $90,000 advance from RCA Records to finish his contract with a live album. According to allmusic.com, the album was assembled from soundboard tapes. Iggy Pop doctored them in a German studio, quickly and cheaply for around $5,000. The album features recordings from concerts at The Agora in Cleveland, Ohio on March 21 & 22, 1977; The Aragon in Chicago, Illinois on March 28, 1977, and The Uptown Theater in Kansas City, Missouri on October 26, 1977.
The album is notable for the presence of David Bowie on keyboards and background vocals for selected tracks and the rather crushing bass and drum sound; also, with the Sales brothers, the lineup prefigures in part Bowie's Tin Machine lineup.1. TV Eye
4. I Got A Right
5. Lust For Life
8. I Wanna Be Your Dog$19.99Vinyl LP - Sealed Buy Now
A New Career In A New Town (1977-1982) (Box Set)
DAVID BOWIE 'A NEW CAREER IN A NEW TOWN (1977 - 1982)' is the third in a series of box sets spanning his career from 1969 and the follow-up to the awarding winning and critically acclaimed DAVID BOWIE 'FIVE YEARS (1969 - 1973)' and DAVID BOWIE 'WHO CAN I BE NOW? (1974 - 1976)'.
This 13 LP, 180g audiophile vinyl box set features all of the material officially released by David Bowie between 1977 and 1982 including all four studio albums, his 1978 live album 'STAGE' in both original and expanded tracklistings, the newly compiled HEROES E.P., collecting together both the German and French long and single versions of Heroes, and the exclusive new compilation of single versions, non-album singles and B-sides, 'RE:CALL 3'. Also included exclusively is a brand new remix of the 1979 album 'LODGER' by long time Bowie producer/collaborator Tony Visconti.
- 84 Page hardback book
- Low (remastered) (1 LP)
- Heroes (remastered) (1LP)
- Heroes E.P. (remastered) (12 Single)*
- Stage (remastered) (2 LP Yellow Vinyl) *
- Stage (2017) (remastered) (3 LP)
- Lodger (remastered) (1 LP)
- Lodger (Tony Visconti 2017 Mix) (1 LP)*
- Scary Monsters (And Super Creeps) (1 LP)
- Re:Call 3 (single versions, non-album singles and B-sides) (remastered) (2LP)*
The box set's accompanying 84 page book features rarely seen and previously unpublished photos by photographers including Anton Corbijn, Helmut Newton, Andrew Kent, Steve Schapiro, Duffy and many others as well as historical press reviews and technical notes about the albums from producer Tony Visconti.Low (remastered) (1 LP)
1. Speed Of Life
2. Breaking Glass
3. What In The World
4. Sound And Vision
5. Always Crashing In The Same Car
6. Be My Wife
7. A New Career In A New Town
9. Art Decade
10. Weeping Wall
"Heroes" (remastered) (1 LP)
1. Beauty And The Beast
2. Joe The Lion
4. Sons Of The Silent Age
6. V-2 Schneider
7. Sense Of Doubt
8. Moss Garden
10. The Secret Life Of Arabia
"Heroes" E.P. (remastered) (12" Single)
1. "Heroes"/"Helden" (German album version)
2. "Helden" (German single version)
3. "Heroes"/"HÉros" (French album version)
4. "HÉros" (French single version)
Stage (remastered) (2 LP Yellow Vinyl)
1. Hang On To Yourself
2. Ziggy Stardust
3. Five Years
4. Soul Love
6. Station To Station
8. TVC 15
2. Speed Of Life
3. Art Decade
4. Sense Of Doubt
5. Breaking Glass
7. What In The World
9. Beauty And The Beast
Stage (2017) (remastered) (3 LP)
3. What In The World
4. Be My Wife
5. The Jean Genie *
7. Sense Of Doubt
1. Speed Of Life
2. Breaking Glass
3. Beauty And The Beast
1. Five Years
2. Soul Love
4. Hang On To Yourself
5. Ziggy Stardust
6. Suffragette City *
1. Art Decade
2. Alabama Song
3. Station To Station
5. TVC 15
* Previously unreleased
Lodger (remastered) (1 LP)
LODGER (2017 Tony Visconti mix)
1. Fantastic Voyage
2. African Night Flight
3. Move On
4. Yassassin (Turkish for: Long Live)
5. Red Sails
7. Look Back In Anger
8. Boys Keep Swinging
10. Red Money
Scary Monsters (And Super Creeps) (1 LP)
1. It's No Game (Part 1)
2. Up The Hill Backwards
3. Scary Monsters (And Super Creeps)
4. Ashes To Ashes
6. Teenage Wildlife
7. Scream Like A Baby
8. Kingdom Come
9. Because You're Young
10. It's No Game (Part 2)
Re:Call 3 (non-album singles, single versions and b-sides) (remastered) (2 LP)
1. "Heroes" (single version)
2. Beauty And The Beast (extended version)
3. Breaking Glass (Australian single version)
4. Yassassin (single version)
5. D.J. (single version)
6. Alabama Song
7. Space Oddity (1979 version)
8. Ashes To Ashes (single version)
9. Fashion (single version)
10. Scary Monsters (And Super Creeps) (single version)
1. Crystal Japan
2. Under Pressure (single version) - Queen and David Bowie
3. Cat People (Putting Out Fire) (soundtrack album version)
4. Peace On Earth/Little Drummer Boy * - David Bowie and Bing Crosby * mono
Bertolt Brecht's Baal
5. Baal's Hymn
6. Remembering Marie A.
7. Ballad Of The Adventurers
8. The Drowned Girl
9. The Dirty Song$249.99180 Gram Audiophile Virgin Vinyl LP Box Set - 13 LPs Sealed Buy Now
Be My Wife (40th Anniversary Picture Disc)40th Anniversary 7 Picture Disc
Originally released in the UK in June 1977 BE MY WIFE was the 2nd and last single to be taken from the groundbreaking album LOW, the first of the so-called Berlin Trilogy of albums. The video for the track, which was Bowie s first since 1973 s Life On Mars?, was directed by Stanley Dorfman the original producer & director of the BBC s Top of The Pops.
The AA of the 7 picture disc is a previously unreleased live version of the instrumental LOW track ART DECADE recorded in Perth, Australia in 1978 during the ISOLAR II tour.1. Be My Wife (2017 Remastered Version)
2. Art Decade (Live Perth '78)$14.997 Vinyl Single Picture Disc Buy Now
Who Can I Be Now? (1974 to 1976) (Box Set)9 Albums on 13 LPs
Features The Gouster, Previously Unreleased As An Album
Includes 84 Page Book With Rarely Seen Photos And Various Ephemera
Parlophone Records are proud to announce DAVID BOWIE 'WHO CAN I BE NOW? (1974 - 1976)' the second in a series of box sets spanning his career from 1969.
The follow up to the awarding winning and critically acclaimed DAVID BOWIE 'FIVE YEARS (1969 - 1973)' will contain the previously unreleased album from 1974 called 'THE GOUSTER'.
The thirteen-piece vinyl set features all of the material officially released by Bowie during the so-called 'American' phase of his career from 1974 to 1976.
The box set, which is named after a track recorded in 1974 but not officially released until the 1990's, includes 'DIAMOND DOGS', 'DAVID LIVE' (in original and 2005 mixes), 'YOUNG AMERICANS' and 'STATION TO STATION' (in original and 2010 mixes) as well as 'THE GOUSTER', 'LIVE NASSAU COLISEUM 76' and a new compilation entitled 'RE:CALL 2' which is a collection of single versions and non-album b-sides.
This release includes tracks that have never before appeared on CD/vinyl/digital as well as new remasters.
Exclusive to the box set is 'THE GOUSTER'. Previously unreleased as a complete album, it was recorded at Sigma Sound, Philadelphia in 1974 and produced by Tony Visconti. The album was mixed and mastered before David decamped to New York to work with John Lennon and Harry Maslin on what became the 'YOUNG AMERICANS' album. 'THE GOUSTER' contains three previously unreleased mixes of 'Right', 'Can You Hear Me' and 'Somebody Up There Likes Me'.
For the 2016 release, Tony Visconti has overseen the mastering from the original tapes and photos taken by Eric Stephen Jacobs have been put together for the sleeve based around one of David's original concepts for the album.
Also exclusive to the CD, vinyl, standard digital and MFiT box sets will be the remastered 'DAVID LIVE (original mix)', the 2010 Harry Maslin mix of 'STATION TO STATION' (previously only available on an audio only DVD in 5.1 and stereo as part of the 'STATION TO STATION' Deluxe box set in 2010) and 'RE:CALL 2'.
'RE:CALL 2' features the original single mix of 'Rebel Rebel', which has only featured on a 40th anniversary picture disc in 2014 since its original release on single in 1974.
'RE:CALL 2' features newly originated artwork with 1975 in-studio images from the 'STATION TO STATION' recording sessions by David's friend and backing vocalist Geoff MacCormack aka Warren Peace.
The alternative cover for the 2010 mix of 'STATION TO STATION' by Harry Maslin, features the originally intended colour sleeve for the album that never got further than a few colour proofs and was replaced by the more familiar black and white image.
The vinyl box set is pressed on audiophile quality 180g vinyl.
The box sets' accompanying book, 84 pages in the vinyl set, will feature rarely seen and previously unpublished photos by photographers including Eric Stephen Jacobs, Tom Kelley, Geoff MacCormack, Terry O'Neill, Steve Schapiro, and many others as well as historical press reviews and technical notes about the albums from producers Tony Visconti and Harry Maslin.David Bowie: Who Can I Be Now? (1974 - 1976)
Diamond Dogs (Remastered) (1 LP)
David Live (Original Mix) (Remastered) (2 LP) *
David Live (2005 Mix) (Remastered) (3 LP)
The Gouster (Previously Unreleased As An Album) (1 LP) *
Young Americans (Remastered) (1 LP)
Station To Station (Remastered) (1 LP)
Station To Station (Harry Maslin 2010 Mix) (1 LP) *
Live Nassau Coliseum '76 (2 Lp)
Re:call 2 (Single Versions And Non Album B-sides) (Remastered) (1 LP) *
* Exclusive to 'Who Can I Be Now? (1974 - 1976)'
LP 1: Diamond Dogs (Remastered)
1. Future Legend
2. Diamond Dogs
3. Sweet Thing
5. Sweet Thing (Reprise)
6. Rebel Rebel
7. Rock 'n' Roll With Me
8. We Are The Dead
10. Big Brother
11. Chant Of The Ever Circling Skeletal Family
LP 2: David Live (Original Mix) (Remastered)
2. Rebel Rebel
3. Moonage Daydream
4. Sweet Thing/Candidate/Sweet Thing (reprise)
6. Suffragette City
7. Aladdin Sane
8. All The Young Dudes
9. Cracked Actor
1. Rock 'n' Roll With Me
2. Watch That Man
3. Knock On Wood
4. Diamond Dogs
5. Big Brother
6. The Width Of A Circle
7. The Jean Genie
8. Rock 'n' Roll Suicide
LP 3: David Live (2005 Mix) (Remastered)
2. Rebel Rebel
3. Moonage Daydream
4. Sweet Thing/Candidate/Sweet Thing (reprise)
6. Suffragette City
7. Aladdin Sane
8. All The Young Dudes
1. Cracked Actor
2. Rock 'n' Roll With Me
3. Watch That Man
4. Knock On Wood
5. Here Today, Gone Tomorrow
6. Space Oddity
7. Diamond Dogs
1. Panic In Detroit
2. Big Brother
4. The Width Of A Circle
5. The Jean Genie
6. Rock 'n' Roll Suicide
LP 4: The Gouster (Previously Unreleased As A Complete Album)
1. John, I'm Only Dancing (Again) - not on 'Young Americans', first released as a single in 1979 to promote the 'Changestwobowie' compilation.
2. Somebody Up There Likes Me - alternative early previously unreleased mix
3. It's Gonna Be Me - not on 'Young Americans', first released as a bonus track on the EMI/Ryko edition of 'Young Americans' in 1990. An alternative mix with strings was released on the 2007 EMI edition of 'Young Americans'.
4. Who Can I Be Now? - not on 'Young Americans', first released as a bonus track on the EMI/Ryko edition of 'Young Americans' in 1990.
5. Can You Hear Me - alternative early previously unreleased version.
6. Young Americans - same version that ended up on 'Young Americans'.
7. Right - alternative early previously unreleased version.
LP 5: Young Americans (Remastered)
1. Young Americans
5. Somebody Up There Likes Me
6. Across The Universe
7. Can You Hear Me
LP 6: Station To Station (Remastered)
1. Station To Station
2. Golden Years
3. Word On A Wing
4. TVC 15
6. Wild Is The Wind
LP 7: Station To Station (2010 Harry Maslin Mix)
1. Station To Station
2. Golden Years
3. Word On A Wing
4. TVC 15
6. Wild Is The Wind
LP 8: Live Nassau Coliseum '76
1. Station To Station
2. Suffragette City
4. Word On A Wing
6. Waiting For The Man
7. Queen Bitch
1. Life On Mars?
2. Five Years
3. Panic In Detroit
5. TVC 15
6. Diamond Dogs
7. Rebel Rebel
8. The Jean Genie
LP 9: RE:CALL 2 (Non Album Singles, Single Versions and B-Sides) (Remastered)
1. Rebel Rebel (original single mix)
2. Diamond Dogs (Australian single edit)
3. Rebel Rebel (U.S. single version)
4. Rock 'n' Roll With Me (live - promotional single edit)
5. Panic In Detroit (live)
6. Young Americans (original single edit)
7. Fame (original single edit)
8. Golden Years (original single version)
9. Station To Station (original single edit)
10. TVC 15 (original single edit)
11. Stay (original single edit)
12. Word On A Wing (original single edit)
13. John, I'm Only Dancing (Again) (1975) (single version)$249.99180 Gram Audiophile Virgin Vinyl LP Box Set - 13 LPs Sealed Buy Now
Heroes (40th Anniversary Picture Disc)40th Anniversary 7 Picture Disc
Limited edition 7" picture disc double-A side single of "HEROES" to celebrate its 40th anniversary. The AA side features a previously unreleased live recording from Marc Bolan's British TV show, originally broadcast on 20th September, 1977.1. Heroes (Single Version) [2017 Remastered Version]
2. Heroes ('Marc' Show Version)$14.997 Vinyl Single Picture Disc Buy Now
Beauty And The Beast (Picture Disc)7 Vinyl Picture Disc
Originally released in the UK on 6th January, 1978 'BEAUTY AND THE BEAST' was the 2nd single to be taken from the album "HEROES",which was recorded at the legendary Hansa Studios in Berlin. King Crimson's Robert Fripp plays on the track and has claimed that the lead guitar used on 'Beauty And The Beast' was his first take having arrived directly at Hansa Studios from New York.
The AA of the 7" picture disc is a previously unreleased live version of the "HEROES"album track 'BLACKOUT'recorded on the 16th May, 1978 at the Deutschlandhalle, Berlin during the ISOLAR II tour.1. Beauty and the Beast (2017 Remastered Version)
2. Blackout (Live)$14.997 Vinyl Single Picture Disc Buy Now
CaerTwin Shadow, the project of George Lewis Jr., is back to announce his new album. Caer (pronounced: ka-air) is the artist's fourth album to date, and is set for release via Warner Bros. Records.
About Twin Shadow and Caer:
Sometimes I feel like I have to take a fall to essentially get to the next phase of my life, Lewis says
about Caer. It's happened over and over. I've been through so many musical phases and through
so many relationships with friends and lovers. I always feel like I'm standing on the edge of a cliff,
looking down and thinking, 'This is the only way forward: onto the next thing.' It's sort of destructive,
but I guess I thrive on rebirth.
Falling is a theme that surfaces throughout the album, which is why Lewis called it Caer - the
Spanish word for to fall. The album serves as a powerful lens through which Lewis explores his
own personal sense of falling, as well as what he has observed about a world that feels as if it's
declining. On a larger scale, Caer feels extraordinarily current, given what's going on culturally and
politically right now. The patriarchy is falling apart, Lewis says. Our perceptions of who we are as
human beings, because of technology and machines, are falling apart. We're living at a breaking
point, and a lot of the themes on the album are talking about these fault lines. Lewis refers to such
fissures on Saturdays (which features Haim). It's a love song, he says. 'Saturdays' is the heaven
place you go to when you're in love or even with friends, feeling your youth. But it's also about my
feeling that the world is starting to tear itself apart and maybe we're falling through the cracks. But
when you're laying in bed next to someone you care about, none of that seems real.
Lewis feels that Caer is something of a sister record to his 2010 debut album, the lush, gauzy
Forget, in that it's a record with hidden doorways and secret passages more is revealed the more
time you spend inside of it.
Lewis is part of a lineage of artists who constantly experiment but still manage to create the
soundtrack to people's lives, like Prince and David Bowie. Those are the artists who just keep
giving it to you forever. It's 'forever' music. To me, that's the greatest thing in the world.1. Brace (feat. Rainsford)
2. Saturdays (feat. Haim)
3. Sympathy (feat. Rainsford)
4. 18 Years
5. Little Woman
6. When You're Wrong
7. Twins Theme (Interlude)
8. Littlest Things
9. Too Many Colors
10. Rust (Interlude)
11. Obvious People
13. Bombs Away (RLP)$19.99Vinyl LP - Sealed Buy Now
Guardians Of The Galaxy Vol. 1 (Picture Disc)Guardians of the Galaxy: Re-live the hits from the blockbuster film Guardians Of The Galaxy with this collectible
vinyl picture disc.
Featuring classic 1970's songs from the movie like Blue Swede's Hooked on a Feeling, David
Bowie's Moonage Daydream, 10cc's I'm Not in Love, the Jackson 5's I Want You Back, Redbone's Come and
Get Your Love, and The Runaways' Cherry Bomb plus awesome character images straight from the film.1. Blue Swede - Hooked On A Feeling
2. Raspberries - Go All The Way
3. Norman Greenbaum - Spirit In The Sky
4. David Bowie - Moonage Daydream
5. Elvin Bishop - Fooled Around and Fell In Love
6. 10cc - I'm Not In Love
7. Jackson 5 - I Want You Back
8. Redbone - Come and Get Your Love
9. The Runaways - Cherry Bomb
10. Rupert Holmes - Escape (The Pina Colada Song)
11. The Five Stairsteps - O-O-H Child
12. Marvin Gaye/Tammi Terrell - Ain't No Mountain High Enough$21.99Vinyl LP Picture Disc - Sealed Buy Now
Life FantasticLife Fantastic is the much anticipated follow-up album to Rabbit Habits (2008), an album which inspired Paste magazine to proclaim of the band, They are what rock n roll is meant to be and, frankly, what most rock bands have forgotten altogether: these songs are fun. Working for the first time with producer Mike Mogis (Bright Eyes), Man Man have brought along the fierce energy of their renowned live shows while finding a new melodic voice on songs like Oh, La Brea with its Harry Nilsson music hall touches, or Life Fantastic loping along to a classic David Bowie piano vamp. Expanding their palette while keeping the found instruments, Man Man continue to evolve into an entirely new form of propulsive pop music.1. Knuckle Down
2. Piranhas Club
3. Steak Knives
4. Dark Arts
5. Haute Tropique
7. Spooky Jookie
8. Eel Bros
9. Bangkok Necktie
10. Life Fantastic
11. Oh, La Brea$19.99Vinyl LP - Sealed Buy Now
Sun DownNik Freitas' Team Love debut, Sun Down, equal parts wry, warm and sonorous, is the end product of several years of lifeÆs ups and downs. Freitas writes, plays, engineers and produces every note on his records. Not that he's got a lot of expensive gear. A visit to his Poppy Peak studio/shed reveals that Nik is working low-budget minor miracles, the kind of miracles one receives via hundreds of hours on Craigslist. One listen to Sun Down and you know you're hearing a certain hard-won grace. The record takes you from Paul Simon's Graceland to David Bowie's Hunky Dory all in the span of forty effortless minutes. Sun Down is endowed with a sort of gravity and self-possession; no reaching, no going for the gold, just perfect, four minute thesis statements. It all began several years ago for Freitas, when a co-worker sold him an antique piano that was used by a street musician before the dawn of Casio. Nik taught himself how to play the thing, and it became the cornerstone of three earlier records, Here's Laughing at You, Heavy Mellow and Voicing the Hammers. Other people began to take notice. He's opened for Jason Lytle of Granddaddy, played guitar for Jim Fairchild of All Smiles and recorded with Miles Kurosky of Beulah. Lately, he's been opening shows for Bright Eyes which led him to his current resting place at Team Love. The end of the imaginary side one features Sophie with live horns punctuating the tale of a girl who seems to have made some rather unfortunate choices. It's a perfect signpost of a song, and it clears the decks for what's to come in the second half, where Nik's orchestra of one builds the final five songs into an Abbey Road type suite that fans of Jon Brion will hearken to. Sun Down is imbued with a sort of indie grandeur that is both unexpected and totally natural.1. Sun Down
2. Oh My God
3. All the Way Down
4. What You Become
6. Love Around
7. It Ain't Like That
8. See Me There
9. Comes to Me
10.Shhhh$18.99Vinyl LP - Sealed Buy Now
Transformer (Speakers Corner) (Awaiting Repress)Ranked 194/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
It is well known that comparisons seldom get to the root of the matter, but in the case of Lou Reed, for example, they certainly reveal the unassuredness of those people who made them. Is he or isn't he the Chuck Berry or Sergeant Pepper of the Seventies, or is he deliberately building up an image of himself as an ultra-sensitive Frankenstein, who lived out his neuroses and drug trips in horrific sound? Some records are so unbelievably repulsive, raged the magazine Rolling Stone, that one would best like to take physical revenge on the artists who commit such offences.
The album Transformer, however, can by no means be classified as a case of 'acoustic bodily harm'. It appeared just a few months after the somewhat unsuccessful appearance of Lou Reed's fairly underground first release and rocketed straight into the charts. This production had two British guardian angels to help it on its way, namely David Bowie and Mick Ronson, both of whom obviously knew how to steer Reed's songwriting qualities into safe waters, without watering down his biting sarcasm and humorous provocation.
And that's why grating guitar rock (Vicious) is found alongside a bittersweet, tender ballad (Perfect Day) and even an old-time jazz parody (Goodnight Ladies) which is sung with a tongue a heavy as lead. Why then compare this highly original music mix with others, when it's so much easier to hear this record for what it is - a truly cult album?
- Lou Reed (vocal, guitar, arranger)
- Mick Ronson (vocal, guitar, piano, arranger)
- David Bowie (vocal, arranger)
- Ronnie Ross (saxophone)
- Klaus Voorman (bass)
- Herbie Flowers (tuba, bass)
- John Halzey, Barry Desouza; Ritchie Dharma (drums)
Recording: 1972 by Arun Chakranerty
Production: David Bowie and Mick Ronson
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Vicious
2. Andy's Chest
3. Perfect Day
4. Hangin' Round
5. Walk on the Wild Side
6. Make Up
7. Satellite of Love
8. Wagon Wheel
9. New York Telephone Conversation
10. I'm So Free
11. Goodnight Ladies$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Dolls of HighlandKyle Craft grew up in a tiny Louisiana town on the
banks of the Mississippi, where he spent most of his
time catching alligators and rattlesnakes instead of
playing football or picking up the guitar. He's not the
product of a musical family, and bands never came
through town. It was only a chance trip to K-Mart that
gave him his first album, a David Bowie hits compilation
that helped inspire him eventually to channel his
innate feral energy into songwriting and rock and roll.
That self-made talent drives every note of Dolls of
Highland, Craft's exhilarating, fearless solo debut.
"This album is the dark corner of a bar," he says. "It's
that feeling at the end of the night when you're
confronted with 'now what?'"
Craft knows the feeling well--Dolls began to take shape
when everything he took for granted was suddenly over,
including an eight-year relationship. "All of a sudden I
was left with just me for the first time in my adult
life," he says. He ventured far away from the ghosts of
his home in Shreveport, Louisiana to make a new life
for himself in Portland, Oregon, living under a friend's
pool table while he demoed new songs and tried to
determine what came next.
The album was tracked at a home studio in Shreveport,
where Craft briefly returned for an intensely-productive
reckoning with his past. "I dedicated the album to
Shreveport and called it Dolls of Highland for all the
girls and ghosts in town who influenced it so strongly."
Craft then returned to Portland, where Brandon
Summers and Benjamin Weikel of The Helio Sequence
helped move the album from its DIY beginnings to a
more fully realized work. Craft played most of the
instruments on the album, and the record captures the
power of his live performance.
And then there's Craft's unforgettable voice - "I'm
fully aware that I have a very abrasive, very loud voice,
but Bob Dylan is the one that taught me to embrace
that," says Craft. Craft's talent and singular creativity
move the conversation into new and unpredictable
places. And this album is very much about moving
forward. "After everything fell apart, it didn't take very
long for me to learn who I was and what I should be
doing," says Craft, who is walking out on the other side
with Dolls of Highland.1. Eye of a Hurricane
4. Lady of the Ark
5. Gloom Girl
6. Trinidad Beach (Before I Ride)
7. Future Midcity Massacre
8. Black Mary
10. Dolls of Highland
11. Jane Beat the Reaper
12. Three Candles$18.99Vinyl LP - 2 LPs Sealed Buy Now
Raw PowerRanked 125/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
If theres ever been an album that lives up to its title, this is it, Iggy and the Stooges apocalyptic, high-octane 1973 release, Raw Power with its unforgettable Mick Rock photography on the front and back! The Iggy Pop produced/David Bowie mixed album literally provided the blueprint for the mid-'70s punk-rock explosion with such proto-punk frontal assaults as Search and Destroy, Shake Appeal, Your Pretty Face Is Going to Hell and the title track.
Although this incarnation of the Stooges (James Williamson/guitar, Ron Asheton/bass, Scott Asheton/drums) imploded not long after its release, Raw Power became the album that launched a million punk rock bands all around the world, leaving its mark on scenes from London to L.A. to Sydney. As iconic and influential a record as they come, this is primal rock n roll at its absolute best!
Raw Power was the confluence of the Stooges' ages, hormones, creativity, ability, experience, tastes, lack of supervision, contempt for authority and ambition to achieve our rock dreams however unrealistic they might be. The songs from Raw Power were written from deep within our souls and were played with a meaningfulness and authenticity which is rarely captured on record. - James Williamson1. Search And Destroy
2. Gimme Danger
3. Your Pretty Face Is Going To Hell
5. Raw Power
6. I Need Somebody
7. Shake Appeal
8. Death Trip$29.99Vinyl LP - 2 LPs Sealed Buy Now
The Journey Man"In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."
Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"
It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.
But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.
Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.
Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.
"I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."
What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.
Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.
By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."
Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).
Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.
A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.
The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.
Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.
"I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."
Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.
'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.
Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".
And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.
- Tim Barr, 2017LP 1
1. Horizons (feat. Terri Walker & Swindle)
5. The Mirrored River
1. I Adore You (w/ Ulterior Motive)
2. I Think of You
3. Truth (feat. Jose James)
1. Tu Viens Avec Moi?
2. The Ballad Celeste
3. This Is Not A Love Song
4. The River Mirrored (feat. Terri Walker)
6. Tomorrow's Not Today
7. Run Run Run$35.99Vinyl LP - 3 LPs Sealed Buy Now
New York Before The WarJesse Malin returns in the New Year with a brand new album: New York Before The War, preceded by a single, Addicted.
Arriving almost five years on from his last record (2010's Love It to Life), Jesse's artistic ambitions for New York Before the War, were high: he knew he had to make it count. "I wanted to make a record that encompassed everything I've done, since I started with my hardcore band, Heart Attack, when I was twelve or or thirteen through bands like D Generation and then my solo career, but I also wanted to challenge the listeners who have been with me - and challenge myself."
Pared down from close to forty songs, New York Before the War album more than matches that ambition: A soundtrack to a life lived with meaning. "This is an era when music is so disposable," Malin worries. "People talk about the death of the album and even the death of rock & roll. But this is not just a shuffle of songs. There is a cinematic thread, a story."
Sessions for the album began in Virginia, Nashville before moving on to New York, finishing up at the Magic Shop in Soho. Players include such downtown New York all-stars as guitarist Derek Cruz, bassist Catherine Popper and drummer Randy Schrager. Don Dilego produced early sessions for the album in Virginia, and Malin and Cruz co-produced in New York. Brian Thorn, who worked on David Bowie's The Next Day, engineered and mixed the album.
Opening with The Dreamers, a haunting ballad that evokes both the alienation and the sense of deep connection that travel can bring (and very nearly became the album's title track), the album moves on through darker meditations like She's So Dangerous and Bar Life. Elsewhere, taut, upbeat rockers like Freeway (which features a blistering solo by the MC5's Wayne Kramer) and Turn Up the Mains (with Alejandro Escovedo on backing vocals) dictate the pace and Peter Buck contributes a vintage R.E.M.-style guitar part to I Would Do It For You, a tale of personal loyalty filled with longing and an aching sense of conviction.1. The Dreamers
3. Turn Up The Mains
4. Oh Sheena
5. She's So Dangerous
6. The Year That I Was Born
7. Boots of Immigration
9. Bent Up
10. She Don't Love Me Now
11. Death Star
12. I Would Do It For You
13. Bar Life$16.99Vinyl LP - Sealed Buy Now
As Recorded At Madison Square Garden (Music On Vinyl)Import
The live album 'As Recorded at Madison Square Garden' was originally released in June 1972, just one week after the concert took place at the Madison Square Garden arena in New York City. This show was Presley's first live concert in the Big Apple since the 1950s. Many musicians attended one of his shows most notably amongst them George Harrison, Art Garfunkel, David Bowie, all the members of both Ten Years After and Led Zeppelin, Paul Simon and Bob Dylan. Being backed by an eight-piece band, an orchestra and eight backup singers the show itself is the more elaborately produced follow-up to his Las Vegas performances of 1969-1970.LP 1
1. Introduction: Also sprach Zarathustra (Theme from 2001: A Space Odyssey)
2. That's All Right
3. Proud Mary
4. Never Been To Spain
5. You Don't Have To Say You Love Me
6. You've Lost That Lovin' Feelin'
7. Polk Salad Annie
8. Love Me
9. All Shook Up
10. Heartbreak Hotel
11. Medley (Let Me Be Your) Teddy Bear / Don't Be Cruel
12. Love Me Tender
1. The Impossible Dream (The Quest)
2. Introductions By Elvis
3. Hound Dog
4. Suspicious Minds
5. For The Good Times
6. An American Trilogy
7. Funny How Time Slips Away
8. I Can't Stop Loving You
9. Can't Help Falling In Love
10. End Theme (Orchestra)$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Christmas ClassicsChristmas isn't Christmas without Bing, now is it? This LP adds White Christmas (live on The Frank Sinatra Show ) to Peace on Earth/The Little Drummer Boy (the famous TV performance with David Bowie); Frosty the Snowman; Rudolph the Red-Nosed Reindeer; O Holy Night; Winter Wonderland; Do You Hear What I Hear? and more!1. White Christmas
2. Have Yourself A Merry Little Christmas
3. Winter Wonderland
4. What Child Is This? / The Holly And The Ivy Medley
5. Little Drummer Boy
6. O Holy Night
7. The Littlest Angel
8. Let It Snow! Let It Snow! Let It Snow!
9. Hark! The Herald Angels Sing
10. Frosty The Snowman
11. Rudolph, The Red-Nosed Reindeer (feat. John Scott Trotter & His Orchestra, Jud Conlon's Rhythmaires)
12. I Wish You A Merry Christmas
13. Do You Hear What I Hear?
14. Pat-A-Pan / While Shepherds Watched Their Flock
15. Christmas Dinner Country Style
16. Peace On Earth / The Little Drummer Boy Medley (feat. David Bowie)$19.99Vinyl LP - Sealed Buy Now
Acoustic ClassicsGrammy winning guitarist Peter Frampton is one of the most celebrated artists and guitarist in rock history. At 16, he was lead singer and guitarist for the British band The Herd. At 18, he co-founded one of the first super groups, seminal rock act Humble Pie. His session work includes collaborations with such legendary artists as George Harrison, Harry Nilsson, David Bowie, Jerry Lee Lewis, Ringo Starr, John Entwistle and many others. His fifth solo album, the electrifying Frampton Comes Alive!, is one of the top-selling live records of all time selling more than 17 million copies worldwide.1. Fig Tree Bay
2. Wind of Change
3. All I Want to Be (Is by Your Side)
4. Show Me the Way
5. Lines on My Face
6. Sail Away
7. Baby, I Love Your Way
8. All Down to Me
9. Penny for Your Thoughts
10. Do You Feel Like I Do
11. I'm in You$24.99Vinyl LP - Sealed Buy Now