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Wind On The WaterImport
Invisible Hands Music is proud to release Wind On The Water, the classic album from Crosby & Nash, on vinyl for the first time since it's original 1975 release. Wind On The Water was the second album by David Crosby & Graham Nash. It reached number six on the Billboard album chart and includes three hit singles, Take The Money And Run, Love Work Out and Carry Me. It includes guest appearances by Carole King, Levon Helm, James Taylor and some of the top session men of the age, such as Russ Kunkell, Craig Doerge, Danny Kortchmar, David Lindley. Tim Drummond and Leland Sklar.1. Carry Me
2. Mama Lion
4. Take The Money And Run
5. Naked In The Rain
6. Love Work Out
7. Low Down Payment
8. Cowboy Of Dreams
9. Homeward Through The Haze
11. To The Last Whale...
12. (i. Critical Mass ii. Wind On The Water)$37.99Vinyl LP - Sealed Buy Now
Bad Luck Streak In Dancing School
The Warren Zevon/Friday Music 180 Gram Audiophile Vinyl Series Continues!
Celebrate 3 Decades Of His Legendary Rock Masterpiece Featuring His Friends Joe Walsh, Linda Ronstadt, Don Henley, Glenn Frey And Jackson Browne
Mastered Impeccably By Joe Reagoso From The Original Elektra Records Tapes
For an artist who first gained success as a songwriter with superstars like The Turtles, Linda Ronstadt, and
Jackson Browne, Warren Zevon's own acclaimed recordings proved to be a major force on the music scene for many
decades. His music transcended all genres of rock and pop music styles, fusing melodic landscapes with thought
provoking and somewhat controversial lyrical content during his successful reign on the album and radio charts.
After reaching platinum heights with his very popular Excitable Boy LP (Friday Music 9006), his amazing follow-up album Bad Luck Streak In Dancing School hit the rock charts again thanks to the remake of The Yardbirds classic
A Certain Girl as well as his smash collaboration with Bruce Springsteen on Jeannie Needs a Shooter.
The twelve track masterpiece is loaded with some even more time honored Warren Zevon classics like the rockers Play It All Night Long, Wild Age and Junglework, as well as melodic ballads like Empty-Handed Heart featuring his
superstar friend Linda Ronstadt on vocals, plus his collaboration with T-Bone Burnett on Bed of Coals.
The Bad Luck Streak In Dancing School sessions featured the musical talents of not only Warren Zevon but his
superstar friends like Jackson Browne, Glenn Frey, Don Henley, Joe Walsh and Don Felder from The Eagles, David
Lindley, J.D. Souther and the aforementioned songstress Linda Ronstadt.
This Warren Zevon masterpiece has been out of print on vinyl now for over two decades, however, Friday Music
is now very honored to announce the first time 180 Gram Audiophile Vinyl limited edition of Warren Zevon's classic
Bad Luck Streak In Dancing School.
Mastered impeccably from the original Elektra Records tapes by Joe Reagoso (Warren Zevon/Boz Scaggs/Elvis
Presley), this amazing rock classic truly shines once again in the audiophile vinyl domain.
To enhance your 180 Gram Vinyl listening, we have also included the original artwork elements in a super limited
gatefold style LP cover, filled with the original lyrics, and rare record cover sized art not seen in years.
The legacy of Warren Zevon continues with his 1980 classic recording Bad Luck Streak In Dancing School
finally available once again on an impeccably mastered 180 Gram Audiophile Vinyl only from your friends at
Friday Music.1.Bad Luck Streak in Dancing School
2. A Certain Girl
3. Jungle Work
4. Empty-Handed Heart
5. Interlude No. 1
6. Play It All Night Long
7. Jeannie Needs a Shooter
8. Interlude No. 2
9. Bill Lee
10. Gorilla, You're a Desperado
11. Bed of Coals
12. Wild Age$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Limited Audiophile Pressing by RTI
Deluxe Gatefold Package
Salvation Town, the surprising and powerful solo debut by Jonny Two Bags,
guitarist for the Southern California punk rock institution Social Distortion,
defies expectations at every turn. Produced by David Kalish, noted for his long
association with Rickie Lee Jones, at his Redstar Studio in Los Angeles, the
album features 10 striking original songs written by Jonny Two Bags, a.k.a.
A diverse array of talent that spans the musical spectrum
was enlisted for the recording. Jackson Browne shares vocals with Wickersham
on "Then You Stand Alone," while David Lindley, whose guitar work graced
several of Browne's classic '70s albums, contributes to four tracks. Los Lobos'
multi-instrumentalist David Hidalgo and his sons David Jr. and Vincent join in
on "Wayward Cain" and super-sideman Greg Leisz (Lucinda Williams, Eric
Clapton, k.d. lang, Dave Alvin) also appears on guitar. The drum chair is filled
by Pete Thomas, a mainstay of Elvis Costello's bands. Wickersham's colleagues in Social Distortion, keyboardist Danny McGough
and bassist Brent Harding, join on a few tracks while Austin accordion luminary Joel Guzman and bassist/punk kingpin Zander
Schloss (Weirdos, Circle Jerks, Thelonious Monster) round out the lineup.1. One Foot In The Gutter
3. Then You Stand Alone
4. Clay Wheels
5. Forlorn Walls
6. Wayward Cain
8. Hope Dies Hard
9. Alone Tonight
10. The Way It Goes$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
RiverRiver was a looser and rootsier affair than Terry Reid's first records, taken from a sprawl of sessions in London and California that generated enough material for several albums. The very looseness that gives the effort some charm is the same quality, however, that keeps it from being a major work. The songs mostly sound unfinished, as if they're friendly jams in which Reid and the musicians (including, most notably, David Lindley on half the album and percussionist Willie Bobo on the title track) are working out some song ideas or twisting around some riffs. It often brings to mind those parts of songs where the likes of Van Morrison, Tim Buckley, or Robert Plant sing-scat improvised-sounding vocal passages. The difference is that, for the most part, those singers used such sections to embellish solid songs. On River, the quasi-stream-of-consciousness vocal ramblings are the songs. The first four of the seven songs are very much in a funky, laid-back blues-rock groove, prominently featuring Lindley on steel, slide, and electric guitars. Reid, and the album itself, really begin to find more of an individual voice on 'River,' where beguiling Latin-Brazilian elements are introduced in the guitar, melody, and rhythm. The final two cuts, 'Dream' and 'Milestones,' back Reid's vocals only with acoustic guitar, and have a romantic melancholy that likewise makes them highlights of this highly personal but uneven record.1. Dean
3. Things To Try
4. Live Life
7. Milestones$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Songs For BeginnersSinger/songwriter and Rock & Roll Hall of Famer Graham Nash first rose to fame with British Invasion hit-makers The Hollies. He went on to co-found the legendary rock supergroups Crosby, Stills & Nash and CSN&Y, and remains active with both configurations. Throughout it all, Nash has also pursued an acclaimed solo career, beginning with the 1971 gem Songs For Beginners. Guest performers on the eleven-song set include Rita Coolidge, David Crosby, Jerry Garcia, Bobby Keys, Phil Lesh, David Lindley and Dave Mason among others. Features the classic tracks Military Madness, Simple Man, I Used To Be King and We Can Change The World.1. Military Madness
2. Better Days
3. Wounded Bird
4. I Used To Be A King
5. Be Yourself
6. Simple Man
7. Man In The Mirror
8. Theres Only One
9. Sleep Song
11. We Can Change The World$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
A Beacon From MarsWielding a battery of exotic instruments that once adorned a thrift-shop front window (bazouki, oud, vina, saz, doumbeg), the Kaleidoscope was every bit as multi-hued and subject-to-change as the telescope full of bright bits of colored glass the band was named after. If there had been a prize for the most eclectic psychedelic outfit, L.A.s Kaleidoscope would have had it stashed on a shelfbetween the hookah pipes and the bowling trophiesin the bands rehearsal space. Formed by multi-instrumentalists David Lindley and Chris Darrow, with a membership that also included multi-instrumentalist Solomon Feldthouse and multi-instrumentalists Max Buda, Chester Crill and Fenrus Epp (all the same person!) along with drummer John Vidican, this wildly experimental outfit pioneered what would become the world-music genre by darting deftly between rock, folk, blues, Cajun, country, Middle Eastern, good-time ballads and Eastern European styles, with plenty of full-blown psychedelia on the side. Its an exotically diverse approach, explored to great effect on 1968s A Beacon from Mars, Kaleidoscopes second LP (the working title for the album was Bacon from Mars). Just float your head through the buoyant, sprawling, mystical title track; the driving, raga-esque Taxim; or the graceful opener, I Found Out, which unfolds like the tender petals of a young rose. Beacon from Mars is an album no fan of 60s West Coast psych can afford to miss!1. I Found Out
2. Greenwood Sidee
3. Life Will Pass You By
5. Baldheaded End Of A Broom
6. Louisiana Man
7. You Don't Love Me
8. Beacon From Mars$28.99Vinyl LP - Sealed Buy Now
Side TripsLike a mind-boggling combination of Summer of Love acid-rock, good time saloon music and a Middle Eastern jam session, Side Trips, the debut album by Kaleidoscope, stood out, even in the eye of the psychedelic hurricane, as something altogether different! Staffed by a hall of fame roster of multi-instrumentalists -David Lindley, Chris Darrow, Solomon Feldthouse, Chester Crill (aka: Fenrus Epp) and John Vidican-this San Gabriel Valley, Calif.-based combo cut their dazzling 1967 album with a startling arsenal of instruments that included banjo, fiddle, doumbeg, mandolin, viola, saz, bouzoukee, dobro, vina, authoharp, oud and clarinet. When they entertained the wide-eyed customers of San Francisco's Fillmore and Avalon Ballrooms and Los Angeles' Ash Grove, they frequently employed flamenco and belly dancers onstage. Just like the see-through tube with bits of colored glass and mirrors that gave the band their name, the Kaleidoscope was never the same, no matter which way you turned it!1. Egyptian Gardens
2. If the Night
3. Hesitation Blues
5. Keep Your Mind Open
6. Pulsating Dream
7. Oh Death
8. Come On In
9. Why Try
10. Minnie the Moocher$28.99Vinyl LP - Sealed Buy Now
Don't Smoke In BedMultiple Styles Displayed On Holly Cole's 1993 Sophomore Album
Mastered By Bernie Grundman From The Original Master Tapes
Plating And 200-Gram Vinyl Pressing By Quality Record Pressings!
Old-Style Gatefold Tip-On Jacket By Stoughton Printing
Holly Cole brings her own dimension to the tradition of cabaret, a strong voice that's still capable of nuance, an ear for quirky repertoire, and a light touch that keeps some of these performances floating just at the edge of irony.
On her second album, 1993's Don't Smoke in Bed, Cole explores varied musical styles, adding pop, blues, country and a French ballad to her standard, low-key jazz. It's a favorite of ours, which is why for this Analogue Productions reissue we've given it the reissue treatment it deserves. Bernie Grundman did the mastering, from the original analog tapes, at his Los Angeles studio, giving this release a spectacular foundation. Plating and pressing on 200-gram heavyweight vinyl was done by Gary Salstrom and crew at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly, we wrapped up the whole package in a premium gatefold tip-on jacket from Stoughton Printing. There's nothing but aces in this smokin' hot reissue and the quality shines through.
Holly's delivery of more traditional fare shines on Cole Porter's witty Get Out of Town and Kurt Weill's torchy Je Ne T'aime Pas, while she brings clarity, power, and anthemic passion to the surprising treatment of Johnny Nash's I Can See Clearly Now. She's generally well supported in this intimate set by pianist Aaron Davis and bassist David Piltch, while there's sparing and effective use of strings. There are fine guest spots by tenor saxophonist Joe Henderson, on Everyday Will Be Like a Holiday, and David Lindley, whose steel guitar contributes to the strange country music of Don't Let the Teardrops Rust Your Shining Heart.
This title is not eligible for discount.1. I Can See Clearly Now
2. Don't Let the Teardrops Rust Your Shining Heart
3. Get Out Of Town
4. So and So
5. The Tennessee Waltz
6. Everyday Will Be Like A Holiday
7. Blame It On My Youth
8. Ev'rything I've Got
9. Je Ne T'Aime Pas
10. Cry (If you Want To)
11. Que Sera Sera
12. Don't Smoke In Bed$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Heart Like A Wheel
Linda Ronstadt's 1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting: Heart Like a Wheel Features an All-Star Instrumental Cast and Singer at Her Best
Audiophile Clarity, Profound Depth, Lifelike Naturalism, and Transfixing Warmth: Numbered, Limited-Edition Mobile Fidelity 180g LP Meticulously Mastered for Supreme Sound
How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance - Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance - a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180g vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.
Yet the advantages of this limited, numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180g LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.
While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple - and a lasting example of the period's laid-back West Coast sound - cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.
The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses - the edge between vulnerability and willfulness that I find totally, irresistibly sexy.
Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s You're No Good, harmony-rich treatment of Hank Williams' I Can't Help It (If I'm Still in Love with You), folk-rock lilt of Lowell George's Willin', or soulful send-up of Phil Everly's When Will I Be Loved? Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort - the kind of record they just don't make anymore.
This title is not eligible for discount.1. You're No Good
2. It Doesn't Matter Anymore
3. Faithless Love
4. The Dark End of the Street
5. Heart Like a Wheel
6. When Will I Be Loved
8. I Can't Help It (If I'm Still in Love with You)
9. Keep Me from Blowing Away
10. You Can Close Your Eyes$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now