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Speak & Spell - 12 Singles Collection (Pre-Order)SPEAK & SPELL | THE 12 SINGLES contains a facsimile reproduction of the rare Flexi Disc "Sometimes I Wish I Was Dead" b/w "King of the Flies" (the Fad Gadget track as on the original release); Dreaming Of Me 12: "Dreaming of Me" b/w "Ice Machine"; New Life 12: "New Life (Remix)" b/w "Shout! (Rio Mix)"; Just Can't Get Enough 12": "Just Can't Get Enough (Schizo Mix)" b/w "Any Second Now (Altered)";
This boxed set contains the singles from each Depeche Mode album on audiophile-quality 12 vinyl, with audio remastered from the original tapes and cut at the legendary Abbey Road Studios. The artwork for the exterior of each of the new boxed sets draws on street art iconography inspired by the original releases, while the vinyl sleeves themselves feature the original vinyl single artwork.Dreaming of Me
Dreaming of Me
New Life 12-inch
New Life (Remix)
Shout! (Rio Mix)
Just Can't Get Enough 12-inch
Just Can't Get Enough (Schizo Mix)
Any Second Now (Altered)
Sometimes I Wish I Was Dead b/w King of the Flies$59.9912 Vinyl Box Set + Flexi Disc - 3 LPs Sealed PRE-ORDER Buy Now
A Broken FrameMartin Gore has famously noted that Depeche Mode stopped worrying about its future when the first post-Vince Clarke-departure single, See You, placed even higher on the English charts than anything else Clarke had done with them. Such confidence carries through all of A Broken Frame, a notably more ambitious effort than the pure pop/disco of the band's debut. With arranging genius Alan Wilder still one album away from fully joining the band, Frame became very much Gore's record, writing all the songs and exploring various styles never again touched upon in later years. Satellite and Monument take distinct dub/reggae turns, while Shouldn't Have Done That delivers its slightly precious message about the dangers of adulthood with a spare arrangement and hollow, weirdly sweet vocals.
Much of the album follows in a dark vein, forsaking earlier sprightliness, aside from tracks like A Photograph of You and The Meaning of Love, for more melancholy reflections about love gone wrong as Leave in Silence and My Secret Garden. More complex arrangements and juxtaposed sounds, such as the sparkle of breaking glass in Leave in Silence, help give this underrated album even more of an intriguing, unexpected edge. Gore's lyrics sometimes veer on the facile, but David Gahan's singing comes more clearly to the fore throughout -- things aren't all there yet, but they were definitely starting to get close.
- Ned Raggett (All Music Guide)1. Leave in Silence
2. My Secret Garden
4. Nothing to Fear
5. See You
7. The Meaning of Love
8. A Photograph of You
10. Shouldn't Have Done That
11. The Sun & The Rainfall$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Best Of (Volume 1)The Best of Depeche Mode (Volume 1) is a greatest hits album by the English electronic band Depeche Mode, originally released in November 2006 by Mute Records. The album consists of select Depeche Mode singles from their then-25-year career.LP 1
1. Personal Jesus
2. Just Can't Get Enough
3. Everything Counts
4. Enjoy The Silence
5. Shake The Disease
6. See You
1. It's No Good
3. Suffer Well
4. Dream On
5. People Are People
1. Walking In My Shoes
2. I Feel You
4. Master And Servant
5. New Life
6. Never Let Me Down Again$44.99Vinyl LP - 3 LPs Sealed Buy Now
Songs of Faith and DevotionIn between Violator and Songs of Faith and Devotion, a lot happened: Nirvana rewrote the ideas of what alternative was supposed to be, while Nine Inch Nails hit the airwaves as the most clearly Depeche-influenced new hit band around. In the meantime, the band went through some high-profile arguing as David Gahan turned into a long-haired, leather-clad rocker and pushed for a more guitar-oriented sound. Yet the odd thing about Songs of Faith and Devotion is that it sounds pretty much like a Depeche Mode album, only with some new sonic tricks courtesy of Alan Wilder and co-producer Flood. Perhaps even odder is the fact that it works incredibly well all the same. I Feel You, opening with a screech of feedback, works its live drums well, but when the heavy synth bass kicks in with the wailing backing vocals, even most rockers might find it hard to compete. Martin Gore's lyrical bent, as per the title, ponders relationships through distinctly religious imagery; while the gambit is hardly new, on songs like the centerpiece In Your Room, the combination of personal and spiritual love blends perfectly. Outside musicians appear for the first time, including female backing singers on a couple of tracks, most notably the gospel-flavored Condemnation and the uilleann pipes on Judas, providing a lovely intro to the underrated song (later covered by Tricky). Rush is the biggest misstep, a too obvious sign that Nine Inch Nails was a recording-session favorite to unwind to. But with other numbers such as Walking in My Shoes and The Mercy in You to recommend it, Songs of Faith and Devotion continues the Depeche Mode winning streak.
- Ned Raggett (All Music Guide)1. I Feel You
2. Walking In My Shoes
4. Mercy In You
6. In Your Room
7. Get Right With Me
9. One Caress
10. Higher Love$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Music For The MassesInitially the title must have sounded like an incredibly pretentious boast, except that Depeche Mode then went on to do a monstrous world tour, score even more hits in America and elsewhere than ever before, and pick up a large number of name checks from emerging house and techno artists on top of all that. As for the music the masses got this time around, the opening cut, Never Let Me Down Again, started things off wonderfully: a compressed guitar riff suddenly slamming into a huge-sounding percussion/keyboard/piano combination, anchored to a constantly repeated melodic hook, ever-building synth/orchestral parts at the song's end, and one of David Gahan's best vocals (though admittedly singing one of Martin Gore's more pedestrian lyrics). It feels huge throughout, like they taped Depeche recording at the world's largest arena show instead of in a studio. Other key singles Strangelove and the (literally) driving Behind the Wheel maintained the same blend of power and song skill, while some of the quieter numbers such as The Things You Said and I Want You Now showed musical and lyrical intimacy could easily co-exist with the big chart-busters. Add to that other winners like To Have and to Hold, with its Russian radio broadcast start and dramatic, downward spiral of music accompanied by Gahan's subtly powerful take on a desperate Gore love lyric, and the weird, wonderful choral closer, Pimpf, and Depeche's massive success becomes perfectly clear.
- Ned Raggett (All Music Guide)1. Never Let Me Down Again
2. The Things You Said
5. Little 15
6. Behind The Wheel
7. I Want You Now
8. To Have And To Hold
10. Pimpf$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
MUSD-MFSL-0069xSisters Of Mercy
First And Last And AlwaysNumbered Limited Edition
Paint It Black: 1985 Debut Is Penultimate Goth-Rock Album
Andrew Eldritch's Ghostly Vocals, Static Beats, Melodic Guitar Jangle Create Hauntingly Atmospheric Soundscapes
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (Best Record Plant in America): First Time Any Sisters of Mercy Record Given Audiophile Treatment on LP
The template for all goth-rock records that followed, Sisters of Mercy's First And Last And Always stands as one of the-if not the most-influential albums of its kind ever released. Distinguished by Andrew Eldritch's ghostly singing, which gives the impression of hearing a forlorn ghoul croon from a foggy English graveyard, the 1985 set is drenched in gloom, claustrophobia, black humor, and dance-ready beats that provide exhilarating contrasts. Fans of the Cure, Depeche Mode, Love and Rockets, Peter Murphy, mid-period Nick Cave, and Joy Division will find it to be a new favorite record.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents First And Last And Always with a fuller, richer sound that positively obliterates the thin, feeble sonic perspectives that have limited the music until now. Every aspect from Eldritch's haunting singing to the group's jangling guitars and prancing bass lines finally gain genuine definition. Yet what's most improved is the sense of atmosphere: Sisters of Mercy revel in painting tone poems, where the feel and effect are as essential as the notes that are played. This is now an atmospheric tour de force.
Ever since it's release, First And Last And Always has been aptly shrouded in mythology. Eldritch pushed the envelope during the recording sessions, literally walking into walls and repeatedly unable to maintain his focus. Strung out on amphetamines, dazed by days of no sleep, upset by a recent breakup, and eating little, the vocalist channeled his discord into somber lyrics and brooding singing. He's framed by pulsing albeit lean, spare rhythms, patient tempos, and the clatter of a programmed drum machine that, in spite of its mechanical operation, sounds strangely organic. The songs evoke wet dungeons, walls-closing-in paranoia, and late-night strolls amidst the U.K.'s mysterious underground.
Despite its overall dark character, the record's arrangements value spaciousness, putting a premium on room and minimalism that makes each note count. As a result, twinkling pianos and keyboards parallel steel-cutting guitars and low-tuned bass lines that, in combination with Eldrtich's baritone, suggest glimmers of hope among the decay. Songs such as the shaking Possession, dramatic Some Kind of Stranger, and desperate Marian remain models of the gothic and post-punk disciplines more than 25 years after their debut. It's no surprise that, given all of the tension and personality that infuse the album, Sisters of Mercy disbanded just months after its release.
It's unlikely that any goth-rock album has ever sounded this good. This MoFi Silver Label LP will turn your room into rainy, dreary England, circa 1985, and expose you to one of the most harrowing vocal performances on record.
This title is not eligible for discount.1. Black Planet
2. Walk Away
3. No Time to Cry
4. A Rock and a Hard Place
5. Marian (version)
6. First and Last and Always
8. Nine While Nine
9. Amphetamine Logic
10. Some Kind of Stranger$24.99Vinyl LP - Sealed Buy Now
SpiritSpirit is the new album from Depeche Mode, and the band's 14th studio release. Spirit marks the band's first collaboration with producer James Ford of Simian Mobile Disco (Foals, Florence & The Machine, Arctic Monkeys) and is the follow up to the band's blockbuster 2013 studio album Delta Machine which debuted at #1 in 12 countries.
The vinyl version of Spirit will feature 12 tracks on two 180 gram LPs, featuring 3 sides of music and a 4th side with a special SPIRIT etching.1. Going Backwards
2. Where's the Revolution
3. The Worst Crime
5. You Move
6. Cover Me
8. Poison Heart
9. So Much Love
11. No More (This is the Last Time)
Disc 2, SIDE 4:SPIRIT ETCHING$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
ViolatorIn a word, stunning. Perhaps an odd word to use given that Violator continued in the general vein of the previous two studio efforts by Depeche Mode: Martin Gore's upfront lyrical emotional extremism and knack for a catchy hook filtered through Alan Wilder's ear for perfect arrangements, ably assisted by top English producer Flood. Yet the idea that this record would both dominate worldwide charts, while song for song being simply the best, most consistent effort yet from the band could only have been the wildest fantasy before its release. The opening two singles from the album, however, signaled something was up. First was Personal Jesus, at once perversely simplistic, with a stiff, arcane funk/hip-hop beat and basic blues guitar chords, and tremendous, thanks to sharp production touches and David Gahan's echoed, snaky vocals. Then Enjoy the Silence, a nothing-else-remains-but-us ballad pumped up into a huge, dramatic romance/dance number, commanding in its mock orchestral/choir scope. Follow-up single Policy of Truth did just fine as well, a low-key Motown funk number for the modern day with a sharp love/hate lyric to boot. To top it all off, the album itself scored on song after song, from the shuffling beat of Sweetest Perfection (well sung by Gore) and the ethereal Waiting for the Night to the guilt-ridden-and-loving-it Halo building into a string-swept pounder. Clean wraps up Violator on an eerie note, all ominous bass notes and odd atmospherics carrying the song. Goth without ever being stupidly hammy, synth without sounding like the clinical stereotype of synth music, rock without ever sounding like a rock band, Depeche here reach astounding heights indeed.
- Ned Raggett (All Music Guide)1. World In My Eyes
2. Sweetest Perfection
3. Personal Jesus
5. Waiting For The Night
6. Enjoy The Silence
7. Policy Of Truth
8. Blue Dress
9. Clean (Album Version)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Exciter (Awaiting Repress)From the beginning of their career Depeche Mode have been at the forefront of remix culture; creating their own classic extended mixes back in the early 80s and over the years amassing a collection of remixers of their songs that pretty much charts the history of cutting edge dance music.
It's rare to find bands capable of keeping their own best qualities to the fore while trying something new each time out, but Depeche Mode demonstrate that balance in full on the marvelous Exciter. Arguably the first album made by the group as a cohesive unit since Violator (and bearing some resemblance to that record in overall title and song names -- compare The Sweetest Condition with The Sweetest Perfection), Exciter finds the trio again balancing pop catchiness with experimental depths. As with Ultra, an outside producer helps focus the end results in new, intriguing directions -- in this case, said producer is Mark Bell, known for his work with Björk but also as part of Warp Records' flagship act LFO, which always acknowledged their own debut to Depeche. Bell's ear for minimal, crisp beats and quick, subtle arrangements and changes suit Martin Gore's songs beautifully. If there are few storming arena-shaking numbers this time out, the exquisite delicacy throughout is addicting, with Gore's guitar providing slippery and stinging leads to the smoky, romantic flow of Exciter. When the Body Speaks is a particular winner, his gentle work and a backing string section combining just right. David Gahan's voice, already audibly benefiting from lessons on Ultra, is even more supple and passionate than before, ranging from the fuller delivery on the snaky charm of Shine to the haunting album-closer, Goodnight Lovers, a romantic lullaby with perfect counterpoint backing vocals. Gore's own singing remains equally fine, as does his lyrical obsessions on, well, obsession -- Breathe, which quotes more Bible names per verse than most preachers, makes for a good example on both fronts. When the band fully crank it up, the results work there too -- The Dead of Night makes for a far superior nod to Gore's glam roots and Depeche's own industrial dance descendants than Songs of Faith and Devotion's Rush did.
- Ned Raggett1. Dream On
3. The Sweetest Condition
4. When The Body Speaks
5. The Dead of Night
9. I Feel Loved
11. Easy Tiger
12. I Am You
13. Goodnight Lovers$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
WARB-ELE-1952xMarina and The Diamonds
Electra HeartMarina and The Diamonds second album, Electra Heart, is not so much a creative leap forward, more an Olympian pole-vault over the bar of talented-newcomer into the global amphitheater of a cultivated Classic.
Two years on from her top 5 debut The Family Jewels (300,000 copies sold), the self-styled avant-garde D.I.Y artist has detonated her own experimental past and landed feet first in the future with Electra Heart, a stunningly ambitious, seamless, cohesive and confident sonic pulsar spinning between electro-pop euphoria and come-down melancholia. The album is produced by a cache of old school and A-List producers: Dr Luke (Katy Perry) and Liam Howe (Sneaker Pimps) but mostly (9 out of 12 songs) Greg Kurstin (Lily Allen, Kylie) and Rick Nowels (Madonna, Stevie Nicks, Lykke Li). A hook-packed stunner with the sonic ambition of a one-woman Depeche Mode, her onetime theatrical vocals now effortlessly soar between spectral, commanding and towering power-pop, finding her vocal identity in an album about a loss of it.
Electra Heart is a thematic riot, a British Eccentric, 21st Century concept caper where the album title represents a series of female archetypes, not so much an alter-ego as a beautifully-constructed prism, through which Marina projects a series of meticulously-realized female characters as a foil for telling her story, the one about mismatched lovers.
Electra Heart marks the sophomore release from Marina and the Diamonds, aiming to make a big impact in the US as Marina breaks the mold with her Americana-ode to pop music and cultural stereotypes.1. Bubblegum Bitch
5. Starring Role
6. The State Of Dreaming
7. Power & Control
8. Sex Yeah
9. Teen Idle
10. Valley Of The Dolls
12. How To Be A Heartbreaker
14. Fear and Loathing$24.99Vinyl LP - 2 LPs Sealed Buy Now
A Broken Frame - 12 Singles Collection (Pre-Order)A BROKEN FRAME | THE 12 SINGLES contains See You 12: "See You (Extended Version)" b/w "Now This Is Fun (Extended Version)"; The Meaning of Love 12: "The Meaning of Love (Fairly Odd Mix)" b/w "Oberkorn (It's a Small Town) (Development Mix)"; Leave In Silence 12: "Leave In Silence (Longer)" b/w "Further Excerpts From: My Secret Garden" and "Leave In Silence (Quieter)"
This boxed set contains the singles from each Depeche Mode album on audiophile-quality 12 vinyl, with audio remastered from the original tapes and cut at the legendary Abbey Road Studios. The artwork for the exterior of each of the new boxed sets draws on street art iconography inspired by the original releases, while the vinyl sleeves themselves feature the original vinyl single artwork.See You 12-inch
See You (Extended Version)
Now, This Is Fun (Extended Version)
The Meaning Of Love 12-inch
The Meaning Of Love (Fairly Odd Mix)
Oberkorn (It's A Small Town) (Development Mix)
Leave In Silence 12-inch
Leave In Silence (Longer)
Further Excerpts From: My Secret Garden
Leave In Silence (Quieter)$59.9912 Vinyl Box Set - 3 LPs Sealed PRE-ORDER Buy Now
Construction Time AgainThe full addition of Alan Wilder to Depeche Mode's lineup created a perfect troika that would last another 11 years, as the combination of Martin Gore's songwriting, Wilder's arranging, and David Gahan's singing and live star power resulted in an ever more compelling series of albums and singles. Right from the album's first song, Love in Itself, something is clearly up; Depeche never sounded quite so thick with its sound before, with synths arranged into a mini-orchestra/horn section and real piano and acoustic guitar spliced in at strategic points. Two tracks later, Pipeline offers the first clear hint of an increasing industrial influence (the bandmembers were early fans of EinstÜrzende Neubauten), with clattering metal samples and oddly chain gang-like lyrics and vocals. The album's clear highlight has to be Everything Counts, a live staple for years, combining a deceptively simple, ironic lyric about the music business with a perfectly catchy but unusually arranged blending of more metallic scraping samples and melodica amid even more forceful funk/hip-hop beats. Elsewhere, on Shame and Told You So, Gore's lyrics start taking on more of the obsessive personal relationship studies that would soon dominate his writing. Wilder's own songwriting contributions are fine musically, but lyrically, preachy puts it mildly, especially the environment-friendly The Landscape Is Changing.
- Ned Raggett (All Music Guide)1. Love, In Itself
2. More Than A Party
4. Everything Counts
5. Two Minute Warning
7. The Landscape Is Changing
8. Told You So
9. And Then...
10. Everything Counts (Long Version)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Cover Me (Remixes)Dave Gahan wrote the song together with Peter Gordeno and Christian Eigner. Depeche Mode have said in interviews (like during the 2016 press conference) that producer James Ford taught himself to play Martin's pedal steel guitar within one day while in the studio, and thus this guitar was used in some songs including 'Cover Me'.
Dave talked about this song extensively to Phil Marriott:
I wanted ['Cover Me'] to be very cinematic, and I had this sort of idea of us finally destroying this beautiful planet that we live on. Hence the northern lights: it's just one in many millions of beautiful things... the oceans, just things that we take for granted. And the Northern lights was just a metaphor that I wanted to use, because I did once experience actually being there while that was happening, way up north in Scandinavia. Yeah [it's quite an emotional experience], and it's also out of the world somehow, quite spiritual, and moving, moving to the point of tears, the beauty of something happening in our universe. And so I had this idea at that time, a little lyrical idea, not really a melody. But anyway, I came back to that, and that became that song. And I also saw the song in two halves, where the second half was where we are finally leaving or something. This person or whoever it is, who I live vicariously through, leaves the planet, only to find another planet that is exactly the same as ours, and he has this horrible feeling of like, Oh wow, it's not the planet, it's me, I am doing this. I'm destroying this beautiful world that I live in. And that can be just an emotional relationship that you have with another person, or trying to be having a relationship with another person that you can't quite get to because you just can't. And that, for me, is quite often where I find myself with music and songs: I am quite often this other person. Of course it's me, but I can live vicariously through this performer, this guy that I've created, which is me, but a character. And throughout songs and films and books and stuff like that, that's where I get lost. [...] With 'Cover Me', the song that was coming to mind a lot, the feeling of the song that I wanted to get on this, and it's a totally different kind of song, but the feeling that I wanted to get was like Bowie's song 'Life On Mars', where the second half of the song seems to go to another place, or 'Space Odyssey', that kind of feeling. It opens up for you, the listener, to just be able to go off in their own dreams and ideas.LP 1
1. Cover Me (Ellen Allien Remix)
2. Cover Me (I Hate Models Cold Lights Remix)
3. Cover Me (Nicole Moudaber Remix)
4. So Much Love (Kalli Remix)
1. Cover Me (Erol Alkan V1.2)
2. Cover Me (Texas Gentlemen Remix)
3. Cover Me (Warpaint Steez Remix)
4. Cover Me (Josh T. Pearson Choose Hellth Remix)$20.9912 Vinyl Single - 2 LPs Sealed Buy Now
Boarding House ReachBOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain -- crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
BOARDING HOUSE REACH was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY, and Capitol Studios in Los Angeles, CA. The album was mixed by Bill Skibbe, Joshua V. Smith, and White at Third Man Studio in Nashville, TN. The album features White on vocals, acoustic and electric guitars and drums, organ, and synthesizers. He's backed by a remarkable new lineup of musicians that includes: drummer Louis Cato (BeyoncÉ, Q-Tip, John Legend, Mariah Carey), bassists Charlotte Kemp Muhl (The Ghost of a Saber Tooth Tiger) and NeonPhoenix (Kanye West, Lil Wayne, Jay-Z), synthesizer players DJ Harrison and Anthony Brew Brewster (Fishbone, The Untouchables), keyboardists Neal Evans (Soulive, Talib Kweli, John Scofield) and Quincy McCrary (Unknown Mortal Orchestra, Pitbull), percussionists Bobby Allende (David Byrne, Marc Anthony) and Justin PorÉe (Ozomatli), and backing vocalists Esther Rose and Ann & Regina McCrary of Nashville's beloved gospel trio, The McCrary Sisters, as well as longtime collaborators like drummers Daru Jones (Nas, Talib Kweli) and Carla Azar (Autolux, Depeche Mode, Doyle Bramhall II). Singer-songwriter C.W. Stoneking also appears, contributing a stirring spoken word performance to the album's Abulia and Akrasia.
Jack White is a 12-time GRAMMY® Award-winner and 35-time nominee. His most recent full-length release, 2016's JACK WHITE ACOUSTIC RECORDINGS: 1998-2016 (Third Man Records/Columbia), collected 26 acoustic-based songs from throughout White's wide-ranging musical career, spanning album tracks, B-sides, remixes, alternate versions, and previously unreleased material from The White Stripes, The Raconteurs, and White's groundbreaking solo career. The collection debuted at #1 on Billboard's Vinyl Albums chart upon its September 2016 release - a position also achieved by 2012's RIAA gold certified solo debut, BLUNDERBUSS, and 2014's chart-topping LAZARETTO, both of which debuted at #1 on the Billboard Top 200 as well.1. Connected By Love
2. Why Walk A Dog?
4. Abulia and Akrasia
6. Ice Station Zebra
7. Over and Over and Over
8. Everything You've Ever Learned
9. Respect Commander
10. Ezmerelda Steals The Show
11. Get In The Mind Shaft
12. What's Done Is Done
13. Humoresque$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
101101 is a live album and companion piece to the 1989 documentary of the same name by English electronic band Depeche Mode. The film chronicles the final leg of the band's 1987/1988 Music for the Masses Tour while this album was recorded live at The Pasadena Rose Bowl on June 18, 1988 - the final show of the tour.LP 1
2. Behind The Wheel
5. Something To Do
6. Blasphemous Rumours
9. The Things You Said
1. Black Celebration
2. Shake The Disease
4. Pleasure, Little Treasure
5. People Are People
6. A Question Of Time
7. Never Let Me Down Again
8. A Question Of Lust
9. Master And Servant
10. Just Can't Get Enough
11. Everything Counts$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Black CelebrationWhether the band felt it was simply the time to move on from its most explicit industrial-pop fusion days, or whether increased success and concurrently larger venues pushed the music into different avenues, Depeche Mode's fifth studio album, Black Celebration, saw the group embarking on a path that in many ways defined their sound to the present: emotionally extreme lyrics matched with amped-up tunes, as much anthemic rock as they are compelling dance, along with stark, low-key ballads. The slow, sneaky build of the opening title track, with a strange distorted vocal sample providing a curious opening hook, sets the tone as David Gahan sings of making it through another black day while powerful drums and echoing metallic pings carry the song. Black Celebration is actually heavier on the ballads throughout, many sung by Martin Gore -- the most per album he has yet taken lead on -- with notable dramatic beauties including Sometimes, with its surprise gospel choir start and rough piano sonics, and the hyper-nihilistic World Full of Nothing. The various singles from the album remain definite highlights, such as A Question of Time, a brawling, aggressive number with a solid Gahan vocal, and the romantic/physical politics of Stripped, featuring particularly sharp arrangements from Alan Wilder. However, with such comparatively lesser-known but equally impressive numbers as the quietly intense romance of Here Is the House to boast, Black Celebration is solid through and through.
- Ned Raggett (All Music Guide)1. Black Celebration
2. Fly On The Windscreen - Final
3. A Question Of Lust
5. It Doesn't Matter Two
6. A Question Of Time
8. Here Is The House
9. World Full Of Nothing
10. Dressed In Black
11. New Dress$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Playing The AngelFrom the beginning of their career Depeche Mode have been at the forefront of remix culture; creating their own classic extended mixes back in the early 80s and over the years amassing a collection of remixers of their songs that pretty much charts the history of cutting edge dance music.
When Ultra was declared the best Depeche Mode album since Violator, those who said so must have forgotten about Songs of Faith and Devotion. When Exciter was declared the best Depeche Mode album since Violator, those who said so must have also forgotten about Songs of Faith and Devotion, in addition to having found a roundabout way of saying that it was merely better than Ultra. There's no doubt this time: Playing the Angel is both the band's best album since Violator and, more significantly, an album that is near Violator in stature. The biggest clue dropped by the band prior to its release was a quote from Dave Gahan, who said that being in Depeche Mode is better than it has been in 15 years. Some quick math reveals that Gahan was hinting at the Violator era, a time when the band's creativity and popularity peaked synchronously. It also turns out that this is a time as good as any other to be paying attention to the band. Playing the Angel lacks Songs of Faith and Devotion's end-to-end chest-beating, Ultra's grinding murk, and Exciter's desiccated patches. It takes the best qualities from those releases, combines them with a few subtle allusions to Violator -- tiptoeing the border that separates retread from reinvention -- and makes for a highly concentrated set of songs that all but demand to be heard in one uninterrupted shot. Gahan, still riding the confidence he gained as a songwriter from Paper Monsters, his 2003 solo debut, contributes three songs co-written with band associates Christian Eigner and Andrew Phillpott. Though none of them vie to be the album's centerpiece, it's apparent that the move wasn't a concession of desperation on anyone's part. The friendly competition seems to have kicked chief songwriter Martin Gore into high gear; he's in top form. Musically, a lot of analog gear was used, and it's apparent that the arrangements and extra sounds were less fussed over than they have been in the recent past. You get the sense that everything fell into place, as opposed to being forced or aimlessly manipulated. Despite the favoring of older gear, there's no other year in which any of the songs could've been made. Like the best Depeche Mode, almost everything on the album will make an initial wowing impact while remaining layered enough in subtle details to surprise and thrill with repeated listens. It is not the kind of album a 25-year-old band is supposed to make.
- Andy Kellman (All Music Guide)LP 1
1. A Pain That Im Used To
2. John The Revelator
3. Suffer Well
4. The Sinner In Me
7. I Want It All
8. Nothings Impossible
10. Damaged People
12. The Darkest Star$26.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Some Great RewardThe peak of the band's industrial-gone-mainstream fusion, and still one of the best electronic music albums yet recorded, Some Great Reward still sounds great, with the band's ever-evolving musical and production skills matching even more ambitious songwriting from Martin Gore. People Are People appears here, but finds itself outclassed by some of Depeche Mode's undisputed classics, most especially the moody, beautiful Somebody, a Gore-sung piano ballad that mixes its wit and emotion skillfully; Master and Servant, an amped-up, slamming dance track that conflates sexual and economic politics to sharp effect; and the closing Blasphemous Rumors, a slow-building anthemic number supporting one of Gore's most cynical lyrics, addressing a suicidal teen who finds God only to die soon afterward. Even lesser-known tracks like the low-key pulse of Lie to Me and the weirdly dreamy It Doesn't Matter showcase an increasingly confident band. Alan Wilder's arrangements veer from the big to the stripped down, but always with just the right touch, such as the crowd samples bubbling beneath Somebody or the call/response a cappella start to Master and Servant. With Reward, David Gahan's singing style found the mÉtier it was going to stick with for the next ten years, and while it's never gone down well with some ears, it still has a compelling edge to it that suits the material well.
- Ned Raggett (All Music Guide)1. Something To Do
2. Lie To Me
3. People Are People
4. It Doesn't Matter
5. Stories Of Old
7. Master And Servant
8. If You Want
9. Blasphemous Rumours$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Upstairs At Eric's (Awaiting Repress)An 80s Landmark: Ex-Depeche Mode Member Vince Clarke and Vocalist Alison Moyet Create Synthpop Classic
Smoky Blues Purring, Cool Jazz Vibes, Disco-Tinged Beats, and Dancefloor Minimalism Add Up to Electropop Genius
All the Grooves Hit the Low-Frequency Targets: LP Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI
Includes Hits Don't Go, Situation, and Only You
The 1980s will forever be remembered for electropop sensations, yet few, if any, are quite as sensational as Yazs Upstairs at Erics. A standard-setting mÉlange of smoky blues singing, jazzy arrangements, disco-tinged beats, and dancefloor vibes, the smash debut fits equally as well at a late-night club as it does in a living room, where the records complexity and exoticism takes listeners hostage. No wonder the 1982 landmark remains one of the decades most essential albums.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI, this numbered limited edition Silver Label LP breathes with a decongested openness, textural richness, and tonal palette never before experienced on previous analog or digital editions. Alison Moyets inimitable vocals, such a huge part of the records appeal, are dramatically enhanced, her sensual timbre, bittersweet crooning, and knockout range now encompassing the full frequency spectrum and projecting outward in a way that traverses the flatness of the original pressings.
Indeed, her bluesy deliveries are at once elegant and exuberant, and give collaborative partner Vince Clarke free range to construct beat architectures that encompass freewheeling disco, house music, uptempo dance, and chilled-out pop. The former Depeche Mode member also layers on elegant keyboard melodies, establishing contagious hooks and electronic-laced landscapes that preceded the techno explosion and do so with a cooler elegance. Tape loops, random field-noise dialogues, and synth-stroked bass notes add to whats nothing less than a perfect collusion of moody paranoia and soulful warmth.
While a cousin to synth-pop LPs by the likes of the Eurythmics, Soft Cell, OMD, and Depeche Mode, Yazs Upstairs at Erics is singular for its chemistry between Moyet and Clarke and an insouciant batch of songs high on emotion, style, and substance.
This title is not eligible for discount.1. Don't Go
2. Too Pieces
3. Bad Connection
4. I Before E Except After C
6. In My Room
7. Only You
8. Goodbye Seventies
10. Winter Kills
11. Bring Your Love Down (Didn't I)$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Speak & SpellFrom the beginning of their career Depeche Mode have been at the forefront of remix culture; creating their own classic extended mixes back in the early 80s and over the years amassing a collection of remixers of their songs that pretty much charts the history of cutting edge dance music.
Though probably nobody fully appreciated it at the time -- perhaps least of all the band! -- Depeche Mode's debut is at once both a conservative, functional pop record and a groundbreaking release. While various synth pioneers had come before -- Gary Numan, early Human League, late-'70s Euro-disco, and above all Kraftwerk all had clear influence on Speak & Spell -- Depeche became the undisputed founder of straight-up synth pop with the album's 11 songs, light, hooky, and danceable numbers about love, life, and clubs. For all the claims about dated '80s sounds from rock purists, it should be noted that the basic guitar/bass/drums lineup of rock is almost 25 years older than the catchy keyboard lines and electronic drums making the music here. That such a sound would eventually become ubiquitous during the Reagan years, spawning lots of crud along the way, means the band should no more be held to blame for that than Motown and the Beatles for inspiring lots of bad stuff in the '60s. Credit for the album's success has to go to main songwriter Vince Clarke, who would extend and arguably perfect the synth pop formula with Yazoo and Erasure; the classic early singles New Life, Dreaming of Me, and Just Can't Get Enough, along with numbers ranging from the slyly homoerotic Pretty Boy to the moody thumper Photographic, keep everything moving throughout. David Gahan undersings about half the album, and Martin Gore's two numbers lack the distinctiveness of his later work, but Speak & Spell remains an undiluted joy.
- Ned Raggett (All Music Guide)1. New Life
3. Dreaming Of Me
4. Boys Say Go!
6. What's Your Name?
8. Tora! Tora! Tora!
9. Big Muff
10. Any Second Now (Voices)
11. Just Can't Get Enough$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Pretty Hate Machine (2010 Remaster)Fans can now revisit the conception of Nine Inch Nails. Trent Reznor's Null Corporation has teamed up with UMe/The Bicycle Music Company to release Pretty Hate Machine: 2010 Remaster on 12/7/2010. After completing the score for David Fincher's The Social Network, Reznor oversaw the digital remastering of Pretty Hate Machine from the newly unearthed original tapes with engineer Tom Baker (whose NIN credits include The Downward Spiral, Broken, The Fragile, With Teeth and Ghosts). This remastered version includes an eleventh track, a cover of Queen's Get Down Make Love, originally the B-side to the Sin single and produced by Al Jourgensen. Rob Sheridan, NIN's longtime art director, has also re-imagined the packaging of Pretty Hate Machine under Reznor's supervision.
As a young musician in Cleveland, Ohia, Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Trackhead). The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album featured the breakthrough singles Sin, Down In It and Head Like A Hole, and ultimately sold over 3 million copies, reaching Triple Platinum sales status. In the wake of the album's inital underground success, NIN soon developed a reputation as one of the best live acts in rock and jointed the inaugural Lollapalooza tour in 1991. NIN have since sold more than 18 million albums, collected Grammy Awards and headline arenas, amphitheaters and festivals worldwide.
The Bicycle Music Company acquired the rights to Pretty Hate Machine from a division of Prudential Securities in the spring of 2010. It was Bicycle's intention from the onset to enable Reznor to regain some control of this lost piece of NIN's legacy, resulting in this artist approved 2010 reissue of one of music's most groundbreaking and influential albums. Note: The previous CD version was reissued in 2005 but was not overseen by Reznor and is now out of print.
Reznor is currently working on new music as a member of the group How To Destroy Angels, continuing his Nine Inch Nails efforts and composing for future film score projects.1. Head Like A Hole
2. Terrible Lie
3. Down In It
5. Something I Can Never Have
6. Kinda I Want To
8. That's What I Get
9. The Only Time
11.Get Down Make Love (Bonus Track in 2010 Reissue)$34.99Vinyl LP - 2 LPs - Sealed Buy Now
Med Sud I Vid Spilum EndalaustInspired by the unfettered feeling of the acoustic performances filmed during Heima, Sigur Ros adopted a looser approach in creating their fifth album Med Sud I Vid Spilum Endalaust. The album consequently is fresher and more human than anything they've previously recorded.
Rough edges, cracked notes, and the sound of fingers on strings are audible resulting in tracks (e.g. Illgresi) that prove to be the band's sparsest and most affecting work to date. Worry not though, plenty of electric guitar can be heard throughout the album ensuring Sigur Ros' commitment to challenging sonic limitations.
Med Sud I Vid Spilum Endalaust is truly a groundbreaking album for Sigur Ros. It's the first time they've attempted to write, record, mix, release and support (by touring) an album in the same year. Notoriously known for their laborious writing/recording style and their Icelandic roots, Sigur Ros decided to record an album outside of Iceland for the first time. Recording, mixing and mastering sessions took place in such un-Reykjavik cities as New York (Sear Sound and Sterling Sound), London (Abbey Road and Assault & Battery) and Havana. The result is pretty much their leave home album, the anti-Heima.
The opening track, Gobbledigook, is a manifesto setter with its shifting/no time signature. On the last track, All Alright, Sigur Ros find themselves singing a song solely in English for the first time. The seventh track, Ára Bátur, was performed with a full orchestra and the London Oratory Boys Choir. This was recorded in one take with no overdubs and the result was 90 people playing at once and just one perfect take. This is their first album working with Flood (U2, Depeche Mode, PJ Harvey) and the first since their debut to not be recorded with Ken Thomas. It was a true co-production, one that found Sigur Ros breaking out of old molds/habits. Double LP on high quality 180g vinyl.
Sigur Ros' fifth album is the Icelandic band's most worldly, varied and impetuous. The band achieves a new unity in variety here, winding from near-glam romp and fireside-folk warmth to slow-climb grandeur with an attention to the repeated payoff in a sturdy hook and hum-along chorus. (4 Stars) - Rolling Stone
Old-fashioned psychedelic grandeur is revived with otherwordly majesty and inexorable crescendos, a typically majestic but uncharacteristically summery album, with jolts of percussive energy and connotations of sunlight and air. - New York Times1. Gobbledigook
2. Inní MÉr Syngur Vitleysingur
3. Góðan Daginn
4. Við Spilum Endalaust
6. Með Suð Í Eyrum
7. Ára Bátur
11. All Alright$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
UltraUltra is the ninth studio album by English electronic group Depeche Mode, which was originally released by Mute Records on 14 April 1997
Ultra both reprises an earlier Mode and entices with a taste of Modes to come. The band has wisely left behind the forced arena rock of their last album and evolved towards a more richly nuanced hybrid of conventional and electronic instrumentation. The resulting sound is both engaging in its diversity and surprising in its consistency. The aplomb with which Depeche Mode fuses electronic beats, cascading violins, and guitar hooks into a soulful and coherent whole puts the new techno-geek incarnation of U2 to shame. Where U2's Pop! crashes waves of sound upon the listener, Ultra achieves an equally rich sonic texture through delicacy and understatement.
Lyrically and musically, Ultra depicts the band grappling with its recent scars, particularly Gahan's smack problem. From the self-loathing and acoustic turbulence of Barrel of a Gun, the first sequel, to the mechanical gurgling of the outro, Painkiller, the shadow of a syringe falls over the album. Gahan sings of a vicious appetite and pines for the spirit of love with an earnest intensity that usually overcomes Gore's occasionally banal lyrics. His high register and emotionally laden delivery on songs such as Love Thieves and Sister of Night (Little 15 redux) are reminiscent of the days of See You and Get the Balance Right, before Gahan settled into the deadpan baritone croon that carries most of the Mode's later hits.
Perhaps due to the band's travails, Ultra is the most experimental Mode album since 1983's A Broken Frame, when these same three fellows lost their leading songwriter, Vince Clarke, to Yaz (and subsequently Erasure). As a result, with the exception of It's No Good, a catchy and confident tune that's A-1 formula Mode, there's no hit single potential on Ultra. There are, however, a good number of interesting songs that gradually seep into your system. The Bottom Line finds Gore at his most emotive, once again singing the bittersweet woes of infatuation over an aural fabric that alternates between jazz trio cool, electropop bounce, and country twang. With arpeggiating violins and arena-rock-style guitar bridges, Home is an intriguing Disneyesque ditty. And both Jazz Thieves and Uselink prove that the Mode haven't lost their knack for atmospheric instrumentals.
- Kevin C. Murphy1. Barrel Of A Gun
2. Love Thieves
4. It's No Good
7. Sister Of Night
8. Jazz Thieves
10. Bottom Line
11. Insight$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Delta MachineDelta Machine was recorded over the last year in Santa Barbara, CA and New York City, produced by Ben Hillier and mixed by Flood. It marks Depeche Mode's first album since 2009's Sounds of the Universe, which debuted at the #1 chart spot in fourteen countries around the world. This double LP also comes with a download insert.1. Welcome To My World
4. Secret To The End
5. My Little Universe
8. The Child Inside
9. Soft Touch/Raw Nerve
10. Should Be Higher
12. Soothe My Soul
14. Long Time Lie
15. Happens All The Time
17. All That's Mine$29.99Vinyl LP - 2 LPs Sealed Buy Now