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Day Of The Dead'
Day Of The Dead (Box Set)Limited 10xLP Vinyl Box Set
Each Disc On A Different Color Vinyl
4AD are pleased to announce the release of Day of the Dead, a celebration of the Grateful Dead's music.
Day of the Dead was created and curated by brothers Aaron and Bryce Dessner of The National. The compilation is a wideranging tribute to the songwriting and experimentalism of the Dead which took four years to record, features over 60 artists from varied musical backgrounds, 59 tracks and is almost 6 hours long.
All profits will help fight for AIDS/ HIV and related health issues around the world through the Red Hot Organization, a 501(c)3. This is the 20th album of original music produced by Red Hot to further its mission. Day of the Dead is the follow up to 2009's Dark Was The Night (4AD), a 32-track, multiartist compilation also produced by Aaron and Bryce for Red Hot. Dark Was The Night has raised over 1.5 million dollars for the organizations fighting AIDS to date.LP 1
1. Touch of Grey (The War on Drugs)
2. Shakedown Street (Unknown Mortal Orchestra)
3. Loser (Ed Droste, Binki Shapiro & Friends)
4. Jack A Roe (This Is The Kit)
5. Peggy O (The National)
6. Bird Song (Bonnie 'Prince' Billy & Friends)
7. Brown Eyed Woman (Hiss Golden Messenger)
8. Sugaree (Phosphorescent with Jenny Lewis & Friends)
1. Help On The Way (Bela Fleck)
2. Franklin's Tower (Orchestra Baobab)
3. King Soloman's Marbles (Vijay Iyer)
4. Box of Rain (Kurt Vile & J Mascis)
5. Friend of the Devil (Mumford and Sons)
6. Wharf Rat (Ira Kaplan & Friends)
1. Cassidy (Moses Sumney, Jenny Lewis & Friends)
2. Candyman (Jim James & Friends)
3. Clementine Jam (Orchestra Baobab)
4. Paying in the Band (Tunde Adebimpe, Lee Ranaldo & Friends)
5. Eyes of the World (Tal National)
1. Terrapin Station (Suite) (Daniel Rossen and Christopher Bear)
2. Ship of Fools (The Tallest Man On Earth & Friends)
3. Estimated Prophet (The Rileys)
4. Morning Dew (The National)
1. Me and My Uncle (The Lone Bellow)
2. China Cat Sunflower / I Know You Rider (Stephen Malkmus & The Jicks)
3. If I Had the World to Give (Bonnie 'Prince' Billy & Friends)
4. Dark Star (Cass McCombs, Joe Russo & Friends)
5. Nightfall of Diamonds (Nightfall of Diamonds)
6. Dark Star (The Flaming Lips)
1. Rubin & Cherise (Bonnie 'Prince' Billy & Friends)
2. Althea (Winston Marshall and Shura)
3. Mountains of the Moon (Lee Ranaldo & Friends)
4. Stella Blue (Local Natives)
5. Standing on the Moon (Phosphorescent & Friends)
6. To Lay Me Down (Perfume Genius)
1. Uncle John's Band (Lucius)
2. High Time (Daniel Rossen and Christopher Bear)
3. Dire Wolf (The Lone Bellow)
4. New Speedway Boogie (Courtney Barnett)
5. Cumberland Blues (Charles Bradley)
6. Black Peter (Antony & yMusic)
7. Easy Wind (Bill Callahan)
1. Here Comes Sunshine (Real Estate)
2. Rosemary (Mina Tindle & Friends)
3. Drums > Space (Man Forever / So Percussion / Oneida)
4. Transitive Refraction Axis for John Oswald (Tim Hecker)
5. What's Become of the Baby (s t a r g a z e)
6. Garcia Counterpoint (Bryce Dessner)
1. Brokedown Palace (Richard Reed Parry with Caroline Shaw [featuring Garth Hudson])
2. Till the Morning Comes (Luluc with Xylouris White)
3. Attics of My Life (Angel Olsen)
4. Cream Puff War (Fucked Up)
5. Truckin' (Marijuana Deathsquads)
1. Going Down The Road (Lucinda Williams)
2. Black Muddy River (Bruce Hornsby & DeYarmond Edison)
3. Ripple (The Walkmen)
4. And We Bid You Goodnight (Sam Amidon & Friends)
5. St. Stephen (live) (Wilco with Bob Weir)
6. I Know You Rider (live) (The National with Bob Weir)$188.99Colored Vinyl LP Box Set - 10 LPs Sealed Buy Now
Creepshow: Original 1982 Score (Colored Vinyl)'Kill Lights' Deep Red with Blue Smoke Colored Colored Vinyl
Heavyweight Casebound Tip-on Gatefold Jacket With A Satin Coating
Director Essay From George A. Romero & Composer Essay From John Harrison
A Built-in Booklet Featuring Production Stills, Artwork, And Liner Notes
A Satin Coated 12x12 Art Print Of The Creeper
Full Album Packaging Artwork By Ghoulish Gary Pullin
Waxwork Records is thrilled to announce their next LP release to the 1982 horror anthology classic, CREEPSHOW. The film was directed by George A. Romero and written by Stephen King. The score was composed and performed by John Harrison (DAY OF THE DEAD, TALES FROM THE DARKSIDE).
This definitive release of the film score has never before been released. The original master tapes of the CREEPSHOW film score were lost for over 30 years, but with the efforts of composer John Harrison and Waxwork Records, the tapes were located in the attic of Jeree Recording Studios in New Brighton, PA. The tapes remained in remarkable shape over the years and were re-mixed and re-mastered for vinyl. The CREEPSHOW score has never sounded this good.1. Prologue
2. The Creepshow Welcomes You
3. Henry Is Told The Family Secrets
4. She Bashed His Head In
5. Bedelia Arrives
6. Where's My Cake? I Want My Cake
7. Nate Comes Out Of The Grave
8. Henry Goes Looking
9. Henry Meets Nate; Henry Gets Crushed
10. I Got My Cake
11. Sylvia On A Platter - A Meteor Arrives
12. Jordy Discovers His Meteor
13. Jordy Hallucinates And Takes A Bath
14. From The Farm To The Beach
15. Get In The Hole Harry
16. If You Can Hold Your Breath
17. Richard Watches Them Drown
18. From The Beach To The College
19. Mike Discovers The Crate
20. Dex And Mike Move The Crate$38.99Colored Vinyl LP- Sealed Buy Now
Day Of The Dead (Deluxe)Hollywood Undead is an American rap rock band from Los Angeles, California.1. Usual Suspects
2. How We Roll
3. Day Of The Dead
4. War Child
5. Dark Places
6. Take Me Home
8. Does Everybody In The World Have To Die
10. Party By Myself
11. Live Forever
12. Save Me
13. Guzzle, Guzzle
14. I'll Be There
15. Let Go$35.99Vinyl LP - 2 LPs Sealed Buy Now
Workingman's DeadSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk
You've Never Heard This Roots-Based Marvel Sound Better: Mastered from the Original Master Tapes and Given Extra-Wide Grooves on 45RPM LP
Ranked #264 on Rolling Stone's List of the 500 Greatest Albums of All Time: Airy Harmonies, Simple Structures, Concise Arrangements, and Burnished Tones Anchor Songs
Workingman's Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman's Dead attains audiophile reference status courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives.
Mastered from the original master tapes and pressed on 180g LPs at RTI, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances-traits made possible by the format's wider grooves. Instrumental melds and refined accents, such as guest David Nelson's nimble fills on "Cumberland Blues," are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.
The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman's Dead stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state-immediately apparent via the innocent album-opening invitation "Will you come with me?" on "Uncle John's Band"-owes to the circumstances and conditions surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from-and reacting to-the tragic events of the Altamont Music Festival and symbolic end of the peace and love era.
As such, Workingman's Dead acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning "Cumberland Blues," pastoral ballad "Dire Wolf," and bluesy "Easy Wind" hit the mark. Leader Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.
Of course, aside from the economical concision and thematic consistency, the genius of Workingman's Dead resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live "air blends" of multi-part vocal harmonies that provide the foundations of nearly every track. "Uncle John's Band," "High Time," "New Speedway Boogie" (with the iconic refrain "One way or another/This darkness has got to give" referencing the ill wind that greeted the new decade), and the radio favorite "Casey Jones" practically float on the ensemble's communal vocal beds.
Mobile Fidelity's 45RPM edition renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don't get more lifelike. Workingman's Dead-an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm-deserves nothing less. Neither do you.
This title is not eligible for discount.1. Uncle John's Band
2. High Time
3. Dire Wolf
4. New Speedway
5. Cumberland Blues
6. Black Peter
7. Easy Wind
8. Casey Jones$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
Dead FriendsAustin, TX's Shawn David McMillen has appeared under his own name via Catfish (Tompkins Square), End Of The City (dnt,abandon ship) and now, Dead Friends (Tompkins Square). Past involvements have included Friday Group, Ash Castles, Max Ochs, Jandek, warmer milks, Tom Carter, Christina Carter, Peter Walker, Ralph White, Starving Weirdos, Steve Gunn, Marc Orleans and more recently Gel Jail with Mikey T and Greg Bachus. Dead Friends is Shawns new slow burning record rendered in amber fidelity. From Phantom Rivers to Sick on Navasota its all here.1. Walking Home (At The End of the Night)
2. For Carrie Brown
3. The Moth
4. No Time Left In This Place
5. Night Train
6. A Morning With Dead Friends
7. Frankensteins Kiss
8. Our Weather
9. Beladona Along The Brazos
10. Every Eye$15.99Vinyl LP - Sealed Buy Now
Dead Girls Don't Cry01. Black Wedding
02. Backstage Pass To Hell
03. Moon Chaser
04. Struck By A Wrecking Ball
05. Where Do Monsters Go
06. Dead Girls Don't Cry
07. What's On Your Neighbors BBQ
08. I'm A ShockStar
10. A Stone With Your/My Name
11. Dead MoonWalking
12. World Of Dust
13. Dead By Dawn$19.99Vinyl LP - Sealed Buy Now
Dead Language (Awaiting Repress)If you spent every minute, every penny of your adult life on the road, you might make a record like Dead Language.
There's something that happens when four people have been playing music together, day in and day out, for ten years. In every basement, every colossal concert hall, every small European nation that would have them, the same four people playing the same four instruments. A full decade of plane tickets and van repairs and hangovers and fast food. At some point, the interaction between instruments, between members, transcends the brotherly love of most touring bands and enters the terrifying realm of twin telepathy. The Flatliners aren't just four dudes banging out riffs five hundred miles from home every night. They're four dudes banging out riffs in the hallways of the Overlook Hotel just like the unsettling twin girls in the The Shining. You see what I'm getting at yet?
It's been three years since Cavalcade (2010), The Flatliners' most successful album to date. A behemoth of a record, it brought famous friends like A Wilhelm Scream and Dillinger Four into the fold for huge songs like "Shithawks" and "Bleed."
Which is why Dead Language is the perfect response - it's the brutally crisp sound of four people in a room, the sonic payoff of a decade of learning how to play as one fierce unit. Its strength doesn't come from racks of guitars or bass drops, but from its sparse precision. The band's songwriting chops are as honed as their playing, allowing them the freedom to bang out their point quickly ("Young Professionals") or take their time to make an impact ("Ashes Away").
The Flatliners' records have always been an accurate, honest portrait of where the band lived, from the youthful explosion of Destroy to Create (2005) to the nuance of blooming adulthood on The Great Awake (2007), Which is why Dead Language, the band's most direct and vital record to date, is the monument to the honesty of ten years in the trenches that it has to be.1. Resuscitation of the Year
2. Bury Me
3. Birds of England
4. Drown in Blood
5. Sew My Mouth Shut
6. Caskets Full
7. Ashes Away
9. Dead Hands
11. Tail Feathers
12. Young Professionals
13. Brilliant Resilience$15.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Saves The DaySaves the Day is dead. Long live Saves the Day.
Of course, with the departure of long-time lead guitarist Dave Soloway prior to the release of Daybreak in 2009, that may have been the moment that marked the final days of an early 2000s emo powerhouse. But even that album felt more like a body of work you could have expected from Chris Conley and company in the past.
The band's newest self-titled release marks a well-documented departure from the days of Stay What You Are, In Reverie, and, hell, even Sound the Alarm. Whereas previous entries in the band's catalogue have dealt with the anxious, even nerve-wracking realities of the young and socially awkward, Saves the Day instead starts off on a power-pop riff and hardly strays from it (not that anyone's complaining.)
The first two tracks, "Remember" and "In the In Between," set the tone for the rest of the LP. The fast-paced, poppy tunes are care-free ventures, something missing from Conley's writing since In Reverie.
Oddly enough, Saves the Day sounds more like the bands that have fondly proclaimed that Can't Slow Down, Through Being Cool and Stay What You Are inspired their own sounds. That sentiment becomes even more pronounced as the album plays on.
"Beyond All of Time" slows things down a bit before "Ain't No Kind of Love" kicks the tempo back up a bit. Both tracks flow into each other nicely. And although neither stands out on its own, the songs reinforce the mood of the album.
"Lucky Number" plays much the same, fitting into the album nicely as a piece of the puzzle, but without offering much on its own merit.
The song "Xenophobic Left Hook" by title alone demonstrates that Conley hasn't yet lost his lyrical style. But the sound that accompanies his vocals is drastically different than ever before and it can be directly attributed to the band's ever-changing lineup.
"The Tide of Our Times" is one of the album's truly outstanding tracks. It's catchy. It's fast. It's less than two-and-a-half minutes long and it's emblematic of everything Saves the Day does right in this album.
"Supernova" is, lyrically, the closest we might come to a traditional Conley track. The imagery and metaphors are wonderfully woven throughout the ballad.
"Verona" picks the pace back up, leading nicely into another of the album's best tracks: "Ring Pop." The pace is fast and the lyrics recall carefree days when a ring pop may have sufficed as a symbol of courtship. It's the essence of what makes some of Conley's best music, harkening to a past with the sentimentality ramped up to 11.
"Stand in the Stands" is, by far, the most up-beat and optimistic album closer Saves the Day has ever composed. Standing in stark contrast to even the band's sunnier albums and closers like "Firefly" and "Tomorrow Too Late," the track starts with a bouncy melody and doesn't let up for the nearly four minutes it plays out.
Although Daybreak was the first album where Conley was the last of the band's founding members left, it carried hints of Sound the Alarm and Under the Boards, primarily because of those three albums' conceptual ties (They were designed as a trilogy that started with 2006's Sound the Alarm).
If Conley's way with words is what drew you to the band, this will be right up your alley. Saves the Day may not be the band you remember, but Conley's presence maintains the only lyrical and moody consistency that we really need.
- Eder Campuzano (Daily Emerald)1. Remember
2. In The In Between
3. Beyond All Of Time
4. Ain't No Kind Of Love
5. Lucky Number
6. Xenophobic Blind Left Hook
7. The Tide Of Our Times
10. Ring Pop
11. Stand In The Stars$16.99Vinyl LP - Sealed Buy Now
Same Thoughts Different DayLegendary Canadian punk group Subhumans emerged from the 1978 font of creativity that produced DOA and The Pointed Sticks. They have been part of the Alternative Tentacles family since being included on the infamous Let Them Eat Jellybeans compilation and played shows with Dead Kennedys, Minor Threat, Black Flag, and Bad Brains.
Their first album Incorrect Thoughts was released on Vancouver label Friends Records in 1980. They always planned to make their older material available again, but a now defunct San Francisco label had issued an unauthorized version of Incorrect Thoughts in the '80s which substituted some remixes without the band's knowledge, included tracks which hadn't made the cut for the original album, and changed the cover art. It was an unpleasant mystery for the band and three decades later the former owner of that label was asserting ownership over the original album, preventing its re-release without an expensive and contentious legal tussle.
The Subhumans decided to meet the challenge to their ownership of their own material by rerecording all of the songs from the Incorrect Thoughts album, which they proceeded to do at the Hive Studios in Vancouver, assisted by Jesse Gander. Original members Brian Goble (vocals), Gerry Hannah (bass), Mike Graham (guitar), and newly-recruited drummer Jon Card (formerly with Personality Crisis, SNFU, and DOA among others) got together in 2005 to record a new album of original material, New Dark Age Parade, for Alternative Tentacles (Virus366) and the band had reactivated into a live entity. The intent was neither to slavishly recreate the old recordings nor to radically reinterpret the songs, but updating the sounds and the recording techniques while maintaining the original spirit of the album. As a bonus, Subhumans recorded six additional songs from the same period for the second 12 of a two LP set, some of which had never been recorded before!1. Big Picture
2. Dead at Birth
3. Firing Squad
4. Urban Guerrillas
5. The Scheme
6. War in the Head
7. Model of Stupidity
8. Death to the Sickoids
9. New Order
10. Slave to My Dick
12. Greaser Boy
13. Let's Go Down to Hollywood
14. I Gotta Move
15. Out of Place
16. Escalator to Hell
17. Out of Line
18. Behind the Smile
19. Twenty-First Century
20. We're Alive$14.99Vinyl LP - 2 LPs Sealed Buy Now
Field Day (Expanded Edition)Expanded Edition Double Album Joins Field Day and US Remix 12 45 RPM EP For the First Time
100% Analog Mastering from the ORIGINAL MASTER TAPES by Kevin Gray @ Cohearent Audio
Ultra-Quiet 180-Gram Vinyl Pressed At RTI
Beautiful Old-Style Gatefold Printed by Stoughton
Intervention Records and Marshall Crenshaw are thrilled to announce the relaunch of Marshall's amazing sophomore effort FIELD DAY on premium 180-gram vinyl as an EXPANDED EDITION double album set! The Field Day relaunch features ALL-NEW cover art conceived by Crenshaw, and the expanded edition for the first time combines Field Day's original repertoire with a second album comprised of the US Remix EP. Available in the US for the very first time this 12 45 rpm EP features remixes of several of Field Day's best tunes, including Our Town, For Her Love and a rip-roarin' live cover of Little Sister.
Produced by Steve Lilywhite, Field Day is Crenshaw at his power-pop best, with addictive hooks, heart-tugging lyrics, and beautiful melodies.
Field Day and the US Remix EP are mastered 100% Analog by CoHEARent Audio's Kevin Gray directly from the original analog master tapes! Both 12 records are pressed on dead-quiet 180-Gram vinyl at RTI.
At Marshall Crenshaw's direction, Field Day's front cover art is taken not from the original LP, but from the 7 single for the Field Day's hit Whenever You're On My Mind. Never comfortable with the original cover art, Crenshaw is delighted at this change in art direction, implemented by IR's extraordinary artist Tom Vadakan. The original inner sleeve art and lyrics are expanded into a gorgeous Old-Style gatefold printed by Stoughton on heavy stock and film laminated.
This title is not eligible for discount.1. Whenever You're On My Mind
2. Our Town
3. One More Reason
5. One Day With You
6. For Her Love
7. Monday Morning Rock
8. All I Know Right Now
9. What Time Is It?
10. Hold It
12 EP (45 RPM)
1. Our Town
2. For Her Love
3. Monday Morning Rock
4. Little Sister (Live)
5. For Her Love (Extended Mix)$59.99180 Gram Audiophile Virgin Vinyl LP + 180 Gram 12 EP 45 RPM - 2 LPs Sealed Buy Now
We Should Be Dead TogetherYou can feel the act of creation in every note or creak or cadence and it is intoxicating. The results are not overtly folk or psych or pop or rock yet they appeal to all of those senses at once. It is odd to have an 11-track EP. Even more strange is to organize it as one track followed by 10 tracks, as is done on the sleeve, especially when it plays out in a more traditional order in practice. But everything about Savaging Spires seems to go against convention. A band that All Music likened to Animal Collective and the Incredible String Band jamming on found instruments at The Residents' house, with Mark Kozelek as guest vocalist never ceases to surprise. This continues their habit of producing amazing results in front of a microphone, as their self-titled debut was considered by many to be an instant cult classic. Recalling the glory days of pastoral psychedelia according to The Wire and it found heavy rotation in the US on KALX, WFMU, WNYU, KVRX and many others.1. We Should Be Dead (Together)
2. Fifty Percent Proof
3. When the Devils Says He's Tape
4. Apostrophe Tape
5. Drinking Moon
7. Tales of Pneumonia
8. Stop the L Train
9. Don't Let Lorraine Get Much Older
10. Suddenly the Bell
11. Fifty Percent Tape$28.99Vinyl LP - Sealed Buy Now
Disposal Of The Dead // DharmataConsidered by many to be the best brutal death metal band in the world, Defeated Sanity return with what is
essentially a split album with themselves. 'Disposal Of The Dead' is Defeated Sanity in their most primal form: a
caveman-esque display of audio barbarity, that is stripped down, raw, and unrelenting.LP 1
1. Remotio Mortuorum
2. Into The Soil
3. Consuming Grief
4. Generosity Of The Deceased
6. The Bell
2. The Mesmerizing Light
3. At One With Wrath
4. The Quest For Non-Existence
5. Return To Samsara$25.99Vinyl LP - 2 LPs Sealed Buy Now
An Anthology Of Dead Ends (Awaiting Repress)BACK IN PRINT! A good day for Botch consisted of utterly laying to waste everything in their path and having a grand ol' time while doing so. The same is true of their recordings, huge monstrous concoctions of metal, noise, indie rock guitar trickery, full of depth and minute secrets which slowly secreted themselves with successive listens. There is no question that part of what made Botch so great is their ability as players, but more important, and even more impressive perhaps, was the way they fit the pieces together - odd time signatures, seemingly impossible riffs made to sound easy, the occasional melodic passages, and devastating anthemic movements that managed to inspire hordes while simultaneously escaping the redundant simplicity of the conventional hardcore sing along.
Botch has continued to tour both the US as well as the European continent and have seen many new bands emerge, building upon the tracks they themselves helped to create. Bands like Dillinger Escape Plan, Converge, and many others have continued to push the envelope of technical ferocity and awe inspiring performances in the live setting, but still Botch stand alone - proving themselves to be ultimately one of the most entertaining, challenging, and unique entities to have ever existed with in the hardcore realm and beyond it.
This tremendous 6 track EP is a fitting testament to their will and intent, cementing their legacy as one of the untouchable greats, destined to influence the coming generations. We are more than sad to see them go, but as shown from the opening notes of "Spaim", they absolutely refuse to go down quietly and we can all rest assured that the echoes of this explosion will shake us for years to come.1. Spaim
6. Micaragua$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
$20.99$10.99Save $10.00 (48%)
Wanted Dead Or Alive (On Sale)First release of 1979 concert.
The New Barbarians were a rock band that played two concerts in Canada and eighteen shows across the United States in April and May 1979. One of which was in Oakland, Ca. in the Coliseum Arena where the Golden State Warriors have played, May 1979. In August 1979, the band also supported Led Zeppelin at the Knebworth Festival 1979.
The group was formed and led by Rolling Stones and Faces guitarist Ronnie Wood, primarily to promote his latest LP Gimme Some Neck. The line-up included Rolling Stones member Keith Richards, bassist Stanley Clarke, former Faces keyboardist Ian McLagan, Rolling Stones confederate and saxophonist Bobby Keys and drummer Joseph Zigaboo Modeliste of The Meters. For the Knebworth show Clarke was replaced on short notice by bassist Phillip Chen, who had to learn all the songs in one day.
The band played a mix of classic rock & roll, R&B, blues and country music, along with Ron Wood solo material and Jagger/Richards songs. Wood sang lead on most numbers (with Richards, McLagan and Clarke providing back-up vocals), as well as playing guitar, pedal steel, harmonica and saxophone.
This title is not eligible for further discount.1. Sweet Little Rock 'n' Roller
2. Buried Alive
3. F.U.C. Her
4. Mystifies Me
6. Rock Me Baby
7. Band Intro / Breathe on Me
8. Let's Go Steady
9. Apartment No. 9
10. Worrield Like Blues$20.99 $10.99 Save $10.00 (48%)Vinyl LP - Sealed Buy Now
Time Is Over One Day OldBear In Heaven's new album is aptly titled Time is Over One Day Old. It's a record with a visceral
relationship to time and its processes.Where invulnerability and ambition can support you as you grow,
at some point they become dead weight, and being true to yourself means casting them off,starting anew.
This plays out as a powerful analogy for the band across the arc of it's career.
They've always made intriguing records, here especially. It's easy to see why musicians fall hard for this
band.They entice and envelop you. Any Bear In Heaven song will most likely greet you with a provocative
beat, textural synthesizers and unassuming but adeptly supportive bass and guitar, all exquisitely
arranged and glistening.Jon Philpot's high,smooth,strong voice is so tightly wound into the music that
it can be easy to overlook the lyrics, Bear In Heaven's capacious third dimension. Philpot is a center-seeking, contemplative writer who captures the fleeting thoughts that underscore our emotional lives,the
interactions with the world that are both difficult to express and anathema in daily conversation.
While all of this can be said of any Bear In Heaven album, each varies wildly in tone and approach. 2007's
Red Bloom of the Boom is ambitious and experimental. Beast Rest Forth Mouth(2009)was a pivotal record
that still feels important,seductive and intense.On their 2012 LP I Love You, It's Cool the structural and
musical ideas are challenging, and masterfully developed. For Time is Over One Day Old,we witness the
band once again turning their gaze inward and prioritizing their evocative abilities in line with or even
slightly ahead of technical skills. It feels very much in the tradition of BRFM in that way. It's beautiful; it's
Here Philpot and Adam Wills are more deeply collaborative than ever. This album is darker at times,
louder than their others; it feels personal and direct."If I Were To Lie"places Wills' bass groove front and
center,"Demon" is riveting and propulsive in spite of its dark pointed lyric, and"They Dream"dissolves
into three and a half minutes of deeply satisfying ambient synth work in its second half.Wills has always
been the bands anchor, providing rock solid,rhythmic bass lines and guitars that blur the boundaries of
Philpot's synth. Though in moments such as the final track, "You Don't Need The World," Wills cuts
through with an audacious, biting guitar hook. It's a great culmination of the album's sense of release.
This album isn't about being dark, it's about releasing darkness and frustration.
When bands age well, their vitality takes shape. They wear, but with intention. They trim excesses.
Throughout this album you'll hear a band at peace with themselves. They've learned to cut back on that
which is merely impressive and to concentrate on simply what is crucial.For Philpot this is about making
something lasting. "A lot of shedding, getting rid of layers and preconceptions breaking up with old
ways of thinking, old ways of being, starting to look at this thing in a new way and finding something
positive."The result is a record that will stay with you.1. Autumn
2. Time Between
3. If I Were To Lie
4. They Dream
5. The Sun and The Moon and The Stars
6. Memory Heart
8. Way Off
9. Dissolve The Walls
10. You Don't Need The World$18.99Vinyl LP - Sealed Buy Now
Birth Of The Dead Volume Two - The Live SidesExclusive Only To This LP Release: First Time Sitting Photos Of The Dead By The Legendary Herb Greene
Impeccably Mastered By Joe Reagoso At Friday Music Studios And Capitol Records, Hollywood, CA With Ron McMaster
The legendary Bay area rock superstars the Grateful Dead scored for over four decades a plethora of wonderful recordings throughout their incredible career. Spearheaded originally by the late great Jerry Garcia, Bob Weir, Phil Lesh, Bill Kruetzmann and the late Ron "Pigpen" McKernan, these five gentlemen set the world on fire with their magnificent artistry and musicianship unparalleled to this day.
With their very first San Francisco live gigs and when they were locally known as The Warlocks, the historical importance of these debut concert recordings would soon become a blueprint for the music world as the Grateful Dead would become one of the biggest concert attractions of all time.
Over a decade ago, the Grateful Dead unearthed 14 super rare live recordings from the mid-sixties. None of these recordings were ever previously released at the time. Recorded in San Francisco from a July 1966 performance, when they were signed to the Scorpio Records label, this ultra rare concert tape simply became manna for the fans and was truly a find for any collector of fine rock and roll and
early psych and garage rock fare.
Dead fan favorite Viola Lee Blues kicks off the rare collection, and then the fireworks light up as future Grateful Dead classics like Don't Ease Me In and the stellar Jimmy Reed classic Big Boss Man truly become a very important and interesting listen to any fan of the Dead or classic rock in general.
Known for their jams in concert, you will get to hear stellar takes on rare blues tracks like One Kind Favor, Next Time You See Me and
of course their super rare Bob Dylan interpretation of It's All Over Now Baby Blue, which would be an interesting choice not knowing there
would be future collaborations with Dylan in both of their important later careers.
Even superlative covers of Otis Redding's Pain In My Heart and the Slim Harpo blues champion I'm A King Bee are included in this amazingly important and historic rock release from this much loved band.
These Grateful Dead recordings have never been released on the vinyl format that is until now
Friday Music is very pleased to announce for the very first time on 180 Gram Audiophile Vinyl - The Grateful Dead's Birth Of The Dead Volume Two-The Live Sides. This deluxe 2 LP set not only has the original 14 live performances unearthed by the Dead themselves, but it also includes for the very first time anywhere several unearthed photos from the lens of the legendary Herb Greene. These first time issued photos show the very first sittings of the Grateful Dead and will make your listening hours that much more enjoyable as you stare at the
brilliant pictures of your favorite rockers in this very special era.
As a further installment in the exclusive and authorized Grateful Dead Friday Music 180 Gram Audiophile Vinyl Series, this fine album
is part of a historical two part audiophile vinyl series along with the Birth Of The Dead Volume One-The Studio Sessions which was released
in late 2013.
Mastered impeccably for vinyl by Joe Reagoso (Grateful Dead) at Friday Music Studios and at Capitol Records, Hollywood, CA, this
limited edition audiophile version of Birth Of The Dead Volume Two-The Live Sides will truly be a welcome addition to your Dead collection.
Grateful Dead Birth Of The Dead Volume Two-The Live Sides a historic album first time release in the audiophile domain only from your friends at Friday Music Don't Ease Me InLP1
1. Viola Lee Blues
2. Don't Ease Me In
3. Pain In My Heart
4. Sitting on Top of the World
5. It's All Over Now, Baby Blue
6. I'm a King Bee
1. Big Boss Man
2. Standing on the Corner
3. In the Pines
4. Nobody's Fault But Mine
5. Next Time You See Me
6. One Kind Favor
7. He Was a Friend of Mine
8. Keep Rolling By$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
Birth Of The Grateful Dead Volume One - The Studio Sides
First Time Limited Edition 2 LP 180 Gram Vinyl Presentation
Exclusive Only To This LP Release: First Time Sitting Photos Of The Dead By The Legendary Herb Greene
Impeccably Mastered By Joe Reagoso At Friday Music Studios And Capitol Records, Hollywood, CA With Ron Mcmaster
The legendary Bay area rock superstars the Grateful Dead scored for over four decades a plethora of wonderful recordings
throughout their incredible career. Spearheaded originally by the late great Jerry Garcia, Bob Weir, Phil Lesh, Bill Kruetzmann and the late
Ron "Pigpen" McKernan, these five gentlemen set the world on fire with their magnificent artistry and musicianship which is unparaleled to this day.
With their very first San Francisco gigs and studio recordings when they were locally known as The Warlocks, the historical importance of these debut sessions would soon become a blueprint for the music world as the Grateful Dead would become one of the band's
and biggest concert attractions of all time.
Over a decade ago, the Grateful Dead unearthed 17 super rare studio recordings from 1965 through 1967. Aside from an ultra rare
45 on Scorpio Records and a collaborative effort with Jon Hendricks on Verve Records, none of these recordings were ever released.
Ranging from the very first sessions at Autumn Records (Beau Brummels, Sly Stone) and then the Scorpio Records sides, these tracks
simply became manna for the fans and were truly a find for any collector of fine rock and roll and early psych and garage rock fare.
Gordon Lightfoot's Early Morning Rain kicks off the collection, and then the fireworks light up as future Dead classics like I Know
You Rider, Don't Ease Me In and Cold Rain and Snow truly become a very important and interesting listen to any fan of the Dead or
classic rock in general.
Known for their jams in concert and in the studio setting, you will get to hear stellar takes on rare tracks like Tastebud, The Only
Time Is Now, and of course the super rare Jon Hendricks (Lambert, Hendricks & Ross) protest rocker Fire in the City.
These amazing Dead recordings have never been released on the vinyl format that is until now
Friday Music is very pleased to announce for the very first time on 180 Gram Audiophile Vinyl - The Grateful Dead's Birth Of The
Dead Volume One-The Studio Sessions. This deluxe 2 LP set not only has the original 17 studio sessions unearthed by the Dead themselves, but it also includes for the very first time anywhere, several unearthed photos from the lens of the legendary Herb Greene. These
first time issued photos show the very first sittings of the Grateful Dead and will make your listening hours that much more enjoyable as
you stare at the brilliant pictures of your favorite rockers in this very special era.
As a further installment in the exclusive and authorized Grateful Dead Friday Music 180 Gram Audiophile Vinyl Series, this fine
album is part of a historical two part audiophile vinyl series along with the Birth Of The Dead Volume Two-The Live Sides which will be
released in early 2014.
Mastered impeccably for vinyl by Joe Reagoso (Grateful Dead) at Friday Music Studios and at Capitol Records, Hollywood, CA, this
limited edition audiophile version of Birth Of The Dead Volume One-The Studio Sessions will truly be a welcome addition to your Dead
Grateful Dead Birth Of The Dead Volume One-The Studio Sessions a historic album first time release in the audiophile
domain only from your friends at Friday Music Don't Ease Me InLP 1
The Autumn Sessions
1. Early Morning Rain
2. I Know You Rider
3. Mindbender (Confusion's Prince)
4. The Only Time Is Now
5. Caution (Do Not Stop On Tracks)
6. Can't Come Down
The Scorpio Sessions
7. Stealin' (Instrumental)
8. Stealin' (With Vocals)
9. Don't Ease Me In (Instrumental)
10. Don't Ease Me In (With Vocals)
The Scorpio Sessions
1. You Don't Have to Ask
2. Tastebud (Instrumental)
3. Tastebud (With Vocals)
4. I Know You Rider
5. Cold Rain and Snow (Instrumental)
6. Cold Rain and Snow (With Vocals)
The Hendricks Session
7. Fire in the City$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
DEA.D. ALIVE! (Awaiting Repress)The raw ferocity of the legendary Misfits captured DEA.D. ALIVE! in concert on All Hallows' Eve, in the center of Times Square, New York City! With select tracks from the band's encore set at their hometown show in NJ added for good measure, DEA.D. ALIVE! is an audio Molotov cocktail guaranteed to have bonfires burning bright with pumpkin faces, day or night, all year round. Speakers will virtually melt as a torrential downpour of Devil's Rain engulfs the senses, catapulting you front row center into a jam-packed house of horrors. The diverse set of modern day Misfits classics included range from current hits like Land of the Dead and Curse of the Mummy's Hand on through all-new live versions of earlier-era material.
-Insound.com1. The Devil's Rain
2. Vivid Red
3. Land of the Dead
4. Curse of the Mummy's Hand
5. Cold in Hell
6. Dark Shadows
7. Death Ray
9. American Psycho
10. Dig Up Her Bones
13. Science Fiction/Double Feature
14. Saturday Night$16.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Fresh Fruit for Rotting VegetablesDead Kennedy's Classic 1980 Debut!1. Kill The Poor
2. Forward To Death
3. When Ya Get Drafted
4. Let's Lynch The Landlord
5. Drug Me
6. Your Emotions
7. Chemical Warfare
8. California Uber Alles
9. I Kill Children
10. Stealing People's Mail
11. Funland At The Beach
12. Ill In The Head
13. Holiday In Cambodia
14. Viva Las Vegas$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sometime AnywhereBlue & Orange Colored Vinyl
The 1994 release by The Church Sometime Anywhere found the group down to two original members, bassist/singer Steve Kilbey and guitarist Marty Willson-Piper, after the departure of Peter Koppes. The resulting album featured new song writing approaches and musical experimentation resulting in many lengthy, lush tracks (Day Of The Dead, Two Places At Once, Fly Home). Song structures are much freer with an early electronica sound dotting the textured arrangements with loops and drum machines featured on some of the songs. Sometime Anywhere is another dark, epic, and exotic masterpiece by the Aussie legends that propelled the band into the next phase of their career. Reissued on blue & orange vinyl from Plain Recordings.LP 1
1. Day Of The Dead
2. Lost My Touch
4. My Little Problem
5. The Maven
3. Two Places At Once
4. Business Woman
6. Fly Home
7. The Dead Man's Dream$35.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Europe '72 (Awaiting Repress)Nearly 40 years ago, the Grateful Dead released Europe '72, a triple live album documenting its historic trek across Europe that became not only one of the band's best-selling releases, but also set the gold standard for live Dead.
The Grateful Deads first tour outside of North America took them to all sorts of historic and unusual venues in England, Denmark, West Germany, France, Holland and even Luxembourg. Many members of the Dead family came along on what was really an extended working vacation that was designed to both expose the Dead to new audiences and also reward the band for their unlikely conquest of America during the preceding two years. As a hedge against the costs of the nearly two-month trip, the Deads label, Warner Bros., paid for the band to lug around a 16-track recorder to capture the entire tour.
This was a band at the top of its game, still ascending in the wake of three straight hit albums: Workingmans Dead, American Beauty and the live Grateful Dead (Skull & Roses). It had been a year since the lineup had gone to its single-drummer configuration, six months since Keith Godchaux had been broken in as the groups exceptional pianist, and this marked the first tour to feature Donna Godchaux as a member of the touring band. This would also be Pigpen's final tour with the band.
There was a ton of new, unreleased material that came into the repertoire in the fall of 71 (after Skull & Roses was out) and during the spring of 72, including Tennessee Jed, Jack Straw, Hes Gone, Ramble on Rose, One More Saturday Night and Mr. Charlie. All those future classics were interspersed with songs from the aforementioned hit albums such as Cumberland Blues and Sugar Magnolia, as well as spectacular versions of Truckin and I Know You Rider.LP1
1. Cumberland Blues (Live in England 1972 Version)
2. He's Gone (Live in Amsterdam 1972 Version)
3. One More Saturday Night (Live in England 1972 Version)
4, Jack Straw (Live in Paris 1972 Version)
5. You Win Again (Live in England 1972 Version)
6. China Cat Sunflower (Live in Paris 1972 Version)
7. I Know You Rider (Live in Paris 1972 Version)
1. Brown-Eyed Woman (Live in Denmark 1972 Version)
2. Hurts Me Too (Live in London 1972 Version)
3. Ramble On Rose (Live in England 1972 Version)
4. Sugar Magnolia (Live in Paris 1972 Version)
5. Mr. Charlie (Live in England 1972 Version)
6. Tennessee Jed (Live in Paris 1972 Version)
1. Truckin' (Live in London 1972 Version)
2. Epilogue (Live in England 1972 Version)
3. Prelude (Live in England 1972 Version)
4. Morning Dew (Live in England 1972 Version)$59.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed AWAITING REPRESS Buy Now
One From The Vault
Back In Print On Vinyl After 22 Years On 3xLP
First Ever American LP Release
Newly Re-Mastered By Joe Gastwirt
Lacquers Cut By Kevin Gray
For a legacy filled with legendary performances, the Grateful Dead Live at the Great American Music Hall in San Francisco on August 13th 1975 stands out. The band only played 4 shows during that entire year! (Remarkable for a band that toured non-stop for decades) and at their August 13th show, they rolled multi-track tape (which allowed for the band decades later to properly mix the show).
Because the Great American Music Hall holds less than 1,000 people (another unique thing about this show), it was an invitation only performance in which the band debuted their recent studio album Blues For Allah in a live setting.
Although One From The Vault has been available on CD nearly continuously since 1991, the vinyl version was only available for less than a year (and in Europe only) in the early 1990's. This deluxe vinyl reissue marks the first time this legendary show has been available anywhere in over 20 years and the first time in America.
Rolling Stone magazine has described One From The Vaultas:
''The closest the Dead came in the Seventies to the band's trippy, late-Sixties peak, and the performance indulged the group's jazzy, free-form impulses even further. ''Help on the Way,'' ''Franklin's Tower'' and ''The Music Never Stopped'' cohere into a twenty-minute song cycle. ''King Solomon's Marbles,'' a tumbling, polyrhythmic instrumental by bassist Phil Lesh, crackles with energy. Inventive percussion duets by Mickey Hart and Bill Kreutzmann are appended to ''Eyes of the World,'' as well as to the pretty, elliptical ''Crazy Fingers.'' The crowning touch is ''Blues for Allah,'' which runs 21 minutes and explores inner space with a meditative intensity barely hinted at on the studio version.''1. Introduction
2. Help on the Way
3. Franklin's Tower
4. The Music Never Stopped
5. It Must Have Been the Roses
6. Eyes of the World / Drums
7. King Solomon's Marbles
8. Around & Around
10. Big River
11. Crazy Fingers / Drums
12. The Other One
13. Sage and Spirit
14. Goin' Down the Road Feeling Bad
15. U.S. Blues
16. Blues for Allah$59.99Vinyl LP - 3 LPs Sealed Buy Now
Stand By Me SoundtrackImport
30th Anniversary 180 Gram Vinyl
Thirty years ago, director Rob Reiner chose the picturesque town of Brownsville, Oregon as the filming location for his classic coming-of-age story, Stand By Me. The heart-warming movie was nominated for an Academy Award and has continued to be a favourite of both critics and fans around the world.
The film, whose plot is based on Stephen King's novella The Body and title is derived from the Ben E. King's eponymous song, which plays over the opening and ending credits, tells the story of four boys in small town Oregon who go on a hike across the countryside over Labour Day weekend in 1959 to find the dead body of a missing child.
The classic original soundtrack is crammed with early rock & roll hits (Yakety Yak, Lollipop & Great Balls of Fire o.a.) and still sounds very alive today, decades after they were originally recorded.1. Everyday (Buddy Holly)
2. Let the Good Times Roll (Shirley and Lee)
3. Come Go With Me (The Del Vikings)
4. Whispering Bells (The Del Vikings)
5. Get a Job (The Silhouettes)
6. Lollipop (The Chordettes)
7. Yakety Yak (The Coasters)
8. Great Balls of Fire (Jerry Lee Lewis)
9. Mr. Lee (The Bobbettes)
10. Stand By Me (Ben E. King)$36.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
You Spin Me RoundA dancefloor-filling EP from 80s New Wave sensation Dead Or Alive featuring their timeless club classic "You Spin Me Round (Like A Record)" plus covers of Madonna, Prince and more - available on limited edition colored vinyl
1. You Spin Me Round (Like A Record)
2. Even Better Than The Real Thing
3. Pop Life
4. Why's It So Hard
5. You Spin Me Round (Like A Record) [Radio Remix]$18.99Colored Vinyl LP - Sealed Buy Now