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Depeche Mode Singles'
A Broken Frame - 12 Singles Collection (Pre-Order)A BROKEN FRAME | THE 12 SINGLES contains See You 12: "See You (Extended Version)" b/w "Now This Is Fun (Extended Version)"; The Meaning of Love 12: "The Meaning of Love (Fairly Odd Mix)" b/w "Oberkorn (It's a Small Town) (Development Mix)"; Leave In Silence 12: "Leave In Silence (Longer)" b/w "Further Excerpts From: My Secret Garden" and "Leave In Silence (Quieter)"
This boxed set contains the singles from each Depeche Mode album on audiophile-quality 12 vinyl, with audio remastered from the original tapes and cut at the legendary Abbey Road Studios. The artwork for the exterior of each of the new boxed sets draws on street art iconography inspired by the original releases, while the vinyl sleeves themselves feature the original vinyl single artwork.See You 12-inch
See You (Extended Version)
Now, This Is Fun (Extended Version)
The Meaning Of Love 12-inch
The Meaning Of Love (Fairly Odd Mix)
Oberkorn (It's A Small Town) (Development Mix)
Leave In Silence 12-inch
Leave In Silence (Longer)
Further Excerpts From: My Secret Garden
Leave In Silence (Quieter)$59.9912 Vinyl Box Set - 3 LPs Sealed PRE-ORDER Buy Now
A Broken FrameMartin Gore has famously noted that Depeche Mode stopped worrying about its future when the first post-Vince Clarke-departure single, See You, placed even higher on the English charts than anything else Clarke had done with them. Such confidence carries through all of A Broken Frame, a notably more ambitious effort than the pure pop/disco of the band's debut. With arranging genius Alan Wilder still one album away from fully joining the band, Frame became very much Gore's record, writing all the songs and exploring various styles never again touched upon in later years. Satellite and Monument take distinct dub/reggae turns, while Shouldn't Have Done That delivers its slightly precious message about the dangers of adulthood with a spare arrangement and hollow, weirdly sweet vocals.
Much of the album follows in a dark vein, forsaking earlier sprightliness, aside from tracks like A Photograph of You and The Meaning of Love, for more melancholy reflections about love gone wrong as Leave in Silence and My Secret Garden. More complex arrangements and juxtaposed sounds, such as the sparkle of breaking glass in Leave in Silence, help give this underrated album even more of an intriguing, unexpected edge. Gore's lyrics sometimes veer on the facile, but David Gahan's singing comes more clearly to the fore throughout -- things aren't all there yet, but they were definitely starting to get close.
- Ned Raggett (All Music Guide)1. Leave in Silence
2. My Secret Garden
4. Nothing to Fear
5. See You
7. The Meaning of Love
8. A Photograph of You
10. Shouldn't Have Done That
11. The Sun & The Rainfall$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Speak & Spell - 12 Singles Collection (Pre-Order)SPEAK & SPELL | THE 12 SINGLES contains a facsimile reproduction of the rare Flexi Disc "Sometimes I Wish I Was Dead" b/w "King of the Flies" (the Fad Gadget track as on the original release); Dreaming Of Me 12: "Dreaming of Me" b/w "Ice Machine"; New Life 12: "New Life (Remix)" b/w "Shout! (Rio Mix)"; Just Can't Get Enough 12": "Just Can't Get Enough (Schizo Mix)" b/w "Any Second Now (Altered)";
This boxed set contains the singles from each Depeche Mode album on audiophile-quality 12 vinyl, with audio remastered from the original tapes and cut at the legendary Abbey Road Studios. The artwork for the exterior of each of the new boxed sets draws on street art iconography inspired by the original releases, while the vinyl sleeves themselves feature the original vinyl single artwork.Dreaming of Me
Dreaming of Me
New Life 12-inch
New Life (Remix)
Shout! (Rio Mix)
Just Can't Get Enough 12-inch
Just Can't Get Enough (Schizo Mix)
Any Second Now (Altered)
Sometimes I Wish I Was Dead b/w King of the Flies$59.9912 Vinyl Box Set + Flexi Disc - 3 LPs Sealed PRE-ORDER Buy Now
The Best Of (Volume 1)The Best of Depeche Mode (Volume 1) is a greatest hits album by the English electronic band Depeche Mode, originally released in November 2006 by Mute Records. The album consists of select Depeche Mode singles from their then-25-year career.LP 1
1. Personal Jesus
2. Just Can't Get Enough
3. Everything Counts
4. Enjoy The Silence
5. Shake The Disease
6. See You
1. It's No Good
3. Suffer Well
4. Dream On
5. People Are People
1. Walking In My Shoes
2. I Feel You
4. Master And Servant
5. New Life
6. Never Let Me Down Again$44.99Vinyl LP - 3 LPs Sealed Buy Now
Snow GlobeMute has announced the first vinyl release of Snow Globe
by Erasure, their 15th album originally released in 2011.
Unlike your typical holiday album, Erasure purposely went
with a "stripped-down" and "eerie" feel to many of the
tracks. Vince Clarke stated, "Everything about Christmas
has been written already. We thought it would be more
interesting to look into the darker side of the season. For
a lot of people, Christmas is not a happy time." The album
was produced with longtime collaborator Gareth Jones
(Depeche Mode, Wire).
Snow Globe was originally preceded by the first single
"Gaudete", a medieval Latin carol that was also a hit for
Steeleye Span in 1973.1. Bells of Love (Isabelle's of Love)
3. Make It Wonderful
4. Sleep Quietly
5. Silent Night
6. Loving Man
7. The Christmas Song
8. Bleak Midwinter
9. Blood on the Snow
10. There'll Be No Tomorrow
11. Midnight Clear
12. White Christmas
13. Silver Bells$25.99Vinyl LP - 2 LPs Sealed Buy Now
Music For The MassesInitially the title must have sounded like an incredibly pretentious boast, except that Depeche Mode then went on to do a monstrous world tour, score even more hits in America and elsewhere than ever before, and pick up a large number of name checks from emerging house and techno artists on top of all that. As for the music the masses got this time around, the opening cut, Never Let Me Down Again, started things off wonderfully: a compressed guitar riff suddenly slamming into a huge-sounding percussion/keyboard/piano combination, anchored to a constantly repeated melodic hook, ever-building synth/orchestral parts at the song's end, and one of David Gahan's best vocals (though admittedly singing one of Martin Gore's more pedestrian lyrics). It feels huge throughout, like they taped Depeche recording at the world's largest arena show instead of in a studio. Other key singles Strangelove and the (literally) driving Behind the Wheel maintained the same blend of power and song skill, while some of the quieter numbers such as The Things You Said and I Want You Now showed musical and lyrical intimacy could easily co-exist with the big chart-busters. Add to that other winners like To Have and to Hold, with its Russian radio broadcast start and dramatic, downward spiral of music accompanied by Gahan's subtly powerful take on a desperate Gore love lyric, and the weird, wonderful choral closer, Pimpf, and Depeche's massive success becomes perfectly clear.
- Ned Raggett (All Music Guide)1. Never Let Me Down Again
2. The Things You Said
5. Little 15
6. Behind The Wheel
7. I Want You Now
8. To Have And To Hold
10. Pimpf$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Speak & SpellFrom the beginning of their career Depeche Mode have been at the forefront of remix culture; creating their own classic extended mixes back in the early 80s and over the years amassing a collection of remixers of their songs that pretty much charts the history of cutting edge dance music.
Though probably nobody fully appreciated it at the time -- perhaps least of all the band! -- Depeche Mode's debut is at once both a conservative, functional pop record and a groundbreaking release. While various synth pioneers had come before -- Gary Numan, early Human League, late-'70s Euro-disco, and above all Kraftwerk all had clear influence on Speak & Spell -- Depeche became the undisputed founder of straight-up synth pop with the album's 11 songs, light, hooky, and danceable numbers about love, life, and clubs. For all the claims about dated '80s sounds from rock purists, it should be noted that the basic guitar/bass/drums lineup of rock is almost 25 years older than the catchy keyboard lines and electronic drums making the music here. That such a sound would eventually become ubiquitous during the Reagan years, spawning lots of crud along the way, means the band should no more be held to blame for that than Motown and the Beatles for inspiring lots of bad stuff in the '60s. Credit for the album's success has to go to main songwriter Vince Clarke, who would extend and arguably perfect the synth pop formula with Yazoo and Erasure; the classic early singles New Life, Dreaming of Me, and Just Can't Get Enough, along with numbers ranging from the slyly homoerotic Pretty Boy to the moody thumper Photographic, keep everything moving throughout. David Gahan undersings about half the album, and Martin Gore's two numbers lack the distinctiveness of his later work, but Speak & Spell remains an undiluted joy.
- Ned Raggett (All Music Guide)1. New Life
3. Dreaming Of Me
4. Boys Say Go!
6. What's Your Name?
8. Tora! Tora! Tora!
9. Big Muff
10. Any Second Now (Voices)
11. Just Can't Get Enough$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Black CelebrationWhether the band felt it was simply the time to move on from its most explicit industrial-pop fusion days, or whether increased success and concurrently larger venues pushed the music into different avenues, Depeche Mode's fifth studio album, Black Celebration, saw the group embarking on a path that in many ways defined their sound to the present: emotionally extreme lyrics matched with amped-up tunes, as much anthemic rock as they are compelling dance, along with stark, low-key ballads. The slow, sneaky build of the opening title track, with a strange distorted vocal sample providing a curious opening hook, sets the tone as David Gahan sings of making it through another black day while powerful drums and echoing metallic pings carry the song. Black Celebration is actually heavier on the ballads throughout, many sung by Martin Gore -- the most per album he has yet taken lead on -- with notable dramatic beauties including Sometimes, with its surprise gospel choir start and rough piano sonics, and the hyper-nihilistic World Full of Nothing. The various singles from the album remain definite highlights, such as A Question of Time, a brawling, aggressive number with a solid Gahan vocal, and the romantic/physical politics of Stripped, featuring particularly sharp arrangements from Alan Wilder. However, with such comparatively lesser-known but equally impressive numbers as the quietly intense romance of Here Is the House to boast, Black Celebration is solid through and through.
- Ned Raggett (All Music Guide)1. Black Celebration
2. Fly On The Windscreen - Final
3. A Question Of Lust
5. It Doesn't Matter Two
6. A Question Of Time
8. Here Is The House
9. World Full Of Nothing
10. Dressed In Black
11. New Dress$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ViolatorIn a word, stunning. Perhaps an odd word to use given that Violator continued in the general vein of the previous two studio efforts by Depeche Mode: Martin Gore's upfront lyrical emotional extremism and knack for a catchy hook filtered through Alan Wilder's ear for perfect arrangements, ably assisted by top English producer Flood. Yet the idea that this record would both dominate worldwide charts, while song for song being simply the best, most consistent effort yet from the band could only have been the wildest fantasy before its release. The opening two singles from the album, however, signaled something was up. First was Personal Jesus, at once perversely simplistic, with a stiff, arcane funk/hip-hop beat and basic blues guitar chords, and tremendous, thanks to sharp production touches and David Gahan's echoed, snaky vocals. Then Enjoy the Silence, a nothing-else-remains-but-us ballad pumped up into a huge, dramatic romance/dance number, commanding in its mock orchestral/choir scope. Follow-up single Policy of Truth did just fine as well, a low-key Motown funk number for the modern day with a sharp love/hate lyric to boot. To top it all off, the album itself scored on song after song, from the shuffling beat of Sweetest Perfection (well sung by Gore) and the ethereal Waiting for the Night to the guilt-ridden-and-loving-it Halo building into a string-swept pounder. Clean wraps up Violator on an eerie note, all ominous bass notes and odd atmospherics carrying the song. Goth without ever being stupidly hammy, synth without sounding like the clinical stereotype of synth music, rock without ever sounding like a rock band, Depeche here reach astounding heights indeed.
- Ned Raggett (All Music Guide)1. World In My Eyes
2. Sweetest Perfection
3. Personal Jesus
5. Waiting For The Night
6. Enjoy The Silence
7. Policy Of Truth
8. Blue Dress
9. Clean (Album Version)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
UltraUltra is the ninth studio album by English electronic group Depeche Mode, which was originally released by Mute Records on 14 April 1997
Ultra both reprises an earlier Mode and entices with a taste of Modes to come. The band has wisely left behind the forced arena rock of their last album and evolved towards a more richly nuanced hybrid of conventional and electronic instrumentation. The resulting sound is both engaging in its diversity and surprising in its consistency. The aplomb with which Depeche Mode fuses electronic beats, cascading violins, and guitar hooks into a soulful and coherent whole puts the new techno-geek incarnation of U2 to shame. Where U2's Pop! crashes waves of sound upon the listener, Ultra achieves an equally rich sonic texture through delicacy and understatement.
Lyrically and musically, Ultra depicts the band grappling with its recent scars, particularly Gahan's smack problem. From the self-loathing and acoustic turbulence of Barrel of a Gun, the first sequel, to the mechanical gurgling of the outro, Painkiller, the shadow of a syringe falls over the album. Gahan sings of a vicious appetite and pines for the spirit of love with an earnest intensity that usually overcomes Gore's occasionally banal lyrics. His high register and emotionally laden delivery on songs such as Love Thieves and Sister of Night (Little 15 redux) are reminiscent of the days of See You and Get the Balance Right, before Gahan settled into the deadpan baritone croon that carries most of the Mode's later hits.
Perhaps due to the band's travails, Ultra is the most experimental Mode album since 1983's A Broken Frame, when these same three fellows lost their leading songwriter, Vince Clarke, to Yaz (and subsequently Erasure). As a result, with the exception of It's No Good, a catchy and confident tune that's A-1 formula Mode, there's no hit single potential on Ultra. There are, however, a good number of interesting songs that gradually seep into your system. The Bottom Line finds Gore at his most emotive, once again singing the bittersweet woes of infatuation over an aural fabric that alternates between jazz trio cool, electropop bounce, and country twang. With arpeggiating violins and arena-rock-style guitar bridges, Home is an intriguing Disneyesque ditty. And both Jazz Thieves and Uselink prove that the Mode haven't lost their knack for atmospheric instrumentals.
- Kevin C. Murphy1. Barrel Of A Gun
2. Love Thieves
4. It's No Good
7. Sister Of Night
8. Jazz Thieves
10. Bottom Line
11. Insight$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Construction Time AgainThe full addition of Alan Wilder to Depeche Mode's lineup created a perfect troika that would last another 11 years, as the combination of Martin Gore's songwriting, Wilder's arranging, and David Gahan's singing and live star power resulted in an ever more compelling series of albums and singles. Right from the album's first song, Love in Itself, something is clearly up; Depeche never sounded quite so thick with its sound before, with synths arranged into a mini-orchestra/horn section and real piano and acoustic guitar spliced in at strategic points. Two tracks later, Pipeline offers the first clear hint of an increasing industrial influence (the bandmembers were early fans of EinstÜrzende Neubauten), with clattering metal samples and oddly chain gang-like lyrics and vocals. The album's clear highlight has to be Everything Counts, a live staple for years, combining a deceptively simple, ironic lyric about the music business with a perfectly catchy but unusually arranged blending of more metallic scraping samples and melodica amid even more forceful funk/hip-hop beats. Elsewhere, on Shame and Told You So, Gore's lyrics start taking on more of the obsessive personal relationship studies that would soon dominate his writing. Wilder's own songwriting contributions are fine musically, but lyrically, preachy puts it mildly, especially the environment-friendly The Landscape Is Changing.
- Ned Raggett (All Music Guide)1. Love, In Itself
2. More Than A Party
4. Everything Counts
5. Two Minute Warning
7. The Landscape Is Changing
8. Told You So
9. And Then...
10. Everything Counts (Long Version)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Cover Me (Remixes)Dave Gahan wrote the song together with Peter Gordeno and Christian Eigner. Depeche Mode have said in interviews (like during the 2016 press conference) that producer James Ford taught himself to play Martin's pedal steel guitar within one day while in the studio, and thus this guitar was used in some songs including 'Cover Me'.
Dave talked about this song extensively to Phil Marriott:
I wanted ['Cover Me'] to be very cinematic, and I had this sort of idea of us finally destroying this beautiful planet that we live on. Hence the northern lights: it's just one in many millions of beautiful things... the oceans, just things that we take for granted. And the Northern lights was just a metaphor that I wanted to use, because I did once experience actually being there while that was happening, way up north in Scandinavia. Yeah [it's quite an emotional experience], and it's also out of the world somehow, quite spiritual, and moving, moving to the point of tears, the beauty of something happening in our universe. And so I had this idea at that time, a little lyrical idea, not really a melody. But anyway, I came back to that, and that became that song. And I also saw the song in two halves, where the second half was where we are finally leaving or something. This person or whoever it is, who I live vicariously through, leaves the planet, only to find another planet that is exactly the same as ours, and he has this horrible feeling of like, Oh wow, it's not the planet, it's me, I am doing this. I'm destroying this beautiful world that I live in. And that can be just an emotional relationship that you have with another person, or trying to be having a relationship with another person that you can't quite get to because you just can't. And that, for me, is quite often where I find myself with music and songs: I am quite often this other person. Of course it's me, but I can live vicariously through this performer, this guy that I've created, which is me, but a character. And throughout songs and films and books and stuff like that, that's where I get lost. [...] With 'Cover Me', the song that was coming to mind a lot, the feeling of the song that I wanted to get on this, and it's a totally different kind of song, but the feeling that I wanted to get was like Bowie's song 'Life On Mars', where the second half of the song seems to go to another place, or 'Space Odyssey', that kind of feeling. It opens up for you, the listener, to just be able to go off in their own dreams and ideas.LP 1
1. Cover Me (Ellen Allien Remix)
2. Cover Me (I Hate Models Cold Lights Remix)
3. Cover Me (Nicole Moudaber Remix)
4. So Much Love (Kalli Remix)
1. Cover Me (Erol Alkan V1.2)
2. Cover Me (Texas Gentlemen Remix)
3. Cover Me (Warpaint Steez Remix)
4. Cover Me (Josh T. Pearson Choose Hellth Remix)$20.9912 Vinyl Single - 2 LPs Sealed Buy Now
Disco2Two years after releasing the revered noise/dance record Health/Disco, Health return to the remix realm with Disco2, morphing 2009's Get Color into an electronic masterpiece. Curated and produced by the band, Disco2 features the epic noise jams of Get Color remixed by electronic luminaries Tobacco, Crystal Castles, Salem, Javelin, and Gold Panda (among others), and leads off with the killer new single "USA Boys," mixed by legendary producer Alan Moulder (My Bloody Valentine, Nine Inch Nails, Depeche Mode).1. USA Boys
2. Before Tigers (CFCF Remix)
3. In Heat (Javelin Remix)
4. Die Slow (Tobacco Remix)
5. Severin (Small Black Remix)
6. Before Tigers (Gold Panda Remix)
7. Eat Flesh (Crystal Castles Remix)
8. In Violet (Salem Remix)
9. Nice Girls (Blondes Remix)
10. Die Slow (Pictureplane Remix)
11. Nice Girls (Little Loud Remix)
12. Before Tigers (Blindoldfreak Remix)$18.99Vinyl LP - 2 LPs Sealed Buy Now
Pop VoodooBlack Grape return with the brand new album 'Pop Voodoo,' which is set for release via MCA Records. The album showcases the band's first new material in 20 years and is sure to reinstate them as one of the most influential bands of all time.
Album opener and tease track 'Everything You Know Is Wrong - Intro' sees the band launching into a statement of intent and the return of Shaun Ryder's lyrical wit, which this time sees him taking sharp aim at Donald Trump. The forthcoming album is a testament to Ryder's reigning social and political commentary.
Ryder and Kermit have teamed up with producer Youth (Martin Glover) on this album, who has previously worked with the likes of The Verve, U2, Primal Scream, Guns N' Roses, Pink Floyd and Depeche Mode to name but a few.
Widely regarded as one of the most innovative and iconic bands of the last twenty years, Black Grape have had 4 Top 10 singles and their debut album, 'It's Great When You're Straight Yeah', shot straight to No.1 in the UK charts upon its release in 1995 and went Platinum.1. Everything You Know Is Wrong - Intro
2. Nine Lives
3. Set The Grass On Fire
4. Whiskey, Wine and Ham
5. Money Burns
6. String Theory
7. Pop Voodoo
8. I Wanna Be Like You
9. Sugar Money
11. Losing Sleep
12. Young and Dumb$24.99Vinyl LP - Sealed Buy Now
Pretty Hate MachineReissue of Nine Inch Nails' Seminal 1989 album, Pretty Hate Machine on LP in its Original Form
Unavailable Since a Brief Reissue in 2005
As a young musician in Cleveland, Ohio, Trent Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Tackhead).
The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album features the breakthrough singles Sin, Down In It and Head Like A Hole and ultimately sold over 3 million copies, reaching Triple Platinum sales status.1. Head Like A Hole
2. Terrible Lie
3. Down In It
5. Something I Can Never Have
6. Kinda I Want To
8. That's What I Get
9. The Only Time
10.Ringfinger$21.99Vinyl LP - Sealed Buy Now
WARB-NEK-1853xFitz And The Tantrums
More Than Just A DreamFitz & the Tantrums will release More Than Just a Dream, the follow up to 2010's Pickin' Up the Pieces, on May 7. Produced by Tony Hoffer (Beck, M83, Depeche Mode, Phoenix) at The Sound Factory, Studio B in Los Angeles, the forthcoming album will be the band's debut release for Elektra Records.
The album takes its title from the chorus of the release's first single, Out Of My League. The song is an exhilarating slice of pop-soul. The way our fans embraced us and made Pickin' Up the Pieces such a success has been far beyond anything we could have imagined, says Fitz.1. Out of My League
2. Fools Gold
3. The Walker
6. Keepin Our Eyes Out
7. Last Raindrop
8. Break the Walls
9. House On Fire
10. The End
11. Get Away
12. MerryGoRound$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Pretty Hate Machine (2010 Remaster)Fans can now revisit the conception of Nine Inch Nails. Trent Reznor's Null Corporation has teamed up with UMe/The Bicycle Music Company to release Pretty Hate Machine: 2010 Remaster on 12/7/2010. After completing the score for David Fincher's The Social Network, Reznor oversaw the digital remastering of Pretty Hate Machine from the newly unearthed original tapes with engineer Tom Baker (whose NIN credits include The Downward Spiral, Broken, The Fragile, With Teeth and Ghosts). This remastered version includes an eleventh track, a cover of Queen's Get Down Make Love, originally the B-side to the Sin single and produced by Al Jourgensen. Rob Sheridan, NIN's longtime art director, has also re-imagined the packaging of Pretty Hate Machine under Reznor's supervision.
As a young musician in Cleveland, Ohia, Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Trackhead). The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album featured the breakthrough singles Sin, Down In It and Head Like A Hole, and ultimately sold over 3 million copies, reaching Triple Platinum sales status. In the wake of the album's inital underground success, NIN soon developed a reputation as one of the best live acts in rock and jointed the inaugural Lollapalooza tour in 1991. NIN have since sold more than 18 million albums, collected Grammy Awards and headline arenas, amphitheaters and festivals worldwide.
The Bicycle Music Company acquired the rights to Pretty Hate Machine from a division of Prudential Securities in the spring of 2010. It was Bicycle's intention from the onset to enable Reznor to regain some control of this lost piece of NIN's legacy, resulting in this artist approved 2010 reissue of one of music's most groundbreaking and influential albums. Note: The previous CD version was reissued in 2005 but was not overseen by Reznor and is now out of print.
Reznor is currently working on new music as a member of the group How To Destroy Angels, continuing his Nine Inch Nails efforts and composing for future film score projects.1. Head Like A Hole
2. Terrible Lie
3. Down In It
5. Something I Can Never Have
6. Kinda I Want To
8. That's What I Get
9. The Only Time
11.Get Down Make Love (Bonus Track in 2010 Reissue)$34.99Vinyl LP - 2 LPs - Sealed Buy Now
Shackles GiftZun Zun Egui formed in Bristol in late 2008 - Mauritian guitarist and singer Kushal Gaya met and started making music with Japanese keyboard player Yoshino Shigihara after they had both moved to the UK and a core group of musicians soon formed around them. A love for experimentation, free jazz, fusion, DIY culture, throwing parties and playing wild shows was the glue that bonded the outfit together. After an early clutch of raw and experimental EPs, they focused their song-writing talents and mastery of many styles to create a recognisable Zun Zun Egui sound which included tropicalia, punk funk, Afrobeat, Ethio jazz and no wave. All of these varied disciplines were marshalled to produce their first album "Katang" which was widely hailed as one of the most exciting debuts of 2011. Even for a band as exploratory and talented as ZZE though, the step up in terms of songwriting and inspiration since "Katang" is astounding and it is clear that Shackles' Gift looks like being one of the most unique and thrilling records that will be released in 2015.
Produced by Andrew Hung of Fuck Buttons, "Shackles' Gift" is the album that Zun Zun Egui have always threatened to deliver and we always believed they would. Opening with 'Rigid Man', it hits the listener with bone-shaking tropical funk. Future single 'African Tree' strolls past on a marching band rhythm, complete with an arena-sized chorus and Kyuss-heavy stoner rock guitars. 'Ruby' is like imperial period Depeche Mode discovering the delights of industrial dancehall reggae, while 'I Want You To Know' is an absolute funk/noise rock monster, sounding like Steve Albini recording Queens Of The Stone Age jamming on 'Kashmir'. 'Soul Scratch' is a very British take on a very Mauritian form of music called seggae, which combines the African island folk music known as sega with reggae, but imbuing it with an adrenalised urban uptightness. The album concludes with 'City Thunder' an elemental, dubbed out and dread take on post rock and disco.
Frontman Kushal says that first and foremost "Shackles' Gift" is a British rock record made by a British group but admits that the first sparks of its creation started flying when ZZE visited Mauritius in March 2013. The African island nation, which lies 700 miles east of Madagascar, deep in the Indian Ocean, invited the band to give a concert as part of their Independence Day celebrations. The island's dynamic history has led to a multi-lingual, multi-cultural modern nation which has influenced Zun Zun Egui in more ways than one. Not only has Mauritian music been one of the (many) primary ingredients of their sound and inspired Kushal's multi-lingual approach to singing (the island has 12 main languages) but the diversity of the country acts as a metaphor for the diversity of the group itself.1. Rigid Man
2. African Tree
4. I Want You To Know
5. Soul Scratch
6. Tickle The Line
7. The Sweetest Part Of Life
8. Late Bloomer
9. City Thunder$22.99Vinyl LP - Sealed Buy Now
Vessel Of LoveHollie Cook combines her unique vocal talent with charming charisma to craft her own dynamic strand of lovers rock with enduring tropical vibes, weaving a path from her West London roots to an arena of diverse collaborations, critically acclaimed records, and iconic live appearances around the world. Cook's ability to continually surprise, delight, and progress solidifies her position as one of the most exciting voices in reggae, and this is crystal clear on her third full-length and Merge debut, Vessel of Love.
Cook's music career commenced early when family friend and punk trailblazer Ari Up asked Cook, age 19 at the time, to join the raucous '70s feminist UK post-punk outfit The Slits for their reformation in 2006. She thrived on being thrown into the deep end and quickly cut her teeth with four years of back-to-back shows around the globe. Her talents recognized and nurtured, she then released her first solo album Hollie Cook in 2011, with a revered 2012 dub album follow-up, while singles such as "Milk & Honey" and "That Very Night" gained support from influential radio stations across Europe. After performing at The Stone Roses concert at Manchester's Heaton Park at the personal request of Ian Brown, and her hypnotic performance on the prestigious Later With Jools Holland, the way was paved for Hollie's solo career to take off.
For someone who claimed "it's hard for a band to really stand out and shake up the world," Cook was certainly making a good go of proving herself wrong. By the end of 2014, Jamie T had requested her support for his Alexandra Palace show and featured her on his track "They Told Me It Rained." Cook had also unleashed Twice via Mr. Bongo Records, and with Mike "Prince Fatty" Pelanconi once again aiding in the album's conception, Cook confidently delivered with her follow-up to a well-received debut. In the wake of another successful release, Hollie hit the road with both The Skints and Protoje, and lent her vocal talent to Quantic's "Shuffle Them Shoes" single, which also featured on his 1000 Watts album.
Acclaimed legendary producer Martin "Youth" Glover is Cook's most recent collaborator, lending his venerable production expertise to Vessel of Love. His success with Killing Joke is only surpassed by his enduring reputation as one of the most prolific producers in the UK. "I'm very honored to work with Hollie, one of the most exciting emerging singers and writers over the last ten years," says Glover. Hollie Cook sits in good company on his impressive production list, joining the likes of Paul McCartney, Tom Jones, The Verve, Primal Scream, Pink Floyd, and Depeche Mode. Glover describes Cook's songs as "sharp lyrical observations and clever word play combined with an exquisite and informed pop sensibility," and they are only elevated by Glover's production on Vessel of Love, in particular the singles "Survive" and "Freefalling" as well as deeper cuts like "Ghostly Fading" and "Together."1. Angel Fire
2. Stay Alive
4. Ghostly Fading
6. Lunar Addiction
7. Turn It Around
8. Vessel of Love
10. Far From Me$18.99Vinyl LP - Sealed Buy Now
Wild WorldAt first glance the striking artwork for Bastille's hugely anticipated second album, 'Wild World', may prompt a number of questions. Who are the two individuals balanced precariously above a cityscape? Why are they there? What will happen next? But Dan Smith's own interpretation of the image is one that runs through many of the songs on Wild World, "To me, the image isn't about what's just happened or what happens next," he begins. "It's not about how they got there or how they get down. It's about sharing a moment - two friends existing in that split second in that exact space, two people framed in the vast context of this huge mad metropolis that we've all built. They're there out of choice."
The London four-piece release their hugely anticipated second album, 'Wild World' in 2016. The album follows the band's global four million selling, multi-platinum debut, Bad Blood.
The announcement follows a fever pitch build spearheaded by infectious new single 'Good Grief', which received an incredible reaction across media and charted as last week's highest new entry as well as achieving the most week-one streams ever for an alternative single. The surreal video for the track clocked up over half a million views in just 48 hours and the band's recent triumphant Glastonbury set drew one of the largest crowds of the weekend and was hailed by the NME as "A masterclass in how to win Glastonbury."
Wild World retains the vivid, rich, filmic song-writing of its predecessor but pushes the band's distinctive sound in exciting new directions. Lyrically, too, it's a leap forward, "If our first album was about growing up and the anxieties surrounding it" Dan explains, "Our second is about trying to make sense of the world around you, both as you see it and as it's presented to you through the media. It's also about asking questions of the world and of the people in it. We wanted the album to be a bit disorientating - at times extroverted and introverted, light and dark."
Written by Dan Smith and co-produced with Bastille fifth member Mark Crew, Wild World was recorded in the same tiny, South London windowless basement studio where the band recorded its predecessor. It's a collection of fourteen songs (nineteen on the deluxe edition) that sees Bastille at their boldest and most daring. Anthemic yet thought-provoking tracks include the fiery, string-laden, 'The Currents', a poignant and timely song that was written about, "Specific public figures on both sides of the Atlantic, and how it can be hard to believe they can think certain thoughts, let alone say them out loud or get on a podium and broadcast them." As well as the bombastic 'Send Them Off!' which boasts the attitude of a classic hip hop song set against the lyrical narrative and insecurities that are part of Bastille's own DNA, whilst referencing both The Exorcist and Othello. The track exemplifies Dan's belief in shuffle culture and the end of rigid genre boundaries. There's also the pensive, stripped back Depeche Mode-esque sound bed for the band's beautiful album trailer, 'Two Evils' which was recorded in one take; As well as the irresistible and rousing 'Snakes' and the guitar heavy 'Blame', which Dan describes as, "Our first foray into big guitar riffs, in a fictional standoff between two gangsters."
But at the heart of it all, there's a sense of escapism that runs through Wild World and a fascination with the human condition and the relationships we all forge, fight over and sometimes forget. "The world can seem a fucked up place," Dan concludes. "But people - well, people can be amazing. The relationships you choose to have in your life are the main solace. They're the things that make life awesome."1. Good Grief
2. The Currents
3. An Act of Kindness
7. Two Evils
8. Send Them Off!
10. Four Walls (The Ballad of Perry Smith)
12. Fake It
14. Winter of Our Youth$35.99Vinyl LP - 2 LPs Sealed Buy Now
Take Me To The Disco
Meg Myers has announced her new album 'Take Me To The Disco,' a relentless and brutally honest record, and the raw result of Meg's own personal journey. As on her breakout 2015 debut album 'Sorry,' Meg's tremendously powerful voice (Rolling Stone) and seething...riffs (The New York Times) are front and center, but this time around, she explores love, loneliness and trauma with unflinching candor, facing her inner green-eyed monster head-on and attacking each bar with a primal ferocity.
To accompany the announcement, Meg has released lead single Numb, a haunting look at the pressures of the music business and life in general. 'Feeling numb' relates to the many pressures of life and our reactions to this weight, says Meg. When this burden becomes too much and we can no longer run...we essentially numb out. Billboard said of the song, piano and electronics gnaw at the alt-rock arrangement, declaring, the cathartic 'Numb' leaves you with a paradoxically life-affirming feeling, a weapon against the modern-day frustrations inherent in life and music.
Meg co-wrote most of the songs on the album with her producer and collaborator Christian Leggy Langdon, and enlisted the help of Victor Indrizzo, who has played with Depeche Mode, to play drums on the record. Meg also used a live string section for the first time - The Section Quartet appears on six songs on the album.
Listening back to some of these songs made me realize what I was really writing about...what was underneath it all, says Meg. On the surface, I thought I was writing about love loss but I've learned it goes much deeper than that. It's going back to the child in me that needed to be healed. I've always written from a true place, but in getting to know myself better, I'm now writing from an even deeper level of honesty.
Meg, who grew up in a Jehovah's Witness household, moved to Los Angeles when she was 19 where she recorded her debut album 'Sorry' on Atlantic Records. That album spawned Top 15 and Top 20 alternative radio hits, Desire and Sorry, respectively, with MTV calling Desire the female answer to Nine Inch Nails' Closer. Meg's striking and visceral music videos have skyrocketed to upwards of 9 million YouTube views, and her Spotify plays rank in the tens of millions. She's graced the pages of every major publication from Rolling Stone to Cosmopolitan, and has brought her hypnotizing performances to Conan and Last Call with Carson Daly, in addition to major tours with the Pixies, Alt-J, and Royal Blood and notable festival slots including Coachella, Lollapalooza and Governors Ball.
On Numb, Meg's mysteriously shape-shifting (Entertainment Weekly) vocal acrobatics are in full force as she alternates between seductive verses and a no-holds-barred chorus. When I first wrote 'Numb,' explains Meg, it was about my experience with a major record label. But as I dug deeper, I found that it goes back to some early childhood stuff and how shutting down, or escaping, felt like the safer thing to do.
Other album highlights include the dreamy, atmospheric title track and the driving Tourniquet, an eerie yet poignant song that details the trials of being trapped in an unhealthy relationship. The thunderous rocker Jealous Sea is a walk on the darker side, says Meg, but it also shows the beauty in the darkness. With each song on 'Take Me To The Disco,' Meg fearlessly bares her soul with an intensity only she can convey.1. Take Me To The Disco
4. Tear Me To Pieces
5. Jealous Sea
6. The Death Of Me
7. Some People
9. I'm Not Sorry
10. Little Black Death
12. Constant$19.99Vinyl LP - Sealed Buy Now
HozierSelf-titled debut album from Irish artist Hozier.
Ahead of his forthcoming full-length, Hozier released a 4-track introductory EP, featuring his fast-rising track Take Me To Church in addition to Angel Of Small Death, which reflects the gospel-soul gumbo at the heart of his music, Arcadian acoustic adventure Like Real People Do, and Cherry Wine, a raw emotional discourse recorded live at 6am on an abandoned hotel rooftop. Hozier played all the instruments (Fiachra Kinder helped out on drums), sang all the parts and recorded in his home studio, and Rob Kirwan (Depeche Mode, PJ Harvey) mixed the tracks in Dublin.
Born in County Wicklow on St Patrick's Day, Hozier gained worldwide attention nearly overnight when he posted the video for his song Take Me To Church in late September. The gripping black and white video, directed by Brendan Canty, highlights the turbulent plight of the LGBT community in Russia via the story of two gay men targeted by a homophobic gang. The powerful video brings life to the emotional song, which touches on the influence of religion on humanity.
The Take Me To Church video has quickly racked up views on YouTube, reaching millions of views largely on word of mouth. The track has been a fixture on Spotify's Most Viral charts, regularly appearing in the Top 10 in the US and the UK since the end of last year, and Spotify also selected Hozier as one of their Spotlight Artists to Watch 2014. Take Me To Church also hit #1 on Hype Machine's Most Popular chart, and has also been hovering on the top of Ireland's singles chart, outselling acts like Lorde and One Direction week after week. Hozier has been playing to packed rooms in Ireland, and his first London show sold out in minutes, underscoring the phenomenon that has emerged in such a short time. UK tastemaker Zane Lowe has also just selected Hozier for his coveted Hottest Record spotlight.LP 1
1. Take Me To Church
2. Angel Of Small Death And The Codeine Scene
3. Jackie And Wilson
4. Someone New
5. To Be Alone
6. From Eden
1. In A Week (Feat. Karen Cowley)
3. Work Song
4. Like Real People Do
5. It Will Come Back
6. Foreigner's God
7. Cherry Wine$27.99Vinyl LP + CD - 2 LPs Sealed Buy Now
Strange DesireBleachers will release debut album 'Strange Desire' on RCA Records. The highly anticipated album was written and produced by Grammy Award winning musician Jack Antonoff with co-producer John Hill (MIA, Jay Z, Empire of the Sun) as well as Vince Clarke (Depeche Mode, Yaz, Erasure) and others.
"It's the 2 words that perfectly title what this Bleachers album is as a documentation of my life as I can remember it at this point", wrote Antonoff yesterday afternoon in the Craigslist ad he posted announcing the album title.
Bleachers first single "I Wanna Get Better" has already streamed over 1.5 million times, was deemed "the song of the summer in February" by the Huffington Post and quickly skyrocketed into the top 10 at Alt radio.
Since the Bleachers launch in February critics have been nothing but excited and eager to hear more. Rolling Stone exclaimed "We'll be shocked if it's not all over the radio by spring", TIME raved " it's exciting to imagine what else Antonoff has up his sleeve" and Hilly Dilly proclaimed " this is the kind of music that can't get big enough."
Hailing from New Jersey, 29 year old Jack Antonoff has been in the music scene for over a decade. In 2002, with Jack as the lead singer, the success of New Jersey born indie rock band Steel Train was well underway. Steel Train's cult following lead them to make their national television debut on Late Night With Conan O'Brien and later appeared on Late Show With David Letterman. In 2008, Jack joined Nate Ruess and Andrew Dost to form the Grammy award winning fun.
In addition to being a multi-talented musician, Jack is a critically acclaimed songwriter and producer. His achievements include fun. being honored with the Vanguard Award at the 2014 ASCAP Pop Music Awards and co-writing fun.'s Grammy award winning song "We Are Young" and Grammy nominated album Some Nights. He also received a Golden Globe nomination for his collaboration with Taylor Swift on her song "Sweeter Than Fiction. Jack has also worked with Sara Bareilles, co-writing her Grammy nominated hit "Brave, and Canadian Indie icons Tegan and Sara.1. Wild Heart
4. I Wanna Get Better
5. Wake Me
6. Reckless Love
7. Take Me Away (ft. Grimes)
8. Like A River Runs
9. You're Still A Mystery
10. I'm Ready To Move On/Wild Heart Reprise (ft. Yoko Ono)
11. Who I Want You To Love$17.99Vinyl LP - Sealed Buy Now