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DeicideDeicide is the debut release from Deicide, originally released on June 25th, 1990.
With a shockingly tight performance and a handful of evil anthems, Glen Benton and company managed to craft a death metal classic. - All Music1. Lunatic Of God's Creation
2. Sacrificial Suicide
3. Oblivious To Evil
4. Dead By Dawn
7. Carnage In The Temple Of The Damned
9. Day Of Darkness
10. Crucifixation$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
To The DeathBrazilian death metal veterans NervoChaos release "To the Death" via Greyhaze Records. This album features guest performances by big names in the international and South American Metal scenes such as Ralph Santolla (Death, Deicide), João (Ratos de Porão) and Zhema (Vulcano).
The album's cover art is done by Joe Petagno (Motorhead).1. Mark of The Beast
2. Sheep Amongst Wolves
3. Your World's Trend
4. Gospel of Judas
5. The Exile
6. To The Death
8. Smoking Mortal Remains
9. Mind Under Siege
10. Delusions and Lies
11. Destroyer of Worlds
12. Warlords Unbound
13. Wolves Curse$35.99Vinyl LP - Sealed Buy Now
From Wisdom To BakedCANNABIS CORPSE was formed by MUNICIPAL WASTE bassist LandPhil Hall (bass/vocals) and his brother Josh Hallhammer Hall (drums) out of a mutual love of brutal Floridian death metal (CANNIBAL CORPSE, MORBID ANGEL, DEICIDE, OBITUARY) and weed. The band's earliest recordings (2006's Blunted At Birth and 2008's Tube of the Resinated) are primal homages to their influences; where relentless, jackhammer beats and sick, guttural vocals lay the foundation for twisted tales of crazed weed mayhem. Time has seen the band tour the world over, and grow into a more evolved harbinger of brutal US death. CANNABIS CORPSE' new album 'From Wisdom to Baked' will undoubtedly see the death metal powerhouse step to the forefront of the worldwide extreme scene.1. Baptized In Bud
2. Zero Weed Tolerance
3. Weedless Ones
4. Individual Pot Patterns
5. Pull The Carb
6. Considered Dank
7. Voice Of The Bowl
8. THC Crystal Mountain
9. With Their Hash He Will Create
10. From Wisdom To Baked
11. Medicinal Healing$19.99Vinyl LP - Sealed Buy Now
Lunar StrainIn the metal world, In Flames has served as a bridge between the death metal/black metal underground and the more melodic power metal of Iron Maiden, Judas Priest, and Queensrÿche. Originally released in Europe in 1994, In Flames' debut album, Lunar Strain, attracted an interesting mixture of death metal/black metal, power metal, and thrash metal enthusiasts. Like the early releases of At the Gates, Lunar Strain helped write the book on what came to be known as melodic death metal -- an approach that combines death metal elements (extreme vocals, blastbeats) with the type of intricacy, musicality, and craftsmanship one expects from old-school masters like Dio, Maiden, Priest, and Black Sabbath. Most death metal favors brutality for the sake of brutality, but Lunar Strain does not govern by brute force alone and is -- by power metal standards -- much more accessible than the albums that extreme bands like Cannibal Corpse, Deicide, and Carcass were coming out with at the time. In 1994, the best was yet to come for In Flames; even so, this was a promising debut that had a major impact on melodic death metal and symphonic black metal.
- Alex Henderson (All Music Guide)1. Behind Space
2. Lunar Strain
5. Everlost, Pt. 1
6. Everlost, Pt. 2
8. In Flames
9. Upon an Oaken Throne
10. Clad in Shadows$22.99Vinyl LP - Sealed Buy Now
Flesh CoffinFormed in 2010, Lorna Shore consists of vocalist Tom Barber, guitarists Adam De Micco and Connor Deffley, and drummer Austin Archey. To date, they have released three EPs and released their debut full-length Psalms in June of 2015. Aside from being featured on the Metal Alliance Tour with Deicide, Lorna Shore has most notably toured alongside bands such as Carnifex, Chelsea Grin, The Black Dahlia Murder, and more. The band has also played festivals such as the New England Metal And Hardcore Festival, Never Say Never Festival, South By So What, Skate and Surf Festival and SXSW's New England Metal and Hardcore Festival Stage. Lorna Shore's unique signature aesthetic spans death metal, black metal, power metal, and progressive rock for a style that encompasses brutal breakdowns, dazzling technical passages, white-knuckle-ride dynamics, and rich textured moments. The band's forthcoming sophomore album, Flesh Coffin (Outerloop Records) was produced by Lorna Shore, Carson Slovak, and Grant McFarland at Atrium Audio (August Burns Red, Everclear, From Ashes to New), mixed by Carson Slovak and Grant McFarland, and mastered by Zakk Cervini (Beartooth, Good Charlotte, Blink 182).1. Offering Of Fire
2. Denounce The Light
3. The Astral Wake Of Time
4. Desolate Veil
5. FVNERAL MOON
9. Black Hollow
10. Flesh coffin$23.99Vinyl LP - Sealed Buy Now
Cast The First StonePressed On Camo Green Vinyl
Death metal is more than just music. It transcends such a limited mortal state of mind. Death metal is the aural expression of humanity's darkest side, of devastation, sorrow and the harbingers of mankind's own inhumanity and ultimate destruction. Death metal is not a trend, a fashion parade or a means to an end. It is much more than that. It is a way of life. A life in death.
This is the doctrine Italy's HOUR OF PENANCE, spewn forth with unrelenting musical ferocity through their sickening, mind-obliterating auditory assault on the senses.
Forged in the dark shadows of "The Holy Capital," this most unholy of quartets have steadily been making a name for themselves as one of the most intense, talented and impressive modern death metal bands both in-studio and onstage.
Like clockworks Hour of Penance is ready to release "Cast the First Stone" as the follow-up of his last successful album Regicide. Releasing an album every 2 years, the band has been described by the fans and worldwide press as one of the most "productive" band in the genre, "Cast the First Stone" will mark album number 7 in the band's career .
Singer Paolo Pieri describes the concept of the new album : "Cast the First stone" revolves around the idea that the injustices suffered during the Crusades and Colonialism cannot justify indefinitely a chain of hate that propagandize the destruction of the West. I believe that the political situation in recent years has brought to light again a millennial conflict between West and East, and events like the terrorist attack at the Bataclan, where we only played a few months before the massacre, have influenced the lyrics on this record very much.
It does not matter who has thrown the first stone, but who first evolved his ideology to seek peace and coexistence instead of war to the bitter end. In Europe, people have massacred each other for millennia but in the last 60 years, we were able to overcome differences and secular hatred that divided us, while the blind hatred of Islamic extremism is bringing entire geographic areas back to the darkest middle ages.
We find ourselves once again in front of a war between reason and religion, and unless we take a strong stand in defense of our Western values, we risk falling into chaos because of a weak and coward enemy stubbornly convinced of his senseless laws."
Lead guitarist and songwriter, Giulio Moschini, adds : "Sonically speaking , this is the best sounding album we've ever recorded , we really worked hard on this, listening to the album countless times before finally delivering the masters to Prosthetic Records.. it was definitely worth the wait and we're 100% satisfied by the great work our bass player Marco Mastrobuono has done behind the mixing desk. We've literally spent weeks trying different micing techniques, hardware, preamps- trying to avoid plugins technologies as much as we could. We wanted our album to sound more dynamic and I think that we've achieved that 100%. "
Since releasing 2012's acclaimed "Sedition", which Decibel lauded as a "hyper-blasting, inhuman, machine-like attack," HOUR OF PENANCE has annihilated fans worldwide with its fiery exuberance, playing well over 200 gigs alongside such acts as BEHEMOTH, SKELETONWITCH, CANNIBAL CORPSE, THE BLACK DAHLIA MURDER, DEVILDRIVER, PSYCROPTIC, MISERY INDEX, DEICIDE, BELPHEGOR, NILE and KRISIUN.1. XXI Century Imperial Crusade
2. Cast the First Stone
3. Burning Bright
4. Iron Fist
5. The Chains of Misdeed
6. Horn of Flies
7. Shroud of Ashes
8. Wall of Cohorts
9. Damnatio Memoriae$21.99Colored Vinyl LP - Sealed Buy Now
BeastImagine a creature laying dormant beneath the earth, in an inhuman slumber since a time long forgotten. This creature reawakens, cracks up through the ground and finds a world it barely recognizes. Chaos, disorder, brutality, bloodthirst and terror are all around. Seeking to restore some sense of order to its surroundings, the creature adopts the destructive nature it witnesses in man and begins a vengeful quest for power.
Mythology, fable and metaphor collide with "Beast", a blistering new album marking the return of DESPISED ICON. The genre-defining band is fully reawakened, poised to recapture the crown with the monstrous and merciless might of their potent expression. Featuring the men responsible for most of the band's now classic death metal catalog, "Beast" is a vicious commentary on the state of the world and the state of music itself.
This is old school DESPISED ICON reminiscent of "The Healing Process" (2005) and "The Ills Of Modern Man" (2007), but cast through an ultra-modern lens, carrying with it the experience and driven purpose of a band secure in their identity and their legacy. Without sacrificing the creative leaps of what many feared would be their final album, "Day Of Mourning" (2009), DESPISED ICON renew their focus on the collision of dual vocals, technical wizardry, precision dexterity and massive bottom end they helped to pioneer.
'The Aftermath' kicks off the album with brutal immediacy, encompassing the full scope of what's ahead with unrelenting attack and classic death metal flair. 'Inner Demons' will have guitar teachers and drum instructors pulling their hair out in frustrated angst, while songs like 'Bad Vibes' put the impossible sounding shred workouts on the backburner in favor of brute force. Throughout the album, deep grooves reminiscent of the best of OBITUARY, DYING FETUS, INTERNAL BLEEDING, or even BIOHAZARD pulse within the fierce aggression. There's melody to be found in songs like the French-language 'Drapeau Noir.' The dual vocal style DESPISED ICON fans love is as unrestrained as ever.
For many extreme music fans, it may be hard to remember a time before DESPISED ICON, given the massive influence they've subsequently had on the genre. But when the group formed back in 2002 and released "Consumed By Your Poison" the same year, there was little intersection between the sounds of classic death metal and the brute force of hardcore. The "metalcore" genre had been in full swing for some time and plenty of those bands had experimented with elements of death metal. But DESPISED ICON were among the first to fully embrace the signatures of the traditional death metal formula combined with a relentless embrace of breakdowns, part of an emerging new sound.
DESPISED ICON steadily built a following through hard touring with CRYPTOPSY, SUFFOCATION, IMMOLATION, DEICIDE, MORBID ANGEL, BEHEMOTH, HATEBREED and NAPALM DEATH. The diversity of sounds demonstrated by that list of bands is evidence of DESPISED ICON's broad appeal. Before too long, a new subgenre bubbled up from the underground, built around bands like DESPISED ICON, SUICIDE SILENCE, ALL SHALL PERISH, CARNIFEX and JOB FOR A COWBOY. Like many genre tags, "deathcore" became something of a controversial and uncomfortable albatross for many of the associated bands at various times. But the impact of what is unquestionably an exciting variation of extreme music is undeniable.
DESPISED ICON now boldly reclaims their legacy without reservation or apology. Since the time of the band's dissolution - the result of professional burnout, the shifting priorities and responsibilities that come with adulthood and the need for a creative recharge - the group's members were able to explore different textures with groups like OBEY THE BRAVE and HEAVEN'S CRY. The time apart has only strengthened their resolve when it comes to the purity of what DESPISED ICON means to them as well as to their worldwide fans.
From the savagely unhinged vocals to the inexhaustible pound of the blast beats, DESPISED ICON's new album is a swift reminder that this band is one of the originators of a powerful movement in extreme metal. The "Beast" is reawakened and ready to rumble. DESPISED ICON is back, ladies and gents, with no frills, no bullshit, and just total power.1. The Aftermath
2. Inner Demons
3. Drapeau Noir
4. Bad Vibes
5. Dedicated to Extinction
6. Grind Forever
7. Time Bomb
8. One Last Martini
10. Beast$19.99Vinyl LP - Sealed Buy Now
Legion (Out Of Stock)
Opaque Red Vinyl
Limited To 1500 Copies
This onslaught of ever-shifting double-bass and extreme guitar riffing is considered by many to be an essential (if not the premier) example of Deicide's world-class death metal. While bassist/vocalist and bandleader Glen Benton never accepted the categorization, his band helped define the early '90s death movement with their somewhat complicated, ultra-heavy music and low, growling vocals. Legion stands out as a musically complex but familiar offering from the band. Live favorite Trifixion is indeed one of the better cuts from the release, but it's easier to consider this disc (and most records like it) as a whole. Deicide's compositions and performances are solid and serious throughout, but Benton's outspoken anti-Christian beliefs and admitted Satanism are what first brought the group attention, and what ultimately separated them from secondary contributors to the genre. This radical philosophy is stated emphatically within the lyrics of Legion -- just in case fans weren't paying attention to interviews and onstage rants. Listeners who admire death and extreme metal in all its forms are generally aware of Deicide's abilities and outspoken antisocial beliefs, so newer death metal fans will do well to start off their collection with Legion. ~ Vincent Jeffries, Rovi1. Satan Spawn, the Caco-Daemon
2. Dead but Dreaming
3. Repent to Die
5. Behead the Prophet (No Lord Shall Live)
6. Holy Deception
7. In Hell I Burn
8. Revocate the Agitator$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
In The Minds Of Evil (Out Of Stock)Metal legends DEICIDE release 'IN THE MINDS OF EVIL' via Century Media Records. The album is the eleventh studio recording of an illustrious career spanning more than 25 years, and is being produced by Jason Suecoff [ALL THAT REMAINS, TRIVIUM, DEATH ANGEL, BATTLECROSS].
DECIBEL MAGAZINE joined DEICIDE in the studio, reporting: Expect a super-brutal blast to the cranium. Longtime fans will pick up on nuances inspired from the almighty Legion effort. With drummer Steve Asheim adding, we're going to get down and dirty this time around, so expect the lyrics to be brutal.
DEICIDE is Glen Benton (vocals and bass), Kevin Quirion (guitars), Steve Asheim (drums) and Jack Owen (guitars).1. In The Minds Of Evil
2. Thou Begone
4. Beyond Salvation
5. Misery Of One
6. Between The Flesh And The Void
7. Even The Gods Can Bleed
8. Trample The Cross
9. Banished By Evil
10. Kill The Light Of Christ
11. End The Wrath Of God$19.99Vinyl LP - Sealed Temporarily out of stock
Eaten Back To Life (Out Of Stock)Originally Released in 1990 this 25th Anniversary Edition Picture Disc Features the Original Uncensored Art!
Eaten Back to Life is the debut album by American death metal band Cannibal Corpse. It was released on 17 August 1990 through Metal Blade Records. The album was banned in Germany (censored versions were not available, but the ban was revoked in June 2006) and other countries because of the violent cover and the extreme nature of the lyrics. Glen Benton of Deicide and Francis H. Howard of Opprobrium (then known as Incubus) perform back-up vocals on Mangled and A Skull Full of Maggots.
The following statement can be found in the inlay of this album: This album is dedicated to the memory of Alfred Packer, the first American cannibal (R.I.P.)
This album has stronger influences of thrash metal than their future releases, as well as a slightly varied vocal style.1. Shredded Humans
2. Edible Autopsy
3. Put the to Death
5. Scattered Remains Splattered Brains
6. Born in a Casket
7. Rotting Head
8. The Undead Will Feast
9. Bloody Chunks
10. A Skull Full of Maggots
11. Buried in the Backyard$20.99Vinyl LP Picture Disc - Sealed Temporarily out of stock
The Evil Divide (Out Of Stock)Three decades into their celebrated career, Death Angel remain as hungry as ever.
As a result, uncompromising urgency and unpredictability define the Bay Area thrash quintet's eighth full-length album, The Evil Divide [Nuclear Blast]. The group-Mark Osegueda [vocals], Rob Cavestany [lead guitar], Ted Aguilar [guitar], Will Carroll [drums], and Damien Sisson [bass]-satiate the appetite for buzzsaw speed riffs, double bass mayhem, and scorching vocals over the course of ten new anthems.
"I want every record of ours to always sound fucking hungry and desperate," declares Mark. "An injured animal is a dangerous fucking animal. We feel that. We're always striving for more and put everything into it until our bodies give out."
"We know who we are," adds Rob. "We're dedicated to this sound for both the fans and ourselves."
In order to siphon that energy, the group re-teamed with producer Jason Suecof [Trivium, Deicide] for the third album in a row. They traded Northern California for Suecof's Florida stronghold, Audio Hammer Studios, during two months in the fall of 2015. Following three consecutive records together, this lineup gelled more than ever while recording.
"You could feel it," continues Rob. "Everything was so much smoother in all regards. We progressed as a unit, and we all got on the same page pretty quickly. It makes recording and playing even more fun."
"We're collectively focused," says Mark. "Rob and I have grown a lot as songwriters, and the entire band is tighter than ever. We knew what to expect sonically with Jason, but we wanted to push things in a different direction. The production and drum, bass, and guitar tones are more organic. He's got such a great ear and nailed it. It's like we confidently hit our stride."
The first single "Lost" intersects a hypnotically haunting refrain with a chugging percussive groove, dropping the melody like a guillotine between fret-burning leads.
"Everybody feels lost at some point in their lives," explains Mark. "It's that sense of self-awareness or lack thereof that comes through in the lyrics. No one's immune to it. That time can be a fleeting week or a matter of years where you don't know what's going on. Music is a way to get it out and a vessel to vent. It's a universal thing." Opener "The Moth" whips from a galloping guitar death march into a battle-cry. Boasting a lyrical contribution from Rob, it name checks the album title in the chorus.
"Mark really breathes life into what I wrote," says Rob. "We have a great time collaborating and bouncing ideas off each other."
"The world is in such an odd state," sighs Mark. "There's always division, but these days it's wild. People are attacking each other for no reason. That's why I love metal. It's an amazing community, and people get into it for no other reason but the passion for music. It's the one thing we can retreat to."
"Cause for Alarm" volleys between a crossfire of six-string prowess, while "Father of Lies" closes on a haunting acoustic outro, illuminating the music's expanse and declaring another creative victory for the group.
The Evil Divide stands out as the culmination of thirty-plus years of music for Death Angel. It kicked off with legendary debut, The Ultra-Violence, in 1987. The classic Frolic Through The Park began to cement their legacy and even earned the distinction of landing on Loudwire's list of the "Top Ten Thrash Albums NOT Released by The Big 4." The group broke up following 1990's Act III only to reunite in 2004 on Art of Dying for the next generation. A powerful trifecta followed. In 2010, Relentless Retribution boasted a cameo from virtuosos Rodrigo y Gabriela, while 2013's The Dream Calls For Blood bowed at #72 on the Billboard Top 200, selling 5,400 copies first-week and earning the group's first-ever entry onto that respective chart. Beyond continued public praise from the likes of James Hetfield of Metallica and Robb Flynn of Machine Head, the band's music has popped up everywhere from Carl's Jr. commercials to Leatherface: The Texas Chainsaw Massacre III. Their fire burns brighter than ever in 2016.
"If you're a casual fan, I hope you really get it on this album," Mark leaves off. "If you've been with us since the beginning, I want you to see we aren't messing around. We're still Death Angel."1. The Moth
2. Cause For Alarm
4. Father Of Lies
5. Hell To Pay
6. It Can't Be This
7. Hatred United, United Hate
9. The Electric Cell
10. Let The Pieces Fall
11. Wasteland$25.99Vinyl LP -2 LPs Sealed Temporarily out of stock