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  • Bones Bones Quick View

    $18.99
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    Bones

    On The Delta Saints' new album, Bones, their first for Loud & Proud Records, the Nashville-based band have stripped their roots/blues sound down to its essence, having rearranged the elements into something uniquely their own. Steeped in rock 'n' roll's building blocks - country, R&B, soul and gospel - The Delta Saints' second full-length effort explores influences like Jack White, The Black Keys, My Morning Jacket, Band of Horses and Led Zeppelin. Producer/engineer/mixer and Third Man Records alum, Eddie Spear [Jack White, Arctic Monkeys, Neil Young] provided a ghostly, psychedelic atmosphere at Nashville's Sputnik Sound studios, yielding a sound unlike anything they have created before.


    "We got to the point where what we were recording and playing had veered from what we were listening to and loving on our turntables, which can lead to discontent," said Louisiana-born singer/lyricist Ben Ringel, who co-founded the band almost eight years ago with fellow Belmont University student, Kansas native bassist David Supica. Soon after, they were joined by Tennessee-bred guitarist Dylan Fitch and later, after a health scare with the band's former harmonica player, enlisted Louisville resident and keyboardist, Nate Kremer, who was added to the lineup only two weeks before a two month long European tour.


    Taking a novel approach of writing songs spontaneously in the studio, The Delta Saints were challenged to create in the moment and as a result, Bones is their most adventurous effort yet. The album is a collection of eclectic songs, beginning with The White Stripes-meets-Led Zeppelin fuzz-toned garage-rock blast of "Sometimes I Worry." The spare, spooky strains of "Butte la Rose" tell the band's tale of a Louisiana town purposely flooded and displaced five years ago to save New Orleans. The Grapes of Wrath drama of "Dust," based on Ringel's grandfather, an East Kansas farmer, builds to a primal wail at nature with a stunning coda in which Dylan Fitch's guitar drops out and Kremer's B3 organ provides the climax. The title track, "Bones" features hoodoo organ riffs and African-influenced trance music, which came from listening to the Sahara desert African groove of Niger's Tuareg guitarist Omara "Bombino" Moctar and Mali's Tinariwen. The grindhouse honky-tonk chain gang chants of "Heavy Hammer" celebrates the work ethic in no uncertain terms, a call for unity in the wake of Ringel's frustration about getting stuck in the rat race and feeling trapped by some of life's mundane tasks. "Berlin," the first song they recorded after adding Nate on keys, started out as an instrumental penned in the title city while on tour. It eventually metamorphosed into a country twang intro and a prog-rock jam. Bones is a complete work veering between despair and apocalyptic dread.


    "We're trying to push ourselves forward to do something more modern, but at the same time incorporating where we come from," explained Ringel.


    "It was incredible to be able to write a song on the spot and immediately hear what it sounded like," added Supica. "It was a great way to capture the magic right when you come up with an idea, preserving that raw element. We were used to playing a song for months on the road before we recorded it. Still, on the flip side, it was absolutely terrifying to sit in the studio watching the clock tick and waiting for a song to come out. That's where (producer) Ed Spear came into play; he was so good at keeping us pointed in the right direction."


    "This record was made out of both necessity and desire. We needed to be fulfilled and surprised by music again, and we also needed to fulfill that love of writing and recording again."


    The Delta Saints have independently released two EPs (2010's Pray On and A Bird Called Angola), a full-length album (2012's Death Letter Jubilee) and a live disc (2014's Live at Exit/In). They have spent the last eight years touring the US averaging almost 200 shows per year, organically growing their audience, fan by fan, city by city. Major appearances include several festivals including Wakarusa, Summer Camp, Harvest, The Ride, Summerfest and The Simple Man Cruise. A testament to their mixed appeal, they have opened for such diverse acts as Blackberry Smoke, Robert Randolph & The Family Band, Taj Mahal, Dickey Betts and Michael Franti & Spearhead.


    The Delta Saints have also have a large international fan base having toured Europe a total of six times, selling out countless venues and playing more than 200 shows in Spain, Sweden, France, Switzerland and Germany, as well as several festivals in Holland (Moulin Blues, Ribs and Blues), Belgium (Gevarenwinkel) and Germany (Grolsch Blues Fest).


    With all that they've accomplished as a hard-working group on their own, The Delta Saints have earned their graduation to industry veteran Tom Lipsky's Loud & Proud Records (which has been the home of Rush, Lynyrd Skynyrd, KISS, Robert Plant, Rob Zombie, Lenny Kravitz and The String Cheese Incident, among others).


    "Don't look so tired, my dear," sings Ringel in Bones' closing track, "Berlin," echoing the band's progress. "We may be bruised, but the day is almost here."


    "It's hard to see progress when you're in the middle of things," said Supica about The Delta Saints' ambitions. "We try to take stock every six months or so and look back from where we've come, from eating at McDonald's and sleeping on people's floors to staying at a Motel 6 and graduating to La Quinta. We mark our success by the hotel chain where we're staying. When we get to Marriott, we know we've made it."


    Bones proves The Delta Saints are well on their way to making that reservation.

    The Delta Saints
    $18.99
    Vinyl LP - Sealed Buy Now
  • Idlewild South Idlewild South Quick View

    $24.99
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    Idlewild South


    Remastered From Original Analog Tapes


    Cut On Copper Plates Using Abbey Road Mastering's Direct DMM Lathe


    The Allman Brothers' second album, Idlewild South, is a mixture of chunky grooves and sophisticated textures which showcases both Gregg Allman's and Dickey Betts' skills as songwriters, and features the hit "Midnight Rider." It has been remastered from original analog tapes by Keven Reeves (Brothers And Sisters, The 1971 Fillmore East Recordings) to 192kHz 24-bit audio and then cut on copper plates using Abbey Road Mastering's Direct Metal Mastering (DMM) lathe. 180g vinyl.

    1. Revival
    2. Don't Keep Me Wonderin'
    3. Midnight Rider
    4. In Memory Of Elizabeth Reed
    5. Hoochie Coochie Man
    6. Please Call Home
    7. Leave My Blues At Home
    The Allman Brothers Band
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Hittin' The Note (Colored Vinyl) (Awaiting Repress) Hittin' The Note (Colored Vinyl) (Awaiting Repress) Quick View

    $24.99
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    Hittin' The Note (Colored Vinyl) (Awaiting Repress)

    Pressed On Ivory Colored Vinyl


    Hittin' the Note is the twelfth and final studio album by the American Southern rock group the Allman Brothers Band. Originally released in 2003, it was their first studio album to include lead slide guitar player Derek Trucks and bass player Oteil Burbridge and marked the full-time return of guitar player Warren Haynes to the band. It was also their first (and only) studio album not to include original guitarist Dickey Betts.

    1. Firing Line
    2. High Cost Of Low Living
    3. Desdemona
    4. Woman Across The River
    5. Old Before My Time
    6. Who To Believe
    7. Maydell
    8. Rockin' Horse
    9. Heart Of Stone
    10. Instrumental Illness
    11. Old Friend
    The Allman Brothers
    $24.99
    Colored Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Brothers and Sisters Brothers and Sisters Quick View

    $19.99
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    Brothers and Sisters

    1973 Affair Introduces Southern Rock to Popular Parlance


    Dickey Betts Leads Group Through Mellower Country Rock, Pairs With Pianist Chuck Leavell


    Chart-Topping Album Includes Smash "Ramblin' Man" and Favorites "Jessica" and "Southbound"


    Brothers and Sisters is significant for myriad reasons. It's the first album the Allman Brothers Band made in its entirety after Duane Allman's death. It also came after bassist Berry Oakley's spookily similar passing, yet he appears on two of the songs. The 1973 set also marks the emergence of guitarist Dickey Betts as the collective's leader. And pianist Chuck Leavell's arrival. But for than anything else, the record remains noteworthy for its incredible soulfulness and completeness.


    Having stayed at the top of the Billboard charts for five consecutive weeks, Brothers and Sisters constitutes the Allman Brothers Band's biggest commercial triumph. Given the circumstances surrounding its creation, such an accomplishment hardly seemed possible. Fresh from licking their wounds over Duane's tragic motorcycle accident, the group experienced dÉjà vu when Oakley met the same fate just blocks away from where his mate was killed. Rather than collapse, the Allman Brothers Band tightened up and mellowed out, inviting Leavell to join instead of recruiting another guitarist.


    What the sextet gets in return for its troubles is music that marks the concrete beginnings of a form that soon become known as Southern rock. Leavell and Betts exchange notes as if the pair has been trading ideas since they were children. Slide guitars still tread over greasy grooves, yet the Allman Brothers Band digs deeper into country dirt, parlaying a twang anchored by Betts' picking and abetted by Gregg's organic, shot-of-blues vocals. The laidback vibe manifests on the signature "Ramblin' Man," a hit evocative of the record's breezy melodies and friendly interplay.


    The cover art further reveals the Allman Brothers Band's mindset. Golden, tranquil, idyllic, Southern, loving: It's a paradise-longing view that would soon come crashing down in the group's lives but one that, for the duration and existence of Brothers and Sisters, remains gloriously undisturbed.

    1. Wasted Words
    2. Ramblin' Man
    3. Come and Go Blues
    4. Jelly, Jelly
    5. Southbound
    6. Jessica
    7. Pony Boy
    The Allman Brothers Band
    $19.99
    Vinyl LP - Sealed Buy Now
  • Seven Turns Seven Turns Quick View

    $31.99
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    Seven Turns

    180 Gram Audiophile Vinyl & Gatefold Jacket


    The Allman Brothers Band's comeback album, and their best blues-based outing since Idlewild South that restored a lot of their reputation. With Tom Dowd running the session, and the group free to make the music they wanted to, they ended up producing this bold, rock-hard album, made up mostly of songs by Dickey Betts (with contributions by new keyboardman Johnny Neel and lead guitarist Warren Haynes), almost every one of them a winner. Apart from the rippling opening number, Good Clean Fun, which he co-authored, Gregg Allman's contribution is limited to singing and the organ, but the band seem more confident than ever, ripping through numbers like Low Down Dirty Mean, Shine It On, and Let Me Ride like they were inventing blues-rock here, and the Ornette Coleman-inspired True Gravity is their best instrumental since Jessica.

    1. Good Clean Fun
    2. Let Me Ride
    3. Low Down Dirty Mean
    4. Shine It On
    5. Loaded Dice
    6. Seven Turns
    7. Gambler s Roll
    8. True Gravity
    9. It Ain t Over Yet
    The Allman Brothers Band
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Reach For The Sky Reach For The Sky Quick View

    $29.99
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    Reach For The Sky


    The Allman Brothers Band/Friday Music 180 Gram Audiophile Vinyl Series Begins!


    First Time 180 Gram Audiophile Vinyl & Gatefold LP Artwork


    Featuring Gregg Allman, Dickey Betts, Butch Trucks, Jai Johanny Johanson, Dan Toler & David Goldflies


    Mastered Impeccably By Joe Reagoso At Capitol Records And Manufactured At R.T.I.


    The Allman Brothers Band continue to be known as one of the original rock super groups of
    the late sixties who have a knack of mastering rock and blues grooves drenched in gospel, soul
    and country rock. With a plethora of amazing albums over their almost five decade career, The
    Allman Brothers Band have truly created some of the finest music ever waxed for the classic
    rock era.


    In 1980, The Allman Brothers Band greeted the new decade with a smokin' new line-up,
    a new label and a great new recording with Reach For The Sky. This stunning Arista Records
    release featured a good amount of AOR radio classics like Dickey Betts' Hell & High Water,
    Gregg Allman's stellar Mystery Woman, the magnificent instrumental From The Madness Of The
    West, plus a surprise hit single with their southern rock classic Angeline. Augmented with two
    new band members the late great "Dangerous" Dan Toler on guitar and David Goldflies on bass,
    this top selling rock classic hasn't been available on vinyl for many decades that is until now!


    Friday Music is very proud to announce for the first time ever the stunning 180 Gram
    Audiophile Vinyl and gatefold cover presentation of Reach For The Sky by The Allman Brothers
    Band. Mastered impeccably by Joe Reagoso at Friday Music Studios and Capitol Mastering in
    Hollywood and manufactured at R.T.I., this original Arista Records classic truly reaches sonic
    heights in the audiophile vinyl domain. We have also included the original artwork elements and
    photos not seen in LP cover form in years!


    Angeline


    1. Hell & High Water
    2. Mystery Woman
    3. From The Madness Of The West
    4. I Got A Right To Be Wrong
    5. Angeline
    6. Famous Last Words
    7. Keep On Keepin' On
    8. So Long
    The Allman Brothers Band
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Where It All Begins Where It All Begins Quick View

    $47.99
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    Where It All Begins

    Import

    180 Gram Double LP with Gatefold Sleeve and Insert


    Where It All Begins (1994) is the eleventh studio album by the Allman Brothers Band. No One to Run With obtained the greatest amount of album-oriented Rock airplay, while Soulshine, written by Warren Haynes, gained success as a concert and fan favorite.


    Gregg Allman also started to confront his substance abuse problems in the past on songs such as All Night Train. In 1998, the album went Gold. This was also the last studio album the group recorded with original guitarist Dickey Betts.


    This is the first ever vinyl release of this essential Allman Brothers Band album! The D-side features beautiful etched artwork in the vinyl.

    1. All Night Train
    2. Sailin' 'cross The Devil's Sea
    3. Back Where It All Begins

    4. Soulshine
    5. No One To Run With
    6. Change My Way Of Living
    7. Mean Woman Blues
    8. Everybody's Got A Mountain To Climb
    9. What's Done Is Done
    10. Temptation Is A Gun
    Side D
    Etch
    The Allman Brothers Band
    $47.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Seven Turns Seven Turns Quick View

    $34.99
    Buy Now
    x

    Seven Turns

    Import

    Seven Turns is the ninth studio album by the Allman Brothers Band, released in 1990. Their first studio album since Brothers of the Road in 1981, it was well-received, and peaked at #53. Hit singles were Good Clean Fun (#1 on the Mainstream Rock Tracks); Seven Turns (#12) and It Ain't Over Yet (#26).


    This is the Allman Brothers Band's comeback album, and their best Blues-based outing since Idlewild South that restored a lot of their reputation. With Tom Dowd running the session, and the group free to make the music they wanted to, they ended up producing this bold, rock-hard album, made up mostly of songs by Dickey Betts (with contributions by new keyboardman Johnny Neel and lead guitarist Warren Haynes), almost every one of them a winner.


    Apart from the rippling opening number, Good Clean Fun, which he co-authored, Gregg Allman's contribution is limited to singing and the organ, but the band seem more confident than ever, ripping through numbers like Low Down Dirty Mean, Shine It On, and Let Me Ride like they were inventing blues-rock here, and the Ornette Coleman-inspired True Gravity is their best instrumental since Jessica.

    1. Good Clean Fun
    2. Let Me Ride
    3. Low Down Dirty Mean
    4. Shine It On
    5. Loaded Dice
    6. Seven Turns
    7. Gambler's Roll
    8. True Gravity
    9. It Ain't Over Yet
    The Allman Brothers
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Eat A Peach Eat A Peach Quick View

    $34.99
    Buy Now
    x

    Eat A Peach


    Remastered From Original Analog Tapes


    Cut On Copper Plates Using Abbey Road Mastering's Direct DMM Lathe


    Faithfully Restored Artwork


    Eat A Peach is the third studio album from the Allman Brothers and was originally released in February of 1972. It
    has been remastered from original analog tapes by Keven Reeves (Brothers And Sisters, The 1971 Fillmore East
    Recordings) to 192kHz 24-bit audio and then cut on copper plates using Abbey Road Mastering's Direct Metal
    Mastering (DMM) lathe. This title is being issued on 180g, heavy weight vinyl. The original artwork has been
    faithfully reproduced as well.


    Having firmly established themselves as The Grateful Dead of the South via their enormously successful 1971 Live at the Fillmore East double album, the Allman Brothers had just begun work on a new studio collection when slide guitarist Duane Allman died in a motorcycle accident. Undaunted, the group rallied together and completed Eat a Peach, which, via inclusion of the 34-minute-plus Mountain Jam, blossomed into a double LP. While keyboardist-singer Gregg Allman shone on tracks like Sonny Boy Williamson's One Way Out and his own Melissa, it was second guitarist Dickey Betts who came out from under the departed Allman's shadow with his lead vocal on Blue Sky and his incendiary playing throughout. -Billy Altman


    1. Ain't Wastin' Time No More
    2. Les Brers in A Minor
    3. Melissa
    4. Mountain Jam
    5. One Way Out
    6. Trouble No More
    7. Stand Back
    8. Blue Sky
    9. Little Martha
    10. Mountain Jam, Cont'd.
    The Allman Brothers Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Brothers And Sisters Brothers And Sisters Quick View

    $34.99
    Buy Now
    x

    Brothers And Sisters

    Brothers and Sisters on Numbered Limited Edition 180 Gram LP from Mobile Fidelity


    1973 Affair Introduces Southern Rock to Popular Parlance


    Unrivaled Sonics: Mastered from the Original Master Tapes, Mobile Fidelity Edition Provides Window Into What Transpired in Macon Studios


    Dickey Betts Leads Group Through Mellower Country Rock, Pairs With Pianist Chuck Leavell


    Chart-Topping Album Includes Smash "Ramblin' Man" and Favorites "Jessica" and "Southbound"


    Brothers and Sisters is significant for myriad reasons. It's the first album the Allman Brothers Band made in its entirety after Duane Allman's death. It also came after bassist Berry Oakley's spookily similar passing, yet he appears on two of the songs. The 1973 set also marks the emergence of guitarist Dickey Betts as the collective's leader. And pianist Chuck Leavell's arrival. But for than anything else, the record remains noteworthy for its incredible soulfulness and completeness.


    Mastered from the original master tapes and pressed on dead-quiet vinyl RTI, Mobile Fidelity's 180 gram LP of Brothers and Sisters joins the unparalleled reissue imprint's other Allman titles in presenting the superlative ensemble's work in the most lifelike, uncompromised fidelity possible. Whether it's the feather-light harmonic layering of the collective's background vocals, echoing cavity of Leavell's gospel-tinted piano, skin-against-skin smack of Jaimoe's congas, or sweet dobro lines laid down by Betts, this version betters all previous pressings by bringing you, the listener, as close to the studio as any record feasibly can.


    Having stayed at the top of the Billboard charts for five consecutive weeks, Brothers and Sisters constitutes the Allman Brothers Band's biggest commercial triumph. Given the circumstances surrounding its creation, such an accomplishment hardly seemed possible. Fresh from licking their wounds over Duane's tragic motorcycle accident, the group experienced dÉjà vu when Oakley met the same fate just blocks away from where his mate was killed. Rather than collapse, the Allman Brothers Band tightened up and mellowed out, inviting Leavell to join instead of recruiting another guitarist.


    What the sextet gets in return for its troubles is music that marks the concrete beginnings of a form that soon become known as Southern rock. Leavell and Betts exchange notes as if the pair has been trading ideas since they were children. Slide guitars still tread over greasy grooves, yet the Allman Brothers Band digs deeper into country dirt, parlaying a twang anchored by Betts' picking and abetted by Gregg's organic, shot-of-blues vocals. The laidback vibe manifests on the signature "Ramblin' Man," a hit evocative of the record's breezy melodies and friendly interplay.


    The cover art further reveals the Allman Brothers Band's mindset. Golden, tranquil, idyllic, Southern, loving: It's a paradise-longing view that would soon come crashing down in the group's lives but one that, for the duration and existence of Brothers and Sisters, remains gloriously undisturbed.


    This title is not eligible for discount.

    1. Wasted Words
    2. Ramblin' Man
    3. Come and Go Blues
    4. Jelly, Jelly
    5. Southbound
    6. Jessica
    7. Pony Boy
    The Allman Brothers Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Eat A Peach Eat A Peach Quick View

    $49.99
    Buy Now
    x

    Eat A Peach

    Allman Brothers Band Eat a Peach on Numbered Limited Edition 180 Gram 2LP from Mobile Fidelity


    1972 Double LP Split Between Live and Studio Fare


    Last Appearance of Fallen Member Duane Allman on an Official Release


    Sonic Spectacular: Mastered from the Original Master Tapes, Mobile Fidelity Edition Captures Grit of Live Tracks and Organic Soul of Studio Cuts


    Includes Standout 33-Minute-Plus Epic "Mountain Jam"


    Features Complete, Accurate Reproduction of Gatefold Artwork


    Tributes to fallen icons don't come any more poignant or illustrative than Eat a Peach. Released in early 1972, slightly more than three months after guitarist Duane Allman died in a motorcycle accident, the double album honors the musician via sides he recorded in the studio as well as several live performances that didn't fit on the mammoth At Fillmore East. The Allman Brothers Band, determined to press on, also contributes a trio of songs completed after their soulmate's passing. Its execution is near perfect, its concept timeless.


    Mastered from the original master tapes and pressed on dead-quiet vinyl RTI, Mobile Fidelity's 180 gram 2LP of Eat a Peach joins the unparalleled reissue imprint's other Allman titles in presenting the superlative ensemble's work in the most lifelike, uncompromising fidelity possible. Not only is the punch of the concert fare transmitted with full-range dynamics and realistic spaciousness, but the studio cuts-in particular, the acoustically framed "Melissa" and "Little Martha"-come through with astounding clarity and body, replete with textural richness that affords listeners images of fingers on frets and sticks hitting drum skins.


    In all probability, the Allman Brothers Band would've leapt to the fore of music's commercial and critical elite had it not been for Duane's fateful motorcycle accident that altered history and the trajectory of the group's course. A statement of purpose and homage, Eat a Peach extends the guitarist's legacy in the form of three heart-racing live tunes recorded at Fillmore East, none more important than the nearly 34-minute harmonic showcase "Mountain Jam." Begun at the end of "Whipping Post" during the final show of the group's four-gig stand, the tour de force improvisation finds the band at the peak of its telepathic aural and communicative capacities.


    Not that the three studio originals with Duane are by any means forgettable. "Blue Sky" epitomizes the gorgeously elegant colors with which the late virtuoso could paint while the heart-stopping sentimental feel of "Little Martha" finds just he and Dickey Betts engaged in spiritual communion. To this extent, the band continues a mellower vibe on the hit "Melissa," a country-rock ballad that taps into a melancholy feel largely courtesy of Gregg Allman's weary vulnerability and Betts' lyrical, slap-back-echoing guitar lines.


    Yet nothing here eclipses the direct meaning and steadfast intent of the record-opening "Ain't Wastin' Time No More," a defiant showing of unity and understated anthem with which the band seemed to embrace as a motto. No one knew, however, that fate would again subvert the group's plans even if it could never take away the magic held within Eat a Peach, sonic and lyrical sorcery that extends to the legendary gatefold-artwork mural.


    This title is not eligible for discount.

    1. Ain't Wastin' Time No More
    2. Les Brers in A Minor
    3. Melissa
    4. Mountain Jam
    5. One Way Out
    6. Trouble No More
    7. Stand Back
    8. Blue Sky
    9. Little Martha
    The Allman Brothers Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
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