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  • Diva Diva Quick View

    $19.99
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    Diva

    Produced by Stephen Lipson and written by Lennox herself, Annie's debut solo album Diva was originally released in 1992 and features the hits Why and Walking On Broken Glass. Critically acclaimed worldwide, Diva has been described as state-of-the-art soul pop by Rolling Stone magazine and was nominated for 'Album of the Year' at that year's Grammys, where it won the 'Best Long Form Music Video' for the Sophie Muller directed accompanying video album.
    1. Why
    2. Walking on Broken Glass
    3. Precious
    4. Legend In My Living Room
    5. Cold
    6. Money Can't Buy It
    7. Little Bird
    8. Primitive
    9. Stay By Me
    10. The Gift
    Annie Lennox
    $19.99
    Vinyl LP - Sealed Buy Now
  • Funky Divas Funky Divas Quick View

    $19.99
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    Funky Divas

    Funky Divas is the second studio album by American recording R&B/pop group En Vogue. Originally released in 1992, it became their highest selling album to date and one of the top-selling albums of the year, selling over five million copies worldwide.
    1. This Is Your Life
    2. My Lovin' (You're Never Gonna Get It)
    3. Hip Hop Lover
    4. Free Your Mind
    5. Desire
    6. Giving Him Something He Can Feel
    7. It Ain't Over Till The Fat Lady Sings
    8. Give It Up, Turn It Loose
    9. Yesterday
    10. Hooked On Your Love
    11. Love Don't Love You
    12. What Is Love
    13. Thanks (Prayer)
    En Vogue
    $19.99
    Vinyl LP - Sealed Buy Now
  • Are We Not Men? We Are Diva! (Awaiting Repress) Are We Not Men? We Are Diva! (Awaiting Repress) Quick View

    $15.99
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    Are We Not Men? We Are Diva! (Awaiting Repress)

    In that mythical era known as the 90's, five brave young men emerged from the legendary halls of some of the mightiest bands on Fat Wreck Chords with a single mission: make all the rest of these dildo punk bands covering popular songs obsolete. They crowned themselves Me First and the Gimme Gimmes and the world rejoiced. Now, seven records, scores of singles and nearly a thousand years later, having tackled every genre under the sun, the bold young knaves known colloquially as the Gimmes have ridden their success hard, and decayed into desiccated, old divas. Yet, the diva, she is immortal. And thus, imbued with the old-world, Mystic Pizza-esque swagger of Cher, the modern pop-art sensibility of Lady Gaga and the enthusiasm-for-drug-consumption of Whitney Houston, Me First and the Gimme Gimmes have returned from their beauty rest, busting out of their sequined gowns, and throwing vases at their assistants in order to present you with their latest opus, entitled Are We Not Men? We Are Diva!, slated to be released on none other than Fat Wreck Chords. And you'd best believe, whether because of their tantrums or their virtuosity, once you hear these fat ladies sing, there's not gonna be a dry eye in the house.


    For the uninitiated, Me First and the Gimme Gimmes consist of Lagwagon frontman Joey Cape on the guitar, Shiflett brother (and Foo Fighter) Chris Shiflett on the other guitar, Lagwagon drummer and Fat Wreck utility superhero Dave Raun on the skins, and are rounded out by Fat Wreck-head-honcho/NOFX main-dude Fat Mike, and incomparable crooner Spike Slawson. Together, Me First and the Gimme Gimmes-an outfit that has always operated more like a beer-hall Pussycat Dolls than a regular mortal band-contain so much hot air, so much pomp, so much attitude, that it's a wonder that these guys can still manage to pull their five individual tour buses into the same parking lot, put their differences aside and belt out the ballads without clawing each other's eyes out. But they do, for the love of the fans, the music, and of course, the applause.


    In the past, The Gimmes have tackled such disparate genres as Motown, country, show tunes and even Japanese pop (sung in real live Japanese!) but none of that enabled them to truly soar as high above the eagles as they desired, feeling the wind of other, lesser bands beneath their wings. So this time, the Fat (Wreck) Five decided to take on the un-take-on-able and hit us with cuts from the likes of Celine (gasp!) Christina (Sigh!) and Paula Abdul (oh no you di'int!) among others. And as Spike's baritone somehow manages to make Whitney Houston's (Dolly Parton-penned) Theme Song To The Bodyguard EVEN MORE EPIC, you will be moved to tears. You will find joy. You will shake in your very skin as the music of these divas gently takes you by the hand and shows you how to love again. AND! You'll buy tickets to see 'em on tour.


    Because that's right folks! Nothing says 'diva' like coming to your town to bask in the torrential, gushing blasts of your love, and the Gimmes will be hitting the entire world in support of Are We Not Men? We Are Diva!, except maybe Mike, who's such a diva that he's got substitutes on hand! So grab those flowers off of your grandma's grave and head out now, to check out Me First and the Gimme Gimmes on wax and in your town, before these five outrageous harpies either kill each other or wind up as a Vegas destination act, bloated, high on pills and uh, nevermind that last part. Just go see em, eh? It's a helluva time.


    - Troy Michael (Innocent Words)

    1. I Will Survive

    2. Straight Up

    3. Believe

    4. Beautiful

    5. My Heart Will Go On

    6. I Will Always Love You

    7. Top of the World
    8. Speechless

    9. Karma Chameleon

    10. Crazy for You

    11. On the Radio

    12. The Way We Were

    Me First & The Gimme Gimmes
    $15.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Stradivari v2 Cartridge Stradivari v2 Cartridge Quick View

    $4,000.00
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    Stradivari v2 Cartridge


    A name to live up to. Meticulousness of design, spurred on by a goal of redefining the best and raising the bar ever higher, have led to a masterpiece of German craftsmanship.


    An impressive 95¬decibel dynamic range is made possible through the use of patented V2 technology and of the finest high-end materials. This lightweight precision cartridge weighs only seven grams. It is the result of highly devotional microscopic craftsmanship - mastery of perfection in design and material selection. Important ingredients are a body of long-aged ebony, a precisely ground twelve finger platform and coils of 24-gold. The result: a stunning listening experience of almost unbelievable transparency and depth. A name to live up to. Meticulousness of design, spurred on by a goal of redefining the best and raising the bar ever higher, have led to a masterpiece of German craftsmanship.

    Clearaudio Cartridges
    $4,000.00
    Moving Coil Cartridge Buy Now
  • Do Your Duty Do Your Duty Quick View

    $24.99
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    Do Your Duty

    Prior to her recent rediscovery by a new generation of admirers, Detroit-bred soul diva Bettye LaVette spent nearly four decades building a thrilling body of music that her new fans now have the pleasure of discovering. For many longtime LaVette devotees, her recordings for the Silver Fox label, and its parent company SSS International, rank with the artists finest work. Do Your Duty collects the 11 classic solo sides that LaVette cut for Silver Fox and SSS in 1969 and 1970, including her beloved R&B hits He Made a Woman Out of Me and Do Your Duty.

    1. My Train's Comin' In

    2. Do Your Duty
    3. Love Made a Fool of Me
    4. At the Mercy of a Man
    5. Piece of My Heart
    6. Easier to Say Than Do
    7. He Made a Woman Out of Me

    8. Nearer to You
    9. We Got to Slip Around

    10. I�m In Love
    11. Games People Play
    Bettye LaVette
    $24.99
    Vinyl LP - Sealed Buy Now
  • Under Construction (Pre-Order) Under Construction (Pre-Order) Quick View

    $24.99
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    Under Construction (Pre-Order)

    Attention B-girls and boys: Missy Elliott is officially over it. Like her homegirl Mary J. Blige, the rap diva declares, no more drama. Time to get back to the essence. To that end, Under Construction bubbles over with a combination of ridiculously slamming beats and clever old-school references--not to mention a slew of guest stars. Based on the rhyme schematic from UTFO's Roxanne Roxanne and featuring Ms. Jade's tight-laced drawl, Funky Fresh Dressed draws on several classics, including the Beasties' Paul Revere. Missy croons and Jay-Z namedrops his way through the loose-limbed Back in the Day. Ludacris injects some new jack Southern flavor into the sinuous anti-hater's anthem, Gossip Folks. Work It features a catchy chorus and an absolutely insane Timbaland track.

    As is to be expected, Aaliyah's presence looms large over the proceedings, especially on the classic Misdemeanor-style hip-hop and R&B hybrid, Nothing out There for Me. Missy's rap adlibs play second fiddle to the song's lush vocals, as BeyoncÉ fills the diva role previously occupied by the late, great Aaliyah. -Rebecca Levine

    1. Intro
    2. Go To The Floor
    3. Bring The Pain
    4. Gossip Folks
    5. Work It
    6. Back In The Day
    7. Funky Fresh Dressed
    8. Pussycat
    9. Nothing Out There For Me
    10. Slide
    11. Play That Beat
    12. Ain't That Funny
    13. Hot
    14. Can You Hear Me
    Missy Elliott
    $24.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Mythomania Mythomania Quick View

    $12.99
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    Mythomania

    Cryptacize deals in the unforgettable melody, the forsaken chord and the extravagant sentiment. The surefooted and richly nuanced vocal arabesques of Nedelle Torrisi, like a modern day Freddie Mercury or Ronnie Spector, strangely complement the guitar of Chris Cohen, which sounds like a maniacally sped-up a la Les Paul or staccato and funny like Roy Smeck or Adolph Jacobs of the Coasters. Syncopated drum corps rudiments and pit-orchestra rave-ups from Michael Carreira propel the songs with a refreshingly buoyant touch that never lapses into rock music clich?s. There are also widescreen cinematic moments that take on a mournful and otherworldly pathos, like Experiment in Terror by Henry Mancini, but with vocals by Cambodian 60's pop legend Ros Serey Sothea or like Arabic diva Fairouz singing along to a psychedelic film score by Popol Vuh.
    1. Tail & Mane
    2. What You Can't See Is
    3. Blue Tears
    4. Mythomania
    5. The Loving Sun
    6. Gotta Get Into That Feeling
    7. One Block Wonders
    8. The Cage
    9. Galvanize
    10. I'll Take the Long Way
    11. New Spell
    Cryptacize
    $12.99
    Vinyl LP - Sealed Buy Now
  • Lovelite (Discontinued) Lovelite (Discontinued) Quick View

    $15.99
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    Lovelite (Discontinued)

    The Spanish soul/funk outfit The Sweet Vandals' new release Lovelite is a warm, rough but nevertheless determined piece of music full of energy funk and deep black soul surrounded by a touch of groove. Songs like Funky Children or What About Love seem to reflect the magic of Dusty Springfield in Maykas voice. Songs like Againstupidity evoke the spirit of Soul and Funk godfather James Brown. Every Woman Is A Diva highlights the bands uniqueness and their charming ability of self-irony. Another especially tasty piece of music is I Hate To Hate You, structured like a classic '60s-Motown song but decorated with a certain roughness that is typical to the Vandals raw funk sound. Lovelite is an eleven-song-trip through the basic foundations of Soul and Funk. A pure record to commemorate the good old analog world.
    1. Thank You For You
    2. Good Thing
    3. Take Me Now
    4. Let's Have Some Fun
    5. I Hate To Hate You
    6. Funky Children
    7. Againstupidity
    8. What About Love
    9. Every Woman Is A Diva
    10. Speak Music
    11. Opposites
    The Sweet Vandals
    $15.99
    Vinyl LP - Sealed Buy Now
  • Coyote Ugly Coyote Ugly Quick View

    $19.99
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    Coyote Ugly

    The latest Jerry Bruckheimer production focuses on five twenty-something women working their way through life at a fashionable bar in New York City. Four new LeAnn Rimes tracks highlight this collection. Though all from the pen of veteran songwriter Diane Warren, the tracks vary in style from diva pop (Fight the Moonlight) to sentimental musings (Please Remember). It's only a matter of time before Rimes leaves country music completely behind for the sleek modern world of mainstream pop. The remaining songs are a hodgepodge of different eras. EMF's Unbelievable and Snap's The Power hark back to the early 1990s, while Don Henley and INXS deliver the dancebeat kick of the '80s. The firing fiddle of the Charlie Daniels Band's 1979 hit The Devil Went Down to Georgia seems out of context here. But then, this bar must have one odd jukebox to begin with. --Rob O'Connor
    1. LeAnn Rimes - Can't Fight The Moonlight (Theme From Coyote Ugly)
    2. LeAnn Rimes - Please Remember
    3. LeAnn Rimes - The Right Kind Of Wrong

    4. LeAnn Rimes - But I Do Love You
    5. Don Henley - All She Wants To Do Is Dance
    6. EMF - Unbelievable
    7. Snap - The Power
    8. INXS - Need You Tonight
    9. The Charlie Daniels Band - The Devil Went Down To Georgia
    10. Rare Blend - Boom Boom Boom
    11. Tamara Walker - Didn't We Love
    12. Mary Griffin - We Can Get There (TP2K Hot Radio Mix)
    Various Artists
    $19.99
    Vinyl LP - Sealed Buy Now
  • Callas at La Scala (Studio Recital) Callas at La Scala (Studio Recital) Quick View

    $21.99
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    Callas at La Scala (Studio Recital)

    Coinciding with the new Callas Live Remastered Edition, the catalog's 2017 priority, Warner Classics re-releases two of Maria Callas' legendary studio recitals on vinyl, using the state of the art remastering done in 2014.


    Callas first sang at Milan's legendary La Scala for the opening of the 1951-52 season (in Verdi's I vespri siciliani) and she became closely identified with the theater, notably in productions directed by Luchino Visconti and his protÉgÉ Franco Zeffirelli. Spontini's La vestale was staged for her there in 1954, Bellini's La sonnambula in 1955, and her final La Scala performances came in 1962 with Cherubini's Medea.


    Callas at her most spell-binding and enthralling, wrote Gramophone, Callas at La Scala ( ) shows the diva at her most exciting and most beautiful.

    1. La sonnambula, Act 1: Compagne, temiri amici ....Come per me sereno
    2. La sonnambula, Act 3: Oh, se una volta sola ....Ah! non credea mirarti
    3. Medea, Act 1: Dei tuoi figli la madre from Medea
    4. La Vestale, Act 2: Tu che invoco con orrore
    5. La Vestale, Act 2: O nome tutelar
    6. La Vestale, Act 3: Caro oggetto
    Maria Callas
    $21.99
    Vinyl LP - Sealed Buy Now
  • Dusty In Memphis Dusty In Memphis Quick View

    $21.99
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    Dusty In Memphis

    Ranked 89/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Britain's greatest pop diva Dusty Springfield was the finest white soul singer of her era and this landmark Atlantic Records album from 1969 is a masterpiece, a perfect marriage of pop and soul...contains her top 10 hit Son Of A Preacher Man plus several other hit singles and classic tracks...


    Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include Son Of A Preacher Man, So Much Love, Breakfast In Bed, Just One Smile, I Don't Want To Hear It Anymore and Just A Little Lovin'. Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.

    1. Just A Little Lovin'
    2. So Much Love
    3. Son Of A Preacher Man
    4. I Don't Want To Hear It Anymore
    5. Don't Forget About Me
    6. Breakfast In Bed
    7. Just One Smile
    8. The Windmills Of Your Mind
    9. In The Land Of Make Believe
    10. No Easy Way Down
    11. I Can't Make It Alone
    Dusty Springfield
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Is It Love Or Desire Is It Love Or Desire Quick View

    $24.99
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    Is It Love Or Desire

    Legendary '70s R&B diva Betty Davis is currently in the midst of a long-overdue resurgence, and with good reason. The charismatic funk/soul iconoclast's vintage work retains a timeless blend of sex and substance that establishes Davis as both a musical visionary and a world-class badass.


    The current resurgence of interest in Davis' classic work makes Sundazed Music's vinyl release of Is It Love or Desire a timely one indeed. Recorded in 1976, following the artist's landmark albums Betty Davis, They Say I'm Different and Nasty Gal, Is It Love or Desire was unexpectedly shelved. The artist retreated from the spotlight soon after, and Is It Love or Desire remained unheard by the public for more than three decades. It has never been released or even bootlegged until now.


    Finally available to Davis' still growing fan base, Is It Love or Desire is a revelation. Recorded at Louisiana's remote Studio in the Country with Davis' skintight band Funk House, the ten-song album contains some of the most powerful and personal music of the artist's career, with such titles as It's So Good, Whorey Angel and Crashin' From Passion ranking with Davis' most memorable work.


    This first-ever vinyl edition of Is It Love or Desire maintains Sundazed's usual exacting quality standards. Mastered from the original analog tapes, the album is pressed on high-quality, high definition 180g vinyl and features new cover art and previously unseen photos.

    1. Is It Love or Desire
    2. It's So Good
    3. Whorey Angel
    4. Crashin' From Passion
    5. When Romance Says Goodbye
    6. Bottom of the Barrel
    7. Stars Starve, You Know
    8. Let's Get Personal
    9. Bar Hoppin'
    10. For My Man
    Betty Davis
    $24.99
    Vinyl LP - Sealed Buy Now
  • Lay Me Down Lay Me Down Quick View

    $34.99
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    Lay Me Down

    Analogue Productions proudly brings you Lay Me Down, alternative rock /folk / pop diva Nancy Bryans stunning debut album of original songs touching on a variety of emotions from apocalyptic visions and the struggle of the inner soul to sensitively spun tales of love spinning out of control.


    Nancy has been likened to Joni Mitchell and Sarah McLachlan but with an edge. Lay Me Down features an all-star group of musicians including producer /guitarist John Koenig, bassists Dan Schwartz (Tuesday Music Club, Linda Perry, Sheryl Crow and more), Jimmy Johnson (James Taylor and more) and Jerry Scheff (Elvis Costello, Roy Orbison, Elvis Presley and more), drummers Burleigh Drummond (Ambrosia) and Peter Erskine (Weather Report, Steely Dan and more) and songwriter, acoustic guitarist and vocalist John Bryan.


    Nancy Bryan has a crystalline soprano and a mournful songwriting sensibility, highlighted by one of the most dynamic and timbrally pure recordings I've heard in a long time...the disc sounds naturally ambient, crisp and articulate.
    -- Wes Phillips, Stereophile


    This title is not eligible for discount.

    1. Blood Song
    2. Lay Me Down
    3. Long Way Home
    4. I'll Be Waiting
    5. Come Back To Me
    6. Sweet Havana
    7. Guilty
    8. My Love Is A Message
    9. Falling Stars
    10. In And Out Of Time
    Nancy Bryan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Dusty In Memphis Dusty In Memphis Quick View

    $54.99
    Buy Now
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    Dusty In Memphis

    Ranked 89/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Britain's greatest pop diva Dusty Springfield was the finest white soul singer of her era and this landmark Atlantic Records album from 1969 is a masterpiece, a perfect marriage of pop and soul...contains her top 10 hit Son Of A Preacher Man plus several other hit singles and classic tracks...


    Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include Son Of A Preacher Man, So Much Love, Breakfast In Bed, Just One Smile, I Don't Want To Hear It Anymore and Just A Little Lovin'. Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.


    This title is not eligible for discount.

    1. Just a Little Lovin'
    2. So Much Love
    3. Son of a Preacher Man
    4. I Don't Want to Hear It Anymore
    5. Don't Forget About Me
    6. Breakfast In Bed
    7. Just One Smile
    8. The Windmills of Your Mind
    9. In the Land of Make Believe
    10. No Easy Way Down
    11. I Can't Make It Alone
    12. Willie and Laura Mae Jones
    13. Hi-De-Ho (That Old Sweet Roll)
    14. What Do You Do When Love Dies
    Dusty Springfield
    $54.99
    200 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Liital Liital Quick View

    $19.99
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    Liital

    Senegalese griot Aby Ngana Diop was famous for her taasu, a form of oral poetry spoken to the rhythmic accompaniment of sabar and tama drums. Taasu is typically created and performed by griot women (a class of poets, storytellers and/or musicians), with a lead taasukat (practitioner of taasu) performing her distinct style of heightened, rhythmically declaimed speech in call-and-response with a small chorus of female vocalists. (Taasu is seen by some to be a predecessor to rap.) Throughout the 1980s and 1990s, Diop developed a reputation for being one of the most sought-after taasukats in Dakar, performing with her backup singers, dancers and drummers at parties, weddings and baptisms of the Dakar elite, including government officials and dignitaries. Aby Ngana Diop was undisputedly the best taasukat of her generation.


    In 1994, the Dakar diva released her one and only studio cassette recording, Liital, to the Senegalese market. Liital was groundbreaking in the history of Senegalese music because it was the first commercial recording to feature a traditional female taasukat performing to the modern accompaniment of mbalax, Senegal's quintessential pop genre. The combination of Diop and her backup vocalists with their powerful taasu, along with the driving, complex rhythms of the sabar and tama drums, mixed with key elements of mbalax (such as the syncopated, polyphonic marimba sounds played on the Yamaha DX7 keyboard) was something the Senegalese public had never heard before. But it wasn't only because of the fusion of taasu with mbalax; unlike in other mbalax tunes, the musical arrangements on this cassette are instead peculiarly minimalist and almost trance-like, with static harmonies and melodic figures
    playing more of an atmospheric role. The cassette became a huge hit, propelling Diop to a new level of superstardom. It could be heard blasting from taxis and from loudspeakers at house parties, weddings and baptisms for years to come. Liital bridged the gap between the more traditional taasu and the modern mbalax sound, thus appealing to all generations of the Senegalese public - and they simply couldn't get enough of it.


    When Aby Ngana Diop died unexpectedly on July 4, 1997, the country mourned her passing, but continued to celebrate her music. Other artists such as Cheikh Lô, Thio Mbaye and Lamine TourÉ released recordings based on some of Diop's taasu and accompanying drum phrases, paying further tribute to her musical legacy. Although this cassette has caught the attention of some African music aficianados who have stumbled upon it in recent years, it remains largely unknown to the wider world. Hopefully this re-release from Awesome Tapes From Africa will change that.

    1. Dieuleul-Dieuleul
    2. Ndame
    3. Yaye Penda Mbaye
    4. Liital
    5. Sapaly
    6. Ndadje
    Aby Ngana Diop
    $19.99
    Vinyl LP - Sealed Buy Now
  • Sings the Blues (Speakers Corner) Sings the Blues (Speakers Corner) Quick View

    $34.99
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    Sings the Blues (Speakers Corner)

    In both her public and private life, Nina Simone was adamant about one thing, namely, what she simply would not tolerate. She sometimes complained about the miserable erotic prowess of her lovers, while at other times her audience were a target for her tongue. Sometimes she cancelled her performances at short notice and held a tirade against show business as such. In her music, rooted in gospel, she sought a path which took her down a middle course between jazz and pop, thus earning her the title of High Priestess Of Soul (as in the LP title) with her rock fans in the Sixties.



    The present blues album was recorded during what was undisputedly her most productive phase. It is a recording which does not swim with the tide of the times in that it does not employ massive forces or seek the twang of electrification. Instead Nina Simone's wonderfully sleek contralto voice bathes in the gentle timbre of an organ and a pithy, pulsating - but by no means stomping - rhythm. The cool, unemotional number "Sings The Blues" guarantees riveting tension and the authenticity of the genre which is, of course, the be all and end all of music for every black artist. Surely no compilation, no matter how carefully conceived, could possibly mark the diva's 70th birthday in February and sudden death in April 2203 better than this re-release.



    Musicians:



    • Nina Simone (piano, vocal)

    • Rudy Stevenson, Eric Gale (guitar)

    • Ernest Hayes (organ)

    • Bob Bushnell (bass)

    • Bernard Purdie (drums)





    Recording: 1967 by Ray Hall and Mickey Crofford at RCA Victor's Studio B, New York

    Production: Danny Davis




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Do I Move You
    2. Day And Night
    3. In The Dark
    4. Real Real
    5. My Man's Gone Now
    6. Backlash Blues
    7. I Want A Little Sugar In My Bowl
    8. Buck
    9. Since I Fell For You
    10. The House Of The Rising Sun
    11. Blues For Mama
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Divine Miss M The Divine Miss M Quick View

    $24.99
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    The Divine Miss M

    Numbered Limited Edition



    Midler's Grammy-Winning 1972 Debut Announces the Birth of a Superstar



    Record Overflows With Energy and Personality: Torch Songs, Girl-Group Classics, Campy Remakes, Theatrical Pieces Delivered With Supreme Emotion

    Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (Best Plant in North America): Midler's Voice Upfront and Centered, Every Nuance of Her Phrasing Laid Bare



    Oh, behave! Bette Midler's sparkling, energy-pulsing 1972 debut features the singer honing her trademark brassy personality as well as showing off an intimate, raw edge that fell by the wayside later in her career. Witness her forlorn, melancholic, and heartbroken moods, all conveyed with supreme emotion on several riveting ballads. But this LP is no downer. Midler offsets any bleakness with playfully campy songs laced with unadulterated enthusiasm and joyous defiance. This is a diva lover's delight. The music is astonishingly alive. A superstar is born!



    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents The Divine Miss M with the warmly cozy and front-row perspective that the music demands. Midler's voice is transparent and full, the timbrel shadings colorfully outlined, the vocal images appearing as if she's singing just a few feet away. Similarly, her cast of back-up vocalists (the Harlettes) receives ample face time on songs that come across as if performed by a girl-group revue. Midler has cut many records in her career but none are this entertaining, diversified, and, now, sonically spectacular.



    There's always risk associated with interpreting other artists' classics and hits, but Midler makes every song here her own. She injects Chapel of Love with extra swagger and feminine gusto. In her hands, the Carpenters' Superstar becomes more heartbreaking, filled with desolate sentiment and lonesome ache. John Prine's ballad Hello In There echoes, as if sung to an empty room, with forlorn emotion. The 50s smash Leader of the Pack positively stomps and declares, her band in tow, that she's not going to be stopped. Indeed, Midler's interpretations of these staples surpass the previous versions, mostly due to her impeccable strong vocals and contagious passion. She doesn't quit. And don't you dare decline her offer on Do You Want to Dance!



    What else can be said of her trademark Boogie Woogie Bugle Boy, her update of the Andrews Sisters' jazzy hit landing in the Top 10, featuring a scat vocal (!), and smartly walking the line between campy fun and serious reverence. Similarly, Midler's two takes of Friends--the first off-the-cuff, wild, snappy, and humorous; the second slightly cooler and infused with gorgeous harmonies--remain modern marvels. There's not a bad note on this incredible record.



    The Divine Miss M has always been prized for its clear, clean production. Mobile Fidelity's Silver Series LP further improves the sound, which, in combination with Midler's performances, make this collectible reissue an absolute no-brainer!


    This title is not eligible for discount.

    1. Do You Want to Dance? (Bobby Freeman)
    2. Chapel of Love (Jeff Barry, Ellie Greenwich, Phil Spector)
    3. Superstar (Bonnie Bramlett, Leon Russell)
    4. Daytime Hustler (Jeff Kent)
    5. Am I Blue (Jarry Akst, Grant Clark)
    6. Friends (Mark Klingman, Buzzy Linhart)
    7. Hello In There (John Prine)
    8. Leader of the Pack (Jeff Barry, Ellie Greenwich, George Morton)
    9. Delta Dawn (Larry Collins, Alex Harvey)
    10. Boogie Woogie Bugle Boy (Don Raye, Hughie Prince)
    11. Friends (Reprise) (Mark Klingman, Buzzy Linhart)
    Bette Midler
    $24.99
    Vinyl LP - Sealed Buy Now
  • Lovely And Alive (Speakers Corner) Lovely And Alive (Speakers Corner) Quick View

    $34.99
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    Lovely And Alive (Speakers Corner)

    Singing actors and actresses do not always cut a good figure on the silver screen; play-acting singers, however, are all the better when they draw attention to themselves with great vocals. As did Lena Horne in the days of the black-and-white film, who, with her sultry, versatile voice, was constantly employed by Hollywood. Although she occasionally ventured into the world of jazz, and made music with Teddy Wilson and Benny Carter, she never forayed into the wide world of improvisation. Her musical home was in the American Songbook, which she approached with a natural and entertaining manner. A good example of this is the first number here - the Cole Porter classic I Concentrate On You, which swings along to the perfectly recorded big-band sound of the Marty Paich Orchestra. A surprise element is the extensive palette of vocal sound-colouring with which the diva enhances her voice to achieve the drama of a Shirley Bassey or the dusky depths of a Dinah Washington. Each and every number on this Grammy-worthy album has been thought out in great detail and guarantees sophisticated entertainment, and a hint of West Coast jazz is perceptible when Jack Sheldon treats us to the sound of his warm and dark trumpet solos.



    Recording: 1962

    Production: Dick Peirce



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. I Concentrate On You
    2. I Get The Blues When It Rains
    3. I've Grown Accustomed To His Face
    4. I Got Rhythm
    5. I'm Confessin' (That I Love You)
    6. I Want To Be Happy
    7. I Surrender, Dear
    8. I Found A New Baby
    9. I Understand
    10. I Let A Song Go Out Of My Head
    11. I Ain't Got Nobody (And Nobody Cares For Me)
    12. I Only Have Eyes For You
    Lena Horne
    $34.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Waiting To Exhale Soundtrack Waiting To Exhale Soundtrack Quick View

    $35.99
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    Waiting To Exhale Soundtrack

    Masterfully Produced And All But One Track Written By Kenneth "Babyface" Edmonds


    Featured R&B Divas Old School (Aretha Franklin, Patti Labelle, Chaka Khan) And New School (Whitney Houston, Brandy, Mary J. Blige)


    Released In Purple Vinyl (Whitney Houston's Favorite Color)


    Waiting to Exhale was a phenomenon on so many levels. First, it was a literary phenomenon, as the 1992 novel launched author Terry McMillan to superstardom. Then, when the feature film based on the book was released in 1995, it became a broader cultural phenomenon-a mainstream Hollywood film focusing on the lives of four African-American women was a genuinely revolutionary act at the time. And, finally, it was a musical phenomenon, as its soundtrack seamlessly blended female R&B divas new school (Whitney Houston, Brandy, Mary J. Blige, etc.) and old school (Aretha Franklin, Patti LaBelle, Chaka Khan) in a masterful suite of songs composed and produced by Kenneth "Babyface" Edmonds.


    Critical and commercial reaction to the soundtrack was over the top; The New York Times deemed the album one of the Top Ten releases of the year, and the record topped the Billboard Pop and R&B charts for five and ten weeks, respectively, spawning the #1 hit singles "Exhale (Shoop Shoop)," "Not Gon' Cry," and "Let It Flow." Yet, because the album came out in 1995 at the height of the CD era, Waiting to Exhale never came out on LP in the U.S., and was released in Europe as a low-budget 2-LP set with both records stuffed inside a single album jacket pocket.


    Now, Real Gone Music is releasing this landmark '90s R&B album on vinyl in America for the first time in a limited edition (of 1000) gatefold double-LP package sporting a luminous photo of the movie's four principal actors (Whitney Houston, Angela Bassett, Lela Rochon, and Loretta Devine) on the inside spread and pristine vinyl pressed in purple (Whitney's favorite color).


    Gently pulsating and seductive, Waiting to Exhale is Babyface's masterpiece, one of the great make-out records of all time; now you can get that slow jam groove in the grooves!

    LP 1
    1. Exhale (Shoop Shoop) - Whitney Houston
    2. Why Does It Hurt So Bad - Whitney Houston
    3. Let It Flow - Toni Braxton
    4. It Hurts Like Hell - Aretha Franklin
    5. Sittin' Up In My Room - Brandy
    6. This Is How It Works - TLC
    7. Not Gon' Cry - Mary J. Blige
    8. My Funny Valentine - Chaka Khan


    LP 2
    1. And I Gave My Love To You - Sonja Marie
    2. All Night Long - SWV
    3. All Night Long - Chante Moore
    4. My Love, Sweet Love - Patti LaBelle
    5. Kissing You - Faith Evans
    6. Love Will Be Waiting At Home - For Real
    7. How Could You Call Her Baby - Shanna
    8. Count On Me - Whitney Houston & CeCe Winans

    Various Artists
    $35.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Dap-Dippin' Dap-Dippin' Quick View

    $15.99
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    Dap-Dippin'

    Remastered From The Original Tapes


    Includes Previously Unreleased Duet With Lee Fields


    It's hard to believe that Sharon Jones' debut LP is a product of the year 2002, for several reasons. Given the excellent singles she recorded for Desco beginning in the late '90s, it seems like she would have gotten the opportunity for a full-length sooner; plus, her brand of raw, heavy, hard-driving funk is such a throwback to the '70s, and she pulls it off so well, that you wonder how she could have escaped that decade without at least a few rare, classic 45s (in the vein of labelmate Lee Fields). It's not hard to believe she once made her living as a prison guard, based on the tough-as-nails, no-nonsense performances she belts out on Dap Dippin' With Sharon Jones & the Dap-Kings, the first full-length release on Desco's descendant, Dap-Tone. Backed by the Dap-Tone house band (a conglomeration of studio pros with connections reaching back to the Desco orbit), Jones delivers a storming set of tunes that would have sounded perfectly at home on the James Brown's Original Funky Divas compilation. The style and quality are pretty consistent all the way through, but it's hard not to single out the nearly unrecognizable cover of Janet Jackson's What Have You Done for Me Lately, which is transformed into a churning blast of funk full of biting guitars (and nary a synth or drum machine in sight). Other highlights include the chunky leadoff track, Got a Thing on My Mind, the would-be dance-craze The Dap Dip, the slow-burning Make It Good to Me, and the trials-and-tribulations tale Ain't It Hard. Plus, label head Gabriel Roth throws in his usual authentic trappings -- the fake live introduction running down Jones' hits, the intentionally dated copy on the back cover -- that make the whole package even more fun. All in all, a terrific debut.

    1. Got A Thing On My Mind
    2. What Have You Done For Me Lately?
    3. The Dap-Dip
    4. Give Me A Chance
    5. Cut The Line
    6. Will You Be True *
    7. Got To Be The Way It Is
    8. Make It Good To Me
    9. Ain't It Hard
    10. Pick It Up, Lay It In The Cut
    11. Casella Walk


    *Previously Unreleased

    Sharon Jones
    $15.99
    Vinyl LP - Sealed Buy Now
  • The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set Quick View

    $469.99
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    The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set


    * 800 Newly-Remastered Digital Tracks, Representing 172 Artists


    * 200+ Fully-Restored Original 1920s Ads And Images


    * 6x 180g Vinyl LPs Pressed On Burled Chestnut Colored Vinyl W/ Hand-Engraved, Blind-embossed Gold-Leaf Labels, Housed In A Laser-Etched White Birch LP Folio


    * 250 Page Deluxe Large-Format Clothbound Hardcover Art Book


    * 360 Page Encyclopedia-Style Softcover Field Guide Containing Artist Portraits And Full Paramount Discography


    * Handcrafted Quarter-Sawn Oak Cabinet With Lush Sage Velvet Upholstery And Custom-forged Metal Hardware


    * First-Of-Its-Kind Music And Image Player App, Allowing User Mgmt Of All Tracks And Ads, Housed On Custom-Designed USB Drive


    How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in 'The Rise and Fall of Paramount Records 1917-1932,' an epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, to be jointly released by Jack White's Third Man Records and John Fahey's Revenant Records.


    'Volume One,' which covers the label's improbable rise from 1917-1927, will be released exclusively through Third Man on October 29, and worldwide on November 19. The project is co-produced by leading Paramount authority Alex van der Tuuk, and 'Volume 2' will be released in November 2014.


    Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a "race records" powerhouse, its sound and fortunes directly linked to the Great Migration.


    By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable "other" (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.


    The 'Rise and Fall' wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences.

    6 LPs feature 87 tracks from the collection.


    USB Drive contains 800 digital tracks by 172 artists across the Paramount family of labels, including the earliest recordings of:
    King Oliver, Jelly Roll Morton, Blind Blake, Fats Waller, Ma Rainey, Blind Lemon Jefferson, Duke Ellington, Louis Armstrong, Fletcher Henderson, Alberta Hunter, Papa Charlie Jackson, Ethel Waters, Coleman Hawkins, Johnny and Baby Dodds, Bo Weavil Jackson, Jimmy O'Bryant, Buddy Boy Hawkins, Tiny Parham, Jimmy Blythe, and Jaybird Coleman.

    Various Artists
    $469.99
    180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed Buy Now
  • But Beautiful (Pure Pleasure) But Beautiful (Pure Pleasure) Quick View

    $34.99
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    But Beautiful (Pure Pleasure)

    A highly successful and respected jazz and soul singer, Nancy Wilson bridges the gap between the classic pop vocal era of Peggy Lee, Frank Sinatra and Ella Fitzgerald and the belting R&B divas of today. Though Nancy Wilson has always cited the emotionally naked, androgynous vocal style of Jimmy Scott as her primary influence, her voice carries definite echoes of Dinah Washington and Sarah Vaughan. Yet Wilson also has always had a strong feeling for post-Sam Cooke soul and the tartness of her delivery carries more than an echo of the sometimes-icy Lena Horne. Young and heart-stoppingly beautiful, Wilson was discovered singing in a N.Y.C. jazz club in the late 1950s by Cannonball Adderley, who told his management at Capitol Records that they needed to scoop her up before another label did. Wilson was immediately signed and started recording for Capitol, the premier vocal label of the 1950s and '60s.




    Musicians:



    • Nancy Wilson (vocal)

    • Hank Jones (piano)

    • Gino Bertachini (guitar)

    • Ron Carter (bass)

    • Grady Tate (drums)




    Recording: November 1969 in New York City

    Production: David Cavanaughdeutsch




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Happiness Is A Thing Called Joe
    2. Oh! Look At Me Now
    3. Glad To Be Unhappy
    4. Do It Again
    5. But Beautiful
    6. Easy Living
    7. Prelude To A Kiss
    8. I Thought About You
    9. For Heaven's Sake
    10. Supper Time
    11. I'll Walk Alone
    12. Darn That Dream
    13. In A Sentimental
    Nancy Wilson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 19 19 Quick View

    $24.99
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    19

    The moment you hear her voice you realize this is someone special. Critically acclaimed U.K. soul singer Adele releases her debut album 19 in the U.S. after debuting #1 on the U.K. charts. The first single, Chasing Pavements, characterizes her autobiographical approach, written after a brawl in a London club with her boyfriend which sent her fleeing out the door onto Oxford Street. Adele became the first recipient of the Brit Awards' newly inaugurated Critics Choice Honor in December and 19 has already been certified platinum in the U.K.


    Teenage Londoner with the voice of a Motown Diva. - Q

    1. Daydreamer
    2. Best For Last
    3. Chasing Pavements
    4. Cold Shoulder
    5. Crazy For You
    6. Melt My Heart To Stone
    7. First Love
    8. Right As Rain
    9. Make You Feel My Love
    10. My Same
    11. Tired
    12. Hometown Glory
    Adele
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Renaissance The Renaissance Quick View

    $24.99
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    The Renaissance

    Q-Tip's highly anticipated new album The Renaissance mixes soul beats, piano, guitars and his usual thought-provoking lyricism, which takes you on a trip from relationships and summer songs to social issues of late and has a kind of '90s over-all feel. Features the Norah Jones collaboration Life Is Better which serves as a tribute to all of Q-Tip's favorite rappers, including Biz Markie, LL Cool J, Snoop Dogg, Easy-E, Bone Thugs-N-Harmony, Brand Nubian and Pimp C. Also features guest appearances from Raphael Saadiq, D'Angelo and Amanda Diva.
    1. Johnny Is Dead
    2. Won't Trade
    3. Gettin' Up
    4. Offishal
    5. You
    6. Fight/Love
    7. Manwomanboogie
    8. Move
    9. Dance on Glass
    10. Life Is Betta
    11. Believe
    12. Shaka
    Q tip
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
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