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Friday Night In San Francisco (Awaiting Repress)1981 album by Al Di Meola, John McLaughlin and Paco de Lucia recorded at The Warfield Theatre on December 5, 1980, in San Francisco. All tracks are live except for the last track, Guardian Angel, which is the opening theme from a song that appears on McLaughlin's 1978 Electric Dreams album.
Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off!
Recorded live in concert in San Francisco this album has spectacular sonics and musicianship to boot!
This title is not eligible for discount.1. Mediterranean Sundance/Rio Ancho
2. Short Tales of the Black Forest
3. Frevo Rasgado
4. Fantasia Suite
5. Guardian Angel$54.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
Al DiMeola's second album Elegant Gypsy proved to become one of the defining albums in fusion. While being still a member of Return To Forever, DiMeola delivered his sophomore solo record after Land Of The Midnight Sun by collaborating with jazz rock giants Steve Gadd, Jan Hammer and Anthony Jackson. He even enlists Flamenco superstar Paco De Lucia on "Mediterranean Sundance", a song which predicts the style DiMeola would eventually evolve into: Latin tinged acoustic wizardry. Elegant Gypsy was certified Gold in the United States.1. Flight Over Rio
2. Midnight Tango
3. Mediterranean Sundance
4. Race With Devil On Spanish Highway
5. Lady Of Rome, Sister Of Brazil
6. Elegant Gypsy Suite$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Elysium (Awaiting Repress)
DMM Direct Cut From 24/96 Hi-Res Master
180 Gram Audiophile Pressing
He came from the 'Land Of The Midnight Sun', sparkled on the jazz-rock stage as an 'Elegant Gypsy', came up trumps in the 'Casino' with all the right chords and melodies, and his 'Splendido Hotel' was the number one address for fusion fans around the globe. He finally achieved immortality together with John McLaughlin and Paco de Lucia on 'Friday Night In San Francisco'. From his early days as a rising star i right up to the present day, he has continually managed to refine his qualities: breathtakingly fast picking, skillful percussion effects the like of which had never been heard before, the effortlessness with which he can instantly switch from muscular axe-man rock to spinning gentle, romantic webs of melody. In the nineties, inspired by his love of the acoustic sounds of Latin America and the works of nuevo tango pioneer Astor Piazzolla, he made some delightful chamber music recordings.
On more recent albums all these penchants, influences and musical movements have fused into an unmistakable sound. 'Elysium' is the climax of this process so far. The artist has arrived where he always wanted to be. He himself thinks of Elysium as a 'place of perfect happiness'. A paradise where acoustic and electric components, triumphant rock and finely entwined jazz, delicate and pumping rhythms, guitars and keyboards, wide panoramas of rock and diaphanous carpets of sound come together in harmony. The gates to paradise for guitar aficionados are open to everyone - with 'Elysium.'
- Al Di Meola: Guitars
- Barry Miles: Keyboards
- Mario Parmisano: Keyboards
- Piano Philippe Saisse: Keyboards, Piano, Marimba
- Rhani Krija: Percussion
- Peter Kaszas: Drums
4. Purple and Gold
3. Etcetera in E-major (Intro)
4. Etcetera in E-minor
7. Monsters$34.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
- Al Di Meola: Guitars
Splendido Hotel (Speakers Corner)Just how much creative gunpowder had Al Di Meola ignited in his early career? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with Paco de Lucia and John McLaughlin. After this great start it was no wonder that such prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel.
This great line-up of musicians produce a rich, saturated sound and create numerous 'flavours' in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long drink, as it were. Di Meola's idea of fusion starts off in the opening number as a slow, sluggish oriental-like melody, which develops to take on a rock rhythm. High-speed and lovingly detailed flamenco such as is found in Splendido Sundance alternates with subtle rhythms (Two To Tango) and good-humoured lighter numbers with an electronic undertone such as Roller Jubilee and a funky version of Bert Kaempfert's Spanish Eyes. With this great mix, the musicians create a wonderful atmosphere in which every Latin aficionado will feel at home.
- Al Di Meola (guitar, cello, drums, percussion)
- Chick Corea (piano)
- Les Paul (guitar)
- Jan Hammer (synthesizer)
- Anthony Jackson (bass)
- Mingo Lewis (conga, bongo, percussion
- Philippe Saisse (keyboards, marimba)
- Steve Gadd (drums)
- Eddie Colon (percussion)
Recording: 1979 at CBS Recording and Electric Lady Studios, New York, by Dave Palmer and Love Castle Studios, Los Angeles, by Bernie Kisch
Production: Al Di Meola and Philip Roberge
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.LP 1
1. Alien Chase On Arabian Desert
2. Silent Story In Her Eyes
3. Roller Jubilee
4. Two To Tango
5. Al Di's Dream Theme
1. Dinner Music Of The Gods
2. Splendido Sundance
3. I Can Tell
4. Spanish Eyes
6. Bianca's Midnight Lullaby$64.99180 Gram Audiophile Virgin Vinyl LP - 2 LPS Sealed Buy Now