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MMF- USB 1 Turntable
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Music Hall's new usb-1 is a convenient, easy to use, and fun turntable. It's a snap to set-up and comes with everything you need to start spinning vinyl. Whether you're looking to digitize and download your record collection, release your inner DJ, or simply discover the joy of spinning vinyl, the usb-1 is your answer. It has a built-in phono preamp, cartridge, dust cover, and includes all necessary cables and software required for simple plug and play operation.$249.00MMF- USB 1 - With Cartridge Buy Now
RollerchainRollerchain is the fourth full-length album from Belleruche, out on Tru Thoughts Records, and it showcases a stunning new progression in sound for the acclaimed London trio. Belleruche have created a darker, more bass heavy and evocative sound here, whilst still retaining the melodic soulful touch that sets them apart and has gained them a worldwide fanbase.
Stormbird is a sub bass driven pop song with clipped drums, tempo shifts and swells of looped feedback, unlike Belleruche's previous work but drawing from the same cabinet of sonic references. As the album opener, this gorgeous little distorted oddity of a track gets your attention and runs away with it through the shadows into a new sonic underworld.
Combining a very modern aesthetic with classic song writing ability, the album is a collision of haunting vocals, tough analogue sounds and bleeding edge electronic production. Stranger rhythms and basslines inhabit this record; both in the studio and onstage. Belleruche have picked up new instruments and ideas to create a complexity and an attack that incorporate the band's core elements: vocals (Kathrin deBoer), guitar (Ricky Fabulous) and turntables (DJ Modest), to an entire new level! 2LP pressing with CD insert.1. Stormbird
2. Wasted Time
3. Get More
4. 16 Minutes
5. Reach for the Bottle
6. Passenger Side
12. Song for Bill
13. Longer Days, Longer Nights$19.99Vinyl LP + CD - 2 LPs Sealed Buy Now
Tyranny And Mutation (Speakers Corner)Let's look back nostalgically to the days when influential DJs presented their precious wares on the radio, which were lapped up by listeners and music pirates alike. That progressive, perhaps psycho, rockers such as the Blue Öyster Cult led a somewhat niche existence makes one all the more eager to listen to the truly awesome discs recorded by this group in their early days. An important start was made with the re-release of BÖC's Secret Treaties (Columbia KC 32858), which is now followed by Tyranny And Mutation - another great disc. Although the band offers a mix of slightly subdued, milder pieces, the opening number The Red & The Black makes it fully clear that we are in for a dizzy roller-coaster ride here. Subsequently the Black side with its straightforward guitar riffs is mixed together with a complex melody and results in an amazingly colourful sound (O.D.'d On Life Itself), it is refreshingly naive, full of feisty complicated rock (Baby Ice Dog), and soars to celestial heights in Wings Wetted Down with its polyphonic male voices.
After the death of 'Lemmy' Kilmister in 2015, we can now enjoy only one group with a heavy-metal Umlaut in its name. But who wants to wait around until some radio DJ puts this great chunk of meaty rock'n'roll on the turntable?
- Eric Bloom (guitar, keyboards, vocal)
- Allen Lanier (keyboards, guitar)
- Donald 'Buck Dharma' Roeser (guitar, vocal)
- Joe Bouchard (bass, vocal, keyboards)
- Albert Bouchard (drums, vocal)
Recording: 1972 at Columbia Studios, New York City, by Tim Geelan
Production: Murray Krugman and Sandy Pearlman
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. The Red & The Black
2. O.D.'d On Life Itself
3. Hot Rails To Hell
4. 7 Screaming Diz-Busters
5. Baby Ice Dog
6. Wings Wetted Down
7. Teen Archer
8. Mistress Of The Salmon Salt (Quicklime Girl)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Music To Draw To: SatelliteKid Koala's Music To Draw To: Satellite is an uncharted musical journey for the legendary scratch DJ, producer, and composer. Kid Koala's fifth studio album is an expansive work of ambient electronic soundscapes and chilling ballads sung by Icelandic artist Emiliana Torrini. Created during the gelid Montreal winter, its eighteen movements tell a tale of discovery and loss through the lens of lovers separated by an early space mission to Mars. An album of many firsts for Eric San, this inaugural volume in the Music To Draw To series features Kid Koala collaborating with a vocalist, writing lyrical poetry, and producing and performing all instruments. Satellite is the renowned audio-collagist's first non-sample-based record, instead using an array of synthesizers, keys, guitars, strings, turntables, noisemakers and San's inventive recording techniques to lay out this heartrending musical story. The output is in stark, beautiful comparison an ambient masterpiece: over 72 atmospheric minutes of stardust settling over Kid Koala's trove of turntables and sentiment.1. The Observable Universe
2. Adrift (ft. Emiliana Torrini)
3. Transmission 1
4. Fallaway (ft. Emiliana Torrini)
7. Beneath The Heat (ft. Emiliana Torrini)
9. Transmission 2
10. Collapser (ft. Emiliana Torrini)
11. Transmission 3
12. The Hubble Constant
13. Satellite (ft. Emiliana Torrini)
16. The Darkest Day (ft. Emiliana Torrini)
18. Nightfall Pale Blue (ft. Emiliana Torrini)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Awe OweDrawing from a rich variety of influences from the cradle to his crate digging years, Roberto C. Lange as Helado Negro cites influences such as Funkadelic, DJ Premiere, South American 60's pop, Arthur Russell, Ecuadorean ballad singer Julio Jaramillo, and the production style of Adrian Sherwoods in the early ON-U Sound releases. But when asked about his contemporaries, Lange references all the players on the album, adding the names of visual artists David Ellis and Christian Marclay, two artists who use elements of DJ culture in their work. This is apropos when listening to the record.1. Venceremos
2. Espuma Negra
3. Dos Sue?os
5. I Wish
7. Time Aparts
9. Ver a Ver
11. Deja$16.99Vinyl LP - Sealed Buy Now
In 1972 few groups could have had their single nominated as Tony Blackburn's hit-pick while simultaneously being championed by underground DJ John Peel, Manchester pop quartet 10CC did just that. 10CC's music has always been able to be taken on a number of levels, and even though this was the glam era they felt a greater affinity with Americans Steely Dan. Their clever lyrics certainly put them in the Becker-Fagen bracket. The highlights of this long-player are still very much present and correct, so enjoy a return to those glorious vinyl days...1. Johnny, Don't Do It
2. Sand In My Face
4. The Dean And I
5. Headline Hustler
6. Speed Kills
7. Rubber Bullets
8. The Hospital Song
9. Ships Don't Disappear (Do They?)
10. Fresh Air For My Mama$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Uptown SpecialUptown Special, the fourth album by producer-songwriter-musician Mark Ronson, is a tale of several cities, a wide range of collaborators, and a road trip deep into the American South. However the story of Ronson's latest project really starts back when he was New York's hottest DJ.
In the late 1990s into the early 2000s the New York club scene was percolating with booming hip-hop and glitzy R&B. In those days before he emerged as a multi-talented musical force Ronson manned the turntables of many great parties. "It was a fun time to be playing music," he says. "At clubs like Cheetah you didn't have to play a hip hop record until 1a.m. You could play early '80s classics by Chaka Khan, Boz Scaggs and Michael Jackson and rock the crowd. I'd play Steely Dan's 'Black Cow' at 11:30 and it world work. Then, at 1am you'd play 'Hypnotize' by Biggie and the crowd would go wild. I come back to those memories."
This mix of vintage R&B and pop with contemporary hip-hop is what made Ronson a star DJ. "I never get tired of hearing records like Earth, Wind & Fire's 'Can't Hide Love' next to 'Rock the Boat' by Aaliyah," says Ronson. "I wanted this record to feel like hearing that kind of musical mix on great New York club night."
Uptown Special has all of the flavor of a night with Mark rocking the ones and twos with funk, soul, and psychedelic pop in a style that echoes classic productions by Quincy Jones and Steely Dan, and funneled through its creators sophisticated understanding of arrangement and melody. Of his three previous albums Mark feels like Uptown Special is closest in spirit to his 2003 debut, Here Comes the Fuzz, which came directly out his DJ experience. "The difference," Mark says "is I was reaching for things musically I wasn't quite ready to execute. With all the experience I've gained over the years I had the maturity and knowledge to really pull this together."
The first single, "Uptown Funk," features GRAMMY® award-winning superstar Bruno Mars on vocals and drums, who sings with passion and plays drums with fire that will bring funk back on the radio. Joining Mars on the track is Mark on guitar, Mars' bassist Jamareo Artis and Jeff Brasker on keys. Mark produced Mars' massive hit single, "Locked Out of Heaven," where they developed a close musical kinship. "As a live performer no one out here now puts on a show like Bruno," says Mark. "This record has that same intensity. When you hear him sing you are always aware of how much he puts into a performance." Mark was so taken with the single's power that it inspired the album's title.
Though Ronson is now based out of London, most of Uptown Special was recorded in the United States with stops in Los Angeles, Memphis and Mississippi. Most of the music was recorded with live musicians with Mark anchoring the sessions on guitar, while surrounded by a complimentary mix of gifted young players and R&B vets. Several musicians, who worked with Mark on his historic production of Amy Winehouse's multi-platinum Back To Black and his own breakthrough album, 2007's Version, rejoined him for this album, including drummer Homer Steinweiss, bassist Nick Movshan and guitarist Tommy Brenneck. Also making guest appearances on 'Uptown Special' are bassist Willie Weeks (who played on Stevie Wonder's classic Innervisions) guitarist Carlos Alomar (who created the familiar guitar riff on David Bowie's "Fame") and drummer Steve Jordan (member of the John Mayer Trio).
Mark Ronson's Uptown Special is a unique blend. It's an album with a serious literary pedigree matched to down home greasy funk. It features a progressive pop vocalist from Australia and one reared in Mississippi, the spiritual root of American music. Hot young contemporary players dominate while some tracks are spiced with legendary musicians. It's a mix that reflects the musical taste and life experience of its creator.1. Uptown's First Finale
2. Summer Breaking
3. Feel Right
4. Uptown Funk
5. I Can't Lose
7. Crack In The Pearl
8. In Case Of Fire
9. Leaving Los Feliz
10. Heavy And Rolling
11. Crack In The Pearl pt. II$21.99Vinyl LP - Sealed Buy Now
The Road: Part IAfter a rollercoaster twenty-five year career as an artist, curator and tastemaker, James Lavelle returns with UNKLE's fifth studio album, The Road: Part I.
James Lavelle was one of the key players who shaped the cultural landscape of the 1990s. As the founder of Mo' Wax Records and UNKLE, Lavelle nurtured, worked and rubbed shoulders with some of the most influential artists of the decade, including DJ Shadow, Ian Brown, Thom Yorke, Richard Ashcroft and Massive Attack.
Within ten years of leaving Oxford to work in a record shop, Lavelle had founded one of the most coveted music labels in the world.
As a record producer, label head and tastemaker, he absorbed the 90s as a night owl, seeking out musicians, designers, film makers and unique individuals to share ideas and collaborate with. He tapped into what was without a doubt the most celebrated and innovative era since the 1960s, and was widely regarded as the greatest A&R man of the day. In the twenty years since UNKLE's debut, Lavelle has been prolific. He created three studio albums with UNKLE (Never Never Land, War Stories and Where Did The Night Fall), a host of critically acclaimed film scores, and curated a series of art exhibitions through Daydreaming With... most notably, the hugely successful Daydreaming With Stanley Kubrick exhibition at Somerset House.1. Iter I: Have You Looked at Yourself
2. Farewell (Featuring YSÉE, ESKA, Elliott Power, Keaton Henson, Liela Moss, Mïnk, Dhani Harrison & Steven Young)
3. Looking For The Rain (Featuring Mark Lanegan & Eska)
4. Cowboys or Indians (Featuring Elliott Power, MÏNK & YSÉE)
5. Iter II: How Do You Feel
6. Nowhere To Run/Bandits
7. Iter III: Keep on Runnin'
8. Stole Enough (Featuring Mïnk)
9. Arm's Length (Featuring Elliott Power, Mïnk & Callum Finn)
10. Iter IV: We Are Stardust
11. Sonata (Featuring Keaton Henson)
12. The Road (Featuring ESKA)
13. Iter V: Friend or Foe
14. Sunrise (Always Comes Around) (Featuring Liela Moss)
15. Sick Lullaby (Featuring Keaton Henson)$39.99Vinyl LP - 2 LPs Sealed Buy Now
Electric Monkey SessionsFirst Pressing Of 500 Numbered Copies On Orange Transparent Vinyl
In 1993 saxophonist Benjamin Herman began experimenting with DJ Graham B at nightclub Soul Kitchen in Amsterdam. The combination of playing live to spinning records was still unusual then. But the results worked and ended up evolving into the eight-piece New Cool Collective. The band is now impossible to think away from the nightclubs and festivals of the Netherlands and beyond.
The line-up of New Cool Collective is made up of saxophonist Benjamin Herman, drummer Joost Kroon, percussionists Frank van Dok and Jos de Haas, pianist Willem Friede, bassist Leslie Lopez, guitarist Rory Ronde and trumpet-player David Rockefeller.
New Cool Collective's fifteenth album Electric Monkey Sessions refers to the sound studio in Amsterdam where the recordings were made. A new studio for the band, and a new style of recording, which means a whole new vibe compared to previous albums. New Cool Collective has drawn inspiration from Senegalese Orchestra Baobab, as well as psychedelic cumbia, Cape Town, Italian cinema and many major jazz heroes. Electric Monkey Sessions also features two unique tracks recorded at a beach-side studio in Dakar with local musicians the band met on one of their many international adventures.
This autumn New Cool Collective are on tour. The eight-piece band is well known for the total commitment with which they convey the energy and emotion of their albums live on stage.1. Rantanplan
2. Cumbia Yaya
6. Mono ElÉctrico
9. Sa Jikko Jii
10. Casa Di Mansa$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Bashed OutThis Is The Kit is the much beloved musical project of Kate Stables, born in England and based in Paris. Bashed Out is her band's third album, the result of an extended period collaboration with the record's producer Aaron Dessner (Sharon Van Etten, Local Natives). Dessner--the co-founder of the Brassland label--is best known for his work in The National. Indeed, the backing band he gathered for Bashed Out combines the talents of This Is The Kit's touring members (Rozi Plain, Jesse Vernon, Jamie Whitby-Coles), alongside a number of session players drawn from the Brooklyn music scene: Bryce Dessner, Thomas Bartlett (Doveman, The Gloaming), Matt Barrick (The Walkmen) and Ben Lanz (Beirut, The National) all made key instrumental contributions. This music is honest, human and humane-a folky-lovely slow-rumble. It's rock but of the hangover-friendly, stoner variety; it's folk but at a groovy speed. As notable as the music, however, is front woman Kate Stables, whose voice hearkens back to the classic singer-songwriter era--her distinctive, cutting vocals up front in the mix. It's a self-confidence gained since her previous album, 2011's Wriggle Out the Restless, which made her band a minor institution in the United Kingdom, especially on the radio which has embraced the group. This Is The Kit has received across the board support from BBC 6 DJs Lauren Laverne, Radcliffe & Maconie, Marc Riley, Cerys Matthews, and Mary Anne Hobbs--receiving further play from BBC Radio 1's Huw Stephens, Jen & Ally, and Phil Taggart. Wonderful wonderful stuff, said DJ and Elbow frontman Guy Garvey, before arguing their last album should have made the Mercury Prize shortlist. The Line of Best Fit has already called This Is The Kit an essential fixture of British folk music for the past 10 years one of a handful of truly innovate songwriters working with the British folk template today. In America, however, the band is just building up to their breakout moment. Bruce Warren, program director at influential American AAA station WXPN has praised Stables' "warm and gorgeous voice" and we expect similar notices to come across on this new LP. From Kate's earliest year growing up in the UK town of Winchester, she learned that great art takes time. In some ways the place I grew up is defined by being a Roman Saxon medieval cathedral city, she explains. They started building the Winchester Cathedral a thousand years ago and they've been working on it ever since. It's an exciting moment to join This Is The Kit's continuing musical evolution into a synesthetic, shape-shifting entity-rooted in folk but encompassing elements of psychedelia, alternative rock, and electronic textures and sensibilities.1. Misunderstanding
2. Silver John
3. Spores All Settling
4. Magic Spell
5. Bashed Out
6. All In Cahoots
9. We Are In
10. Cold and Got Colder$18.99Vinyl LP - Sealed Buy Now
Boarding House Reach (Pre-Order)BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain -- crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
BOARDING HOUSE REACH was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY, and Capitol Studios in Los Angeles, CA. The album was mixed by Bill Skibbe, Joshua V. Smith, and White at Third Man Studio in Nashville, TN. The album features White on vocals, acoustic and electric guitars and drums, organ, and synthesizers. He's backed by a remarkable new lineup of musicians that includes: drummer Louis Cato (BeyoncÉ, Q-Tip, John Legend, Mariah Carey), bassists Charlotte Kemp Muhl (The Ghost of a Saber Tooth Tiger) and NeonPhoenix (Kanye West, Lil Wayne, Jay-Z), synthesizer players DJ Harrison and Anthony Brew Brewster (Fishbone, The Untouchables), keyboardists Neal Evans (Soulive, Talib Kweli, John Scofield) and Quincy McCrary (Unknown Mortal Orchestra, Pitbull), percussionists Bobby Allende (David Byrne, Marc Anthony) and Justin PorÉe (Ozomatli), and backing vocalists Esther Rose and Ann & Regina McCrary of Nashville's beloved gospel trio, The McCrary Sisters, as well as longtime collaborators like drummers Daru Jones (Nas, Talib Kweli) and Carla Azar (Autolux, Depeche Mode, Doyle Bramhall II). Singer-songwriter C.W. Stoneking also appears, contributing a stirring spoken word performance to the album's Abulia and Akrasia.
Jack White is a 12-time GRAMMY® Award-winner and 35-time nominee. His most recent full-length release, 2016's JACK WHITE ACOUSTIC RECORDINGS: 1998-2016 (Third Man Records/Columbia), collected 26 acoustic-based songs from throughout White's wide-ranging musical career, spanning album tracks, B-sides, remixes, alternate versions, and previously unreleased material from The White Stripes, The Raconteurs, and White's groundbreaking solo career. The collection debuted at #1 on Billboard's Vinyl Albums chart upon its September 2016 release - a position also achieved by 2012's RIAA gold certified solo debut, BLUNDERBUSS, and 2014's chart-topping LAZARETTO, both of which debuted at #1 on the Billboard Top 200 as well.1. Connected By Love
2. Why Walk A Dog?
4. Abulia and Akrasia
6. Ice Station Zebra
7. Over and Over and Over
8. Everything You've Ever Learned
9. Respect Commander
10. Ezmerelda Steals The Show
11. Get In The Mind Shaft
12. What's Done Is Done
13. Humoresque$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
CellsFour years and four EPs on, Keating is still something of an enigma. He doesn't prey on fame, he does very few interviews and he isn't part of a DJ crew: he has always preferred to let his music speak for itself. He's been in no hurry to release a record either - until now, that is. Keating has found a home on Different Recordings, which counts club crusaders like Tiga, Felix Da Housecat and Vitalic among its roster, and is finally ready to present his mission statement: Cells.
An album is such a personal manifesto, he says, of why he has waited until now to release Cells, and, in some ways, I didn't feel as if I'd earned that. I hadn't got their full attention yet. He should, however, give himself more credit. Since Mars, Keating has released another chart-nudging single, I Think I Like It, remixed with everyone from Hot Chip and Gossip to Calvin Harris and Sway, produced three memorable mixes for Radio 1 and appeared on huge party bills with the biggest names in dance music. He has also started a label, Blood Music, and has hosted its showcases at Social Club in Paris and London's Fabric. And he has just dropped a new EP, Yes/No, to ready fans for his debut long-player. The world, as it happens, is bloodthirstily waiting: Cells is one of the most anticipated dance albums of 2012.
It's a daring one at that. Cells is an 11-track distillation of Keating's surreal vision, an electronic masterpiece skewered by his love of the macabre, the uncanny and the sinister. He has trapped his signature breed of savage, Godzilla-strength basslines and laser-blazing four-to-the-floor inside his very own suspense thriller.1. Yes / No
3. Phantom Power
4. End of Days
5. All In The Blink
6. Let It Go
7. Another World
9. Soft Machine
11. Contact$24.99Vinyl LP - 2 LPs Sealed Buy Now
Silver KobaltIn between work for Björk, The Cinematic Orchestra and Anoushka Shankar, the prodigious Hang player and percussionist Manu Delago has inked a deal with Tru Thoughts to release his own new album, 'Silver Kobalt'. The ambitious LP draws lines from pop to the avant-garde.
Aged just 30, Manu Delago is the world's leading Hang player (with 5 million YouTube views for his DIY performance video "Mono Desire") and possesses equally virtuosic skills as a percussionist and drummer alongside ever maturing instincts as a songwriter and producer. The accessible yet startlingly original sound of 'Silver Kobalt' draws on the experience and ideas built up by the London based Austrian native across a high-flying and diverse career to date. From overachieving teenaged rock bands, through extensive classical training; from his exploits at the cutting edge of art pop as the lynchpin of Björk's band, to a London Symphony Orchestra commission which saw him playfully subverting their expectations; this endlessly curious artist has been honing his own style rich in melody, wit and invention.
The title, 'Silver Kobalt', plays on the strangely linked themes of magnets, goblins and human behaviour. Throwing a pair of small magnets in the air one day, Delago recorded their frantic, thrumming sound for the track "Plus Minus"; he also experimented with the detuning effect of a magnet on the Hang. Magnet fascination deepening, he read that some rare elements are permanently magnetised, of which one is cobalt. Then, up popped the pleasing story that cobalt was actually named after the German word for 'goblin' ('kobold') by hapless silver miners who suspected little kobolds had taken all the silver and left them with this substance. Further reading revealed also that all humans contain cobalt which we need to survive. "I really enjoyed this string of information", he says. "As well as this fun idea of little goblins within us, it really struck a chord because I had been thinking a lot about attraction and repulsion - what makes people magnetically drawn to some things, away from others - and that is a strong theme in the music. 'Silver Kobalt' tied it all together."
Tying together the many sonic threads is co-producer Matt Robertson (Björk, The Prodigy, The Streets, Bat For Lashes), following his work on Delago's acclaimed 2013 LP 'Bigger Than Home', the record on which he began to truly develop his current sound. This is a sound that revolves around the unique timbre of the Hang, but encompasses much more, from acoustic percussion, bassoon, piano and chimes to multi-layered beats and a variety of synths.
The hypnotic, nursery rhyme-like Hang melody of lead single "Disgustingly Beautiful" feat. Isa Kurz opens the album; the affecting vocals of Kurz (also the pianist and violinist on record and in the live outfit Manu Delago Handmade) ride a bass-heavy undercurrent, with added beats from Grammy nominated producer j.viewz. On the spiky yet melodically catchy "Plus Minus", the aforementioned magnet theme is extended into the composition, with two main lines that are pulled together and pushed apart. "Drumheart feat. Anil Sebastian" is pristine bassy pop lifted onto another plane by the haunting, androgynous vocals of the up-and-coming singer.
Stealthily moving into a fascinating instrumental section, "Down to the Summit" (which, unusually, uses the Indian drone instrument Surpeti for harmony) leads to the punchy, subby Hang sound and four-handed piano tinkering of "Wandering Around" and on to the joyful "Simon is Psychling", which calls to mind a DJ with speakers on a bike, circling a big field, one lap bringing a bassoon solo, another an industrial noise-fest. Restoring calm, "Sun In The North feat. Isa Kurz" is a potent lyrical snapshot from a day on the beach on Reunion Island in the Indian Ocean, its rhythms inspired by playing with Indian musicians there. Cobalt gets its glory in the shape-shifting "Chemical Reaction feat. Rahel", and the lovelorn "Dearest" was conceived on tour in Australia where Delago captured the fairytale vocals of celebrated Australian folk singer Katie Noonan. "Almost Thirty", in Delago's words, "draws a bow from Eurotrash Dance Music to Austrian folk music, with some brainy immature rhythm ejaculations in between"; a banger that skirts the border between strange-town and club-land, it is a thrilling way to see out both his third decade on Earth and the album.
Having been given his first drum kit aged two, also learning the accordion and piano in childhood, Manu Delago was a professional performer by his teens, but it was in 2003, when he began playing the Hang - an enchanting new sound sculpture from Switzerland - that he discovered his passion for writing music. On graduating from the university Mozarteum in Innsbruck, he moved to London and studied at Guildhall School of Music & Drama and Trinity College of Music. With this pedigree, the lessons learned from collaborating with his heroes, and influences from The Prodigy to Bon Iver, Michael Jackson to Stravinsky and Beyonce to Rage against the Machine, his music is as impeccably realised as it is impossible to classify. Delago has featured heavily in the world's media, having toured on six continents and played festivals including Shambala, Green Man, Haldern Pop, Reeperbahn, Eurosonic and Popfest Vienna.1. Disgustingly Beautiful feat. Isa Kurz
2. Plus Minus
3. Drumheart feat. Anil Sebastian
4. Down to the Summit
5. Wandering Around
6. Simon is Psychling [sic]
7. Sun in the North feat. Isa Kurz
8. Dearest feat. Katie Noonan$14.99Vinyl LP - Sealed Buy Now
Endangered Philosophies2LP gatefold with etched vinyl
Before Def Jux, before Death Grips, before Yeezus, there was DÄlek (Noisey). Pioneers of alt hip-hop, DÄlek (pronounced die-a-lek) features Rapper/Producer MC DÄlek, Producer/live electronics Mike Manteca, and Turntabilist DJ rEk . With roots in the mid-'90s DIY scene, DÄlek has been delivering groundbreaking albums for over 20 years. They have enraptured fans and critics across all genres, garnering fans and earning accolades from the hip-hop, electronic, indie, metal, shoegaze, jazz and experimental communities.
After releasing seven studio albums, numerous collaborations, EPs, and remixes, they continue to push boundaries with each release. Debut album Negro Necro Nekros (1998), was hailed by NME as a means to deconstruct hip hop, 2002 saw Ipecac Recordings release the game-changing From Filthy Tongue of Gods and Griots, which was followed by 3 more releases on Ipecac Recordings: Absence (2005), Abandoned Language (2007) and GutterTactics (2009).
In 2010, DÄlek went on a five-year hiatus to recoup from a decade of relentless touring, and to focus on new musical projects. In January of 2015, MC DÄlek said he missed the noise, and a tour and new single quickly followed. 2016 saw the release of the critically acclaimed Asphalt for Eden, which Pitchfork declared: hip hop ascends into the noosphere. DÄlek's sonic and lyrical evolution continues.
Endangered Philosophies is DÄlek's signature sound pushed in new directions. Re-sculpted to say all that needs to be said today. It is no one element, but rather an amalgamation of the lyrics, sonics, drums, noise, melody, bass, and turntablism, explains MC DÄlek of the new work. Endangered Philosophies is a very introspective record about very external forces. This isn't about one listen... it's about your evolving perception when you immerse yourself in the layers of sound and words. Endangered Philosophies is a record about the RIGHT NOW and yet will resonate differently each time it is listened to, in a word....timeless.1. Echoes of
3. Few Understand
4. The Son of Immigrants
5. Beyond the Madness
7. Nothing Stays Permanent
8. A Collective Cancelled Thought
10. Straight Razors
11. Numb$27.99Vinyl LP - 2 LPs Sealed Buy Now
Bringin' It (Awaiting Repress)Iconic bassist Christian McBride has been doing what the title of his upcoming big band album implores for years: Bringin' It. This highly anticipated release, which follows the Christian McBride Big Band's 2011 Grammy® Award-winning debut, The Good Feeling, puts his status and skills as an all-around entertainer on full display. With a list of growing accolades including his recent appointment as Artistic Director at the Newport Jazz Festival, hosting shows on SiriusXM ("The Lowdown: Conversations with Christian") and NPR ("Jazz Night in America," as well as frequent online contributions to various programs including "All Things Considered"), speaking engagements, and occasional DJ performances under the alias DJ Brother Mister, he's more than just a bandleader: Christian McBride is transcending that title to something more complete.
If it is true that jazz is a sponge for musicians to absorb and then squeeze out what they hear to produce their own sound, McBride has been "bringin' it" for quite a long time. From his amazing quintet, Inside Straight, to his avant-garde leaning quartet, New Jawn, the contemporary sound of his fusion group, A Christian McBride Situation, to the critically acclaimed music he's made with his trio, the bassist has always disseminated his own unique 360-degree view of jazz.
While the music played by the Christian McBride Big Band is on the cutting edge of 21st century large ensemble music, the orchestra's presentation, like its sound, respects the past while looking forward. Danny Ray, the legendary stage announcer for James Brown, travels with the group to give the leader an old-school intro before playing his thoroughly modern music. "I love having the show aspect of it as well, with Danny Ray there, and being able to create somewhat of a show while also having Melissa there as our vocalist."
That would be Melissa Walker, who graces Bringin' It on two tracks: "Upside Down," originally done by Brazilian superstar Djavan, and the unlikely slick arrangement of "Mr. Bojangles." In addition to maintaining a career in jazz, Walker is also the co-founder of Jazz House Kids, the award winning jazz education center and she's Mrs. Christian McBride.
Only two tracks on this 11-song set were not arranged by the leader: the "Upside Down" arrangement was contributed by Norman Simmons, while "Optimism" is from the person he's known the longest in his band, trombonist Steve Davis. Davis has the distinction of being the very last Jazz Messenger that Art Blakey hired before he died in 1990.
"I saw that last Jazz Messengers band that Steve was in," McBride remembers. "Blakey was a huge influence on me and because of that, Steve and I share the same compositional and arranging DNA. You see, even though I've been influenced by every great big band and every great arranger I've ever heard, three of my greatest influences - not just as composers but also as improvisers - are Freddie Hubbard, Wayne Shorter and Cedar Walton. I mean before, after and during the period when they were with Art Blakey & the Jazz Messengers."
McBride played bass for Freddie Hubbard's quintet for nearly three years starting when he was 18. One of the songs he loved to play with the legendary trumpeter was "Thermo." A few years ago he brought this arrangement to a gig with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. When the four trumpeters had to work hard to go over the riffs in the tune, McBride felt a certain pride. "I just thought that Freddie was somewhere up in heaven laughing," says McBride.
Perennial poll-topping arranger Maria Schneider has also been an influence on McBride. He cites times when he'd just bug her for hours, peppering her with questions, particularly on a recent trip to Europe. He honors her with his rendition of "I Thought About You." "She has an arrangement of 'Giant Steps' where she arranged the melody over a D pedal so I said let me try something like that," McBride recounts. "That's where that came from. She really gave me a lot of information and has been a great influence on me."
Another aspect that has helped the bassist find his voice as an arranger is the fact that, except for drummer Quincy Phillips, this is the exact same band that recorded with him six years ago. "These guys know my sound. They know my style. They know what my compositional and arranging DNA is. I've been able to keep the exact same unit, so like Duke Ellington used to do, I can write for my guys because I know their sound and style.
"As for my originals, they all have been recorded with my small groups," he continues on about the tracks "Gettin' To It," "Youthful Bliss," and "Used'ta Could." "As an arranger I'm still in the early stages of my development so it seems to me the best way to really make my hopeful ascension into a better arranger is to obviously take a song I've already written and try to add to that and make it a worthy large ensemble song."
While the Wes Montgomery smoker "Full House" isn't a McBride original, it is part of his development as an arranger - it's a big band chart he first created for guitarist Russell Malone at Jazz Aspen in 2009. He says he's tweaked it since then for his go-to guitarist Rodney Jones. For the McCoy Tyner classic "Sahara," the bassist channeled his 20+ years of playing with the legendary Chick Corea, for which McBride won two of his five Grammys. Another one of his Grammys came from a co-op project with Tyner. "I always thought of Chick, in his early years, as being a branch from the tree of McCoy Tyner, if you will," he commented.
McBride's work ethic is evident in the challenge he set for himself on the steamy old ballad "In The Wee Small Hours of the Morning." "I decided to torture myself by writing that arrangement in the key of B. To me that's a very pretty key, but it is a very hard key for a double bass because I get to play no open strings," McBride explains. "When I play it live, every bass player in the house comes to me and says, 'is that in B? Why do you do that?' Maybe it's because I'm crazy, but I really wanted to do something difficult and keep myself on my toes."
Planning to keep this group simmering while he simultaneously resurrects his Inside Straight band and introduces his new trio, Tip City, McBride is most excited to embrace the golden age of big bands while they continue bringin' it with more gigs and their first European tour. "With my big band I try to combine all of my journeys and goals as a musician and then try to put it in a wrapper of show business," the five-time Grammy® Award-winner comments. "I really think in that sense I'm following something of a big band tradition."1. Gettin' To It
3. Youthful Bliss
4. I Thought About You
6. Upside Down
7. Full House
8. Mr. Bojangles
9. Used 'ta Could
10. In The Wee Small Hours Of The Morning
11. Optimism$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Tougher Than LeatherToo many people sleep on Tougher Than Leather, Run-DMC's fourth album. But hear us out as we plead the case for this amazing LP.
By 1988 there was a lot more competition in the rap game - Public Enemy, Boogie Down Productions, Eric B. & Rakim, Ice-T and many more had given Hollis, Queens' prodigal sons lots of competition. But Joe, Darryl, and Jay were still at the top of their game, and hip-hop fans should never let this classic - chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy D[MX] - get lost in their crates.
For starters, the album's first single, "Run's House" b/w "Beats To The Rhyme" is arguably the most powerful one-two punch of the trio's career, showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were also reminded on both sides that Jam-Master Jay remained one of the world's best DJs, flexing the pinnacle of what would be called "turntablism" a decade later. Both songs show a musical telepathy between all three that has rarely been equaled.
The second single, "Mary, Mary," driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on the Raising Hell bandwagon had something to chew on. But, like "Walk This Way," the song wasn't just bubblegum - there was an edge to it, and the lyrical gymnastics were very real. It wasn't selling out, it was allowing fans to buy in. "Papa Crazy," driven in concept and by a sample from the Temptations' "Papa Was A Rolling Stone," followed a similar pop-leaning path.
Overall, the lyrical content on the album was a step up from the group's first three LPs. It's easy to infer, looking back, that they were feeling the heat from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like "Radio Station," they bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. "Tougher Than Leather" reminds the world that they were still the Kings of Rock, with hard guitars to drive the point home. And "They Call Us Run-DMC" and "Soul To Rock And Roll" both bring things back to their early days, with sure-fire park jam rhymes and killer cuts.
Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the '80s output of one of the decade's most important groups. It encompasses the full range of the trio's capabilities and reminds us that Run-DMC should never be forgotten as both pioneers and party-rockers. And so, we say, long live Joe, Darryl, and Jay!1. Run's House
2. Mary, Mary
3. They Call Us Run DMC
4. Beats To The Rhyme
5. Radio Station
6. Papa Crazy
7. Tougher Than Leather
8. I'm Not Going Out Like That
9. How'd Ya Do It Dee
10. Miss Elaine
11. Soul To Rock And Roll
12. Ragtime$22.99Vinyl LP - Sealed Buy Now
DJ Trio (Out of Stock)Christian Marclay was one of the earliest musicians to make an art form out of the turntable, using the device as a tool to make surprising juxtapositions. Marclay is in the news everywhere these days (16 pages in The New Yorker, coverage on national and international television) due to his 24 hour film The Clock. djTRIO presents him in his original DJ guise with two other noted turntablists in a wild sonic collage.Side A
4:47$22.99Vinyl LP - Sealed Temporarily out of stock
The Litmus Test (Out Of Stock)Cut Chemists Litmus Test is a self-mixed retrospective showcasing one of the 1990s great DJ/producers repertoire.
Originally released in 2004, the album ushered in his solo era as a precursor to his Warner Brothers debut release
The Audience Is Listening.
A mix of selected productions/mixes Cut Chemist had done to date - some for hire, some for pleasure, and many for
the group hed become famous with, Jurassic 5. This compilation is a good snapshot of his career, and makes one
realize the level of talent that was quietly lurking behind the turntables in J5 - from his work with retro-funk label
Now Again (Bunkys Pick) to backpack Hip Hop kids Ugly Duckling to futuristic complex rappers Blackalicious
and bedroom cut-up exercises in Lesson 6, Cut Chemist made a case that established his legacy as one of the
greats of the era, expertly segueing and blending a catalogue of his own compositions, ending up with a new album,
which turns out to be a real solid listen.
For fans of: DJ Shadow, Edan, Q-Bert, Jurassic 5, Quannum, The Roots, Stones Throw Records and the Cut-Up genre.No Track Listing Available.$17.99Vinyl LP - Sealed Temporarily out of stock
Deltron 3030 (Out Of Stock)The super group Deltron 3030 is composed of producer Dan the Automator, rapper Del tha
Funkee Homosapien and DJ Kid Koala and sometimes features guest artists who also take
on varying futuristic pseudonyms. Originally released in 2000 on the now-defunct 75ARK
record label, this Hip Hop concept album was released the same year as the Gorillaz first
12 and is on a similar plane. Following the release of Deltron 3030, all three members
participated in the Gorillaz self-titled debut album.
With Del aka Deltron Zero on vocals, Dan the Automator aka The Cantankerous Captain
Aptos on production, and Kid Koala aka Skiznoid the Boy Wonder on turntables, this album
takes the listener on a paranoid journey set in a dystopian year 3030 dealing with viruses, the
apocalypse, an oppressive government, and a war waged against a huge company called
the Corporate Bank of Time that rules the universe, all to the well-crafted and consistent
musical backing of the Automator. Appearances by Damon Albarn (The Gorillaz, Blur), Prince
Paul, Peanut Butter Wolf, DJ Money Mark, Paul Barman, Mark Bell (Bjork, production), Sean
Lennon, and Mr. Lif compliment Dels vocal style and add the right amount of flavor to this
classic period piece.Side 1
1. State of the Nation feat. Damon Albarn
3. The Fantabulous Rap Extravaganza feat. Prince Paul
4. Things You Can Do
1. Positive Contact
2. St. Catherine St. feat. Beans, Mr. Lif,P. Wingerter, Peanut Butter Wolf, Verna Brown
4. Upgrade (A Brymar College Course)
5. New Coke feat. Mark Ramos-Nishita
2. National Movie Review feat. Brad Roberts
4. Meet Cleofis Randolph the Patriarch feat. MC Paul Barman
5. Time Keeps On Slipping feat. Damon Albarn
6. The News (A Wholly Owned Subsidiary of Microsoft Inc.) feat. Hafdis Huld
1. Turbulence (Remix) Remixed by Mark Bell
2. The Fantabulous Rap Extravaganza Part II feat. Prince Paul
4. Love Story
5. Memory Loss feat. Sean Lennon
6. The Assmann 640 Speaks$18.99Vinyl LP - 2 LPs Sealed Temporarily out of stock