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  • Russian Orchestral Music Russian Orchestral Music Quick View

    $44.99
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    Russian Orchestral Music

    Russian Orchestal Music - Barenboim - Chicago Symphony Orchestra on 180g Import LP


    "There is no one quite like Daniel Barenboim today in the music world. General music director of the Berlin State Opera and its orchestra, the Berlin Staatskapelle; principal guest conductor at the Teatro Alla Scala in Milan; formerly music director of the Chicago Symphony and the Orchestre de Paris; for years a conductor at the Bayreuth and Salzburg festivals; a champion of new music since the 1950s; a chamber musician who has performed with every great singer and instrumentalist in half a century, from Gregor Piatigorsky and Dietrich Fischer-Dieskau to his late wife, the cellist Jacqueline du PrÉ, and the bass-baritone Thomas Quasthoff, Mr. Barenboim was a child prodigy who remains, despite a full-time conducting career, a towering figure at the keyboard." - Michael Kimmelman, New York Times


    Here, the 2003 Grammy-winner conducts the Chicago Symphony Orchestra in performances of Borodin's Polovtsian Dances, Mussorgsky's Night On The Bald Mountain, and Rimsky-Korssakoff's Russian Easter Overture and Capriccio Espagnol. 180g vinyl pressing from Clearaudio.


    "Beautiful though their melodies remain, the "Polovtsian Dances" mean less when, as here, deprived of voices. This is a very animated performance, however, with fine playing by the Chicago Symphony Orchestra and first-class recording, everything being absolutely distinct in well-proportioned stereo, and with virtually no tape hiss. Stich points have even more importance than usual in items like those by Rimsky-Korsakov, which are mainly studies in orchestral colour." - Gramophone/1977


    Musicians:


    Borodin (composer)

    Rimsky-Korssakoff (composer)

    Mussorgsky (composer)

    Daniel Barenboim (conductor)

    Chicago Symphony Orchestra


    1. Alexander Borodin - Polovtsian Dances - from the Opera "Prince Igor"

    2. Nikolai Rimsky-Korssakoff - Russian Easter Overture, Op. 36 - on Liturgical Themes for Large Orchestra

    3. Modest Mussorgsky - Night On The Bald Mountain, Op. post. - Concert Fantasy for Large ORchestra

    4. Nikolai Rimsky-Korssakoff - Capriccio espagnol op. 34

    I. Alborada: vivo e strepitoso

    II. Variazioni: Andante con moto

    III. Alborada: vivo e strepitoso

    IV. Scena e Canto gitano: Allegretto

    V. Fandango asturiano


    Daniel Barenboim
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mahler: Symphony No.1 In D Major Mahler: Symphony No.1 In D Major Quick View

    $24.99
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    Mahler: Symphony No.1 In D Major

    Mastered From Original Sources And Pressed On 180-Gram Heavyweight Vinyl


    Live At Concertgebouw, Amsterdam / 1987


    "Bernstein on magnificently expressive yet symphonically disciplined form." - THE GUARDIAN, UK


    "In his symphonies, Leonard Bernstein really knows the scores and so brings out details,
    orchestration effects and everything. It's very enjoyable." - BBC MUSIC MAGAZINE


    Part of the Bernstein100 celebration. Mastered from original sources and pressed on 180g
    heavy-weight vinyl. Original jackets and liner notes.

    1. Langsam. Schleppend (Live)
    2. KrÄftig bewegt (Live)
    3. Feierlich und gemessen, ohne zu schleppen (Live)
    4. StÜrmisch bewegt (Live)
    Leonard Bernstein
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Meditation Meditation Quick View

    $44.99
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    Meditation

    Though his recordings are relatively few (especially for a major label artist), Mischa Maisky is recognized as one of the most distinguished and celebrated cellists of our time. This recital of arrangements of familiar as well as undeservedly unfamiliar classical tunes amply demonstrates why. His tone is impeccable, technique flawless, and most important he leaves the listener feeling as if they're hearing the piece in a wholly fresh new way. Joined by his long time accompanist Pavel Gililov, this is a recording all cello enthusiasts are sure to enjoy.
    Side A:


    Johann Sebastian Bach (1685 - 1750)
    Charles Gounod (1818 - 1893)
    1. Meditation (Ave Maria)
    George Frideric Handel (1685 - 1759)
    2. Violin Sonata in D major, Op. 1/13, HWV 371: Larghetto
    Jean-Baptiste Lully (1632 - 1687)
    3. Gavotte en rondeau, for keyboard
    Christoph Willibald Gluck (1714 - 1787)
    4. Melodie (Dance of the Blessed Spirits)
    Felix Mendelssohn (1809 - 1847)
    5. Song without Words for cello & piano in D major, Op. 109
    FrÉdÉric Chopin (1810 - 1849)
    6. Prelude for piano No. 6 in B minor, Op. 28/6, CT 171
    Johannes Brahms (1833 - 1897)
    7. Wiegenlied


    Side B:


    Robert Schumann (1810 - 1856)
    1. Kinderszenen (Scenes from Childhood) for piano, Op. 15: No 7, TraÜmerei (Dreaming)
    Gabriel FaurÉ (1845 - 1924)
    2. Après un rêve (Dans un sommeil), song for voice & piano, Op. 7/1
    Camille Saint-Saëns (1835 - 1921)
    3. Le Cygne
    Maurice Ravel (1875 - 1937)
    4. Habanera
    Sergey Rachmaninov (1873 - 1943)
    5. Vocalise, instrumental arrangement, Op. 34/14
    Fritz Kreisler (1875 - 1962)
    6. Liebesleid Love's Sorrow for violin & piano

    Mischa Maisky
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beethoven: Triple Concerto in C Beethoven: Triple Concerto in C Quick View

    $44.99
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    Beethoven: Triple Concerto in C

    Ferenc Fricsay conducts the Berlin Radio Symphony Orchestra and pianist Geza Anda, violinist Wolfgang Schneiderhan and cellist Pierre Fournier on a performance of Beethoven's Triple Concerto in C major, Op 56. 180g vinyl pressing from Clearaudio.


    The widespread interest both in the technical capabilities of solo instruments and in the symphony, whose formal outlines became established toward the end of the 18th century, accounts for the popularity at that time of "concertante symphonies" in which several solo instruments (strings, wind) combined to oppose the orchestra. Despite the popularity, Beethoven was correct when he wrote about his Triple Concerto "that a concertante with these three solo parts is something new."


    The novelty lay in the usage of this connection with the piano. The difference between the piano's method of tone production and that of the other instruments alongside the piano's "mechanics" resulted in tonal problems. These problems arose both within the solo trio and in its relationship to the orchestra. Beethoven, who was interested throughout his whole career in experiments to extend the scope of instrumental music, here combined the styles of chamber music and of concertante symphonic writing to great effect.


    Musicians:

    Beethoven (composer)

    Ferenc Fricsay (conductor)

    Berlin Radio Symphony Orchestra Geza Anda (piano)

    Wolfgang Schneiderhan (violin)

    Pierre Fournier (cello)

    1. Allegro
    2. Largo (attacca)

    3. Rondo alla polacca
    Ferenc Fricsay
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wiener Philharmoniker - 175th Anniversary Edition (Box Set) Wiener Philharmoniker - 175th Anniversary Edition (Box Set) Quick View

    $139.99
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    Wiener Philharmoniker - 175th Anniversary Edition (Box Set)

    Celebrating the Wiener Philharmoniker's 175th anniversary with a special vinyl release: A limited, numbered edition
    of 1842 sets. Includes the first release of Bruckner's Symphony No. 2 with Riccardo Muti. Schumann's Symphony
    No. 3 and Cello Concerto conducted by Leonard Bernstein. Includes three other legendary recordings: Carlos
    Kleiber's Beethoven's 7th Symphony; Claudio Abbado's Brahms' Hungarian Dances; Herbert von Karajan
    conducting Wagner Orchestral Works and Liebestod.
    Wiener Philharmoniker
    $139.99
    Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • Beethoven Violin Concerto Beethoven Violin Concerto Quick View

    $44.99
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    Beethoven Violin Concerto

    Anne-Sophie Mutter, a child prodigy, was exempted from school to dedicate herself to her art. Supported early in her career by Herbert von Karajan, he invited her to play with the Berlin Philharmonic when she was just 13 and she has built a strong reputation for championing contemporary music throughout her career. She has won the Grammy Award for Best Chamber Music Performance and the Grammy Award for Best Instrumental Soloist Performance among many other awards.


    Musicians:

    Berlin Philharmonic Orchestra

    Herbert von Karajan, conductor

    Anne-Sophie Mutter, violin soloist

    1. Allegro ma non Troppo
    2. Larghetto
    3. Rondo. Allegro
    Ludwig Van Beethoven
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Music-Pickup Test Record Music-Pickup Test Record Quick View

    $45.00
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    Music-Pickup Test Record

    Finally, you have the option of using a variety of music to optimize your entire stereo in the sound as well as different components to compare.


    Perfect recording quality sound without any manipulations, such as through equalizer, mixer, or the like is the hallmark of this LP and can be used perfectly as a sales and demonstration object.
    The new clear audio audiophile 180 gram pressings are cut from the original analog master tapes, the first shot.


    Willem Makkee, the editor of the Emil Berliner Studios, made the headquarters of Deutsche Grammophon GmbH, the paint film on the Neumann VMS 80 cutting machine with a CUTTER HEAD Neumann SX 74
    The galvanization of the film and the subsequent pressing records takes place in Germany. The panel weight is 180g and is made from 100% virgin vinyl. Of each stamper maximum 1,200 pressings are created, the edition is limited.

    1. Peoria Jazz band New Sides Milenberg Joys. Jelly Roll Morton / Paul Mares / Leon Rappolo.
    2. Bach. Gelobet seist du, Jesu Christ. J.S. Bach. BWV 604. Rune Engso Organ
    3. Pipor och strangar Muylinda, Antony Holborne, Pro Musica Instrumentalis.
    4. When I Look at You. Bert Deivert and friends
    5. Prelude on the Welsh Hymn Tune Rhosymedre Ralph Vaughan Williams. David Patrick organ.
    6. Solera Flamenco, Companilleros, traditional music.
    7. Sakralt, du Helge Ande, O Olsson, Lidaskoren.
    8. Goldberg Varationen Aria, J.S. Bach BWV 988.
    9. Peoria Jazzband New Sides Flat Foot Floogie Slim Gallard / Slam Steward / Bud Green
    10. Louis Vierne, Syphonie No. 1, Op. 14 Prelude. Torvald Toren, organ.
    11. Nilla Pierrou, violin plays T. Aulin (+1914). Idyll from Akvareller for violin and piano.
    12. Crooks, Temptation Rag, Henry Lodge.
    13. Audete Gaudete, anon, Kammarkoren Sangkraft.
    Clearaudio Accessories
    $45.00
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Violetta Violetta Quick View

    $74.99
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    Violetta

    Anna Netrebko's artistry takes on a new dimension as she delves into the world of Verdi's tragic heroine. Hear the immortal melodies that are La Traviata, delivered with raw emotion and breathtaking virtuosity. Bolstered by the bravura of Rolando Villazón, Anna's portrait of Violetta is her most compelling - and revealing - triumph yet.


    Musicians:

    Anna Nebtreko, Violetta

    Rolando Villazon, Alfredo

    Helene Schneidermann, Flora

    Herman Wallen, Marchese

    Salvatore Cordella, Gastone

    Paul Gay, Barone

    Konzertvereinigung Wiener Staatsopernchor

    Rupert Huber, conductor

    Vienna Philharmonic Orchestra

    Carlo Rizzi, conductor

    Thomas Hampson, Germont

    Luigi Roni, Dottore

    Diane Pilcher, Annina

    Giuseppe Verdi (1813 - 1901)
    La Traviata
    LP1 - Side A:
    Act 1
    1. Brindisi (Toast): Libiamo ne'lieti calici
    2. Un dì felice, eterea
    3. Scena ed Aria - Finale: E strano! - Ah, fors'è lui
    4. Follie! Follie! Delirio vano è questo!
    5. Sempre libera
    Act 2
    6. Scena ed Aria: Lunge da lei - De' miei bollenti spiriti
    7. O mio rimorso!


    LP1 - Side B:
    8. Duetto: Pura siccome un angelo
    9. Non sapete quale affetto
    10. Un dì, quando le veneri
    11. Ah! Dite alla giovine
    12. Imponete Non amarlo ditegli
    13. Che fai? Nulla


    LP2 - Side C:
    14. Invitato a qui seguirmi
    15. Ogni suo aver tal femmina
    16. Di sprezzo degno se stesso rende
    17. Alfredo, Alfredo, di questo core
    Act 3
    18. Annina? / Comandate?
    19. Teneste la promessa - Attendo, attendo, ne a me giungon mai!


    LP2 - SIde D:
    20. Addio del passato
    21. Scena e Duetto: Signora / Che t'accade?
    22. Parigi, o cara, noi lasceremo
    23. Ah, non più! - Ah! Gran Dio! Morir sì giovine
    24. Finale ultimo: Ah, Violetta! / Voi? Signor?
    25. Prendi, quest'è l'immagine

    Anna Netrebko
    $74.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Land Of Gold Land Of Gold Quick View

    $18.99
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    Land Of Gold

    Five-time Grammy nominee Anoushka Shankar returns with her fourth album on DG, Land of Gold, a fervent response to the humanitarian crisis of displaced people fleeing conflict and poverty. With exquisite arrangements blending genres and musical collaborations, Land of Gold is a message of enduring hope from the virtuoso sitar player, featuring guest vocalists M.I.A. ("Jump In (Cross the Line)") and Alev Lenz ("Land of Gold") as well as actress Vanessa Redgrave ("Remain the Sea").
    1. Boat To Nowhere
    2. Secret Heart
    3. Jump In (Cross The Line)
    4. Dissolving Boundaries
    5. Land Of Gold
    6. Last Chance
    7. Remain The Sea
    8. Crossing The Rubicon
    9. Say Your Prayers
    10. Reunion
    Anoushka Shankar
    $18.99
    Vinyl LP - Sealed Buy Now
  • Beethoven: String Quartet, Op. 132 (Speakers Corner) Beethoven: String Quartet, Op. 132 (Speakers Corner) Quick View

    $34.99
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    Beethoven: String Quartet, Op. 132 (Speakers Corner)

    Beethoven's lifelong occupation and pioneering work with the string quartet can be divided up into three creative phases. Beginning with the youthful, fresh Quartets op. 18 which soon became highly popular with the public shortly after their composition, then on to the compact and intensive sounding Quartets op. 59, Beethoven continued to develop his style right up to his late period between 1822 and 1826. The opinions of his contemporaries of his late works range from »extremely moving and haunting« to »Chinese« and show that the rhapsodic style was considered alien and wilful, and the structure of the various movements a cause for bafflement.



    In the Quartet in A minor, most attention is focussed on the slow movement, which Beethoven headed with the words "Heiliger Dankgesang" ("Holy song of thanksgiving"). The movement with its hymnal melody is fully in the tradition of a protestant chorale, but this sacred grandeur is twice contrasted with optimistic, dance-like sections, "Neue Kraft fÜhlend" ("feeling new strength").



    In the meantime, the world-famous LaSalle Quartet has gone down in history; their superb sound, fine intonation and unerring understanding of the highly sensitive late Beethoven is now brought to life once again on this recording.



    Recording: December 1975 at Beethoven-Saal, Hannover (Germany), by Klaus Scheibe

    Production: Rainer Brock



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Assai Sostenuto - Allegro
    2. Allegro Ma Non Tanto
    3. Molto Adagio. Heiliger Dankgesang Eines Genesenen An Die Gottheit, In Der Lydischen Tonart (Canzona Di Ringraziamento Offerta Alla Divinità Da Un Guarito, In Modo Lidico) - Andante. Neue Kraft FÜhlend (Sentendo Nuova Forza) - Molto Adagio. Mit Innigster Empfindung (Con Intimissimo Sentimento)
    4. Alla Marcia, Assai Vivace - Più Allegro - Atacca
    5. Allegro Apassionato - Presto
    Ludwig Van Beethoven
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Strauss: Also Sprach Zarathustra (Speakers Corner) Strauss: Also Sprach Zarathustra (Speakers Corner) Quick View

    $34.99
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    Strauss: Also Sprach Zarathustra (Speakers Corner)

    The opening fanfare from Richard Strauss's Also sprach Zarathustra (Thus spoke Zarathustra) is known to everyone since it was 'rediscovered' in Stanley Kubrick's film 2001: A Space Odyssey and consequently employed time and again in TV ads. At the turn of the century, however, renowned music critics asked themselves whether they should even bother to listen to the rest of the work, a symphonic poem, which - they presumed - was a narration in music of Nietzsche's book. In what is probably his most famous orchestral composition, Strauss, however, freely associated the words of the Saxon poet and philosopher when putting them into music by using the key of C major to depict nature, and the greatly contrasting key of B major for humanity.



    Once again Herbert von Karajan proves himself a distinguished tour guide through the wistful, secretive and bleak sound world through which Strauss has his questing hero wander. And the Berlin Philharmonic thank him with captivating, meltingly beautiful violins, deep growling basses, and steely winds. One recalls with pleasure the legendary leading violinist Michel SchwalbÉ, who plays the solo part with immense feeling and profundity. Enhanced by a perfected analogue recording technique, this disc is a wise choice when it comes to Strauss.




    Musicians:



    • The Berlin Philharmonic Orchestra

    • Herbert von Karajan (conductor)




    Recording: January and March 1973 at Jesus-Christus-Kirche, Berlin, by GÜnter Hermanns

    Production: Dr. Hans Hirsch




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Von den Hinterweltlern
    2. Von der großen Sehnsucht

    3. Von den Freuden und Leidenschaften
    4. Das Grablied
    5. Von der Wissenschaft
    6. Der Genesende
    7. Das Tanzlied
    8. Nachtwandlerlied
    Richard Strauss
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Archiv Produktion: Classical Recordings 1956-1982 (Awaiting Repress) Archiv Produktion: Classical Recordings 1956-1982 (Awaiting Repress) Quick View

    $99.99
    Buy Now
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    Archiv Produktion: Classical Recordings 1956-1982 (Awaiting Repress)

    Numbered, Limited Edition 180 Gram Audiophile Vinyl


    5 LP Box Set


    Original LP Front And Back Covers


    16-Page Leaflet, With Introduction On Archiv, And Facsimiles Of The Inner Pages Of The Original Archiv Gatefold LPs


    Archiv Produktion: Classical Recordings 1956-1982 features:



    • Helmut Walcha playing famous Bach organ works one of Archivs first stereo recordings

    • Karl Richter early recordings of two joyous Bach cantatas, Jauchzet Gott in allen Landen BWV 51 and the wedding cantata Weichet nur, betrÜbte Schatten BWV 202

    • Nikolaus Harnoncourts Court Music by Muffat and Biber with Concentus Musicus Wien one of only two recordings he made on Archiv

    • Reinhard Goebel and Music Antiqua Kolns classic French Baroque programme, Le Parnasse Francais

    • Trevor Pinnock and The English Concert with Handel Concerti Grossi op. 6 nos. 9 12: an LP to die for, with the clarity and airiness of its recording, and the rhythm and feeling of its performances

    LP 1
    1. Toccata - Helmut Walcha
    2. Fugue - Helmut Walcha
    3. 1. Vivace - Helmut Walcha
    4. 2. Lento - Helmut Walcha
    5. 3. Allegro - Helmut Walchav
    6. 1. Prelude - Helmut Walcha
    7. 2. Fugue - Helmut Walcha
    8. 1. (Allegro Moderato) - Helmut Walcha
    9. 2. Adagio - Helmut Walcha
    10. 3. Allegro - Helmut Walchav


    LP 2
    1. Aria: Jauchzet Gott in Allen Landen - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    2. Recitativo: Wir Beten Zu Dem Tempel An - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    3. Aria: Höchster, Höchster Mache Deine GÜte Ferner Alle Morgen Neu - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    4. Chorale: Sei Lob Und Preis Mit Ehren - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    5. 1. Adagio: Weichet Nur, BetrÜbte Schatten - Maria Stader, MÜnchener Bach-Orchester, Karl Richter, Hedwig Bilgramv
    6. 2. Recit: Die Welt Wird Wieder Neu - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    7. 3. Aria: Phöbus Eilt Mit Schnellen Pferden - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    8. 4. Recit: D'rum Sucht Auch Amor Sein VergnÜgen - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    9. 5. Aria: Wenn Die FrÜhlingslÜfte Streichen - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    10. 6. Recit: Und Dieses Ist Das GlÜcke - Maria Stader, MÜnchener Bach-Orchester, Karl Richter, Hedwig Bilgram
    11. 7. Aria: Sich Üben Im Lieben - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    12. 8. Recit: So Sei Das Band Der Keuschen Liebe - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    13. 9. Gavotte: Sehet in Zufriedenheit - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter


    LP 3
    1. Ouverture - Concentus Musicus Vienna, Nikolaus Harnoncourt
    2. Les Courtisans - Concentus Musicus Vienna, Nikolaus Harnoncourt
    3. Rondeau - Concentus Musicus Vienna, Nikolaus Harnoncourt
    4. Les Gendarmes - Concentus Musicus Vienna, Nikolaus Harnoncourt
    5. Les Bossus - Concentus Musicus Vienna, Nikolaus Harnoncourt
    6. Gavotte - Concentus Musicus Vienna, Nikolaus Harnoncourt
    7. Sarabande Pour Le GÉnie de L'amitiÉ - Concentus Musicus Vienna, Nikolaus Harnoncourt
    8. Gigue - Concentus Musicus Vienna, Nikolaus Harnoncourt
    9. Menuet - Concentus Musicus Vienna, Nikolaus Harnoncourt
    10. 1. Sonata. Grave - Allegro - Concentus Musicus Vienna, Nikolaus Harnoncourt
    11. 2. Ballo. Allegro - Concentus Musicus Vienna, Nikolaus Harnoncourt
    12. 3. Grave - Concentus Musicus Vienna, Nikolaus Harnoncourt
    13. 4. Aria - Concentus Musicus Vienna, Nikolaus Harnoncourt
    14. 5. Giga - Concentus Musicus Vienna, Nikolaus Harnoncourt
    15. Sonata (Adagio-Presto) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    16. Die Pauern Kirchfahrt - Concentus Musicus Vienna, Nikolaus Harnoncourt
    17. Aria - Concentus Musicus Vienna, Nikolaus Harnoncourt
    18. 1. (Allegro Non Troppo) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    19. 2. (Poco Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    20. 3. (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    21. 4. (Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    22. 5. (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    23. 6. (Poco Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    24. 7. (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    25. 8. (Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    26. 9. (Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    27. 1. Allegro - Concentus Musicus Vienna, Nikolaus Harnoncourt
    28. 2. (Presto) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    29. 3. Presto - Adagio - Concentus Musicus Vienna, Nikolaus Harnoncourt
    30. Sonata - Concentus Musicus Vienna, Nikolaus Harnoncourt
    31. Die Liderliche Gesellschaft Von Allerley Humor - Concentus Musicus Vienna, Nikolaus Harnoncourt
    32. Presto - Concentus Musicus Vienna, Nikolaus Harnoncourt
    33. Der Mars - Concentus Musicus Vienna, Nikolaus Harnoncourt
    34. Presto - Concentus Musicus Vienna, Nikolaus Harnoncourt
    35. Aria - Concentus Musicus Vienna, Nikolaus Harnoncourt
    36. Die Schlacht - Concentus Musicus Vienna, Nikolaus Harnoncourt
    37. Lamento Der Verwundten Musquetirer (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt


    LP 4
    1. La Sonnerie de Sainte-Geneviève Du Mont de Paris - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    2. 1. Lentement / Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    3. 2. Vive / MarquÉ / Gay - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    4. 3. Lentement / Doux / RÉcit / Grave - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    5. 4. Doux / RÉcit / Vivement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    6. 5. Lentement / Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    7. 1. Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    8. 2. Gayment - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    9. 3. Air (Tendrement) - Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    10. 4. LÉgèrement - Vivement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    11. 1. Un Peu Grave - Musica Antiqua KÖLN, Reinhard Goebel
    12. 2. LÉgèrement - Musica Antiqua KÖLN, Reinhard Goebel
    13. 3. Un Peu Gay - Musica Antiqua KÖLN, Reinhard Goebel
    14. 4. Sarabande - Musica Antiqua KÖLN, Reinhard Goebel
    15. 5. TRÈS Vivement - Musica Antiqua KÖLN, Reinhard Goebel
    16. 6. Gravement - Musica Antiqua KÖLN, Reinhard Goebel
    17. 7. Gigue - Musica Antiqua KÖLN, Reinhard Goebel


    LP 5
    1. Largo - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    3. Larghetto - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    4. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    5. Menuet - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    6. Gigue - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    7. 1. Ouverture - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    8. 2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    9. 3. Air (Lento) - Simon Standage, Elizabeth Wilcock, Trevor Pinnock, the English Concert
    10. 4. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    11. 5. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    12. 1. Andante Larghetto, E Staccato - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    13. 2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    14. 3. Largo, E Staccato - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    15. 4. Andante - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    16. 5. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    17. 1. Largo - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    18. 2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    19. 3. Larghetto, E Piano - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    20. 4. Largo - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    21. 5. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert

    Various Artists
    $99.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed AWAITING REPRESS Buy Now
  • Recomposed By Max Richter: Vivaldi, The Four Seasons Recomposed By Max Richter: Vivaldi, The Four Seasons Quick View

    $24.99
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    Recomposed By Max Richter: Vivaldi, The Four Seasons

    Version 2 of Max Richter's RECOMPOSED featuring new artwork in a stunning package, brand new remixes, SHADOWS and the film that was shot in
    Berlin.


    SHADOWS: electronic soundscapes

    The album features 5 new tracks, so called "shadows which are electronic landscapes that were made for a live performance of the work with
    accompanying visual material made by the Danish game designers DarkMatters. He and Max developed these pieces to intercut with the written
    orchestral material, and to illuminate the abstract visual world of the images.

    LP 1
    1. Spring 0
    2. Spring 1
    3. Spring 2
    4. Spring 3
    5. Summer 1
    6. Summer 2
    7. Summer 3
    8. Autumn 1
    9. Autumn 2
    10. Autumn 3
    11. Winter 1
    12. Winter 2
    13. Winter 3


    LP 2
    1. Shadow 1
    2. Shadow 2
    3. Shadow 3
    4. Shadow 4
    5. Shadow 5
    6. Spring 1
    7. Summer 3
    8. Autumn 3
    9. Winter 3

    Max Richter/Andre de Ridder/Konzerthaus Kammerorchesterberlin
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • 111 Years Of Deutsche Grammophon 111 Years Of Deutsche Grammophon Quick View

    $109.99
    Buy Now
    x

    111 Years Of Deutsche Grammophon

    Deutsche Grammophon is the world's largest and most successful classical music label with a history stretching back to the dawn of recorded sound in 1898. To accompany their 111-CD box set, this limited edition box set features six classic recordings presented on high quality vinyl. Featuring performances by FurtwÄngler, Rostropovich, Böhm, Bernstein, Karajan, Mutter and more - this box represents the highest quality music presented in the highest quality audio.
    LP 1
    1. Haydn - Symphony No. 88 in G major - Adagio
    2. Haydn - Symphony No. 88 in G major - Largo
    3. Haydn - Symphony No. 88 in G major - Menuetto (Allegretto)
    4. Haydn - Symphony No. 88 in G major - Finale (Allegro con spirito)
    5. Schumann - Symphony No. 4 in D minor, Op. 120 - Ziemlich langsam - Lebhaft
    6. Schumann - Symphony No. 4 in D minor, Op. 120 - Romanze (Ziemlich langsam)
    7. Schumann - Symphony No. 4 in D minor, Op. 120 - Scherzo
    8. Schumann - Symphony No. 4 in D minor, Op. 120 - Langsam - Lebhaft - Schneller - Presto


    LP 2
    1. Dvorak - Cello Concerto in B minor, Op. 104 - Allegro
    2. Dvorak - Cello Concerto in B minor, Op. 104 - Adagio ma non troppo
    3. Dvorak - Cello Concerto in B minor, Op. 104 - Finale (Allegro moderato)
    4. Tchaikovsky - Variations on A Rococo Theme, Op. 33


    LP 3
    1. Wolfgang Amadeus Mozart - Requiem in D minor


    LP 4
    1. Brahms - Violin Concerto in D, Op. 77 - Allegro nono troppo
    2. Brahms - Violin Concerto in D, Op. 77 - Adagio
    3. Brahms - Violin Concerto in D, Op. 77 - Allegro giocoso, ma non troppo vivace - Poco piu presto


    LP 5
    1. Chopin - Ballade No. 1 in G minor, Op. 23
    2. Chopin - Ballade No. 2 in F, Op. 38
    3. Chopin - Ballade No. 3 in A flat, Op. 47
    4. Chopin - Ballade No. 4 in F minor, Op. 52
    5. Chopin - Barcarolle in F Sharp, Op. 60
    6. Chopin - Fantaisie in F minor, Op. 49


    LP 6
    1. Mahler - Symphony No. 1 in D (Live at Concertgebouw, Amsterdam 1987) - Langsam. Schleppend
    2. Mahler - Symphony No. 1 in D (Live at Concertgebouw, Amsterdam 1987) - Kraftig bewegt
    3. Mahler - Symphony No. 1 in D (Live at Concertgebouw, Amsterdam 1987) - Feierlich und gemessen
    4. Mahler - Symphony No. 1 in D (Live at Concertgebouw, Amsterdam 1987) - Sturmisch bewegt

    Various Artists
    $109.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • Mahler: Symphony No. 5 Mahler: Symphony No. 5 Quick View

    $34.99
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    Mahler: Symphony No. 5

    "Fiery, demonic and triumphant, this is one of the benchmark Bernstein recordings."-Gramophone


    As part of Deutsche Grammophon's continued commitment to making iconic recordings available on high-quality, 180-gram vinyl, the label will release Leonard Bernstein's legendary performance of Mahler's Symphony no. 5 with the Vienna Philharmonic.

    LP 1
    Part 1
    1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftl
    2. StÜrmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito [Live]


    LP
    Part 2
    1. Scherzo (KrÄftig, nicht zu schnell) [Live]
    Part 3
    2. Adagietto (Sehr langsam) [Live]
    3. Rondo-Finale (Allegro) [Live]

    Leonard Bernstein
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Tchaikovsky - Symphony No. 5 (Speakers Corner) Tchaikovsky - Symphony No. 5 (Speakers Corner) Quick View

    $34.99
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    Tchaikovsky - Symphony No. 5 (Speakers Corner)

    Recordings of Tchaikovsky's late symphonies with the Leningrad Philharmonic under Mravinskij were a legend even in the days of mono recording technique. It comes as no surprise therefore to learn that Tchaikovsky fans were overjoyed when these three great symphonies were released at last on the Yellow Label in top hi-fi quality at the beginning of the Sixties. Masterful performances, as thrilling as live recordings, now became available - recordings which were far superior to all others on the market. Even when the purported 'miracle' of digital recording technique began to take over and industrial record production had become a matter of course, Mravinsky's recordings were still available in a 2CD set. There are reasons enough to re-release the Fifth Symphony as an individual LP, without going into lengthy discussions about which of Tchaikovsky's late symphonies is the most important. Those who treasure a mono version or a Mravinsky recording from an unknown source in their collection are now given the opportunity to compare their version with the present re-release. All others can congratulate themselves on possessing a milestone recording, a true work of reference, for no other Mravinskij sounds better than this one.




    Musicians:



    • The Leningrad Philharmonic Orchestra

    • Jewgenij Mrawinskij (conductor)




    Recording: November 1960 at Musikverein Großer Saal, Vienna, by Harald Baudis

    Production: Karl-Heinz Schneider





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Satz: Andante - Allegro Con anima
    2. Satz: Andante cantabile, con alcuna licenza
    3. Satz: Allegro moderato
    4. Satz: Finale: Andante maestoso - Allegro vivace

    Pyotr Ilich Tchaikovsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mozart: Concerto For Piano And Orchestra No. 19 & 27 (Speakers Corner) Mozart: Concerto For Piano And Orchestra No. 19 & 27 (Speakers Corner) Quick View

    $34.99
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    Mozart: Concerto For Piano And Orchestra No. 19 & 27 (Speakers Corner)

    In spite of the varying degrees of popularity of Mozart's numerous piano concertos, no one would seriously consider ranking them by quality. It would certainly prove an impossible task, for each and every one of these intense yet often playful compositions could be considered the most perfect of its genre. In view of this, one should concentrate on each work's highly individual character and this can hardly be more contrasting than in the present two pieces. Thanks to the joyous, energetic disposition of No. 19 in F major, K. 259, it appears to be filled with the exuberant spirit of Mozart's Viennese period - a time when he amazed audiences with his dexterity at the keyboard. As a contrast, the mood of the late No. 27 in B flat major, K. 595, which was performed in a small circle, is introvert and mellow. The old adage that Mozart's final concerto was a gesture of farewell and filled with a premonition of death is certainly not substantiated by Haskil and Fricsay's performance. Through the subtle and flowing clarity of her piano part under the tense and elastic opposition of the orchestra, the soloist banishes the question of the end of time into the background and so pays hommage to the relaxed and self-assured mastery of the Salzburg composer.





    Musicians:



    • Clara Haskil (piano)

    • Bayerisches Staatsorchester

    • Ferenc Fricsay (conductor)




    Recording: September 1955 at Jesus-Christus-Kirche, Berlin, by Harald Baudis and May 1957 at Herkules Saal, Munich by Werner Wolf

    Production: Wolfgang Lohse / Otto Gerdes




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Concerto for Piano and Orchestra No. 19 F major, K. 459
    2. Concerto for Piano and Orchestra No. 27 B flat major, K. 595
    Wolfgang Amadeus Mozart
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Complete Concerto Recordings (Box-Set) The Complete Concerto Recordings (Box-Set) Quick View

    $109.99
    Buy Now
    x

    The Complete Concerto Recordings (Box-Set)

    With this special LP limited edition box set, Deutsche Grammophon pays tribute to an extraordinary musical
    partnership. The 6LP set collects all the concerto recordings made by pianist Martha Argerich with conductor
    Claudio Abbado over more than 45 years, covering works by Beethoven, Chopin, Prokofiev, Tchaikovsky and many others. "Between them Argerich and Abbado generate a heady world of romance and electricity," BBC Music Magazine 2014.
    LP1
    PROKOFIEV Piano Concerto No. 3 | RAVEL Piano Concerto in G
    Berliner Philharmoniker


    LP2

    CHOPIN | LISZT Piano Concertos No. 1

    London Symphony Orchestra


    LP3
    TCHAIKOVSKY Piano Concerto No. 1
    Berliner Philharmoniker


    LP4
    BEETHOVEN Piano Concertos Nos. 2 & 3
    Mahler Chamber Orchestra


    LP5
    MOZART Piano Concertos Nos. 20 & 25
    Orchestra Mozart


    LP6
    RAVEL Piano Concerto in G | RAVEL Gaspard de la nuit
    London Symphony Orchestra

    Martha Argerich and Claudio Abbado
    $109.99
    Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • Chopin 24 Preludes Chopin 24 Preludes Quick View

    $44.99
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    Chopin 24 Preludes

    Martha Argerich performing Chopin's 24 Preludes Op. 28 and Piano Sonata No. 2 In B Flat Minor Op. 35.


    Features:

    - 180 gram Vinyl

    - Grammy Award Winner

    - Voted into Gramophone's Hall of Fame in 2012

    Side 1:
    1. No. 1 In C Major
    2. No. 2 In A Minor
    3. No. 3 In G Major
    4. No. 4 In E Minor
    5. No. 5 In D Major
    6. No. 6 In B Minor
    7. No. 7 In A Major
    8. No. 8 In F Sharp Minor
    9. No. 9 In E Major
    10. No. 10 In C Sharp Minor
    11. No. 11 In B Major
    12. No. 12 In G Sharp Minor
    13. No. 13 In F Sharp Major
    14. No. 14 In E Flat Minor


    Side 2:
    15. No. 15 In D Flat Major
    16. No. 16 In B Flat Minor
    17. No. 17 In A Flat Major
    18. No. 18 In F Minor
    19. No. 19 In E Flat Major
    20. No. 20 In C Minor
    21. No. 21 In B Flat Major
    22. No. 22 In G Minor
    23. No. 23 In F Major
    24. No. 24 In D Minor
    25. PrÉlude No. 25 In C Sharp Minor Op. 45
    26. PrÉlude No. 26 In A Flat Major Op. Posth.

    Martha Argerich
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Der Kammersanger Der Kammersanger Quick View

    $44.99
    Buy Now
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    Der Kammersanger

    Wunderlich quickly earned a reputation as the leading lyric tenor in Germany. His clear, strong voice easily filled an operatic hall, but he always retained a purity of sound and line that was equally well suited to more intimate settings... All of his performances were marked by an unflappable lyricism and an associated control of phrasing and breath -- both of which have remained his most lauded qualities.

    - All Music Guide


    Musicians:

    Fritz Wunderlich, tenor

    1. einmal hat mir zur frÜhlingszeit das glÜck gelacht
    2. wenn der mund schweigt (When The Mouth Is Silent)
    3. arriverderci, bella italia (Goodbye, Beautiful Italy)
    4. wie tanzen dort die paare (Couples Dance)
    5. gavotte und lied des bonaparte
    6. wann kommt die eine, die ich liebe
    7. ja, nun lass das schicksal wÜten (Valiant Friend, Full Of Deep Shame)
    8. schönster Sohn des Himmels (Beautiful Son Of Heaven)
    9. alte eiche an schwindelnden hÄngen
    Fritz Wunderlich
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mozart: Violin Concertos No. 4 & 5 Mozart: Violin Concertos No. 4 & 5 Quick View

    $24.99
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    Mozart: Violin Concertos No. 4 & 5

    Recorded With Nikolaus Harnoncourt & The Wiener Philharmoniker


    Pressed On 180-Gram Vinyl


    When Nikolaus Harnoncourt died in March 2016, the music world lost one of its most influential conductors. Deutsche Grammophon commemorates the first anniversary of his death presenting his remarkable historically informed recordings with Gidon Kremer and the Vienna Philharmonic on 180g vinyl.

    1. Allegro (Cadenza By Robert Levin)
    2. Andante cantabile (Cadenza By Robert Levin)
    3. Rondeau (Andante grazioso - Allegro ma non troppo) (Cadenza By Robert Levin)
    4. Allegro aperto

    5. Adagio

    6. Rondeau. Tempo di Menuetto
    Gidon Kremer
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Duo (Schumann, Debussy, Shostakovich, Brahms) Duo (Schumann, Debussy, Shostakovich, Brahms) Quick View

    $25.99
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    Duo (Schumann, Debussy, Shostakovich, Brahms)

    Two of today's most passionate and inspirational artists join forces in the recital programme that brought audiences to their feet at the Menuhin Festival in
    Gstaad in Summer 2011. The chemistry between HÉlène Grimaud and Sol Gabetta left critics and audiences nothing short of euphoric and this first duo
    recording captures the revelatory magic of their collaboration.


    This is the first time, that either artist has embarked on a dedicated duo recording project and it goes far beyond a traditional musical collaboration. Based
    on a rare understanding on many levels - musical, emotional and personal, this fresh and strong encounter does not even raise the question of who
    accompanies whom. Finding new musical insights in familiar work, HÉlène and Sol present masterpieces in new light.


    The album reprises the same programme the duo performed in Gstaad: Robert Schumann's FantasiestÜcke, Claude Debussy's Sonata for Cello and Piano in D minor, Johannes Brahms Sonata for Cello and Piano No.1 in E minor and Dmitri Shostakovich's Sonata for Cello and Piano.


    "Grimaud doesn't sound like most pianists: she is a reinventor of phrasings, a taker of chances Her albums aren't merely proficient tours through the
    repertoire; they are highly personal explorations that can stand out among dozens of rival performances. Her strongly interpretive playing has made her
    a favorite among many conductors and reviewers." (The New Yorker). HÉlène's recordings have been best-sellers on the Yellow Label with more than 800.000 units sold altogether to date.


    Like Grimaud, in addition to performing traditional repertoire with the world's great orchestras, Sol Gabetta is a champion of new works and a passionate
    musical collaborator. Argentine-French of Russian origin, Sol is a best-selling, chart-storming artist, who is regarded as one of the great cellists of our day,
    impressing with her intriguing, full-bodied approach and a charismatic, conquering personality.

    LP 1
    1. Zart und mit Ausdruck
    2. Lebhaft, leicht
    3. Rasch und mit Feuer
    4. Prologue (lent)
    5. SÉrÉnade (ModÉrÉment animÉ)
    6. Finale (AnimÉ)


    LP 2
    1. Allegro non troppo
    2. Allegretto quasi minuetto
    3. Allegro - Più presto
    4. Allegro non troppo
    5. Allegro
    6. Largo
    7. Allegro

    Grimaud / Gabetta
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • New Year's Concert 1987 New Year's Concert 1987 Quick View

    $29.99
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    New Year's Concert 1987

    Deutsche Grammophon re-releases on vinyl five legendary recordings from one of the most iconic conductors of the 20th century, Herbert von Karajan. All are newly presented in 180 g heavyweight vinyl pressings made at Optimal. Recorded with the Vienna Philharmonic, this release includes The 1987 New Year's Concert, now on 2 LPs, and contains a previously unreleased additional track, Johann Strauss' Kaiser-Walzer.
    LP 1
    1. Overture
    2. SphÄrenklÄnge, Op.235
    3. Annen-Polka, Op.117
    4. Delirien Waltz, Op.212
    5. VergnÜgungszug, Op.281
    6. Pizzicato Polka
    7. Beliebte Annen-Polka, Op.137
    8. Unter Donner und Blitz, Polka, Op.324


    LP 2
    1. Voices Of Spring, Op.410
    2. Ohne Sorgen, Op.271
    3. An der schönen blauen Donau, Op.314
    4. Radetzky-Marsch, Op.228
    5. Kaiserwalzer, Op.437

    Herbert Von Karajan / Kathleen Battle / Wiener Philharmoniker
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Brahms: Hungarian Dance No.1-21 Brahms: Hungarian Dance No.1-21 Quick View

    $25.99
    Buy Now
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    Brahms: Hungarian Dance No.1-21

    Hungarian Dances

    Nos. 1-21


    Wiener Philharmoniker

    Claudio Abbado

    Johannes Brahms (1833 - 1897)
    Hungarian Dance No.1 in G Minor, WoO 1
    1. Orchestrated by Brahms - Hungarian Dance No.2 in D minor
    2. Orchestrated by Johan Andreas HallÉn (1846-1925) - Hungarian Dance No.3 in F
    3. Orchestrated by Brahms- Hungarian Dance No.4 in F sharp minor
    4. Orchestrated by Paul Juon (1872-1940) - Hungarian Dance No.5 in G Minor, WoO 1
    5. Orchestrated by Martin Schmeling (?-1943) - Hungarian Dance No.6 in D Flat Major, WoO 1
    6. Orchestrated by Martin Schmeling (?-1943) - Hungarian Dance No.7 in A Major
    7. Orchestrated by Martin Schmeling (?-1943) - Hungarian Dance No.8 in A minor, WoO.1
    8. Orchestrated by Hans Gál (1890-1987) - Hungarian Dance No.9 in E minor, WoO.1
    9. Orchestrated by Hans Gál (1890-1987) - Hungarian Dance No.10 in F
    10. Orchestrated by Brahms - Wiener Philharmoniker, Claudio Abbado


    Johannes Brahms (1833 - 1897)
    Hungarian Dance No.11 in D minor, WoO.1
    1. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.12 in D minor
    2. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.13 in D
    3. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.14 in D minor
    4. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.15 in B flat
    5. Orchestrated by Albert Parlow (?-1888) - Hungarian Dance No.16 in F minor / major
    6. Orchestrated By Albert Parlow - Hungarian Dance No.17 in F sharp minor
    7. Orchestrated by A. Dvorák (1841-1904) - Hungarian Dance No.18 in D
    8. Orchestrated by A. Dvorák (1841-1904) - Hungarian Dance No.19 in B minor
    9. Orchestrated by Antonín Dvorák - Hungarian Dance No.20 in E minor
    10. Orchestrated by Antonín Dvorák - Hungarian Dance No.21 in E minor
    11. Orchestrated by Antonín Dvorák

    Johannes Brahms
    $25.99
    Vinyl LP - Sealed Buy Now
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